- 6/25/2025
Guayaquil de mis amores is an Ecuadorian song in the form of a pasillo, written by the composer Nicasio Safadi and the lyrics by Lauro Dávila.
Category
🎥
Short filmTranscript
00:00:00Music
00:00:30Sana, become a bridge that takes me to the moon without any option
00:00:54Well, I prefer to be alone than with no one because I believe that my... is on the moon.
00:01:04Come on, sit down and show me.
00:01:06I didn't just make you a brochure, I made you a whole complete campaign.
00:01:09Great, let's see, even better.
00:01:12Let's see, good graphics, a little foot, a design, very good, and an eternal campaign
00:01:20You don't see people like that anymore, but I imagine you're going to charge a little more.
00:01:24Because I asked you for a brochure and you brought me a campaign
00:01:26But I didn't ask for it, but I think it would be fair to give you a little more.
00:01:30No, yes, I'm going to be nervous like that.
00:01:32And you know what? Taking advantage of that good vibe, I wanted to invite you.
00:01:35Because today we are going to have a meeting with creatives, designers, illustrators, film people, actors
00:01:41You come to Sebastián Cordero, if you want, you are cordially
00:01:44No, I have other things to do.
00:01:46You're busy, busy doing what?
00:01:48I mean, you want a lawyer, you're going to sell hot dogs, you're going to become a lawyer.
00:01:52You have to do, I mean, do you know when you're going to have the opportunity to come and be with so many important people in the middle of here?
00:01:58The absence of desire helps me do other things well.
00:02:01Other things are better, the only thing better is cheap philosophy
00:02:05So, I hope it goes well for you, look, outside, there's Vita, who gives you your check and good luck.
00:02:10I find myself in that position that everyone around me
00:02:37Pingen be excited
00:02:42All at once and I count
00:02:46The hours I don't spend by your side
00:02:52They are like sheets of blank paper
00:02:58He gave me his hand and nothing else was needed.
00:03:00He gave me his hand and nothing else was needed.
00:03:13It was enough for me to feel welcome.
00:03:30More than kissing, more than sleeping together, more than anything else
00:03:38He held my hand and that was love.
00:03:42Hello
00:03:57Hello.
00:03:58Hello, Daniel. How are you?
00:03:59Hey, I need you to drop off the microtheater in Mira Flores, I don't know if I told you.
00:04:03Please, please, but I don't know if not right now.
00:04:06Javiera, we agreed to deliver them to you tomorrow. I'm busy.
00:04:11Hey, but you live right here in Mira Flores, right?
00:04:13What's the problem? Come here, please, I'll take it. I have to present them tomorrow.
00:04:17and the truth is I want to check in on us tonight.
00:04:19I hope you pay me today.
00:04:21I'll be there in a few minutes.
00:04:27Look at Flowers.
00:04:29If it's hard for you.
00:04:31Thanks for watching the video.
00:05:01Thanks for watching the video.
00:05:31Thanks for watching the video.
00:06:01Thanks for watching the video.
00:06:31Thanks for watching the video.
00:07:01Thanks for watching the video.
00:07:31Thank you.
00:08:04I had never been so completely happy as I was at that moment, but I had the painful feeling that I would never be again, at least not to that degree, with that intensity.
00:08:14Of all those hands, his was the only one that transmitted life.
00:08:44Thanks for watching the video.
00:08:46Thanks for watching the video.
00:08:48Thank you.
00:08:50My wife, after completing your child's studies, we have come to the conclusion that he needs surgery.
00:09:01And with that operation, could she have a normal life?
00:09:06If the operation is successful, I think he has a good chance of becoming a normal person.
00:09:14That's why it's worth taking the risk.
00:09:18And how much and where are they paying?
00:09:21Well, in our environment, it could probably go over $30,000.
00:09:26There are also options, looking for a foundation to help us.
00:09:56What's happening?
00:09:58It's delicious.
00:09:59I'll try.
00:10:00No, mom, then they make you fat.
00:10:02What do you mean, fat?
00:10:05You're going to be fat and eat me again!
00:10:10That's got things!
00:10:13If I am a princess, how?
00:10:15Look, you may be fat.
00:10:17Tell me!
00:10:18Subscribe to the channel!
00:10:19fatties and I'm going to give myself food.
00:10:21That's got things!
00:10:23If I am a princess, how?
00:10:24Let's see, can you be fat?
00:10:26Tell me, can you be fat?
00:10:27Yeah!
00:10:27No!
00:10:28I said no, mommy, you're pretty, you're pretty.
00:10:31Tell me, tell me.
00:10:32Can you be fat?
00:10:34Yeah!
00:10:35Mmm, you know what?
00:10:38Did you know?
00:10:39The last one to arrive at the door does not go to the park.
00:10:49Friend, you know that nothing in life is free.
00:11:03Besides, no matter what people say, you always have to stand up for yourself and your family.
00:11:08Well, you're right, but I swear, friend, I'll get that money and get out of the business.
00:11:13Oh, it's not that bad either.
00:11:15Remember how well we had those parties.
00:11:16Oh yes.
00:11:17Also, you have some things to catch up on.
00:11:23Little Robert!
00:11:27Little Robert!
00:11:30Codras!
00:11:33Careful, love.
00:11:42Angel, everything is going to be okay.
00:11:44I'm leaving.
00:11:45Oh, my friend, I need to ask you one more favor.
00:11:52This is the form for the price.
00:11:54I need that one to arrive today, please.
00:11:56I can't do it.
00:11:56Are you going to make...
00:11:57Sure, sure, of course, friend.
00:11:59Don't worry.
00:12:01Of course.
00:12:01Don't worry.
00:12:05Don't worry.
00:12:07Don't worry.
00:12:13Don't worry.
00:12:14Subscribe to the channel!
00:12:44Subscribe to the channel!
00:13:14Subscribe to the channel!
00:13:45Hello, excuse me for calling you at this hour.
00:13:47I need you to come help me, please, so that you want what's yours.
00:13:52Please, yes, I have to get back to work.
00:13:55Yeah, okay.
00:13:57Thank you, Melba.
00:13:58Ok, bye, bye, see you.
00:14:00Well, Melba, you know, anything, where the phones are, so you can contact me.
00:14:12Please, if there's an emergency, call me at any time, okay?
00:14:16Don't worry, ma'am, go easy.
00:14:17I'm not going to be late.
00:14:19Make sure everything is tightly closed.
00:14:21Another thing, you don't put a nice touch on it for a little bit, you don't take good care of it, okay?
00:14:24Don't worry, don't worry.
00:14:26Don't worry, don't worry.
00:14:56Don't worry, don't worry, don't worry.
00:15:26Don't worry, don't worry, don't worry.
00:15:33Hey, Ted, welcome.
00:15:34Thank you.
00:15:36I think you've already met Hugo, my best friend.
00:15:38Who gives a lot of pleasure.
00:15:39Hi nice to meet you.
00:15:41Please sit down.
00:15:41Some more.
00:16:11How are you?
00:16:23Ready?
00:16:27Wait, wait, wait
00:16:28I don't think you're going to need this here, huh?
00:16:30Wait a bit
00:16:30Very good
00:16:32Don't worry
00:16:36Let's wait all night
00:16:37All night, right?
00:16:41Thank you
00:17:11Robertito, what are you doing?
00:17:21Robertito
00:17:22Stop playing and let's go to sleep.
00:17:24That my young man is your mother and she is going to challenge us both.
00:17:25Robertito, that's enough.
00:17:29Robertito
00:17:31What do you have?
00:17:32Robertito?
00:17:33Robertito
00:17:33Robertito
00:17:34Robertito
00:17:40Hiç
00:17:41Robertito
00:17:43Robertito
00:17:44Music
00:18:04Where do I stay?
00:18:06Where the hell do you think you're going?
00:18:08I'm sorry, you're staying here, damn.
00:18:10I can't stay, I have to...
00:18:11Milo, you have to relax, come in, calm down!
00:18:13Respect her, she's a woman!
00:18:14What would it cost him to stay a little longer?
00:18:16Go here, damn it!
00:18:17Calm down! That's enough, Emilio!
00:18:18Of course! Since we've already paid you, we'll go!
00:18:22That?
00:18:23You don't have to be like that. Calm down.
00:18:25A faggot.
00:18:28I never remember to ask for a favor.
00:18:32Emilio!
00:18:34You don't have to take that virtue, Emilio!
00:18:43Nelva! What happened?
00:18:54Okay, okay, okay! I'm on my way. Here I go, here I go.
00:19:13Yeah, yeah, yeah, yeah!
00:19:15Oh, yeah, yeah!
00:19:16Oh, yeah, yeah!
00:19:18Oh, yeah, yeah, yeah!
00:19:19Dad!
00:19:20Oh, yeah, yeah!
00:19:21Heizado is a park!
00:19:22Many misakamos, miracles!
00:19:23Oh, yeah!
00:19:24Ah!
00:19:26Come on!
00:19:27Dad!
00:19:28We don't!
00:19:29We don't!
00:19:30I don't know, we don't!
00:19:31We don't do it!
00:19:32We don't know!
00:19:34There is no!
00:19:35There is no!
00:19:36There is no niescrat!
00:19:37There is no supermarket!
00:19:38There's no time!
00:19:39There is nothing else!
00:19:40There's no need to find her.
00:19:41Hello?
00:19:45Good morning, could you connect me with Deborah Sivar, please?
00:19:48And with her?
00:19:49Talk to María Aguirre, banking advisor.
00:19:52Yeah?
00:19:53I called her to confirm her loan.
00:19:56You should come as soon as possible so that all the papers can be signed.
00:19:59and proceed to disburse the money into your account.
00:20:11I called her to confirm her loan.
00:20:41Look what I bought you.
00:20:45Do you like it?
00:20:47Yeah.
00:20:48Okay, birthday, my love.
00:20:49I called her to confirm her loan.
00:20:55I called her to confirm her loan.
00:20:57I called her to confirm her loan.
00:21:03I called her to confirm her loan.
00:21:05I called her to confirm her loan.
00:21:35Hello, Mrs. Ana.
00:21:36Raquel, good morning.
00:21:37I bring the newspaper to Don Julio.
00:21:39Thank you.
00:21:40Do you need anything else?
00:21:42No, no, just go on.
00:21:43Permission.
00:21:44Hello Ana
00:21:50Hello Julio
00:21:52Good morning
00:21:54Don Mario, good morning
00:22:06Good morning Raquelita
00:22:08He was late
00:22:09The gentlemen are waiting for you, come.
00:22:11Thank you
00:22:12As always, this little pain
00:22:18That bothers me, but there
00:22:19Excuse me, Mrs. Ana, Don Mario is here.
00:22:22Mario, Anitta
00:22:23Julio, good morning
00:22:25How are you, Mario?
00:22:28Thank you, thank you
00:22:29The coffee smells good
00:22:32Oh yeah
00:22:32It's freshly brewed, it's hot
00:22:36Attentive
00:22:38Just there, thanks
00:22:39I'm still worried
00:22:43Mario
00:22:43What happened yesterday?
00:22:48I'm definitely going to have to fire him.
00:22:51And hire another guitarist
00:22:53But
00:22:55I don't know why you make things so complicated.
00:22:58As if it were that easy
00:23:00Do it yourself
00:23:02Do it yourself
00:23:02So this time he forgot about the salprieta
00:23:18And on three occasions I agreed with him
00:23:20On the next trip, don't worry
00:23:23Well
00:23:26I have to go
00:23:28I'm going to fix the guitarist thing.
00:23:31And passing by the school
00:23:33I'm buying some donuts for tomorrow.
00:23:35Very good
00:23:36Thank you so much
00:23:37Thank you in advance.
00:23:38See you tomorrow
00:23:40Let's hope you don't forget either.
00:23:43Like the one from the salprieta
00:23:45Anitta
00:23:46See you tomorrow, Mario
00:23:49July
00:23:56In your room you leave your socks for tomorrow
00:23:58Thank you, Ana
00:24:01Thank you, Ana
00:24:01Thank you, Ana
00:24:03Thank you, Ana
00:24:05Thank you.
00:24:35Mrs. Ana, Omar is here.
00:24:44Mario, good morning.
00:24:45Good morning, Ana. Are you bringing these cigars for July?
00:24:48I can imagine. He forgot to tell you he was moving away.
00:24:52And this time where did he go?
00:24:54As always, to your Panama seminar.
00:24:58Well then I'll come back when he comes back.
00:25:02No, come with me.
00:25:04Thank you.
00:25:04Let's have breakfast together.
00:25:05Thank you.
00:25:06I'm going to bring the dishes.
00:25:07Thank you.
00:25:08Thank you.
00:25:08Thank you.
00:25:08Thank you.
00:25:09Thank you.
00:25:10Thank you.
00:25:11Thank you.
00:25:12Thank you.
00:25:13Thank you.
00:25:14Thank you.
00:25:15Thank you.
00:25:16Thank you.
00:25:17Thank you.
00:25:18Thank you.
00:25:19Thank you.
00:25:20Thank you.
00:25:21Thank you.
00:25:22Thank you.
00:25:23Thank you.
00:25:24Thank you.
00:25:25Thank you.
00:25:26Thank you.
00:25:27Thank you.
00:25:28Thank you.
00:25:29Thank you.
00:25:30Thank you.
00:25:31Thank you.
00:25:32Thank you.
00:25:33Thank you.
00:25:34Thank you.
00:25:35Thank you.
00:25:36Thank you.
00:25:37Thank you.
00:25:38Thank you.
00:25:39Thank you.
00:25:40Thank you.
00:25:41Thank you.
00:25:42Thank you.
00:25:43Thank you.
00:25:44Thank you.
00:25:45Thank you.
00:25:46Thank you.
00:25:47Thank you.
00:25:48Thank you.
00:25:49Thank you.
00:25:50Thank you.
00:25:51Thank you.
00:25:52Thank you.
00:31:53Thank you.
00:31:54Thank you.
00:31:55Thank you.
00:31:56Thank you.
00:31:57Thank you.
00:31:58Thank you.
00:32:28Guaya Gil, June 25, 1966.
00:32:35In the solitude of these four walls I say goodbye to you.
00:32:45Locked in my thoughts, I say goodbye to the most beautiful thing I have ever experienced.
00:32:53When you're with him, try to invent a story that makes him believe that only he is in your heart.
00:33:02When you are with him, never say that only I gave you true love.
00:33:09When you are with him, never look at this memory that is me.
00:33:14Maybe I can't give you something he promised you.
00:33:15Maybe I can't give you something he promised you.
00:33:21But yes my soul.
00:33:23You took my heart and now it belongs to you.
00:33:27Every time.
00:33:28Every time you think of me and us, dance to our song.
00:33:39Dance my dancer.
00:33:40I let you go because I love you, my little dulcian.
00:33:46Maybe this isn't the best way to communicate.
00:34:10But I think it is necessary.
00:34:13It has been a beautiful part of my life.
00:34:17And we had some very happy moments that I don't regret and never will.
00:34:23We're already old and it's difficult to revive a relationship.
00:34:29I'm being honest with you.
00:34:31I have changed over the years.
00:34:33I am much more than what you do not know.
00:34:36And I long for you to realize this one day.
00:34:40So much time apart.
00:34:43I didn't expect this.
00:34:45Something less than love.
00:34:47We pretend to be perfect.
00:34:50But we are not.
00:34:52I love you.
00:34:54But I don't feel like we're right for each other.
00:34:58I always knew I could get it all back.
00:35:11Except for time.
00:35:13No.
00:35:14That's bad.
00:35:15That one can wake up.
00:35:17I!
00:35:19I see it.
00:35:20There are vices.
00:35:22We continue.
00:35:23The ciph.
00:35:25The many months of which they sing to me.
00:35:28The ciph.
00:35:29The others.
00:35:30The figure comes out.
00:35:31The others.
00:35:32The others.
00:35:33The others.
00:35:34The others.
00:35:35The others.
00:35:36Cifo.
00:35:37We work.
00:35:39With the fruit and the others.
00:35:40And now it's sushi time with you.
00:36:11Oh, it happens a lot. Many men feel dissatisfied with their lives.
00:36:16And of course, they feel bored and look for relationships with women younger than them.
00:36:20They almost took them away to finish breeding them.
00:36:22Because they see them half-painted and wearing heels, they think that gravity won't affect them.
00:36:27It's that, of course, Susy, like men, they fall in love with what they see.
00:36:32Very true, my friend. Well, a radio listener wrote to us with just such a problem.
00:36:37Her message says, Hi Susy, I've been in a relationship with a girl who's younger than me for months and I'm starting to notice a lot of differences between us.
00:36:45Sometimes I feel like I'm with a little girl.
00:36:47Hey baby.
00:37:01How did it go?
00:37:02Uh, normal. Boring.
00:37:05You don't know what happened to me today. I went to Superpizza with Titi, right?
00:37:08And you know that woman is too nervous, super anxious and we just happen to be dealing with the minors' little hand.
00:37:13So, she was...
00:37:14Because they see them half-painted and wearing heels, they think that gravity won't affect them.
00:37:21Look, girl, now we're going somewhere to see. What can you believe?
00:37:28Hey, what's wrong?
00:37:30Uh, no, no. Nothing, but...
00:37:32Are we going in?
00:37:33Uh, no, let's go to the automac.
00:37:35That?
00:37:35Yes, I don't have much time and I have to do some work.
00:37:38But I don't want to go to the supermarket.
00:37:40Daniela, please, it's from work.
00:37:44I want a MacFury.
00:37:51I want a MacFury.
00:38:21I want a MacFury.
00:38:46Thank you!
00:39:16Mom, I'm going to Ana's house to be a baby.
00:39:29Daniel, the house is here.
00:39:45And your meeting?
00:39:46Don't start, please.
00:39:48Are you avoiding me?
00:39:50Oh, Carlos! Let me go!
00:39:54Carlos! Stop it!
00:39:59Oh, baby, don't be like that.
00:40:05I'm tired of this, Daniela. You can't come to my house like this.
00:40:08People can see you. They can say something.
00:40:11Oh, I don't want to cause you any trouble. It's just that we haven't been seeing each other lately. It's really weird. You don't miss me.
00:40:17No, Daniela, that's enough. You can't do that. I told you. You can't come to my house like that.
00:40:21I'm the problem. I'm not the problem.
00:40:25You're the one making up meetings at work that you don't even have,
00:40:28You leave me standing, you leave me dressed, you leave me with makeup on.
00:40:31And you leave me there. Alone... I mean, I had to lie to my mom to come see where the hell I was supposed to be.
00:40:37Why are you doing it? Why do you know? You can't do any work. Why are you lying to me?
00:40:41I mean, I don't know. If you don't want to be with me, please let me know. But you can't, sir.
00:40:46I don't know about you. You haven't seen yourself. I haven't seen you.
00:40:48Don't act like that. You haven't seen anything. Don't act like that. You haven't seen anything. Don't act like that. Don't make them film you.
00:40:53Could you please not smoke next to me?
00:41:07It's annoying
00:41:08But you taught me to smoke
00:41:09Yes, but I'm leaving it
00:41:11It hurts you to smoke the tar and all that.
00:41:14The tar?
00:41:19Sometimes I feel like you make things up just to annoy yourself.
00:41:21Look, I turned it off.
00:41:23Happy?
00:41:24Yeah
00:41:24No, no, I don't think so.
00:41:28That?
00:41:30I think we shouldn't see each other anymore.
00:41:32What the fuck is wrong with you now?
00:41:36I need, I need time
00:41:38Time for me, to focus on my art
00:41:39Armarro, my head is not an art, Carlos!
00:41:42That is your goal
00:41:43You're an idiot
00:41:46Look, look how you are
00:41:47How upset are you?
00:41:48This doesn't do us any good, it just took less time.
00:41:51And we see
00:41:52What's happening?
00:41:56Goodbye, Daniela
00:41:56But it's another thing for Messi to stay in there.
00:42:03And I don't want to participate
00:42:05If the bands don't fall
00:42:07Don't be aggressive from the sides
00:42:08He's just doing it now, isn't he?
00:42:09He throws to the right and leaves Pedro in the center
00:42:11Pedro is coming there.
00:42:12With the brand for Pippi
00:42:14It also already has a yellow strip
00:42:16Neymar
00:42:17What's happening for Messi?
00:42:18Hello, hello, what was it, crazy?
00:42:25How are you?
00:42:26What are you going to do today?
00:42:27Let's go to the new Superpizza they put in...
00:42:31Ah, ah, okay
00:42:32How old are you with your hand?
00:42:34Two years
00:42:35Ah, yes
00:42:36Hey, cool, crazy
00:42:37Come on, give it some batteries
00:42:38We are talking
00:42:39Bye
00:42:40How old are you with your hand?
00:43:10How old are you with your hand?
00:43:41I'm not ready
00:43:42You don't have any part
00:43:44To you
00:43:44NoChar
00:43:56We're going to go back here.
00:43:57Hey, hey, hey, hey, hey
00:44:00No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:44:03Have you gotten over the office stress?
00:44:19Aren't you going to tell me anything?
00:44:24Don't think I forgot you disappeared?
00:44:29You can't just act like nothing's happening, you know?
00:44:32Do you know how sad I've been for you, you fucking idiot?
00:44:35And now they come along and say, what?
00:44:37What did they give you?
00:44:38What did they give you?
00:44:39What did they give you?
00:44:40What did they give you?
00:44:41Already?
00:45:02What did they give you?
00:45:04Oh, look at Benjamin's alcohol, look, look how you left my face, I have no way to clean this.
00:45:31Veronica, calm down, please.
00:45:33What do you mean, calm down? You know what? Get down and see what happened.
00:45:36Yeah, I'm getting off.
00:45:37It's always, always the same with you, always, huh?
00:45:41And now, what happened?
00:45:57Oh, we have a low tire and we're not going to get anywhere like this.
00:46:00And aren't you going to call someone to fix that? What do you think?
00:46:04Hey, calm down, it's not the end of the world, okay?
00:46:08We're here near paradise and I know a tire repairer who can help us, okay?
00:46:17What a disaster
00:46:18Don't come to me with that.
00:46:21Don't come to me with that.
00:46:51Wow, Don Fernando, how nice to see you!
00:46:57Benjamin, at the times you let yourself be seen
00:46:59The years don't pass you by, huh?
00:47:01It's a pleasure to see you.
00:47:02Hey, I have a little problem.
00:47:04So I see that you have a tube under the rim.
00:47:06Yes, let's see it.
00:47:08Already
00:47:08Okay, let's go.
00:47:09It's tube under the rim
00:47:13It will have been lowered, it could be a nail
00:47:16Hey, sir, sir
00:47:19How long do you think it will all take?
00:47:21This fast can be fast
00:47:22It can be air just for a moment
00:47:24I've never had any luck with women.
00:47:28Oh, don't tell me anything, Don Fernando.
00:47:30Go check out the tools, will you?
00:47:32Ok
00:47:33Thank you
00:47:33Come on
00:47:35No, no, no, no
00:47:49You go buy water
00:47:50No, I have to fix this.
00:47:51No, no, no, no
00:47:51No, no, no, no
00:48:01No, no, no
00:48:02No, no, no
00:48:03No, no, no
00:48:03No no
00:48:04I don't
00:48:04No
00:48:05No
00:48:06No
00:48:06No
00:48:06No
00:48:07No
00:48:08No
00:48:12What candy do you like?
00:48:24Ah, Mrs. Ejo, you never forget.
00:48:28She is the girl from Anís who changed her house.
00:48:31Good morning.
00:48:36Thank you so much.
00:48:42Thank you.
00:49:12Thank you.
00:49:42Thank you.
00:50:12Thank you.
00:50:32Oh, this drawing thing is definitely not my thing.
00:50:36What matters is that I did it with my heart.
00:50:37What matters is that I did it with my heart.
00:50:42Thank you!
00:51:12Thank you!
00:51:42Thank you!
00:51:48I'm going to miss you a lot
00:52:00But I don't know that I'm going to come back
00:52:02No, it's going to be literal.
00:52:06Mother!
00:52:08It's good that you'll never see her again.
00:52:10Let's go!
00:52:12Let's go, I'm your mother
00:52:14I didn't do it
00:52:28Benjamin! Hurry up, let's go!
00:52:40Let's go!
00:52:46Let's go!
00:52:48Let's go!
00:52:50Let's go!
00:52:52Let's go!
00:52:54Let's go!
00:52:56Let's go!
00:53:28Hello?
00:53:40You're already taking too long with the car!
00:53:42Uh... yeah, yeah...
00:53:44I'm coming down now!
00:53:46I'm in the park waiting for you!
00:53:48Yeah, wait for me in the park.
00:53:50Oops!
00:53:58I'm going to talk to Mrs. Teresita at the church. They're waiting for you here. Please take care of yourself.
00:54:28What happened?
00:54:35Oh, oh, oh, I fell, I won't be able to see anything.
00:54:44Oh, oh, oh, oh, oh, oh, oh.
00:54:52Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh oh oh oh oh oh ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ay ow ow ow ow ow ow ow ow ow ow ow ow ow ow
00:55:22Are you OK?
00:55:33You fell, didn't you?
00:55:36This happens to all children.
00:55:37But you are not a child
00:55:39But, but one day I was
00:55:40Come on
00:55:44Did you see alone?
00:55:49No, I'm going with my mom.
00:55:53My little boy, where were you?
00:56:02He fell
00:56:03Did he fall?
00:56:05What happened, my love?
00:56:08Oh, God
00:56:09But you are so disobedient
00:56:11I didn't know that yes
00:56:12Does a dessert speak?
00:56:18Who are you talking to?
00:56:20No, they asked me for the time.
00:56:21What's happening?
00:56:24No, nothing happens
00:56:26Look, you know what?
00:56:27You spoke to the man in the car
00:56:28Are you ready yet?
00:56:29Yes, you know it's ready.
00:56:31Well my love
00:56:32And the water?
00:56:37Did you know?
00:56:37I went up
00:56:38I went down
00:56:39My love
00:56:40No, I'm not okay
00:56:41I'm super tired
00:56:42Yes, I told you.
00:56:44You have to accompany me.
00:56:45To my stimulating classes
00:56:46No?
00:56:47You know he doesn't get angry
00:56:48You know I just talked to Titi.
00:56:51And I'm still on time
00:56:52Going to work
00:56:52Come on
00:56:53Let's go to the house
00:57:04I check you and cure you
00:57:05Oh?
00:57:06Come
00:57:06Mom, what is that?
00:57:24Nothing, my love
00:57:25It's no big deal
00:57:27You also get very angry
00:57:35You know you shouldn't do anything
00:57:36I mean, don't do it again.
00:57:38Yeah, dad.
00:57:39It's no big deal
00:58:05I recently realized, I think every day
00:58:14That on the nights you are away I am playing the same game
00:58:35Oh, Don Julio, the same shirt again.
00:59:05You have to finish getting dressed because we're going to have breakfast.
00:59:10Don Julio
00:59:35No, no, no, no
01:00:05Yes, I did receive the check.
01:00:14I don't talk much, but yes, he has taken his medicines.
01:00:22Mrs. Jaime, I'll call you later.
01:00:28Yes, yes, calm down
01:00:29Don Julio
01:00:36Don Julio
01:00:40Shit
01:00:42No, no, no, no, no
01:00:51No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
01:01:21Don Julio
01:01:46Don Julio, if you saw that you scare me
01:01:48coming here alone
01:01:49My little ester
01:02:0140 years
01:02:03every morning
01:02:06my little ester
01:02:08What does Don Julio say?
01:02:14Kiss!
01:02:15But it's Lolo!
01:02:16Lolito!
01:02:18How come my brother is here?
01:02:19That?
01:02:20Did they loosen your leash?
01:02:21Mr. Julio
01:02:22I know, I know
01:02:24The herd went crazy
01:02:25My little daughter I tell you
01:02:27When I was young
01:02:29I sat on this bench
01:02:31and Lolo on the other
01:02:33Oh, here
01:02:34I always took care of his camera
01:02:37so that he
01:02:38go conquer your lord
01:02:40may he rest in peace
01:02:42I tell you my little daughter
01:02:46to Lolo
01:02:46They had to lower him from that status
01:02:49Oh, I said it was so Estercita would forgive them.
01:02:52Fed up with stealing
01:02:56wanting to get him down from there
01:02:58The wife
01:02:59My little ester
01:03:01please
01:03:02My little ester
01:03:03always
01:03:04Sorry, Don Julio.
01:03:05Suestercita
01:03:06Suestercita
01:03:07So
01:03:07You were tremendous, Lolo.
01:03:09You took a lot of photos of him.
01:03:12when she didn't see you
01:03:13Darling
01:03:17Darling
01:03:17Come here for a while
01:03:19Yeah
01:03:20Yet
01:03:21Come on
01:03:23Backgammon
01:03:24Come on
01:03:24Wait
01:03:25I'm coming
01:03:26I'm coming
01:03:26Ñañito
01:03:36The owner
01:03:38of his stupidity
01:03:38Don Julio
01:03:42Nice to meet you
01:03:43How are you doing?
01:03:45My camera?
01:03:46Yes, yes, yes
01:03:47My camera?
01:03:48Yeah
01:03:48My camera
01:03:55Yes, yes
01:03:59It's my camera
01:04:00Oh
01:04:01My dear
01:04:01Oh
01:04:02Get there
01:04:02Get there
01:04:03That Don Julio
01:04:03I took a little photo of him
01:04:04It makes me pretty
01:04:07Don Julio
01:04:08Don Julio
01:04:30Yes, yes
01:04:43Mystery!
01:05:13Mystery!
01:05:43Mystery!
01:06:13La, la, la, la, la, la, la, la...
01:06:29This is Valentina.
01:06:41Valentina has her way of doing things.
01:06:43things. She likes to decorate her room with all the things she believes in. She plans her days
01:06:51according to what your horoscope says. You like to light candles for love. You protect yourself from
01:06:58things he doesn't know and the things he doesn't want to know too. This is Ramón. Ramón doesn't
01:07:15He remembers leaving with Valentina Noche. He doesn't like wasting the hours of the day. He hates
01:07:25a stranger seeing him just waking up. Although he often wakes up with strangers.
01:07:55At this very moment Ramón sees his opportunity to escape. Valentina comes out of the bathroom and asks him
01:08:03Where are you going? Ramón tells her he can't stay. Valentina can't understand.
01:08:11and asks him to stay with her forever. Don't ever leave. Don't ever leave. Ramón
01:08:17Ramón tells her they can see each other later and leaves.
01:08:24Ramón dedicates the day to business without ceasing to make room for the little pleasures.
01:08:54that the area has to offer. Ramón has a thriving business. He travels around the area spreading joy.
01:09:14People are always looking for joy, of course. So Ramón sells it in small doses.
01:09:21Ramón is lucky to know how to leave and say goodbye.
01:09:43Ramón is lucky to know how to leave and how to arrive as well.
01:09:53Valentina, on the other hand, finds it hard to see people leave.
01:09:57She always needs him to stay a little longer
01:10:13Thanks for watching the video
01:10:43I like Chalalai now.
01:10:55Chalalai loves me now
01:10:59Chalalai is already kissing me
01:11:02Oh mommy, there is no more pain.
01:11:05Everything is colorful
01:11:07Mommy, please don't tell me no and no and no.
01:11:13Clap
01:11:18I already liked Chalalai
01:11:37I already liked Chalalai
01:11:41Ramón loves the places he knows
01:11:55and the people you see there,
01:11:58the same people as always, since always.
01:12:08But that love takes time to awaken.
01:12:11And it appears only at nightfall.
01:12:16That's why Ramón doesn't stay on that day,
01:12:20because he finds nothing to love and prefers to walk.
01:12:34Valentina knows that people are always looking for joy,
01:12:38You know that people around you always seem to feel a little better.
01:12:44Or at least that's what she's convinced of.
01:12:49That's all that is required for magic,
01:12:51that the precise elements come together at the same time and place.
01:12:55Ramón takes time to love and during the day he needs to walk.
01:13:17But Valentina is protected from the things she doesn't know.
01:13:22and those he doesn't want to know about as well.
01:13:24Everything is born, grows, develops and dies.
01:13:29Everything is born, grows, develops and dies.
01:13:34Everything is born, grows, develops and dies.
01:13:39Valentina doesn't like people who leave
01:13:59Because he is left without a mirror and without being able to reflect himself
01:14:03So always find a way
01:14:06Of not having to let go
01:14:09Lost along the way
01:14:19Without any destination
01:14:24The disc walks
01:14:28The furious kings
01:14:33Day is night
01:14:36Night is day
01:14:40Always in mind Leopoldina
01:14:44Every morning he runs through his memory
01:14:53The path that leads to the viewing eye
01:15:01That place where you forget the horror
01:15:10Can't control the rhythm of madness
01:15:19Can't control the rhythm of madness
01:15:28Have fun
01:15:29He has fun undressing her in his mind
01:15:33Leopoldina returns to life
01:15:41And whispers to him
01:15:44And whispers to him
01:15:45Look at me, cute
01:15:46Matavilela sleeps
01:15:50Fubio Reyes
01:15:58Fubio Reyes
01:16:00There goes the furious king walking.
01:16:11Fubio Reyes
01:16:12That's what they called him
01:16:23Fubio Reyes
01:16:31Fubio Reyes
01:16:32Thanks for watching the video.
01:17:02Thanks for watching the video.
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