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  • 6/24/2025
FULL HOT TEEN MOVIE
With Valeria Cramerotti

The twenty-four year-old aspirant actress Ginette Cazonni goes to an audition with the underground director Alex Scerba and they have one night stand. Ginette finds one earring identical to the one that belongs to her friend Marzia Foster that has been missing for three days on the stage and keeps it with her.

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Transcript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:29CastingWords
00:01:38CastingWords
00:01:52Last name, age, and past experience?
00:01:56My name is Jeanette Kassoni, and I'm 24 years old.
00:02:01In the last four years, I've been with a theater group,
00:02:04and altogether I've taken part in about a dozen plays.
00:02:08Any film or TV experience?
00:02:11No.
00:02:12Except for a student film short when I was enrolled at the Dam's Art School of Turin.
00:02:17Did you graduate?
00:02:19Yes, actually.
00:02:20My thesis was on you.
00:02:22The Poetics are next to Jesus of the new theater of Alex Schilber.
00:02:28These issues only have you written about the death.
00:02:31Well, I'm not so sure.
00:02:33It's an honor and a privilege for me to be here today.
00:02:37Get up.
00:02:38And turn around.
00:02:45Good.
00:02:46Now on your knees.
00:02:46Straight.
00:02:57Slow.
00:02:57Slow.
00:02:58Oh, my God.
00:03:28Okay. Now, on your hands and knees. On all fours.
00:03:42Now, after being honest.
00:03:49Jeannette, keep looking forward.
00:03:51Yes, excuse me.
00:03:52How much of yourself are you willing to offer? How much can you show of yourself?
00:03:58Nudity is not a problem, as you can see. But I thought you were above such things.
00:04:03Nudity? I can find a hundred actresses who will strip me at the drop of them.
00:04:08Then what do you mean?
00:04:10I need a woman who's exceptional. Are you?
00:04:13I can be sometimes.
00:04:15How far can you put a limit between art and reality?
00:04:20Mind me, it has to be in order to be called and tortured.
00:04:25She'll need to know how to rebel and pay for some of the relationships.
00:04:31Okay. Now, next time.
00:04:46We'll have to stay like this for much longer.
00:04:48Can you quiver with pleasure and wince in agony at the same time?
00:05:09What I'm looking for is a conductor of orgasmic shivers and mortal shivers.
00:05:21Use it. Do whatever comes to mind.
00:05:25I want to see how far you can ride your imagination.
00:05:28I'm not sure I understand.
00:05:36Can you imagine the blade slicing into your skin?
00:05:45Or passing over your nipples with a thrill of cold surgical steel.
00:05:49No, not for me. That's beyond acting.
00:05:53She's right. The young lady's right.
00:05:56You're ridiculous.
00:05:57When will you grow out of these circus acts?
00:05:59These antics of yours?
00:06:01You realize they'll get us into trouble one of these days?
00:06:04Look, take a hike. I really don't need to hear your bullshit.
00:06:08Never mind the smart-ass remarks. What is this charade?
00:06:12Why didn't you tell me you were holding auditions?
00:06:14Do I need your permission to go to the bathroom?
00:06:16Unless you've forgotten.
00:06:19The money's out of my pocket.
00:06:23Without me, you're nothing.
00:06:26Fuck you and fuck your money.
00:06:28I can line up other investors. At a snap.
00:06:35You don't say.
00:06:37That's why you've been waiting three months for your foreign co-producers to come through, right?
00:06:42Them or others, who cares?
00:06:43I'm not gonna sweat.
00:06:45Of course not.
00:06:47With that hodgepodge script, they'll be lining up at your door.
00:06:52You don't like it?
00:06:54Then come up with your own idea.
00:06:57And write it yourself.
00:06:58You poor deluded fool.
00:07:12Fifteen minutes of media coverage. Doesn't make you an artist.
00:07:16Yet somehow, living off my work these years, has made you a producer.
00:07:30He's Hector Muscali, my agent. He insists I write drivel about thirty-year-olds. Having nervous breakdowns. Maybe he's right.
00:07:47Did you really write your thesis about me?
00:07:49Yeah.
00:07:50Why didn't you get in touch with me?
00:07:51Why didn't you get in touch with me?
00:07:52Actually, I tried, Mr. Sherba.
00:07:53But you never answered my emails.
00:07:54Mr. Sherba.
00:07:55Alex.
00:07:56Alex, for God's sake.
00:07:58I didn't get in touch with you.
00:07:59Did you really write your thesis about me?
00:08:10Yeah.
00:08:13Why didn't you get in touch with me?
00:08:16Actually, I tried, Mr. Sherba.
00:08:19But you never answered my emails.
00:08:21Mr. Sherba.
00:08:22Alex, for God's sake.
00:08:29Well, I guess it's time to make amends.
00:08:33Why a film now?
00:08:35Are you fed up with theatre?
00:08:36What difference does it make?
00:08:39I'm going to give writing a rest.
00:08:41Try something else.
00:08:43Maybe just pure direction.
00:08:45Are you serious?
00:08:46Strange as it may seem,
00:08:48I've come to the conclusion that whatever you write
00:08:50comes true in the worst way.
00:08:59They make love out of time and place,
00:09:03quivering with mutual possession
00:09:05until they find release in the throes
00:09:08of a simultaneous orgasm.
00:09:11Writing is like
00:09:12putting together all of the fragments
00:09:15of a possible future.
00:09:18You make a world.
00:09:22And do you think I'm crazy?
00:09:24Love takes no prisoners.
00:09:35Well, it's like that.
00:09:36And maybe Moscale's right.
00:09:39It's best you change genre.
00:09:43Wait here.
00:09:44I'll take care of the bill.
00:09:45Marsha, it's me again, Jeanette.
00:10:03When you get this message,
00:10:04call me.
00:10:05You're still switched off.
00:10:07Ciao.
00:10:07Ouch.
00:10:13There you are, sir.
00:10:18Everything all right?
00:10:19Yeah.
00:10:24OK, not really.
00:10:26I'm worried about a friend.
00:10:28It's really strange.
00:10:29I've been trying to reach her
00:10:30and the phone's always off.
00:10:33Is that serious?
00:10:35No.
00:10:35But I'd like to know
00:10:37what that scatterbrain is up to.
00:10:40And then I wanted to tell her something.
00:10:44It was on the floor in the theater.
00:10:47It's funny,
00:10:48because she has a pair
00:10:49exactly like it.
00:10:52And I wanted to tell her
00:10:53she's not the only one
00:10:55in this great big world
00:10:56with such awful taste.
00:10:58She's not the only one
00:11:00in her room.
00:11:06She's 16
00:11:18and I just want to know
00:11:19she's not the only one
00:11:21in this great store.
00:11:24But what
00:11:25Surprise!
00:11:39Open the door! Open the door!
00:11:42Open the door! Just open the door!
00:11:55Open it! Open it! Open the door!
00:12:23Open the door!
00:12:26Open the door!
00:12:29Open the door!
00:12:32Open the door!
00:12:39Don't ever do that again!
00:12:43Open the door!
00:12:52Open the door!
00:13:03Oh, my God.
00:13:33Oh, my God.
00:14:03Oh, my God.
00:14:33Oh, my God.
00:15:03Oh, my God.
00:15:09So, do you like this house?
00:15:11Is it artistic enough?
00:15:13Hmm.
00:15:14Judging from what you write,
00:15:15I expected something more bohemian.
00:15:18I never work here.
00:15:23Do you want to see the place where I create?
00:15:25I don't know.
00:15:39Oh, my God.
00:15:41So, let's go.
00:16:11This way.
00:16:20Follow me.
00:16:26It's magnificent.
00:16:28But we're still not there yet.
00:16:37Come on.
00:16:38I'll show you.
00:16:41Mummy, this is a friend of mine.
00:16:51Her name is Jeanette.
00:17:03The voices.
00:17:06That's why.
00:17:07The voices.
00:17:14That's why.
00:17:16We have to do something about the voices.
00:17:29Sahari, Sahari, where are you?
00:17:31Oh, oh, oh.
00:17:40If I'm not mistaken, we already met yesterday.
00:17:43Yes.
00:17:44Jeanette Cassone.
00:17:45Pleased to meet you.
00:17:45Hector Muscali.
00:17:47Hector?
00:17:47Why are you leaving again?
00:17:49I already told you.
00:17:51It's only for a couple of days.
00:17:53And who will help me with the garden?
00:17:57They're all those people.
00:18:01They will wake up the boy.
00:18:03What people and what boy, my dear?
00:18:07Our Alex.
00:18:09Mrs. Scherber's been strangely upset these last few days.
00:18:12The other night we found her outside, wandering through the bushes.
00:18:15Look after her more carefully.
00:18:19That's what I pay you for.
00:18:26You tell my Alex.
00:18:29Tell him I'm doing it for him.
00:18:32I hope you, uh, didn't take it too personally.
00:18:47You know I have to look after your future.
00:18:50Your career.
00:18:52Peace?
00:18:55Yeah.
00:18:55You're like a son to me.
00:18:57And it hurts me no end to see you waste your God-given talents.
00:19:00Peace.
00:19:30My father died when I was very young.
00:19:35A few years later, mother married Moskali.
00:19:38I owe my love for the theatre to him.
00:19:41One day, he read one of my stories.
00:19:44He said I had potential.
00:19:47He encouraged me.
00:19:49He helped me.
00:19:51And then he became my agent.
00:19:53All in the family, huh?
00:19:56Yes.
00:19:58In a way.
00:20:00Come on.
00:20:07No!
00:20:08Not the door!
00:20:09Let go of the door!
00:20:12Let go of me!
00:20:15Don't, don't, don't!
00:20:17Don't, don't!
00:20:20Don't, don't!
00:20:23Don't, don't, don't!
00:20:25Don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don
00:20:55Oh, my God.
00:21:25Go away, go away, go away, go away, go away.
00:21:55What's happening to you?
00:21:57Just get off of me.
00:22:00What's happening?
00:22:01Nothing, nothing.
00:22:12I've got to stay and work. I'll call a taxi for you.
00:22:15Don't bother. I'll do it myself.
00:22:25I know you like it.
00:22:49Yes. Look. I wonder what it was doing in my garden.
00:22:56I don't need it.
00:22:58Here, take it.
00:22:59I don't need it.
00:23:29I don't need it.
00:23:59I don't need it.
00:24:06Anybody here?
00:24:17Anybody here?
00:24:24Anybody here?
00:24:41Anybody here?
00:24:59I don't need it.
00:25:06I don't need it.
00:25:10I don't need it.
00:25:17I don't need it.
00:25:19I don't need it.
00:25:21I don't need it.
00:25:28I don't need it.
00:25:32Well, let's get started.
00:25:33Tell me your name and your reason for coming here.
00:25:39I don't need it.
00:25:40I don't need it.
00:25:41I don't need it.
00:25:42I don't need it.
00:25:43I don't need it.
00:25:44I don't need it.
00:25:45Any previous experience?
00:25:46None.
00:25:47But as the saying goes, you've got to start somewhere, right?
00:25:51Cindy, I don't need it.
00:25:52I don't need it.
00:25:53I don't need it.
00:25:54I don't need it.
00:25:55I don't leave it.
00:25:57Yes, I think so.
00:26:00You look so very convinced.
00:26:02Well, right. I mean, yeah.
00:26:06Do you have a steady boyfriend? A fiancé?
00:26:08No. I like my independence.
00:26:20How many men have you been with this year?
00:26:23What's it to you?
00:26:25Nothing, really, but seeing as you want the part,
00:26:28you do well to answer the questions with answers and not with other questions.
00:26:32Oh, I'm sorry. I mean, I just think it's a little strange.
00:26:37It's part of the audition.
00:26:39But if you have a problem with it, you can always bow out.
00:26:42No, no. Ask away. Anything you like. Anything.
00:26:48I don't have hang-ups.
00:26:55I see you have a piercing.
00:27:02Yeah, but if you don't like it, I can take it off.
00:27:05Did you do it because it was fashionable, or was there some other piece?
00:27:10No, I couldn't care less about fashion.
00:27:13I guess it's because a piercing sets you apart.
00:27:16Yeah, all right, everybody...
00:27:17When the steel entered your pledge, what did you feel?
00:27:20Did you like the sensation?
00:27:22Yes. I mean, except you hardly feel anything.
00:27:27How many do you have?
00:27:29How many do you have?
00:27:31Five.
00:27:38One.
00:27:40Two.
00:27:43Three.
00:27:46Four.
00:27:50And five.
00:27:51Two.
00:27:52Two.
00:27:53Three.
00:27:54One.
00:28:19Should I keep going?
00:28:28Are you still there?
00:28:33Yes. And do you know what I'm doing?
00:28:41Maybe you're...
00:28:44Masturbating?
00:28:49Only kidding. I just wanted to put you to the test and see if you were really as uninhibited as you claimed to be.
00:28:57You bet I am.
00:28:59Even in front of an order?
00:29:15I'm the one you're looking for.
00:29:18That's enough. You may go now.
00:29:23Go out through the door on your right.
00:29:33Go out through the door on your right.
00:29:36Go out through the door on your right.
00:29:47Cindy, one last question.
00:30:01Have you ever thought of death?
00:30:03What for?
00:30:04I mean, I'm too young for that.
00:30:07All right, off you go.
00:30:11But stay shut.
00:30:13Are we calling you back for a second round?
00:30:17OK, Ma, I'll see you soon.
00:30:42Hello?
00:30:43It's Jeanette. Is Marsha there?
00:30:45No, she's out.
00:30:46This is weird. I've been trying to call her for three days.
00:30:49Do you know where she went?
00:30:50Well, I haven't seen her for days either.
00:30:53The last time I saw her, she said she was going to an audition.
00:30:55An audition?
00:30:56Yeah, she was really excited.
00:30:57She replied to this ad on the internet.
00:30:59I wasn't supposed to tell anyone, but I'm starting to worry about her.
00:31:02It's been such a long time.
00:31:04You'd think she'd call.
00:31:04OK, as soon as she gets back, tell her to call me.
00:31:08Bye.
00:31:09OK, bye.
00:31:09Bye.
00:31:09Bye.
00:31:09Bye.
00:31:16Hi, Alex.
00:31:27Hi, Jeanette. Are you OK?
00:31:29Yes, everything's fine.
00:31:30I've been thinking about you.
00:31:32I'm thinking about you, too.
00:31:33Can I ask you a question?
00:31:37Sure.
00:31:38Go ahead.
00:31:41You didn't by any chance happen to audition a girl called Marsha Foster, and then take her
00:31:48to your house afterwards.
00:31:51You interrogated me.
00:31:53No, no, no.
00:31:53I'm not going to throw a scene.
00:31:54I'm just curious.
00:31:55That's all.
00:31:56I see hundreds of actresses.
00:31:58It's my job, but I've never heard of Marsha Foster.
00:32:00OK.
00:32:01Anyway, I have to go.
00:32:03I was just phoning to see how you work.
00:32:05OK, keep in touch.
00:32:06Bye.
00:32:07Bye.
00:32:26Bye.
00:32:27Bye.
00:32:28Bye.
00:32:29Bye.
00:32:30Bye.
00:32:31Bye.
00:32:32Bye.
00:32:33Bye.
00:32:34Bye.
00:32:35Bye.
00:32:36Bye.
00:32:37Bye.
00:32:38Bye.
00:32:39Bye.
00:32:40Bye.
00:32:41Bye.
00:32:42Bye.
00:32:43Bye.
00:32:44Bye.
00:32:45Bye.
00:32:46Bye.
00:32:47Bye.
00:32:48Bye.
00:32:49Bye.
00:32:50Bye.
00:32:51Bye.
00:32:52Bye.
00:32:53Bye.
00:32:54Bye.
00:32:55Bye.
00:32:56How did it go?
00:33:12Good.
00:33:13I mean, he said he called me back for round two.
00:33:17He says that to all the girls.
00:33:27Damn it.
00:33:28Forget it.
00:33:29I'm waiting for a call, but there's no signal.
00:33:32You can't even send an SMS.
00:33:35How much longer do you think this audition's gonna take?
00:33:39It's eight o'clock.
00:33:42Tell me something.
00:33:43What did he make you do?
00:33:45Nothing.
00:33:46Just answer a few questions.
00:33:48He asked me for, like, sex.
00:33:51Do you think this whole thing is serious?
00:33:53Can we trust this guy?
00:33:56It's just an audition.
00:33:59How did you find out about it?
00:34:01Over the internet.
00:34:03And you?
00:34:04Yeah, me too.
00:34:07I checked it out.
00:34:09And these people don't even have their own sight.
00:34:12There's no mention of them anywhere.
00:34:15I didn't even want to come.
00:34:17But here you are anyway.
00:34:21Terry, would you like to come through now?
00:34:26We'll have to get political information.
00:34:27I'm sorry.
00:34:28I'm sorry.
00:34:29I was so excited.
00:34:30I got to get into it.
00:34:32I got spoilers.
00:34:33I know.
00:34:34I don't know.
00:40:40We're right back.
00:40:54We're right back.
00:40:57And we'll be right back.
00:41:01Well?
00:41:06Answer me, Terry.
00:41:09Would you do it?
00:41:11Yes, I think so.
00:41:13If it's only acting.
00:41:16And would you do everything I ordered on the stage?
00:41:19Let's put you to the test. Stand up and come a few steps forward.
00:41:43Now turn and walk to your right.
00:41:49I can't see. Could you switch on a light?
00:41:54No, no, that's part of the test.
00:42:19There's something here. I don't know. Like furniture?
00:42:28Maybe a dresser? Or a chest?
00:42:31Get inside it.
00:42:35Inside this thing?
00:42:38They're not obliged. If you want, you can stop now and leave at once. It's your choice.
00:42:44No, no. All right.
00:42:48But first, get undressed.
00:42:50Take off all your clothes.
00:42:52Ask your contents.
00:42:54Good job.
00:42:55Yes, thank you very much.
00:42:57Thank you very much.
00:42:58Thanks.
00:42:59So glad to have you, too.
00:43:01Will you be in line with the material?
00:43:02I love you too.
00:43:04I don't care.
00:43:05I don't care.
00:43:07I don't care.
00:43:09I don't care.
00:43:11I don't care.
00:43:12I don't care.
00:43:13I don't care.
00:43:14I don't care.
00:43:15Oh, my God.
00:43:45Zahari! Zahari! They're coming!
00:43:50They're coming for me!
00:43:54They're coming for me!
00:43:57Zahari! Zahari! Zahari, where are you?
00:44:02Zahari!
00:44:12Yes?
00:44:16I want to see you right away.
00:44:19Me too, but I can't right now.
00:44:23I'll call you back.
00:44:24This is nuts.
00:44:38How much longer does he expect us to hang around here?
00:44:43I've just about had it.
00:44:46This whole thing is crazy. I've done tons of auditions, but like this, with nobody from the production, nobody taking down your name, giving you information, telling you what's up, who's next.
00:44:58I've never seen anything like it.
00:45:01So what? Relax. What do you care?
00:45:05I mean, just imagine if they choose you.
00:45:08Yeah, yeah. But if I don't get a breath of fresh air, I'll go crazy in here.
00:45:12You're looking for it.
00:45:12I feel like you're in the back.
00:45:13You're looking for us.
00:45:14One day.
00:45:16I'm looking for you.
00:45:16You're looking for us.
00:45:17I don't know.
00:45:17I'm looking for you.
00:45:18That's right.
00:45:19I don't know.
00:45:21I don't know.
00:45:22I don't know.
00:45:52I don't know.
00:46:22I don't know.
00:46:52I don't know.
00:47:22I don't know.
00:47:52I don't know.
00:48:22I don't know.
00:48:52When I get up at night, I hear sounds.
00:48:58Even if I pretend not to hear them, they're still there.
00:49:22I don't know.
00:49:52The door is locked.
00:49:53The door is locked.
00:49:56The door is locked.
00:49:58The door is locked.
00:50:01The door is locked.
00:50:02Can't leave an address !
00:50:05No, no, no...
00:54:32The voices!
00:54:34Help me!
00:54:40Help!
00:54:42Help!
00:54:46Help!
00:54:48Help!
00:54:54Help!
00:54:56Help!
00:54:58Help!
00:55:08Help!
00:55:10Help!
00:55:12Help!
00:55:22Help!
00:55:24Help!
00:55:26Help!
00:55:36Help!
00:55:38Help!
00:55:40Help!
00:55:42Help!
00:55:44Help!
00:55:46Help!
00:55:56Help!
00:55:58Help!
00:56:00Help!
00:56:02Help!
00:56:04Help!
00:56:06Help!
00:56:12Help!
00:56:14Help!
00:56:16Help!
00:56:18Help!
00:56:20Help!
00:56:26Help!
00:56:28Help!
00:56:30Help!
00:56:32Help!
00:56:34Help!
00:56:36Help!
00:56:44Help!
00:56:46Help!
00:56:48Help!
00:56:50Help!
00:56:52I have to catch a train tomorrow at 6 and I need to sleep!
00:56:54I can't stay here all day and night. I feel like I've been kidnapped.
00:57:01If you've got to go, just go. I mean, no one's obliging you to stay.
00:57:06I'm only saying it for your own good.
00:57:10Yeah, you're right.
00:57:12Girls, come through, both of you.
00:57:19I'm going in. What are you going to do?
00:57:24Good morning, gentlemen. You're not reconsidering. I have a lot of faith in you. Don't disappoint me.
00:57:40Is it worth it?
00:57:42Fear not. Doubt. Now, girls, stand closer together.
00:57:54You seem quite suited for what I have in mind.
00:58:00I'd like you to work together.
00:58:03Are you up to it?
00:58:06I could put you both under contract,
00:58:09but you'll need to prove that you're irresistible together
00:58:13and that I couldn't ask for or imagine better.
00:58:16you're good to have any questions.
00:58:17Let's go.
00:58:30So, I can't wait.
00:59:00Now Cindy's all yours.
00:59:24Go ahead, Monica.
00:59:25You can do whatever you want to her.
00:59:30Shoot him off.
01:00:00Now, let's see what you can do with this.
01:00:04Where's Terry?
01:00:23What is this?
01:00:24Did you see?
01:00:38It has to be kept a secret.
01:00:41My boy.
01:00:42No, not him.
01:00:44Pick up.
01:00:44No, stay with me.
01:00:46I will do the same.
01:00:47Take a rope.
01:00:48Come on.
01:00:48Oh, come on.
01:00:50Oh, come on.
01:00:51Oh, come on.
01:01:06Oh, come on.
01:01:07Let's go.
01:01:37It's a job, Bob!
01:01:41It's a job, Bob!
01:01:53It's a job, Bob!
01:02:07It's a job, Bob!
01:02:11It's a job, Bob!
01:02:13It's a job, Bob!
01:02:15Let's go!
01:02:17Mrs. Scherber!
01:02:27Mrs. Scherber!
01:02:47Mrs. Scherber!
01:02:58Mrs. Scherber!
01:03:09Mrs. Scherber!
01:03:20Mrs. Scherber!
01:03:26Mrs. Scherber!
01:03:32Mrs. Scherber!
01:03:43Mrs. Scherber!
01:03:49Mrs. Scherber!
01:03:57Mrs. Scherber!
01:04:04Mrs. Scherber!
01:04:08Mrs. Scherber!
01:04:13Mrs. Scherber!
01:04:18Mrs. Scherber!
01:04:28Mrs. Scherber!
01:04:33Mrs. Scherber!
01:04:39Mrs. Scherber!
01:04:52Mrs. Scherber!
01:04:54Mrs. Scherber!
01:04:58Mrs. Scherber!
01:05:04Mrs. Scherber!
01:05:19Mrs. Scherber!
01:05:23Mrs. Scherber!
01:05:30Mom!
01:06:00Mom!
01:06:02Mom!
01:06:03Oh!
01:06:05Oh!
01:06:08Oh.
01:06:10Oh!
01:06:13Oh!
01:06:14Oh!
01:06:17Ah, ha, ha!
01:06:19Ha, ha, ha!
01:06:21Ah.
01:06:22Ah.
01:06:22Ha, ha, ha, ha!
01:06:26Ha.
01:06:27Ha, ha, ha, ha, ha!
01:06:30Ah.
01:06:54You can't hide it.
01:07:00You love to watch her suffer.
01:07:05I told you I knew you.
01:07:09Feast your eyes.
01:07:12Why resist your own nature?
01:07:30Oh, look at her.
01:07:40No!
01:07:42No!
01:07:55No!
01:08:00Get up and look at her.
01:08:07Look at her.
01:08:09Get up.
01:08:12I made you now a baby.
01:08:30Show me what you can do.
01:08:41Show me if you really want to become a master of the theater of death.
01:08:57Kill me!
01:09:00You're forcing me to choose for you?
01:09:26Is that what you want?
01:09:27Kill me!
01:09:39Kill me!
01:09:43Kill me!
01:09:45Kill me!
01:09:49Kill me!
01:09:51No, no, no!
01:10:21Jeanette!
01:10:51Jeanette!
01:11:21갈mas kalka
01:11:25ohh
01:11:27う58
01:11:31う58
01:11:35вас
01:11:38う英文
01:11:39受賈
01:11:42
01:11:47
01:11:49Jeanette!
01:12:17Jeanette!
01:12:19Jeanette!
01:12:49Jeanette!
01:12:54Jeanette!
01:12:55Jeanette!
01:12:57Jeanette!
01:12:59Jeanette!
01:13:05Jeanette!
01:13:09Jeanette!
01:13:15Jeanette!
01:13:17Jeanette!
01:13:19Jeanette!
01:13:25Jeanette!
01:13:27Jeanette!
01:13:29Jeanette!
01:13:37Jeanette!
01:13:39Jeanette!
01:13:45Jeanette!
01:13:47Jeanette!
01:13:49Jeanette!
01:13:55Jeanette!
01:13:57Jeanette!
01:13:59Jeanette!
01:14:05Jeanette!
01:14:07Jeanette!
01:14:09Jeanette!
01:14:15Jeanette!
01:14:17Jeanette!
01:14:19Jeanette!
01:14:27Jeanette!
01:14:29Jeanette!
01:14:31Jeanette!
01:14:35Jeanette!
01:14:37Jeanette!
01:14:39Jeanette!
01:14:41Jeanette!
01:14:45Jeanette!
01:14:47Jeanette!
01:14:49Jeanette!
01:14:51Jeanette!
01:14:53Jeanette!

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