- 6/23/2025
Category
ðĨ
Short filmTranscript
00:00:00THE END
00:00:30THE END
00:01:00No, I won't.
00:01:20Let's get out of here.
00:01:21There's nothing to be afraid of.
00:01:23When I go out to a play, I want to have some fun.
00:01:26You bring me to a place like this, where they make you scream and faint.
00:01:30But it's a Philip to jaded nerves. It's a new shutter.
00:01:33Well, if that's the kind of a man you are, you can take me home.
00:01:35Oh, now, wait a minute, darling. You've got it all wrong.
00:01:38Flowers again. A gentleman of the old school, Marie.
00:01:44Old and new, they all try the same things.
00:01:47Tonight I'm sad, for no longer will I be able to watch you every evening from my lonely, shattered box.
00:01:52And no signature.
00:01:53A man can't take the same box every night for 47 nights without the whole theatre knowing who he is.
00:01:59Gogol. Nasty, foreign sound and name.
00:02:02That was very mean of you.
00:02:04You ought to be ashamed of yourself making fun of a famous man like Dr. Gogol.
00:02:07Oh, if he's so famous, what's he doing hanging around here all the time?
00:02:10Oh, Marie, my public.
00:02:12No, he really is a great surgeon.
00:02:14He cures deformed children and mutilated soldiers.
00:02:17Hmm, soldiers?
00:02:18I wish he'd fix one up for me.
00:02:22Your usual box, Professor?
00:02:24Will you do me a favor?
00:02:26Of course.
00:02:27Call Dr. Wong at my clinic and tell him I'll be there before midnight, will you?
00:02:31Most happy, Doctor.
00:02:48Beautiful.
00:02:56Beautiful.
00:02:59I've been meeting you in dreams all my life.
00:03:03Standing just like that.
00:03:06You know me.
00:03:08Raoul?
00:03:09Your own little cabbage?
00:03:11Take your hands off.
00:03:14Why didn't you warn me, my dear?
00:03:18My God, monsieur.
00:03:21I'm perfectly willing to give you satisfaction.
00:03:24Don't be a fool.
00:03:26And don't you be jealous, my friend.
00:03:31She's not for either of us.
00:03:34She's only wax.
00:03:45Good evening, Doctor.
00:03:49What time is it?
00:03:52Just on the hour.
00:03:57What number is the station?
00:03:59Madame, I only told you four times tonight.
00:04:02Twelve fifty.
00:04:03After I was married a year, I remember things like radio stations.
00:04:08I forgot my husband.
00:04:09Continuing our concert from Fontainebleau, we shall now hear one of the most brilliant younger English pianists.
00:04:15An artist with a great future.
00:04:16How about mentioning that he's married to an artist with a great future?
00:04:20A lot of worry.
00:04:20He didn't hear you.
00:04:21He's a composer of talent.
00:04:22Welcome, Madame.
00:04:23For the first time on any concert stage, an original composition of Monsieur Orlac.
00:04:29His memorable reputation for purity of tone and brilliance of technique.
00:04:34Monsieur Orlac is now on the platform.
00:04:37Curtain, Coliband.
00:04:38Oh, yes, Charles.
00:04:39You listen, Marie.
00:04:40You know the signal.
00:04:41If he coughs twice, it means I love you.
00:04:46Sir, how dare you threaten your Duchess with torture?
00:05:05Sir, how dare you threaten your Duchess with torture?
00:05:11Duke.
00:05:12You see my warrant.
00:05:14You only have one question to answer.
00:05:17Who is the man who escaped from your balcony in the palace?
00:05:25Oh!
00:05:30Oh!
00:05:31Oh!
00:05:32Oh!
00:05:34Oh!
00:05:34Oh!
00:05:35Oh!
00:05:36No!
00:05:38Oh!
00:05:38Oh!
00:05:39Oh!
00:05:39Oh!
00:05:40Oh!
00:05:40No!
00:05:41Oh!
00:05:42Oh!
00:05:42Oh!
00:05:43Oh!
00:05:44Oh!
00:05:45Oh!
00:05:45Oh!
00:05:45Oh!
00:05:47Oh!
00:05:48Oh!
00:05:49Oh, you must love him.
00:05:50Oh, Nicola.
00:05:52You're my husband.
00:05:53You loved me once.
00:05:54Oh!
00:05:55His name?
00:05:57Yes, he was there.
00:05:58Yes, I do love him.
00:06:00Do you think I'd betray him to your vengeance?
00:06:02Never!
00:06:03How very unpleasant.
00:06:04crisis.
00:06:05Ring the ires.
00:06:06Oh!
00:06:06Oh!
00:06:07Oh!
00:06:08Oh!
00:06:08Oh!
00:06:10Oh!
00:06:12Oh!
00:06:12Oh!
00:06:13Oh!
00:06:13Oh, yes, yes.
00:06:22It's a runoff.
00:06:34Did he cough?
00:06:35Oh, certainly.
00:06:36How many times?
00:06:37Six, eight, ten times.
00:06:39I lost count.
00:06:40Oh, maybe he has a cough.
00:06:42If he doesn't cough, he doesn't love you.
00:06:45If he coughs too much, he has a cold.
00:06:47What a system.
00:06:48No, we won't need any more systems.
00:06:50Maybe we'll miss all this.
00:06:52Curtain calls, grease paint, an audience.
00:06:55Stephen will be my audience.
00:06:58It's a waste.
00:06:59One person.
00:07:00No, no, not waste, Marie.
00:07:02Happiness.
00:07:03Marie, come on.
00:07:03We need help at the party.
00:07:05You go.
00:07:05I can dress myself.
00:07:07And don't get too near the punchbowl.
00:07:10Zero last.
00:07:11The last number will be the G minor knowledge by Chopin.
00:07:19And I love you, darling.
00:07:20The G minor knowledge by Chopin.
00:07:30Madame Yvonne, would it be possible?
00:07:58Oh, it's you, Dr. Coco.
00:08:23You know me?
00:08:24We all know you. You've got the theatre running by buying that box every night.
00:08:28Won't you come in?
00:08:32Thank you so much for all the lovely flowers.
00:08:37Every night I have watched you and tonight, the last night, I felt I must come and thank you for what you've meant to me.
00:08:44Oh, I'm very flattered, Doctor.
00:08:46And when the theatre reopens, I shall be in my box again every night.
00:08:52I do hope so, for the theatre's sake. I won't be here, I'm afraid.
00:08:56Oh, you are playing somewhere else?
00:08:58Never again.
00:09:00Never again?
00:09:01No. I'm going to England with my husband.
00:09:04Your... your husband?
00:09:10Yes. That's he playing now from Fontainebleau.
00:09:12Stephen Orlac. I'm meeting his train tonight.
00:09:15Stephen Orlac?
00:09:16How do you think he plays? That's his own composition, you know.
00:09:20Very modern music.
00:09:22We've been married a year, but he's been on tour and I've been busy with theatre.
00:09:26So, you see, this is really going to be our honeymoon.
00:09:29You know, I've come to depend on seeing you every night.
00:09:33But, uh, I'm going to England.
00:09:36But I must see you again. I must.
00:09:44Ivan, we're all waiting. Hurry!
00:09:48Doctor Gogo, why not join our party?
00:09:50You represent our public. Come on!
00:10:03A wedding cake for the bride who's been married a year.
00:10:15Who hasn't been on a honeymoon yet.
00:10:17What am I bid for the first slice?
00:10:18A kiss for the bride.
00:10:19Sold!
00:10:29I want to juice the bride, too.
00:10:31That's all right!
00:10:32One kiss, one piece of cake for each.
00:10:34I'm next!
00:10:35Me too!
00:10:38Doctor!
00:10:40No champagne?
00:10:41No cake?
00:10:42And no kiss?
00:10:43Oh, come along!
00:10:44Ivan!
00:10:45Ivan!
00:10:47Ivan!
00:10:48Ivan!
00:10:49Don't forget our public!
00:10:50Doctor Gogo!
00:10:51Doctor Gogo!
00:10:52Doctor Gogo!
00:10:53Doctor Gogo!
00:10:54Oh, that's a good one!
00:10:55Oh, I wish I had one like that!
00:10:56Oh, you would, eh?
00:10:57Who's next?
00:10:58I'm next!
00:10:59No!
00:11:00I'm next!
00:11:01How about me? How about me?
00:11:02Who's next?
00:11:03Who's next?
00:11:04I'm next!
00:11:05No!
00:11:06I'm next!
00:11:07How about me? How about me?
00:11:08Go!
00:11:09Who's next?
00:11:10Who's next?
00:11:11Who's next?
00:11:12Who's next?
00:11:13I'm next!
00:11:14No!
00:11:15I'm next!
00:11:16How about me? How about me?
00:11:17Go!
00:11:30Where are you taking that figure?
00:11:31To the melting pot.
00:11:32Melting pot?
00:11:33Yes. 50 pranks of wax in that thing.
00:11:35And no doubt you'd take 75 for it, would you?
00:11:39What's the idea?
00:11:41Did you ever hear of Galatia?
00:11:43Galahoo?
00:11:45Not wanting a statue of him, are you?
00:11:48I don't want a statue of Galatia.
00:11:50You see, she was a statue herself.
00:11:53Pygmalion formed her.
00:11:55Out of marble, not wax.
00:11:58And...
00:12:00Then...
00:12:03She came to life.
00:12:07In his arms.
00:12:09Start the motor, Henry.
00:12:12There's square paper on the streets of Montmartre this time of night.
00:12:16Here, a hundred francs if you deliver the statue to my house.
00:12:19It's a go, Dr. Go...
00:12:22Gal.
00:12:23First thing in the morning.
00:12:24You see, Monsieur, twenty francs extra for the dog in the morning.
00:12:42Of course, Monsieur, the guard.
00:12:44You will keep my confidence.
00:12:45Well, if my silence is worth twenty francs to you, buy it.
00:12:47I'm hungry.
00:12:48Hmm.
00:12:49Hmm.
00:12:50Hmm.
00:12:51Hmm.
00:12:52Hmm.
00:12:53What?
00:12:54Hmm.
00:12:55Hmm.
00:12:56Hmm.
00:12:57You will keep my confidence, but if my silence is worth 20 Franks to you bite. I'm hungry
00:13:27Who is that man? Rollo the murderer. Rollo you read the case for sure the American through knives in a circus
00:13:48Stuck one in his father's back because of a woman. He was convicted last week
00:13:53He's autographed. I have here autographs of a hundred famous persons and not a single murderer
00:14:03May I use your pen, Monsieur?
00:14:05Thank you
00:14:06Pardon me
00:14:14Come on in, fat boy
00:14:15Monsieur Rollo
00:14:17Don't you stick your nose in here. You might get it pinched
00:14:20Give a guy a break. You boys won't gab with me
00:14:22I followed your case in the papers
00:14:24Yeah, but once I got top billing boy, I better burn those guys in the circus
00:14:29How did you happen to become such a great expert at knife throwing?
00:14:33Practice
00:14:33Learned to toss a pen knife when I was six, run away with a circus at ten and made my living with a knife
00:14:38May I have your autograph?
00:14:40Sure, give me
00:14:41Say, you can't talk about it like that
00:14:52I love that dame even if she did two-time me
00:14:54The pen
00:14:55Well
00:15:01All hands can still do their stuff, eh?
00:15:06What do you want here?
00:15:08This happens to be my pen
00:15:09Well, take it and get out
00:15:10What about that call for Dr. Gogol?
00:15:23You're still trying to get him
00:15:24Here's the American journalist you sent for
00:15:26Hiya, kid
00:15:27Hello, Chief
00:15:29I'm Mr. Regan
00:15:30You're the gentleman who's going to cover this execution?
00:15:32Yeah, I wish it covered so I can't see it
00:15:34You know, I got a weak stomach
00:15:36This, uh, Rollo is an American
00:15:38Yes, that's why I make a good story for our paper
00:15:40The fact is, we're anxious to avoid undue sensationalism in the American papers
00:15:44Oh, I know what you mean
00:15:45I'll use a soft pencil
00:15:46Thank you
00:15:47And if, as you say, your nerves are a little weak
00:15:48I suggest you bring a flask of cognac
00:15:50Nah, gin, Chief
00:15:51Gin for executions
00:15:52Beer for birthdays
00:15:53Wine for weddings
00:15:54And champagne
00:15:55Oh, champagne
00:15:56For what?
00:15:57You ask that and you're a Frenchman?
00:16:00Dr. Gogol, put me on the wire
00:16:02Her first natural sleep in weeks
00:16:06Poor little thing
00:16:08Tomorrow you can take the boards out from under her
00:16:12Telephone for you, Professor
00:16:13Don't disturb me now
00:16:15The braids will give sufficient support
00:16:19Yes, Professor
00:16:20But it's the prefect of police himself
00:16:22He insists
00:16:23Oh
00:16:24Yes, Monsieur Rossi
00:16:29Yes
00:16:31Rollo
00:16:34Tomorrow at six
00:16:36Of course, I'll be there
00:16:39Thank you
00:16:40Is that Dr. Gogol, the famous surgeon?
00:16:46You're very inquisitive
00:16:47Well, it's my job to be inquisitive
00:16:48I wonder if I get him to write some articles for our newspaper
00:16:50You'll see him at the guillotine
00:16:51Why not ask him?
00:16:52Good idea
00:16:52Oh, Rollo's train gets in from front
00:16:54And blow in twenty minutes
00:16:55Like to come to the station with me?
00:16:57Why, certainly
00:16:57You're welcome to me
00:16:58And a farewell party
00:16:58Roll into one
00:16:59Hey, Chief
00:17:03Let's get out of here
00:17:03This thing's a Turkish band
00:17:04Can you please tell me
00:17:08When the 410 Blue Express will arrive?
00:17:10Go ahead and tell her, Chief
00:17:11No one seems to know, Madam
00:17:12It's twenty minutes late already
00:17:13Hey, Chief
00:17:15Look
00:17:15What's the matter?
00:17:17Is this whole town going crazy?
00:17:21Wrecked!
00:17:21Number 18 is wrecked!
00:17:27What train is wrecked?
00:17:29Sorry, Madam
00:17:29I can't give any information
00:17:30Then give it to me
00:17:31Oh, Fontainebleau Express
00:17:33M'Challa prepared
00:17:33Is it serious?
00:17:35I don't know, Madam
00:17:36Where was it?
00:17:37Near Gironde
00:17:38Twenty miles out
00:17:39Relief train leaving on track nine
00:17:41Can I see you in a minute?
00:17:42I want you
00:17:43I want you
00:17:44Please
00:17:44Please may I go
00:17:45With the relief train?
00:17:46Sorry, Madam
00:17:46Mr. Kent's orders
00:17:47Come on
00:17:48We'll get a taxi
00:17:48All right
00:17:49Come on
00:17:49Every time
00:17:50I want again
00:17:50I want again
00:17:50I want again
00:17:51I want again
00:17:51I want again
00:18:20Oh, help me, please.
00:18:32Please, help me.
00:18:33Help me, somebody.
00:18:34Leave him.
00:18:42Well, Doctor.
00:18:43Your husband will live.
00:18:45Oh, my God.
00:18:45What joy.
00:18:46The head injury is not serious.
00:18:48It's only his hands.
00:18:49Only his hands.
00:18:51I'm afraid we shall have to amputate.
00:18:54Oh, amputate.
00:18:56No, no.
00:18:56No, Doctor, you don't understand.
00:18:58His hands.
00:18:59He's a great pianist.
00:19:00But even so, madame, what are hands when it's a matter of saving life?
00:19:03But his hands are his life.
00:19:05Excuse me, madame.
00:19:07Doctor, go, go.
00:19:07Oh, no, not that man.
00:19:09But he's a genius, madame.
00:19:10If it means Mr. Stephen's life.
00:19:13Yes.
00:19:15Yes.
00:19:16Doctor, doctor, can you get an ambulance to take my husband to Paris?
00:19:18To Dr. Gogol's house immediately.
00:19:20But, madame.
00:19:21I know the risk.
00:19:22I'll take the responsibility.
00:19:23Doctor Marvel, there are two operations waiting.
00:19:26As you wish, madame.
00:19:31Greatest of the day.
00:19:32Oh, all right, all right.
00:19:34I'm coming, I'm coming.
00:19:36Oh, bring your head up.
00:19:38All right.
00:19:39There.
00:19:41Hello?
00:19:42Hello?
00:19:43Yes.
00:19:44This is the Professor Gogol's housekeeper.
00:19:48Yes.
00:19:48Well, the Professor isn't here.
00:19:53If you want to know, he's visiting Madame Guillotine.
00:19:58He never misses one of those head-choppings.
00:20:00KÃĪmpor.
00:20:15At the end.
00:20:16Wizard.
00:20:18Jean.
00:20:20Say, Chief.
00:20:25I barely made this.
00:20:26You know, they had me in the jug.
00:20:27They said I insulted one of those gendarmes at the rig.
00:20:29Quiet, Monsieur Regan, if you please.
00:20:32Okay.
00:20:40Boy, ain't that something.
00:20:52He's an American, ain't he?
00:20:54Can I ask him a question?
00:20:56Hiya, buddy.
00:20:57Hiya, partner.
00:20:58Tough luck, kid.
00:20:59We all get it in the next someday.
00:21:01Say, tell me something, will you?
00:21:03Anything you want to know.
00:21:04Well, I'm from Las Vegas,
00:21:05and I hear I finished the big dam,
00:21:07biggest in the world,
00:21:08and it's making a lake 200 miles long.
00:21:10It's the gospel truth, kid.
00:21:12Well, what do you think of that?
00:21:16So long.
00:21:18Come on.
00:21:24Oh, oh, hmm.
00:21:41Not ill, my friend, are you?
00:21:48Oh, Doc, on the level, I'm as sick as a bed bug.
00:21:51Come here a minute.
00:21:52Say, how would you like to make a couple of bucks
00:21:53by writing some articles for the magazine section,
00:21:56our paperback in New York?
00:21:57Why, buy articles about me.
00:21:58You can get all you want from the medical journals.
00:22:00Now, wait a minute.
00:22:01Who reads the medical journals?
00:22:02The stuff I want is the stuff you do,
00:22:04you don't put in the journal.
00:22:05You catch him on?
00:22:05And I'm not interested in your publicity, young man.
00:22:08Well, Doc, you want to make a couple of dollars, don't you?
00:22:10It's cheap, will you talk?
00:22:11Oh, I hate that murder.
00:22:35Yes, Professor.
00:22:46Why the ambulance?
00:22:47I ordered no case here for experiment.
00:22:49They brought a man whose hands were smashed
00:22:51in the Fontainebleau-rex.
00:22:51What man, what wreck?
00:22:52How dare you let people turn my clinic into a public hospital?
00:22:55But, Professor, his wife brought him,
00:22:58a Madame Orlac.
00:23:00What?
00:23:01She said you were her friend.
00:23:04Where is she?
00:23:05In the ward with Dr. Wong.
00:23:11Oh, has he come in?
00:23:13Yes, he's with your husband.
00:23:14Oh, thank heaven.
00:23:18Prepare for amputation.
00:23:28Doctor!
00:23:29His hands!
00:23:30Can you save him?
00:23:32Calm yourself, Madame.
00:23:34He's in no danger.
00:23:35There are other outlets for musical talent besides playing.
00:23:40He's also a composer.
00:23:42I understand.
00:23:45You mean to amputate.
00:23:49And I believed you would save me.
00:23:57I believed you would help me.
00:24:00If it would help, I'd gladly give my own two hands, but...
00:24:03All right, then.
00:24:09Now you must rest.
00:24:11And when you're waking, everything will be over.
00:24:13If I could only help her, if I could only find a way, there must be an impossible, Professor.
00:24:34Impossible.
00:24:35Impossible.
00:24:36Impossible.
00:24:37Impossible.
00:24:38Impossible.
00:24:39Napoleon said that word is not French.
00:24:43Suzanne!
00:24:44Suzanne!
00:24:45Suzanne!
00:24:46Call the Prefecture of Police.
00:24:47Call the Prefecture of Police.
00:24:48Get Prefecture himself.
00:24:49Emergency call.
00:24:50Stop the anesthetic.
00:24:51Stop the anesthetic.
00:24:52Stop the anesthetic.
00:24:53Stop the anesthetic.
00:24:54Of course I want to help you, Dr Gogol, but I've got to get a release.
00:25:07Don't worry about it.
00:25:08I'll have Rollo's body at your clinic within 30 minutes.
00:25:12Good luck with your experiment.
00:25:37Jonathan accommodate
00:25:39Please
00:25:40Listen.
00:25:41Peterson
00:25:42siÄ
00:25:44lic...
00:25:45lic...
00:25:46lic...
00:25:55lic...
00:25:56lic...
00:25:58lic...
00:25:59lic....
00:26:00lic...
00:26:01lic...
00:26:03lic...
00:26:05lic...
00:26:06lic...
00:26:37Professor, you've done it!
00:26:39Once I felt the blood pulsing through the hands, I knew the operation would succeed.
00:26:48Good night, Professor.
00:26:49Good night.
00:26:54Whatever made him bring you here?
00:26:58There's never been any woman in this house but me.
00:27:04We must have a mirror.
00:27:07I prefer live ones to dead ones.
00:27:11Françoise.
00:27:12Oh, yes, Monsieur Professor.
00:27:15Pretty, isn't she?
00:27:17Get off.
00:27:34Hello there, how are you?
00:27:49Well, who are you?
00:27:50Oh, that's no way to talk to a gentleman.
00:27:52Isn't that a pretty bird?
00:27:53You know, I've got a parrot of my own.
00:27:54Well, what do you want?
00:27:55I've got to see Dr. Goldberg.
00:27:56It's a very important matter.
00:27:57Nobody comes in here.
00:27:58Come here, come here, Queenie.
00:27:59Look here.
00:28:00Now, there's a 50-franc note.
00:28:01I'll give it to you if you answer me one question.
00:28:02Now, they brought a stiff in here.
00:28:03What did he do with it?
00:28:04Oh, I don't know.
00:28:05He's upstairs fussing over it now.
00:28:06Oh, there's your answer.
00:28:07Now, get out.
00:28:08What are they doing with the head?
00:28:09Playing football with it?
00:28:10The head?
00:28:11Yes, the head's off.
00:28:12I saw it come off myself.
00:28:13Well, the head was on when they carried it in here.
00:28:16Are you sure of that?
00:28:17I'm sure of it.
00:28:18Holy jumping catfish.
00:28:19What's going on in here?
00:28:20What's going on in here?
00:28:21Now, I'll give it to you if you answer me one question.
00:28:23Now, they brought a stiff in here.
00:28:24What did he do with it?
00:28:25Oh, I don't know.
00:28:26He's upstairs fussing over it now.
00:28:28Oh, there's your answer.
00:28:29Now, get out.
00:28:30What are they doing with the head?
00:28:31Playing football with it?
00:28:32The head?
00:28:33Yes, the head's off.
00:28:34I saw it come off myself.
00:28:35Well, the head was on when they carried it in here.
00:28:36Are you sure of that?
00:28:39I'm coming in here.
00:28:40You got me to lose my job.
00:28:41You got me to lose my job.
00:28:42Come here a second, will you please?
00:28:58Galatea.
00:29:09I am no Pygmalion.
00:29:10The face of all the world is changed, I think, since first I heard the footsteps.
00:29:14of that song.
00:29:15The face of all the world is changed, I think, since first I heard the footsteps of that song.
00:29:29Guess now who holds thee?
00:29:30Guess now who holds thee?
00:29:31Death, I said.
00:29:32But there, the silver hands will ring, not death.
00:29:33The face of all the world is changed, I think, since first I heard the footsteps of that song.
00:29:36Guess now who holds thee?
00:29:37Guess now who holds thee?
00:29:38Death, I said.
00:29:39But there, the silver hands will ring, not death, but love.
00:29:43You know, it was wonderful having you to myself all the time.
00:29:44You know, it was wonderful having you to myself all the time.
00:29:45Guess now who holds thee?
00:29:46Guess now who holds thee?
00:29:47Death, I said.
00:29:48But there, the silver hands will ring, not death, but love.
00:30:01You know, it was wonderful having you to myself all these months.
00:30:14You're a selfish little thing, aren't you?
00:30:17Look.
00:30:18Spring in Paris.
00:30:21I feel so helpless.
00:30:34Never mind.
00:30:35You won't have them much longer.
00:30:40They, they feel dead.
00:31:00They will for a time.
00:31:02You see, the muscles are atrophied at present from lack of use.
00:31:05But they, they don't look like mine.
00:31:10You forget, they were badly crushed.
00:31:12Alcohol.
00:31:14No one in the world but you, Doctor, could have performed this miracle.
00:31:20We can never repay you.
00:31:22I had to find a way, because you trusted me.
00:31:26We can't possibly express our gratitude.
00:31:29Don't.
00:31:30Please.
00:31:31Now try to move your fingers.
00:31:35There.
00:31:36Splendid.
00:31:37Hmm.
00:31:38Well, I began playing the piano with one finger.
00:31:41I can start that way again.
00:31:42Of course, there's still much to be done.
00:31:43You'll need some regular massage, some ultraviolet treatments, graduated exercise.
00:31:56I'm afraid it will prove a long and expensive business.
00:32:03I can start that way.
00:32:04I can start that way.
00:32:08You'll be right back.
00:32:23You're welcome.
00:32:26I'll be right back.
00:32:33You're an angel.
00:32:55You know we'll pay you just as soon as Monsieur Stephen is well again.
00:32:59I understand, madame.
00:33:03I used to play rather well once.
00:33:32And you will again, dear?
00:33:36No, not with ease.
00:33:38Wonderful invention of phonograph.
00:33:40Keeps a man alive long after he's dead.
00:33:42Please, don't say things like that, darling.
00:33:44Sometimes I feel that these records are all that's left of Stephen Orlach.
00:33:48All of Stephen Orlach is left.
00:33:50His tenderness, his genius, and his arms.
00:33:55The arms that hold me close to him.
00:34:01Oh, forgive me, darling, for thinking so much of myself.
00:34:05More practice.
00:34:06That's the answer.
00:34:07Yes, that's it.
00:34:08More practice.
00:34:09Well, but if it weren't for these money troubles, I know what you're doing, selling everything.
00:34:14Even your rings.
00:34:15Oh.
00:34:16Yvonne, I'm so sorry.
00:34:18We'll be all right.
00:34:20Yes, of course we will.
00:34:22Stephen.
00:34:23Yeah?
00:34:24I know how proud you are, but why don't you go to your stepfather?
00:34:33No.
00:34:34No.
00:34:35I swore I'd never see that man again.
00:34:37But, darling, this is an emergency, surely.
00:34:39It wouldn't mean a thing to him.
00:34:41Have we heard one word from him since my accident?
00:34:44No.
00:34:44I tell you, darling, it isn't a question of pride.
00:34:47Then don't go.
00:34:48We'll manage somehow.
00:34:50You've no right to force your way in here.
00:34:52The piano is still our property till the loan is paid.
00:34:57Sorry, madame.
00:34:58He pushed his way past me.
00:34:59I want my money.
00:35:01But, monsieur, we'd really intend to pay you.
00:35:02I want my money, or I'll take the piano.
00:35:05But you can't take it.
00:35:06It means everything to my husband.
00:35:07So...
00:35:08You can't pay, eh?
00:35:09Very well.
00:35:10I'll return tomorrow with a court order.
00:35:27This happens to be my pen, gentlemen.
00:35:40Mr. Steven.
00:36:00Hello, Pierre.
00:36:02Is my father in?
00:36:03Hello, father.
00:36:08Well, a great musician, eh?
00:36:14What do you want?
00:36:16Can't you forget?
00:36:17Can't we be friends?
00:36:18Eh, and how's the piano playing?
00:36:21Well, since my accident, I haven't been able to play.
00:36:24Eh?
00:36:24Can we go into the office?
00:36:27So that's it.
00:36:28You've come here for money.
00:36:29I never said so.
00:36:30But I thought you might have a little understanding.
00:36:33Sympathy.
00:36:33Sympathy?
00:36:34Oh, all right, father, all right.
00:36:36I don't want your money.
00:36:36That's good.
00:36:37Because you won't get a franc, not a sou.
00:36:40For years, I wanted you in business with me.
00:36:42Being a tradesman wasn't good enough for you.
00:36:45Now that your hands are smashed up, you can't thump a piano any longer.
00:36:48You come crawling back to me.
00:36:50And that actress you married.
00:36:52Why don't you let her help you now?
00:36:54Now, her pay may be small, but she could supplement her earnings, eh?
00:37:00Stop it!
00:37:09No!
00:37:10No!
00:37:24To be near you like this is more happiness than I've ever known.
00:37:40But, Dr. Gogol, quite frankly, I asked you to come here to talk about Stephen.
00:37:45And you must tell me the truth.
00:37:47Will he ever be able to play again?
00:37:49I mean, as he used to play?
00:37:50Her thoughts are only for him.
00:37:52He's my husband.
00:37:55And I love him.
00:37:57Is there no room in your heart?
00:37:59Even pity for a man who has never known the love of a woman,
00:38:03but who has worshipped you since the day he first walked by that absurd little theater?
00:38:07Dr. Gogol, please.
00:38:08I can't be silent any longer.
00:38:10You are a woman you must have known.
00:38:12Yes.
00:38:12Yes, I knew of your feeling for me.
00:38:14I traded on it.
00:38:15And since you say it's Stephen, I feel deeper friendship for you than for anyone.
00:38:18But I can give you nothing else in return.
00:38:22Nothing.
00:38:23Nothing.
00:38:24Even if I didn't love him, there's something about you that...
00:38:29Repels you.
00:38:30It frightens me.
00:38:32You are cruel.
00:38:36But only to be kind.
00:38:37And now see what he's gone and bought you, dearie.
00:38:57It cost him a whole month of my wages.
00:39:00But what's that to yield?
00:39:04I hired out as a housekeeper.
00:39:07And what am I now?
00:39:10Ladies made to a waxwork.
00:39:14Now.
00:39:15And flycatcher for a plant.
00:39:18Oh, wait a minute now.
00:39:21Just wait a second.
00:39:23What do I do?
00:39:24Now.
00:39:25Here's your dinner.
00:39:29You'll be dead soon, dearie.
00:39:32You like dead things.
00:39:34So can that be.
00:39:40Now you stay here, Josephine.
00:39:42Go on.
00:39:42I go and see who it is.
00:39:44I feel that it's ringing the bell.
00:39:48All right.
00:39:49All right.
00:39:50Coming.
00:39:51I'm coming.
00:39:52It's a woman.
00:39:53Please.
00:39:54Carry her all the way down.
00:39:56If I could only get to that bell, I'd be all right.
00:39:59And that's it.
00:40:01I'm going to be all right.
00:40:02Oh, so it's you again now.
00:40:06How many times am I to send you away?
00:40:08I've got to see the doctor.
00:40:09I'll get fired.
00:40:09Well, you can't see the doctor.
00:40:11I've got a present for you.
00:40:12Napoleon brandy.
00:40:14Cognac?
00:40:15Oh, I like cognac.
00:40:17Well, I like you.
00:40:18You do like cognac.
00:40:20Oh, I like cognac.
00:40:22You know, I used to go with a girl like you.
00:40:24Only she drank.
00:40:26Now, tell me.
00:40:28What did he do with it?
00:40:30Well, you said it.
00:40:32He's had no head.
00:40:33Well, I looked at the head and there ain't no marks on the neck.
00:40:39When did you look at the head?
00:40:40Well, I look at it every day.
00:40:44He makes me brush his hair every evening.
00:40:48Brush his hair?
00:40:49Hmm.
00:40:49Where does he keep it?
00:40:52Upstairs in his drawing room, just like it was alive.
00:40:56He sits at his organ and he plays music to it every night.
00:41:02He plays music to it every night?
00:41:04Every night.
00:41:06And you brush his hair?
00:41:07Every night.
00:41:08Well, I've got to see this.
00:41:09I'm sorry.
00:41:10I've got to see the whole thing.
00:41:11Wait a minute.
00:41:12She can't go up there.
00:41:13My job.
00:41:14I'd get him to walk around the professor.
00:41:16You know, I can't do this.
00:41:18What's she doing?
00:41:18Oh, Madam Morlach.
00:41:20You can't go in there.
00:41:22What is she doing in there?
00:41:23Mr. Professor.
00:41:23What's up?
00:41:24Mr. Professor.
00:41:26Hiya, Doc.
00:41:28I'm sorry to butt in like this, but we newspaper fellows have to barge in places.
00:41:31We're not really welcome.
00:41:32I didn't know there was anything going on between you and Madam Morlach.
00:41:35Get out of here.
00:41:35I'll go.
00:41:36I've got a business proposition.
00:41:37I've got a proposition to offer you $2,000 to write some articles for our paper.
00:41:40You know, of your experience.
00:41:41I want to...
00:41:42Get out of here!
00:41:43I'll go.
00:42:01Will I be able to walk after?
00:42:05Yes, my child.
00:42:08Then I'm not afraid.
00:42:13I have saved it.
00:42:19Fifty francs.
00:42:20All I have in the world.
00:42:21I do not operate for money.
00:42:24Thank you, Doctor.
00:42:33I must see him.
00:42:34I must.
00:42:37What have you done to me?
00:42:38Monsieur Orlach.
00:42:39What have you done to me?
00:42:40I mean, dear.
00:42:41You and your black magic.
00:42:42What's wrong?
00:42:43You know very well.
00:42:49Now, what is it?
00:42:51I've just come back from GÃĐrard.
00:42:52I've seen Dr. Marbeau.
00:42:54He told me that my hands were crushed beyond saving.
00:42:57And that these aren't mine.
00:42:59Marbeau.
00:42:59Who is this Marbeau?
00:43:01Well, whose hands are these?
00:43:02What's wrong with them?
00:43:04Ten fingers, every nerve, every master works perfectly.
00:43:07What's wrong with them?
00:43:09They have a life of their own.
00:43:10They feel for knives.
00:43:11They want to throw them.
00:43:13And they know how to.
00:43:15Watch.
00:43:22And that's not the worst.
00:43:24They want to kill.
00:43:25And today they tried to kill my father.
00:43:30With a knife?
00:43:31Yes.
00:43:34Now, my friend, I understand your case.
00:43:37And I think I can help you.
00:43:40Well, go on.
00:43:41Ready for operation, Professor.
00:43:43First forget that provincial fool.
00:43:45I am Gogol, and I tell you, those are your hands.
00:43:48Yes, but why?
00:43:49Don't interrupt.
00:43:51After the shock of the wreck came a second shock.
00:43:54Your hands were altered by my knife.
00:43:57You could no longer play.
00:43:59As a result, your disturbed mind was ready for any phobia.
00:44:04But the knives, the wish to kill.
00:44:07Your case is one of arrested wish fulfillment.
00:44:10But why should I wish to throw knives?
00:44:13Perhaps, uh, as a little child, some playmate threw a knife cleverly.
00:44:18You wished you could do it like him.
00:44:20Now, that wish was not fulfilled.
00:44:23It festered deep in your subconscious.
00:44:25If you could bring that forgotten memory, whatever it is, into consciousness, you would be cured instantly.
00:44:37Knife.
00:44:41Knives.
00:44:46No.
00:44:48I remember nothing.
00:44:51Marie!
00:44:52Did he come home yet?
00:44:53I look everywhere for him.
00:44:54No, madame.
00:44:55But Dr. Gogol called.
00:44:56He wants you to come to him at once.
00:44:57Dr. Gogol?
00:44:59When?
00:45:00Half an hour ago, madame.
00:45:01Half an hour ago?
00:45:06You told him the truth?
00:45:07Oh, I told him a lot of nonsense I don't believe myself.
00:45:11I didn't dare to tell him his hands are those of a murderer.
00:45:15That would probably drive him...
00:45:21To commit murderer himself.
00:45:24Madam, I'd like to see you, Professor.
00:45:30If you're coming.
00:45:32But the operation, Professor...
00:45:33Leave me.
00:45:37What's happened?
00:45:38Where is he?
00:45:39I sent him home.
00:45:41I think if he follows my advice...
00:45:43What advice?
00:45:44To go away.
00:45:45Brow himself in the counter.
00:45:46It's absolutely necessary for a skewer that he go alone.
00:45:49But do you mean that I'm not to go with him?
00:45:52Yes.
00:45:53Why did you give him that advice?
00:45:55I did what I could for him.
00:45:57I failed.
00:45:59The shock has affected his mind.
00:46:03His life is ruined already.
00:46:05Yvonne, get away from him before he ruins your life as well.
00:46:09Now I understand.
00:46:12You don't.
00:46:14How could you?
00:46:16I, a poor peasant, have conquered science.
00:46:20Why can't I conquer love?
00:46:23Don't you understand?
00:46:25You must be mine.
00:46:27Not his.
00:46:28You are mine.
00:46:30Liar!
00:46:31Hypocrite!
00:46:32You disgust me!
00:46:33You disgust me!
00:47:02Start the anesthetic.
00:47:32You disgust me!
00:48:02You disgust me!
00:48:03You disgust me!
00:48:04You disgust me!
00:48:05You disgust me!
00:48:06You disgust me!
00:48:07You disgust me!
00:48:08You disgust me!
00:48:09You disgust me!
00:48:10You disgust me!
00:48:11You disgust me!
00:48:12You disgust me!
00:48:13You disgust me!
00:48:14You disgust me!
00:48:15You disgust me!
00:48:16You disgust me!
00:48:17You disgust me!
00:48:18You disgust me!
00:48:19You disgust me!
00:48:20You disgust me!
00:48:21You disgust me!
00:48:22You disgust me!
00:48:23You disgust me!
00:48:24You disgust me!
00:48:25You disgust me!
00:48:26You disgust me!
00:48:27You disgust me!
00:48:28You disgust me!
00:48:29You disgust me!
00:48:30You disgust me!
00:48:31they are laughing at you in there go back they are laughing go let them laugh nothing matters
00:48:49to you but one thing even even in your arms you can conquer love of course you can think you thought for others now think for yourself power of suggestion see how easy it is already working spread it spread it
00:49:18he is weak anyway do it and then she will be helpless she must come to you
00:49:28oh doctor thank you my little girl will walk again you saved her oh you saved her i am so happy thank you doctor thank you
00:49:48oh
00:49:50oh
00:49:54oh
00:49:56oh
00:49:58oh
00:50:00oh
00:50:02oh
00:50:06oh
00:50:08oh
00:50:10oh
00:50:12oh
00:50:14oh
00:50:16oh
00:50:18oh
00:50:20oh
00:50:22oh
00:50:24oh
00:50:26oh
00:50:28oh
00:50:30oh
00:50:32oh
00:50:34oh
00:50:36oh
00:50:38oh
00:50:40oh
00:50:42oh
00:50:44oh
00:50:46oh
00:50:48oh
00:50:50oh
00:50:52oh
00:50:54oh
00:50:56oh
00:50:58oh
00:51:00Was it you who telephoned me to come here?
00:51:27Yes.
00:51:30You said you'd tell me the truth about my hands.
00:51:35They throw knives.
00:51:37How do you know that?
00:51:42I have no hands.
00:51:45Yours.
00:51:47They were mine once.
00:51:52I knew it.
00:51:53He lied.
00:51:54And so, when you knifed your father in the back last night, you killed him with my hands.
00:52:03Yes.
00:52:04I killed my father.
00:52:06No, no.
00:52:07I threw a knife at him yesterday, but I...
00:52:12Last night.
00:52:13Last night, I...
00:52:14No, I...
00:52:15You'll remember.
00:52:16Now.
00:52:17Now.
00:52:18Now.
00:52:19Now.
00:52:20Since I left Dr. Gurgola, I can't remember anything.
00:52:25Pick it up.
00:52:26Feel the balance.
00:52:27Use it.
00:52:28When they tried to arrest you.
00:52:30Who are you?
00:52:31I am.
00:52:32Rollo.
00:52:33The knife thrower.
00:52:34No, no.
00:52:35Rollo died in the guillotine.
00:52:37Yes.
00:52:38They cut off my head.
00:52:39But that gurgle..
00:52:40He put it back.
00:52:41Here.
00:52:42No, no.
00:52:43Rolo died in the guillotine.
00:52:44Yes.
00:52:45They cut off my head.
00:52:48But that gurgle, he put it back.
00:52:51Here.
00:52:56I'm sorry.
00:52:58My son.
00:52:59I was back in the back!
00:53:05Okay.
00:53:06Commissariat, Cartier Chayot, arrestive Norlach, 151 Avenue Claver, wanted for murder, bring
00:53:27to General Headquarters immediately, repeat.
00:53:36Stephen!
00:53:55It wasn't I who did it, it was Rolo's hands.
00:54:00What is it?
00:54:01What's the matter, darling?
00:54:03I've murdered my stepfather.
00:54:05I've just seen Rolo.
00:54:08You remember Rolo?
00:54:11They cut off his head, but Gurgol put it back on.
00:54:16It was Rolo who told me that I did it.
00:54:19Oh, Stephen, my darling, you're not well.
00:54:23All this is some wild dream.
00:54:25You're with me now.
00:54:27Everything will be all right.
00:54:29Oh, so you don't believe that these are Rolo's hands?
00:54:33All right, then.
00:54:35I'll prove it.
00:54:37They may not be able to play the piano, but you watch how they can throw a knife.
00:54:43Gurgol.
00:54:44That's all it is.
00:54:45He's trying to drive you mad.
00:54:46You can't break it this way.
00:54:49Oh, pardon, madame.
00:54:50These men insist.
00:54:51They say they're from the police.
00:54:52Police?
00:54:53Yes, madame.
00:54:54I'm very sorry.
00:54:55Monsieur Stephen Orlack?
00:54:57Yes.
00:54:57In the name of the law, I arrest you for the murder of your father.
00:55:00Murder?
00:55:01There must be some mistake.
00:55:02It isn't true.
00:55:04Oh, when did this awful thing happen?
00:55:06Last night.
00:55:07Oh, Steve.
00:55:08Tell her how my father was killed.
00:55:10Stabbed with a knife.
00:55:13Oh.
00:55:14Throwing knives seems to be a hobby of yours.
00:55:16Oh, no, no, no, please.
00:55:17Oh, it's no use, darling.
00:55:19All right, officer.
00:55:20I'm ready.
00:55:21If you like, I can put these on downstairs.
00:55:26Wait.
00:55:27I'll go with you.
00:55:28I'm sorry, madame, but...
00:55:30There's nothing you can do, darling.
00:55:32All right, officer.
00:55:33No.
00:55:34No, there's no mistake.
00:55:35He didn't do it.
00:55:36Steve, tell him.
00:55:37Oh, you can't.
00:55:38You can't do this.
00:55:39Steve, my darling, let me go with you.
00:55:42Monsieur Rossi, there are no two sets of fingerprints unlike in the world.
00:55:46These two prints are those of the same men.
00:55:48How can that be, Varsak?
00:55:50Well, Drollo is dead.
00:55:51I don't understand you at all.
00:55:52You must have made a mistake.
00:55:53There can be no mistake.
00:55:55Fortunately, our case against Steve and Orlott doesn't depend on fingerprints.
00:56:02Yes.
00:56:03Do you, Josephine?
00:56:06Come on, you come in and have a party.
00:56:08That's your putt.
00:56:09Because you say he's a fool.
00:56:11Josephine is...
00:56:15I tell you, if it's that man again, I'll...
00:56:19And I tell you, if it's that man again, I'll show him, I'll show him, I'll show him
00:56:47How did you get out?
00:57:01Now upstairs, quickly, where you belong, before he comes back and finds you wandering around
00:57:07Hello, upstairs, upstairs, go upstairs, get in there, because I've got to see you never
00:57:13before he comes back
00:57:14Now no, not in that one, get in that one
00:57:17Get in the room, get all the time when the doctor comes and finds you
00:57:20But I must see Dr. Gogol, nobody answered at the clinic
00:57:22It's talked, it's come alive
00:57:26Please, I'm alive, oh, it's come alive
00:57:30It went out for a little walk
00:57:41And then it started to talk
00:57:44Oh, I'm not going back there
00:57:47Not me, not me
00:57:49Who went out for a little walk?
00:57:51The wax statue, it came to life, I tell you
00:57:54They often took back to life and go out for a little walk?
00:57:56Yes
00:57:57Now you come for a little walk with us
00:57:59I know a doctor who wants to have a word with you
00:58:01Well, I never saw a statue gone to life in
00:58:04Well, I never saw a statue gone to life in
00:58:06I don't know.
00:58:36I don't know.
00:59:06I don't know.
00:59:08He believes he murdered his father.
00:59:10He'll kill now.
00:59:14He'll kill now.
00:59:26Follow suggestion.
00:59:28How easily works.
00:59:34He'll kill now.
00:59:38He'll kill now.
00:59:42I don't know.
00:59:44He'll kill now.
00:59:46He'll kill now.
01:00:18uh
01:00:28uh
01:00:36uh
01:00:45uh
01:00:47Triumph Galatia!
01:00:58Triumph!
01:01:00He thinks he murdered his father
01:01:02When it's I who killed him
01:01:06Galatia
01:01:08She'll come here now
01:01:10Flesh and blood not wax like you
01:01:13And he, he shall be shut up in the house where they keep them mad
01:01:18I, Gogol, will do that
01:01:22He shall be shut up when it's I who am mad
01:01:28But nobody knows that
01:01:31Excepting you and me
01:01:33It's our little secret
01:01:35And now
01:01:39I shall pray to you
01:01:42For the last time
01:01:46Now you don't understand
01:02:01These are Rollo's fingers, Rollo's hands
01:02:03It was Rollo who told me that I killed him
01:02:06My friend Rollo's head was cut off months ago
01:02:09Yes, but Gogol put it back for him
01:02:11He took off his hands and put them onto my arms
01:02:14Look
01:02:14Fingerprints on the knife
01:02:16The prints of Rollo
01:02:18And this man's prints
01:02:19They are all the same
01:02:21I got it
01:02:22Man without head kills rich jeweler
01:02:24What an eight column spread that'll be on the front page
01:02:27Well, that's the greatest story since Lindbergh flew to Paris
01:02:29Oh, boy, it was only true
01:02:30Let me see those hands of yours
01:02:31Say, you were in a bad railroad wreck
01:02:33Is that right?
01:02:34Chief, I don't like the marks in this guy's hands
01:02:36You sent Rollo's body to Dr. Gogol
01:02:38And I've been trying to find out for months what he did with it
01:02:40Never mind about his head
01:02:41But I believe this hand stuff is true
01:02:43You say you saw Rollo tonight?
01:02:45Yes
01:02:45And he's got his head fixed up
01:02:46In a sort of steel and leather brace
01:02:48Rollo's got his head back
01:02:49All I got's got Rollo's hands
01:02:51Now what has Dr. Gogol got?
01:02:53If I don't find out, I got no job
01:02:54Chief
01:02:57Let me talk to you a minute
01:02:58This is private
01:02:58Come here
01:02:58Hey, Chief
01:02:59That Dr. Gogol is 100% crazy
01:03:01He tried to strangle me the other night
01:03:03You know why, don't you?
01:03:04I found a woman in his house
01:03:05Now do you catch on?
01:03:06Now wait a second, please
01:03:07This is important
01:03:08You know who the woman is, don't you?
01:03:09You found the actress
01:03:10This guy's wife
01:03:11Now do you catch on?
01:03:12It's the old story
01:03:13The old family doctor stuck on a girl
01:03:15And tries to plant a murder on her husband
01:03:16To get rid of him
01:03:16He's been doing something mighty queer
01:03:18With Rollo's body
01:03:19I begin to think you're right, Monsieur Regan
01:03:21We look into this immediately
01:03:22Order my car
01:03:23Now you're talking
01:03:24I can hear you
01:03:37I can hear you
01:03:50There's blood on your cheek, Kalatir
01:04:02So it seems
01:04:06That wax can bleed
01:04:09Kalatir
01:04:15I am Pygmalion
01:04:16You wore wax
01:04:18But you came to life in my arms
01:04:20Dr. Gogol
01:04:21Breathe
01:04:22You speak
01:04:23You speak to me
01:04:25My laugh has made you live
01:04:27Kalatir
01:04:28Give me your lips
01:04:30Let me go
01:04:31Let me go
01:04:32RenÃĐ, RenÃĐ
01:04:33Don't drive so fast
01:04:35There's no hurry
01:04:35Why are you afraid of me?
01:04:42I love you
01:04:43I love you
01:04:45You came to life for me
01:04:48Don't you know me?
01:04:50Kalatir
01:04:51Yes
01:04:51Yes, I'm Kalatir
01:04:53Let me go now, please
01:04:55I promise to come back
01:04:56You are lying
01:04:58No
01:04:59You wouldn't come back
01:05:00You hate me
01:05:02No
01:05:03You despise me
01:05:04Liar
01:05:06Hypocrite
01:05:07You disgust me
01:05:10But I love you
01:05:13Each man kills the thing he loves
01:05:17Each man kills the thing he loves
01:05:21Each man kills the thing he loves
01:05:25Yes
01:05:29Yes
01:05:31Each man kills the thing he loves
01:05:37Wait a minute
01:05:41My wife
01:05:45Oh, it's Wax
01:05:47And I thought I had a front page murder
01:05:49Help!
01:05:50Help!
01:05:51Ah!
01:05:53Yvonne!
01:05:53Ah!
01:05:53Ah!
01:05:53Ah!
01:05:54Ah!
01:05:54Ah!
01:05:55Ah!
01:05:55Ah!
01:05:56Ah!
01:05:57Ah!
01:05:58Ah!
01:05:58Ah!
01:05:59Ah!
01:06:00Ah!
01:06:01It's locked!
01:06:15Bring it open!
01:06:16And so I find a thing to do
01:06:19With all her hair
01:06:22In one long raven string
01:06:26I wind
01:06:26I wind
01:06:26Three times
01:06:28Her little throat around
01:06:31And strangle her
01:06:34No pain feels she
01:06:38It's bullet from the inside
01:06:41We've got to get it open
01:06:42I'm quite sure
01:06:44She feels no pain
01:06:47He's killing her
01:06:55He's killing her
01:06:56Get out of my way
01:06:58Yvonne
01:07:08Yvonne
01:07:08Are you all right?
01:07:10Oh, Stephen
01:07:11My darling
01:07:12You're all right
01:07:15THE END
01:07:45THE END
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