- 3 days ago
Grantchester 480P S1 E3
Category
🎥
Short filmTranscript
00:0078 miles an hour.
00:04You're looking at a decade in prison.
00:08You were in the wrong place at the wrong time.
00:10We played cards.
00:11We haven't done anything.
00:12Arrest them all!
00:13God still loves you.
00:15I was wrong to call you names, and I apologize.
00:18It was an accident.
00:19Speedo was already broken.
00:21We're releasing you without charge.
00:22That's it.
00:23All done.
00:30Just creo.
00:37It's all I was.
00:47We Ugh.
00:48I don't know.
00:49GERARD WCheck
00:53Some names haven't finished an hour.
00:55It was already today!
00:57There you are.
01:18Come on, let's get cracking.
01:20I'm in my best frock here.
01:22Tell me again where we're going to see a painting.
01:25Well, I thought a man of your education would love art.
01:28Well, I do, but...
01:30It's not any old painting.
01:32This piece, already of historic artistic significance,
01:36is on loan from a collection in Italy.
01:39Mmm, fantastico.
01:43I love a man with an accent.
01:49We are going to have a lovely day.
01:52Take your mind off things.
01:55What things?
01:57I know you think I'm pretending the accident didn't happen, but I'm not.
02:01But it'd be better if you had Bonnie around to talk about it, though.
02:03My mum's had a stroke. Needs her more than I do.
02:06Besides, if I need a pair of ears, I'm all sorted.
02:09What, him?
02:10No.
02:11Oh, don't you panic. I mean him.
02:14Oh, yeah.
02:16Come on, then. See this painting?
02:19I'm really worried about him.
02:21Which is why we're here.
02:23You think I want to spend my day off staring at a bloody painting?
02:26Miserable git, come on.
02:28Today is about Will, not you.
02:34You'd think they've got a sign up.
02:36Oh, excuse me.
02:37Sorry, do you work here?
02:39For my sins?
02:40I don't suppose you know where we need to go for this painting?
02:43Through the passage, take a ride up the stairs and you'll hear Dr Abbott.
02:49Thanks.
02:58Absolutely no flash photography.
03:03Damages of colours.
03:05Apparently.
03:06Only six people at a time in my room.
03:09Stay back from the artwork at all times.
03:18Reclining nude by Modigliani.
03:29When she was displayed for sale in a gallery window,
03:32the police in Milan shut it down that very same day.
03:36I think they did everyone a favour.
03:38I mean, you get this sort of thing in every dirty magazine I've ever seen.
03:42Through my work.
03:47Well, I think it's rather beautiful.
03:49A celebration of the female form.
03:51I couldn't agree more.
03:52How long do you have it on loan for?
03:54Only another week.
03:56Frankly, I'd like to keep her to myself for the duration, but...
04:03What's the name of the artist again?
04:07Modigliani.
04:08I've been writing a paper on his series of nudes for the last seven years.
04:13When do you think you'll get it finished?
04:15Well, I retire next year, so I must.
04:19But with my muse to focus me,
04:22I have high hopes of delivering something groundbreaking.
04:27Then I should go to Italy to see the entire series.
04:33So what do you think?
04:34I like it.
04:37She doesn't look the least bit worried about her body.
04:41Mind you, I don't reckon she's had four kids.
04:46Jordan?
04:47I told you everybody would be dressed up.
04:48Mm-hmm.
04:49Yeah, this suit is a classic.
04:50Really?
04:51Yeah.
04:52Yeah.
04:53Yeah.
04:54Yeah.
04:55Yeah.
04:56Yeah.
04:57Yeah.
04:58Yeah.
04:59Yeah.
05:00Yeah.
05:01Yeah.
05:02Yeah.
05:03Yeah.
05:04Yeah.
05:05Yeah.
05:06Yeah.
05:07Yeah.
05:08Yeah.
05:09Yeah.
05:10Yeah.
05:11Yeah.
05:12Yeah.
05:13Yeah.
05:14Yeah.
05:18I'd like to thank you all for coming on this most special of days.
05:22I'm sure you were all excited to find yourselves in such close proximity to that wonderful lady.
05:29I know I have to pinch myself each time I look at her.
05:34I have been attempting to have a piece from this series brought on loan to this college ever since I became a fellow.
05:42And I could not be more proud to announce that I have achieved just that.
05:49This is an event for patrons and students of the college.
05:53We are here today to protest against the hypocrisy towards women in art.
05:58Leave the college immediately.
06:00I said we are here today to protest against the hypocrisy towards women in art.
06:06What is happening?
06:07You what?
06:08You what?
06:09Gun for support, huh?
06:10I've got these women thrown out of here.
06:12Have you ever asked yourselves why it is considered perfectly acceptable to gaze upon the female naked body in art?
06:21But in real life, women are expected to wear appropriately modest clothing.
06:26Oh, she's got fair point.
06:29Oh, blimey.
06:30Where the hell are the porters?
06:34Clothing deemed appropriately modest.
06:37Not by women themselves, but by men.
06:40Men who don't even stop to ask women what they think or feel.
06:44Men who think that it's their right to decide for women.
06:49This is disgusting!
06:52Right!
06:58Right!
06:59I shall fetch the porters myself!
07:01Yeah, yeah, yeah.
07:03Women in this country, and around the world, will no longer be taught how to dress or how to behave.
07:13This is getting out of hand.
07:14Be standing with it for the heart of oppressed women ever!
07:18All right, ladies.
07:21Ladies, time to cover up.
07:24It's police, so you probably should listen.
07:28Staging a protest isn't a crime.
07:30No, but whipping your top off in public is.
07:33Well, I think you made your point, rather eloquently, I'd say.
07:37A man of the cloth.
07:38Here to explain why women need to know their place.
07:41No!
07:42Water!
07:45Please don't make me arrest you.
07:47Enough of all this now.
07:48Run!
07:49You shouldn't be ashamed.
07:50Stay right there!
07:51You don't help me.
07:54Come back!
07:55Come here!
07:56Jordan.
07:57Fine, now.
07:59You may call me a troublemaker.
08:02A rebel, even.
08:06But it's time to make a stand.
08:08For the truth!
08:10Right, that'll do, Lady Godiva.
08:13Thank you, Mrs. Keating.
08:14And you are coming with me.
08:15Help!
08:16Help!
08:17Help!
08:18Help!
08:19Help!
08:20Help!
08:21Help!
08:22Help!
08:23Help!
08:24Help!
08:25Help!
08:36Have you arrested those vile women?
08:38We've one in custody, yes.
08:40She's been taken to the station.
08:42What about the others?
08:44They run off.
08:45They run off.
08:46You have to find the whole monstrous regiment.
08:49They're obviously all involved.
08:50I'll get some men down here.
08:53You do understand the seriousness of all this.
08:56We're talking about an irreplaceable piece of art.
09:00We understand how valuable it is, of course.
09:02This is the work of historical importance.
09:05You should be searching the corridors,
09:07sealing off the streets.
09:09Like I say, we'll get some men down here.
09:12The reputation for this college will be in tatters!
09:15Are you sure you locked it?
09:17Of course I'm bloody!
09:18Could you confirm who has keys beside you?
09:21Porters.
09:22Not too hard to pick it, though.
09:25If you had a mind.
09:27Hey, Larry!
09:35Can't keep up with a few young ladies, boss.
09:39They gave you the right run around.
09:44DCI Wallace has made some calls to the Flying Squad.
09:47Asked them to keep ears to the ground.
09:49He thinks this is a job by a London gang.
09:51He thinks it's more than likely.
09:53He's gone to meet with the Chancellor of the University
09:55to smooth a few feathers.
09:58Assure him that this is our top priority.
10:01Get over to the college and interview the Porters.
10:04Boss.
10:07Which leaves us with Betty Grable.
10:16Oh.
10:18Will you please get dressed?
10:20No.
10:21This is bloody ridiculous.
10:25This is a protest against the hypocrisy towards women.
10:28Now what the hell does that mean?
10:30It means that you, and when I say you, I mean men,
10:34are perfectly happy to look at women's naked bodies in art.
10:37But when it comes to real women,
10:39you want to tell us what to do with our bodies.
10:40You want to tell us what to wear.
10:42What is and is not decent.
10:44Tell us all...
10:45What I'm telling you now is that you need to stop rattling
10:48and answer my questions.
10:51First off, name and address.
10:54No.
11:00Look, we understand that you're frustrated.
11:02Why are you even here?
11:03A few Hail Marys is not going to bring the patriarchy down, Vicar.
11:07Never mind the bloody patriarchy.
11:09A valuable painting has been stolen,
11:12and right now it looks like you and your friends were involved.
11:18Was this some sort of student prank?
11:20You girls provide a distraction, someone nicks the painting?
11:23Perhaps you didn't know about the theft,
11:26but the thieves knew about the protest and used it as cover.
11:29Could you tell us who had that information?
11:34No.
11:48She brought on herself wasting police time.
11:50When all she needed to do was answer a few simple questions.
11:54Geordie.
11:56Larry's calling from the college where the exhibition was.
11:58You need to get down there.
12:12This bed of Josephine found him about an hour ago.
12:15His name is Peter Delaney.
12:17He's one of the porters here.
12:20He's one of the porters here.
12:21He's two years old.
12:22He worked here as a porer of the porer.
12:23There's a head injury.
12:24What kind of blood are you alive?
12:25He doesn't look like himself.
12:26Review that to ask.
12:27No.
12:28No exit, I am.
12:29Will!
12:30There's a head injury.
12:32What kind of life am I?
12:34Doesn't look like himself.
12:36You've been there two hours.
12:38No.
12:42No exit, darling.
12:46Will!
12:50Right, you could leave this to us.
12:52Don't worry.
12:56Well, there's the head injury.
12:58It's deep.
13:00Almost two inches wide.
13:02Looks like a blow to the back of their head.
13:06I'm assuming with that...
13:08Why would anyone do this?
13:10Thieves come for the painting.
13:12When a porter disturbs him, he's collateral damage.
13:14Maybe.
13:16But we need to check if anyone else might want him dead.
13:20Larry, seal it off right away.
13:24Nothing short of a tragedy.
13:34These vicious thieves.
13:36They cannot want job for the art.
13:38Let's not forget a man's life's been lost here.
13:40Peter Delaney.
13:42Ah, barely knew him.
13:44If you could tell us anything at all, it would help.
13:48What sort of man was he?
13:50Well, he was a...
13:52He was a porter.
13:54Well, more than our jobs, surely.
13:56Well, yes, of course better.
13:58I didn't know him outside his work.
14:00He'd been here for over four months.
14:02Working as a porter?
14:04His life mattered.
14:06I'm sorry, but I could tell you nothing more about him.
14:20Set down here, Jerry.
14:24Where's Will?
14:25Isn't he usually here by now?
14:27What happened to that one?
14:29Don't ask.
14:32You should advertise for a housekeeper.
14:34I don't want a housekeeper in here telling me what to do.
14:37They wouldn't do that.
14:38Have you met Mrs. C?
14:40Anyway, I don't want to ask Jack for more money.
14:42I'm sure you wouldn't mind.
14:44Well, I would.
14:45Besides, did Jesus wash the feet of his disciples,
14:48or did he get someone else in to do it for him?
14:50Well, you're not Jesus.
14:52And you can't manage his place on your own, Leonard.
14:54Well, I didn't think I was on my own.
15:04Peter's room's at the top.
15:10This one over here.
15:22A small room?
15:23Standard for a porter.
15:25Peter never complained.
15:27A very good bloke.
15:30No trouble to anyone.
15:32Local?
15:33From Yorkshire.
15:34Sheffield, by all accounts.
15:36Came down here a few months ago to take the job.
15:38You liked working here?
15:39Very proud to be here.
15:41Took his responsibilities to the college seriously.
15:46You married?
15:47The college don't take on married men.
15:49Women bring nothing but trouble, if you ask me.
15:53Take today.
15:54Those three tarts are the root cause of all this misery.
15:57We're all better off single.
15:59It's a lonely existence, though.
16:01Well, I don't reckon our Peter was too lonely.
16:06I love you and believe you love me.
16:08I beg you to meet me so that we can talk about things.
16:11Our baby is on its way and needs a father.
16:14You're Sheila.
16:16Not exactly single, then.
16:18Right, let's call it a day.
16:21Well, shall we try to...
16:22It's getting late, and you need to get home.
16:40There you are!
16:41I thought Geordie was going to have you in there all day.
16:43Ah, things got a bit.
16:45Actually, I might just pop in the church.
16:47No!
16:48No.
16:49No, you don't.
16:50You need to get inside.
16:52And eat something.
16:54You look starving.
16:56Do I?
16:57Yeah.
16:58Get in there.
17:00Sylvia and I have bought you something you're really going to like.
17:03Kathy, did you...
17:04Oh!
17:05Sorry, you missed me, then.
17:06Oh!
17:07You missed me, then.
17:08Oh!
17:09Sorry, you missed me, then.
17:11Honestly, Mum's doing better.
17:12I'm fine to be here for a couple of days.
17:14What about you?
17:15Good.
17:16Charming.
17:47Lots of fun.
17:48You are still thinking about the accident, though.
17:53Because...
17:54That sort of thing...
17:56Mm-hmm.
17:57...is hard to...
17:59It's hard to put aside.
18:01And I know how you get...
18:02Here?
18:03Definitely.
18:04Just might have to do a bit of maneuvering.
18:07Huh?
18:08Why?
18:09Are you all right?
18:10Are you all right?
18:11I don't know what it is.
18:14I found a dog at home!
18:19How are you?
18:21Are you all right?
18:24I don't know what it is.
18:25I'm tired.
18:26He's all tired.
18:27What are you?
18:32I'm tired.
18:33It's all bad.
18:36Let's go, check it out.
18:40All right, Ricker.
19:07Does someone called Sheila live here?
19:12That's me.
19:13Can I come in?
19:14Landlady doesn't let us have gentlemen callers.
19:17I think she'll make an exception for me.
19:36I would offer you a cup of tea, but milk got pinched.
19:43I just had a cup before I left.
19:49Did you write this?
19:56Well, obviously, I've read it. I'm not judging your situation.
19:59Why would you?
20:01Can I ask how long you've known Peter Delaney?
20:08Married two years, and we're caught in about six months before that.
20:13So you're Mrs. Delaney.
20:18I think you'd better sit down.
20:24I'm sorry to have to tell you this, but we found Peter's body this afternoon.
20:31Can I get someone to sit with you?
20:36I left all my family behind in Sheffield to come and live here.
20:41A neighbour, maybe?
20:50Can I ask why Peter lied about being single?
20:53He needed a job.
20:56And he said...
20:58They don't take married men.
21:00Yeah, of course.
21:02So you communicated by letter.
21:04Well...
21:06They don't let women into college, do they?
21:13Can you think of anyone who might want to harm Peter?
21:15No, I can't.
21:27Evening!
21:33Oh, I love you.
21:35I should hope so.
21:39Are you sure you're all right?
21:41I just made love to my beautiful wife. How could I not be?
21:45I've been thinking about you.
21:47Did I live up to expectations?
21:49I was worried.
21:51About me? Why?
21:53I know you blame yourself for what happened.
21:56So that's why you came back?
21:58What, to check up on me?
22:00When I hear my husband struggling, what am I going to do?
22:03Hear from who?
22:05Kath called me at my mum's.
22:07She said that you weren't yourself.
22:08That you're withdrawn.
22:09It's not just her.
22:11Everyone's concerned.
22:13Gossiping behind my back.
22:14Well, that's not fair. They're not gossiping.
22:16What would you call it then?
22:17Talking.
22:19Have you ever heard of that?
22:20It's what normal people do.
22:21I talk.
22:22No, not about this you don't.
22:24This is the single most difficult thing that's ever happened to you.
22:26You do not know that.
22:27What, something worse than knocking a man down and killing him has happened to you?
22:31And all you can say is I'm fine.
22:32I am not the victim here.
22:34No, but you're affected too.
22:36Still are.
22:38If you don't open up then...
22:40Look, you will never understand Bonnie because we are very different people.
22:43I have faith and you don't.
22:46And it is my faith that has seen me through this.
23:22Look, I know you probably made a pact with the other girls not to speak to the police but...
23:27a man's been killed.
23:29You can't possibly think we have anything to do with that.
23:32Well, it's not easy to rule it out if you won't tell us anything.
23:38How about we start with your name and address?
23:49I do understand why you feel the way you do.
23:53I work in a police station.
23:55One of the few women here.
23:56What do you think that's like?
23:57So why do you do it?
23:59Because it's more important that there are women here, don't you think?
24:06Marianne Robertson.
24:08I'm at Newnham College reading maths.
24:10Then you're smart enough to realise that this had its place at the college protest.
24:18But in here, with just you and four walls, it's not really getting you anywhere, is it?
24:23Do you know anything at all about the death of the porter?
24:35I honestly don't.
24:38And what about the painting?
24:39Are you sure you didn't grab it as part of your stand?
24:42We have nothing against the painting.
24:43It's actually very beautiful.
24:48We just wanted to make our point.
24:53Sounds like you did just that.
24:54I am going to need the names of the other girls.
25:06And get them arrested?
25:08I can't do that.
25:24Come on.
25:28Here we go.
25:32Come on.
25:54You might want a bit more lard in there.
25:58Otherwise they stick to the pan and it'll be the devil's own job to get it clean.
26:03A man's always happier for a cooked breakfast inside him.
26:08Will is definitely not happy.
26:10He found out why I came back and he's furious with Cathy for calling me.
26:14What was she supposed to do? He hasn't been himself.
26:17Well, he doesn't see it that way.
26:19I would appreciate it if you stopped discussing me as if we were a child.
26:22We're just worried.
26:23You know, all of you whispering behind my back like some sort of committee.
26:26Deciding that Bonnie needed to come back and now you're still at it.
26:29Will, we noticed that you were struggling and we just wanted to help.
26:32Yeah, well, you haven't. You've made things worse.
26:34How?
26:35Bonnie's mum is very ill and yet she's here checking up on me,
26:38which is the last thing that I wanted.
26:40When somebody you care about wants support, you'll do anything.
26:44Even something they might not want you to do. That's how it is.
26:47Caring about someone doesn't mean doing whatever you want and to hell with their feelings.
26:50Now, please, leave us in peace.
26:54Why did you say we were worried?
27:18Because we are.
27:19Oh, well, you've made him even more annoyed now.
27:22Me?
27:23You said he was struggling.
27:24And you said he needed support.
27:28That's completely different.
27:29When I said you needed to open up, I didn't think that meant screaming your head off.
27:40No, I wasn't.
27:42I'm just angry they called you back when it wasn't necessary.
27:46Yes, I think we all got the message on that score.
27:48I just wish people believed me when I say that I'm OK.
27:52Honestly, I want you to be OK.
27:53I want to think that someone or something can support you to a good place.
27:58And I'm not so big-headed that I think that has to be me.
28:04Let's just say I'm lucky to have you and God on my side.
28:08Let's just say I'm lucky to have you.
28:38But no one else knew about your plans.
28:40No.
28:41We kept it strictly among the three of us.
28:44His lips and all that.
28:46If the head of Newnham or Dr Abbott had even an inkling of what we were going to do,
28:50they would have thrown the book at us.
28:52They probably still will.
28:55I think Dr Abbott's a bit preoccupied at the minute.
28:58So the others won't get into any trouble?
29:02Well, at least you made the papers.
29:05Can I keep this?
29:10Not a chance.
29:11On your way.
29:12And let's hope I never see you or your friends again.
29:18So we've let our only suspect go?
29:22Because she had nothing to do with it, Larry.
29:25None of the girls did.
29:27So what now?
29:28We go back to the start.
29:39I'll come in by all means.
29:43How's Lady Godiva?
29:46Yeah, fully clothed and on her way back to her mate.
29:49But I'm assuming this...
29:50Sandwiches.
29:52Cheese and pickle.
29:52You want to tell me what's up?
29:58Kids are driving me mad.
30:02Right.
30:03And Mr. Draper's called me into work.
30:07He said he wants a word.
30:12That doesn't sound great.
30:15I'm worried he's going to sack me.
30:16He wouldn't do that.
30:23Would he?
30:25Well, he thinks I'm a troublemaker so I wouldn't put it past him.
30:31What will we do?
30:34If he gives me my marching orders...
30:37and you have to retire?
30:38Yeah.
30:38Oh, good luck.
31:00Hello?
31:03Sorry, the door was open.
31:05I'm Martha.
31:07I'm here about the job.
31:09Oh, sorry, I think you must be at the wrong address.
31:11I've ten years in the hotel trade and good references.
31:15We're not a hotel.
31:16I know what this is.
31:17Everyone deserves the same standards, don't you think?
31:20We do think that, don't we, Leonard?
31:23Yes, but we still don't have an opening for a job, I'm afraid.
31:28There was an advert in the newsagent's window
31:30saying that you're looking for a housekeeper.
31:34I'm extremely sorry that you've wasted your time,
31:37but that was a mistake.
31:40We don't need anybody.
31:42You need carbolic for that.
31:45Salt for blood, carbolic for everything else.
31:48You did this behind my back.
31:57I'm just being practical.
31:59I'm going for a walk before I say something I deeply regret.
32:02There you are.
32:15Oh, thanks for coming.
32:19These colleges are an absolute nightmare.
32:21How do they manage to get so many snobs in one place?
32:23Oh, it's a miracle of science.
32:25Do they have lessons in that?
32:27Uh, Mondays and Wednesdays.
32:29I miss most of them.
32:30Yeah, probably chatting up the ladies, no doubt.
32:33I'm assuming a painting this famous wouldn't be easy to sell.
32:38Well, it's too famous to sell, even on the black market.
32:42But there are unscrupulous private collectors, of course.
32:47So it could have been sold into order.
32:48How long did you say you've been writing about this series?
32:52Seven years.
32:54A hell of a long time to be obsessed.
32:58I wouldn't call myself that.
33:01No one loved that painting more than you.
33:04Are you serious?
33:06Maybe we should carry on this conversation back at the station.
33:09Do you have the authority of DCI Wallace to make this accusation?
33:13We're just following all lines of inquiry.
33:15I know him well.
33:16I'm happy to call him.
33:19I shouldn't bother.
33:20He's already called the Chancellor.
33:22I'll be back soon, Dr. Abbott.
33:33So what now?
33:35Let's pay the wife a visit.
33:42Oh, fucker.
33:46Knock, knock.
33:49Guess what?
33:50You've won the pools.
33:52If I have, I'll buy the baby a new outfit.
33:54Oh, no.
33:55Forget about the tea.
33:56Let's have a sherry.
34:00To celebrate the fact that...
34:02I have had a promotion.
34:05That's brilliant.
34:06I know.
34:08I went in to see Mr. Draper, thinking I was going to get the job.
34:11But no.
34:12He offers me a promotion.
34:14I mean, he doesn't want to pay me as much as the bloke who does the exact same job as mine.
34:19But I stood my ground.
34:24I probably shouldn't.
34:26Oh, rubbish.
34:28I had a few glasses when I was expecting all mine, and look how they turned out.
34:31I hear Will's angry.
34:39We got you back from your mum's.
34:41I bumped into Mrs. C at the post office.
34:44He says he's over.
34:46What happened?
34:47Says his faith got him through.
34:49And does his faith stop him from talking about any of it?
34:52I'm scared, Cathy.
34:54What if he doesn't get back to how he was?
34:56He will.
34:57It just takes time.
34:59How long?
35:00Only took Geordie 20 years to get over the war.
35:04Oh, I'm dreading telling him about my new job.
35:09Why?
35:09Be proud, won't he?
35:10God knows how he'll react.
35:14Don't breathe a word.
35:16But Elliot said Geordie needs to think about retirement.
35:20But that thought took about two minutes.
35:22Two?
35:23Bloody men.
35:26Oh, bloody men.
35:35Let's have a chat, Sheila.
35:42What sort of man was your husband?
35:46Pretty odd, isn't he, I'd say?
35:48What did Peter tell you about the job in college?
35:51Did he explain that he'd need to pretend to be single?
35:53Before he took it.
35:54That you need to live here?
35:56He left that bit out till he got down here.
36:00Told me he'd got a good job.
36:02Good wages and that.
36:03And they'd send for me when he was settled.
36:06But that never happened.
36:08When did you last see him?
36:15Sheila, it's always better if you explain things yourself.
36:17Um, the day he died, I saw her in the afternoon at the college.
36:28You were there?
36:30My friend Josephine's a bedder and she told me there was going to be some do-on at the college with a painting and, well, everyone would be busy and I could easily sneak in and talk to Peter.
36:42Um, what did Peter say when you did that?
36:44Uh, he said that the marriage was over and I should go back to Sheffield.
36:50Even though you were pregnant?
36:51The baby doesn't care about me or the baby.
36:54He just chucked me out.
36:56That must have made you angry.
36:58Obviously.
36:58Angry enough to kill him?
37:00Probably.
37:00But I didn't.
37:04He was still alive when I left.
37:06Are you sure about that?
37:07If you don't believe me, you can ask Josephine because she saw me go.
37:12I met her a few months ago, outside the college.
37:15She was upset so we started talking.
37:17Been friends ever since.
37:19And how well did you know Peter?
37:21He mostly ignored me.
37:23All the porters do.
37:24He mostly ignored Sheila too, didn't he?
37:26Us men for you.
37:28You told Sheila her to get into the college.
37:31So she could confront Peter?
37:32She wanted to talk to him.
37:34Make him see sense.
37:36A woman in her situation, what chance has she got on her own?
37:41You've no idea how desperate she's been feeling, how could you?
37:44And when he refused to talk to her, how did she react?
37:51She was broken.
37:52So then what happened?
37:53Well, she didn't kill him, if that's what you think.
38:02You certain of that?
38:03Yes.
38:05Look, I saw her talking to him, sobbing she was, begging him.
38:10Then she left.
38:10Was that before or after the protest?
38:13Definitely before.
38:14Sheila had already left when that performance happened.
38:17And Peter was still alive.
38:37Is this what all the fuss is about?
38:38You think no one had ever seen a naked body?
38:41Well, this particular naked body is giving us some real grief.
38:44I still think Dr. Abba had a motive to take it.
38:48But do we really think he had the bottle to kill someone?
38:50If he was scared of getting caught.
38:51Who else had access to the room?
38:55The porters.
38:57They were outside chasing our protesters.
39:08What about the wife?
39:10She had every reason to want her husband dead.
39:14I think she loved him though.
39:16Well, love will only get you so far.
39:18As an abandoned woman with a child, her life's pretty much ruined.
39:24But as a woman whose husband died tragically, that's another kettle of fish.
39:31She could start again.
39:34So she kills it, takes the picture to make it look like theft.
39:41But what would she do with it afterwards?
39:42There's no way she could find a buyer.
39:48Why are you doing this?
40:03What's all this?
40:03It's for my work.
40:05I'm a seamstress.
40:06How else do you think I managed not to starve?
40:12Oi!
40:12Do you know how much that costs?
40:18Come on.
40:20Geordie.
40:22Hm?
40:22Come on.
40:52Why would this be in your bin?
41:00No idea how it got in there.
41:02Well, you stole it, Sheila.
41:03After you killed your husband.
41:05You can believe that.
41:07Absolutely no one else had any reason to want him dead.
41:10I didn't want him dead.
41:11He's the father of my baby.
41:13A baby he didn't care about.
41:15This isn't right.
41:18I thought the robbers killed him.
41:19There were no robbers.
41:20Unless you're saying they went to all that trouble
41:23and then left the loot in your bin.
41:26Someone slung it in there.
41:28Like who?
41:29I wouldn't put it past you lot.
41:32Sheila, he was a bad man.
41:34A terrible husband.
41:35Everyone will understand why you killed him.
41:38Why it happened.
41:39Except nothing did.
41:41I talked to him.
41:43And then I left.
41:44You will go to prison for this, Sheila.
41:50But Peter was alive when I saw him.
41:53Ask Josephine.
41:54Can we not do this?
42:12I have too much work to do for chit-chat.
42:14Important work.
42:15God's work.
42:16You're peeling potatoes.
42:18Exactly.
42:18Exactly.
42:18Exactly.
42:24I know you think that all this is just a fad.
42:27That I'll move on.
42:29I don't.
42:29You think I'm wishy-washy.
42:31Always changing my mind.
42:32I know this is different.
42:35It's the best thing I've ever done.
42:37Just why you need some proper help.
42:41So that you can make this place the finest it can be.
42:45I know that's what you want.
42:46You shouldn't have gone behind my back, though.
42:52Agreed.
42:53I'm sorry.
42:55I overstepped the mark.
43:04What was the name of that lady again?
43:07Martha.
43:11Let's just hope she hasn't already taken a job in some five-star hotel.
43:16I don't know why you dragged me here when I told you.
43:24I only got Sheila into college.
43:26We just need to check a few things.
43:29Like what?
43:30Like when Sheila left the college.
43:34She tried to have words with Peter.
43:35He chucked her out.
43:37She went home.
43:38It's only natural you'd want to help a friend.
43:40Especially when the stakes are so high.
43:42Of course it's natural.
43:44You don't want to see the people you care about suffer, do you?
43:47But that doesn't change the fact I saw her leave college.
43:50And Peter was still alive.
44:03If it turns out you're lying,
44:05it won't just be Sheila going to prison.
44:07Well, I'm not lying, am I?
44:10It would be better for Sheila if you both just tell the truth.
44:14Her barrister can explain to the court.
44:16And they will understand why she did this.
44:18A bunch of strangers making decisions for her.
44:21When they don't even know the full story.
44:23She's lying to protect her friend.
44:33She's right though.
44:35About what will happen.
44:37Everyone's making decisions for Sheila.
44:39But it's a horrible feeling.
44:43When you're invisible.
44:51Drive you to do something unthinkable.
44:56When someone you care about needs support, you'll do anything.
44:59Even if it's something they might not want you to do.
45:13Recently, a group of friends thought they knew what was best for me.
45:17And I didn't like it.
45:18Not one bit.
45:19And that's what you hate, isn't it?
45:23The fact that no one listens to women like you and Sheila.
45:28Did you kill Peter, Josephine?
45:33Were you so angry at how he treated your friend that you lost your temper?
45:38And you did something that even Sheila didn't want you to do?
45:43Because if that's what happened, you cannot let Sheila go to prison.
45:47She won't go to prison because I'm confirming her story.
45:51She left...
45:51No, she will go to prison.
45:54Seeing as no one will believe you.
45:56Because I'm just a poor woman who cleans things.
46:00Because we found a painting in Sheila's bin.
46:03You can't let her take the blame.
46:09Think of the baby, Josephine.
46:11Peter was happy to destroy Sheila's life without so much as a thought.
46:21I mean, husband and wife are meant to be there for each other, aren't they?
46:25Through thick and thin.
46:27All he cared about was his job at the bloody college.
46:33Thinking it made him someone.
46:34Thinking he was part of it all.
46:36You think that lot care about the porters?
46:41Josephine.
46:43Did you kill him?
46:48Someone's got to be the strong one.
46:52And if the man's not going to be...
46:56You saw how Sheila reacted to her husband's treatment.
47:00So you went to confront Peter.
47:05To stand up for your friend the way she couldn't.
47:08Hey.
47:09No one worked with you.
47:10You're scrubbed your floors, you stupid cow.
47:13No one.
47:14And then you saw he couldn't care less.
47:17About Sheila.
47:19About any woman.
47:26You had a key to Dr. Abbott's office.
47:28How else would I clean it?
47:34So you let yourself in, you stole the painting to make it look like a robbery.
47:41What were you going to do with it?
47:43I don't know.
47:45Try and sell it.
47:48Buy Sheila some baby things.
47:49I still had it on me when I left college.
47:55And I went around to Sheila's to see if she was alright.
48:00And I saw you.
48:02So I shoved it in the bins.
48:04Not a brilliant plan, all told.
48:09I'm just so...
48:12tired.
48:12I don't know.
48:13I don't know.
48:37Look out.
48:40Okay.
48:40All right, let's go.
49:10You cared more about this painting than a dead man.
49:32You know, if you've mentioned Abedda had access to this room...
49:35Thank God there's no damage.
49:37We could have sorted all this out much earlier.
49:39You know, if you told us she'd had a key and given us her name.
49:44And how am I supposed to remember the name of Abedda?
49:47What about those students who took their clothes off?
49:50I assume you charged her with wasting police time.
49:53No, I have not.
49:54But you are this close to getting Nick for it yourself.
50:09It smells good.
50:21You're packed.
50:23I can stay a few more days.
50:24You don't need to.
50:26Are you sure?
50:27Yeah, it would be good to have the house to myself before the baby comes.
50:30I'll enjoy the peace when I can.
50:32You enjoyed having Ernie though.
50:34Of course I did.
50:35But he wants to see his granny.
50:37And she's ill so it's perfectly understandable.
50:39And I will see you both for his birthday.
50:42We'll have a big party.
50:43Balloons, cakes, the whole works.
50:44He will love it.
50:45Now, listen to the man in the house and eat up.
50:53Oh, this looks good.
50:57Don't worry, Ernie.
50:58Come on, we'll be back before you know it.
51:10I love you both.
51:12You're going to write me a letter every day, okay?
51:14In fact, write me two a day.
51:17In you get.
51:19Right.
51:21We'll miss you.
51:22I love you both.
51:35I love you.
52:09Yes, yes, yes. It's just a game.
52:19Let's all just calm down.
52:21You're welcome here!
52:23This is what happens when you put rats in the hamster cage.
52:27Don't talk to me about support.
52:29He came to me for help. I failed him.
52:39Go to our website, listen to our podcast, watch video, and more.
52:47To order this program, visit ShopPBS.
52:50Masterpieces available with PBS Passport and on Amazon Prime Video.
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