- 2 days ago
A girl kills herself after seeing her lover unjustly framed and guillotined. Baron Frankenstein resurrects her with her lover's soul in her. With his memory, she sets out to avenge his death.
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Short filmTranscript
00:01:00Well, Dad!
00:01:01Come on now.
00:01:04Come with me, oldie.
00:01:06Come along.
00:01:18Well, what are we waiting for?
00:01:20The priest, you fool.
00:01:22Yeah, he won't do much good at the number I'm going.
00:01:34You ain't fun.
00:01:37You really missed the show.
00:01:38I'm sorry.
00:01:39I didn't hear the cock crow.
00:01:41I speak nothing of it, my dear sir.
00:01:44Well, gentlemen, shall we...
00:01:47At once, your illness.
00:01:50And I trust you'll accept my apologies for bringing you out on so raw morning.
00:01:56Come on!
00:02:01Pardon me, your illness, but if that's for my benefit, could you speak up a bit?
00:02:08That's better!
00:02:09I thought that I can understand a word.
00:02:13You say, I never was much of a scholar.
00:02:18I never had time for it.
00:02:20I would have spent your day for it.
00:02:33Ha ha ha ha!
00:02:34Ha ha ha ha!
00:02:36Ha ha ha!
00:02:41Huh?
00:02:46Ha ha!
00:02:48Get him away from here!
00:02:49Get him away, do you hear?
00:02:51You, get that boy away from here!
00:02:53Get him away!
00:02:54I figured it'd be bad, Paula!
00:02:56Ha ha ha ha!
00:02:59Here, boy!
00:03:05Do it now.
00:03:07Come on, it's my head. You're gonna have it off anyway.
00:03:16Papa!
00:03:28Come on!
00:03:58Come...
00:04:04Come...
00:04:12What?
00:04:17What?
00:04:19Do it now!
00:04:24The End
00:04:54Hanks!
00:04:56Hanks!
00:04:57Get him away from here!
00:04:59Get him away from here!
00:05:00Get him away from here!
00:05:01You!
00:05:02Get that boy away from here!
00:05:03Get him away from my hands!
00:05:24Hanks, is that you?
00:05:25Yes, Dr. Hertz.
00:05:26Well, come quickly.
00:05:27I need you.
00:05:31Sixty.
00:05:32Sixty.
00:05:33I'm sorry I'm late, Doctor.
00:05:34Sixty.
00:05:35All right, all right.
00:05:36I see him.
00:05:37Fifty.
00:05:38Fifty.
00:05:39Fifty.
00:05:40Fifty.
00:05:41Fifty.
00:05:42Fifty.
00:05:43Fifty.
00:05:44Fifty.
00:05:45Fifty.
00:05:46Fifty.
00:05:47Fifty.
00:05:48Fifty.
00:05:49Fifty.
00:05:50Fifty.
00:05:51Fifty.
00:05:52Fifty.
00:05:53Fifty.
00:05:54Fifty.
00:05:55Fifty.
00:05:56Fifty.
00:05:57Fifty.
00:05:58Fifty.
00:05:59Fifty.
00:06:00Fifty.
00:06:01Fifty.
00:06:02Fifty.
00:06:03Fifty.
00:06:04Fifty.
00:06:05Fifty.
00:06:06Fifty.
00:06:07Fifty.
00:06:08Fifty.
00:06:09Fifty.
00:06:10Fifty.
00:06:11Fifty.
00:06:12Fifty.
00:06:13Fifty.
00:06:14Fifty.
00:06:15Fifty.
00:06:16Fifty.
00:06:17Fifty.
00:06:18How long this time?
00:06:34One hour one. Hold on to the second.
00:06:36Come on, come on.
00:06:37No, don't touch it. It'll freeze your fingers off.
00:06:48Come on.
00:07:18Open up.
00:07:33Close the doors.
00:07:48The room is not warm enough.
00:07:49Still cut the stove.
00:07:50Move this way.
00:07:52Come on.
00:07:52Come on.
00:07:53Try it.
00:07:53Come on.
00:07:54Come on.
00:08:24Stand by the switch.
00:08:35Now.
00:08:39Again.
00:08:40Again.
00:08:45Again.
00:08:46Again.
00:08:47Again.
00:08:48Again.
00:08:54Yes.
00:08:58Yes.
00:09:00She lives.
00:09:02The brandy?
00:09:03Miss Manixwald's over there.
00:09:04Miss Manixwald's over there.
00:09:12The brandy?
00:09:14Miss Manixwald's over there.
00:09:19Miss Manixwald's over there.
00:09:24Miss Manixwald's over there.
00:09:28Take that foul-spelling stuff away please. He lives. See, Hans, he's alive.
00:09:39Of course I'm alive. Didn't I tell you I would be? Oh, yes, but...
00:09:44Hans, I am constantly surprised at your lack of faith in my work.
00:09:48But you were dead, was he not, Hans? Technically, yes. But my soul had not left my body.
00:09:55For one whole hour I was dead.
00:09:59It was an hour, wasn't it? Exactly an hour.
00:10:02Oh, to the second. Eh, Hans?
00:10:04Good. For one hour my body had died, and yet my soul remained.
00:10:11Now why? Where was it? Was it... was it trapped within me?
00:10:20Could it be trapped forever?
00:10:22Could I... could I trap it myself?
00:10:29Oh, this is all too much for me. All I know is that you're here and that you're well.
00:10:37You are well, aren't you? You're well. Hmm? You're well.
00:10:40I've never felt better, thank you.
00:10:41Oh, that's wonderful. He's well. Well, in that case we must have a party and celebrate.
00:10:44That's very flattering. To celebrate the success of my experiment.
00:10:47Oh, experiment nothing. I want to celebrate your safe return. Hans?
00:10:51The brandy.
00:10:52Oh, no, thank you, no. I know your brandy.
00:10:55But a glass of champagne would be very welcome.
00:10:57Oh, champagne? Do you think I'd drink that stuff if I could afford champagne?
00:11:01Hans, would the local cafe have champagne?
00:11:03I'm sure they would, Baron.
00:11:05Run down and get a bottle. There's a good fellow.
00:11:09Run along, boy.
00:11:12Off you go, boy.
00:11:13You want paying, sir.
00:11:15Well, give him some money.
00:11:16What, me? I haven't got anything.
00:11:19Everything I had was spent on all this.
00:11:22Tell him I'll pay later.
00:11:24Well, I'll try.
00:11:26Boy, have you got an overcut?
00:11:28Well, no, I've never had one.
00:11:29Well, it's stormy outside. You'd better have mine.
00:11:31I rarely go out.
00:11:44One hour.
00:11:46Dead for one hour.
00:11:49Yet my soul did not leave my body.
00:11:53Now, why?
00:11:58Let's go.
00:11:59Let's go.
00:12:28Let's go.
00:12:48Hello, Christina.
00:12:50Hans!
00:12:52Where's father?
00:12:53He's out.
00:12:54He'll be back in a minute.
00:12:55And if he catches you in here...
00:12:56So, I'm here on business.
00:12:57Oh, yes?
00:12:58It's true.
00:13:00What business?
00:13:01Wine buying.
00:13:02The doctor sent me for some champagne.
00:13:04Mmm.
00:13:05Honestly.
00:13:06And how is he going to pay for it?
00:13:08Why are you treating him?
00:13:11The Baron says he'll pay.
00:13:17What's the matter, Christina?
00:13:19The Baron?
00:13:21I wish you didn't have to work for him, Hans.
00:13:23I have to earn some money somehow, Christina.
00:13:26I know.
00:13:27But?
00:13:29You know what they say about him.
00:13:31No.
00:13:32What do they say about him behind his back?
00:13:34You know.
00:13:35I don't know.
00:13:36But I can guess that he's some sort of monster in league with the devil himself.
00:13:42That he practices witchcraft and performs a black mass. Is that what they say?
00:13:44Something like that.
00:13:46Have they told you he eats little babies or can turn himself into a toad?
00:13:51I'll tell you something, Christina.
00:13:53If it's a choice between him and they, I'll choose him every time.
00:13:57There's no call for you to get upset with me, Hans.
00:14:01Who are you talking to?
00:14:12In God's name, haven't I told you to keep away from here?
00:14:15I'm here as a customer, sir.
00:14:17That doesn't give you the right to hang around my daughter.
00:14:19I have enough trouble with her without...
00:14:23What is it you want?
00:14:24Some champagne.
00:14:26Dr. Hurt sent me for it.
00:14:27Go on, out.
00:14:28What have I said?
00:14:29Out.
00:14:30It's true.
00:14:32The money?
00:14:33Well, he'll pay.
00:14:34Or at least the Baron will.
00:14:36Outside.
00:14:37I'll pay then.
00:14:38That is, if you've got any real champagne, which I doubt.
00:14:40What with?
00:14:41What will you pay with?
00:14:44With this.
00:14:50Very well.
00:14:54For a dozen bottles.
00:14:55One bottle.
00:14:58Three.
00:15:02Will you take it or not?
00:15:07And keep away from my daughter in future.
00:15:10I don't want your type hanging around her.
00:15:15Landlord.
00:15:16Wine.
00:15:18The best.
00:15:19Or the best that your establishment can offer.
00:15:22Yes, gentlemen.
00:15:23White or red?
00:15:25A selection, gentlemen.
00:15:26And which do you recommend to your own taste, landlord?
00:15:30The white is very good.
00:15:31The white is very good.
00:15:32Excellent.
00:15:33We'll have the red.
00:15:34And see that it isn't corked unless you want to lose your license.
00:15:38It's in excellent condition, gentlemen, I assure you.
00:15:40It had better be.
00:15:42Or my father will hear of it.
00:15:43I'll hear of it.
00:15:44It's a sign, Lord.
00:15:45Thank you, Honey.
00:15:46Let's do it.
00:15:47I can't stand here.
00:15:48Let's go.
00:15:49What's your secret?
00:15:50What's your secret?
00:15:51Oh, no, landlord.
00:15:52Let's go there.
00:15:53Let's take care of it.
00:15:55Good work.
00:15:57Oh,well.
00:15:59The white.
00:16:00They all go there.
00:16:01Oh, the white.
00:16:02Oh, I'll pay for the white.
00:16:03Let's go there.
00:16:04I'll pay for the white.
00:16:05Oh, now, Landlord, served by your charming daughter.
00:16:16Now, gentlemen, by your daughter, Landlord.
00:16:25She's out.
00:16:28Out, Landlord?
00:16:30Yes.
00:16:31She went home early.
00:16:33A headache.
00:16:33Oh, I see.
00:16:37Carl.
00:17:03Ah, Christina.
00:17:19As pretty as a picture today.
00:17:24Enchanting.
00:17:26Isn't she?
00:17:29Please.
00:17:31Please?
00:17:32Please don't tease me.
00:17:35Were you teasing her, Johan?
00:17:37On the contrary, Anton.
00:17:40I was complimenting her.
00:17:43Carl?
00:17:45No, Anton.
00:17:47You see?
00:17:49Your wine, gentlemen.
00:17:50Christina is to serve it.
00:17:54It's all right, Father.
00:17:55Oh, dear.
00:18:08She nearly spelt it.
00:18:12Be careful, my dear.
00:18:15You don't want your father to lose his license, do you?
00:18:18See how gracefully she walks.
00:18:26See how gracefully she walks.
00:18:40Look what you've done, you silly bitch.
00:18:43She didn't mean it, I assure you.
00:18:45Well, of course she did.
00:18:46Get out of my sight.
00:18:50You will apologize for that.
00:18:52Be careful, Hans.
00:18:53Don't be a fool.
00:18:55I will what?
00:18:56You will apologize.
00:19:00Did you hear what this peasant said?
00:19:03They heard.
00:19:03I do not care to talk to the spawn of murderers.
00:19:12Stop that, you young fool.
00:19:14You'll smash the place up.
00:19:33Come on, then.
00:19:59Come on, then.
00:20:03Are you afraid?
00:20:05All three of you?
00:20:15Keep away.
00:20:18Give me that knife.
00:20:19Keep away.
00:20:21They're going to get what they deserve.
00:20:22I'll kill you for that.
00:20:33Then you'll go the same way as your father.
00:20:35You want to prefer charges?
00:20:39No.
00:20:40How about all this mess?
00:20:42I know him.
00:20:44He'll come back in the morning and clear it all up.
00:20:46I want him charged with assault.
00:20:48Three healthy young men against one.
00:20:51That won't sound so good in court, will it, sir?
00:20:54Oh.
00:20:55Well, never mind.
00:20:56Oh, leave that, Christina.
00:21:19You go on home.
00:21:21You have to be up early in the morning.
00:21:23I'm sorry, Father.
00:21:32It's not your fault.
00:21:35Come on.
00:21:37Off to bed.
00:21:39And don't worry.
00:21:43Good night, Father.
00:21:44Good night, my dear.
00:21:45It's mine, I think, landlord.
00:22:19And where is our young friend?
00:22:20You may well ask.
00:22:23Oh, I see.
00:22:25Good evening, gentlemen.
00:22:27You've been having a party.
00:22:29What have you done here?
00:22:32You should have that attended to.
00:22:34I'll be all right.
00:22:35On the contrary, without immediate attention,
00:22:36it could develop into something quite unpleasant.
00:22:38What do you think, doctor?
00:22:40Oh, very nasty.
00:22:41I'm sure Dr. Harris will render first aid
00:22:44for a small charge.
00:22:48Well, how much?
00:22:50Well, his normal fee would be ten crowns.
00:22:52But since this is an emergency
00:22:53and he has a charitable disposition,
00:22:56perhaps I could persuade him to do it for five?
00:22:59Payable in advance.
00:23:01Good.
00:23:02Landlord, my friend and I will dine your menu, please.
00:23:04And will you be so kind as to put this on ice for us?
00:23:38Have you ever heard?
00:23:39Only my pride.
00:23:41I lost my temper.
00:23:42I know.
00:23:44I shouldn't have, I suppose.
00:23:46Oh, thank you for trying to help.
00:23:48That temper of mine is always getting me into trouble.
00:23:51Get me hanged one day.
00:23:52You mustn't say that.
00:23:55Why?
00:23:56Because of what they did to my father.
00:23:59You know what they say,
00:24:00like father, like son.
00:24:02Never say that.
00:24:04I sometimes think I'm like him.
00:24:05Oh, you're not like him.
00:24:06He was a drunkard.
00:24:08He stole and he killed a man.
00:24:12I know.
00:24:15But I don't remember him like that at all.
00:24:17I only remember him as a jolly old man.
00:24:19He used to make me laugh.
00:24:21You know,
00:24:22he was always telling stories.
00:24:25He'd take me for long walks in the country
00:24:26and tell me all sorts of wonderful things
00:24:27about what we saw.
00:24:28I believed him every word.
00:24:32I'm sure he made them all up.
00:24:38Did your father take you for walks when you were a kid?
00:24:39He never took me anywhere.
00:24:44He didn't like to be seen with me.
00:24:47I see.
00:24:49Oh, sorry, I didn't mean...
00:24:50But he's been very kind in other ways.
00:24:52Every penny he gets,
00:24:53he spends on doctors for me.
00:24:55He thinks they might be able to help.
00:24:58And don't you?
00:24:59Don't you?
00:25:03After you're going to see another one tomorrow in Inspart.
00:25:05It won't be any use.
00:25:09Do you care?
00:25:11Yes, I care.
00:25:12Terribly.
00:25:13I think of nothing else.
00:25:15It eats me up.
00:25:17Just to look ordinary.
00:25:18Not beautiful.
00:25:20Just ordinary.
00:25:22So that I could walk about the streets
00:25:23without hiding my face in shame.
00:25:29You don't have to hide from me, Christina.
00:25:30Well, you know that, don't you?
00:25:36Please.
00:25:37Please, you're making it worse.
00:25:40I love you, Christina.
00:25:43Please, please.
00:25:48And I believe you love me.
00:26:00Ah, excellent.
00:26:04Come along here.
00:26:05It's a sweet work to do tonight.
00:26:08More?
00:26:10Certainly.
00:26:11You don't think my experiments end there, do you?
00:26:13Look, haven't you grasped anything
00:26:15of what I've been doing for these last six months?
00:26:17I confess, very little.
00:26:21Yes, I feared.
00:26:23An excellent meal, landlord.
00:26:24Have you finished?
00:26:26I suppose I have.
00:26:32Good.
00:26:34Then settle the bill, will you?
00:26:40Keep the change.
00:26:44Gentlemen.
00:26:51Look after that head.
00:26:53Look after that head.
00:26:56Oh, landlord,
00:27:00I find myself
00:27:03temporarily embarrassed.
00:27:05Financially, I mean.
00:27:07I see.
00:27:08And my companions likewise.
00:27:10Do you think
00:27:11you could see your way
00:27:13clear to...
00:27:14Only until tomorrow.
00:27:17May I remind you, gentlemen,
00:27:18that I was told the same story last week
00:27:20and I'm still waiting for my money?
00:27:23Oh, well.
00:27:24If that is to be your attitude,
00:27:27we shall just have to take
00:27:29our custom elsewhere.
00:27:31Do that, gentlemen.
00:27:32It will cost me less.
00:27:34Here, here, here, here, here.
00:27:38Here, here, here.
00:27:52Here, here, here.
00:27:54Here, here, here.
00:27:56Christina!
00:27:58Christina!
00:28:00Christina!
00:28:02Throw open thy window that I may gaze upon thy beauty.
00:28:06Ha, ha, ha!
00:28:10No, Hans. Leave them.
00:28:12They'll go away.
00:28:16Sweet Christina,
00:28:18fair of face,
00:28:20blessed with beauty,
00:28:22filled with grace.
00:28:24Lonely on your
00:28:26virgin bed,
00:28:28you'll stay a virgin
00:28:30till you're dead.
00:28:32No, Hans, no!
00:28:34In your dreams,
00:28:36a handsome lad
00:28:38comes creeping to your
00:28:40virgin bed.
00:28:42Hide your face,
00:28:44don't let him see.
00:28:46One look at it,
00:28:48and he will flee.
00:28:50I could kill them!
00:28:52No!
00:28:54Don't you cry.
00:28:56It won't be long
00:28:58before you die.
00:29:00Then from the heavens
00:29:02a star will fall
00:29:04for the ugliest angel
00:29:06of them all.
00:29:08For the ugliest angel
00:29:10of them all!
00:29:12Forget them, Hans.
00:29:14Love me.
00:29:16Love me.
00:29:18Love me.
00:29:20Give me a thirst.
00:29:24A lovely thirst
00:29:26that needs quenching.
00:29:28Will you gentlemen assist me quenching?
00:29:30La-la-la-la-la-la-la-la-la-la-la-la-la.
00:29:48Open the doors.
00:29:50Hurry.
00:29:52Here, find this.
00:30:22Here, find this.
00:30:52Here, find this.
00:30:58You see?
00:31:00The energy, the force trapped in the rock itself, is being released.
00:31:04Oh, it's magic.
00:31:06Everything we don't understand is magic, until we understand it.
00:31:10To me, it's magic, all of this.
00:31:12Until we understand it, and master it.
00:31:16Help me, man.
00:31:18Hurry.
00:31:20Twist that.
00:31:22Anti-cough wire.
00:31:24Mind your hand.
00:31:26Good.
00:31:28Good.
00:31:30Good.
00:31:31Good.
00:31:32Good.
00:31:33Good.
00:31:34Good.
00:31:35Good.
00:31:36Good.
00:31:37Good.
00:31:38Good.
00:31:39He's just leaving.
00:31:42Good.
00:31:43Good.
00:31:49He's just leaving.
00:31:58This is our night.
00:32:16Up to you.
00:32:17Up to you.
00:32:18What is it to be, gentlemen?
00:32:27The drinks are on the house.
00:32:57The drinks are on the house.
00:33:04The drinks are on the house.
00:33:09The drinks are on the house.
00:33:12The drinks are on the house.
00:33:19The drinks are on the house.
00:33:27The drinks are on the house.
00:33:34The drinks are on the house.
00:33:40The drinks are on the house.
00:33:46Come on out. I know you're there.
00:33:59Get him!
00:34:09Get him out!
00:34:11Get him out!
00:34:16Get him out!
00:34:44Now watch.
00:34:45You see, indestructible.
00:34:56A shield of indestructible matter.
00:34:59We have succeeded, Herz.
00:35:01We have?
00:35:02A frame of force so strong that nothing can enter this.
00:35:05And nothing can escape.
00:35:07Barron, one question, please.
00:35:11What is it for?
00:35:13What is it for?
00:35:15To give life after death, my friend.
00:35:17That's what it's for.
00:35:18Life after death.
00:35:20We have conquered death.
00:35:21We have conquered death.
00:35:23Here, Cleve.
00:35:24I should have thought the whole thing was perfectly clear, even to someone as muddle-headed as you are, Hertz.
00:35:39However, if you wish, I will explain it to you step by step.
00:35:43Yes, yes, please explain.
00:35:45Now, first of all, I have established beyond doubt that the soul does not leave the body at the instant of death.
00:35:51Now, you understand that?
00:35:52Yes, yes.
00:35:53Don't you agree?
00:35:55Yes.
00:35:56Good.
00:35:57And secondly, I have succeeded in creating a frame of force so strong that nothing can penetrate it.
00:36:04Now, if nothing can penetrate it, then nothing can leave it.
00:36:07Agreed?
00:36:08I suppose so.
00:36:10There's no supposition about it.
00:36:11It is a fact you saw for yourself.
00:36:13Yes, all right.
00:36:14Oh, there you are, then.
00:36:16I am?
00:36:17Where am I?
00:36:18What has all this to do with conquering death?
00:36:21Do I have to spell it for you?
00:36:25Yes, you do.
00:36:26I am a muddlehead.
00:36:28I am a broken-down, drunken old muddlehead.
00:36:33And you have to spell it for me.
00:36:34One dies because the body dies, not the soul.
00:36:40Death is a physical thing, not spiritual.
00:36:43The body deteriorates or is broken in some way or just decays, but the soul remains alive.
00:36:49Now, if I can transfer the soul to my apparatus, repair the damaged body, and then return the soul, I have conquered death.
00:37:01Is it not so?
00:37:04Yes, you say so.
00:37:06I do.
00:37:08I do.
00:37:10I do say so.
00:37:12It must be so.
00:37:15Oh, look.
00:37:17It's almost daylight.
00:37:20Now, would you like me to make you a nice cup of coffee?
00:37:24Go ahead, Trevor.
00:37:43Go ahead, Trevor.
00:37:51Oh.
00:37:52Oh.
00:37:53Oh.
00:37:53Oh.
00:37:53Oh.
00:37:53Oh.
00:37:53Oh.
00:37:54Oh.
00:37:54What's happened?
00:38:23What are you all staring at?
00:38:36In here, you.
00:38:37What for?
00:38:37Inside.
00:38:40This is him, sir.
00:38:46Show him the coat.
00:38:47No use you denying it.
00:38:48No use you denying it.
00:38:51We have witnesses to prove that you were wearing the coat.
00:38:53I'm not denying anything.
00:38:55So, you admit that this is your coat.
00:38:58Yes.
00:38:59Oh, brother, it's...
00:39:00Where were you last night?
00:39:05I was here.
00:39:06I know that.
00:39:07But after here, where?
00:39:08Didn't you hear me?
00:39:08I heard you, sir.
00:39:08I don't want to tell you.
00:39:18I don't want to tell you.
00:39:18No.
00:39:18No.
00:39:18No.
00:39:20And I'm not surprised.
00:39:23Take him away.
00:39:25Where to?
00:39:26Where to?
00:39:26Why?
00:39:27To be charged.
00:39:29Charged?
00:39:30With what?
00:39:32With murder, son.
00:39:33I shall prove, without a shred of doubt, that this man, the son of a convicted murderer...
00:39:47Surely the next father cannot be brought as evident.
00:39:50Indeed not.
00:39:52As he was guillotined in this very town, within the living memory of many of you, for the same
00:39:59crime as has been committed by his son. Like father, like son. I call my first witness.
00:40:10He said, I'll kill you for this.
00:40:12Those were his very words?
00:40:14Yes, sir. That's exactly what he said.
00:40:22Do you recognize this coat?
00:40:29Yes, it's mine.
00:40:31Did you not give it to somebody?
00:40:34Somebody here in this very court?
00:40:36Did I?
00:40:38Oh, oh yes, of course I did. To, to Hans.
00:40:41He was so very cold.
00:40:43Weren't you, son?
00:40:45You are not allowed to address the accused.
00:40:47Accused?
00:40:48Accused of what?
00:40:50He wouldn't have...
00:40:51That will be all.
00:40:52You are Baron Victor Frankenstein?
00:41:00I am.
00:41:00And what is your occupation, Baron?
00:41:02I am a busy man, Your Honour. Is this really necessary?
00:41:06Please answer the question.
00:41:08Your occupation?
00:41:10I am a doctor.
00:41:11Of medicine?
00:41:12Of medicine, law and physics.
00:41:14And of witchcraft.
00:41:16To the best of my knowledge, doctorates are not awarded for witchcraft.
00:41:20But if ever they are, no doubt I shall qualify for one.
00:41:27You are a very clever man then, Baron.
00:41:29Yes, I am.
00:41:31Too clever.
00:41:34Now, if you will kindly proceed, I should like to get back to my work.
00:41:37What kind of work, Baron?
00:41:39That is none of your business.
00:41:41Perhaps it is my business.
00:41:42Your Honour, may I state quite simply that I have known the accused for several months
00:41:47and that I have always found him to be trustworthy, diligent, keen-witted, if not over-intelligent,
00:41:53conscientious, abstemious and wholly reliable.
00:41:57I know that he has been accused of murder.
00:42:00As a psychologist, I can only say that I consider it extremely unlikely that he could commit such a crime.
00:42:06So?
00:42:07You think you can tell a murderer just by looking at you?
00:42:11Yes.
00:42:12I protest.
00:42:15You say it is extremely unlikely he could commit such a crime, but not impossible.
00:42:21No, not impossible.
00:42:27And you would say he had a violent temper?
00:42:36I certainly would.
00:42:39And when he loses this violent temper, would you consider him capable of murder?
00:42:46Yes.
00:42:47You must not put words into the witness's mouth.
00:42:49Then I shall rephrase the question.
00:42:52What sort of a man would you say that is?
00:42:55A murderer?
00:42:57That is my case.
00:43:01Do you still refuse to tell us where you were at that time?
00:43:07You realize you're leaving me no alternative but to assume that you were at the scene of the crime.
00:43:18Very well.
00:43:20The jury will retire.
00:43:25You will be guillotined at dawn tomorrow.
00:43:42Can't you get it into your head?
00:43:44This is our chance.
00:43:45You might have to wait years for such an opportunity.
00:43:47And here it is right on our very doorstep.
00:43:50Why do you hesitate?
00:43:51But is it right?
00:43:52Right?
00:43:53What has right got to do with it?
00:43:55That boy is doomed.
00:43:56By this time tomorrow, he'll be dead, guillotined, and the peace is buried.
00:43:59Oh, but it all seems so terrible.
00:44:01Oh, it's...
00:44:01Well, all right.
00:44:03All right, then.
00:44:04What do we do?
00:44:05Take his soul and preserve it up there in my apparatus.
00:44:09I want you to see that his body is here not later than one hour after his execution.
00:44:16One hour.
00:44:17Do you understand that?
00:44:18But how do I get them to give me his body?
00:44:20Well, you persuade one of his jailers to lend it to you for medical purposes.
00:44:24Oh, well, I can ask, I suppose.
00:44:27Ask?
00:44:27You don't ask.
00:44:29You demand.
00:44:30Look, you've been the doctor here for the past 30 years, haven't you?
00:44:33You must know something about everyone in the village.
00:44:35Now use that knowledge.
00:44:38I'm sure they've all got something they want to hide.
00:44:41And when you have his soul, what then?
00:44:45I transfer it to another body.
00:44:47Body?
00:44:48Whose body?
00:44:50Bodies are easy to come by, souls are not.
00:44:52See you don't let me down.
00:44:53It oughtn't you to ask his permission.
00:45:02What on earth for?
00:45:03He might not want his soul up there.
00:45:06He won't know anything about it until it's too late.
00:45:10Besides, he might refuse.
00:45:23He's coming.
00:45:50That was you.
00:45:52What?
00:45:53I can't pay you.
00:45:55They haven't paid me for three months.
00:46:00Don't know where my next meal is coming from.
00:46:03You don't look as if you're starving.
00:46:05Wind.
00:46:07All wind.
00:46:10What do you want then, Doctor?
00:46:14I want you to do something for me.
00:46:16Well, that makes a change anyway.
00:46:20What?
00:46:23When they execute that boy tomorrow,
00:46:26I want his body just for an hour.
00:46:30No more.
00:46:31What do you want his body for?
00:46:33Never you mind.
00:46:35I want it.
00:46:37Here, it's got something to do with that Baron Franken thing.
00:46:41You're friendly with him, aren't you?
00:46:44Oh, no, I'm not having nothing to do with him and what he gets up to.
00:46:47Oh, no.
00:46:49Do you remember that little girl in the Inn and Spad?
00:46:56What little girl?
00:46:57The pretty one.
00:46:58That started putting on weight all of a sudden.
00:47:06And tried to pin it onto me.
00:47:08Well, you fixed it all right, didn't you, Doctor?
00:47:11Did you tell your wife about her?
00:47:14Are you mad?
00:47:16And the time you came back from Carlsbad?
00:47:18Covered in sores.
00:47:20They was food poisoning, they was.
00:47:24That's what you told your wife, wasn't it?
00:47:26What are you getting at?
00:47:31What are you getting at?
00:47:33I want that body.
00:47:34I want that body.
00:48:04Fre governo
00:48:21Look, it's an execution
00:48:24Drive her faster, we'll miss it!
00:48:26Look like a young man!
00:48:28Drive her faster, faster!
00:48:29Hans!
00:48:31Is there no one who might be of help?
00:48:37No one.
00:48:39Very well.
00:48:43Hans!
00:48:45Hans!
00:48:47Hans!
00:48:49Hans!
00:48:51Hans!
00:48:53Hans!
00:48:55Hans!
00:49:05Hans!
00:49:07Hans!
00:49:09Hans!
00:49:11Hans!
00:49:17Ahhhhhhhhhh!
00:49:19Hans.
00:49:21Hans.
00:49:23Jesus, Jesus, Jesus.
00:49:53There he is.
00:50:23We'll pick him up again tonight, as soon as it's dark.
00:50:27You won't go spoiling him, will you?
00:50:29No, no, no, no. Please go. Please go.
00:50:34I wish that noise.
00:50:35Nothing, nothing, nothing. Now, please go. Please go.
00:50:47Darren! Darren!
00:50:50Got him? Excellent.
00:50:53Come on, let's get him upstairs.
00:50:55A minute.
00:51:20One, two, three!
00:51:22Yeah!
00:51:23Yeah!
00:51:25Yeah!
00:51:26Yeah!
00:51:27Yeah!
00:51:28Yeah!
00:51:29Yeah!
00:51:30Yeah!
00:51:31Yeah!
00:51:32Yeah!
00:51:33Yeah!
00:51:34I didn't believe in this game.
00:51:36A minute.
00:51:38So, let's go.
00:52:08So, let's go.
00:52:38Let's go.
00:53:08Let's go.
00:53:38Let's go.
00:54:08Let's go.
00:54:38Ask who it is.
00:54:41Who is it?
00:54:42May we see you a moment, doctor?
00:54:44Hide this first.
00:54:45All right, answer it.
00:54:53All right, answer it.
00:54:54She drowned herself, doctor.
00:55:08She drowned herself, doctor.
00:55:09Is there anything you can do?
00:55:11Do?
00:55:22Do what?
00:55:24A miracle?
00:55:25No, I'm sorry.
00:55:26No, I'm sorry.
00:55:27There's nothing I can do.
00:55:28Dr. Hertz and I will do what we can.
00:55:33Bring her in.
00:55:34But there is nothing I can do.
00:55:35But there is nothing I can do.
00:55:49But there is nothing I can do.
00:55:51Oh, yes, there is.
00:55:52Our young friend will live again, sooner than we thought.
00:55:54But in her body.
00:55:55But in her body.
00:55:58Why not?
00:55:59Oh, no.
00:56:01She's twisted, deformed, and broken.
00:56:03Oh, no, no, no, no.
00:56:05I'll have no part of it.
00:56:06Oh, bone too short, perhaps?
00:56:08Yes.
00:56:09A blood clot somewhere near the brain.
00:56:10Nothing you can't put right.
00:56:11What?
00:56:12Why?
00:56:13Here.
00:56:14Under my direction.
00:56:16In six months' time, she'll be as good as new Hertz.
00:56:19Better.
00:56:27Cut it.
00:56:38Cut it.
00:57:08Let's go.
00:57:38Keep still.
00:57:40It's all right, my dear. It's all right.
00:57:46There, Doctor.
00:57:48Your handiwork.
00:57:49You could be proud of it.
00:57:51My handiwork, but your brain.
00:57:54You can get rid of that.
00:57:57You see?
00:57:58The hair has changed colour.
00:58:04Yes.
00:58:05Excellent.
00:58:06But the face is all right.
00:58:09Now let's see if she can walk.
00:58:10Oh, now, Barrett.
00:58:12Not now. She's still suffering from shock.
00:58:15All right. Tomorrow, then.
00:58:17Please?
00:58:20Who am I?
00:58:25Good.
00:58:26Now walk on your toes, please.
00:58:28Stretch up as high as you can.
00:58:29Come on.
00:58:36Did you feel any pain?
00:58:38No.
00:58:39No discomfort?
00:58:41None.
00:58:42Excellent.
00:58:43Now, lie down, please.
00:58:44Baron?
00:58:46Please, may I ask something of you?
00:58:48What is it?
00:58:48May I see my face?
00:58:50See it?
00:58:51What on earth for?
00:58:53I want to know what I'm like.
00:58:55Your scar has healed perfectly.
00:58:56You have nothing to worry about.
00:58:57Lie down, please.
00:59:14When are you going to tell me?
00:59:17Tell you what?
00:59:18Who I am.
00:59:20Where I'm from.
00:59:22How did I come to be here?
00:59:25Your name is Christina,
00:59:26and you're a very healthy young girl.
00:59:28That's all you need to know for the time being.
00:59:31Rest now.
00:59:32Go on.
00:59:46Don't be afraid.
00:59:58Who am I?
01:00:02You're a very, very lovely girl, my dear.
01:00:15And where do you think you're going?
01:00:17Out.
01:00:17It is such a lovely day.
01:00:19Christina,
01:00:20you are not to leave this house
01:00:22without my permission.
01:00:23But, Baron,
01:00:24she is not to leave
01:00:25until I say so.
01:00:27It was entirely my fault, Baron.
01:00:29Naturally.
01:00:29Naturally.
01:00:32Oh, Christina,
01:00:34I shall be needing the top room for my work.
01:00:36Will you please arrange a seat downstairs?
01:00:38Dr. Hess will help you with your things.
01:00:39Christina, my dear.
01:00:54There is something that I,
01:00:55I must tell you about yourself
01:00:57and about him,
01:01:00the Baron.
01:01:01He told me not to,
01:01:02but I,
01:01:03I feel I must,
01:01:05so that you can understand him a little better.
01:01:06Is it about who I was?
01:01:10That I cannot tell you.
01:01:11Not yet.
01:01:13Come and sit down.
01:01:20Now then.
01:01:22When you first came here,
01:01:25you were not as you are now, you know.
01:01:27Your face was terribly scarred,
01:01:29and your body was deformed and twisted.
01:01:35He made you as you are now.
01:01:38But how?
01:01:40By surgery.
01:01:41Brilliant.
01:01:42Unbelievably brilliant surgery.
01:01:44But his hands.
01:01:46No, no, no.
01:01:46The hands were mine,
01:01:47but the skill was his.
01:01:48He directed my every move.
01:01:50Christina, my dear,
01:01:51that man possesses such power,
01:01:55such knowledge,
01:01:56such,
01:01:57or sometimes I don't even understand him myself.
01:02:01But he is a wonderful man.
01:02:04Hertz!
01:02:06Coming, Baron.
01:02:15Come.
01:02:15Come.
01:02:15Come.
01:02:16Come.
01:02:16Come.
01:02:16Come.
01:02:17Come.
01:02:17Come.
01:02:17Come.
01:02:18Come.
01:02:18Come.
01:02:18Come.
01:02:18Come.
01:02:19Come.
01:02:19Come.
01:02:20Come.
01:02:20Come.
01:02:20Come.
01:02:21Come.
01:02:21Come.
01:02:21Come.
01:02:21Come.
01:02:39But will it be safe?
01:02:41No idea.
01:02:43But if we are to learn anything,
01:02:44we must be prepared to take risks.
01:02:46This test will be interesting
01:02:47and possibly informative.
01:02:49That's enough reason for me to carry it out.
01:02:51And will you please tell Christina to get ready?
01:02:54We'll be leaving in half an hour.
01:03:09Christina,
01:03:10I'm going to show you something.
01:03:12When you see it,
01:03:13I want you to tell me whatever thoughts come into your head.
01:03:16Now, will you do that?
01:03:17Good.
01:03:18Good.
01:03:19Good.
01:03:40Yes?
01:03:42Papa.
01:03:43Papa.
01:03:44What?
01:03:45What did you say?
01:03:46Papa!
01:03:49He remembered.
01:03:50He remembered his father on the guillotine.
01:03:53He?
01:03:54Hands.
01:03:55Look, surely you understand by now.
01:03:57Oh, his soul is in her body.
01:04:00Yes, but not all the time.
01:04:02Not all the time.
01:04:04We must try some more tests.
01:04:06Oh, no, not now.
01:04:07She's sleeping.
01:04:08It was a shock to her.
01:04:10She doesn't understand what is happening.
01:04:13She's bewildered.
01:04:43Oh, my God.
01:04:44Let's go.
01:04:45Oh, I dream.
01:04:46Oh, it's my honor.
01:04:48I'm sorry, sometimes the police said I'm over with the police.
01:04:51I'm sorry.
01:04:52Oh, I agree.
01:04:53I'm sorry.
01:04:54I've never been.
01:04:55Oh, no.
01:04:56I'm not alone.
01:04:57Oh, no.
01:04:58Oh, no.
01:05:00Oh, no.
01:05:01Oh, no.
01:05:02I need to go.
01:05:03Oh, no.
01:05:04Oh, no, no, no.
01:05:05Anton.
01:05:10Anton.
01:05:15Anton.
01:05:18Anton.
01:05:23Hans.
01:05:35Anton.
01:05:42Anton.
01:05:47Hey.
01:05:52What's the matter?
01:05:54Nothing.
01:05:56Nothing?
01:05:58You come in here as if you'd seen a ghost.
01:06:00I tell you, it was nothing!
01:06:03Look, deal me in, eh, and let's have some more wine.
01:06:07Landlord?
01:06:23Come on. Another one. Come on.
01:06:25No.
01:06:26Double or nothing?
01:06:27Nothing. I'm going home.
01:06:29What's the matter with you?
01:06:31Matter?
01:06:33With me?
01:06:35There's nothing the matter with me.
01:06:38There's nothing the matter with me!
01:06:40All right. All right.
01:06:42Anton.
01:06:43Calm yourself down.
01:06:46Calm yourself down.
01:06:49Well, all right, go on home.
01:06:51I'm having another drink.
01:06:53Landlord?
01:06:54One more.
01:06:56My friends have to go bye-byes.
01:06:59Leave him.
01:07:09Don't forget to say your prayers.
01:07:16Here.
01:07:17All right.
01:07:18I'll show you a trick.
01:07:19Now.
01:07:20Take a card.
01:07:21Any card.
01:07:29What's the matter with everybody?
01:07:36Oh, God.
01:07:38Right, out.
01:07:39What?
01:07:40No.
01:07:41I want another drink.
01:07:42I said out.
01:07:43I'm closing.
01:07:44Come on.
01:07:45Get out.
01:07:46I'll misport you.
01:07:47I'll tell my father.
01:07:48Get out of home.
01:08:10Hello.
01:08:21Who are you?
01:08:22Does it matter?
01:08:24Oh, no.
01:08:26What are you doing here?
01:08:27Is that important?
01:08:30Well, no. I suppose not.
01:08:32It's just, um...
01:08:34Just that I've never seen you here before.
01:08:41Oh.
01:08:47Oh.
01:08:49You're very pretty.
01:08:51So they tell me.
01:08:52Huh?
01:08:53And who tells you?
01:08:55Men, I suppose.
01:08:57Mm-hmm.
01:09:00I suppose you've, uh...
01:09:03Been with lots of men, hmm?
01:09:06And you have been with lots of girls.
01:09:09Of course.
01:09:13Do you want to come with me?
01:09:14Where?
01:09:16Anywhere.
01:09:18There's an empty house just around the corner.
01:09:25No.
01:09:26We could go there.
01:09:27No.
01:09:29Where, then?
01:09:30Hmm?
01:09:31Uh...
01:09:33I don't know.
01:09:40Well...
01:09:41Well, all right, then.
01:09:45All right.
01:09:53Hey.
01:09:55You know...
01:09:57I used to know the girl who lived here.
01:09:59What was she like?
01:10:01She was ugly.
01:10:02All twisted.
01:10:03Like this.
01:10:13You know, I don't believe you are real.
01:10:17I am real.
01:10:20Prove it.
01:10:22I shall.
01:10:24In a minute.
01:10:26Hey, where are you going?
01:10:27To change.
01:10:28Oh.
01:10:34You know, I don't believe you are real.
01:10:37I think you are a marriage.
01:10:44A mirage.
01:10:48An oasis in the middle of my desert life.
01:10:55Can you help me off with my boots?
01:10:59I say, can you hear me?
01:11:00Can you hear me?
01:11:06Are you there?
01:11:16Where are you hiding?
01:11:18If you've been tricking me...
01:11:29Anton.
01:11:34Anton.
01:11:38Kill, Christina.
01:11:41Kill.
01:11:42Kill.
01:11:43Kill.
01:11:48Kill.
01:11:55Breakfast.
01:11:58Oh, oh, oh, oh.
01:11:59Christina, my dear.
01:12:00With fresh rolls.
01:12:02Oh.
01:12:03I love you.
01:12:05Hertz.
01:12:06When you're finished, I'd like your assistance.
01:12:09Christina, my breakfast on a tray, please.
01:12:16I'm going.
01:12:18Are you coming?
01:12:20What's the point?
01:12:22I shan't be able to sleep.
01:12:24Might as well stay here.
01:12:30Have another drink.
01:12:32Quiet me down.
01:12:33I don't want another drink.
01:12:38Carl.
01:12:40Who did it?
01:12:43Who killed him?
01:12:45Anton.
01:12:47God knows.
01:12:51Yes, God knows indeed.
01:12:59You don't think it was a punishment?
01:13:01Retribution?
01:13:05For what he did?
01:13:08For what we did?
01:13:09We did.
01:13:10Shut up.
01:13:12Don't tell me.
01:13:13Shut up.
01:13:16I'm going.
01:13:22Good night.
01:13:39Good night.
01:13:43Can you help me, please?
01:13:47I can try.
01:13:51I was on my way to Innsbart and I missed the coach.
01:13:54There isn't another until morning.
01:13:56Oh.
01:13:58I'll stay here and keep you company.
01:14:00Oh, you are very kind.
01:14:02So they tell me.
01:14:04Would you care for some refreshment?
01:14:06Please.
01:14:07Please.
01:14:19I'll fetch the landlord.
01:14:23Landlord?
01:14:26Landlord!
01:14:29The fellow appears to have gone to bed.
01:14:31Here.
01:14:33You really are very kind.
01:14:36Are you sure it's not too much trouble?
01:14:38Trouble?
01:14:39Of course not.
01:14:41It's a pleasure.
01:14:47Ah!
01:14:49Oh!
01:14:51Oh, I'm so sorry.
01:14:52I...
01:15:02My dress.
01:15:07I must wash it or the wine will stain.
01:15:12You wash it?
01:15:14It won't take a moment.
01:15:16I'll do it in there.
01:15:18You have another drink.
01:15:32I'll do it in there.
01:15:48Carl.
01:15:50Carl.
01:15:54Hans.
01:15:56Kill him.
01:15:58Kill him, Christina.
01:16:02Oh, my dear child.
01:16:20You shouldn't be doing that.
01:16:22Let me.
01:16:24It's for the stove, for your coffee.
01:16:26Well, even so, a nice young lady like you shouldn't be chopping wood.
01:16:32Oh, my friend.
01:16:33I know.
01:16:34It's terrible.
01:16:36Hans.
01:16:38He's come back.
01:16:40Hans.
01:16:42He's come back.
01:16:44He's come back from the grave.
01:16:47Somebody's brought him back.
01:16:49Oh, my dear, Hans.
01:16:51Oh, my dear.
01:16:52What's going on?
01:16:54Hang on.
01:16:55Oh, my dear.
01:16:57Hans has come back.
01:16:59He's come back from the grave.
01:17:00Somebody's brought him back.
01:17:02Oh, my dear, Hans.
01:17:04Oh, my dear, Hans,
01:17:07let's go in the grave.
01:17:17How dare you! Get away from here!
01:17:19Madam Frankenstein, we want to speak to you!
01:17:22I'm busy!
01:17:26You'll have to see them. They've threatened to burn down the house if you don't.
01:17:38And he had written the name of his assassin in his own blood.
01:17:41And what was the name?
01:17:43Hans.
01:17:45Hans?
01:17:47Is this why you've interrupted my work?
01:17:49To tell me this fantasy?
01:17:51I realize that you are an educated man, Baron.
01:17:53But there are certain things that even the most learned of men cannot understand.
01:17:59Are you suggesting that my late assistant has been brought to life again by witchcraft?
01:18:03You said the word, sir, not I.
01:18:05Then you believe that I have been practicing sorcery?
01:18:07We do not know what it is that you do here, sir.
01:18:09We only know that we have heard strange noises,
01:18:12and seen strange lights in the middle of the night.
01:18:16You're wasting my time.
01:18:17I'm afraid you've got to listen to us, sir, or we shall have to take steps.
01:18:21What do you mean by steps?
01:18:23There are procedures laid down for the dispersal of witches, as well you know, sir.
01:18:27You mean you'll burn me?
01:18:33I see.
01:18:34Gentlemen, I do assure you.
01:18:35This has nothing to do with you, Doctor.
01:18:36We know you.
01:18:37This is between the Baron and us.
01:18:38What can I do to convince you that you're wrong?
01:18:41Produce the body.
01:18:42If I show you his body, will you be satisfied?
01:18:45How do you mean, show us it?
01:18:47By digging it up, of course.
01:18:48How else do you think?
01:18:52It's been tampered with.
01:18:53The screws are loose.
01:19:00There you are.
01:19:04Where's the head?
01:19:08I have done what you told me.
01:19:10What am I to do now?
01:19:15You will kill Johan.
01:19:18Kill him.
01:19:20Kill him.
01:19:21Kill him.
01:19:22Kill him.
01:19:37Christina!
01:19:38She was here.
01:19:39I saw her this morning.
01:19:42Had our bed been slept in?
01:19:43I don't know.
01:19:44It was very early.
01:19:45What was she doing?
01:19:46She was chopping wood.
01:19:47Those fools are nearer the truth than they know.
01:19:50Hans is alive.
01:19:51His soul is in her body.
01:19:52He's seeking revenge.
01:19:56Two of those ruffians killed.
01:19:58A third still to die.
01:20:02Well?
01:20:04And what do you want?
01:20:06Stop! Stop!
01:20:08Stop!
01:20:09Stop!
01:20:25Are you travelling far, sir?
01:20:27How can I make you understand?
01:20:34It's not only for my benefit that to release me, but also for yours.
01:20:39The murderer is out there.
01:20:41I must strike again if I don't get to her first.
01:20:43Her?
01:20:44Her. Christina Cleave.
01:20:46What are you talking about?
01:20:47It is true.
01:20:48Absolutely true.
01:20:50She lives.
01:20:51But her soul is not her own.
01:20:52It belonged to young Hans Werner.
01:20:54You sentenced him to death.
01:20:56It would appear you beheaded the wrong man.
01:20:59Anton.
01:21:01Carl.
01:21:02Both dead.
01:21:03Precisely.
01:21:05And Johann?
01:21:06I saw him this morning running for the coach to Innsbad.
01:21:09What is all this nonsense?
01:21:12I think you'd better explain yourself, sir.
01:21:14From the beginning.
01:21:15Would you care for a glass of wine, sir?
01:21:30Well, it's very kind of you.
01:21:33Yes, I would indeed.
01:21:34You know, I...
01:21:37I can't get it out of my head, but...
01:21:41Have we met somewhere before?
01:21:47We have.
01:21:49Where?
01:21:51Drink your wine.
01:21:53It may help you to remember.
01:21:55Yes.
01:21:58Yes.
01:22:00Do you expect us to believe all this childish rubbish, sir?
01:22:03Do you take us for fools?
01:22:06Yes.
01:22:07He is telling the truth, officer.
01:22:08He really is.
01:22:10In that case, you can rely upon us to apprehend the creature.
01:22:12And...
01:22:13And what?
01:22:15Destroy her?
01:22:16If necessary.
01:22:18In the name of justice, I suppose.
01:22:22I'll get him.
01:22:33No.
01:22:34No.
01:22:36No.
01:22:46All right.
01:22:48I give up.
01:22:50Who are you?
01:22:52I'll tell you later.
01:22:56Much later.
01:22:57Come on, Arthur.
01:22:58Come on.
01:23:00Come on.
01:23:01Go!
01:23:04Get up.
01:23:06Get up.
01:23:07Oh, uh, won't you even tell me your name?
01:23:22Blast!
01:23:26What is it, coachman?
01:23:28All thrown a shoe, sir.
01:23:30Damn.
01:23:33How long will it be?
01:23:34Can't say, sir.
01:23:35I know where we are. We can quite easily walk from here, through there.
01:23:40Well, uh, if you're sure...
01:23:43Mm, of course.
01:23:49We can picnic on the way.
01:24:02Oh, my hat box.
01:24:05Follow me.
01:24:06Follow me.
01:24:33It's warm.
01:24:35Yes. Would you like to rest for a while?
01:24:38Mm-hmm.
01:24:40Here.
01:25:05Are you hungry?
01:25:10Pass me the basket.
01:25:12Tom!
01:25:14Oh!
01:25:15Some more?
01:25:20Some more?
01:25:21Another kiss.
01:25:22First.
01:25:23Now, please.
01:25:26Now, please.
01:25:57Do you really want to know who I am, Johan?
01:26:04Hmm.
01:26:05How did you know my name?
01:26:07I am Christina Cleave.
01:26:08How did you know my name?
01:26:10I am Christina Cleave.
01:26:13You have done what you had to do, Christina.
01:26:20You have done what you had to do, Christina.
01:26:36You may rest now in peace.
01:26:39I am the peace.
01:26:40Christina!
01:26:43Come here.
01:26:44Come here.
01:26:45Come here.
01:26:46Come here.
01:26:47Christina!
01:26:59Christina!
01:27:03Christina!
01:27:08Stop there.
01:27:11Christina!
01:27:13Stop there.
01:27:15Now listen to what I have to say.
01:27:17It wasn't you who killed those young men.
01:27:20You didn't know what you were doing.
01:27:22Let me tell you who you really are.
01:27:25I know who I am.
01:27:27Please.
01:27:28And what I have to do.
01:27:30Forgive me.
01:27:32Christina!
01:27:41Yeah!
01:27:43Thank you, Ted.
01:27:47I'll do that.
01:27:48I'll do that.
01:27:51Thank you, Ted.
01:27:53Please.
01:27:55I'll do it.
01:27:58I am.
01:28:01A minor.
01:28:04I am.
01:28:06A minor.
01:28:08THE END
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1:27:52
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