- 6/16/2025
Watch Aruna Irani's exclusive interview with Lehren Retro's top journalist, Bharathi S. Pradhan. The multi-talented artist talks candidly about her modest upbringing, film debut, marriage, bonding with Mehmood, Rishi Kapoor's n*de scene in Bobby (1973), her relationship with Rekha, her upcoming 80th birthday, and untold stories about co-stars like Amitabh Bachchan, Rajesh Khanna, Hema Malini, Sanjeev Kumar, and many other topics during the sensational session. Aruna also discusses battling breast cancer twice for the first time on television. Only on Lehren, your preferred digital destination, catch the entire uncut episode! #arunairani #arunairaniinterview #arunairanipodcast #mehmood #rishikapoor #rekha #kukukohli #bombaytogoa
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PeopleTranscript
00:00:00When I was a child, I would probably have to sit down at home because I would like to see, do and maintain.
00:00:06You don't have to do anything for a maid.
00:00:12Sanjeev Ji, you know, used to Harimahi.
00:00:15Hey, Harimahi, don't say Harimahi.
00:00:17Okay.
00:00:18Okay.
00:00:19So, we worked on stage, rehearsal, actors were very good.
00:00:25But, I didn't see such a person.
00:00:30So, it would come in any way.
00:00:32Then, I listened to him.
00:00:34He wanted to marry him with him.
00:00:37So, I went to him with him one day.
00:00:40He told me, no.
00:00:47I and Chintu were working together.
00:00:50No.
00:00:51So, I said, Arna Ji.
00:00:53I asked you one thing.
00:00:55I said, yes.
00:00:56Tell me one thing.
00:00:58Tell me one thing.
00:00:59In that scene, you had a lot of objects.
00:01:02I said, Nanga, why are you doing this?
00:01:13Rajesh Khatta was another good.
00:01:15Rajesh Khatta was another good.
00:01:16Rajesh Ji.
00:01:17Rajesh Ji.
00:01:18Ochro.
00:01:19Great.
00:01:20He's a man who did good me, my husband.
00:01:22gendwie, nice to me.
00:01:23Kazesh Ji.
00:01:24I saw my
00:01:39Rekha Ji.
00:01:40My name was Randhir Kapoor, River of No Returns.
00:01:45But Mehmood Saab didn't find you River of No Returns.
00:01:49No, it was a different story.
00:01:54You are also close to Bindu, you are related to Bindu.
00:01:57Yeah, she is my Masi's daughter. Step Masi.
00:02:02But you were close as cousins?
00:02:04Never.
00:02:05This film was made for us.
00:02:10So that was way back, Bindu Kapoor's film.
00:02:13We were shooting in Malakote.
00:02:16At that time, when I had to go to the set,
00:02:20I had a skirt and a blouse.
00:02:22And I had a tikka.
00:02:24Aruna!
00:02:25I was laughing like this.
00:02:27Come here, come here.
00:02:29This dress looks like a tikka.
00:02:31I said, no, no.
00:02:33Come here, come here, come here.
00:02:35What are you doing?
00:02:36In this dress, you have a tikka.
00:02:38I said, I'll put it in the bikini too.
00:02:48I heard you had cancer.
00:02:51Oh, yes.
00:02:52And not one time?
00:02:54Yes.
00:02:55Two times.
00:02:56Okay.
00:02:57So that means you had cancer two times?
00:02:59Two times.
00:03:00From Akoto çıkartan,
00:03:10you want to feel good for living.
00:03:12Aruna Ji.
00:03:13All ride.
00:03:15Nice to make yourelf history.
00:03:16And we are all here.
00:03:19Thank you. Thank you so much.
00:03:21You said this years later, it was very good that I can't believe that I can't believe that.
00:03:28I must do it.
00:03:29It's not about the fact that I don't think about it.
00:03:31But I will ask questions that the others have never asked.
00:03:35Very good. I'll be thrilled.
00:03:37I'm bored from one-on-one.
00:03:39Honestly, honestly.
00:03:41Because I've seen your 3-4 podcasts.
00:03:45It's all the same.
00:03:47We've got 500 kids.
00:03:49Dilip Kumar has seen it.
00:03:50We've got a wafer.
00:03:52We've got a coke.
00:03:53They've got a pick-up.
00:03:55I've got a ganga jamnam.
00:03:57I've got a ganga jamnam.
00:03:58I was 9 years old.
00:04:00We were 8 kids.
00:04:01But if you ask me questions,
00:04:03how do you come to the film line?
00:04:05How do you come to the film line?
00:04:07That's the only thing I'll say.
00:04:10Correct.
00:04:11I think that my friends are different.
00:04:15I'm going to ask you questions.
00:04:17I have to ask you questions.
00:04:18I'll start this with you.
00:04:20I will start this with you.
00:04:23In the next year, 2026,
00:04:27you're going to be 80 years old.
00:04:29It will be your 80th birthday.
00:04:31You don't see anything.
00:04:33I don't know anything.
00:04:34I know that I know I'm not.
00:04:36I see it.
00:04:37But you're wrong.
00:04:39I'm not saying it.
00:04:40It's not in the 26th.
00:04:41The 80th will start in the 25th.
00:04:44The 26th will be finished.
00:04:46And I'll be only 81.
00:04:49The 18th will go here.
00:04:53See, whether you're 79 or you're 80,
00:04:57your 80th birthday will be 18th August 2026.
00:05:02Okay, fine.
00:05:03Okay.
00:05:03You're doing whatever.
00:05:04Yes, because you were born in 46.
00:05:06And you have never hidden your age.
00:05:08How many people have hidden their age?
00:05:14But you've never done it.
00:05:15No, no.
00:05:16No, no, no?
00:05:17Why?
00:05:17In my opinion, I'm probably going to die the day.
00:05:20I'm going to die the day.
00:05:24So what are your plans for your 80th birthday?
00:05:29I'm thinking, what do I do?
00:05:31I don't understand.
00:05:32Okay.
00:05:33I want to celebrate my 80th birthday,
00:05:35but how to?
00:05:37I don't know.
00:05:38Okay.
00:05:39Do you have any idea that you can give me?
00:05:42Definitely.
00:05:43Definitely.
00:05:43We will give you.
00:05:44Do you think and tell us?
00:05:45Yes.
00:05:45Tell us.
00:05:46What do you think about your 80th birthday when you think?
00:05:50Then you just think that it's my 80th birthday.
00:05:53I want everybody with me.
00:05:55Because see, you're not 18, you're 80.
00:06:01So I don't know if you'll be the next year or not.
00:06:05So we'll be the next year or not.
00:06:07So if we call it, we're mostly our age of people.
00:06:11Correct.
00:06:13They'll be better.
00:06:14If we're 10 years old or 5 years old.
00:06:17That's all.
00:06:18Correct.
00:06:19That's all.
00:06:19So we'll get to see.
00:06:21You want to get to see.
00:06:23Okay.
00:06:24That is your, that is what you'd like.
00:06:25That is my wish.
00:06:26Okay.
00:06:27What do you think about your 80th birthday?
00:06:31Because you know, I don't want to go into that
00:06:33story of the 8th birthday.
00:06:34You've been older than you were eight kids.
00:06:36You've been older.
00:06:37That's all.
00:06:38You've got all the influence on your mind.
00:06:39I was a bread-earned owner.
00:06:40Yes, bread-earned owner.
00:06:41And then it was a problem.
00:06:42It's boring.
00:06:43Boring.
00:06:43Boring.
00:06:44It's boring.
00:06:44It's boring.
00:06:45It's boring.
00:06:45But it's boring.
00:06:46It is boring.
00:06:47so now at this age how do you look back and what do you feel do you feel I feel
00:06:57very fine that God has made me this life because otherwise you can see that there was no faith in a woman
00:07:06in our time, there is a lot of faith but when we were young then there was no faith in my father
00:07:16I know that you can call Arun in the past but first I felt that Arun in the past, there is a girl in my family
00:07:25so at least he can see my family, so he is. So if my father felt like that, then you think
00:07:33I felt so bad, I felt very hurt, I felt very hurt but when we were living in the mood
00:07:41it was true, it was true, it was true, it was difficult to do something for a woman
00:07:48I didn't understand how to approach it or not
00:07:53I mean you can't forget this one, this film line, no, not film line, any line
00:08:00any line, any line
00:08:02when there is a young girl and she warns that you give me a job
00:08:08so everybody says, yes, yes, yes, yes, yes, yes, yes, yes, yes, can we go for
00:08:12in the evening?
00:08:14so this is all the places, only our film line is no name
00:08:19that's all but then I also handled it with a lot of
00:08:23so I have to bring this up to my husband
00:08:27so I was responsible for this one
00:08:30so if you want to ask me for coffee, just ask me for coffee
00:08:33Arun in the past, you are going to drink my coffee
00:08:36so I am not drinking coffee
00:08:38so I have tea and tea
00:08:42so I have tea and coffee
00:08:45I would take a chocolate
00:08:48because I am supposed to be the bill.
00:08:51Let's go.
00:08:54Do you want to see a picture?
00:08:57The answer is correct.
00:09:01It must have affected your career.
00:09:08My name was Randhir Kapurne, River of No Returns.
00:09:15If I am on the set, somebody would come and try on me.
00:09:20Why do you waste time? This is River of No Returns.
00:09:25But Mehmood didn't find you River of No Returns.
00:09:28No. Mehmood was different.
00:09:31What happened to Mehmood was that I was working with him.
00:09:36And I was a great fan of his.
00:09:39You were a great fan of him.
00:09:41You were a great fan of Mehmood.
00:09:43Mehmood, Mehmood, Mehmood.
00:09:44It was like that.
00:09:45One day, when I was back from school,
00:09:47I was looking back at him.
00:09:48He was looking back at him.
00:09:50So, he must have come to see the film reactions and all that.
00:09:54So, I was standing there and I said,
00:09:56Mehmood!
00:09:57And, as they saw me, I saw the film.
00:10:00I was looking back at him.
00:10:01You were in school?
00:10:02I was in school.
00:10:03I was in school.
00:10:04I was in school.
00:10:06I was in school.
00:10:07I was a big fan of me.
00:10:08Of course.
00:10:09So, I went away.
00:10:11What happened now?
00:10:12I didn't get my job.
00:10:13Because I was laughing,
00:10:15I didn't say yes or no.
00:10:18So, I didn't do the job.
00:10:19In India.
00:10:20One day, Suresh Bhatt said,
00:10:21Aruna.
00:10:22Suresh Bhatt?
00:10:23Dance director.
00:10:24Dance director.
00:10:25And, he was a very good friend of Mehmood.
00:10:28So, I said,
00:10:29Tell me something.
00:10:31Add this to him.
00:10:32I said,
00:10:33Why?
00:10:34He will give you this job.
00:10:36And, no one can do anything.
00:10:38And, he was on top.
00:10:39Right.
00:10:40So, that was my job.
00:10:42Yes?
00:10:43Yes?
00:10:44Yes?
00:10:45Yes?
00:10:46Yes?
00:10:47Yes?
00:10:48I thought,
00:10:49I was there in my business.
00:10:51So, I made a soft corner.
00:10:52See?
00:10:53In his way,
00:10:54I saw money.
00:10:55I saw name.
00:10:56I saw fame.
00:10:57And, he was like a job.
00:10:58How often do I become a boyfriend?
00:11:00Yes.
00:11:01And, you started making friends
00:11:03and more than friends.
00:11:05Correct.
00:11:06That was it with him.
00:11:07And,
00:11:08that was the trouble.
00:11:09But after that,
00:11:11he thought,
00:11:13he didn't come up for him.
00:11:14My career were not okay for me.
00:11:16He even helped you to become a heroine, because he was a producer in Amit Goa, one of the producers.
00:11:24But what happened after that, someone said that Aruna is with us, Vinod Khanna said,
00:11:29that Aruna will picture me as a heroine as a heroine.
00:11:36So, let me tell you, you married Aruna, he just gave me a chance, he said something.
00:11:46He made my career and he ruined my career.
00:11:50You have said that.
00:11:51You have done that.
00:11:53You have done that.
00:11:55But when you were with us, there was a gap, but again, of course.
00:12:02Of course.
00:12:03We have seen him.
00:12:05I know that when you were with Maimood, I would say to him that you can't say to him.
00:12:12But I also saw him with him.
00:12:17And after that, he also saw him.
00:12:19And my brother told me that I had to break up because my wife didn't like it.
00:12:25And he also said that this is not true for both lives.
00:12:30And he said that Aruna wanted marriage and that I can't give marriage.
00:12:33Anybody.
00:12:34I am.
00:12:35I am.
00:12:36I am.
00:12:37I am.
00:12:38I am.
00:12:39I am.
00:12:40I am.
00:12:41I am.
00:12:42I am.
00:12:43I am.
00:12:44I am.
00:12:45I am.
00:12:46I am.
00:12:47I am.
00:12:48I am.
00:12:49I am.
00:12:50I am.
00:12:51I am.
00:12:52I am.
00:12:53I am.
00:12:54I am.
00:12:55I am.
00:12:56I am.
00:12:57I am.
00:12:58I am.
00:12:59I am.
00:13:00I am.
00:13:01I am.
00:13:02I am.
00:13:03I am.
00:13:04I am.
00:13:05I am.
00:13:06I am.
00:13:07I am.
00:13:08I am.
00:13:09I am.
00:13:10I am.
00:13:11I am.
00:13:12I am.
00:13:13I am.
00:13:14I am.
00:13:16But did you at that time, did you go out of your way that I should please all of you?
00:13:46No, no, not out of the way, but definitely a lot of times, it happens.
00:13:54I said that my first time I had my name, my money, my poor family.
00:14:01We came from very poor family.
00:14:03So, I had a lot of money in that time.
00:14:08We had a lot of money in our house only and a lot of money.
00:14:16I said it's good for me.
00:14:18I said it's good for you.
00:14:20So, after seeing all these things, someone has helped you, you are worthy of being in the world.
00:14:29So naturally, you see him very high.
00:14:33That's right.
00:14:34That's how it is.
00:14:35But you see him very high.
00:14:37Actually, that was your Gurudha Krishna.
00:14:39Yup.
00:14:44What would you say was the reason for you to break up?
00:14:47What would you say?
00:14:49What was the reason for you to break up?
00:14:51They told me that this was the reason.
00:14:53What was your reason to break up?
00:14:55To break up?
00:14:56Because his family said that no, you will not do any work with Aruna.
00:15:03So he stopped working with me.
00:15:05Then what?
00:15:06Then what?
00:15:07Then what?
00:15:08I don't live anywhere.
00:15:10I don't have a relationship with them.
00:15:13And what do I do?
00:15:14I have my family.
00:15:16But that's a, Bhagawan ne wo ek achcha dia ke ek responsibility de di na.
00:15:23Correct.
00:15:24To kya ho, I could come out of it.
00:15:26Come out of it.
00:15:27No, I must work.
00:15:28Yes.
00:15:29Now there is to be a big mistake.
00:15:30When I was in university and writing Hanna, I was at college or in school.
00:15:35That's the way that my job was awesome.
00:15:36And I started taking it all for me to concentrate.
00:15:41You know what?
00:15:42I did the first film after this breakup.
00:15:45There was no work.
00:15:46Nobody was giving me work.
00:15:48I remember that Dada Koonke's song is a song.
00:15:58But I never thought that after being a heroine, I never kept that complex.
00:16:05You didn't have that, that I was a heroine.
00:16:08And in the picture, I was only a song.
00:16:11Correct.
00:16:12No?
00:16:13I just kept it.
00:16:15But Aruna, you never had that complex thing.
00:16:19Never.
00:16:20Never.
00:16:21Never.
00:16:22Never.
00:16:23Never.
00:16:24Never.
00:16:25I'm a heroine.
00:16:26I'm a heroine.
00:16:27I'm a talented heroine.
00:16:28I don't think you ever thought like that.
00:16:29Never.
00:16:30Never.
00:16:31I think you were just happy that you're doing the work.
00:16:33Just work, work, work, work.
00:16:35Correct.
00:16:36Can you earn?
00:16:37It's very important.
00:16:38Because when you watch Bombay to Goa, there was a hero of your life.
00:16:43Yes.
00:16:44I was a heroine.
00:16:45I was a heroine.
00:16:46I was a heroine.
00:16:47I was a heroine.
00:16:48I was a heroine.
00:16:49I was a heroine.
00:16:50You're a heroine.
00:16:51But look, everyone is their best.
00:16:52Everyone is their best.
00:16:53Everyone is their best.
00:16:54It's not that there's a demon.
00:16:57If I can do it, then I would also be a demon.
00:17:01No.
00:17:02Maybe it was not my luck.
00:17:03Maybe I didn't have any work.
00:17:05What was that?
00:17:06I don't know.
00:17:07But destiny.
00:17:09If you don't get anything, then you blame destiny.
00:17:13But no blame.
00:17:14I think you should thank destiny.
00:17:16Yes.
00:17:17Yes.
00:17:18Isn't it?
00:17:19Absolutely.
00:17:20That's right.
00:17:21Yes.
00:17:22That's right.
00:17:23That's right.
00:17:24That's right.
00:17:25That's right.
00:17:26That's right.
00:17:27That's right.
00:17:28That's right.
00:17:29That's right.
00:17:30That's right.
00:17:31That's right.
00:17:32That's right.
00:17:33That's right.
00:17:34That's right.
00:17:35Everything was good for your good.
00:17:36My career was so long.
00:17:38Exactly.
00:17:39What would happen if I was a heroine?
00:17:40You have to do this small role.
00:17:42That small role.
00:17:43This small role.
00:17:44I could not do this.
00:17:46Exactly.
00:17:47So it didn't happen.
00:17:48I thought that it would be fine.
00:17:51I thought that it would be fine.
00:17:52You're not doing it.
00:17:53But at least in my time light, I was in a long time.
00:17:54How many years?
00:17:5569 years?
00:17:5669 years after.
00:17:5870 rather.
00:17:59I was nine years when I started working.
00:18:02So 70 years I am working.
00:18:04Then what I did not do?
00:18:06Then I just did a TV serial, direct, produce, made good money.
00:18:11Correct.
00:18:12You did everything.
00:18:13Exactly.
00:18:14So you can't do it if you understand.
00:18:16If you understand, just think that Bombay to Goa hit, I told you to marry me and sit in my house.
00:18:26What do you do?
00:18:28Where would you think?
00:18:30Food, children.
00:18:32Maybe you will be waiting for another woman to come.
00:18:37You never know.
00:18:39You never know.
00:18:41I think what happens is good.
00:18:45We always think that we need this or that.
00:18:50If it happens, then God has something better for you.
00:18:53Always.
00:18:54I think that it is wrong.
00:18:57But there is something hidden for you.
00:19:00Somewhere.
00:19:01Exactly.
00:19:02I always say thank God.
00:19:05Correct.
00:19:07Now, let us say you are 80.
00:19:11At the age of 80, you are just very grateful.
00:19:14You are very grateful.
00:19:15Yeah.
00:19:16Thank God.
00:19:17Thank God.
00:19:18God has given me everything.
00:19:20Everything you can say.
00:19:22A good thing, I have given you.
00:19:23My name.
00:19:24My rent.
00:19:25My love.
00:19:26You have got everything.
00:19:27I got everything.
00:19:28I got everything.
00:19:29It was settled so I am so happy.
00:19:32that it was all that I had thought.
00:19:35And Aruna, look at your career,
00:19:37the 70-year-old career,
00:19:39I know.
00:19:40What have you done?
00:19:42What have you done?
00:19:43What have you done?
00:19:44What have you done?
00:19:45What have you done?
00:19:46No kind of role.
00:19:47Yeah.
00:19:48No kind of role.
00:19:49Because if you want to become a heroine,
00:19:51you would have become a child in Gujarati.
00:19:54You would have become a child in Gujarati cinema.
00:19:57Of course.
00:19:58What do you do?
00:19:59You would have become a child in Gujarati cinema.
00:20:02So you would have to be in Gujarati cinema.
00:20:07You would have become a child in Gujarati cinema.
00:20:10So, I am to mikrani cinema as well.
00:20:13I am so grateful for that.
00:20:15If you had your own hands,
00:20:16I would have become a child in Gujarati theatre.
00:20:20I am a child in Gujarati cinema.
00:20:21What should I do?
00:20:23I have to smile for a child in Gersha.
00:20:26With a daughter in Gujarati cinema,
00:20:28mostly her film to use me you had the brain problem yeah
00:20:32my amigika roll cut the okay in Gujarati but who kya cut the heroine
00:20:38carded in a itna dhyan nahin aata tha but patani low coach samaj kyun
00:20:43atiti they let it have coffee respect coffee now actually up heroine be
00:20:50bunny dancer joe up actually a bar apne mujah kakim I never learned dancing no
00:20:56you're not a dancer no and koi bolegan ne ki you're not a dancer haa but
00:21:01bohut jute kake but Suresh master made me
00:21:05aapne ek bar mujahe bhi kaha ki you have a very special relationship even with
00:21:10Saroj khan aham but thank you so much because I remember
00:21:16I remember when Saroj ji was there I called you and you have a story to tell me about how and then how I think she was there bobby kiss set and then she came and you introduced her to Subhash Ghai
00:21:34I know yeah I know yeah you were just arab tareeb
00:21:37bohut kam loob janate
00:21:39me he and Saroj Saroj or many bechpan see jantai ek dousere ko
00:21:43majab us in the registrar men
00:21:45ham log junior's me kaam kertai teh
00:21:48to homo ko gaadi aati tipik kar de
00:21:50every brand road se muje pik karthai
00:21:52vrli se Saroj ko pik kertai saroj bhi bacha
00:21:56hum be bacha
00:21:57ekaat saal Saroj budi thi the bus
00:21:59to hum sab saath jaate thai
00:22:01Now we had to go to the song, then we had to sleep.
00:22:08We had to eat and eat.
00:22:11We had to sleep on a trolley.
00:22:12I had to keep our hands up and give us the short one.
00:22:18We had to sleep on a trolley.
00:22:22We had to have seen that my who was a poor man and his who was a poor man.
00:22:29So, you know, it's a very good thing.
00:22:31You become a friend.
00:22:33We became a friend.
00:22:35After that, he started dancing.
00:22:37He was an assistant.
00:22:39He was a very good dancer.
00:22:41So, he said,
00:22:43Haruna, do you want to recommend me?
00:22:45So, I had a friend of Sagar,
00:22:49who was the secretary of Ashok Kumar.
00:22:53He was the secretary of Sagar.
00:22:55He made a film,
00:22:57so I contacted him.
00:22:59So, I told him,
00:23:01you can see Saroj.
00:23:03He took everything.
00:23:05Then, I told him,
00:23:07Aruna, do.
00:23:09He took the dance,
00:23:11but he had no sense of camera.
00:23:13I told him, Sagar,
00:23:15you have given him a chance.
00:23:17Where will it happen?
00:23:19It will not happen.
00:23:21After that,
00:23:23I recommended it to Subhash Ji.
00:23:25I told him,
00:23:27I told him,
00:23:29I don't have any understanding of the camera.
00:23:31Camera placing,
00:23:33that's what I do.
00:23:35I said,
00:23:37that's a very good thing.
00:23:39Normally,
00:23:41I told him,
00:23:43that's a very good thing.
00:23:45I told him,
00:23:47that's a very good thing.
00:23:49And Haruna,
00:23:51what happened between you?
00:23:53I told him,
00:23:55that's a very good thing.
00:23:57I told him,
00:23:59that's a very good thing.
00:24:01I told him,
00:24:03I told him,
00:24:05that's a very good thing.
00:24:07And he told me,
00:24:09and he was an assistant,
00:24:11and she was an assistant,
00:24:13in that.
00:24:15So, Anlal Ji,
00:24:17we tell him,
00:24:19I told him,
00:24:21you have 4,
00:24:23I would like to see and do it and I would like to do it, but when I was dancing, with expression, with everything,
00:24:34I didn't feel like I was going to get up and hustle, I'm sorry, I won't be able to do it.
00:24:40I felt so much love dancing, Saroj.
00:24:43Very love dancing.
00:24:45I felt so much love dancing, I felt so much love dancing, I felt so much love dancing, I felt so much love dancing,
00:24:58I felt so much love dancing after 2-4-5 re-take.
00:25:01I felt so much love dancing.
00:25:05And then somebody had come and Rajsav wanted her to dance or something, no?
00:25:11No, no.
00:25:12Distributors came before, right?
00:25:13Correct.
00:25:14Yes.
00:25:15So Rajsav said, yes, let's go, Saroj.
00:25:20I saw a song before, and the whole song was done in one breath.
00:25:25How big is it?
00:25:26About 7-8 minutes of the song.
00:25:29And with so many changes.
00:25:32I mean, when the distributors came to the set,
00:25:36In a while, Saroj Khan used to do it.
00:25:40I was focused on the producer.
00:25:41Come, you see?
00:25:43Yes, we are doing what is it?
00:25:46Yes.
00:25:47They did everything.
00:25:48Correct.
00:25:49They also said, I saw it.
00:25:50But it was my wife.
00:25:52She never wouldtie.
00:25:54Because I loved her.
00:25:55That's true.
00:25:56She was..
00:25:57God bless her soul.
00:25:58Very true.
00:25:59Very true. You are also close to Bindu. You're related to Bindu, no?
00:26:03Yeah, she is my Maasi's daughter. Step Maasi.
00:26:08Step Maasi?
00:26:10My grandma had two daughters.
00:26:14One was my mother's mother and one of the other.
00:26:17She was from the other mother's family.
00:26:20She was the mother's mother.
00:26:22So she was from Bindu and all.
00:26:26But you guys were close?
00:26:28What?
00:26:29You were close as cousins?
00:26:31Never.
00:26:32Never.
00:26:33Never.
00:26:34His father was the director of Nana's brother.
00:26:37He was always staying away.
00:26:39And what happened?
00:26:41We didn't have money.
00:26:43So my mother was asking for a lot of money.
00:26:46Because she couldn't keep the children in the house.
00:26:50She was asking for a lot of money.
00:26:53So she gave her 50 or 30.
00:26:57and asked for money.
00:26:59She was asking for money for me.
00:27:00She was selling me for money.
00:27:01So I went and took her.
00:27:03She didn't like it.
00:27:04It isn't a bad thing.
00:27:06It's a bad thing.
00:27:08But the money was asking for money.
00:27:11She kept a distance.
00:27:13That's why something will happen, it will be a distance.
00:27:19So when you became both vamps and dances, you didn't become friends?
00:27:26No, it didn't happen. Why?
00:27:29We didn't work with each other, right?
00:27:32Either people would take it or I would take it.
00:27:36So we didn't get to meet.
00:27:40Aruna, I feel like you had some of the most fantastic songs.
00:27:47Charti Jawani, I don't know how many songs you have.
00:27:52Dances, fabulous ones, Karwan.
00:27:55So fantastic songs you have always done in the game.
00:28:02But at the same time, you had Bindu who was doing item numbers and dances.
00:28:09They also had one or two songs.
00:28:12We were all singing.
00:28:14And plus you had Helen.
00:28:16Helen.
00:28:17Helen had so many songs.
00:28:19Padma Khanna.
00:28:20Padma Khanna had so many songs.
00:28:22Madhumati.
00:28:23So many.
00:28:24So you've always thought, I wish this song came to me.
00:28:28This dance came to me.
00:28:30Because you were all in the same phase.
00:28:33Yes, same phase.
00:28:35But,
00:28:36and,
00:28:37I think
00:28:38that was pretty much of anyone in the life.
00:28:39I never think anyone can hear anything like this,
00:28:42I don't think that they are.
00:28:43They can get me and get me and get me.
00:28:44So, it didn't.
00:28:45No, I never heard.
00:28:46Never heard anything like that.
00:28:47No, I never heard anything like that.
00:28:48No, I never heard anything like that.
00:28:49No, I never heard anything like that.
00:28:50I did.
00:28:51Okay.
00:28:52I can not say that this is a media.
00:28:54I can't say that it's a media.
00:28:55Okay.
00:28:57That is very rare, you know.
00:28:59Very rare?
00:29:01Yeah.
00:29:02I can't say that this is a media.
00:29:04Okay.
00:29:05That is very rare, you know?
00:29:07Very rare.
00:29:09Yeah.
00:29:10It's very, very rare.
00:29:12Yeah.
00:29:13It's a lot of compromising nature that God built.
00:29:16So, I had to take a different place and go to another place.
00:29:19No, I knew it.
00:29:20Correct.
00:29:21No, he was in the ego.
00:29:22Correct.
00:29:23Correct.
00:29:24Best.
00:29:25Without the ego, he made it and made it.
00:29:28Thank God.
00:29:30Ego has never done it.
00:29:32Correct.
00:29:33Correct.
00:29:34You have done so many dances.
00:29:37Any favorite dance that you really like?
00:29:40You feel very nice about it.
00:29:44I know.
00:29:45That song was very well-picturized.
00:29:58Camera-vamra, Kamal Ka Suresh.
00:30:01Our Deberman's music.
00:30:03I swear.
00:30:04Suresh Bat's camera.
00:30:06And you dancing.
00:30:07And what do you want?
00:30:09Then you started to work hard on your dances.
00:30:12But did you work very hard on your dances?
00:30:15Suresh Bhatt Ji.
00:30:16Suresh Bhatt Ji.
00:30:17Okay.
00:30:18The choreographer.
00:30:19Suresh Ji.
00:30:20Suresh Ji.
00:30:21What do you do?
00:30:22Suresh Ji.
00:30:23What do you do?
00:30:24How much do you do?
00:30:25He was doing in the range.
00:30:27Oh.
00:30:28And then people started to say,
00:30:31You're such a good dancer.
00:30:34So I thought,
00:30:36Yes.
00:30:37I do.
00:30:38That confidence has made a dancer.
00:30:41Okay.
00:30:42I have to tell you, you're looking very nice.
00:30:45But it's not a little odd that you have to wear a shirt, a jacket, a jacket.
00:30:53Maud dress.
00:30:54Maud dress.
00:30:55And you're looking very nice.
00:30:57I know.
00:30:58It's very sad.
00:30:59I remember a film,
00:31:01We're Five.
00:31:02So that was way back.
00:31:04Bonnie Kapoor's film.
00:31:06We were shooting in Malakote.
00:31:08So at that time,
00:31:11I had to go to the set,
00:31:13I put a skirt and blouse.
00:31:15And I put a tikka.
00:31:17Aruna!
00:31:18Mom,
00:31:19Sorry.
00:31:20And I said,
00:31:21how can you put a tikka in this dress?
00:31:23She took a tikka in this dress.
00:31:24I said,
00:31:25No.
00:31:26Take this.
00:31:27Take this.
00:31:28What are you doing?
00:31:29I put a tikka in this dress.
00:31:31I put a tikka in this dress.
00:31:32So I put on a bikini.
00:31:37She met me after two or three years,
00:31:39She said,
00:31:40You've got bullied the world.
00:31:41I've got bullied.
00:31:43How did I do?
00:31:44I don't do anything.
00:31:45People wear jeans and wear them.
00:31:48Now, what is my?
00:31:50Why do I wear them?
00:31:51I don't wear them in the world.
00:31:53I don't wear them in the world.
00:31:55I don't wear them in the world.
00:31:57But when I don't wear them, I don't look nice.
00:32:01You don't feel complete?
00:32:03No, I don't.
00:32:05It's okay.
00:32:07It's just four-changes.
00:32:09And don't wear them.
00:32:11Just wear them.
00:32:13I feel.
00:32:14Maybe a wrong notion also can happen.
00:32:18But I feel like I look very nice.
00:32:22You do.
00:32:23You do.
00:32:24You do.
00:32:25Your forehead looks clean.
00:32:27Now, I said,
00:32:28you tell me, I'll stop these dresses.
00:32:30But I won't stop.
00:32:32I want to come to this story.
00:32:36I heard you had cancer.
00:32:40Oh, yes.
00:32:42And not one time.
00:32:43Yes.
00:32:44Two times.
00:32:45Oh, God.
00:32:46You have to double everything.
00:32:48Yes.
00:32:49Everything is double.
00:32:50Yes.
00:32:51One day, I was shooting.
00:32:53I don't know how I got to know.
00:32:55I said something.
00:32:56I was thinking something.
00:32:57I went to the doctor.
00:32:58And he said, no, no, no.
00:33:00No, no, no.
00:33:01I said, sir, there's something.
00:33:05He said, it's very small.
00:33:06So, I said, I don't want to be big.
00:33:08No, no, no.
00:33:09Correct.
00:33:10Let's do something.
00:33:11Two years ago?
00:33:12Yes.
00:33:13When was this?
00:33:14Two years ago?
00:33:152015.
00:33:16First time.
00:33:172015?
00:33:18Two years ago.
00:33:19Two years ago.
00:33:20Two years ago.
00:33:21Two years ago.
00:33:22That happened.
00:33:23Breast cancer.
00:33:24That was?
00:33:25Breast cancer?
00:33:26Breast cancer.
00:33:27Okay.
00:33:28So, they had to operate.
00:33:29Everything was fine.
00:33:30Life was going.
00:33:31And I said, with cancer, I'm not.
00:33:35Any disease, I'm not.
00:33:37I'm not.
00:33:38Oh, come on.
00:33:39Come on.
00:33:40Come on.
00:33:41Come on.
00:33:42Come on.
00:33:43Come on.
00:33:44Come on.
00:33:45Come on.
00:33:46Come on.
00:33:47Come on.
00:33:48Come on.
00:33:49I was at shoot.
00:33:50Nothing happened.
00:33:51Okay.
00:33:52And I was also hailed and hearty.
00:33:54I didn't think I was like, oh.
00:33:55Chakkar.
00:33:56No.
00:33:57No.
00:33:58No.
00:33:59No.
00:34:00No.
00:34:01No.
00:34:02No.
00:34:03No.
00:34:04No.
00:34:05No.
00:34:06No.
00:34:07No.
00:34:08No.
00:34:09No.
00:34:10No.
00:34:11No.
00:34:12No.
00:34:13No.
00:34:14No.
00:34:15No.
00:34:16No.
00:34:17No.
00:34:18No.
00:34:19No.
00:34:20No.
00:34:21No.
00:34:22No.
00:34:23No.
00:34:24No.
00:34:25No.
00:34:26No.
00:34:27No.
00:34:28No.
00:34:29No.
00:34:30No.
00:34:31No.
00:34:32No.
00:34:33No.
00:34:34No.
00:34:35No.
00:34:36No.
00:34:37No.
00:34:38No.
00:34:39No.
00:34:40No.
00:34:41No.
00:34:42Same jaga pe breast mein hua.
00:34:45Woh COVID ki time pe na?
00:34:46Woh COVID ki time pe.
00:34:48Mera operation hua February 26th ko.
00:34:53Aur March 10 ko toh COVID ka chalo ho gaya ta.
00:34:56Lockdown.
00:34:56Haan. Correct.
00:34:57Toh that time I got operated and this time he said,
00:35:01no more waiting.
00:35:03Abhi wo chemo nahi hai.
00:35:05Now radiations are there.
00:35:07You have to take it.
00:35:08I took it.
00:35:09You have to take it.
00:35:13Second time.
00:35:14So that means you had cancer two times?
00:35:17Two times.
00:35:18And that's why it happened.
00:35:20I cannot say that my doctor was not good or that.
00:35:23That's why I didn't do chemo.
00:35:26I didn't do chemo.
00:35:28But people do chemo.
00:35:30They have problems.
00:35:32I was working.
00:35:34Suddenly you are feeling something in one scene,
00:35:37and you are feeling something in the other scene.
00:35:39So you have to.
00:35:40Correct.
00:35:41So I didn't do it.
00:35:43Touch wood.
00:35:44You are looking so good.
00:35:45Koi boolega nahi ki that your cancer survived.
00:35:47I didn't say it until anyone doesn't know.
00:35:49I don't even know.
00:35:50What happened?
00:35:51After that I got another disease.
00:35:53Okay.
00:35:54Haan.
00:35:54Twenty two men.
00:35:55Haan.
00:35:56Hospitalize hui.
00:35:58So the doctor said that the two kidneys are shut.
00:36:03Don't tell me.
00:36:04I don't know.
00:36:06Okay.
00:36:07The two kidneys are shut.
00:36:09And I was unconscious.
00:36:11So I didn't know what happened in that.
00:36:15But when I came to the hospital,
00:36:18if the two kidneys are shut,
00:36:20then how can I be fine today?
00:36:22My kidneys be fine today.
00:36:24That's right.
00:36:25That's right.
00:36:25That's right.
00:36:26Something happened.
00:36:27Or it could happen after the doctor.
00:36:28But nothing has spoiled my kidney function.
00:36:35So did you have to do dialysis?
00:36:39No.
00:36:39Nothing?
00:36:40Nothing.
00:36:41So what did you say?
00:36:42No, but something happened.
00:36:44Definitely.
00:36:44What was the symptom?
00:36:47Just I felt unconscious.
00:36:49And I was shifted to Coquilla Bain in the emergency.
00:36:56They also didn't know what happened.
00:36:58They said, what happened?
00:36:59Nothing happened.
00:37:01I said, just unconscious.
00:37:04And it happened.
00:37:05Why am I asking people to know that if there is a kidney failure or something,
00:37:10then what are the symptoms?
00:37:12No symptoms.
00:37:13You said there is no symptoms.
00:37:14And they said both the kidneys are shut.
00:37:18And in fact, I was not in my senses.
00:37:23Okay.
00:37:24I was not in my senses.
00:37:26Look, the doctors are saying that it should be right.
00:37:31But they say, God gives me the gift.
00:37:34Yes, yes.
00:37:34My return ticket was not cut.
00:37:39It's not cut.
00:37:40No, it's time.
00:37:41It's a lot of time.
00:37:43You should be independent the way you are today.
00:37:48I can walk, I can go anywhere.
00:37:49No tension.
00:37:50That's excellent.
00:37:51Very good.
00:37:52You have to talk about the word of God.
00:37:56I have to talk about the word of God.
00:37:57I have to talk about the word of God.
00:37:58That's an important thing.
00:37:59Yes, I have to talk about it.
00:38:00You should be independent the way you are today.
00:38:01You should be independent the way you are today
00:38:06I can walk, I can go anywhere, there is no tension
00:38:10That's excellent
00:38:12You are God
00:38:14You give gratitude to God for everything
00:38:19I was 14 years old
00:38:22There I started believing in God
00:38:25Like, like, the day I was going to Babul Nath Mandir
00:38:31When I was only 14
00:38:34When I was 14, people thought, ah, that guy is so good
00:38:38He is more handsome
00:38:41But it was my turn
00:38:44But it was probably the day that I came to the limelight
00:38:49God gave me a name
00:38:52So it's all God's gift
00:38:54If you are in your life, you are in the world
00:38:57Besides cancer, you also had some other health problems
00:39:00Did you have diabetes?
00:39:02My family is hereditary
00:39:05I got diabetes in the 60s
00:39:08The rest came quickly
00:39:11But I got her in the 60s
00:39:13But it was hereditary
00:39:15Sooner or later
00:39:16I didn't know what happened
00:39:18My hair fractured
00:39:20I didn't have my movements
00:39:22But it was hereditary
00:39:24So suddenly
00:39:25Suddenly
00:39:26My sugar is never high
00:39:28Doctor
00:39:29He said
00:39:30What is your sugar?
00:39:31Why?
00:39:32And my mouth
00:39:33I couldn't eat anything
00:39:35Then what ate or what ate
00:39:37Then what ate
00:39:38And then what ate
00:39:39And what sugar
00:39:40And the blood
00:40:02in the chest, full body was infected, so how many antibiotics did you ask me?
00:40:12I mean, in the morning and evening there was only antibiotics for 12 days.
00:40:18And that has affected your hearing?
00:40:21In the back of the ear, the face was opened.
00:40:26That's why hearing aid came.
00:40:30I am not bothered.
00:40:33It comes to me too.
00:40:36That is true.
00:40:38In fact, you said something very cute.
00:40:42Before we meet, you said that hearing aid is going to be coming.
00:40:48So let's talk about it.
00:40:51We will talk about it.
00:40:54That's a habit.
00:40:57That's true.
00:41:00That's true.
00:41:01That's true.
00:41:02That's true.
00:41:03That's true.
00:41:04Yes, yes.
00:41:05Aruna, Irani.
00:41:06Irani ka matlab jaise aru irani cafe, irani ban maska, baman irani.
00:41:12So are you an Iranian?
00:41:14Yes, I am Parsi Irani.
00:41:16My mother was a Maharashtrian from Hyderabad.
00:41:20Oh, Hyderabad.
00:41:22So Teluguwale.
00:41:23And my father was Parsi Irani.
00:41:26Mille kaise?
00:41:27Combination to dekho kaise.
00:41:29I know.
00:41:30My father was an actress.
00:41:33Sorry, my mother was an actress.
00:41:35So she was working in my father's drama company.
00:41:38Udhar ye drama ho gaya.
00:41:40They fell in love.
00:41:41And shadi ho ki.
00:41:42Or aht bache hai.
00:41:43Or hama gai to liya hai.
00:41:44Okay.
00:41:45So did you, were you brought up as a Parsi?
00:41:47Or as a…
00:41:48Sorry?
00:41:49Did you grow up as a Parsi?
00:41:50No.
00:41:51Okay.
00:41:52My father also followed Hindu religion, I don't know how.
00:41:54Oh.
00:41:55He used go to and minn thousand on the Haman mandir.
00:41:58He used to go to the church.
00:41:59He used to take me everywhere.
00:42:12Okay.
00:42:21So you largely followed Hinduism?
00:42:35Hindu.
00:42:36Because if there is no faith, then there is no faith.
00:42:39When my father died, they didn't let us see his face.
00:42:44My father was a Parsi run.
00:42:46He was taken to that center.
00:42:49So the non-Parses are the ones who are far away.
00:42:54Correct.
00:42:55She is a mother.
00:42:57Is she a Parsi?
00:42:58Is she has done?
00:43:00Sadra Kasti?
00:43:01I said, the girls didn't do it.
00:43:04Go, go.
00:43:05You can't see his face.
00:43:07Oh.
00:43:08That's how it happens.
00:43:09In Tower of Silence, right?
00:43:11Yes.
00:43:12In Kems Corner.
00:43:13In Kems Corner.
00:43:14No, I haven't seen him.
00:43:17Oh.
00:43:18So, that's why Papa wanted.
00:43:20That if he does, they can become not.
00:43:23Then there is a huge problem.
00:43:25Oh.
00:43:26Let's go.
00:43:27Okay.
00:43:28Okay.
00:43:29Because I've never talked to you about this.
00:43:31I've never talked to you about this.
00:43:32No.
00:43:33I've never talked to you about this.
00:43:34But it just struck me that your name is Iranian.
00:43:36But you seem to be Hindu.
00:43:38Yeah.
00:43:39Yeah.
00:43:40Many people think I'm Iranian.
00:43:43But I'm Parsi Iranian.
00:43:44That's right.
00:43:45Yeah.
00:43:46Nice.
00:43:47Nice.
00:43:48Coming to your films.
00:43:50Lately, we saw you in a film called Kesari Veer.
00:43:54What were you doing in that film?
00:43:55Why didn't you have any role in that film?
00:43:57I don't know.
00:43:58It was a shoot.
00:43:59But what is it?
00:44:00It was a historical film.
00:44:03And what type of character is in the world.
00:44:07The mad type of character.
00:44:09Who bore actually.
00:44:10It was good.
00:44:11It was good.
00:44:12It was good.
00:44:13It was good.
00:44:14It was good.
00:44:15It was good.
00:44:16It was good.
00:44:17It was good.
00:44:18But I'm nobody to say.
00:44:23I'm nobody to say.
00:44:25My director knows.
00:44:26My producer knows what they are doing.
00:44:29To interfere, it wasn't good.
00:44:32But let's go.
00:44:33It wasn't good.
00:44:34It wasn't good.
00:44:35It wasn't good.
00:44:36It was good.
00:44:37But he was shooting.
00:44:39Yes.
00:44:40He told me.
00:44:41My brother told me.
00:44:42That you didn't have any work in it.
00:44:44I mean.
00:44:45There is an introduction.
00:44:46Then you are sitting there.
00:44:48You are sitting there.
00:44:49You are doing something like this.
00:44:51Correct.
00:44:52And there is nothing.
00:44:53And in the story, there is no contribution.
00:44:55There is no contribution.
00:44:56No contribution.
00:44:57I have told this in my review.
00:44:59I don't know what Arunarani was doing there.
00:45:02But you have written what you thought.
00:45:04Nothing wrong.
00:45:06Yes.
00:45:07Yes.
00:45:08Yes.
00:45:09Yes.
00:45:10But this is very rare.
00:45:11Because usually, when people sign up, they are substantial.
00:45:15They are good.
00:45:16Yes.
00:45:17Yes.
00:45:18Yes.
00:45:19Yes.
00:45:20Yes.
00:45:21Yes.
00:45:22Yes.
00:45:23Yes.
00:45:24Yes.
00:45:25Yes.
00:45:26Yes.
00:45:27Yes.
00:45:28Yes.
00:45:29Yes.
00:45:30Yes.
00:45:31Yes.
00:45:32Yes.
00:45:33Yes.
00:45:34Yes.
00:45:35Yes.
00:45:36That's wonderful.
00:45:37Yes.
00:45:38Yes.
00:45:39We had a charactereldry Kim希me trading.
00:45:40Yes.
00:45:41Yes.
00:45:42OK.
00:45:43No.
00:45:44No.
00:45:45So you have to be taken for a character?
00:45:47No, that's not.
00:45:49But you know, when you edit it,
00:45:54we have known that we have directed ourselves,
00:45:58or as a TV serial,
00:46:00but we also know that we have to cut scenes as a director.
00:46:05Because he has taken the picture,
00:46:10and he says,
00:46:12It's a good thing if it is for the betterment of the film and we have to be for the betterment
00:46:26of the film.
00:46:27If I didn't do it as a director's work, it would be very bad that they would do it.
00:46:38Now I understand that if someone pays money, why would my job cut?
00:46:44It was the only one.
00:46:46Luck will be lost.
00:46:49In all of your interviews, I have seen that you talk a lot about money because you needed
00:46:53money at that time in the beginning.
00:46:56Today, what is the best thing that money has done for you?
00:47:01Money. Money has given me a satisfaction of settling my family. I am settled. See, I have seen the value of money.
00:47:15My mother has given me a gift. She has given me a gift. She has given me a gift.
00:47:25So, today, I am aware that in my whole lifetime, I don't see anybody that I can give anything.
00:47:36I will never give such a day, nor give it to my family. This is the biggest satisfaction for me.
00:47:45You don't have to pay for 50 rupees.
00:47:49That makes a lot of difference.
00:47:53I know. I know. You have gone through it. It's over.
00:47:58I am not, like, multi-millionaire, but I can very happily, very happily, I can lead my life.
00:48:06Yes.
00:48:07I have been in the hospital for 2 months. I have been in the hospital for 6 months.
00:48:11I don't have to see anyone who will pay the bills.
00:48:14Correct.
00:48:15Correct.
00:48:16My sister, you are all settled.
00:48:19What do you need? What will you give money?
00:48:24You have worked with Raj Kapoor, to Gulza, to Rishikesh Mukherjee, to the best.
00:48:33I mean, every person you have worked with. Dada, Mehmood, I don't know who is.
00:48:38Everybody.
00:48:39All of them.
00:48:40You can see, I started from C-grade films.
00:48:43Jandara Ji worked.
00:48:44Correct.
00:48:45So, Babu Bhai, Mistri and all that.
00:48:48There are also small directors, Shanti Bhai, and others.
00:48:53There are also who have worked with us.
00:48:56So, from there, I started doing it.
00:48:59God has such a great honor, that you are one step up.
00:49:02Yes.
00:49:03And what do you want?
00:49:05I wanted to ask, if I have three or four directors, can you tell me what they are, and what do you enjoy with them?
00:49:16Yeah.
00:49:17Ek Raj Kapoor.
00:49:18Oh my God, Raj Ji.
00:49:20What did you enjoy working with Raj Kapoor?
00:49:22I really enjoyed working with him.
00:49:24Because, the妻 will be that he is a persona.
00:49:26He himself is an actress.
00:49:27He is caricature.
00:49:28He is a actress, he is the actor, so to give us this role,
00:49:31he is the actor.
00:49:32He explains the role most.
00:49:33His role take him.
00:49:34chopping himself to pay the mina alm Jordi.
00:49:35He starts with all kinds of the time.
00:49:36After this, Hanabiез Alid, I understand why he is a guy as a woman,
00:49:37similar times.
00:49:38Although he is a creator, he writes that, there is so Number eight of the person,
00:49:39he is preaching.
00:49:40He is an girlfriend as a woman.
00:49:41When he is learning, the man is in camera,
00:49:42he says, he is trying to speak with his wife and girl,
00:49:43still a woman in non-fulsive leadership.
00:49:45What? What are you doing?
00:49:50You don't talk about me.
00:49:53They thought that my character will do this, this, and this.
00:49:59Now, we didn't have all this.
00:50:02They were doing it.
00:50:05When they were doing it,
00:50:08we got to understand it.
00:50:10We could have 10% in the first time.
00:50:13So, the Lord said,
00:50:15please, let me show you again.
00:50:17Then, the Lord said,
00:50:19you're doing good.
00:50:21But when you come,
00:50:23you're doing that,
00:50:25keep your eyes in the eyes.
00:50:27You're seducting.
00:50:30So, these little things,
00:50:32they taught us.
00:50:34They do it.
00:50:36You're doing it.
00:50:37But the eyes in the eyes.
00:50:39And keep your eyes in the eyes.
00:50:42You know?
00:50:43Yes.
00:50:44That blend will be good.
00:50:45Okay.
00:50:46We learned all these things,
00:50:47Rajji.
00:50:48Rajji.
00:50:49Okay.
00:50:50And it's a treat working with him.
00:50:52I'm sure.
00:50:53You've said that you wore that daring dress,
00:50:58which is open from behind.
00:51:01You talked about all that.
00:51:03One thing you have not talked about anywhere,
00:51:05is Rishi Kapoor's nude scene.
00:51:08Nude scene?
00:51:09Rishi Kapoor's nude scene.
00:51:10Rishi Kapoor had a nude scene in that movie.
00:51:13I didn't even say that.
00:51:15And you were in that scene.
00:51:17Yes.
00:51:18Yes.
00:51:19And he came nude.
00:51:20He's nude.
00:51:21And he's nude.
00:51:22Because he's out of the bathroom.
00:51:23He's in his room.
00:51:24And he's totally nude.
00:51:25Yes.
00:51:26And he's totally nude.
00:51:27Yes.
00:51:28And you go inside.
00:51:29And that shot he gave me.
00:51:31I know.
00:51:32He gave me.
00:51:33So, it was the case,
00:51:35I said,
00:51:36I'm not going to do it.
00:51:37I'm not going to do it.
00:51:38I'm not going to do it.
00:51:39So, Rajji said,
00:51:40I said,
00:51:42Look Arunan,
00:51:43You're not going to do it.
00:51:46Don't see wrong things.
00:51:49See right things.
00:51:50Okay.
00:51:51I said,
00:51:52Okay.
00:51:53I didn't do it.
00:51:54I didn't do it.
00:51:55I didn't do it.
00:51:56I didn't do it.
00:51:57I didn't do it.
00:51:58I didn't do it.
00:51:59Then,
00:52:00I and Chintu Ji were working with Ravima Lutra.
00:52:03I said,
00:52:05I didn't do it.
00:52:06I didn't do it.
00:52:07I said,
00:52:08I didn't do it.
00:52:09I said,
00:52:10I was asking one to you.
00:52:11I have to tell you.
00:52:12I said,
00:52:13Yeah,
00:52:14One more thing in the scene
00:52:16I always had very objects.
00:52:18I said,
00:52:19How did you do it?
00:52:20Why are you doing it?
00:52:22I didn't ask for the things I'm so happy.
00:52:25Was there what I was talking about?
00:52:26What how did you do?
00:52:28To me?
00:52:29I was thinking,
00:52:30I had too much tired
00:52:31I had to ask you.
00:52:32I had to ask you.
00:52:33I was not wearing clothes, you were not wearing clothes
00:52:38Why would you not wear that shirt?
00:52:41But he was right
00:52:43That's true
00:52:44But I remember that scene
00:52:47I have seen it without clothes
00:52:51I have seen that with uncensored
00:52:54I have seen it
00:52:56I have seen it in those days
00:52:59Because Rajka Purit Shonan
00:53:02I have seen it in RK Studio
00:53:05We have seen it in RK Studio
00:53:08I know
00:53:09And I remember teasing Chintu also about it
00:53:12Chintu, I saw you without your clothes
00:53:16I am very tired
00:53:20Another director, Rishikesh Mukherjee
00:53:23Who?
00:53:24Rishikesh Mukherjee
00:53:25Oh, Rishikesh
00:53:32Rishikesh Mukherjee
00:53:35Rishikesh Mukherjee
00:53:36Rishikesh Mukherjee
00:53:37And I took every picture in every picture.
00:53:39Correct.
00:53:41In every picture, Rishida.
00:53:43But she tells us something about her.
00:53:45She tells us something about her.
00:53:47As a director.
00:53:49And no, don't do that.
00:53:51Don't do that.
00:53:53When you see her, don't do that.
00:53:55Don't do that.
00:53:57Don't do that.
00:53:59And you play the role of actress.
00:54:01Don't do that.
00:54:03Don't do that.
00:54:05Rishida was very good.
00:54:07But Rishida was very fun.
00:54:09She would call someone.
00:54:11She would say,
00:54:13How are you doing?
00:54:15What are you doing?
00:54:17Look, this scene is very good.
00:54:19You have to do it.
00:54:21And she would say,
00:54:23She would say,
00:54:25She would say,
00:54:27She would say,
00:54:29She would say,
00:54:31She would say,
00:54:33She would say,
00:54:35She would say,
00:54:37She would say,
00:54:39,
00:54:40She would remain like the acting.
00:54:42You have also worked with Gulzar.
00:54:44Gulzar bhai,
00:54:46Yes sir.
00:54:49What did you like about Gulzar?
00:54:51Gulzar bhai it came to do,
00:54:53Today,
00:54:54freshly prepared
00:54:55She would like to do it.
00:54:58But,
00:54:58You,
00:54:59How does she do it?
00:55:01If you are a character, how will you do it?
00:55:06If someone is throwing you, you giggle because you are in a drink.
00:55:14What will you do?
00:55:16I will giggle.
00:55:18Do that.
00:55:20And it was so successful, that scene where he is opening that thread of mine blouse.
00:55:26And I was giggling.
00:55:31Is this Angur?
00:55:33Yes, Angur.
00:55:34I had one picture with him.
00:55:36That's right, yeah.
00:55:37Angur.
00:55:38Why are you taking the name of these people?
00:55:40Because you have only done dance.
00:55:42You had to do something to do.
00:55:45Yes, to do.
00:55:46It was a different role.
00:55:48It was a maid role.
00:55:50What is the maid?
00:55:52What are you doing?
00:55:54What are you saying?
00:55:55What are you saying?
00:55:56Oh!
00:55:57You have to run out of your room.
00:55:59You have to listen.
00:56:01What is happening?
00:56:02Love is happening.
00:56:03Love is happening.
00:56:04Love is happening.
00:56:05Love is happening.
00:56:06Love is happening.
00:56:07Love is happening.
00:56:08Love is happening.
00:56:09You just run away.
00:56:11It happens.
00:56:13It happens.
00:56:14It happens.
00:56:15It happens.
00:56:16Yes.
00:56:17But these people gave you good characters.
00:56:18Yes.
00:56:19Which film did you feel good in Rishida's films?
00:56:23Which film did you feel good?
00:56:24Which film did you feel good?
00:56:25What was her name?
00:56:26The film did you feel good in Rishida's films?
00:56:28The film did you feel good in Rishida's films?
00:56:30I love Rishida's films.
00:56:33I also liked Rishida's films.
00:56:36I also liked Rishida's films.
00:56:39And in one film, I was just wondering what he was doing.
00:56:42Who was it?
00:56:43I didn't like Rishida's film.
00:56:45I didn't like Rishida's film.
00:56:47I didn't like Rishida's film.
00:56:50That was Rekha Amitabh.
00:56:52Rekha Amitabh.
00:56:53I didn't like Rekha Amitabh.
00:56:55I remember that.
00:56:56That's not the film.
00:56:57That's true.
00:57:00And Manoj Kumar.
00:57:02Because he also gave you very good roles.
00:57:05Manoj ji was a good director.
00:57:10But tough.
00:57:11Tough.
00:57:12Tough.
00:57:13That's why we used to say,
00:57:15that it was done.
00:57:17It was done.
00:57:18It was done.
00:57:19But he played the whole scene.
00:57:22So we were scared.
00:57:24That I knew that I had come to the end.
00:57:26And I knew that I had pushed it.
00:57:28So the whole scene was done.
00:57:30One shot scene.
00:57:32Trolley, angle.
00:57:35It was like Kamal.
00:57:37Kamal's director.
00:57:39Introduce.
00:57:40Round trolley.
00:57:41Manoj ji.
00:57:42Manoj ji.
00:57:43Okay.
00:57:44Which film do you liked the best?
00:58:11What was the film?
00:58:13With Jaya Bachchan?
00:58:15With Jaya Bachchan?
00:58:17And Nanda?
00:58:19No, Jaya Bachchan was a good film.
00:58:21It was a good film.
00:58:23It was a good film.
00:58:25It was a good film.
00:58:27The picture's name was Shor.
00:58:29Shor.
00:58:31That was a good film.
00:58:33Yeah, that was true.
00:58:35Any other director you would like to talk about?
00:58:37Vishwanath Ji.
00:58:39Vishwanath Ji.
00:58:41You always talk about Vishwanath Ji.
00:58:43Yes.
00:58:45Very tough director.
00:58:47Rekha didn't come to sleep at night.
00:58:49Because in the morning there was a shooting.
00:58:51I don't know what to say or how to do it.
00:58:53It was a different way to perform it.
00:58:59Like, I'm talking to you.
00:59:03I'm giving you an interview.
00:59:05Hey, listen.
00:59:07You've done it or not?
00:59:09Go and go and do it.
00:59:11Yes, we were saying what?
00:59:13It was very difficult to us.
00:59:17How do we change it?
00:59:19What do you think?
00:59:20Yes.
00:59:21I'm talking to you.
00:59:22I'm talking to you.
00:59:23I'm talking to you.
00:59:24I'll be changing subject to him.
00:59:26I'll talk to you and I'll talk to you with a way,
00:59:28I'll talk to you.
00:59:29Right?
00:59:30I'm talking to you.
00:59:31How do you do this?
00:59:32Do you want to cut it?
00:59:33Big big one.
00:59:34They really might come.
00:59:35Ah that's what's going on.
00:59:36What?
00:59:37Okay.
00:59:38It was like this.
00:59:39So, I and Rekha were very nervous.
00:59:42Okay.
00:59:43Sargam, the first film we did with him, and then they made a woman by making a film.
00:59:50And Rekha told me, what a role it was. What a film it was.
00:59:55He made a long picture of the producer.
01:00:00The picture has been made for 6 years.
01:00:05And my role was a very good role.
01:00:09A central character. Very nice role it was.
01:00:12Anybody would pray for that kind of a role. It was such a good role.
01:00:17Then, we had to cut off a lot of people.
01:00:20That's true.
01:00:21Rekha Ji is our role.
01:00:23She didn't give it.
01:00:25No, Aruna's role was very good.
01:00:28She also made a picture of me.
01:00:31And she was such a good friend of mine.
01:00:34She was a good friend of mine.
01:00:36But when she made it, I asked my producer,
01:00:41I said, you gave me a signing amount.
01:00:45Then, why did you make a picture of me?
01:00:48I said, ma'am, I'm honest.
01:00:50Rekha Ji never wanted you in that film.
01:00:53Why?
01:00:54Why?
01:00:55I didn't know that.
01:00:56Then, I saw it.
01:00:57Then, I saw it.
01:00:58I said, here.
01:00:59What did you do?
01:01:00What did you do?
01:01:01He said, mangal sutra.
01:01:02He said, mangal sutra.
01:01:03Why did you make a picture of me?
01:01:05I said, Aruna, if you made it emotional,
01:01:09If you made it emotional,
01:01:13Then, you didn't want me to make a picture of me.
01:01:16I will make a picture of you.
01:01:18I remember this.
01:01:19I remember this.
01:01:20I remember this.
01:01:21Yes.
01:01:22That's right.
01:01:23That's right.
01:01:24You made a picture of Shabana with a Shabana.
01:01:29Where both of them had been?
01:01:31Saaz.
01:01:32Saaz.
01:01:33Saaz.
01:01:34Lata, Lata, Asha wasli.
01:01:36Was it a good experience working with Shabana?
01:01:41Yeah, of course.
01:01:43Shaban or doesn't have that term?
01:01:45Shaban never, never, never.
01:01:47No.
01:01:49People also spoke about Asha Ji.
01:01:52But never.
01:01:54Asha Parekh Ji.
01:01:56Never had that term.
01:01:58They had to change my dress.
01:02:00Or do that.
01:02:02Or do his character.
01:02:04There were four songs.
01:02:06Carwa?
01:02:08You had the best songs actually.
01:02:10It was a funny song.
01:02:12It was a funny song.
01:02:14It was a good song.
01:02:16But it was a good song.
01:02:18It was a good song.
01:02:20It was a good song.
01:02:22But she did very good.
01:02:24And she never objected.
01:02:26You all used to talk to each other in Gujarati?
01:02:28Yeah.
01:02:30Absolutely.
01:02:32Asha Ji always.
01:02:42Asha Ji wasn't friendly.
01:02:44She didn't talk much with anyone.
01:02:46But having a little conversation.
01:02:48Just enough.
01:02:50And she was the heroine.
01:02:52No, no, no.
01:02:54We were still standing here.
01:02:56I also had a film with Asha Ji.
01:03:00We were playing a small role.
01:03:02We were also the heroine.
01:03:04We were also the heroine.
01:03:06Let's talk a little about your heroes.
01:03:10I know that you had a crush on Shashi Kapoor.
01:03:14I know that you had a crush on Shashi Kapoor.
01:03:16I love that.
01:03:18I love that.
01:03:20How you had to hug him and you went on hugging him.
01:03:24I love that.
01:03:26And he was also very naughty.
01:03:28We all remember him as such a naughty.
01:03:30Very nice person.
01:03:32Such a nice guy.
01:03:34One of my favorite girls.
01:03:36Who was your most stylish hero?
01:03:40Stylish?
01:03:42Jitu Ji.
01:03:44Stylish?
01:03:46Yes.
01:03:48He was the one who was the one who went from the car.
01:03:50He was the one who was the one who went from the car.
01:03:52He was the one who went from the car.
01:03:54He was the one who looked at the car.
01:03:56He was a star.
01:03:58Very friendly.
01:04:00Very good.
01:04:02Jitu Ji, when your first picture was made,
01:04:04was made in Fars.
01:04:06And so, you worked on Balaji's TV series.
01:04:08You also worked on Balaji's television serial, right?
01:04:12I mean, you have had a very long friendship.
01:04:17Association.
01:04:18That's right.
01:04:20Your other, Sanjeev Kumar.
01:04:22Oh, Sanjeev Kumar.
01:04:24He didn't tell me to tell you, right?
01:04:27No.
01:04:28Now, time you told me.
01:04:31Sanjeev Ji, you know, used to Haribhai,
01:04:34you know, Haribhai, don't tell me.
01:04:38So, we worked on stage, rehearsals.
01:04:43When I worked with them in a drama company,
01:04:49I really liked them.
01:04:51The actors were very good.
01:04:53But I didn't see such a person.
01:04:57So, you can come in any way.
01:05:00I mean, you are young.
01:05:04You are dressed up.
01:05:06He would never.
01:05:08He would never.
01:05:09Okay.
01:05:10Then, I heard,
01:05:11he wanted to marry him with him.
01:05:15So, he met him with him one day.
01:05:18And he said, no.
01:05:21That now all, everything became down here.
01:05:24Under the table.
01:05:25I really had to try some things that I wanted to do.
01:05:27But a little courage was made to use.
01:05:29So they made sense of courage.
01:05:31By even making fun.
01:05:32It was just like los angriars.
01:05:34They came to put clocks-holars,
01:05:47that's how things went.
01:05:49Rajesh Khadra was another good. Rajesh Ji. Rajesh Ji would call me bhen.
01:05:57Bhen, eh bhen. I thought I would call everyone.
01:06:02Eh bhen, I would call my mother. I would call Rajesh Ji.
01:06:06What would I do, Rajesh Ji? What would I do?
01:06:08Kaka would call me, right?
01:06:10Yes, but he would call me bhen.
01:06:13So I would call him that.
01:06:15He was a nice guy, very nice.
01:06:22But any particular scene or anything you remember with him?
01:06:26No, but I had a time when he saw it.
01:06:30It was very good.
01:06:33We were shooting the film.
01:06:36We were shooting the film with Neetu, I and Kaka.
01:06:42So, Shamm ko break.
01:06:45So, 3-4 producers, Basj Dan,
01:06:48Unko sign karne ke liye.
01:06:503-4.
01:06:524-4 ka fix tha.
01:06:54Ab unhain ye ni samaj me a raha tha.
01:06:56In ki karun, in ki karun, ya in ki karun.
01:06:59To Shamm ko, maa chitthi padhi.
01:07:01Can you believe?
01:07:02My God.
01:07:03Chitthi padhi.
01:07:04Chitthi padhi.
01:07:05Chitthi padhi.
01:07:06Chitthi padhi.
01:07:07Chitthi padhi ho mixed ho gaya.
01:07:08And a chitthi padhi.
01:07:09Bhappi da ki.
01:07:10Achha.
01:07:11Bhappi souni ji ji ki.
01:07:12Oh re wa.
01:07:13Mubarak ho.
01:07:14Mubarak ho.
01:07:15Bhappi ji ki picture karenge.
01:07:16My God.
01:07:17Aise choose kya.
01:07:18Aise choose kya.
01:07:19My God.
01:07:20Aise choose kya.
01:07:21My God.
01:07:22Aise choose kya.
01:07:23Aise choose kya.
01:07:24My God.
01:07:25Aise choose kya.
01:07:26Ons din sham ko.
01:07:27Hum log chambur mein dah na.
01:07:28RK mein shoot kare.
01:07:29Mithai lao lao ya lao.
01:07:30Puri unit.
01:07:31Puri studio ke liib.
01:07:32Achha.
01:07:33Kyunke Rajesh ji na haam hundiya tha.
01:07:35My God.
01:07:36Oh da sab ka time hata jata hai.
01:07:38We have all seen that time of his.
01:07:40I have seen his best time.
01:07:42Yes.
01:07:43Yes.
01:07:44That's true.
01:07:45But is there any scene that you did with him which you remember or anything?
01:07:49Or anything ever.
01:07:50Unke saad to sab aise choose kya.
01:07:51Mere.
01:07:52Some seductive.
01:07:53Some seductive.
01:07:54Some seductive.
01:07:55I am seducing him.
01:07:57Falling on him.
01:07:58So.
01:07:59Unke saad ase hi chalte tha.
01:08:02Then I was vamping role kerti thai.
01:08:04So unko jabbiu bhi dhe ko min seduce kerti thai.
01:08:07That's true.
01:08:09Yes.
01:08:10You have done everything.
01:08:12Dancer, seductress.
01:08:13Hey boy.
01:08:14Ben.
01:08:15Ma.
01:08:16Everything.
01:08:17Of course beta was your best.
01:08:18Yeah.
01:08:19Ma.
01:08:20Okay.
01:08:21Beta also came to you after.
01:08:23Mala Sinha said no.
01:08:24And somebody else said no.
01:08:25Everybody said no.
01:08:26And then suddenly.
01:08:27Indu ne.
01:08:28Yaad kiya ki meri behen hai.
01:08:29But achha wa.
01:08:30Jo bhi ho na hai.
01:08:31It was aap ki nazir ni tha.
01:08:32It was aap ki nazir ni tha.
01:08:33Tu aaga.
01:08:34Vaahan pe bhi.
01:08:35Shabana ji.
01:08:36And Javed ji.
01:08:37Merese jhagda karke wo gaya.
01:08:38I said no.
01:08:39I said no.
01:08:40I said no.
01:08:41She is the right from day one I told you.
01:08:45She is the right from day one.
01:08:46I told you.
01:08:47Then that picture.
01:08:48Mali mujhe.
01:08:49And I said no.
01:08:50Correct.
01:08:51Correct.
01:08:52Correct.
01:08:53Yeah.
01:08:54Ab dadi ka roll karti hoon.
01:08:55Achha.
01:08:56Okay.
01:08:57Which one?
01:08:58Ab pervanantly dadi hoon.
01:08:59Kaha ane wala hai.
01:09:00Sorry.
01:09:01Where are you playing dadi?
01:09:02Ah, hari jagha.
01:09:03Ab jesse gujarati picture release ho rhi hai meri.
01:09:05Tera jhun ko.
01:09:06Naam hai uska jalso.
01:09:07Oh.
01:09:08To woh picture bhi.
01:09:09Usme bhi dadi.
01:09:10Achha.
01:09:11Ab dadi hi maantay hai na lo.
01:09:12Yes.
01:09:13Itne saal hoon se aap ko dekh rhen hai hai.
01:09:15To dadi.
01:09:16Ya phir koi aisa middle aged ladka ho.
01:09:20Uski maa ban sa.
01:09:22That's all.
01:09:23Otherwise to dadi.
01:09:24Dadi hi maantay hai na lo.
01:09:25Yes.
01:09:26Itne saal hoon se aap ko dekh rhen hai hai.
01:09:29To dadi.
01:09:30Ya phir koi aisa middle aged ladka ho.
01:09:33Uski maa ban sakte ho.
01:09:35That's all.
01:09:36Otherwise to dadi.
01:09:37Dadi.
01:09:38But why not?
01:09:39Dadi is also good.
01:09:40Yeah.
01:09:41Last me let me come to kuku ji.
01:09:44Kuku ji.
01:09:45Avatar Kohli joon ka real naam hai.
01:09:47I know.
01:09:48Avatar Kohli.
01:09:49I know you met him when you were supposed to do a film with him.
01:09:53Yeah.
01:09:54Kohram.
01:09:55Kohram.
01:09:56Kohram.
01:09:57Kohram.
01:09:58Yeah.
01:09:59Uske baad dosti hui.
01:10:00All that yes.
01:10:01I know.
01:10:02And yeh bhi tha ki aapko malum tha ki wo shadi shuda hai.
01:10:05Phrir dhosti hoi gai.
01:10:06What was it about kuku ji ji aapko akarshan kiya?
01:10:12Akarshan hui hai.
01:10:14Pahle naa shuru shuru mein kuku ji ka mera chatti iska akara.
01:10:20And I refuse the film.
01:10:21I don't want to do the film.
01:10:23Because this director is not ready to adjust the dates.
01:10:27Ab he wanted me ke mein unho ne muje bohat achha roll diya.
01:10:33Isma koji shak nahi.
01:10:35But he wanted me to leave the whole industry and give him dates.
01:10:38Concentrate on.
01:10:39Wo possible nahi di.
01:10:40Aur khas kar madras.
01:10:42Madras wale to aapne ek date hilai.
01:10:44You are dead.
01:10:45Correct.
01:10:46Ono zamane mein madras wale bohat hige hoote tha.
01:10:49And they are right.
01:10:50They are paying you.
01:10:51Phrir aap kyu na karo.
01:10:53Aapko pehle se di hai date.
01:10:55Aate mahine ki uske agle mahine ki.
01:10:58He wanted me to cancel all that and give the date.
01:11:02I said nahi nahi hooga ikbal bhai.
01:11:05Iqbal bhai producer.
01:11:07To I think I won't be itna achha roll hai.
01:11:09Mujhe duhk ho raha hai.
01:11:10But nahi kar pahongi.
01:11:12Because he wants poora mahinah yaan rahu.
01:11:15Because dharam ji ki date.
01:11:17In loog ne li nahi ti.
01:11:18Unnohne unko di nahi ti.
01:11:19To dharam ji suddenly bulenge.
01:11:21Ek kam kar kuku.
01:11:23Kal do ghante kar le.
01:11:249 se gyara kar le.
01:11:26To we all have to be there.
01:11:27Everybody has to be around.
01:11:28Aise thudhi hoote hai.
01:11:29Aip aisa.
01:11:30Iqbal bhai nahi unki date.
01:11:31Lee nahi ti.
01:11:32Oh.
01:11:33Mil jayegi na san mo.
01:11:34Arre kar kaise mil jayegi.
01:11:36Whole picture.
01:11:37Bada role play kar raha hai.
01:11:38To isliye meera unka jhagda ho liya.
01:11:41Phir kitni shooting vaha hoote thi thi.
01:11:45Subah mein sath se nou unka kerti thi.
01:11:48Tivi serial.
01:11:49Sath se nou kerti thi.
01:11:51To he word say ka ni.
01:11:52Meri saath bajay ki shift hai.
01:11:54Or dhupayar ko tene bajay tok.
01:11:57Koji kám nahi hoota tha.
01:11:58Meru ko boulte tha.
01:12:019 bajay ready.
01:12:02So I had 9 of them and had a shooting in the film in the city.
01:12:07I had to just dress change in my room and dress change in my room.
01:12:14No show till 4 o'clock in the evening.
01:12:17Oh my God.
01:12:18My job is done.
01:12:20Correct, correct.
01:12:21But he was still waiting for me.
01:12:23He said, you start your job.
01:12:27Correct.
01:12:28It was like that.
01:12:30Because of that, one of the other people do this.
01:12:35Oh, how are you?
01:12:38Good.
01:12:39What's the matter?
01:12:40You wear a pink color.
01:12:41You look good.
01:12:42Okay.
01:12:43So I got a little embarrassed.
01:12:46They weren't so tight.
01:12:49So I got a little embarrassed.
01:12:51Why did I say that?
01:12:52So I got a little soft on my side.
01:12:55Okay.
01:12:57Okay.
01:12:58Okay.
01:12:59Okay.
01:13:00Okay.
01:13:01Okay.
01:13:02Okay.
01:13:03But what was it about him that attracted you?
01:13:05Because you already had one experience with a married man.
01:13:08Yeah.
01:13:09You didn't know the perfect person.
01:13:10Exactly.
01:13:11So I got a little confused.
01:13:12I didn't know how.
01:13:13I didn't know.
01:13:14I had the same experience.
01:13:15I had to think that why it would happen.
01:13:18But sometimes you weren't able to understand you.
01:13:22And you'd you'd go into that Park.
01:13:25Now there is a one way Park.
01:13:27So you won't make a park.
01:13:28Yeah.
01:13:29Then what happens.
01:13:30He doesn't let you go. Because he is also used to you.
01:13:35That's right.
01:13:36We want to get rid of it. I tried to not get rid of it.
01:13:40It's been 35 years since your wedding.
01:13:43In 1990, it's been 35 years since it's been married.
01:13:49Before that, you know them.
01:13:52I know.
01:13:53So it's a very...
01:13:55I know.
01:13:56Maybe what happens is that a person is alone, right?
01:14:00And if someone feels like a mind,
01:14:04then you get carried away.
01:14:06It doesn't work your mind.
01:14:09If you get a happy, it feels good.
01:14:13That's why you say,
01:14:15that you are so sad today.
01:14:17You don't want to think about it.
01:14:20You don't want to think about it.
01:14:22That's right.
01:14:24You don't have to think about it.
01:14:26I think about it.
01:14:27I think about it.
01:14:29I try to get married at the other place.
01:14:31But he didn't let me.
01:14:33I know that you tried to get married in the next place.
01:14:36I tried to get married in the next place.
01:14:39No.
01:14:40It didn't work.
01:14:41No.
01:14:42He wouldn't leave me for a second.
01:14:44If you know it, you would...
01:14:46It's like that.
01:14:48Some things are just meant to work out,
01:14:50and they work out.
01:14:51Yeah.
01:14:52That's true.
01:14:53A very personal question I want to ask you.
01:14:57Did you decide not...
01:14:58Because you said that you decided not to have a baby.
01:15:03Did you decide because you were already 40 when you married him?
01:15:07In the 90s, people used to feel that who is 40?
01:15:11Yeah.
01:15:12In the 1990s, it was very strange.
01:15:14I know.
01:15:15I know.
01:15:16But why I didn't?
01:15:17Because I am second wife's daughter.
01:15:22I mean, my father had two marriages.
01:15:24Oh.
01:15:25Two marriages.
01:15:26My father.
01:15:27First, when I married him,
01:15:29he didn't have a child from him.
01:15:32Then he married his mother.
01:15:35So, when I married his mother,
01:15:38I was born.
01:15:40And our line started.
01:15:42So, the line started,
01:15:44then, you know,
01:15:46you say,
01:15:47Papa,
01:15:48you get out of my children.
01:15:50Correct.
01:15:51No, he didn't like it.
01:15:53He said,
01:15:54Don't, don't say.
01:15:55Now, you say,
01:15:56don't talk to the child's parents.
01:15:57Don't talk to me.
01:15:58Because, she objected.
01:15:59Obviously,
01:16:00No one object will.
01:16:01If I am,
01:16:02I objected at her.
01:16:03So,
01:16:04he didn't say.
01:16:05So, that didn't say.
01:16:06that didn't say anything.
01:16:07I didn't like it.
01:16:08I didn't like it.
01:16:09That was the same.
01:16:10so, I didn't like it.
01:16:11I didn't like it.
01:16:12Because,
01:16:13that didn't say anything.
01:16:14So,
01:16:15I didn't like it.
01:16:16Because,
01:16:17that didn't say anything.
01:16:18I didn't like it.
01:16:20But the time has changed.
01:16:22It has changed.
01:16:24But in 1990 it didn't happen.
01:16:26Why didn't you change all your time?
01:16:29That's right.
01:16:31But in 1990 it was also thought that you can't have kids.
01:16:38In those days it was thought that today it was 45.
01:16:41Today it wasn't anything.
01:16:43Today it wasn't a marriage.
01:16:45But you can have a child.
01:16:48And I was looking at Nina Gupta Ji.
01:16:52I said, look, this is courage.
01:16:55But you didn't have that kind of courage.
01:16:57No, I didn't have that kind of courage.
01:16:59Only for my child.
01:17:00Not for me.
01:17:01I could face everyone.
01:17:03But you didn't want your child to go through.
01:17:06My child should not face it.
01:17:08Someone says,
01:17:09When you have a child,
01:17:11then they don't stay in mind.
01:17:14That's right.
01:17:15Because you went through it.
01:17:16You didn't want your children to go through it.
01:17:18My child will go through it.
01:17:20But they will come and suffer.
01:17:22Now, understand.
01:17:23The children will come in the night.
01:17:25Then they say,
01:17:26Papa, Papa,
01:17:28Mama, Papa, where are you?
01:17:30So I can't say,
01:17:31Abhikadi, come on.
01:17:32Because he is a married man.
01:17:34He has his own house.
01:17:35So at that time,
01:17:37I will answer him.
01:17:39No.
01:17:40I didn't want to go through that.
01:17:42Go through that.
01:17:43Okay.
01:17:44You didn't have that thought.
01:17:45My child will not go through it.
01:17:46Okay.
01:17:47I will not go through it.
01:17:48Okay.
01:17:49That's okay.
01:17:50I have my brothers and sisters.
01:17:52They love me enough.
01:17:53They love me.
01:17:54You have a very complete life.
01:17:58You have children.
01:18:00You have grandchildren.
01:18:01You have all your children.
01:18:02You have all your children.
01:18:03Everything is all.
01:18:04What is the need for me?
01:18:05That is true.
01:18:06So you are in a very happy space.
01:18:07Happy space.
01:18:08Very, very happy.
01:18:09It's nice.
01:18:10The one who is a person,
01:18:12is a great place.
01:18:13That is also our place.
01:18:15I mean,
01:18:16You too.
01:18:17Because, see,
01:18:18My child will like you.
01:18:19And you are not.
01:18:20What is the meaning of this relationship?
01:18:23That is very bad.
01:18:25You didn't want to get through that.
01:18:27No.
01:18:28No children.
01:18:29But you are a happy person.
01:18:30We are happy.
01:18:31And if I had a child,
01:18:32I would probably have to sit at home.
01:18:34Because,
01:18:35To see,
01:18:36To maintain,
01:18:37To maintain.
01:18:38You have to give complete time to your child.
01:18:44Yes.
01:18:45Absolutely.
01:18:46Thank God.
01:18:47Yes.
01:18:48And you are still working.
01:18:49I am still working.
01:18:50You are still looking gorgeous.
01:18:51Yeah.
01:18:52And we are waiting for the celebration of your 80th birthday.
01:18:55Yes.
01:18:56God willing.
01:18:57Thank you so much.
01:18:58Thank you so much.
01:18:59Thank you so much.
01:19:00Okay.
01:19:01Bye bye.
01:19:02Bye.
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