🔫 The Violent Years (1956) | Teen Girl Gang Crime Exploitation Film 👩‍🎤🔥  #fullmovie - video Dailymotion

Just-Trending

💄 In The Violent Years, rebellious teenage girls take the law into their own hands in a shocking 1950s crime drama written by infamous cult filmmaker Ed Wood! This cautionary tale about juvenile delinquency delivers melodrama, mayhem, and moral panic in true exploitation fashion.   📽️ Plot Summary:  Paula Parkins is a seemingly sweet teen who leads a secret life of crime with her all-girl gang. Robberies, classroom chaos, and even a political conspiracy unfold — until the law catches up. This campy classic is a must-watch for lovers of B-movies and postwar social scare films.   🕰️ Year Released: 1956  🎭 Genre: Exploitation, Crime, Drama  ✍️ Written by: Ed Wood  🎬 Directed by: William Morgan  🎞️ Starring: Jean Moorhead, Barbara Weeks, Art Millan   🎯 Why Watch It?  ✔️ Ed Wood’s over-the-top dialogue and twisted morality  ✔️ Cult status as a 1950s exploitation classic  ✔️ Rare all-female gang film with camp value  ✔️ Commentary on parenting, youth, and rebellion   🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more vintage crime flicks, cult oddities, and public domain gems!   👇 Watch More Cult Classics & Exploitation Films in This Playlist:  📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY  ━━━━━━━━━━━━━━━━━━  🎞️ #TheViolentYears #EdWood #CultClassic #TeenRebellion #1950sCinema #ExploitationFilm #JuvenileDelinquency #GirlGang #PublicDomainMovies  ━━━━━━━━━━━━━━━━━━  👩‍🎤💥 Good girls gone bad... and beyond! See the film that shocked America — The Violent Years (1956) is retro rebellion at its wildest!  ________________________________________

Transcript

00:00The End

00:30The End

01:00This is a story of violence.

01:24A violence born of the uncontrolled passions of adolescent youth and nurtured by this generation of parents.

01:31Those who in their own smug little world of selfish interests and confused ideas of parental supervision refuse to believe today's glaring headlines.

01:42But it has happened.

01:44Only the people and places have been given other names.

01:46The End

01:54Remain seated and come to order. Court is now in session. Honorable Raymond Clara, Judge for Siding.

02:13Will you approach the bench, please?

02:26It's always difficult for an old friend to sit in judgment of an old friend.

02:33But law is law, and it must be administered to one as to another.

02:38It now comes to light that both of you, over the past 18 years, have proven yourselves utterly incompetent in the most important responsibility given to a man and his wife.

02:53I refer to the bringing up of children in your own home.

03:00In all fairness to the society which you so miserably failed, an injustice to this child.

03:08I must deny your request.

03:13How am I to blame?

03:15Where could I have failed?

03:17I remember I gave her everything she ever wanted.

03:22Everything.

03:26Hi, Mom.

03:28Got time to talk a minute. It's rather important.

03:32Good gracious, no. I'm an hour late already.

03:35Charity first and all that sort of thing, you know.

03:38Besides, what can be so important in your young life as to warrant my attention so drastically?

03:44Well, it's been a long time since we've had a heart-to-heart talk.

03:47There, there. It can wait.

03:49Besides, what can be more important than our charities?

03:53So many children and needy families.

03:56We're so busy this time of the year, and it's very, very important.

04:01I guess you're right, Mother.

04:02Of course I am.

04:04Thank you, darling.

04:05I'll tell you a secret.

04:08I think I like it down at the club so much because I keep getting such nice flattery.

04:13The girls are always saying,

04:14My, my, how young and pretty you look.

04:17And you with an 18-year-old daughter.

04:20But you are pretty, Mother.

04:21Oh, go along with you.

04:23But it does sound good.

04:25Got a date tonight?

04:25Well, uh, sort of.

04:28Oh, you pretty one, of course you do.

04:31But then what might lately happen to you?

04:33If you come in as late as you have been, do be careful and not make any noise.

04:37Dad?

04:38Oh, don't get me wrong.

04:39He hasn't complained or said anything.

04:42But the poor man works so hard.

04:45That newspaper will be the death of him.

04:48Do be a dear and take care when you come in.

04:51He needs what little rest he can get.

04:52Thank goodness you want one of those character types that your father's paper is always printing about.

04:59Need some mad money?

05:02Or is he a gentleman?

05:03I have enough, Mother.

05:04Don't be silly.

05:06There's never enough.

05:11You left the Mount Black again.

05:13I could be mean and fill it in for a fortune.

05:16You could, but you won't.

05:18Let me know how much you make it out for so that I can keep my bank balance straight.

05:21All right, Mother.

05:23Will you be using my car again tonight?

05:24If you don't mind, dear.

05:26You can use mine.

05:27Now I'll tell you a secret.

05:29There are times I like yours better.

05:31Tonight is one of those times.

05:32Bill, this is Paul.

05:41Is everything ready?

05:57Good.

05:58George and Jerry show yet?

06:00Stop worrying.

06:01They'll get to you.

06:02I'll be alarmed as soon as I can dress.

06:04Mother, just this minute left.

06:05Who had all of these times didn't know him?

06:06I'll be alarmed as soon as I can hear you.

06:08Let me tell you later.

06:09Thank you, Maurice.

06:10You can see your brain and raise your tune.

06:11We'll do it.

06:13If it'sSi everybody is fine and volte in your soda.

06:14I don't know you will rather have to say all the contrats.

06:15How are you talking about?

06:16Lord, no water, I'll tell you okay?

06:17No water.

06:17How are you talking about?

06:18Lord, that's perfect.

06:19Oh, my God.

06:49Oh, my God.

07:19Oh, my God.

07:49Oh, my God.

08:19Hi, Barney.

08:21Lieutenant?

08:21Tom?

08:22Doctor?

08:23Another one, huh?

08:24Pretty bad one this time.

08:26How about a doc?

08:27Pretty bad.

08:28I'll get back to you later if there's any change.

08:32Anything I could print?

08:33You heard the doctor.

08:35Nothing.

08:36Suppose it's the same gang?

08:38Chances are.

08:39If only he comes to, then we'll be...

08:41Well, if it is the same gang, it brings their record to 17.

08:44And the last seven of them have been gas stations.

08:46Looks like they'll make a specialty of gas stations for a while now.

08:49If they do, we may be ready for them.

08:51How do you mean?

08:52All gas stations open after 10 p.m. will be warned to have two men on duty at all times.

08:58One of those men could be a policeman.

09:00Lieutenant, I left Dr. Ryan in charge.

09:09The man was lucky.

09:10He'll pull through.

09:11Hi, Chief.

09:29Oh, hello, Barney.

09:32You look tired.

09:33Oh, I'm tired, but no more than you.

09:35Yeah, I am tired.

09:37Too much to newspapers these days.

09:39Haven't seen my daughter, Paula, in a week.

09:42I ran into her up at school earlier this week.

09:45Gee, she gets more beautiful every day.

09:47Like I said, I wouldn't know.

09:50One of these days, I'm going to take a day off.

09:53Maybe get to know her again.

09:55What happened down at the hospital?

09:57Well, the gas station attendant pulled through.

10:00Gonna spend a couple of weeks in the hospital, but he'll live.

10:03How much could he tell?

10:05They're the same gang.

10:06Four of them.

10:07Wore masks, Levi's, leather jackets, and gloves with a handful of guns.

10:13Same bunch.

10:14Probably the same clues.

10:16None.

10:17Well, no fingerprints.

10:1955 sedan.

10:21License unknown.

10:22Masks.

10:23Caps covering their hair.

10:24Same old routine.

10:25Well, our little gang has one thing in their favor.

10:29Yeah, what's that?

10:30They haven't killed anyone.

10:31Yet.

10:32That's not their fault.

10:33They've tried hard enough.

10:34Just give them a little more time.

10:37Too bad we can't do anything about giving them a little more time.

10:41However, they happen to be news.

10:44You stick with the police department.

10:46See this thing through.

10:48You're the boss, Chief.

10:49Good.

11:06Good.

11:12Good.

11:12I love something.

11:43Well, what is it?

11:44Johnny, who are they?

11:45Don't ask them any questions.

11:47You might find the answers.

11:53Jerry!

11:54Be careful.

11:56That's a beautiful sweater.

11:58Take it off.

12:00What are you talking about?

12:01You ain't got stuffing in your ears.

12:03Take that sweater off.

12:04I look like you said.

12:05Shut up and do like she says.

12:07Do what they say, Cheryl.

12:08They've got guns.

12:09Yes, Shirley, we've got guns.

12:13You're very observant for a pretty boy.

12:17For God's sake, Cheryl, take this sweater off.

12:19Give it to her.

12:25Now, Buster, it's your turn.

12:26Step out.

12:32Turn around.

12:33Put your hands out in front of you.

12:35Lean forward and put your hands on the car door.

12:37Come on, come on.

12:38We haven't got all night.

12:39You've seen this done before.

12:53A lousy 11 bucks.

12:56Your characters ought to learn to carry more doom.

12:59Stand up now.

13:00Well, maybe he's got more to offer than his money.

13:05What are you getting at?

13:07Big.

13:08Strong.

13:10A little pretty, maybe, but...

13:12Yeah.

13:13Under conventional circumstances, he could be very interesting.

13:18Why wait for conventional circumstances?

13:21You got a point there.

13:22What about her?

13:24Oh, tie her up and toss her in the back of the seat.

13:28Tie her up?

13:28You heard me.

13:30Sure, I heard you.

13:31But maybe you'd like to tell me what I used to tie her up with.

13:34Use her skirt.

13:35That looks strong enough.

13:36Tie her up and use it.

13:39You heard her, girl.

13:40Get a move on.

13:47Now back to you, Hent.

13:49Look, you have my money.

13:52You have my watch.

13:53You have my ring.

13:54What more do you want?

13:58Toss her in the back of the seat.

14:06Okay, but do you mind telling me where we're going?

14:09Someplace where it's safe.

14:12Just follow up.

14:12You have my ring.

14:14You have my ring.

16:04Good morning, dear.

16:06Good morning, darling.

16:10Don't tell me that's all you're going to have for breakfast again.

16:12I'll get something else later.

16:14You won't forget about the party tonight.

16:16What party?

16:17See, I knew you wouldn't remember when I told you.

16:21It's Paula's birthday party.

16:23Oh, I did forget.

16:25Well, it's impossible for me.

16:27I've got a newspaper to get out.

16:28With these young hoodlums running rampage through the town, I'm kept pretty much on the go.

16:32Especially at night.

16:33That's when they work.

16:35Who knows when or where they'll strike again.

16:37Sometimes you sound more like a policeman than a newspaper man.

16:40Sometimes there isn't much difference.

16:42Oh, that is too bad.

16:44I can't be here either.

16:46She's having a pajama party this year.

16:49What in the world is a pajama party?

16:51Oh, they all sit around, play games, dressed in their pajamas.

16:55The boys, too?

16:56Of course not, silly.

16:57No boys invited.

16:58Oh, I see.

17:00We're having our charity bazaar tonight, and I'm the duly elected chairman of the sales committee.

17:05I've just got to be there.

17:07Well, Paula's old enough to take care of herself now.

17:10I'll get a little gift this afternoon and have one of the boys from the office drop by with it tonight.

17:14Oh, she'll like that.

17:15Paula's such an understanding child.

17:23See you when I can.

17:24Happy birthday, darling.

17:38Thanks, Mom.

17:39You were out late again last night.

17:40A little.

17:41I can tell.

17:42Your eyes don't sparkle the way they should.

17:45Do you feel ill?

17:46No, just a little tired.

17:49A good breakfast will fix you up.

17:50What would you like to have this morning?

17:52Please don't bother.

17:53I'm just not hungry.

17:54Now, now.

17:55Mother knows best.

17:56You're a growing girl.

17:58You need your vitamins.

17:59Strength.

18:00Now you just sit there, and I'll get you something.

18:03It'll only take a minute.

18:04It's all ready.

18:06You have plenty of time before school.

18:07Man, it's all ready to readdul geschrieben.

18:12What?

18:16You're not going to die.

18:19You just have todo.

18:20You'll be on your table.

18:21You're not going to die soon.

18:22It's all you need to know.

18:23You're going to be on your table.

18:24You're going to come to my ship.

18:25You're going to travel with...

18:25So you're going to be on your feet?

18:27Does it matter?

18:27You're going to be on your spot?

18:28Doing tudo.

18:28You're going to be on your state.

18:29You're going to be on yourức.

18:30You're going to be on your knees.

18:32I'm not even going to be on your knees.

18:33What can you do?

18:33Are you going to be on your knees?

18:34Oh, boy.

18:34I'm going to be on your肌.

18:35Paula, what in the world brings you down here?

18:51Hi, Dad.

18:52It's been so long since I've seen you, I thought I'd drop in today.

18:55It's my birthday, you know.

18:57Happy birthday.

18:59Gee, honey, I'm sorry I can't be at your party tonight.

19:02But you know how busy I am.

19:04Well, I understand, Dad.

19:06Then you wouldn't look good at an all-girl pajama party, now would you?

19:09Well, this certainly is a surprise.

19:12I thought it would be.

19:13Why aren't you in school?

19:15No classes till 1.30 and extra long lunch hour.

19:18Oh, I see.

19:20Uh, have they got a line on the girls that did this yet?

19:23Now, don't you bother your pretty little head about such things.

19:26That's your dad's department.

19:28It could be very important to me.

19:30How do you mean?

19:31Well, I'm up for president of the student body this year.

19:34And this type of thing you call juvenile delinquency could help me.

19:37If I knew more about it and how to prevent it.

19:40If you knew how to prevent it, you'd go down in history as the greatest person of our time.

19:45But your interest is commendable.

19:47I figure it this way, Dad.

19:49You're on the inside.

19:50You know that we'll low down almost as soon as it happens.

19:53I guess you're right about that.

19:54But what is it you want me to do?

19:56That's easy.

19:57As soon as anything happens, you tell me.

20:00Everything?

20:00Everything.

20:02That's a large order.

20:03So what?

20:04It's not too big for you.

20:06I hardly catch you at home anymore, so I'll have to see you here.

20:09Well, if it'll help you to be president, I'll do it.

20:13Dad, you're a peach.

20:14Now, uh, anything new on last night's bunch?

20:16Have you read the paper?

20:17Yes.

20:18Then you have the story.

20:20Honest?

20:20Honest.

20:21Well, what are the police doing about this whole thing?

20:24Either the girls have no previous record or they're from out of town.

20:28It's Lieutenant Holmes' theory that they were from out of town.

20:32The boy couldn't identify any of them from the police picture files.

20:35And there it will stay until something else turns up.

20:38What about the gas station affair?

20:40Is there anything new on that?

20:42Nothing you could call new.

20:45Four young boys.

20:46Anyways, Holmes is putting a policeman in mechanic's clothes with each gas station staying open after ten at night.

20:53If the gang tries another gas station heist, they'll be all through.

20:58Well, that's interesting enough.

21:00We're started.

21:07Bye.

21:08Bye.

21:16We're calling off the gas station job.

21:20Oh, we can't call off Clanton's.

21:22We already have.

21:23But why?

21:24We could have had more of a ball at Clanton's than all the rest put together.

21:28Maybe it'd be a little too much excitement, even for us.

21:31The cops have pulled a sneak.

21:32They'll be waiting for us.

21:33So what?

21:34How can the cops know we picked Clanton's?

21:36I'll explain later.

21:38The main thing is they know.

21:39We've put them into our gas station jobs for a while.

21:42We'll have to think of something now.

21:43I'd like to think of something to get back at principal base.

21:46She have you on the carpet again?

21:48Yeah.

21:49The old witch.

21:50What'd you do this time?

21:52Practically nothing.

21:53Nothing for them to get so hep up about.

21:55Just that math.

21:57Teacher flunked me again, so I told her off.

21:59I'd like to get even with all of them.

22:01Maybe you'll get the chance sometime.

22:03We'll have to go over to Sheila's tomorrow and get rid of last week's loot.

22:08Hey, how come we don't use your car in our jobs?

22:11How come your mother's all the time?

22:12My car will be spotted a mile away.

22:14Just get in.

22:15THE END

22:45THE END

23:15THE END

23:17THE END

23:19THE END

23:21THE END

23:23THE END

23:25THE END

23:27THE END

23:29THE END

23:31THE END

23:33THE END

23:35THE END

23:37THE END

23:39THE END

23:41THE END

23:43THE END

23:45THE END

23:49THE END

23:51THE END

23:55THE END

23:57THE END

23:59THE END

24:01THE END

24:03THE END

24:05THE END

24:07THE END

24:09THE END

24:11THE END

24:13THE END

24:15THE END

24:17THE END

24:19THE END

24:21THE END

24:23THE END

24:25THE END

24:27THE END

24:29THE END

24:31THE END

24:33THE END

24:35THE END

24:37THE END

24:39THE END

24:41THE END

24:43THE END

24:45THE END

24:47THE END

24:49W generally

24:51what difference does it make?

24:53I'm not interested in money

24:54there's plenty of that at home

24:56the principal

24:57of the Office

24:59i don't want anyone getting the idea

25:00that he put something over on me

25:02Sheila, take her eye teeth

25:03and then try to steal the rest

25:05the thrill that gets me

25:07the thrill that chase me

25:08what the hell

25:10$7.50

25:20You think you're pretty smart, don't you?

25:23I don't think I know.

25:25That's why I'm the leader of this pack.

25:26You're a punk.

25:28Or you wouldn't be tied up in the small-time Penny Avenue business.

25:31You got better ideas?

25:33Maybe.

25:34Speak your piece.

25:36You girls take the bottle into the bedroom for a while.

25:38Well, I want to talk to Paula privately.

25:44And close the door.

25:47Start talking.

25:54What do you think about school?

25:57What are you driving at?

25:59I've got a connection that doesn't like schools.

26:02Most kids don't.

26:03We're not talking kid talk.

26:05It's worth a lot of money to a certain organization.

26:08If certain damages are reported.

26:12I don't get it.

26:12You don't have to.

26:14All you have to know is, if you can wreck a few school rooms,

26:17you can make yourself in your pack a load of dough.

26:20How much dough?

26:21More than you can use.

26:22Besides, you've always said the money means nothing to you.

26:25Why would anyone pay just a half schools wrecked?

26:28That's none of your business, all mine.

26:30I have the connection.

26:32And besides, there'll be a great thrill behind this move.

26:35And don't worry if a few flags get destroyed in the process.

26:39Let's just say it's part of a well-organized farm plan.

26:44I don't understand.

26:45You don't have to.

26:47All you have to do is what you're told.

26:49How soon do we move?

26:50Just as soon as you can.

26:52But be careful you're not caught.

26:53You're no good to me in the clink.

26:54We won't get caught.

26:57I don't know how you can be so sure.

27:00It's easy.

27:24I don't know how you can be so sure.

27:32Sheila talks too much.

27:59Well, all she did was say that you're a right guy and glad I should meet you.

28:03And as pretty as you are, I'm glad I came.

28:06I don't need her to pick my friends for me.

28:09I'm sure you don't.

28:11I'm pretty particular.

28:12Well, I'm sure you are.

28:14I stayed at a loan for a long time, and that's how I plan to keep it.

28:18Maybe you should look for my new company elsewhere.

28:20No.

28:21You're here now.

28:22You might as well stay.

28:23Okay.

28:24Since I'm now an invited guest, you want my mind giving you a birthday gift.

28:28Hmm?

28:29Oh, my!

28:56Oh, my God!

28:57Oh, my God!

28:58Yes, I'd like to speak to Miss Parkins.

29:12Harlow?

29:13Yes.

29:14What about?

29:16I don't think that's any of your affair.

29:18Why, you...

29:18It's all right, Manny.

29:20He's from my dad's office.

29:25Fine way to greet a guest who bears gifts.

29:28A mug butler.

29:30Don't pay Manny a second thought.

29:32You've seen too many gangster movies.

29:34He's really very nice once you get to know him.

29:36That brings up the point.

29:37Too many people stick around long enough to get to know him that well?

29:41May I come in?

29:42Sure, if you want to.

29:58I see the party's formal dress.

30:02It's a jam-a-party.

30:05Yeah, I could see that, but mixed crowd, huh?

30:07Well, uh...

30:09Gang, I want you to meet my father's star reporter, Barney Stetson.

30:14Hi, gang.

30:14Hi.

30:14Look, don't let me interrupt anything.

30:24Birthdays are just like Christmas.

30:25They only come once a year.

30:36Got kind of cold in here all of a sudden.

30:38Don't let it worry you.

30:39That's a cute pair.

30:49They have their points.

30:51Oh, I almost forgot the reason for my visit.

30:53Your father's going to be very late tonight and ask me to drop this off for you.

30:57Poor Dad.

30:57Worked so hard.

30:59Thanks for bringing me.

31:01Aren't you going to open it?

31:03Later.

31:03I know what it is.

31:05Dad gets me the same present every birthday.

31:07A new watch.

31:10Mom, come look.

31:11Oh, never mind, Paula.

31:13I saw the new convertible when I came in.

31:15It never changes.

31:17Mom and Dad haven't been to my birthday parties in years.

31:21But always the same present.

31:23Mom sneaks out and takes my old car in for a train.

31:26Then has a new one delivered secretly.

31:28Takes a cab to her club.

31:31Funny.

31:32I like the sedan better.

31:36Let's have some more music.

32:37Ain't you seen enough yet, soft sister?

32:40Maybe you've seen enough to know you ain't wanted.

32:42Knock it off, Manny.

32:44I don't like this guy's looks.

32:47Then why don't you change him, Manny?

32:49Maybe that's a good idea.

32:51What about I should change the looks, soft sister?

32:55Maybe you'd like that, huh?

32:58How old are you, punk?

32:59Over 21.

33:02Well, that's old enough.

33:08He asked for that.

33:12You're in bad company, Paula.

33:14But I don't want to sound like I'm telling you your business.

33:17Then don't try.

33:18Oh.

33:38Boy, hit me.

33:40The train.

33:40Boy, that dirty soft sister, I'll take care of him.

33:50Haven't you had enough for one night?

33:55Good night, boys.

33:57The party's over.

34:00But the night's just beginning.

34:02The party's over.

34:25This is something I've been waiting for for a long, long time.

34:37We'll get it done as quickly as possible.

34:39We'll get in and get the job done and get out of here.

34:48I'm going to smash everything in this joint.

34:50Let's do it quick and get out of here.

34:55I hate you.

35:00I wish this was your strong mix.

35:10I'll hate you until the day I die.

35:13I wish I could get out of here.

35:18I wish I could get out of here.

35:22I wish I could get out of here.

35:30Oh, my God.

36:00Get them into action.

36:09They're shooting back.

36:11What'd you expect them to do?

36:12Throw powder pots?

36:13Well, ammunition can't last forever.

36:15How many have you all got?

36:16Well, then what's in my gun?

36:18All I've got left is in my gun.

36:19I've got ten shells in my pocket, then pull.

36:21We'll have to beat it to the corner.

36:23I've got a dozen boxes under the back seat.

36:25Lay it into them fast.

36:27Then we'll beat it.

36:30Look at them jump, just like rabbits.

36:47It ain't supposed to be this way.

36:51It's dirty.

37:01It's dirty.

37:11Got it.

37:12Now save the rest of your ammo and let's get out of here.

37:15Where do we go from here?

37:23Sheila.

37:24She got us into this mess and she can get us out.

37:28From now on, we've got to keep on the move.

37:30I've got to keep on the move.

37:31Oh, boy.

37:32Oh, boy.

37:33THE END

38:03THE END

38:33THE END

38:38Who is it?

38:47What do you want?

38:49Stop talking so much and open the door

38:50what's up

38:52the cop director

38:53get out of here

39:02you're in this as deep as we are

39:04who do you think you're kidding

39:05get out of here

39:06we're staying

39:07what kind of jerks are you anyway

39:10leading the cops to my door

39:11we lost them

39:12now come on

39:13we want that payoff

39:14for what?

39:15we wrecked the school like you wanted

39:17job completed

39:18and job to be paid for by you

39:20you're out of your mind

39:22are we?

39:24well how do I know you wrecked the school?

39:25how?

39:26take our word for it tonight

39:28then read about it in the papers tomorrow

39:30oh it'll be in the papers alright

39:32headlines this time

39:33now we want our money

39:35yeah we want some clothes too

39:37things things are a dead giveaway

39:38you'll get nothing from me

39:45okay

39:45let's see how long you stay

39:48after I call the cops

39:49keep away from that phone

39:51keep away from that phone

39:51I killed a policeman tonight

39:54a cop?

39:57yeah

39:57a cop

39:58well I may have been bluffing before

40:02but I'm not bluffing now

40:03I'm calling the police

40:05gotta move fast

40:14get a change of clothes

40:15see what Sheila's got

40:17he's awfully young

40:21do you know him?

40:23no

40:24but I've seen dozens like

40:26look Kenneth

40:27there's another one upstairs

40:29what's wrong?

40:39just a cramp I guess

40:40now what do we do?

40:42we can't use mother's car

40:43we'll have to get another

40:45but Sheila

40:46when the cops found your car

40:47they've got to trace it to your mother

40:48and then to you

40:49there's nothing we can do about it now

40:51we'll just have to clear out

40:53out of the country

40:54Sheila kept quite a stack of bills

40:58I'll give the door

40:59I'll give your hand

40:59talk

40:59here to her

41:01here to admit

41:05I don't exist

41:06I don't know

41:06it's a trade

41:08who has a wife

41:08there to possess

41:10but if she's to her

41:11that she's to try

41:12she's to ship

41:13well

41:13this one

41:14to be next

41:15they show

41:15I can't if she's to your desire

41:16Oh, my God.

41:46Oh, my God.

42:16Oh, my God.

42:46Oh, my God.

42:55More cramps?

42:57Yeah.

42:57Seems to be getting worse.

42:59Maybe something you ate at the party.

43:00Or drank.

43:01Hey, pull up, you two.

43:21Oh, my God.

43:35Oh, my God.

43:37Oh, my God.

44:08Yeah.

44:09One of them was killed instantly.

44:11The other one's pretty badly shaken up.

44:13Has her father been informed?

44:15Yeah, right after the accident.

44:17Well, here he comes now.

44:18I wouldn't go in there just now if I were you, Carl.

44:23Paula, she, she's all right.

44:25Can't say the same for her girlfriend, though.

44:27That plate glass window made quite a mess.

44:29Have you reached the verdict yet?

44:37We have, Your Honor.

44:39What is that verdict?

44:41We, the jury, find the defendant guilty.

44:43Will the defendant, please rise?

44:54You have been found guilty of murder in the first degree as charged.

44:58You have been found guilty of murder in the first degree.

45:16Paula Parkins, you have had all that money can give you, but that wasn't enough.

45:39You became a thrill-seeker with an over-inflated ego. This thrill-seeking became the one great thing in your life, piling one thrill on another until, with every increasing intensity, you became much like the drug addict with his continual increases of dosage until the climax, a murder.

46:09To kill for the love of killing. To kill for a thrill.

46:17The thrill-seeker comes from all walks of life, the rich as well as the poor.

46:24It comes from the home. The home where the parents are too busy in their own affairs to take time to teach their children the importance of self-restraint, self-discipline,

46:54self-respect. It all adds up to that one great essential of living, self-respect and regard for the property and feelings of others.

47:10It's through this utter disregard for life itself that the thrill-seeker finds his eventual end, a prisoner of the state, standing in a courtroom, convicted of murder in the first degree.

47:29Because of your youth, Paula Parkham, it's impossible for me to give you the sentence you so rightfully deserve.

47:40You are hereby manded to the proper institution until you become 21 years of age, at which time you will be transferred to the state penitentiary for women, where you will spend the rest of your natural life.

48:02I don't think I could drink another cup.

48:29It passes the time. It's all my fault. If only I hadn't thought more of my outside interest than I did of Paula.

48:40It's a strong, hard lesson we've been taught.

48:44It's no more your fault than it is mine. It's certainly a fine pair of parents.

48:49We still have each other. That's some comfort.

48:52It all seems like such a bad dream.

48:56Ever since I can remember, we've given Paula everything.

49:02Everything but real love.

49:05A new dress instead of a caress.

49:07A new car instead of a heart-to-heart talk.

49:13A new what?

49:16It does no good to look back.

49:18It can only be more of a hurt.

49:21We must now look forward,

49:23using the past only as a pattern of judgment for the future.

49:28Paula's lesson to us was strong.

49:30Her child will profit by our mistakes.

49:35How do you feel, darling?

49:59I don't want my baby in a place like this.

50:05I don't.

50:09I don't feel so well.

50:12Everything keeps going around.

50:16We'll see, Judge Clara.

50:17We'll take care of everything.

50:21If only we knew who...

50:23Everything will be all right.

50:35That's all now.

50:40It's time you were leaving.

50:43Rest easy now.

50:45It'll be all right.

50:47We'll see you when it's...

50:48When it's all right.

50:49So what?

51:14Look.

51:25Come on.

51:26Come on.

51:27The baby, the girl, is well and healthy.

51:54My daughter. How is she?

52:01She, she died.

52:12Some people think newspapers exaggerate juvenile crime,

52:17or that it's confined mostly to large cities.

52:21This is far from being the case.

52:23From coast to coast, in small communities as well as the larger cities,

52:29juvenile delinquency is on the rise.

52:32No child is inherently bad.

52:36He's made what he is by his upbringing and his surroundings.

52:41It's apparent that something has gone wrong with the environment of a great many of these children,

52:50or we wouldn't have this present delinquency problem.

53:23He's summed up in two callous words.

53:27So what?

53:28Juvenile delinquency is always rooted in adult delinquency.

53:35And only through general acceptance of higher moral values can we hope to solve the problem.

53:42The easiest way to bring this about is through a return to religion.

53:47If all people would join this back-to-God movement and train their children to respect the Ten Commandments

53:56or other moral laws laid down by all the great religions who would soon bring delinquency under control.

54:06But the time has come that we must impose sterner penalties and restrictions against the young lawbreakers

54:15to protect the law-abiding.

54:20His mere youth is no excuse for letting him remain at large.

54:24Some young criminals are just as vicious and dangerous as older criminals and lawbreakers.

54:33No young offender should be released from the custody of his parents

54:37unless an investigation shows the parents are capable of controlling his behavior.

54:43If they are not, his supervision should be instructed to a more responsible agency.

54:49And in making parents financially liable for property damage caused by their children

54:58could be especially helpful against the wave of vandalism

55:02which has been sweeping across our country.

55:07With this responsibility, we're sure that parents would keep a closer eye

55:12on the kind of fun their children are having

55:15and that the old-fashioned woodshed would receive more use

55:19and vandalism would decline.

55:24Some parents refuse to recognize the moral obligation

55:28to the child they bring into the world.

55:31When that is the case,

55:33you must take stronger measures to make them realize their responsibilities.

55:37So you see I cannot possibly grant your request

55:44for the adoption of the child of your daughter.

55:47The child must remain a ward of the state

55:49until such time as a suitable family can be found.

55:54At that time, the child will be granted to this worthy family

55:57to be brought up in the world

55:59as it should know the world.

56:01For you, Jane Parkins

56:05and for you, Carl Parkins

56:08I can only feel the deepest of sorrow.

56:13To be this type of work,

56:18you can only see her work

56:20as she says,

56:22As and the success of guilty thought,

56:24as I easily show her

56:38a mother in income

56:40in a place

56:40that the mother likes

56:43The End

🔫 The Violent Years (1956) | Teen Girl Gang Crime Exploitation Film 👩‍🎤🔥 #fullmovie

Category

Transcript

Recommended