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Duster Season 1 Episode 2

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Transcript
00:00God, you're fucking kidding me.
00:04All right, come on, let's go.
00:07Shit.
00:09Come on, fuck.
00:13Fucking hell.
00:15Shit.
00:17God dang it.
00:30Shit.
00:45Shit.
00:46No.
01:00Shit.
01:17What do you want?
01:30Oh, Lord.
01:33Let me tell you, look.
01:35You want a good-loving man.
01:39You've got to be a good-loving one.
01:43Listen.
01:44Searching for the love that you need.
01:48You've got to keep giving some time.
01:52Whoa.
02:00When I was a child in bed one night,
02:05I was visited by the Lord himself.
02:08This long story only came for half a tank.
02:10He spoke to me.
02:12Words I'd heard before a Southwest Christian.
02:15Take the light in the Lord, Wesson,
02:18and he will give you all the desires of your heart.
02:21The Lord said your name.
02:23Personalized it.
02:24He did.
02:25You were in bed.
02:26Might have been a dream.
02:27It was no dream, friend.
02:29And I've obeyed his word ever since.
02:32He sits with me in the patrol car,
02:34keeps me alive on the streets of Phoenix.
02:37Puts me in the right place at the right time.
02:41He put me downtown the other night
02:43where I saw your ass.
02:45Chatting it up with your new friend.
02:48That colored girl.
02:52Oh, what's worse, Jimbo, is I know who she is.
02:56I know what she is.
02:58She's a fucking fed.
03:04You must be confused.
03:05I wonder how confused Sax will be
03:07when he hears about your little dalliance with the FBI.
03:10At best, real hard to explain.
03:16So what is it your heart desires?
03:18To keep your mouth shut.
03:20I imagine it would be worth quite a bit to you keeping Sax in the dark.
03:25Just get to the number.
03:29Ten grand.
03:30Ten fucking grand?
03:31That's the price.
03:32That's what the Lord suggested.
03:33Five o'clock tonight, the old Benson barn be there with ten grand,
03:37or Sax is gonna know the whole story.
03:39Your old man's already buried one son, or what was left of him.
03:45It would be a real shame if you had to bury the other.
03:48Three o'clock tonight,
03:50if you had to bury the other person,
03:51if you had to lay one,
03:52you might as well see it.
03:53Four o'clock tomorrow night,
03:54have a very energized celebration.
03:57Hand me off here,
03:58and if you decide,
03:59have a beautiful after restored from the end of the day's week.
04:01I'm sorry to let the end of the night處 song.
04:02Yeah.
04:04You'll certainly care good.
04:05,
04:06dar Loreaw..
04:07time to Lmington3,
05:38I can't repay that.
05:41But here's a little something extra for you.
05:44Boss, you don't need to do that.
05:45Oh, bullshit.
05:48We can all use some extra at one point or another.
05:50Look, I'm sorry about all this.
05:52Re-spackling the ceiling.
05:54Look.
05:54This is for you.
05:59This is the payoff, Carlo.
06:02And this is for our new friend, Bob Temple.
06:05He called this morning.
06:07Sounds like he wants to be a team player.
06:09Oh, yeah?
06:10No need for those photos.
06:11Oh, good for a rainy day.
06:15Look, I got a breakfast meeting.
06:17Thanks again.
06:18Hey, Goldilocks.
06:28You okay?
06:30Hanging on by my balls, you.
06:33I'm here to check on Big Head.
06:35When you coming by the lounge, you got at least a couple bottles of free whiskey at Joey.
06:39This weekend, if you're lucky.
06:41You know I am.
06:41You got to try the hot cakes.
06:48I prefer hoe cakes.
06:50Hoe cakes?
06:50Same thing, except with cornmeal, salt, and southern charm.
06:54Hmm.
06:55Report from the Phoenix PD says that Jim Ellis was at the scene when Joey died, which he didn't mention.
07:01That's concerning.
07:02He's a witness.
07:04I mean, the fact that he didn't tell me that doesn't fill me with confidence.
07:08And then Agent Breen's case files on Saxton every one of the miscarriage.
07:12What the hell is that about?
07:14Gentlemen, come on in.
07:15I've been waiting.
07:16You know.
07:17Why?
07:18Don't turn around.
07:19Why?
07:20A wand?
07:21What is it?
07:21No, no, no, no.
07:22That's no Saxton.
07:23Just walked in.
07:33Ooh.
07:36I've never seen him in the flesh.
07:38Wish I could say the same.
07:41When have you seen him?
07:44A long time ago, in South Philly, when I was a kid.
07:48Seriously.
07:51His operation wasn't this big then.
07:53It was nothing like Snowbird.
07:54But he was always dangerous.
07:58You knew him?
08:01How?
08:02You can't just drop a story like that without...
08:05No, what matters is taking that motherfucker down.
08:08Break a breaka, this is Top Dog looking for white meat.
08:14Got your ears on?
08:16Copy, Top Dog.
08:19Parking garage behind the movie house on Dunlap.
08:22Be there.
08:22You didn't see fit to tell me you were there the night Joey was killed?
08:39How's it matter where I was?
08:40Because, Jim, if we're gonna work together, I need you to tell me things like that.
08:45What did you see?
08:46Why were you there?
08:47I don't know if I can trust you.
08:49We got bigger problems.
08:50Bible-thumping dirty cops, all this talking.
08:53Bible-thumping?
08:54He knows you're a fed and he's threatening to tell sacks.
08:57Are you fucking with me?
08:59Look at my face.
09:00When I'm fucking with somebody, I don't get this vein in my forehead.
09:02What does this cop want?
09:03Ten grand.
09:04By tonight.
09:05Baltimore, I need your help.
09:09Do you think I carry that kind of money?
09:11I think the Bureau does.
09:12I haven't given the Bureau shit.
09:13Until you start delivering for me, my leverage in that office is zero.
09:17Deliver for you.
09:19Because of you, they're gonna be finding pieces of me in the desert for a hundred years.
09:22Thanks for your help.
09:23I am helping to get to the truth.
09:26You can't trust Saxton.
09:30And now you gotta help me.
09:31Bank records, inventory lists, contacts.
09:35Say, I give you all that.
09:37You take sacks down.
09:38How do I know you won't leave me to get taken out with him?
09:42You don't know if you can trust me.
09:43Well, Baltimore, I don't know if I can trust you.
09:48Until I deal with this dirty cop, none of this matters anyway.
09:51I need evidence, Jim.
09:55Bring me something.
09:58Where are you going?
09:59You don't want to know.
10:02Trust me.
10:03You wouldn't like it.
10:04You wouldn't like it.
10:05You don't like it.
10:10You don't like it.
10:11I don't like it.
10:12Lady at the bookstore said it's his best one yet.
10:33No way.
10:34It's better than I'm drama to stray.
10:39Thanks.
10:42Where are you going all dressed up?
10:45Meeting some new friends.
10:47A business opportunity.
10:49Better not let Pops hear you say that.
10:52Hey, I'm a businesswoman.
10:53I can do whatever I want.
10:54You're a businesswoman because Pops bought a bar and lets you run it.
10:58Which has been turning a profit ever since.
11:00Chill out, G.
11:01I'm just saying, just don't piss him off.
11:04What, be like you?
11:05Daddy's lap doll?
11:06You're so scared of him that you won't even call your own mother to tell her you had surgery.
11:11What?
11:12Let's not do it.
11:13What, did you call her?
11:14See?
11:14You had a heart transplant and still won't pick up the phone because he's still mad after
11:19all these years that she left his ass.
11:21I used to get so pissed at her for leaving.
11:23I don't fucking get it.
11:24What you're getting mad at me for?
11:25It's not my fault he won't let you do snowbird shit.
11:28Well, why is that?
11:29Do you think?
11:30Because he's old school.
11:31It's because I'm his daughter and not his son.
11:34It's as simple and stupid as that.
11:37I'm sick of his shit.
11:40And yours.
11:41Thanks for the book.
11:42Call your fucking mother.
11:43I'm sick of her.
12:06Sunglasses here?
12:06I need to see them.
12:07What are you waiting for?
12:12Prey, please?
12:13Wait here.
12:13We've never met, but I've heard about you for a long time.
12:38Flagstaff bounty hunter, Mexicali barber, Sonora city councilman resigning in...
12:43Disgrace?
12:45I, uh...
12:46I take credit for none of that.
12:48Yeah, that's the point.
12:50I gotta get someone off my back and I need to do it quietly.
12:53Ellis.
12:54You drive for Saxton, right?
12:56He's got people for that.
12:58Can't go that way.
12:59He can't know.
13:01Who's the problem?
13:03Cop.
13:04Beams PD.
13:05Names Wesson Grooms.
13:07Oh, the kiddie fucker.
13:09Man's a goddamn pedo.
13:10Use that shit against him.
13:12What's your window?
13:15To meet him at the old Benson Barney 5.
13:18You make it clear he needs to leave me the fuck alone or that shit goes public.
13:21Eight hours is gonna be mighty tight.
13:24Rush job on a cop is gonna cost you something pretty, 3 Gs.
13:28Figured that.
13:29So we got two options.
13:31Option one, I give you 500 now, pay the rest in installments.
13:35It's not a Buick dealership.
13:37We don't offer payment plans.
13:39Which brings me to option two.
13:44Elvis Presley.
13:46You mentioned the Kings.
13:47Speak well or not at all.
13:50I know a young lady who's been inside his Palm Springs home.
13:53And in that home is Presley's very young pair of blue suede shoes.
13:58Now those are priceless.
13:58And I can liberate them for you.
14:03I know those shoes.
14:07You know what's inscribed inside them.
14:11I do not.
14:13I do.
14:13You bring back the wrong pair on now.
14:18Genuine artifacts.
14:19That I can promise.
14:21Presley's shoes can be yours.
14:22Say the word.
14:24You don't have enough time.
14:26Not to get to Palm Springs and back by five.
14:30Which is our quandary.
14:33Only solution is a mutual leap of faith.
14:36I do my part as fast as I can.
14:39You deal with Grims at five.
14:41Did your brother ever mention that last job?
14:55What?
14:59Job with you?
15:01I only bring it up because I liked him.
15:03I know bad men, but I know good men too.
15:06Joey was good.
15:09Yeah, he was.
15:11I'll give you till midnight.
15:16And when you're back with my blue suede shoes,
15:19Grims won't be a problem for you anymore.
15:27But come back empty-handed.
15:30I will be.
15:31Okay.
15:41You motherfucker.
15:54You step motherfucker.
15:55I know what you did.
15:56Called the feds, tried to get me arrested.
15:58I ain't gonna forget it.
15:59Hey, pops.
16:01Jimmy?
16:02Hey, hold on.
16:04My husband doesn't need your trouble.
16:06He doesn't need a gold-digging skank either, but here we are.
16:09Wade?
16:10Hey, son.
16:11I thought you were leaving town.
16:12Situation changed.
16:13I'm sticking around.
16:14Look at you.
16:15He didn't call.
16:16Oh, son.
16:17You really do need to call.
16:18In advance.
16:19Well, in advance of days, if possible.
16:22Where's your glass cutter?
16:24In the garage.
16:27I'll handle it.
16:31Fucker.
16:31Hey, what about Saks?
16:33I thought you said some lady fed was after him.
16:36I'm dealing with her.
16:37What about Mad Raul?
16:39I can't think of a worse guy to piss off.
16:41Yeah, one problem at a time.
16:44Uh, John, one of them boxes.
16:47What you need the cutter for?
16:48Gotta rob a house.
16:49Don't want to trigger any alarms.
16:51Oh, goddamn.
16:53Goddamn, I remember that pre-robbery feeling.
16:56Crack of the glass when you cut in.
16:58The flick of the safe lock when the tumblers line up.
17:01That fucking danger.
17:03Two gears off my life, but hell, I don't miss it.
17:06I got in a hurry here, pops.
17:08Hey, why are you on a job like that?
17:10That's Sean's territory.
17:12This ain't a job for Saks.
17:13Doing a little quid pro quo for sunglasses.
17:16Oh, Jesus Christ, kid.
17:18Sunglasses.
17:19Sunglasses?
17:20You're messing with all the wrong people.
17:21You do not fuck with him.
17:23I'm not fucking with him.
17:24I'm taking care of my shit.
17:26How can I help you?
17:27Divorce Charlotte.
17:29Goddamn it, Jim.
17:30You are in deeper than you think.
17:33Stop looking at me like I'm just a driver, all right?
17:36You always thought that way.
17:37Joey can do anything and I can't do shit.
17:39That's bullshit.
17:41It's just there's a big difference between doing heavy jobs
17:44and living behind a steering wheel.
17:46I didn't come here for a lecture, Pop.
17:47Not everything is a solo job, boy.
17:52Just tell me what you need.
17:55Wade Ellis, you offer that delinquent help
17:57and you know what you won't be getting from me.
17:59Angel pie, I can handle this.
18:02Shut the fuck up, Charlotte.
18:03Get out of my house, fucko.
18:04I need your help.
18:05I'll call.
18:10The files were taken by someone in this office.
18:13Maybe bring himself before he left.
18:15You gotta eat.
18:16No good can come from an empty stomach.
18:18Then we have a CI who's given us fuck all,
18:20who I don't think we can trust.
18:23What kind of taco is this?
18:24Navalis.
18:25What is that?
18:26It's cactus.
18:27Your favorite.
18:27I still want.
18:28You're cranky because you're hungry.
18:29I just want some whole cakes.
18:31Agent Hays, your meeting's upstairs.
18:33The officer who filed the report on Joseph Ellis.
18:35Oh, good.
18:38Come here.
18:39Cactus taco.
18:41Enjoy that.
18:51Yes, you got a quick minute?
18:52Oh, Jim, this is perfect timing,
18:53which you never have.
18:54Izzy, I need your help.
18:54Me too.
18:55Come in.
18:56So, I already asked David,
18:57but he got a double shift.
18:58David, you still around?
18:59I need you to stay and watch Luna.
19:00What, Iz?
19:01No, I got a job to do.
19:02So, all those talks we had about you being there
19:04for whatever I needed,
19:05that was all bullshit?
19:05No, but...
19:06This is what I need you for.
19:07I got a doctor's appointment in half an hour,
19:09and Luna has this...
19:09It's a point before.
19:10You all right?
19:12I'd be a hell of a lot better
19:13if you'd help me out.
19:14Look, I know it's last minute,
19:16but Luna's got this fever,
19:17and somebody has to watch her.
19:18Hey, Uncle Jim.
19:19Hey, Peanut.
19:20Iz, listen,
19:21I really want to help,
19:22but I'm under the gun here.
19:23Uncle Jim, listen to this.
19:25You should be in bed, mija.
19:27There's honey in the cupboard
19:29if she starts coughing again.
19:30Remember when you went
19:30to Elvis' house in Palm Springs?
19:32Do I remember?
19:34Why were you so annoyed by that anyways?
19:35That was like a year before we even met.
19:37I didn't like them stopping
19:38random ladies on the street
19:39and inviting them to party with the king.
19:40Get with the program, Jim.
19:42We'll grow women
19:42and make their own choices.
19:43Do you know what song this is?
19:47Yeah, yeah, yes.
19:48This land is your land.
19:49No, listen carefully.
19:51Luna,
19:52put that down and go rest.
19:55Iz,
19:55I need you to give me
19:56the layout of the Elvis' house, okay?
19:58Where his office is,
19:59entrance, bedrooms,
20:00where those blue suede shoes were.
20:02I did see some bedrooms.
20:04Cut that out.
20:05Just draw the house.
20:06I'll draw it
20:07if you stay.
20:09I'll be back in 90 minutes.
20:11Fine,
20:11just do it.
20:13Okay,
20:13that's the entrance.
20:15That's the living room.
20:16Elvis' office is down here,
20:18end of the hall.
20:18That's where the shoes are.
20:19Thanks.
20:20I'll be back by noon.
20:30Thanks for coming in.
20:32I'm Agent Hayes.
20:34Sergeant Grooms.
20:36Glad to meet you.
20:38This is Agent Bitsui.
20:39Bitsui?
20:41That's Spanish?
20:43Navajo.
20:45Red and black,
20:46G-men and women,
20:47I'll be damned.
20:48God bless America.
20:52Would you mind taking a look
20:54at this police report
20:54you filed a couple years back?
20:59Joseph Ellis.
21:01You knew him?
21:02That was one messy night.
21:04I knew him some.
21:05Worked for Ezra Saxton.
21:08Ellis had a brother,
21:09do you know that?
21:10Jim Ellis.
21:12Ever heard of him?
21:14I'm more interested in the report
21:16than your opinion on family members.
21:20Yeah, well, Jim's a real S.O.B.
21:23Anything he says ain't worth a damn.
21:26The heart is to seek
21:28full above all things
21:29and desperately wicked.
21:32Is that the Bible?
21:33That's gospel, son.
21:35Speaking of the good word,
21:42it says in your report
21:44that Joseph Ellis died
21:45in a propane accident,
21:46but there are inconsistencies
21:48between your report
21:49and the evidence on the scene.
21:51You're telling me?
21:52That was all your office.
21:54It was one of your men
21:55who told us what the report
21:56needed to say.
21:57I just did what I was told.
21:58Who from our office?
22:02Agent's name was Leland Breen.
22:07He was the agent on the Saxton case
22:09before you.
22:10Ain't that right?
22:13Real shame.
22:14What became of that man?
22:18I'm still trying to figure out
22:19the best strategy.
22:21Well, if you got a ladder,
22:22it'd be easier, right?
22:23Maybe, but I think this is
22:28the best move.
22:29Breaking into the bathroom.
22:31Huh?
22:32You're breaking a window?
22:34Even better.
22:34I got a glass cutter.
22:36Cool.
22:36Where'd you get it?
22:37It's my pops.
22:38Just borrowing.
22:43You knew my dad, didn't you?
22:48Yeah.
22:49He was a good guy.
22:51What'd your mama say about him?
22:53She says he was honorable.
22:56He sent her letters from the war.
22:59He was, he were over there,
23:00but didn't make it back.
23:03She says he loved me a lot.
23:07He loved you something crazy.
23:12All of Breen's files are missing,
23:14and there are inconsistencies.
23:15That Chisholm gal,
23:16what do you think about her run
23:17for the presidency?
23:19I think she's smart,
23:20capable, prepared.
23:22She is coming in too hot.
23:25She's talking about, uh,
23:26change this, circumvent that.
23:28It's too much upheaval for most folks.
23:30Especially from a woman.
23:32And a black woman at that?
23:35She is in over her head.
23:39Something you might know a little about?
23:41There are inconsistencies in the Joey Ellis police report.
23:48Meanwhile, all Breen's files are missing.
23:49I need to talk to him.
23:51The ASAC insists that you leave Agent Breen out of this.
23:53He may know where the missing files are.
23:55He'll know about the police report.
23:56Breen was troubled long before he was sent
23:57to Kirkbridge Mental Institution.
23:59Was he married?
24:03Maybe I could talk to his wife.
24:04Stay away from him.
24:08In my estimation,
24:09Chisholm is never going to make it as president.
24:12And if you don't find a way
24:13to make progress in this case
24:14without breaking every rule,
24:17you're never going to make it here in Phoenix.
24:20Ten minutes early as you're the best.
24:27How'd it go?
24:30Fine.
24:31You sure?
24:34Union insurance doesn't cover nearly enough.
24:36Got this new president turning everything to shit.
24:39Not Bob Temple.
24:40Yeah.
24:41How do you know him?
24:43Reputation.
24:45Thanks for watching, Luna.
24:50Yes?
25:10Mrs. Breen, I'm Agent Nina Hayes with the Bureau.
25:13Well, I'm on my way out.
25:15But I just have a quick word.
25:17I'm afraid not.
25:18I'm new to the Phoenix Field Office
25:19and I'm taking over one of your husband's cases.
25:22I wanted to talk about maybe getting...
25:24I have some place I have to be.
25:25Excuse me.
25:26Ma'am, I'm just trying to understand
25:28where his files went.
25:29Maybe you could ask him for me.
25:33It's disgusting what you're doing.
25:34Ma'am, I...
25:35Shame on you for coming to talk to me.
25:38Especially the likes of you.
25:40No.
25:40No.
25:40No.
25:40No.
25:40No.
25:40No.
25:40No.
25:41No.
25:41No.
25:42No.
25:42No.
25:43No.
25:43No.
25:44No.
25:44No.
25:45No.
25:45No.
25:46No.
25:46No.
25:47No.
25:48No.
25:48No.
25:49No.
25:49No.
25:53Well, that was terrible.
25:57You okay?
26:00Yeah.
26:03I don't know why that got to me.
26:06Well, because she was awful.
26:08Because you're new to the job.
26:10Because racists are bad people.
26:11Because we're fresh...
26:11Well, and I don't need a full list of reasons.
26:13I hear that.
26:17Why would Breen want the police report changed?
26:20Best way to see the difference between an accidental explosion and a hit job would be to send it through forensics.
26:27Forensics?
26:29Where's the police in Ponyard?
26:31Oh, we don't have access to that.
26:32Juan, what do we play to do?
26:35We play to win.
26:36Damn right.
26:36All right now, baby, it's all right now, baby, it's all right now, baby, it's all right now, baby, it's all right now, baby, it's all right now, baby, it's all right now, baby, it's all right now, baby, it's all right now, baby, it's all right now, baby, it's all right now.
27:06All right now, baby.
27:11It's all right, it's all right, it's all right, yes!
27:15All right now, baby.
27:19All right now, baby.
27:36All right now, baby.
27:54Listen, everybody, especially you guys.
27:58It's right to be left alone while the one in love is never home.
28:03I love to hug, my friends sometimes say.
28:07But I believe, I believe that a man shouldn't have that way.
28:12But it hurts me so inside, you see him treat me so inclined.
28:16Somebody, somewhere, it ain't fair.
28:20Can I get a witness?
28:22Can I get a witness?
28:24Can I get a witness?
28:26Can I get a witness?
28:28Can I get a witness?
28:29Can I get a witness?
28:30Can I get a witness?
28:31Can I get a witness?
28:32Can I get a witness?
28:33Can I get a witness?
28:34Can I get a witness?
28:35Can I get a witness?
28:36Can I get a witness?
28:37Can I get a witness?
28:38Can I get a witness?
28:39Can I get a witness?
28:40Can I get a witness?
28:41Can I get a witness?
28:42Can I get a witness?
28:43Can I get a witness?
28:44Can I get a witness?
28:45Can I get a witness?
28:46Can I get a witness?
28:47Can I get a witness?
28:48Can I get a witness?
28:49We put the show on from Hawaii, televised the thing, let people who can't see the man.
29:01Yeah, now you tell him that Colonel Parker said to put together a press conference on the 8th and let me know.
29:06Elvis concert, broadcast across the world from Hawaii.
29:10Blue skies, palm trees and those hula dancing girls.
29:14Imagine dipping your tip into those swinging hips.
29:17This could do for Elvis what China did for Nixon, am I right?
29:23If anyone's gonna know us, the man who discovered him.
29:26Fucking A, who are you?
29:28Hi, sorry, is there another bathroom around?
29:31There are a few people locked in this one and from the sounds of it, I don't think they're coming out anytime soon.
29:37It's just down the hall, take a left and it's the first door on your right.
29:42Good Christ, I wanna fuck her.
29:45You recognize her?
29:46Uh, should I?
29:47Actress, Adrienne Barbeau.
29:49She's up for a role on a new TV series.
29:51I could put in a good word for her with the producer, Norman Lear, but she pays me no attention.
29:57Parker, my boy, yes!
30:00Get the fuck out of here.
30:01Yes, I did speak with him.
30:03So, when are you back?
30:04You're missing one hell of a pot.
30:06We do this right, we can definitely get him in the place.
30:18Hey there, you got a minute?
30:19Hey, Jim!
30:20Hey, Jim!
30:24Excuse me, I'll be here in bed.
30:28Um, the fuck are you doing here?
30:31You're really asking me that?
30:32That's Greek Sal's daughter in there.
30:34Her name's Daphne.
30:35At least one of those gentlemen traffic strokes for Sal's operation.
30:38I know, but it's not what you think.
30:41What would your father think seeing you here?
30:43I don't give a shit.
30:44I can't stand he had you follow me here.
30:46He didn't.
30:47And frankly, I'd rather he not know I was here either.
30:50Then you ought to stay out of people's business, Jim.
30:53Get some of your own.
30:55I got plenty.
30:56Now I'm worried about you.
30:58Not the time to get caught up in something, trust me.
31:00I appreciate that, Goldilocks.
31:02But we all got our own path.
31:04You dig?
31:16Adrian Barbeau.
31:17I hear you're very talented.
31:19Well, thank you.
31:21What little birdie said that?
31:23Same birdie that said you're up for a TV show.
31:26Yeah.
31:27It's called Maud.
31:29I'd play Bea Arthur's daughter.
31:31Well, congratulations.
31:32Well, not yet.
31:33Don't jinx it.
31:35It's between me and some other girl.
31:37I may be able to help you out.
31:40How's that?
31:41Give you a piece of advice if you do me a favor.
31:45Depends what the favor is.
31:48Hmm.
31:49Well, here's the advice.
31:52The colonel's tight with the producer on that show.
31:55What you do with that's up to you.
31:57Grown women make their own choices.
31:59Well, yes, we do.
32:02It's nice to meet an evolved male for once.
32:06So what's the favor?
32:10Lure the colonel out of that office.
32:13Bring him outside somewhere.
32:14Talk to him for a while.
32:17Ask if he sold Nixon in China.
32:19That should do.
32:20H breadth, like.
32:20We'll see you later.
32:21Good.
32:22Can I get to you?
32:29I want to go.
32:30I want to go.
32:31I want to go.
32:35Mr. Groves, I come on behalf of a mutual friend.
32:57What's all this?
33:01147 Etta Place.
33:05Man, you got a nice house.
33:07We took a visit, see what we could see.
33:11What did we find behind that Mary and Jesus watercolor?
33:20Some pretty depraved shit.
33:23We took some pictures just to be safe.
33:26Look at that.
33:31Can't imagine what your chief would say seeing one of his officers trading in such an offensive
33:37spot.
33:41Leave our mutual friend Jim Ellis alone and nobody needs to know how deeply fucked up you
33:47are.
33:59Ah, Jesus.
34:03Ah, Jesus.
34:05Ah, good Jesus.
34:07Jesus.
34:09Good Jesus.
34:10Why the fuck do you make us do that?
34:13Served him right.
34:14He's a degenerate piece of-
34:15Charlie.
34:28You say what you will about Nixon.
34:30He gets attention.
34:31When he does.
34:33He doesn't want to change.
34:34Out of the beach of land.
34:36Said now don't you worry.
34:38We're in the Lord's hands.
34:40He's gonna warm beside us.
34:42Time is coming near.
34:44We're gonna wash away.
34:46While I'm busy and I fear.
34:48I got a feeling in my party.
34:52This will be a lucky day.
34:55Feeling in my party.
34:56Feeling so quiet.
34:58We'll be really hot.
35:00Give him a little load away.
35:03Feeling in my party.
35:05Feeling so quiet.
35:07When Daniel faced the line.
35:09There wasn't any doubt.
35:11You've got to be like Daniel.
35:14Got a feeling in my party.
35:16This is me.
35:19Breaking into the police impound yard.
35:22Relax.
35:22It's a junkyard.
35:23It's not Port Knox.
35:24How's the lock?
35:27Easier than the chancellor's office at the University of Michigan.
35:30You broke into the chancellor's office.
35:32We're getting into some highly questionable, possibly dangerous, definitely illegal territory.
35:38For a good reason.
35:39I need to know what's going on.
35:41I told you we're getting a sample-
35:43No, I mean your story.
35:44If I'm gonna do this-
35:46I need to know what's what.
35:52No BS.
36:00My father worked for Saxton when I was a kid.
36:04He ran numbers for him.
36:06My mother wanted him to get out.
36:08They would fight about it.
36:10He was deep in debt and had a family to take care of.
36:15But still he let Saxton know he was cutting ties.
36:19One day I was helping my father at his shop.
36:22And Saxton walked in.
36:24He got some smokes.
36:26He was all smiles.
36:28But I could feel my father get tense.
36:31I could feel his-his fear.
36:33I didn't know it at the time, but Saxton was sending a warning.
36:38It wasn't long after that that my dad was getting into his caddy just outside his shop.
36:44And it blew up.
36:46Blew up.
36:47Knocked out store windows for half a block.
36:50Part of me is still that little girl in the store staring at that man who would one day kill my father.
37:03And I just get so mad at her for not moving, for being so scared, for-for-for smiling at Saxton,
37:19for not doing anything to stop it.
37:24Not knowing how.
37:28I waited 20 years to make it right.
37:32And I'm not letting a damn thing get in my way.
37:51The Lord will see you walking.
37:54Hello.
37:55And he will hear you talking.
37:57That was the size of that one's right here.
37:59Talking to the angels in the sky.
38:05And when you know he's near you...
38:11You ever hear about Elvis' twin brother?
38:16Can't say that I have.
38:18The king never met him outside the womb.
38:22Twin was stillborn.
38:24Mother gave birth to him half an hour before Elvis.
38:29Identical twins.
38:31Such tragedy and such joy all on the same day.
38:38Focus on the joy.
38:40Price went on.
38:42Hey, I may be a little late, but I kept my end of the bargain.
38:46We went after grooms.
38:47We went after grooms.
38:48They took out Charlie.
38:50Who, dude?
38:51Grooms?
38:52Grooms killed Charlie?
38:54So I killed grooms.
38:58You killed a fucking cop?
39:00Huh?
39:04Problem solved.
39:06Now I want the three G's and the shoes.
39:10Hey, come on, man.
39:11That wasn't a deal.
39:14This job comes with hazards.
39:16Those hazards I can accept and endure,
39:19but I can't abide what happened to Charlie.
39:22Listen, man.
39:23I'm sorry about your friend.
39:24He wasn't my friend.
39:25He was my brother.
39:28Losing brothers seems like you, me, and Elvis
39:30got a lot in common.
39:32Give me the fucking shoes.
39:38Give me the fucking shoes!
39:53Motherfucker!
40:00Motherfucker!
40:05I don't wanna be a tiger.
40:07This tiger's great too.
40:10I don't wanna be a liar.
40:12These lies ain't the kind.
40:15Love and I put a zoolool in.
40:19Oh, take it back
40:21Pull a chain of diamond names
40:26Staying me everywhere
40:28Oh, let me be
40:30Oh, let me be
40:31Baby, let me be
40:37Around you, call me mine
40:39Oh, let me be
40:43Oh, let me be
40:49Oh, shit
40:50One thing I've learned
41:03Is you don't get ahead
41:04If you don't get into trouble
41:05I can see you saying that
41:07From a jail cell
41:08Doesn't mean I won't be right
41:10Well, this proves it
41:15Look at how it imploded
41:16From the outside in
41:17Switchblade in the boot
41:23It's all ground full of surprises
41:26My mama says I'm like a hammer
41:30I swing hard
41:32I want force
41:34But you, you're a details man
41:36You get inside things
41:38It's good
41:39Only to you, maybe
41:41Until you showed up
41:44I was invisible in that office
41:45But I do whatever it takes
41:47I work harder
41:49And smarter than 90%
41:51Of those motherfuckers
41:52In that office
41:53I'm good at this
41:55And unlike them
41:58I'm glad to know you
42:01And I'm proud to work with you
42:04This proud partner thing
42:07Goes both ways
42:08Let's get this to forensics
42:13Officer Dope
42:42I'll force her down
42:45Come on
42:49Shit
42:53Shit
43:07Shit
43:08No
43:09Motherfuckers
43:16Motherfucker
43:16Motherfucker
43:20Motherfucker
43:23Motherfucker
43:29What do you want?
43:41Son, what the hell are you doing?
43:44Pops?
43:46Yeah, I was thinking about that little squabble.
43:48What the fuck are you doing here?
43:50Who's that?
43:51Is that sunglasses?
43:53Yeah, it's a long story.
43:56I guess he had it coming.
44:00My fucking shovel broke.
44:02No shit.
44:04Always keep one in the truck.
44:12You said you'd gone to sunglasses.
44:14I got a bad feeling.
44:15I figured someone would end up like this.
44:18I just didn't know if it was going to be you or him.
44:20It was almost me.
44:24Hey, I went over to a bowler now.
44:26Well, I was going to talk to sunglasses myself.
44:28I got there.
44:28I saw your duster tearing off.
44:30So I tailed you in case you were in trouble.
44:33Jesus, do I owe you?
44:35You don't owe me shit.
44:36Look, what I'm saying is I feel like a tide shifting for you, for your life.
44:46It's like a new chapter.
44:48I can't explain.
44:49It's just a feeling I got that something is happening with you.
44:55And I want to be there for you.
44:58I want to be helpful.
44:59And the way I wasn't with Joey.
45:10Joe's been on my mind a whole lot lately.
45:15Yeah, you and me both.
45:16I know it's been a couple of years, but when I think about him, it's like no time's passed.
45:30I can't lose you two, son.
45:42You know who would have handled this job better?
46:03Yeah.
46:04Sunglasses.
46:05I'm worried about Nina Hayes, this new agent.
46:33Leland, she was asking about Leland, and about the Joe Ellis investigation.
46:39What was she asking?
46:41She's looking for the missing files.
46:45I don't know her angle, but she's snooping.
46:50You asked me to let you know if anyone started poking around again.
46:56Don't you worry about her, Evelyn.
46:59I'll take care of her.
47:03I don't know her.
47:08I don't know her face.
47:09You
47:39You
48:09You
48:39You
48:41You
48:43You
48:45You
48:47You
48:49You
48:51You
48:55You