Godfather Harlem S04E07 The Pawn Goes First
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00:00I
00:02Left you breathing so that you could keep me one step ahead. How come we got to hear about this all second-hand?
00:06That's just gonna get you a shallow grave on the Eastern Parkway, you hear me?
00:10I don't know Frank, you and Biz with all these Italians, you're playing with fire.
00:17Shit!
00:18That's a good piece of work. You almost got me killed. It's a risky business.
00:22You think I'd dime you over fucking ledges? But I can't leave room for no error.
00:30Joe Columbo, but there's no active investigation against him. Care to explain?
00:36The New York Fine Arts Board is a very influential group of people.
00:40I imagine that's why you're trying so hard to get on it.
00:42I am trying to get on it to help black artists get the recognition they deserve.
00:47If you're gonna keep hanging out with these militants, you're not gonna be welcome at the house.
00:51So you agree with the Panthers mission, but you don't want me to be a part of it because I might get hurt.
00:54I can't have this around Margaret.
00:56Think there's room for me to crash here?
00:57I don't see why not.
01:01You got a son.
01:03Rodney. Chewed him up in basic training, spit him out into the big muddy.
01:08Bumpy, you all right?
01:10Hey, hey, talk to me, Bumpy.
01:12Mr. Johnson, we've had a minor heart attack.
01:16I figured Columbo would send your sorry ass.
01:19The real enemy is not our fellow black man, but the system that pits us against each other.
01:27Get out.
01:28Thank you all for coming to the groundbreaking for Club St. Clair, Harlem's new culture and entertainment center.
01:40I got kissing cousins that be telling me they missing me.
01:55Hopping out the Cherry V, everything Louis V.
01:57Flyers, nigga on the block.
02:11Flyers.
02:20Together, we are building a new Harlem Renaissance.
02:26Prosperous and vibrant.
02:28Our legacy is defined by both individual achievements
02:31and solidarity.
02:36Future of Harlem is us.
02:42Thank you and welcome to Club St. Clair.
02:47Me?
02:55Look at you, girl.
02:56Shit.
02:59On the come up.
03:00Look at this chain, girl.
03:02It was a gift.
03:04Frankie, yeah.
03:04He treated me right.
03:05I'll be back, all right?
03:06I'll say, Mamie, this is all quite impressive.
03:20I sourced everything from artist base right here in Ireland.
03:23So, eclectic.
03:26Mamie, your extensive knowledge of art
03:31is one reason why we'd like you to join our board.
03:42I am honored.
03:45Well, I'll put you in touch with my girl Friday
03:47to arrange the paperwork.
03:49And the payment of dues.
03:51Dues?
03:52Just a one-time fee of a hundred.
03:55A hundred?
03:56One hundred thousand, sweetheart.
04:01Thank you, poor girl.
04:14All right.
04:16Uh, Bo.
04:27I don't need no doctor
04:44Cause I know what's in it
04:48I don't need no doctor
04:55Who's a fucking clown?
04:57I think she's the fucking king of Harlem
04:59Oh, he's definitely moving junk for somebody
05:04The question is who?
05:08Mr. J
05:09You sounded aces up there
05:14I apologize for me coming in and stepped on your speech
05:18It's alright
05:19I mean, I gotta say this place
05:22Real nice
05:24You done good
05:26Like you done good too
05:27I'm gonna be good
05:29Yeah, you see, I'm a fighter
05:31I'm gonna fight for what's mine
05:33You know what I'm saying?
05:35I can guess
05:35Don't do she in the club, alright?
05:39I ain't here for that, man
05:41I ain't here to sell nothing
05:43I'm just here to celebrate you
05:45That's it
05:46Got a new coat?
05:48Yeah
05:49Yeah, chinchilla
05:50You like that?
05:52Know what chinchilla is?
05:56Some kind of fox
05:58Chinchilla is a rodent
06:00Baby, I'm out of tennis ocean
06:01But you didn't assume
06:03I ain't closer
06:05I ain't closer
06:06I don't need to talk to me
06:08I don't need to talk to me
06:11Don't stop you
06:13Oh
06:14Frankie, I think I'm gonna keep you
06:20I'm gonna keep you
06:21Oh, you are?
06:22I'm gonna hold you real tight
06:23Oh, okay
06:24Don't keep me waiting now
06:26Get you on home
06:27And then what?
06:29Hey, man, Lucas
06:31Slim Lou
06:32That damn coat
06:35Ain't nobody tell you
06:36It's summertime, man
06:38You out here swinging pelt
06:39Yeah, man
06:40Bad with your bad self
06:42Somebody gotta do it
06:43But I gotta take off, man
06:44You be safe
06:45You know how these streets do you
06:46But you ain't got no time
06:47For your boys
06:48You see what's in that car
06:50Come on, man
06:50Man, I guess I ain't
06:51As pretty as her, man
06:52Monique!
07:02Open up my window again
07:19Open up my window again
07:22I can end up calling my name
07:25I can end up calling again
07:27I swear to God things ain't gonna change
07:30I swear to God things ain't gonna change
07:33I keep a revolver with your name
07:35I keep a revolver with your name
07:38Just in case
07:39Lay on my back watching the ceiling fan
07:42I had a dream to touch a kilogram
07:44Still at odds with the Irish mob
07:47Roast race down Malcolm X Boulevard
07:50Lord, these d***s really out here praying on me
07:53Got the 40 on me and the stand on me
07:55Snow white mink like them Dutch troops
07:58Run the books and let me show you how the numbers look
08:00You can't be lucky like you Luciano
08:03The keyholes coming like they do pianos
08:06The fat boy got the big body
08:08Coast to coast I can shoot product
08:11Open up my window again
08:15Open up my window again
08:17I can end up calling my name
08:20I can end up calling again
08:22I swear to God things ain't gonna change
08:25I swear to God things ain't gonna change
08:28I keep a revolver with your name
08:31I keep a revolver with your name
08:33Just in case
08:35Whoever done this shit gonna fucking pay
08:39Now fuck that
08:40You know who did it, huh?
08:43Who did it?
08:43Who was it?
08:44Look, we don't know who it was
08:45Bullshit!
08:47I think you're lying to me
08:48It's the entire head's gonna roll for this shit
08:50You're gonna feel my pain
08:51Somehow they found out that you were selling our dope out of state
08:54I wonder how that fucking happened
08:56Yeah, I was making more money selling those kilos
08:58Than you ever had in your fucking life
08:59That's right, but the other families
09:01They wanted that dope for themselves
09:02We've been shorting them
09:03And they come after me for it
09:05Maybe because they've seen you strut around town
09:08Like a fuzzy fucking peacock
09:10This is your fault
09:11Fuck you!
09:12Fuck you!
09:13Now cut your fucking...
09:13All right, calm the fuck down
09:15The both of you!
09:18This is what's gonna happen
09:19Frank
09:21Until we know who's behind this
09:24We're gonna have to cut you off
09:25Now fuck you mean cut me off
09:29It means you're on your own
09:31The Genevieve's family want nothing more to do with you
09:33Until we find out what's going on
09:36With the other families
09:37I'm sorry, Frank
09:39I'm really sorry about your girl
09:41Don't tell the explosion!
09:44Don't tell the explosion!
09:45I'm sorry, Frank
09:46I'm sorry, Frank
09:47I'm sorry, Frank
09:48I'm sorry, Frank
09:48I'm sorry, Frank
09:49I'm sorry, Frank
09:50I'm sorry, Frank
09:50I'm sorry, Frank
09:51I'm sorry, Frank
09:52I'm sorry, Frank
09:52I'm sorry, Frank
09:53I'm sorry, Frank
09:53I'm sorry, Frank
09:54I'm sorry, Frank
09:54I'm sorry, Frank
09:55I'm sorry, Frank
09:55I'm sorry, Frank
09:56I'm sorry, Frank
09:56I'm sorry, Frank
09:57I'm sorry, Frank
09:57I'm sorry, Frank
09:58I'm sorry, Frank
09:59I'm sorry, Frank
10:00I'm sorry, Frank
10:01I'm sorry, Frank
10:02I'm sorry, Frank
10:03I'm sorry, Frank
10:04I'm sorry, Frank
10:05I'm sorry, Frank
10:06I thought that explosion would keep folks away from the club.
10:14You know what they say?
10:16It's no such thing as bad publicity.
10:19Who's winning?
10:21I am.
10:22Who's losing?
10:25That'd be me too.
10:27You got it going both ways, huh?
10:29At the end, you're all loose.
10:34Thinking about your mortality?
10:36Having had a heart attack makes me think about a lot of things.
10:41What comes before, what comes after.
10:44You're the king of Harlem, Bumpy.
10:46The crown lies heavy on your head.
11:02Who the fuck is it?
11:03Landlord.
11:06What you want?
11:07Got a pipe beacon in the bathroom.
11:09What are you talking about?
11:23What are you talking about?
11:38Kill him.
11:39Kill him.
11:40Kill him.
11:41Kill him.
11:43Kill him.
11:45Kill him.
11:46Who sent you?
12:00Who the fuck sent you?
12:06Fuck!
12:16Why the fuck you let him in here?
12:19He was gonna kill me. Please, please.
12:20I've never seen him before, I swear.
12:22Please, I swear.
12:24I'm sorry.
12:25I'm sorry.
12:27Sorry.
12:31It's rent money.
12:34Either you know how to get rid of a dead body,
12:36or you should go ahead and get the fuck out of here now.
12:38Go on, get it.
12:46I don't understand, how does Frank Lucas survive a car bomb and a hitman?
12:52No one's got a clue.
12:54Yeah?
12:55Yep, streets are silent.
12:57Interesting.
12:58Whoa, whoa, whoa, whoa, whoa.
13:00Hey, hey, what the fuck?
13:02Oh, what are you doing?
13:04You got a warrant for what?
13:06Mr. Colombo, you have numerous code violations here.
13:10You won't see my paperwork.
13:12I got permits, approvals, whatever you want.
13:14You seem to have found this in your office, actually.
13:16This, uh, certificate to operate.
13:19Yeah, it's legitimate.
13:20Yeah, it looks legitimate.
13:24What the fuck?
13:25Look, you have unsafe working conditions.
13:27Bullshit!
13:28It's illegal dumping a scrap metal on you.
13:29Bullshit!
13:30You're selling stolen car parts.
13:31Bullshit!
13:32You guys have been on my ass for months for this, for that, for nothing.
13:34And you've been on a kill-crazy spree since you got out of jail,
13:37so I'll continue to be on your ass until I can solve the murders of Mickey Campanella,
13:41Earl Brantley, and others.
13:44You're gonna hear from my lawyer.
13:51Lock it up, boys.
13:52Alright.
13:53Let's go, boys.
13:54Alright, close it up.
13:55Come on.
13:57Alright, we'll be back.
14:14Mom, you okay?
14:15Just taking it in.
14:21I wanna make something like that one day.
14:27And that is why I wanna join the Fine Arts Board.
14:31To help showcase Harlem artists, which someday could be you.
14:35What's wrong with keeping the work here?
14:37Art that's for us, by us.
14:42When did you grow up, Henri?
14:44Come on.
14:46Come on.
14:54Oh, you can feel her pain.
14:57Her voice silenced.
15:00These artists, which someday could be you,
15:03they deserve to be seen by the entire world.
15:06Not just by us.
15:08So what's stopping you?
15:11From joining the board?
15:13Money.
15:16How much?
15:18The Queen's ransom.
15:20Can't you just go to Daddy?
15:22Your father's business is barely off the ground.
15:25Well, it seems like it's going well.
15:27Yes, but he's got partnerships, bills, obligations.
15:32The early days of a business are, you know,
15:34they're a sensitive time.
15:36I don't wanna tap his dream before it finds its rhythm.
15:38So your dream has to stay on hold?
15:43No.
15:46No, I guess it doesn't.
15:47Darling, when you get older, whatever it is you wanna do,
15:55you make sure you don't need a man to make it happen.
15:59You hear me, sweetheart?
16:12Look at this.
16:13Look at this.
16:16How'd they make me out like?
16:20They look a Bumpy and the other prick.
16:23Like fucking kings of England.
16:26Isn't this kind of publicity frowned upon by your associates?
16:30Fuck them.
16:32Point is, I look like a criminal.
16:34Maybe that's why the FBI is singling you out.
16:38They could lay charges on any junkyard in New York City.
16:40They chose yours.
16:41Yeah.
16:43There's fucking ADAs all over my ass like I'm some sort of fanoke.
16:47I'd have to break into my own office.
16:49You gotta make a stop.
16:51They're harassing you because they don't have anything else.
16:54I have seen this time and time again.
16:56The law has it in for Italians.
16:58So what do we do about it?
17:04Well, not much can be done legally, but regarding the ADA, Mr. Pike, perhaps you have other methods of pushing back?
17:19You gonna charge me for this advice?
17:20Thanks for seeing me.
17:21I'm always interested in how a cacklecky boy is making it in the big city.
17:33I'm still breathing.
17:34For now.
17:35But that can change.
17:36No.
17:37The man just lost someone.
17:38That's sad.
17:39Next time I hope they'll try to kill you somewhere else.
17:40Yeah.
17:41Them Italians.
17:42You know, just like how I know, they ain't good for black folk.
17:57You finally realize that?
17:59Look, I know I done made a lot of mistakes.
18:05Made a lot of wrong choices.
18:11But I'm gonna learn from them.
18:14Can't learn shit if you're dead.
18:16Or just a damn fool.
18:18Pettigrew, chance that you're the boy out.
18:22So I figure, since I done got scold by the Italians, hell, by you, maybe I done learned enough to come work under you.
18:36You wanna work for me?
18:39Look, I'm gonna be honest with you.
18:46I don't really got nowhere else to go.
18:49So, yeah, I'm asking you.
18:54You don't wanna work for me.
18:56You want me to protect you.
18:58I come along with working with you, don't I?
19:01What's wrong with that?
19:03There's one problem.
19:05I don't trust you.
19:08And nothing you've done so far has blessed me.
19:11Maybe, uh, give me one more chance.
19:21Yeah.
19:22Think I can change your mind?
19:25I don't think you can.
19:27Good luck, Frank.
19:29You're gonna fuckin' need it.
19:31This man has humbled himself.
19:33That's one thing I can respect.
19:35Goodbye, Frank.
19:37Goodbye, Frank.
19:44Best of luck.
19:45You just told me that.
19:46That's right.
19:47That's a great idea.
19:48Are we still focusing on that one?
19:52Good luck.
19:53Good luck.
19:54Good luck.
19:55Good luck.
19:56Good luck.
19:57Good luck.
19:58Good luck.
19:59Good luck.
20:00Good luck.
20:01Good luck.
20:02Good luck.
20:03Good luck.
20:04Good luck.
20:05I'm gonna take a nap.
20:06Good luck.
20:07Good luck.
20:08Listen up, everyone.
20:11All right now.
20:12Come on.
20:13I read in the paper that your old man's club had a hell of an opening.
20:20You go.
20:21Well, I'm not for all that bougie shit.
20:25Right on.
20:27Where's the date?
20:29Meeting's about to start.
20:41Your son?
20:43I feel like I don't even hardly know him.
20:48Rodney's mom used to keep me away from him.
20:51She ain't like my influence.
20:53I'm too political.
20:57How often did you get to see him?
20:59Me and Rodney, see each other on the sly.
21:03And I taught him how to fix cars.
21:05That's what he's doing in non-vehicle maintenance.
21:10You must be so proud.
21:12And Rodney? Hell yeah.
21:17But my boy, he like us.
21:20He'd rather be fighting for black folk here at all.
21:25He ain't got no car with no vehicle.
21:28So what have you been saying to Rodney, your lettuce?
21:34There ain't never been much for words.
21:38Well, it's a good thing I am.
21:39What, are you going to help me ride him?
21:42Sure.
21:45But not now.
21:46We have a meeting.
21:48All right.
21:50Thanks.
21:55We should go.
21:57You know how I feel the gifts will be late.
21:58Mrs. Johnson, we can't possibly fulfill your request for a loan of $100,000.
22:06Look, I'm well aware that women typically need their father or husband to act as co-signer.
22:11We've never made a loan to any woman.
22:14I can offer collateral that more than covers the amount.
22:18The jewelry my husband has given me over the years is worth more than that amount.
22:23And once Ellsworth's club starts raking it in, and all indications are very promising.
22:28Mrs. Johnson, this isn't a pawn shop.
22:31It's a bank.
22:32Bumpy's up to his neck in debt.
22:33He could default any day now.
22:35We're very sorry, Mrs. Johnson.
22:37The answer's no.
22:40You've gotten millions of dollars from the government to revitalize Harlem.
22:44Have you not?
22:46Yes, that's true.
22:47What of it?
22:47Well, I am trying to revitalize artistic culture for the people in this community.
22:53A community that includes you.
22:57Think about that.
22:59We don't have to think about that.
23:00The answer's no.
23:10This is quite the collection, Mrs. Johnson.
23:14I reckon there's a story behind every stone.
23:17How much?
23:21This jewelry here your husband gave you?
23:23Yes, life ain't all, but it's in the glamour at the new club.
23:26Just tell me what it's worth.
23:28Respectfully, I can't take any of this.
23:31Well, this is Michelle Parnese.
23:34Especially the Parnese.
23:35I can't afford to pay you what any of this is worth.
23:39My customers show can't neither.
23:41Well, what do you recommend?
23:43Go on down to 44th Street.
23:45Rights, diamonds, and gems.
23:49They buy tons of this stuff.
23:51Rich white folk eat it up.
23:52Okay, then.
23:56All right.
24:08Anywhere yet on who trying to do me in?
24:11No.
24:12But where down the street is, there's 10 grand on your head.
24:16They came into my fucking home.
24:19What am I supposed to do?
24:21I think you should leave town.
24:22And go where?
24:23I don't know, but just don't stay here in Harlem.
24:28So you're telling me you can't do nothing for me?
24:30Look, I'll keep my ear to the ground, but the other families, they ain't exactly open with me.
24:34They've been jealous of our success.
24:36And they don't like that a woman's running things.
24:39Yeah, but I don't too much help me.
24:41Look, Frank, you've been a great earner.
24:43The idea to branch out and sell in Philly, it almost doubled our profits.
24:47You're good at this.
24:48But when you decided to show off, you put a target on your back.
24:50And mine.
24:55Damn.
24:58It is what it is.
25:00My pops always says that when a man's showing off, he's masking his insecurity.
25:05Maybe you should think on that.
25:07Insecurity.
25:11I've been looking over my shoulder my whole life.
25:15You see, we've been two different worlds.
25:16I don't expect you to understand that.
25:18And when you come from nothing, sometimes you just want to know what it feels like to have something.
25:28Still, you need to get out of New York City.
25:32I don't do too much running or hiding.
25:35I know, but you're smart.
25:41Good luck, Frank.
25:41Where I see it, a man in charge of his own luck.
25:49Good luck with that, sir.
25:59Bets!
26:00Oh, thank the Lord.
26:01I found her wandering around over by the gas station.
26:04It's not a safe place for a kid all along.
26:05I was so worried when she didn't get off the bus.
26:07Thank you so much.
26:09Oh, don't thank me, ma'am.
26:11Thank Joe Columbo.
26:15Here's the strangest thing.
26:17This man came by.
26:18He said he found Elizabeth wandering over by the gas station.
26:22The gas station?
26:23I'm just so relieved she's safe.
26:25Apparently we're to thank Joe Columbo.
26:27Honey, um, lock all the doors.
26:33Don't leave the house.
26:34I'm gonna send some men over, all right?
26:35Okay.
26:58Put your arm into it, honey.
27:01Hey, baby.
27:03Long day, huh?
27:04You could say that.
27:13Margaret, something you want to share?
27:16No, darling.
27:16Everything's fine.
27:17Margaret, why don't you keep on mashing those potatoes for me?
27:20Mama needs a ton of money to join the art board.
27:22Margaret!
27:23How come you didn't just ask me?
27:25You have enough on your plate, Ellsworth.
27:27How much we talking?
27:31A hundred grand.
27:32That's more than our mortgage.
27:34I could damn near buy Lennox Terrace for that.
27:36So what'd it cost, Daddy?
27:38Keep mashing.
27:40Those white so-and-so should be begging to have you on that board.
27:44They're trying to extort you out of my hard-earned money.
27:47All charitable boards require a financial commitment.
27:51That's why I didn't bother you with it.
27:54You are your hard-earned money.
27:56Mama, I think the chicken-
27:57I didn't mean it like that.
27:58So how did you mean it?
27:59Those ladies are a bunch of pretentious downtown socialites with vapid causes.
28:04You have spent months courting white downtown swells.
28:08And me joining an arts board to promote black art is vapid.
28:12I support what you're doing.
28:14I support what you're doing.
28:14Mama, I think that-
28:15Why do you want to spend a fortune buying a seat at a table that they didn't set for you?
28:19Mama, what are you doing?
28:21I'm kowtowing to Italians.
28:24I've always supported you.
28:25I'd like you to do the same for me.
28:27Mama, I-
28:28My money's all tied up in knots right now.
28:30I just need a minute.
28:31I am well aware of your obligations, Ellsworth.
28:34Which is why, again, I didn't bother you with this.
28:36Mama, the chicken is burning.
28:37Oh.
28:42Oh, God.
28:48Forget about it.
28:49I'm gonna go talk to your mother.
28:59Dear Rodney, I'm so proud of you.
29:03Oh, hold up.
29:05Don't write that.
29:05What?
29:06Because he ain't gonna believe it.
29:09I wasn't really there for him when he was coming up, so.
29:14Citi, your son is across the world fighting a war.
29:17And you're fighting a war here at home.
29:21If this letter is the only thing you get to say, what do you want to say?
29:28Son.
29:31I'm so damn proud of you.
29:37What else?
29:37Look, then say...
29:41Say something like...
29:44Damn, I don't know.
29:44I-I...
29:45I ain't never been good at life.
29:47I'm good at, like, expressing stuff.
29:52Do you want to say, I wish we could have spent more time together?
29:56Yeah.
29:57Yeah, can you say that?
30:00I wish we could have spent more time.
30:04Okay.
30:17So, what's next?
30:18Maybe something like, I never told you all the things I should've when you were little about how I feel.
30:31And when you come home, I'll tell you.
30:44I'll tell you.
30:55It's beautiful, Elise.
31:01That's exactly what I want to say.
31:03I don't know if you know much about these, but, uh, this here real nice.
31:16It's worth at least a thousand dollars.
31:29It is a beauty.
31:30More now than I told you.
31:36It's real nice.
31:40Still, I can't give you much for it.
31:42You know, I mean, there ain't no buyers for shit like this around here.
31:46All right, well, look, I don't need much.
31:51I just need enough to get a bus ticket on home, getting the hell out of here.
31:54Oh, yeah?
31:56You hightailing it?
31:57Why?
31:58That ain't too much your business, is it?
32:00Yeah.
32:01Not much for the damn coat now.
32:04Yeah, a bunch of big ticket items coming through here today.
32:07You know, I guess folks are going through some hard times, see?
32:10Yeah, you won't believe this, but Bumpet Johnson's wife, Mamie, was in my shop today,
32:17trying to pawn her valuable jewelry.
32:21I'd have sent her way downtown.
32:24Oh, why you telling me this?
32:29You say downtown?
32:31Mm-hmm.
32:31Where?
32:33Nah, I can't tell you that.
32:35Why not?
32:37That's privilege information.
32:39I mean, my transactions are held in strict confidence.
32:42How much for the damn address?
32:45Yeah, oh.
32:48My wife, she tells me I'm a terrible businessman, and she's right, you see.
32:53Now, look.
32:56Either we can come to an agreement about this here address,
33:00or I can go about getting it a whole different way.
33:02I'm going to leave that up to you.
33:05Yeah, you know.
33:06This code would do nicely.
33:17Anyway, after we drop the kid off, we get a civics lesson on the radio.
33:21It's the blacks on some program talking about their rights and shit.
33:25Some real enlightening stuff.
33:27Yeah, we're a minority group too, you know.
33:29I mean, we're cut out of legit society, and then we're punished every time we find a workaround.
33:34What the hell is that?
33:35The fucking cops?
33:36Hey, hey, hey, listen.
33:38Don't react.
33:52Do you hear me?
33:54Oh!
33:54What the fuck?
33:58Good morning, gentlemen.
34:00What are you doing?
34:02What seems to be the problem, officer?
34:04You got a broken taillight.
34:06A broken taillight?
34:09Really?
34:11Yeah, all right.
34:12Thanks for the heads up.
34:20You got a headlight out, too.
34:23Just step out of the car.
34:24What's the matter?
34:38You boys short on fucking money for lunch or something?
34:42That's a message from Pike.
34:44Stay the fuck away from his family.
34:46Yeah, all right.
34:46Hey, I got a message for you to take back to the ADA.
34:50Tell Jonathan Pike to suck my fat fucking...
34:53You have a nice day.
35:11The next order of business, approvals for new members.
35:29Mamie, we've had some...
35:33Developments?
35:35Yes.
35:37In the processing of your application.
35:40Which may complicate moving forward with you on our board.
35:44Oh, complicate how?
35:45Well, you see, my husband...
35:48Of course.
35:49All this is irrelevant if the more pressing matter of dues isn't satisfied.
35:54And, unfortunately, the deadline is...
35:57I have the money.
36:02Oh, cash.
36:05Very nice.
36:06Well, in that case, Mamie, we'd like to officially extend a position on the board of the New York Fine Arts Museum.
36:19I am thrilled, Alice.
36:22Alice?
36:24Shouldn't we discuss...
36:26Mamie, the concern Ginny is referring to is the issue of your husband.
36:32And his past.
36:34Certainly, that doesn't reflect well on the museum's reputation.
36:39My husband is a well-respected businessman in Harlem.
36:42He's quite a bit more than that, wouldn't you say?
36:48Why should my husband's past have any bearing on my future?
36:54Aren't we women with our own reputations and ambitions?
36:58That we are.
36:59Which is why there's an easy way around this.
37:04Mamie, we'll list you in our role as Miss Mamie Hatcher.
37:09But Hatcher is my maiden name.
37:14I put my marriage on the line to be here.
37:18Miss Hatcher, we'd be delighted to have you on the board with us.
37:25But, of course, it's your decision.
37:28Joe, Minnie, two McAllens.
37:41I don't get it.
37:56You know, you got gambling, you got girls, who knows what else.
37:59And cops, they give you a pass.
38:01So I get pinched.
38:03And you sit here untouched?
38:05I'll pay for my piece.
38:08And some of that goes to you.
38:09I mean, look, good for you.
38:13As a black man, your success...
38:16Me, I'm over here, I gotta sweat fucking parking tickets.
38:19What do your problems have to do with my success?
38:22Well, I'm just saying, the blacks, they get everything they want.
38:25Hand it to them, no offense.
38:26You know, me, I get squeezed like a fucking great.
38:28That's an injustice.
38:29Yeah.
38:30You think my people get everything that they want?
38:33Why? All right.
38:34Maybe not every little thing, but a lot of things.
38:36How many of your civilians are being murdered by cops?
38:39Look, I'm just saying, you can't say that I don't experience prejudice, too.
38:42A lot.
38:45You want to complain?
38:47Come march the fuck on Washington.
38:51Come on, Ben.
38:55Hey, you know what?
38:58You got a point, Johnson.
38:59I'll give you that.
39:00You're fucking idiots.
39:04I guess you can take the day off, huh?
39:34I got a call about your alarm system.
40:04Yeah.
40:05Some kind of problem.
40:06We sure would like to check it out.
40:09Okay.
40:10Yeah.
40:11Follow me.
40:14Well, this is it over here, but I'm surprised because we really haven't had any issues with...
40:23Open it up.
40:25Go on now.
40:26You're deaf.
40:27Guys, you ought to go a whole lot faster.
40:31I'm trying.
40:32There it is.
40:33Don't scoop out all that jewelry you held in this week and put it in that bag.
40:39Hey, don't be no hero.
40:40Put your fucking hands down.
40:41Act natural.
40:42Just being as usual.
40:43Just being as usual.
40:44Just being as usual.
40:45Stop thief!
40:46Don't be no hero.
40:47Don't be no hero.
40:48Put your fucking hands down.
40:49Okay.
40:50Act natural.
40:51Okay.
40:52Just being as usual.
40:53Stand thief!
41:18Ah!
41:19that bag i got your wife's jewelry in that bag took a bullet getting this from me bump he probably
41:36got a whole squad on his tail too yeah this motherfucker's trouble he came all the way up
41:40here with a bullet in his gut to help the doctor what do you need me to do pressure right here
41:49it's lost a lot of blood but it'll be all right pressure here
42:19you still want my protection hell i could so use it why'd you do it steal my wife's jewelry back
42:37i don't know feel like i need to prove something to you i don't want to run no more
42:43my daddy that ran his whole life
42:50boy you're a damn mess you know that
42:57but you got something
43:01and if you can learn better to fight your enemies you quit fighting yourself
43:05let me beg
43:16Hey, what's wrong?
43:40I've done a terrible thing.
43:43What?
43:44Selling your jewelry to get on the board with those white ladies?
43:48I did.
43:49Everything's all right.
43:50It's okay.
43:52I got it back.
43:54I'm Frank Lucas, no less.
44:05I'm sorry.
44:09I'm so sorry.
44:11It's okay.
44:15Dear Daddy,
44:17it's hard for me to feel this distance between us again.
44:21It feels like every time we get a little closer,
44:24an ocean opens up between us and we're back where we started.
44:29You and I are trying to do the same thing.
44:32Honor Malcolm's memory by helping black folks out of the oppression they suffer in their own community.
44:38Pawns, they go first.
44:43They're the weak ones.
44:44They're the smallest.
44:46Yeah.
44:48Even if you don't like how I'm fighting, can you just be proud of me for trying?
44:53Ladies and gentlemen, today marks a huge step forward.
44:57A new beginning.
44:58That's right.
45:00Today the Italian-American community stands proud.
45:03That's right.
45:04And determined to fight injustices.
45:07We have watched the Negro community fight valiantly for their civil rights.
45:12Is this a fucking joke?
45:13I'll tell you, their courage.
45:15What the fuck is he doing?
45:17Their determination has inspired us.
45:21Good.
45:23That was smart.
45:25This game is like the streets.
45:28Gotta think.
45:29Three, four moves ahead.
45:32New York City and federal law enforcement have unfairly targeted,
45:36marginalized, and persecuted the Italian-American community.
45:40Chief among them, Assistant District Attorney Jonathan Pike.
45:43They have falsely labeled us as criminals and gangsters.
45:49Labels that not just affect one of us, our families, our children.
45:57Checkmate.
46:01The phone goes first.
46:02But the most important thing to remember about the game
46:04is to play every piece into his family.
46:10I miss you, Daddy.
46:12And I hope one day we can fight together.
46:29And now as Italian-Americans,
46:31we too must fight for our rights and our dignity.
46:36There is no such thing as the Mafia.
46:39We are not criminals.
46:41We ask only to be defined by our actions,
46:44our integrity,
46:46and our unity.
46:47Yeah!
46:48Stay off, Joe Colombo.
46:57He's making us look bad.
46:59Understood.
47:02Well, we'll just, uh,
47:04we'll find some other way to take him down.
47:07Come on, let's do another one.
47:09Set it up.
47:19Good-bye.