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00:40Oh, you're mine. Hello, prophet.
00:42Thanks for letting me stay. I really appreciate it.
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00:52How are you?
00:54Oh, God.
00:56Everything's such a mess.
00:58They were the builders and...
01:02Robert...
01:04Is Robert in America again?
01:08Yeah.
01:10He's in America again.
01:12Can I get you something to eat?
01:14Oh, no, thanks. I'm not really hungry.
01:16I feel a bit sick, actually.
01:18It's almost eight. You should have something.
01:20No, I think I'm getting a migraine.
01:22Do you mind if I just...
01:24Can I lie down for a bit?
01:26I used to get headaches when I was your age.
01:28Yeah.
01:30Your mother suffers from dementia.
01:42Her notion of time and space has lost any sense of linearity.
01:48You can smell the peculiar merge of odours and the fake floral scents plugged in to try and disguise them.
02:00The smell of an old person's home.
02:04You can't remember the last time you slept on your mother's bed.
02:14The same bed where your father once slept.
02:18You think that if you manage to sleep, you might be able to think more clearly.
02:24Maybe start making sense of what is happening to your life.
02:28It's safe.
02:40Tommy, Justin's ex pupil, helped me to bring Jonathan back to life.
02:56He explained to me that only old people use Facebook.
03:02So we used the Instagram.
03:04Use the screen.
03:06That's the keyboard. Touch screen.
03:08I see.
03:10The photos looked old, but done some filtering.
03:12I think they're looking all right.
03:14This is remarkable.
03:15Cheers.
03:16We should add some posts about some of his favourite music, I think.
03:18What's he listening to, you know?
03:20No, I don't.
03:22Maybe...
03:24Kylie Minogue.
03:25Oh, Kylie.
03:26Yeah.
03:27Sexy.
03:28We should add some other stuff as well, like Drake and Tyler the Creator.
03:33Post Malone, that sort of stuff.
03:35I'll forward him some of my posts, I think.
03:37Sure.
03:38What about books?
03:40Books?
03:42He's 18, so I was thinking...
03:45Damien.
03:49Herman Hesser.
03:50Yeah, I've not heard of those.
03:52Um...
03:53Maybe Harry Potter, but personally, I wouldn't post about books.
03:58You're the expert.
04:00Yeah.
04:01Yeah.
04:02Now, we should work on some of these comments.
04:05I have kept Jonathan a teenager.
04:08He is forever young.
04:10Forever on his gap year.
04:12About to start at university.
04:16Now, our son has a future.
04:23Robert is jealous of the dead young man who had an affair with his wife and saved his child.
04:31He wonders how many times Catherine has thought of this boy when she has been with him.
04:37How many times has she compared the sex?
04:41Does she fake it with him?
04:44Sometimes?
04:46Always?
04:47No.
04:48No.
04:49No.
04:50No.
04:51No.
04:52No.
04:53No.
04:55Nicholas knows that he should be helping his father to clear after supper.
05:00But he doesn't want to.
05:02He will go mad if his father keeps up the cheery banter.
05:06He knows that staying with him won't be easy.
05:16But that it's worth it.
05:18He's saving money.
05:22He knows his father can't smell the smoke drifting down.
05:25But even if he could, he doubts he'd say anything.
05:31His father would be afraid of breaking their special bond.
05:34He figures that something must be going on with his parents.
05:46Earlier that evening, he'd felt sorry for his mother.
05:51And he can't remember ever feeling sorry for her.
05:54Seeing her leave that way reminded him of when he was little and she used to go away for work.
06:03And later, when she got home, she'd fuss around him, telling him she'd missed him so much.
06:11He used to ignore her for days, because it never felt real.
06:2019.
06:229.
06:25Um...
06:27You off to work tomorrow?
06:28Yeah.
06:30Early?
06:32Late.
06:34Um...
06:35So, I'll see you at dinner then.
06:37Yeah.
06:40Good night then.
06:42Good night.
06:48His parents know nothing about him.
06:54You're gonna run away like this.
06:55Oh, it's a really good night.
06:56This one, he's always been a shepherd for your.
06:57You're a little hungry for me.
07:01Yes.
07:02Ooh, you're a little hungry for me.
07:05I'm not sure.
07:07Yeah.
07:09You're a little hungry.
07:12Uh, some water.
07:14Some water.
07:17You're a little hungry.
07:19You're a little hungry.
07:20So, I'm a little hungry.
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07:52Your mother's strength and your belief that you had absorbed that strength into your bones.
08:02That your mother's love had given you the strength to overcome anything.
08:12You know that your mother's name is Helen and that Helen must have suffered anguish, loneliness and pain.
08:20But you don't really know about it because for you Helen has always been mum.
08:50I'm not here because of the builders.
08:58I'm not here because of the builders.
09:02I'm not here because of the builders.
09:08I'm not here because of the builders.
09:12I'm not here because of the builders.
09:20I don't remember.
09:22Years ago, it was about 20 years ago actually, because Nick was five.
09:30We went on a holiday to Italy and, you know, I was really looking...
09:38You tell your mother everything you have not been able to tell Robert.
09:44All of it.
09:46Your shame and your guilt.
09:50Throughout, your mother is silent.
09:54And you wonder if she can hear anything.
09:56If what you're telling her will slip into her dreams.
10:00And then she'll remember some of it.
10:04Lookin' for Elvis.
10:26Lookin' for Elvis.
10:34Who are you?
10:35I'm Nicholas.
10:36Been here before.
10:38Hi.
10:39What would it be?
10:40Two nickels.
10:41If you're staying with an extra fiber?
10:42I'll give it, can't I?
10:43Yeah, because I laid a piece.
10:44How am I saying?
10:45Chop, chop.
10:46Yeah.
10:47He had a bit.
10:48Nicholas.
10:49Was will it be?
10:51Two nickels.
10:53If you stain it with an extra filer.
10:55I'll give it, won't I?
10:57Yeah, because I laid a piece.
10:59How am I?
11:01Chop, chop.
11:07Nicholas had only been in this place a couple of times before.
11:13He doesn't want to make a habit of this
11:17and he is certain that he is managing it very well.
11:21Just a little something now and again to soften the edges.
11:27But never too much.
11:29You revealed everything while your mother snored peacefully.
11:47And by the end you felt drained and you relaxed into a deep sleep.
11:57Verbalizing your story was like prodding the core of a malignant tumor that had caused you so much pain.
12:05And now you understand.
12:09Also to others.
12:11And now you are the only one who's alive.
12:15We are the only one who's alive.
12:17That's the only one who has no power.
12:19You are the only one who has no power.
12:21And if you want to show up its way, you can click on it.
12:23What am I going to do?
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15:14Why is she threatening you?
15:18Because of what I wrote.
15:20What did you write, Mr. Brickstock?
15:26Appu, are you a writer, Mr. Brickstock?
15:29No, but I had to tell the world the truth.
15:34I published it myself with my own money under a pseudonym.
15:39I brought copies for you and your staff.
15:43The world needs to know who Catherine Ravenscroft really is.
15:49She keeps trying to prevent me from distributing it.
15:53That is terrible. I'm sorry to hear this.
16:01She has left threatening messages on my answering machine.
16:05But why is Catherine trying to prevent you from coming to light?
16:09Because it tells what happened years ago.
16:15What is it that happened years ago, Mr. Brickstock?
16:18Can you tell me?
16:19She was involved with someone.
16:22And when he became inconvenient...
16:29She let him die.
16:31That is awful.
16:41But how does she go?
16:43I should go. She...
16:45What if she...
16:47She...
16:48It's all there in the book.
16:51Please leave.
16:52Yes, I really should go.
16:53Can you please tell me?
16:54Mr. Brickstock!
16:55Keep up!
16:56How delicious, predictable, and pathetic it was to witness Catherine Ravenscroft's closest allies and admirers so eager to turn on her the slightest chance.
17:07Your head replays your nighttime confession to your mother.
17:19You wonder if any of what you said has filtered through.
17:23That morning, your mother didn't say anything, and you are moved by the thought that she knows and doesn't judge you.
17:35?
17:50PAUSE
18:01?
18:03?
18:04Hallo?
18:06Nikolaus, wie geht's?
18:08Hallo?
18:10Hallo?
18:12Hallo?
18:14Hallo?
18:16Hi.
18:18Wie geht's?
18:20Hallo?
18:22Hallo?
18:24Hallo?
18:26Hallo?
18:28Hallo?
18:30Hallo?
18:32Nikolaus, hi. How are you?
18:34Fine, what do you want?
18:36Um, I was just online
18:38and I saw that they
18:40were publishing a book with all of those comics
18:42that you used to read. Do you know the Hellboy?
18:44I think I was just wanting to pick you up a copy.
18:46No. You sure?
18:48I mean, I think it looks pretty cool actually.
18:50Don't want it. Busy, gotta go.
18:52Yeah, I know. I know you want it.
18:54Okay, bye.
18:56No, sorry, Nick, wait.
18:58What?
19:00You were going on a trip together to Italy
19:02when you were little.
19:04Wait.
19:30What?
19:32Oh, yeah, that's right.
19:34Um, you don't remember we took a holiday to Italy
19:36when you were little?
19:38No.
19:39It was about five.
19:40Don't remember?
19:41Don't remember.
19:42You know, you had an inflatable boat and...
19:44Oh, fuck's sake.
19:45Will you and Dad stop with this bloody trip?
19:46So, what, um...
19:48Has Dad talked to you about this?
19:49I don't have time for this.
19:50I've got important stuff to do.
19:52Bye.
19:53I'm sorry.
19:55I'm sorry.
20:05Bruh.
20:07Feels a little bit like...
20:09Yeah.
20:11Killing them.
20:13Yeah.
20:15Man can't stand me, but they won't stand up.
20:17Nobody wants to be the example.
20:19See what a weakness.
20:20I'm your Achilles heel, but no ankles.
20:22Man knows.
20:23If you wanna come against me, you'll see defeat
20:24like you're wearing sandals.
20:26Look down.
20:27Don't see eye to eye with many MCs.
20:28I feel like the scene is a shambles.
20:30Will I make it or not?
20:31Well, nobody knows each tune I release is a gamble.
20:33I'm a hamper, but it's hard to handle.
20:35All right, stay.
20:39When I heard that bing, my heart stopped.
20:42I'd never received a notification before.
20:54The fish had bitten.
20:56It surely hit the bait hard.
20:59I needed to strike.
21:01Softly.
21:02Very softly.
21:05Mm-hmm.
21:06Mm-hmm.
21:07Mm-hmm.
21:08Mm-hmm.
21:31I never understood the new generation's obsession
21:34with reducing words to initials.
21:37Thankfully, Tommy had left a glossary of terms for my use.
21:41He also told me no full stops, no commas or question marks.
21:46Beep.
21:47Beep.
21:48Beep.
21:49Beep.
21:50Beep.
21:51Beep.
21:52Beep.
21:53Beep.
21:54Beep.
21:55Beep.
21:56Beep.
21:57Beep.
21:58Beep.
21:59Beep.
22:00Beep.
22:01Beep.
22:02Beep.
22:03Beep.
22:04Beep.
22:05Beep.
22:06Beep.
22:07Beep.
22:08Beep.
22:09Beep.
22:10Beep.
22:11Beep.
22:12Beep.
22:13Nikolaus hat nie überrascht über die USA.
22:18Zwei Jahre vorhin, sein Vater musste nach Los Angeles
22:22für eine Konferenz über Human Rights Law
22:25und hat ihn mitgebracht.
22:28Sie haben fünf Tage dort gesucht,
22:31und sie besucht Universal Studios und Disneyland zusammen.
22:43Unsere Hänge
22:52Nikolaus likes the sense of respect and admiration
22:56that he commands over the young stranger he has just met online.
23:13Morgen, Jodie.
23:17Morgen.
23:20Hi.
23:43Kathy, we need to talk.
24:08Yes, of course.
24:10Stephen Brickstar came in.
24:11He brought in the books.
24:13What?
24:13This book.
24:13He was here.
24:14The thing is, Jisoo came to me because she didn't know what else to do,
24:17and she told me that you asked her to drop the story about Mr. Brickstock.
24:21Yeah.
24:21I'm just wondering why you were so keen to kill it off.
24:24Look, it has nothing to do with you.
24:26But I think it does.
24:27I mean, I wish that it didn't.
24:28When a junior member of the team comes to me asking for advice,
24:31it becomes my business.
24:32A junior member of the team, Simon?
24:35Come on.
24:35You told Jisoo he was a pedophile and asked her to track him down.
24:39I...
24:39And once she'd done that, you told her to forget all about it.
24:42I'm just...
24:43I'm wondering why you did that.
24:44I don't have to explain myself to you or you, Jisoo.
24:48This is a personal matter and has absolutely nothing to do with work.
24:53Then why did you ask me to get his address and telephone number?
24:56I don't have to explain myself to you.
24:58Yes, you do.
24:58Okay.
24:59Here's the thing.
25:00I don't know what's in this book.
25:01I haven't had time to read it yet.
25:03But a man you had been investigating as a pedophile turns up here with a book he has written
25:07and he tells Jisoo that you are part of the story, that you are in this book,
25:11and that you harassed him, that you threatened him.
25:13I mean, what's in this book anyway, Cathy?
25:14Some kind of confession?
25:15You're a liar.
25:17What?
25:17I never once said he was a pedophile.
25:20No, no, no, you didn't correct me.
25:22Contact details for Stephen Briggs, stop and some background on him, and that was it.
25:25I'm sorry, I asked you because I trusted you.
25:29Stop.
25:29Don't take this out on Jisoo.
25:31She's not the one who needs to defend herself.
25:32You're enjoying this, aren't you?
25:34Now, I mean, we could have had this conversation in the meeting room,
25:38but you wanted everyone to watch this charade.
25:40Cathy, Cathy.
25:41It's Catherine.
25:42This is a situation that you created.
25:45Okay, you've not been honest with us.
25:47Okay.
25:48And that worries me.
25:49I mean, it jeopardizes the reputation of the whole team.
25:52This company's built on its integrity.
25:54So, who do you think you are?
25:56Mr. Briggsstock came to us because he was frightened.
25:59You lied to Jisoo.
26:00You used her to get his address and his telephone number,
26:02and then left threatening messages on his answer machine.
26:04Cathy, get your hands off me.
26:08He's the one stalking me, all right?
26:11He is the one threatening me.
26:12If he is threatening you, why haven't you contacted the police?
26:14Because it is private.
26:16Can't you get that through your head?
26:18All right, listen, just try to stay calm.
26:19Don't you dare tell me to stay calm.
26:22You have no right to ask me about any of this.
26:24Cathy, this isn't it.
26:25No, no, no.
26:25Do I ask you about your personal nice stuff?
26:27That's not your problem.
26:28No, what drugs you've taken?
26:29Enough.
26:30That's right.
26:31Look, clearly, you're very upset.
26:32Yes, I am upset.
26:33But I think whatever it is that you're covering up by,
26:35I'm sure it'd be better if you just came clean about it.
26:37Get your fucking hand off me!
26:38Oh, shit.
26:40You shouldn't have done that.
26:43Look, Cathy, what are you going to say about this?
26:45I didn't.
26:46You asked for it.
26:50My name is Catherine.
27:01You are so can't close, Catherine!
27:06I know a person.
27:07I see him.
27:08Look, Cathy.
27:09Why are you trying…
27:10That's the hope.
27:11I'm sorry.
27:12I know a person.
27:13Los geht's!
27:23Los geht's!
27:33Niklas hat sich mit Jonathan zu reden.
27:35Mit dem Jahr.
27:37Er war stolz zu sprechen
27:39und zu reden.
27:41und er sahen, dass Jonathan auf jeden Wort hiel,
27:46es war sehr gut, wie er sich auf ihn öffnet.
27:50Der Pohr ist, der seine Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder-Söder.
28:01Meine Zeit hat mir gezeigt, dass ich die Jungs mit der Schleimhäude in der Mitte des Schleimhäudes haben.
28:07There was a time when I might have felt something for that boy
28:12Once I might even have tried to help him
28:16But Nicholas was not a boy
28:20He was a 25-year-old man
28:22And however much he bragged to my 19-year-old self
28:27He couldn't hide his shivering, shrinking soul from a man with my experience
28:33He was desperate
28:36Desperate to talk
28:38It was time to begin reeling
28:54I started making him wait for me
28:56Just ten minutes or so
29:00To keep him keen
29:02You know that you're reputable
29:05You know that you're reputable
29:20Sie wissen, dass Ihre Reputation ist auf stake.
29:35Für Jahre, Ihre Credibilität hat sich das, was du weitergehalten hast.
29:40Jetzt, Sie sehen die Wahrheit, dass Sie zu Ende des öffentlichen Schlamen haben.
29:46Sie werden nie wieder sein, die Sie denken, Sie waren.
29:50Aber für dich, jetzt, die nur wichtig ist, dass Nikolaus sich um ihn zu retten.
29:57Um ihn zu entfernen, um ihn zu dieser Situation zu entfernen.
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30:31...even considering the age difference.
30:37Jonathan has even read the only book Nicholas has picked up in years.
31:01...
31:11...
31:13...
31:19...
31:21...
31:23...
31:25...
31:29...
31:31...
31:33...
31:34...
31:42...
31:43...
31:49...
31:52...
31:53Oh, oh, oh, oh, oh, oh.
32:23Oh, oh, oh, oh, oh.
32:53Oh, oh, oh, oh, oh, oh.
32:55Hello?
32:56Mr. Bridgestop?
32:57Could you please open the door?
32:58It's Catherine Ravencourt.
32:59Could you open the door, please?
33:03You need to talk.
33:07Please, I know you're in there.
33:33My husband's left me, and I'll probably be fired for my job.
33:37You've won! Do you hear me? You've won!
33:42The least you can do is look me in the eye and listen to what I have to say.
33:51Stephen?
33:54Please open the door.
33:59I know you're there. I need you to listen to me.
34:03I have a right to be heard.
34:08This has to stop.
34:10Do nothing you do to me or my family is going to bring your son back.
34:13You have reached 0207-946-0534.
34:23Neither Stephen nor Nancy are here to respond to this call, but if you would please leave a message with the date, time, and your telephone number, we'll try to get back to you.
34:47Yes, yes. It's me. I want to talk about Jonathan.
34:57No, I know you have my number.
35:00So call me.
35:02And speak this time!
35:04You our name?
35:07Go.
35:08Go.
35:10Go.
35:11Go.
35:12Or, go.
35:16Go, go.
35:19Go.
35:20Go.
35:21Go.
35:22Go.
35:25Go.
35:25Go.
35:26Go.
35:27Go.
35:29Go.
35:30Go.
35:31She wanted me to listen, she wanted to talk.
35:46She said that she had something to say, well, it was too late for that.
35:56But the snake was getting closer.
36:00It was time to wrap things neatly.
36:06The fish was ready to be landed.
36:09It was time for the final thrust.
36:21The poor sod had opened his heart to Jonathan, but it was I who had marched in.
36:30It wouldn't take much to nudge this feeble specimen to the brink.
36:58All I needed was to feed his darkness and lead him to a point of no return.
37:07Leave him there, teetering on the edge.
37:16He left a child alone in the sea.
37:22And that's how we do because we shine bright and glisten.
37:26And that's how we do it right now.
37:35And that's how we do it right now.
37:38we won't pull it out.
37:47We won't pull it out.
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38:22Niggas are starving, wonder why we mad
38:24Ain't no opportunities, but they blame it on the real
38:27Ain't no opportunities, make her stopp'in
38:31All this time's gone, no, they don't push it from under
38:34Was her lust for Jonathan
38:39Greater than her love for the child
38:45I'm in the mood today, I'm not in the mood today
38:52For you a day, I got a feeling you niggas don't know what it is
38:55You got me confused today
38:56I'm in the mood to humble a few of you niggas that choose to move away
39:00I'm in the mood today to talk to anybody except you
39:03No one in my
39:04No one in my
39:14No one in my
39:15City
39:16Ain't no one in my
39:17City
39:18Talk about you all the time
39:19And we should do
39:21The young man who saved the little boy in the book
39:47All this time
40:03Bye
40:08Bye
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43:48Oh, hi Catherine!
43:50Oh, we're going to get into here now.
43:52Oh, we're going to get drenched.
43:56Gosh, this carpet needs a nice good...
44:00Oh, do you know what you should have, Catherine?
44:03A nice warm cuppa.
44:05I'll make you a cup of coffee or a cup of tea if you like.
44:07I'll do it.
44:08No, are you going to have tea or are you going to have coffee?
44:10There he is.
44:11Oh, there he is. I like him, don't you?
44:13I like him.
44:14I like him.
44:38The images of his mother having sex with a 19-year-old boy
44:42has deeply troubled Nicholas.
44:45But the image that disturbs him the most
44:48is that of the red and yellow dinghy
44:51bouncing off the edge of the world.
44:53Fucking hell, you!
44:55He knows that he had been saved
44:57when he should have been lost.
45:02He imagines a different story for his mother.
45:05That of a tragic heroine who lost her only child
45:09in an accident at sea.
45:12She would have made a full recovery from that loss.
45:16She would have played that part well.
45:19It would have suited her better than being the mother
45:22of a low-key, low-energy, underachieving, worthless shit.
45:27Oh shit.
45:32Nicholas!
45:40You alright?
45:41Yes.
45:43Clean yourself up, mate.
45:45You alright?
45:46I'll stop it.
45:47I'll stop it.
45:48I'll stop it.
45:49I'll stop it.
45:50I'll stop it.
45:52I'll stop it.
45:55All that Ravenscroft had become quite a pest,
45:58leaving messages on the site for the perfect stranger.
46:02Oh!
46:04It was desperate to make up for lost time.
46:07Desperate to meet us.
46:09Er glaubte wir immer noch uns, noch Mr. und Mrs. Brickstock.
46:17Erst habe ich keinen Interesse in meeting ihm.
46:20Aber dann habe ich gesehen, dass ich den Dagger drüber konnte,
46:24und es weiterfahre, als es in der Mitte war.
46:29Der Ort reekte von Geschäftsmeern und Politiker.
46:34Mr. Brickstock, ich bin so sorry, dass du wirst.
46:37Es ist ein Glück.
46:39Ich bitte Ihre Pardonnungen.
46:41Es ist nicht Ihre Fault.
46:43Es ist Arthritis.
46:45Es war gut, weil es zu Ende war.
46:48Danke so, so much für kommen.
46:51Ich war hoping Mrs. Brickstock might join uns.
46:53Sadly, meine Frau hat er ein paar Jahre alt.
46:57Mr. Ravenscroft.
46:58Ich bin so sehr sorry.
47:00Bitte bitte, ich will mich Robert.
47:03Excuse mich, Herr German.
47:04Gletscher Champagne.
47:05Ich bin so sehr schüttelnd.
47:06Ich bin so sehr schüttelnd.
47:07Ich bin so sehr schüttelnd.
47:08Es war das, wenn meine Frau gesehen hat.
47:08Ich bin so sehr schüttelnd.
47:09Es war so schüttelnd.
47:09I read the book, and I want to make clear that the way my wife behaved was pitiful, absolutely pitiful.
47:22Jonathan was our only child. Nancy never recovered from his loss.
47:29Grateful.
47:30All Nancy wanted was to meet your son, to see that our son's giving his life was for something.
47:39For your little boy to breathe and grow, your wife wouldn't allow it.
47:46She threatened my Nancy if she ever tried to contact her again.
47:50To set the record straight, I believe that my wife's actions, both past and present, are absolutely unforgivable.
48:04It's clear to me that she behaved with a completely shameful cruelty.
48:07And you should know that we are no longer living together.
48:09Very sorry to hear that.
48:12And I'm sorry for any pain and shock that sending you the book and photographs must have caused you.
48:20Don't be. I'm actually relieved to finally know the truth. It's been so many years.
48:25Thank you, Mr. Ravenscroft.
48:29All I want now, all I hope for is some form of reconciliation, some forgiveness for Nicholas and myself.
48:44You see, like you and your family, we too have suffered from my wife's awful cruelty.
48:56Of course, Mr. Ravenscroft.
48:59He's a pitiful poor man.
49:17I think he was well aware that he's only an incidental character in this story.
49:21And now, he had joined the ranks against his own wife.
49:42Nick?
49:46Nicholas?
49:47Nicholas?
49:48Darling, what's wrong?
49:51Nicholas?
49:53Nick?
49:54Talk to me.
49:55Where are you?
49:56Oh, shit.
49:59God.
50:03Welcome to the O2 messaging service.
50:06The person you're calling...
50:07Oh, God.
50:12Don't do this.
50:12Don't do this.
50:13Don't do this.
50:14Don't do this.
50:15Welcome to the O2 messaging service.
50:18The person you're calling is unable to...
50:20Oh, God.
50:23Oh, God.
50:27Oh, God.
50:28You...
50:28You...
50:29Oh, God.
50:33Oh, God.
50:39Oh, God.
50:41Oh, God.
50:42Oh, God.
50:42Oh, God.
50:44Oh, God.
50:44Oh, God.
51:14Oh, God.
51:15Oh, God.
51:16Oh, God.
51:17Oh, God.
51:18Oh, God.
51:19Oh, God.
51:20Oh, God.
51:21Oh, God.
51:22Oh, God.
51:23Oh, God.
51:24Oh, God.
51:25Oh, God.
51:26Oh, God.
51:27Oh, God.
51:28Oh, God.
51:29Oh, God.
51:30Oh, God.
51:31Oh, God.
51:32Oh, God.
51:33Oh, God.
51:34Oh, God.
51:35Oh, God.
51:36Oh, God.
51:37Oh, God.
51:38Oh, God.
51:39Oh, God.
51:40Oh, God.
51:41Oh, God.
51:42Oh, God.
51:43Nikolaus doesn't want to move.
51:54He just needs to close his eyes.
51:57He never wants to leave this place.
52:02This is where he knows he can be his best self.
52:13He doesn't want to leave this place.
52:43He doesn't want to leave this place.
53:13He doesn't want to leave this place.