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Agatha Christie's Poirot 26 - 3 The Double Clue, 名探偵ポワロ 第26話 二重の手がかり 日本語字幕 アガサ・クリスティ 英語学習にも
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6/7/2025
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Category
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Transcript
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00:00
Parker?
00:07
Mr. Hardman.
00:11
Mr. Hardman.
00:14
I arrange his more insalubrious deals.
00:18
What do you mean by that?
00:20
When the client doesn't want his or her name dragged through the mud,
00:24
I act as a sort of go-between.
00:27
In high society, Captain, nobody is ever hard-up.
00:32
At least they don't admit to it.
00:34
So when they are hard-up, they come to me and I go to Marcus.
00:40
Have you lost a glove, Mr. Parker?
00:43
The glove.
00:45
That simply loathsome Inspector Snap has already been on to me about the glove.
00:49
You know he wanted to arrest me.
00:52
Was it yours?
00:54
Yes.
00:55
But I've told him I had both my gloves when the concert began
00:58
and that was the last time I saw them.
01:00
And as for the cigarette case, I've never seen it before in my life.
01:04
It had your initials.
01:06
Oh, my dear.
01:07
I'm sure you'll find plenty of people in London with the initials BP.
01:11
Have you ever done any embroidery?
01:17
Embroidery?
01:19
You know, needlework, that sort of thing.
01:22
But no.
01:24
No!
01:28
It is an illusion, Countess.
01:37
Maybe.
01:38
And Countess.
01:40
Maybe.
01:42
But let me tell you something I heard.
01:45
It was a robbery, like the one at Mr. Hartman's.
01:49
But this time it was diamonds.
01:51
Please go on.
01:53
Twelve people sat down to dinner.
01:56
The safe was in the next room.
01:58
The hostess herself had checked that the diamonds were in place before the meal had begun.
02:02
And after?
02:03
The safe was open and empty.
02:08
And there were no clues?
02:09
None.
02:10
It is strange that you should choose to relate this to me, Countess.
02:13
I also have read of it.
02:14
Yes?
02:15
Oh, yes.
02:16
The Atterton diamonds.
02:17
And it is true that the police, they were confounded.
02:19
But that is because they look with the eyes that is too English.
02:23
I don't understand.
02:25
Where they see the dukes and the duchesses, the lords and the ladies, but they fail to ask themselves the one simple question.
02:31
Which is?
02:32
What person was at that dinner, who was also at the soiree of Monsieur Hartman, and on two other occasions when some jewels were stolen?
02:43
So, you are saying the police cannot solve it because they are too English?
02:49
Or because the culprit, he is not English enough?
03:05
Countess.
03:19
Will I see you tomorrow?
03:25
For the day-jeuner?
03:27
Oui.
03:28
The Carlton Hotel.
03:31
Bernard Parker must have been in love with Lady Runcorn. He gave her the embroidery but lied about it to us.
03:52
I think Johnston was alive as well. I'm sure it's him.
03:56
Yo.
03:57
Ah.
03:58
B.
03:59
B.
04:00
What do I say?
04:01
Puro.
04:02
I wonder why.
04:04
Why?
04:05
It has been an invaluable aid, mon ami.
04:08
Yes.
04:09
I couldn't get past the alphabet myself.
04:11
Good.
04:12
No.
04:13
It is indeed complicated.
04:14
Yes.
04:15
Like this case.
04:16
The stolen jewels?
04:17
We've been investigating, Mr. Poirot.
04:19
You're not the only private detective in London, you know.
04:22
This is true, mon ami.
04:25
Blackmailing Lady Runcorn.
04:26
We've discovered she has huge debts.
04:27
We've discovered she has huge debts, and she's recently sent four paintings to auction.
04:44
She must have sold them to pay him off.
04:46
So you say Lady Runcorn requires money?
04:47
Yes.
04:48
One would meet with Monsieur Bernard Packard to discuss the selling of her jewels.
04:49
Bernard Packard to discuss the selling of her jewels.
04:50
That is his occupation, is it not?
04:51
Oh, but what about the embroidery?
04:52
He signed it.
04:53
BP.
04:54
But then, I wonder what Lady Runcorn was called before she became Lady Runcorn.
04:59
Oh.
05:00
I hadn't thought of that.
05:01
If you are to be a Cule Poirot, you must think of everything.
05:06
On Beatrice Palmerston.
05:07
On Beatrice Palmerston.
05:08
Palmerston.
05:09
He's right.
05:13
It's all right then, Poirot.
05:14
What do you think?
05:15
It's all right then, Poirot.
05:16
What do you think?
05:17
I think, Hastings, you must ask yourself one question.
05:21
Yes?
05:22
Oh.
05:23
It's all right then, Poirot.
05:26
What do you think?
05:27
I think Hastings you must ask yourself one question.
05:31
Yes?
05:32
Oh.
05:33
Oh.
05:34
Oh.
05:35
Oh.
05:36
Oh.
05:37
Oh.
05:38
Oh.
05:39
Oh.
05:40
Oh.
05:41
Oh.
05:42
Oh.
05:43
Oh.
05:44
Oh.
05:45
Oh.
05:46
Oh.
05:47
He told I to follow Mark Rosenbaum.
05:49
I awakened them the Jep
05:50
è.
05:51
Oh.
05:52
Oh.
05:53
Yeah, he said he was one.
05:55
oh, yes.
05:56
Oh.
05:56
No, no problem.
05:57
Oh.
05:58
GodENDALL get兩個?
05:59
The Tramp.
06:04
What was he doing there?
06:05
The answer?"
06:05
You would find only by returning to the home
06:07
of Monsieur Marcus Hardman.
06:08
I suggest that you go tomorrow.
06:12
Well, what about you?
06:15
No, sir, nothing is yet, sir.
06:20
But I am following up a few leads.
06:23
Well, no, sir, they haven't actually led anywhere yet.
06:27
But if you could just give me a little bit more time...
06:31
I was hoping for a little bit more time, that's all.
06:37
Time, that's all.
06:40
I'm sure you, sir, your wife is perfectly safe.
06:43
Well, if you'd like to put her on, I can assure her myself, sir.
06:55
Yes, sir.
06:58
Yes, sir.
07:13
Uh, please, let me to inter...
07:20
Uh, please, let me to introduce myself.
07:25
Let me to introduce myself.
07:27
Not, not the Hercule, Baron.
07:37
The very same.
07:39
Please, sit down, sir.
07:40
Uh, no, thank you.
07:41
What can we do for you?
07:43
I have a friend who requires my immediate help.
07:46
But I cannot help, and so I turn to you.
07:49
You mean you want us to...
07:51
sort of deputise for you?
07:53
We say, sir.
07:55
You must act on my behalf.
07:57
It must be something important for you to ask for our help, Monsieur Poirot.
08:01
It is a matter of the utmost importance, Monsieur.
08:04
There is a reputation.
08:07
Now there is a life that is at stake.
08:11
But Hercule Poirot is not involved.
08:13
I can't see how wandering around the grounds is going to give us the answer.
08:23
Let's be methodical.
08:24
How wandering around the grounds is going to give us the answer.
08:26
Let's be methodical, Captain Hastings.
08:29
Mr. Poirot must have a reason for sending us here.
08:32
Four people went into that house.
08:34
You'd have thought one of them must have done it.
08:36
How about Lady Roncorn?
08:38
If her name was Beatrice Palmerston once,
08:40
the cigarette case could have belonged to her.
08:43
B.P.?
08:44
Maybe she was working with Bernard Parker.
08:47
They were in the house at the same time.
08:49
What about that wretched tramp?
08:51
I just don't see where he fits in.
08:53
Miss Lambert, look.
08:55
Over there.
08:57
It's him.
08:59
Wait here.
09:00
Hey, you!
09:00
Stop!
09:02
Captain Hastings!
09:04
He's got a gun!
09:05
Are you all right?
09:15
I think so.
09:17
Listen.
09:18
It's iodine, Captain Hastings.
09:29
It's iodine, Captain Hastings.
09:31
Captain Hastings.
09:32
I said it'd sting.
09:34
It is me who suffers, my friend.
09:36
To think that I sent you.
09:38
It's not your fault, Poirot.
09:39
But yes, Hastings.
09:41
It's a house.
09:42
But for your speed and the agility and the agility.
09:45
If I had four times, Mr. Poirot.
09:48
I know, Miss Lambert.
09:49
Did you know the tramp would come back?
09:51
No.
09:52
But I am an imbecile.
09:53
I see only half of the picture.
09:54
I don't even see that.
09:58
Miss Lambert,
09:59
would you be so good as to telephone the Chief Inspector Shepp?
10:02
Ask him...
10:02
What about your lunch with the Countess?
10:05
With the Countess?
10:08
It is the Countess who takes me.
10:15
It is the Countess who takes me.
10:24
In admiration.
10:26
It's just a...
10:26
In admiration.
10:29
It's just a picnic.
10:30
It's just a picnic.
10:35
We used to have such picnics.
10:50
He wouldn't.
10:54
He wouldn't.
11:00
Seen him like this before.
11:03
Before.
11:11
And now, a toast.
11:13
I shall propose, when he find me,
11:16
to crime.
11:17
That is a strange toast coming from a detective.
11:23
And yet it is my raison d'etre.
11:26
My life is ruled by it.
11:28
And that has brought us together.
11:30
Together.
11:33
Then,
11:34
to crime.
11:36
To crime.
11:54
What about?
11:55
Oh, I could travel.
11:57
I could travel.
11:59
I've always had a dream about South America, you know.
12:02
Farming.
12:03
You,
12:05
you look for back.
12:05
I'm a black woman.
12:08
I'm a gold person.
12:09
I'm a gold person.
12:10
I'm a gold person.
12:11
I'm a gold person.
12:12
I'm a gold person.
12:13
I'll be right back.
12:14
I hope somebody piano.
12:14
You
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