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Agatha Christie's Poirot 31 - 2 The A.B.C. Murders, 名探偵ポワロ 第31話 ABC殺人事件 日本語字幕 アガサ・クリスティ 英語学習にも
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7/10/2025
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Category
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Transcript
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00:00
The pattern most curious. He's most under the pattern most curious. He's most unobliging our murderer.
00:13
But at least, mon ami, you have the railway guy, the ABC. Now there is a clue for you.
00:21
You mean you don't think he left it there by mistake?
00:23
No, he left it on purpose. The fingerprints tell us that.
00:30
But Poirot, there weren't any fingerprints on it.
00:34
Exactly.
00:35
But Poirot, there weren't any fingerprints on it.
00:38
Exactly, my Hastings. Our murderer, he is in the...
00:42
But in the very nature of things, he cannot help to throw the light upon himself.
01:00
What do you think, Poirot?
01:12
XML, Hastings.
01:15
Hastings, well done.
01:17
You don't think it's a bit... you don't think it's a bit overpowering?
01:21
We can find someone else with a fruit bowl.
01:24
What we could do...
01:25
There is another letter, Hastings.
01:27
Sorry?
01:28
Another letter from ABC.
01:33
Dear Mr. Poirot. Me, I think. But the fun's only just beginning.
01:37
Let me draw your attention to...
01:39
But the fun's only just beginning.
01:41
Let me draw your attention to Bexhill-on-Sea, date the 25th inst.
01:45
What a merry time we are having.
01:47
Yours sincerely, ABC.
01:49
Good God.
01:50
Good God.
01:51
Good Lord.
01:56
He's only the beginning, Hastings.
01:59
Same machine, I suppose.
02:02
Same machine, I suppose.
02:04
No.
02:05
And we can fairly...
02:06
No.
02:07
And we can fairly assume that the writer was responsible for your murder in Andover.
02:11
Now we have definite warning of a second crime scheduled to take place in Superintendent
02:16
Carter's County on the 25th, the day after tomorrow, at Bexhill.
02:22
What steps do you think the Sussex Police can take, Superintendent Carter?
02:27
Oh.
02:28
It's difficult.
02:29
It's not the least clue the victim may be.
02:32
It is possible that the surname of the intended victim will begin with the letter B.
02:38
That would be something.
02:40
I suggest it as a possibility no more.
02:43
It came to my mind when I read the signature ABC on the first letter and again when I heard
02:47
the name of the unfortunate woman in Andover.
02:51
You mean first to Mrs. Asher in Andover, then someone beginning with B in Bexhill?
02:56
Well, it's possible, I suppose.
02:58
I mean, we aren't dealing with a madman.
03:00
But so far he hasn't given us any clue as to his motive.
03:03
Does a madman have any motive?
03:05
Perhaps he's going to murder someone in every town of the alphabet all the way from Andover to, er...
03:10
Xenor.
03:13
You see?
03:15
Well...
03:16
Well, at least we can take some precautions.
03:18
Superintendent Carter, perhaps it will be possible for your men to make a special note of all the bees in your area.
03:25
Especially small shopkeepers.
03:27
And naturally keep tabs on all strangers as far as possible.
03:31
Bexhill's a seaside resort, man.
03:34
It's the middle of the holiday season.
03:36
People are flooding in.
03:54
So, tomorrow's the big day.
03:57
Tomorrow's the big day.
03:59
Is it old women in tobacconist chops, do you think?
04:01
Well, it does not seem likely, Hastings.
04:04
Shops, though, perhaps.
04:06
Which of us at some time or another has not felt aggrieved by a shopkeeper?
04:10
Good Lord, yes.
04:11
Well, at least we know it can't be Asher now.
04:13
I mean, he's still in custody.
04:17
Is Mary botted the maid?
04:19
No.
04:20
Is it the maid?
04:21
No.
04:31
Is it the maid?
04:32
Is it the maid?
04:33
Is it the maid?
04:34
Is it the maid?
04:35
Is it the maid?
04:36
Is it the maid?
04:37
Is it the maid?
04:38
Is it the maid?
04:39
Is it the maid?
04:41
Is it the maid?
04:43
I wouldn't give much for a murderer's chances with all these men of yours around, Jack.
04:47
He's as good as nabbed.
04:49
The sanity of a town full of men against the insanity of one man.
04:53
Remember the long-continued successes of Jack the Ripper.
04:57
Hmm.
04:58
We don't need another one of those, thank you very much.
05:26
Pull-Boy
05:49
PLEThat
05:56
Hastings, it has happened.
06:16
Tonight, between 12 and 1, our homicidal joker is a man of his word.
06:21
If he says the 25th, then the 25th it is, even if it's only by a few minutes.
06:29
But we're quite sure this is the crime.
06:32
An ABC open at the train to Bexhill was found actually under the body.
06:37
Do we know who is the dead girl, Chief Inspector?
06:39
She's been identified as a Miss Elizabeth Barnard.
06:43
23 years of age, worked as a waitress at the De La Wall Pavilion.
06:46
Was she pretty?
06:47
Here he goes again.
06:49
That does not seem to you to be important, huh?
06:51
Mais pour une femme, it is of the first importance.
06:54
It often decides her destiny.
06:56
With what was the girl strangled, Chief Inspector?
06:58
Her own belt.
07:00
At last, we have a piece of evidence that is very definite.
07:03
And it tells one something, does it not?
07:05
I don't see what.
07:06
We have broken the news to her parents, but I thought they let them recover a bit before questioning them.
07:24
Right.
07:26
There are other members of the family, yes?
07:28
There's a sister, a typist in London.
07:30
She's been communicated with.
07:32
And there's a young man.
07:33
The girl was supposed to be out with him last night, I gather.
07:36
Any luck from the ABC guide?
07:37
No, no fingerprints.
07:40
Open up the page of Bexhill.
07:42
Yes, that's our man, all right.
07:44
It must mean something.
07:46
Something to do with the trains from Andover and Bexhill, perhaps.
07:51
Yes, that is a point.
07:52
It's most distressing, Chief Inspector, most distressing.
08:05
How it will affect our business, I shudder to think.
08:08
You'll have a boom, madam.
08:09
You won't be able to dish out the dainty teas quick enough.
08:12
Really?
08:14
Oh, how awful.
08:17
People are so awful.
08:18
Mademoiselle Marion, how long had Mademoiselle Barna been working here?
08:24
This was the second summer.
08:27
She was pretty, yes?
08:28
She was a nice, clean-looking girl.
08:32
What time did she go off duty last night?
08:34
Eight o'clock. We close at eight.
08:36
Did she say what she was going to do after work?
08:40
We were hardly on those sort of terms.
08:43
Nobody came and called for her? Nothing like that?
08:46
Oh, no.
08:47
She had a young man, I believe.
08:52
Donald Fraser.
08:53
We didn't know she happened.
09:16
Mrs. Barnard and I go to bed early.
09:18
No, she happened.
09:18
Mrs. Barnard and I go to bed early.
09:24
We never knew Betty hadn't come home till the police officer came this morning.
09:32
You know what goes on nowadays, Inspector.
09:34
You know what goes on nowadays, Inspector.
09:35
All the same, she was usual to him by eleven.
09:43
And she had this steady young, young fellow she was sort of engaged to.
09:47
Donald Fraser, his name is.
09:49
Any friends?
10:04
Any friends?
10:06
Any friends?
10:07
End of.
10:11
End of.
10:13
I'd like to look over in Art's room, if I may.
10:28
There might be something, sir.
10:29
Letters, diary.
10:31
All right, it's in here.
10:32
Who are you?
10:43
Bernard.
10:44
Yes, I'm Megan Barnard.
10:45
Barnard.
10:46
I suppose you belong to the police.
10:48
Well, not exactly.
10:49
Oh, what are you?
10:50
Well...
10:50
Where's Mum and Dad?
10:51
Your father's in there, showing the police your sister's bedroom,
10:54
and your mother's in there.
10:55
I wonder if I...
10:57
Are you following me?
11:08
Are you following me?
11:09
What do you want?
11:13
This is Monsieur Hercule Poirot.
11:15
Monsieur Bernard.
11:16
I don't see what Monsieur Hercule Poirot is doing in our humble little crime.
11:21
What you do not see, Mademoiselle, and what I do not see, it would fill a volume.
11:26
And it is something that will not be easy to find.
11:28
Be easy to find.
11:31
What's that?
11:32
The truth.
11:38
Feel.
11:39
But that is the most important thing we have, Mademoiselle, in the hunt for the murder.
11:42
Important thing we have, Mademoiselle, in the hunt for the murder of your sister.
11:45
All right.
11:49
Person, and not be interested in anyone else.
11:52
And working in anyone else.
11:54
And working in...
11:55
She was always running up against nice-looking men.
11:59
I understand, Mademoiselle.
12:00
Do you?
12:01
Her boyfriend didn't.
12:03
She was really keen on him.
12:04
He couldn't see why she wanted to go out with other people.
12:08
Once or twice they had flaming big rows about it.
12:10
Don was so violent, Betty was frightened.
12:15
When was theirs?
12:18
Last time was about a month ago.
12:20
They had an awful scene.
12:23
Don was all white and shaking.
12:26
Oh, there he is.
12:28
Quick, Mademoiselle, run and intercept him.
12:31
I wish to speak with him before the estimable Chief Inspector Jap.
12:36
Don!
12:37
Herbana, I'll tell you where she was going last night.
12:42
She told me she was going to St. Leonard's with a girlfriend.
12:46
And did you believe her?
12:48
Who are you, anyway?
12:50
You don't belong to the police.
12:52
No, monsieur.
12:54
I am better than the police.
12:59
Amen.
13:03
But afterwards...
13:05
But afterwards...
13:06
What did you do?
13:10
I lost my head.
13:11
I was convinced she was with some man.
13:13
Convinced she was with some man.
13:15
I thought he might have taken her to Eastbourne in a car.
13:18
I went on there.
13:21
Looked in the hotels and restaurants.
13:24
They must have thought I was mad.
13:28
I gave up and came back.
13:30
Much of an alibi, is it?
13:31
Much of an alibi, is it?
13:34
Much of an alibi, is it?
13:39
Is it?
13:41
No, my friend.
13:43
Not much.
13:44
Well, Donald Fraser certainly seemed to have a perfectly good motive for the murder and opportunity.
13:54
For killing Mademoiselle Betty Barnard?
13:56
Yes, but what was the motive for killing Mademoiselle?
14:00
Well, that we'll have to find out.
14:03
They're both women, of course.
14:04
You've been...
14:17
You've been very clever.
14:22
To you, as a murderer.
14:24
You'll be watched.
14:25
You'll be questioned.
14:26
You'll be followed.
14:26
You'll give yourself away.
14:28
You'll be watched.
14:29
You'll be questioned.
14:30
You'll be followed.
14:30
You'll give yourself away.
14:31
You'll give yourself away, and then get you.
14:34
You're choosing me, are you?
14:39
But you don't move, Mary.
14:42
Why?
14:43
You don't move, Mary.
14:46
Why?
14:48
Because...
14:49
Because you know I'm not the killer.
14:51
Yes!
14:52
That's where you're wrong.
15:01
But I'm going to kill you.
15:03
I'm going to kill you.
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