- 6/6/2025
MOHAWK (Hacha de Guerra, 1956, Full Movie, English, Cinetel) HD
Category
🎥
Short filmTranscript
00:00:00Oh, oh, I hear the drums of love. Oh, oh, the savage magic on drums of love.
00:00:17Deep in the forest that will rise, loud as the thunder it comes. I hear the sound of my heart beating over the sound of the drums. Oh, oh, you are my destiny. Oh, oh, my heart will never be.
00:00:47Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:01:17Oh, my God.
00:01:47Oh, my God.
00:02:17Why aren't they handsome?
00:02:24Aunt Agatha.
00:02:26At my age, a lady no longer has to hide her admiration for handsome men.
00:02:30what are they garrick war are they friendly I don't call a poisonous snake
00:02:36my friend on account if you don't bite me
00:02:38Jonathan said it was so peaceful oh he's an artist he prefers not to see
00:02:43things other things snakes do they mean to make trouble they never tell what
00:02:56they mean man some young ones especially them Tuscaroras from the south they're
00:03:00the ones to look out for I thought you said they were Iroquois they're all
00:03:04Iroquois miss the French give that name to the Mohawks
00:03:07Oneidas Tuscaroras Cayugas the Senecas when they joined up together this is all
00:03:13Mohawk country the ones with the shaved heads as Mohawks the long hairs are Tuscaroras
00:03:18they're fearsome fighters them Mohawks ain't nobody not even the French or the
00:03:23British ever beat them in a battle how soon do we reach Fort Alden about midday
00:03:28you don't have no trouble
00:03:41there's the fort
00:03:44how do I look Aunt Agatha like a very proper lady going to tea evidently you
00:03:52don't approve when a woman puts out of war paint she's more dangerous than any
00:03:56Mohawk said that we like our scalps with something under them
00:04:22yes sir have them drive that wagon in the back of the arsenal keep a guard posted on it until it's unloaded yes sir
00:04:44back of the arsenal. Keep a guard posted on it until it's unloaded. Yes, sir.
00:04:53Something precious? Foskets and powder.
00:04:58But there's something really precious.
00:05:05She appears to be already well-guarded.
00:05:08The chaperone may need relief. Excuse me.
00:05:14May I present myself, madam? I'm Captain Langley, commandant of Fort Alden.
00:05:18How do you do? My niece, Cynthia Stanhope.
00:05:21I am Agatha Stanhope. We've come to visit Mr. Jonathan Adams,
00:05:25the painter. Do you know him? Yes, ma'am. Where does he live?
00:05:31We can get that frosty look. My niece is his fiancée.
00:05:36Is he expecting you? Well, no. I wanted to
00:05:39surprise him. You will. Do you know where I might find him?
00:05:42Uh, just a moment.
00:05:46Clem!
00:05:47Clem Jones!
00:05:48Come over here, please.
00:05:52Yes, Captain?
00:05:53Clem, these ladies are looking for Jonathan Adams.
00:05:55So are all the other ladies.
00:05:57Clem, Clem!
00:05:59Miss Cynthia Stanhope is Jonathan's fiancée.
00:06:04No.
00:06:05This is not so funny.
00:06:07He knows about this.
00:06:08My good man, we did not come here to discuss our personal affairs with you.
00:06:12We simply want to know where Mr. Jonathan Adams lives and where he is at this moment,
00:06:15and that is all thank you.
00:06:17You are very welcome.
00:06:19Captain Langley.
00:06:20Clem, where is Adams?
00:06:21Out there someplace.
00:06:23With all those frightening Indians?
00:06:25There's nothing to be afraid of, ma'am.
00:06:27The Indians here about are our friends right now.
00:06:29I will certainly consider you laxing your responsibilities
00:06:32if you allowed him to go out there without an adequate escort.
00:06:34Oh, he's not alone.
00:06:35He took a cow along.
00:06:37And my daughter, Greta.
00:06:54Jonathan?
00:06:55Uh-huh?
00:06:56I'm hurting all over.
00:06:59Oh, I'm sorry, Greta.
00:07:01Rest a while.
00:07:01Come on.
00:07:04I'm very beautiful.
00:07:09Oh, and the cow?
00:07:11It is a cow.
00:07:14Why are you laughing?
00:07:15I always laugh when someone else laughs.
00:07:18It is my disposition.
00:07:19Hmm?
00:07:20And if someone should cry?
00:07:22Well, a woman enjoys to cry almost as much as she does to laugh.
00:07:30Oh.
00:07:31Oh.
00:07:34That feels wonderful.
00:07:38I know.
00:07:39I do it for my father all the time.
00:07:45You know how to do everything to make a man happy.
00:07:49That, too, is my disposition.
00:07:54And when a man kisses you?
00:07:56I kiss him.
00:07:57You know what a lovely disposition, Greta.
00:08:22I am happy with it.
00:08:24You know I should marry a girl like you.
00:08:27You are very sweet to say that.
00:08:29If you should not marry me, I am too stupid for you.
00:08:31May the Lord protect me from a brainy woman.
00:08:34Not if she is brainy for you.
00:08:36Ten years from now, I will be fat like my father.
00:08:39And I will marry a farmer that's stupid like me.
00:08:42We'll have many children.
00:08:43Be joey together until we die.
00:08:45You know, I'm beginning to think you're the smartest woman I've ever known.
00:08:48I'm too happy to get smoked.
00:08:52Let's go.
00:09:22Who will lead me to the chief Goanen?
00:09:34And the crow screams from the highest branch
00:09:36because it is afraid to touch its feet to the ground.
00:09:38How will you answer me?
00:09:53I will answer when you tell me why you must see him.
00:09:56Since when does the great Goanen...
00:09:58Your tongue is too long.
00:09:59You will not shorten it.
00:10:01I am in your village as a friend, and your laws protect me.
00:10:05I am Kyoga, son of Goanen.
00:10:07I will carry your message.
00:10:10Then tell your father that I come to give him warning.
00:10:12Of what?
00:10:14More settlers and more muskets.
00:10:25White man Butler says he brings you warning of new settlers and more muskets.
00:10:37Greetings, Koanen.
00:10:46My son says you bring a warning.
00:10:48Numbers tell more than words.
00:10:51Today, 61 settlers and a wagon load of muskets arrived at Fort Alden.
00:10:55Why is this a warning?
00:10:57Whose land will the settlers turn into plowed fields?
00:11:01There is plenty of land.
00:11:02Against whom will the muskets be used?
00:11:05It is wise to be strong, for this keeps your enemies peaceful.
00:11:09It is talk that many more soldiers will come.
00:11:12The eagle is not afraid of the mole.
00:11:14Those were my father's words.
00:11:17And he is dead.
00:11:18And we, the once proud Tuscarora, are driven from our land by whites, and come like beggars
00:11:26to our friend the Mohawks, for a handful of corn, and a piece of earth on which to spread
00:11:31our blankets.
00:11:32He was advised not to make war.
00:11:34There was no peace without surrender.
00:11:36They came one by one, until they swarmed like ants all over us, and left us nothing but
00:11:43a choice of how to die.
00:11:45It is happening here, as I saw it happen there.
00:11:49The great spirit brought the Iroquois to the tree of peace, and taught us to listen to
00:11:54the eagle that sees afar.
00:11:57And the wise men told us we must bind ourselves together by holding each other's hands so strongly,
00:12:03nothing could break them apart.
00:12:04White men cannot destroy us unless we forget the great laws, and so destroy ourselves first.
00:12:11I will make no war on the white men.
00:12:18Why do you want us to fight your own people?
00:12:20They are not my people.
00:12:30Once there was no greater warrior than your father, Kuanan.
00:12:32He is getting old.
00:12:35His spirit is gone.
00:12:36I do not understand him.
00:12:37I would have said at least, let us take the muskets so they will not be used against us.
00:12:42Anita.
00:12:47Will you help us get those muskets?
00:12:49But if you are caught, there will be killing.
00:12:51A Mohawk is not afraid to die for his land.
00:12:54Learn from the Tuscarora, whose old men called us young ones makers of fire, and chained us with
00:12:59their peaceful words until it was even too late to die.
00:13:02The muskets make us that much stronger.
00:13:04You heard what our father said.
00:13:05I take our father's advice when I take the muskets.
00:13:08With my own ears, I heard him say,
00:13:10it is wise to be strong, for this keeps your enemy peaceful.
00:13:12Really, Mr. Jones, the fattest woman of Port will buy this.
00:13:37She will never try to wear it, but it will make her happy to pretend it is her size.
00:13:40When do they close the gates?
00:13:55At sunset.
00:13:56The sun is setting now.
00:13:59Can anyone get into the fort after the gates are closed?
00:14:02The gates do not open again until sunrise.
00:14:05Aren't you worried about your daughter?
00:14:07They always get back just as the gates are closing.
00:14:09Always.
00:14:25You.
00:14:26It's sunset.
00:14:27All Indians outside the wall.
00:14:29I left my blanket back there.
00:14:31I do not wish to lose it.
00:14:32Go get it.
00:14:33Hurry up.
00:14:34Close the gates.
00:14:52Wagon coming, sir.
00:14:53Open the gates.
00:15:15My cow, thank you.
00:15:17Welcome.
00:15:18I'm getting tired of keeping the gates open for her almost every night.
00:15:21Now, don't be too hot on her, Captain.
00:15:22She begets everything when she's having her portrait painted.
00:15:28Close the gates.
00:15:32Poor Langley.
00:15:33I'm afraid I'd give him a...
00:15:35Cynthia.
00:15:37Here.
00:15:44Cynthia.
00:15:46Well, now, what cloud did you fly in on?
00:15:48I gave her a ride on my broom.
00:15:50Dear Aunt Agatha, as frightening as ever.
00:15:52Dear Jonathan, as flighty as usual, even in the wilderness.
00:15:55Oh, that's Sir Greta.
00:15:59She models for me.
00:16:00But you were commissioned by the Massachusetts Society to do 20 landscapes.
00:16:04And I have not a single painting without at least one tree in the background.
00:16:07Show them to me, Jonathan.
00:16:09Well, naturally, naturally.
00:16:10But first, we must get you settled and talk about you and Boston and family and friends.
00:16:13The paintings can wait.
00:16:14I'd like to see them now, Jonathan.
00:16:17Well, you insist.
00:16:19Coming in, Agatha?
00:16:19I'm not the least interested in your paintings, Jonathan, only in your character.
00:16:24But you'll know me better through my work.
00:16:25I will know you with more pleasure when you engage in more profitable work instead of...
00:16:29Painting is my work, and if you've made this long journey to say the same things you've been saying...
00:16:33Please, Jonathan.
00:16:34I do so badly want to see your pictures.
00:16:37We won't be going long.
00:16:40All these miles.
00:16:41Days and days in the wagon.
00:16:42Can't even say how do you do before beginning...
00:16:44Where are we going, anyway?
00:16:46To see your pictures.
00:16:48Oh, they're over there.
00:16:49Greta, take care of the wagon, please.
00:17:03So you're his model, hmm?
00:17:06Yes.
00:17:07He works very hard, ma'am.
00:17:09And very good, too.
00:17:10Look.
00:17:11I'll show you.
00:17:19Is that all new?
00:17:24And very beautiful.
00:17:26Yes.
00:17:27Altogether too obviously.
00:17:28And very good, lady.
00:17:34I hope you keep telling us.
00:17:34All right, all right, all right.
00:18:04It's very interesting.
00:18:07Really, Jonathan, how can you live in this dungeon?
00:18:09I don't.
00:18:10I just sleep here, keep my belongings here.
00:18:12Otherwise, I'm out of doors for as long as there is light.
00:18:15You were to be home two months ago.
00:18:17One loses track of time out here.
00:18:19There are the Four Seasons and Easter and Christmas,
00:18:21and the days don't seem to count as calendar days.
00:18:25Jonathan, come home with me now before the winter sets in.
00:18:29And get involved in politics?
00:18:30No, no, not me, dear.
00:18:32I'm a painter, not a politician.
00:18:34All I want to do is paint.
00:18:35You act like an irresponsible child.
00:18:37You need someone to take care of you.
00:18:43You are really quite wonderful, Cynthia.
00:18:45You've made this long, hard journey to tell me this because...
00:18:48Because I love you.
00:18:54What am I to do about you, Cynthia?
00:18:56Marry me.
00:18:57Oh, you've decided?
00:18:59Yes.
00:19:00We'll have a lovely home in Boston, and you'll do wonderful portraits of important people.
00:19:04Shades of Aunt Agatha.
00:19:05That's not very kind.
00:19:07Forgive me.
00:19:10I'm hungry.
00:19:11How can you think of food at a time like this?
00:19:14Well, with you, my dear Cynthia, one is not permitted to think of anything more exhilarating.
00:19:19I just can't understand you, Jonathan.
00:19:21And you mustn't.
00:19:22You see, you risk propriety if you do.
00:19:24And where would a gentlewoman be without her precious propriety?
00:19:27In any event, a man with a full stomach is much easier to handle.
00:19:31God!
00:19:42Bad tranquil klitha weren't, and it's not all you can afford.
00:19:45All right, now dear.
00:19:55Come and I'll try again.
00:19:56I'm sorry which is ugly huyous.
00:19:57The Ngah.
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00:23:06BE lieber
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00:23:30I never can decide which he hates more.
00:23:32The Indians or the settlers.
00:23:34I'm not sure he's quite saying he's wrong about the Indians. I know that we leave them alone. They'll leave us
00:24:04alone.
00:24:34Oh, my God.
00:25:04Well, why don't you go out?
00:25:12Do something.
00:25:14They'll get along fine when I'll leave.
00:25:21All right, hold your fire.
00:25:23Stop shooting at shadows before you slaughter each other.
00:25:28They're most likely gone by now.
00:25:31We'll form a detail and search the fort from one end to the other.
00:25:33How'd they get in here?
00:25:35Fine bunch of soldiers.
00:25:37I'll find out how they got in here.
00:25:45Well, come on, sit down and finish your supper.
00:25:47Eat at a time like this?
00:25:49Maybe you'd rather go to your room than go to sleep.
00:25:51Who could sleep with all this commotion going on?
00:25:54By the time you're ready for bed, it'll all be over.
00:25:56I am rather tired, Aunt Agatha.
00:25:59Somebody better make certain there are no Indians in our room waiting to scalp us.
00:26:02Come along.
00:26:03Any Indians in here?
00:26:25You fool.
00:26:25You've had a long journey.
00:26:29Sleep late tomorrow morning.
00:26:31What will you be doing?
00:26:32Working.
00:26:33With that girl?
00:26:35That girl and the cow, too.
00:26:36Picture isn't finished yet.
00:26:37Sleep late, dear.
00:26:42Good night, Aunt Agatha.
00:26:43This isn't Boston, Cynthia.
00:26:53A long face doesn't stand a chance against a round of ammunition in the right places.
00:26:57Good night.
00:27:21I'm so glad I and theonne people let you know.
00:27:24Hey, Papa.
00:27:25Yes, my Yoo, my nursery money!
00:27:27beautiful let me go oh and kill me i like beautiful things i like them alive i'd rather paint you
00:27:42magnificent with your eyes like lightning i know it's in that painter fella's room
00:27:50all right let's go they're coming in here hide over there hurry up
00:27:57yep there she is we built this tunnel 10 years ago so we could get the indians from behind
00:28:16if they were attacking us someone must have opened it for me inside been entertaining any indians
00:28:23lately no more than usual bet you can't get part of it yeah it's been so peaceful so long i
00:28:29plumb forgot about that tunnel what got into those redskins tonight captain i don't know mean just
00:28:35plain mean killed for the love of killing should be skinned alive every one of them the dirty mean
00:28:41ignorant slinking redskins skunks for letting you take their land away from them whose side you on
00:28:47nobody's i'm a painter you sound like an indian lover mr painter i have no reason to hate them
00:28:53you've seen what they've done tonight maybe it was our fault if you don't like how we do around here
00:28:58you can get out messing around with pictures ain't gonna help settle this valley put it in the tunnel
00:29:03you know
00:29:16you
00:29:17you
00:29:19you
00:29:21you
00:29:25you
00:29:29Sorry. We'll double the guards. Keep on searching.
00:29:39Sorry. We'll double the guards. Keep on searching.
00:29:44You all right? Yes, sir. Thank you.
00:29:50I guess you'll have to stay here until tomorrow morning.
00:29:53Then I'll smuggle you out of my wagon.
00:29:55Why?
00:29:56I'm sorry. I'm sorry.
00:29:59We'll double the guards. Keep on searching.
00:30:03You all right?
00:30:04Yes, sir. Thank you.
00:30:08Well, I guess you'll have to stay here until tomorrow morning.
00:30:11Then I'll smuggle you out of my wagon.
00:30:13Why?
00:30:14Maybe I just don't know any better.
00:30:16You are not like the others.
00:30:18People have been telling me that since I was six, and I still don't believe it.
00:30:21The trouble is, the others aren't like me.
00:30:22That is too bad.
00:30:25Now, don't be so timid. I only want to see the other side of your face.
00:30:31Magnificent. You must let me paint you.
00:30:34I'm sorry, but it's the best I have to offer.
00:30:44Good night.
00:30:46Megan Pfe 1980.
00:30:47If you think of a wife singing, man, get going, is there now?
00:30:48I'll give you a sale.
00:30:49Come back to me again.
00:30:52People are looking inquisitive at two people around them,
00:30:55Why?
00:30:56Me?
00:30:57I'm sure.
00:30:58That's so funny.
00:30:59Not to me.
00:31:00You know?
00:31:05Come back to Mr. Gideon.
00:31:06THE END
00:31:36Good morning
00:31:39Good morning
00:31:40Jonathan is going to fetch the cow
00:31:43I wonder why he bothers to paint the cow
00:31:47When he already has you in the picture
00:31:49The cow is expected by the Massachusetts Society
00:31:53I am the surprise
00:32:06Is it true that in New England the men carry hot water jugs when they go courting a lady?
00:32:25Good morning
00:32:31Good morning, Greta
00:32:32Good morning, Cynthia
00:32:33Good morning, Jonathan
00:32:34Perfect light today
00:32:35Don't want to lose it
00:32:36I'd like to come along, Jonathan
00:32:38After last night?
00:32:39Oh, dear, I wouldn't think of it
00:32:40No telling what those mohawks might be up to today
00:32:41Well, you shouldn't go either
00:32:43I carry a beautiful charm along that will protect me
00:32:46Oh, I didn't mean you, Greta
00:32:48You can't go along either
00:32:49I'm only painting the cow today
00:32:51See you at sundown
00:32:52Who will get your lunch?
00:32:57I'll milk the cow
00:32:58Open the gates
00:33:07Anyone leaving the fort today does so at their own risk
00:33:10Captain Langley will not be responsible
00:33:12All right, he's not responsible
00:33:14Open the gates
00:33:15I'll be next
00:33:17You can come out now
00:33:45they're angry with you they'll get over it which is in love with you either one and yet
00:33:53they they kiss you it amuses them an indian woman does not kiss not even for amusement
00:33:59come up here next to me
00:34:05who
00:34:08monita i'm going to kiss you
00:34:15and just why are you laughing you look so long-faced and your mouth became little as
00:34:24if you'd eaten a bitter root you're supposed to close your eyes when you're kissed do i close
00:34:29my eyes to watch a sunset what does that have to do with it sunset is as beautiful as the spring
00:34:34flowers or the silver path of the moon across the water the eyes open to welcome beauty they close
00:34:40only to shut out ugliness so kissing must be ugly the way you put it it sounds logical only it isn't
00:34:52are you married anita no not yet why not i'm sure there are many there are many and there are none
00:34:59and i am afraid afraid of what the white man what he will do to us
00:35:04i heard you talk to that man in your room there was no hate in your words your heart was good
00:35:12come to our village learn about us so that you may tell your people that we wish only to live in
00:35:17peace with them did they let me paint what i see oh get in the back i will not i
00:35:34why are you with the white man because you my half-grown brother and the brave tuscarora
00:35:39warriors left me behind we had no chance you will have plenty of chance to explain to our father
00:35:45you may come back to your place white man the fire is out and even the smoke crawls on the ground
00:35:50like a frightened dog come out
00:36:05of course they always talk so much they waste their breath if they talk about me i am no more you
00:36:17are an iroquois and my father is chief of all the iroquois
00:36:23when a young fire burns so fiercely that its flames reach for a tree it must be put out before it burns
00:36:29down the forest not put out but made to burn where it should they broke the peace when i told them not
00:36:34to rockowa the tuscarora led them to it a guest must respect the house of his host youth and hate make
00:36:41dangerous thoughts he has nothing left but revenge we must try to understand ow ow that hurts
00:36:50be more gentle oneida the white man is tender like a young pig cries at the smallest pain
00:36:57rockowa you talk like a fool a man would not say that to me and live now you talk like a boastful fool
00:37:03stand up keoga
00:37:06how brave you are rockowa to fight a half-grown boy
00:37:26rockowa you are rock
00:37:51Are you all right?
00:38:20You're a good lad, Keogum.
00:38:21But you'd better put on some more size before you challenge a man that big.
00:38:25Will you teach me how to...
00:38:26Sure, I'll teach you.
00:38:32A good guest does not create disturbances in his host's house.
00:38:41I beg you to forgive me.
00:38:43And please do not be too hard on him.
00:38:48I told you he was our friend, Father.
00:38:51I believe it.
00:38:53You will be welcome always, wherever there is a mohawk fire.
00:38:59I will paint pictures of you, Kawanan, and your ways.
00:39:02And I will show them to my people, so that they will know you better.
00:39:04He who fills his mouth with big words ends by eating dirt.
00:39:20Any sign of the wagon yet, Sergeant?
00:39:22No, sir.
00:39:23All right, close the gates.
00:39:29Have he ever stayed out this late before?
00:39:31No, miss.
00:39:32It is vetted serving.
00:39:33Most likely killed by the Indians.
00:39:35What a horrible man.
00:39:39He should not say those bad things unless it is true.
00:39:42What else can it be?
00:39:44There aren't any pretty women out there, are there?
00:39:46I insist that you and your soldiers make an immediate search for that man.
00:39:50Why would you search for him?
00:39:51I'd start with the mohawk village.
00:39:53They may not be agreeable.
00:39:55Then burn it down.
00:39:56We don't happen to be at war with the mohawk.
00:39:59What was last night?
00:40:00A social visit.
00:40:01If you won't send your soldiers, I'll gather the settlers and we'll go ourselves.
00:40:04The gates are closed, Mr. Butler.
00:40:07Neither you nor anyone else goes out of this fort tonight.
00:40:10There's no reason yet to believe Jonathan's had trouble with the mohawks.
00:40:13Maybe he lost his cow and still looking for it.
00:40:15What are they singing, Juanita?
00:40:30They tell of the Gagawita, who brought love and laughter and the tree of peace to the Iroquois.
00:40:38I didn't know an Indian could laugh till I met you.
00:40:41Does the small bird sing when the hawk circles his nest?
00:40:44And as for love and peace, you might as well have told me the Indians have wings and fly among the angels.
00:40:50They do.
00:40:53Why has the white man never learned to love?
00:40:57Does the hawk love when he circles the small bird's nest?
00:41:01Then you do know love.
00:41:03As you know peace and laughter.
00:41:06I'm glad.
00:41:07And from Ontario, where lived the Hurons, came the Gagawita, father of the Iroquois,
00:41:18to plant the tree of peace beside Lake Unundaga.
00:41:23The tree of peace whose roots are in the heaven.
00:41:26the world.
00:41:40Aρεu!
00:41:44O'oh, O'oh!
00:41:47O'oh, O'oh!
00:41:49O'oh!
00:41:50O'oh!
00:41:51O'oh, O'oh!
00:41:53Throw it back!
00:42:21Come out and get it!
00:42:23Throw it back!
00:42:25Come and get it!
00:42:40Now you get it!
00:42:51Come and get it!
00:42:58Come and get it!
00:43:00Come and get it!
00:43:03Come and get it!
00:43:07Come and get it!
00:43:23Come and get it!
00:43:27Come and get it!
00:43:31Come and get it!
00:43:38Come and get it!
00:43:43Come and get it!
00:43:46Come and get it!
00:43:53but it's been days how can you stand by and do nothing all this time he knew it was not a good
00:44:20time to leave the fort he's city bread he doesn't understand these things he didn't realize how
00:44:26dangerous it was he should have he's been here long enough he used to make out like we was the
00:44:31mainland he's most likely found the truth by now how can you laugh they laugh because they are men
00:44:38and try to hide with laughter that they're afraid to go out there and look for jonathan that is why
00:44:42they laugh i ain't fighting no indians for that painter fella i like hair on my head my crops
00:44:47mean more to me than he does let this go unpunished and you'll lose your lives as well as crops butler
00:44:52i'll not have you stirring up a war against the marks the war has started captain that senseless
00:44:59little raid several nights ago now this the crafty devil's feeling out your courage when he finds you
00:45:04haven't got any he'll come in one night and slaughter every one of you he's right he's stupid or crazy
00:45:11the iroquois are thousands we are maybe 200 how can we punish them well that's your problem and you'll
00:45:17have to solve it without us we're going back to boston yes that is very wise i'm not leaving here
00:45:23until i know what happened to jonathan i always knew i'd die a spinster now where is he going
00:45:30the captain from the fort no demeter
00:45:58is this the white friend's greeting to koanen and his family
00:46:13i beg your forgiveness koanen this thoughtless imp of satan has been gone for days and we thought
00:46:21him dead or lost after all my worry it struck me funny to find him peacefully employed at painting
00:46:26her portrait you would do better to be angry with him that comes now with your permission
00:46:31i should beat your brains in for all the trouble you've caused what has he done about driven me
00:46:40crazy that's all the settlers don't understand the iroquois koanen they listen to this madman butler
00:46:46who frightens them with gory predictions of massacre by painted redskins when jonathan failed to return
00:46:51he promptly said the indians killed him and started agitating for a war against you as punishment for
00:46:55your crime he's got the people all stirred up i guess i'd better get back to the fort as quickly as
00:47:00possible show myself alive and happy will you be back quickly as a horse can run yoga you will go with
00:47:08them he who plans war does not send his only son into the enemy camp they will understand that better
00:47:14than 10 000 words each time i look upon koanen and his wife minica i thank my god for them their
00:47:22wisdom and their goodness long life to you and to you long life how soon will he be in i've got some
00:47:29paintings to take and i want to bring back some more supplies so i'll take the wagon we better take back
00:47:33that cow too and i won't wait for you can try to get in before sundown we'll be back with tomorrow's son
00:47:44yoga yes be careful of your manners among the white people yes mother
00:48:03yoga yes mother
00:48:29I don't understand it.
00:48:59He promised to be here by sundown.
00:49:02Could something have happened?
00:49:05Can't think of anything.
00:49:06Everything was certainly peaceful enough when I left.
00:49:09That Jonathan, when he's painting, he forgets time.
00:49:13Might as well get some sleep.
00:49:22Good evening.
00:49:26He should know better than to hide in shadows
00:49:27when there's an Indian Worry on.
00:49:29Indian Worry?
00:49:31I thought the Indians were peaceful.
00:49:33You said so yourself, Captain,
00:49:34and you know better than anyone how to read the Indian mind.
00:49:38Evacuate the fort.
00:49:39Get out of the valley or you'll all be dead within 24 hours.
00:49:41You worry too much, Mr. Butler.
00:49:43You will get bad stomach trouble.
00:49:45Now this day we are met together.
00:49:54The great spirit has appointed this day.
00:49:58Now this day we are met because of this death which is our lot.
00:50:04Now into the ground will he be born, the young Kyoga.
00:50:13Now then, you wipe away the falling tears
00:50:19so that peacefully you may look around.
00:50:23And then something stops your ears.
00:50:26With care we remove whatever it is
00:50:29so you will hear the words to be said.
00:50:33There is a stoppage in your throat
00:50:38and we take it away that you may speak your hearts.
00:50:42Every day we are losing our men
00:50:48into the earth they are born.
00:50:51Also our women and children and our grandchildren
00:50:54so that you are sitting in the midst of blood.
00:50:58I see the ghost of the Tuscarora walking through the woods
00:51:06and with them I see the ghost of the Mohawk
00:51:09for you are dead, dead as Kyoga is dead,
00:51:14killed, killed as Kyoga was killed by the white man.
00:51:20And the ghost must walk the earth until the last day
00:51:23because the white man has plowed up the burial ground
00:51:26and there is no place for the dead to rest.
00:51:30This is what I see as I see Kyoga dead before me
00:51:35and no man saying the blood of a hundred white men
00:51:38for each drop of young Kyoga's blood.
00:51:42You grieve because you have not the courage to fight.
00:51:45You are dead.
00:51:47Dead.
00:51:48No.
00:51:48No.
00:51:49Rocko or the Tuscarora speaks angry words
00:51:54and maybe with reason.
00:51:57But not ye nor I, no matter what is in our hearts,
00:51:59can make war.
00:52:01That only the council can decide.
00:52:04And you will talk for peace
00:52:05because your women owned your mind
00:52:07and a white man owned your daughter.
00:52:10I've seen with my own eyes.
00:52:15No.
00:52:16Anita, go to the house.
00:52:23The white man killed my son.
00:52:26He will not kill my daughter.
00:52:27I love your daughter.
00:52:28The white man does not know love.
00:52:31Only conquest.
00:52:33Let the runners go out to all the chiefs of the clans
00:52:37for a war council.
00:52:55Why did they kill my brother?
00:52:58I don't know, Anita.
00:53:00I can't even begin to understand it.
00:53:02They must have known it would start a war.
00:53:04There's a madness about this thing.
00:53:08That the moon were making ugly faces at the sun.
00:53:10And the stars were chasing each other like mad dogs.
00:53:14For they are mad dogs, these white men
00:53:16who would make war to destroy each other.
00:53:18What are they made of that they would deny their own people?
00:53:21What white man has done that?
00:53:22This man Butler,
00:53:24who came to tell my father of the new Muffikens.
00:53:26Butler?
00:53:28Why?
00:53:29To make my father war against the settlers.
00:53:33Jonathan,
00:53:34you must leave while there is still time.
00:53:37If the council decide for war,
00:53:38and they will,
00:53:39they will kill you first.
00:53:41Why would Butler...
00:53:42He doesn't matter now.
00:53:44Jonathan, think of yourself.
00:53:46You are a white man.
00:53:47Blood for blood.
00:53:49Jonathan for Kyoga.
00:53:50They will kill you
00:53:51and throw your body through the gate of the fort
00:53:53and that will be their declaration.
00:53:54Ah!
00:53:57They have decided for war.
00:53:59Am I trying to stop them?
00:54:00No, Jonathan.
00:54:01They will kill you.
00:54:02Go now.
00:54:03Jonathan!
00:54:04Jonathan!
00:54:04Jonathan!
00:54:05Jonathan!
00:54:13I'm your friend.
00:54:16You are a white man.
00:54:16I'm your friend.
00:54:28You are a white man.
00:54:30Regardless, I am still your friend.
00:54:32You must not blame all white men for this murder.
00:54:35Let me find out first what mad men did this thing.
00:54:37We offered peace.
00:54:38They gave us death.
00:54:40Now they will have war.
00:54:42Let his body carry the flaming war arrows to the white man.
00:54:46So be it.
00:54:46Let's go.
00:54:56Mother.
00:54:57Mother, they've taken Jonathan prisoner.
00:54:59He is our enemy.
00:55:00You know he isn't.
00:55:02I know his skin is white.
00:55:03I do not know the color of his heart because I cannot see it.
00:55:07You do not sound like my mother.
00:55:10I am also Kyoga's mother.
00:55:12I love Kyoga.
00:55:13You also love the white men.
00:55:15And I will hate those who hate him.
00:55:17And I will kill those who kill him.
00:55:19Even though it be my own father.
00:55:21If the law be blood for blood, then I too must obey this law.
00:55:24This is a man-made law.
00:55:25For men do nothing they enjoy so much as dying, knowing that women will go on making new life to take the place of all the wasted dead.
00:55:34What are you waiting for?
00:55:38Go, free this man.
00:55:39Send him on his way before they cut him up in pieces, the bloodthirsty fools.
00:55:42All right.
00:55:53Let's go, sir.
00:56:25It will not be so quick, white man.
00:56:50There will be fire and a tearing of the skin a little at a time.
00:56:55No, you will not die fast.
00:56:58You will die piece by piece.
00:57:00And I shall take the first.
00:57:01We're going to need to cut him loose.
00:57:15We're going to need to hurry.
00:57:16Somebody might have heard him.
00:57:24Climb this wall and jump.
00:57:25On the other side, there's a soft brush.
00:57:27You will not be hurt.
00:57:27You're coming with me.
00:57:28I belong with my people, you with yours.
00:57:30I'm not leaving without you.
00:57:31Will it do any good for you to stay here and die instead of going to warn your people?
00:57:36I love you, Onida.
00:57:38I'll come back for you.
00:57:42You see, Jonathan, I keep my eyes closed when I kiss you.
00:57:46Now I know why.
00:57:48Tell me.
00:57:48To love is to close one's eyes to everything except the beauty of love.
00:57:54Now go while my eyes are still closed.
00:57:56And let's go.
00:58:12I'm in the wrong room.
00:58:13Come back.
00:58:13I'm in the wrong room.
00:58:14Come back.
00:58:14I'm in the wrong room.
00:58:15I'm in the wrong room.
00:58:16All right.
00:58:21Come back.
00:58:22Come back.
00:59:24There's someone running here.
00:59:41He looks hurt.
00:59:41Come here.
00:59:48Come here.
00:59:49Come here.
00:59:52Come here.
00:59:53Let's go.
01:00:23Let's go.
01:00:53Let's go.
01:01:23Tell the colonel we've had warnings, so we'll be able to hold him off for a while.
01:01:48But he'd better get help here as fast as he can.
01:01:50Yes, sir.
01:01:53All right, close the gates.
01:01:57Open those gates again.
01:01:58No one else leaves the fort.
01:02:00I am not a prisoner.
01:02:01I will not be detained like a prisoner.
01:02:03We need every man here.
01:02:05I gave you warning, but you wouldn't listen to me.
01:02:07Now you expect me to die with the rest of you.
01:02:10But I'm not such a fool.
01:02:11Open those gates and let me make my own way.
01:02:13Butler.
01:02:13Why did you give them warning, Butler?
01:02:23What information did you have?
01:02:25It's enough that I warned them.
01:02:26You said they were attacked within 24 hours.
01:02:29Yes, that was a good prediction, wasn't it?
01:02:30Kewanen's son, Kewanen, was murdered approximately 24 hours ago.
01:02:34Did you know that, Butler?
01:02:36What is one Indian to me?
01:02:38How did you know Kewanen was murdered?
01:02:40It came to me in a vision.
01:02:42How many shots were in your vision, Butler?
01:02:44As many as it takes to kill an Indian.
01:02:46One is enough for a man who knows how to shoot.
01:02:48But there's twice as much pleasure in two.
01:02:50And what pleasure was there in going to Kewanen and telling him about the new muskets?
01:02:53That's a lie.
01:02:55A Mohawk told me.
01:02:56You take the word of a Mohawk against that of a white man.
01:02:59Mohawks don't lie, Butler.
01:03:00You know that.
01:03:04You killed Kewanen because they're coming!
01:03:11Well, as you are, Mr. Butler, since you insist, open the gates!
01:03:16Tell the Mohawks we use the new muskets most regretfully.
01:03:19If you have a chance...
01:03:33Open!
01:03:34Let me in!
01:03:37Bar the gates.
01:03:38Open up!
01:03:40Let me in!
01:03:41Bisa, back to my muskets.
01:03:43Open up!
01:03:45Then miss his name!
01:03:51Go inside and get ready to help the wounded.
01:04:01It will be better for me.
01:04:11Hello, everybody.
01:04:13I'm sorry, I'm sorry.
01:04:13Come on.
01:04:27All right.
01:04:33Come on.
01:04:33Come on.
01:04:35Wait!
01:05:05Wait!
01:05:09Wait!
01:05:35Wait!
01:06:05Wait!
01:06:06They're leaving.
01:06:07They'll be back.
01:06:08Will you get back?
01:06:10No!
01:06:12No!
01:06:13No!
01:06:14No!
01:06:16No!
01:06:17No!
01:06:19No!
01:06:20No!
01:06:21No!
01:06:23No!
01:06:24No!
01:06:25No!
01:06:26No!
01:06:27No!
01:06:29No!
01:06:30No!
01:06:31No!
01:06:32No!
01:06:33No!
01:06:34No!
01:06:35them the same and better when they do greater bring wine free wine for everybody and brandy too
01:06:42it is too good for the indians they won't appreciate it oh oh look up man it's not
01:06:50clearly as painful as childhood and how would you know miss we gave them what we did they've
01:06:57run off with their feathers dragging will they come back then with more men but if help doesn't
01:07:04arrive in time we don't think that way we say we'll hold them off until help arrives jonathan
01:07:09shouldn't be allowed to fight he might be blinded or have his hands wounded he must be wasted this
01:07:15way he's an artist he would not even be a good artist if he were not first a man today is fighting
01:07:21day even for us women greta i've said some nasty things about you and i'm sorry i did not even
01:07:30hear them it is my disposition greta
01:07:36do you love jonathan jonathan does not love me nothing else matters it is that way many times
01:07:44love commands but never obeys i must bring wine to the men they are thirsty
01:07:49do you love me nothing well what are you standing there for these people need tending to well
01:08:12help
01:08:19i don't know
01:08:35if we're left alive come back to boston jonathan
01:08:40no not to marry me i have no hope anymore but to work or at least to live to work
01:08:45i don't know cindy there's a lot to think about
01:09:04so
01:09:15we can hold the walls a little longer retire take whatever cover possible
01:09:45not to be left
01:09:57out
01:10:15Out of the window.
01:10:45Out of the window.
01:11:15Out of the window.
01:11:45Out of the window.
01:11:47Out of the window.
01:11:48Out of the window.
01:11:49It seen the next night but they died for nothing.
01:11:53For who has won this battle, neither white man nor Indian?
01:11:56Behold your prisoner K flewanna.
01:11:58But not the great nations of the Uroquois.
01:12:00For now, the Uroquois will listen to the warnings of the Tuscarora.
01:12:03And the war-files will burn from the salt ocean to the great river.
01:12:07The white man will be driven from the lands of the Uroquois
01:12:09where the French are a hundred years ago.
01:12:11K norm.
01:12:13There's the man who killed your son.
01:12:20He was no man's friend, not yours nor ours.
01:12:23He would have had us destroy each other to have this valley for his own.
01:12:27Is it for this man we must set our world on fire?
01:12:29Do we give him what he wanted even though he is dead?
01:12:36Too many have died already because of him.
01:12:43Here you are, Captain. That's all of them. Take good care of them now.
01:12:49If you ever come to Boston, do come and visit us.
01:12:53You too, great. It's really been wonderful knowing you.
01:12:56I must say I'll certainly be glad to get back to Boston and civilization
01:12:59away from all these disgusting Indians.
01:13:03Deliver my paintings to the Massachusetts Society, Cynthia.
01:13:06There are 11 more than they ordered.
01:13:08Aren't you coming with us?
01:13:10No, dear Aunt Agatha. I'm staying right here.
01:13:13Goodbye, Cynthia.
01:13:20Have a good trip.
01:13:22Love commands, but it never obeys.
01:13:26Greta taught me that.
01:13:28You always knew that, Cynthia.
01:13:29You are also a woman.
01:13:33Greta, I still think you're the smartest woman I've ever known.
01:13:36Now we can truly dry our tears, for the great spirit has sent us a son
01:13:49in the place of he who was taken away.
01:13:52And for this reason, we give you the name, Giyoga.
01:13:55May you be happy until your spirit leaves us.
01:14:01Now, go to Oneida.
01:14:04Why are you closing your eyes?
01:14:10I'm waiting to be kissed.
01:14:11In front of all these people?
01:14:13Oh, there are some things worth learning from the white man.
01:14:15Oh, there are some things worth learning from the white man.
01:14:28Oh, there are some things worth learning from the white man.
01:14:30Oh, I'm waiting for you.
01:15:34We're right back.
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