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  • 6 days ago
During a heatwave in a secluded L.A. suburb, an unhinged writer falls for his new neighbor, a gorgeous struggling actress. They form an intense erotic bond, but his psychosis and her ambition turn their relationship dangerously toxic.

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Transcript
00:00:00Oh
00:00:30He's back.
00:00:34He's back from the belly of Christo.
00:00:42Not too bad.
00:00:44Need some sun, but not too bad.
00:00:47Bob DeBee, Stevenson.
00:00:49What a surprise.
00:00:51I'm a stuntman.
00:00:53I know how to make an entrance.
00:00:54Yeah, it's good to see you, too, man.
00:01:05Well, I did my best.
00:01:07Two of your plans are still alive.
00:01:10Bathroom's clean.
00:01:13But then I broke your bed.
00:01:15With a hot oil wrestler from the Tropicana.
00:01:20I bought you a new one.
00:01:24Thanks.
00:01:28You're a prince.
00:01:30No.
00:01:31I'm a friend.
00:01:36Listen, Jairus.
00:01:39I don't know everything that went on with you and Jeannie back in Philadelphia, but...
00:01:43I forgot to tell you, I've got some new neighbors.
00:02:02Vampires in Disneyland.
00:02:06Welcome home.
00:02:07Bye.
00:02:20Bye.
00:02:20Bye.
00:02:26Bye.
00:02:31Bye.
00:02:35Bye.
00:02:37Bye.
00:02:37Genie?
00:02:59Genie, it's me.
00:03:07Genie, it's me.
00:03:37Genie, it's me.
00:03:44No!
00:03:45Why the hell are you being so stubborn?
00:03:46I am not being stubborn, I am just right!
00:03:48How do you know before you even try?
00:03:50Look, I am tired!
00:03:52I have had enough of this today, I would just like to give it a wrap!
00:03:57Hello?
00:04:04Rough day, huh?
00:04:06It gets worse.
00:04:12It gets worse.
00:04:13It gets worse.
00:04:14It gets worse.
00:04:15It gets worse.
00:04:19It gets worse.
00:04:20It's me.
00:04:22It's me!
00:04:23It's me!
00:04:24I'm sorry!
00:04:25It's me!
00:06:26May?
00:06:27May?
00:06:28When was the last time you ever bent over to make a bed?
00:06:31And when was the last time you did anything around this house?
00:06:34You took the night shift so you could write during the day.
00:06:37Write?
00:06:38You don't do shit!
00:06:39I'm tired, Eric!
00:06:40I'm tired!
00:06:41Stay away from me!
00:06:42I said come here!
00:06:43Stay away from me!
00:06:44God damn it!
00:06:45You get back here you bitch and shut the god damn door!
00:06:50I said come here!
00:06:51I'm tired.
00:06:53I said come here.
00:06:55I did a second.
00:06:56I said come here.
00:06:58I said come here.
00:06:59I said come here.
00:07:00I said come here.
00:07:01It's too soft, Char.
00:07:09What do you mean, it's too soft?
00:07:12I mean, it's the opposite of hard.
00:07:18The book has no plot.
00:07:21The characters are gooey.
00:07:22Nobody can make up their mind.
00:07:25I kept waiting for something to happen.
00:07:28It's about a relationship, Chaz.
00:07:30It's about an honest-to-God, day-in, day-out relationship
00:07:35between two people who don't know what the hell they want.
00:07:38It's about life.
00:07:42I just wanted to write something that was real.
00:07:46Well, you did.
00:07:48It was so real, I could hardly finish it.
00:07:51I kept thinking about my ex-wife.
00:07:54At page 40, I wanted to shoot myself.
00:08:00Charvis, I'm sorry.
00:08:05I heard about Jean.
00:08:08I know how that must have torn you.
00:08:13But listen to me on this, all right?
00:08:16Nobody is going to pay to read this.
00:08:19Everybody has to write their first novel, right?
00:08:24I mean, this is something that you had to do.
00:08:26I know that, and you know that.
00:08:28Right?
00:08:35Charvis.
00:08:36Things aren't good right now.
00:08:38I...
00:08:38All right, all right.
00:08:39I, uh...
00:08:39Okay.
00:08:42Now listen to me, all right?
00:08:45I read your book.
00:08:47I read it cover to cover.
00:08:49You are a fine writer.
00:08:52And sometimes you're a terrific writer.
00:08:53You've come a long way to get here.
00:08:55I mean, hell, you could have been running that corporation back in Philly.
00:08:59Well, fuck it.
00:08:59I mean, you chose to be a writer.
00:09:02Now, that's good.
00:09:04Now, I can help you.
00:09:05But you have got to help me.
00:09:09You've got to give me something that I can sell.
00:09:13I mean, if you want to put your heart into it, then put your heart into it.
00:09:16But let your people dodge a few bullets.
00:09:22I can sell bullets.
00:09:25Charvis, I can sell bullets.
00:09:31Come on.
00:09:35Damn it!
00:09:55Hurry up, Eric.
00:09:58Come on, Eric.
00:09:59We're late.
00:10:00Amanda, I'm not the one knocking shit over in there.
00:10:04Eric, come on.
00:10:05Will you?
00:10:12You're not even dressed.
00:10:14It's too hot.
00:10:19Why ruin a good shirt?
00:10:22It's just to stay here and sweat.
00:10:24Not now.
00:10:25Yes, now.
00:10:27Right now.
00:10:33We have to leave.
00:10:35I want to breathe.
00:10:44I want to breathe.
00:10:46I don't know.
00:11:16We've reached the home of Bob the Beast.
00:11:25Stevenson dances with Beast.
00:11:46Stevenson dances with Beast.
00:12:16Stevenson dances with Beast.
00:12:46Stevenson dances with Beast.
00:13:16I want to breathe all over you.
00:13:33Where would you like to start?
00:14:03I don't know about you, but I think it's time we made this thing official.
00:14:17Well, you're not wearing an apron, and you can't take my order, so you can officially leave me alone.
00:14:25I'm Jarvis Scott. I live at 2011 Blossom. It's the bungalow right across from yours.
00:14:33I know you don't see a whole lot of me, but I'm the guy with the noisy typewriter.
00:14:37Well, I guess you don't see a lot of me either. I'm Danny Payson. I'm the girl with the noisy partner.
00:14:49Thanks.
00:14:57So, what was the question again?
00:15:04How about a love interest?
00:15:08Are you offering?
00:15:09Not at the moment.
00:15:16She, uh...
00:15:18It's a complicated story.
00:15:21Oh, if you don't want to talk about it, I don't...
00:15:23You know, I... I want to talk about it.
00:15:28She passed away in December, and...
00:15:32Oh, I'm sorry.
00:15:35She wasn't a big fan of my writing thing.
00:15:38She, uh...
00:15:39She kept waiting for me to grow up.
00:15:43Go to work for her father's company.
00:15:46Covering a mansion on the main line.
00:15:48I... I have to do what I'm doing now.
00:15:53I want to live.
00:15:55I want to write.
00:15:56I want to feel.
00:16:00I want to know everything.
00:16:02Even if it means holding on to the worst kind of pain.
00:16:06Do you know what I'm talking about?
00:16:12So, um...
00:16:14What about you?
00:16:18Are you spoken for?
00:16:22It's a complicated story.
00:16:25Yeah.
00:16:28It's a complicated table.
00:16:32We broke up a few months ago.
00:16:35We're really different.
00:16:39You just couldn't give me the freedom to go after what I want.
00:16:43And what do you want?
00:16:45I want to win.
00:16:48We all want to win.
00:16:49We all don't realize there's two parts to being a winner.
00:16:53There's the part that gets you to the top, and there's the part that keeps you there.
00:16:58The staying power.
00:17:00I want to act until my heart stops beating, Jarvis.
00:17:05And I'm going to do anything I have to to get that.
00:17:09Anything?
00:17:10Hey!
00:17:22So, which look at your suitcase, Amanda?
00:17:24Shit.
00:17:25What do you think, Eric?
00:17:26I think we should talk about it.
00:17:28Talk with you?
00:17:29No!
00:17:31Do I know who?
00:17:32No, who?
00:17:33Don't give me the shit, Amanda.
00:17:35Don't give me the...
00:17:36Who is it?
00:17:37Who the fuck is it?
00:17:38Please let me go!
00:17:40You talk to me, Amanda.
00:17:41God damn it.
00:17:41You fucking dark.
00:17:43Eric.
00:17:46Eric.
00:17:46It's not what you think.
00:17:49It's just a guy, Amanda.
00:17:51I could be an owl in the dark, and I couldn't still see you.
00:17:54Where'd you go?
00:17:55Who'd you go with?
00:17:56Eric!
00:17:57Just tell me.
00:17:58Just tell me.
00:17:59Did you get the part you wanted, huh?
00:18:01Did you get the part?
00:18:02Did you get the role, you goddamn whore?
00:18:05Eric, I swear to God, it's not what you think.
00:18:08You're not going to leave this house.
00:18:10You're not going to leave me.
00:18:11You know why?
00:18:11You know why?
00:18:12Because you like this.
00:18:14I'm not...
00:18:15What the hell are you doing, man?
00:18:20I'm sending you to jail, man.
00:18:23Jarvis.
00:18:23But first, I'm going to kick your ass.
00:18:26Bobby, Jarvis is not what you think.
00:18:29What I think.
00:18:30For Christ's sake, Amanda, I've been listening to this shit for the last month.
00:18:33I've heard everything that goes on, and it's enough.
00:18:36Amanda.
00:18:37Oh, my God.
00:18:39Amanda, why did you lie to me?
00:18:42Why didn't you just tell me this guy lives here?
00:18:43Jarvis, my name is not Amanda.
00:18:47It's Danny.
00:18:49What are you talking about?
00:18:50He calls you...
00:18:51That's because I play a character named Amanda.
00:18:56I'm an actress, and the character Amanda, she's an actress, and...
00:19:01And what you've been listening to is, um...
00:19:04Is what?
00:19:05It's a rehearsal.
00:19:06We're working on a play.
00:19:08We're actors.
00:19:12A play?
00:19:15Yeah, we open on Melrose in two weeks.
00:19:19All this carrying on.
00:19:20It was just make-believe.
00:19:23And he doesn't live here?
00:19:25I live here.
00:19:27It was all just the play.
00:19:30I'm sorry.
00:19:34You're sorry?
00:19:36Look at me, Amanda.
00:19:41Amanda.
00:19:42Amanda.
00:19:42Would you like some company?
00:20:09Can I sit down?
00:20:10Hi.
00:20:23Hi.
00:20:26Hi.
00:20:29Hi, who?
00:20:34Hi, Danny.
00:20:37Danny.
00:20:38Two syllables.
00:20:41Easy to remember.
00:20:42Hard to forget.
00:20:47How'd you know where to find me?
00:20:50I took a wild guess.
00:20:56You broke Gary's nose.
00:20:59Shattered it.
00:21:00I'll pay for it.
00:21:06I'll make sure I cover everything.
00:21:08You don't have to.
00:21:09He has insurance.
00:21:12Where'd you learn to hit like that?
00:21:17Fighting one-on-one.
00:21:18You can't want an idiot, right?
00:21:28You thought I was in trouble.
00:21:29You wanted to help me.
00:21:31That's not being an idiot.
00:21:33It's chivalry.
00:21:36It's chivalry.
00:21:38I haven't seen that in a long, long time.
00:21:40I'm just a macho kind of guy.
00:21:52Well, there are two kinds of macho.
00:21:55There's the kind that gets you noticed.
00:21:57And then there's the kind that I like.
00:22:00The kind with staying power.
00:22:01Which one are you?
00:22:11Back to the scene of the crime.
00:22:18Maybe.
00:22:25So what do you think?
00:22:27Your place or...
00:22:30Or mine?
00:22:31My shoes.
00:22:49What was that?
00:22:51It's crystal.
00:22:52A leak.
00:22:53It's priceless.
00:22:56Oh, wow.
00:23:01Do anything you want to me.
00:23:30Anything.
00:23:32What time is it?
00:23:536.30.
00:23:54I have to write.
00:24:01Now?
00:24:03I start work early.
00:24:06I don't.
00:24:07That's why I act.
00:24:09I thought you were out of the house by 7.30, but I may know.
00:24:13Don't get your hopes up.
00:24:16I'll see you soon.
00:24:17I can't.
00:24:17I can't.
00:24:23You can't?
00:24:27I swear.
00:24:29I know some truth.
00:24:31I know.
00:24:32I subscribe.
00:24:33You lied to me.
00:24:46What happened to staying power?
00:24:49I gave him my best 16 rounds.
00:24:55Better get a new trainer.
00:24:56Close the door.
00:25:03Close the door.
00:25:18It's beautiful.
00:25:19hey have a good rehearsal i will
00:25:31hey take it easy on her
00:25:49i'm an actress i have work to do i have auditions and i've got a schedule to meet just like you do
00:26:03you're out of the house by 7 30 in the morning
00:26:19who's there who are you guessing mom
00:26:29close enough
00:26:35so how's it going
00:26:39it's good tonight
00:26:42good
00:26:45so what's in the bag
00:26:53what's in the bag
00:26:58is it too tight
00:27:04uh-uh
00:27:09how about now
00:27:14perfect thank you
00:27:22have you had much experience at this kind of work
00:27:27fair to middling
00:27:30it's very
00:27:32energizing
00:27:34you should go to ralph's more often
00:27:38be a good boy i'll see what i can do
00:27:41so are you sure i'm not interrupting your writing
00:27:47okay i was gonna take a break anyway
00:27:54pulse is rapid
00:28:01i can't take this much longer
00:28:05i can't take this much longer
00:28:07it's only been a minute
00:28:12yeah for you it's another hemisphere down there we're a day ahead
00:28:16good night
00:28:23good night jervis
00:28:25what are you doing
00:28:26i'm going home
00:28:28home what what are you talking about
00:28:31i have an early morning rehearsal
00:28:34if i stay here tonight i won't get any sleep
00:28:36sleep who gets a goddamn about sleep
00:28:38dang
00:28:45i thought you tied these
00:28:48i did
00:28:49they were slip knots
00:28:51you could have gotten out whenever you wanted
00:28:55some boys just like to be tied up
00:29:02how do you live like that
00:29:08cornflakes tuna salad and rolling rock
00:29:10bud i meet the minimum daily requirement
00:29:13honey i'm your minimum daily requirement
00:29:20learn to cook if you want to keep her around
00:29:23damn i thought it was the other way around
00:29:25where have i been
00:29:26philadelphia
00:29:27you'll grow out of it
00:29:29beer
00:29:30i'll pass thank you
00:29:32thank you
00:29:34looks terrific
00:29:36you know i'd love to see what you do
00:29:42not a hell of a lot really
00:29:45i flattened my backside in a chair for most of the day
00:29:49for fun i run up and down a big hill
00:29:52could i read your work sometime
00:29:55yeah i'm gonna have something to show you
00:29:59did you show genie
00:30:03genie
00:30:07i didn't know uh
00:30:14i didn't know i told you her name
00:30:17i saw it on the back of that picture on the dresser
00:30:20the one with the broken glass
00:30:23you shouldn't leave stuff like that around jarvis
00:30:26you might cut yourself
00:30:28i write so i can be read
00:30:35but with you it's different it's it's personal
00:30:39are you flattering me jarvis
00:30:41try and be clear
00:30:43if a stranger reads your mail
00:30:45it doesn't matter
00:30:46you don't know him from adam
00:30:47but
00:30:50with someone you care about
00:30:52it's
00:30:53it's different you
00:30:54you don't have anything to hide behind
00:30:57well who says you have to hide
00:30:59well who says you have to find me
00:31:01nobody jarvis
00:31:03nobody but you
00:31:05she used to like to pressure me
00:31:16i don't like to be manipulated
00:31:18manipulated
00:31:20jarvis you said it yourself
00:31:23the challenge isn't to cut yourself off from something because it doesn't feel good
00:31:29it's to touch everything
00:31:34even if it means holding on to the worst kind of pain
00:31:59hello
00:32:09hi
00:32:10danny hi
00:32:12uh could you hold on for a second
00:32:14uh the kettle's blowing
00:32:22yeah uh
00:32:23hi
00:32:24i'm back
00:32:25uh
00:32:26how was your day
00:32:27i got a commercial
00:32:29a commercial
00:32:30that's fantastic
00:32:32i'm selling mineral water in a leather one piece bathing suit
00:32:37serious stuff rich in conflict
00:32:39how about you
00:32:40i'm on my way out to buy a case of mineral water
00:32:44i'm a
00:32:45i'm a couple of scenes away from finishing the first draft
00:32:49feels pretty good
00:32:51jarvis that's wonderful
00:32:52i'm really glad for you
00:32:55you know i'm uh
00:32:56i'm glad we're both really glad
00:33:02so uh
00:33:03what are you up to
00:33:04well a good friend of mine just flew into town
00:33:07he's been in new york for a while and we're gonna go out dancing
00:33:11it sounds like fun
00:33:13maybe we could all hook up later on
00:33:16yeah if we can
00:33:17anyway i just called to say hello
00:33:19um
00:33:20five time tomorrow i'll stop by after rehearsal
00:33:23i gotta go on
00:33:25danny i uh
00:33:27what charvis
00:33:29i miss you
00:33:31well you don't have to
00:33:34good night darling
00:33:35show me what you do charvis
00:33:52let me in that cool cool surface
00:33:56go
00:33:58go
00:33:59no
00:34:02no
00:34:03no
00:34:04no
00:34:06no
00:34:08no
00:34:10no
00:34:11no
00:34:13no
00:34:14no
00:34:15I don't know.
00:34:45I didn't want to interrupt you.
00:34:48Yeah, I know. You brought the rope.
00:34:53How's the play coming?
00:34:55Okay.
00:34:57My stomach's a little jumpy.
00:34:59We open tonight.
00:35:00I know. I'll be there.
00:35:02You're going?
00:35:03Yeah.
00:35:05I've got to see how this violent little obsession ends.
00:35:11Well, I should get going.
00:35:13I've got a lot to do before I go to the theater.
00:35:17I just, uh, wanted to smell you.
00:35:22Danny.
00:35:26Before you go,
00:35:27there's a couple things I'm having trouble with here in the book,
00:35:30and I was wondering
00:35:31if you'd take a look.
00:35:34There's another ten pages to come,
00:35:45but it's, it's pretty much finished.
00:35:48I'd like to change the part where...
00:35:49It's about us.
00:35:52Kind of.
00:35:53You've been writing about what's going on next door.
00:35:56Yeah, it just sort of came to me one night.
00:36:00There's, there's some neat twists.
00:36:02Lust, violence.
00:36:04I wanted to write something with commercial appeal.
00:36:10A Hollywood writer
00:36:11is drawn to physical violence
00:36:14in a neighboring cottage.
00:36:16Only he doesn't realize
00:36:18it's just two actors
00:36:19rehearsing for a play.
00:36:22Till he barges in
00:36:23and screws it up.
00:36:25Only he's already fallen madly
00:36:27in love with the woman.
00:36:29But who is she really?
00:36:32And what does she want from him?
00:36:33I adjusted character and plot points
00:36:37to improve dramatic value.
00:36:40It's dangerous stuff, Jarvis.
00:36:42I hope so.
00:36:43You're a wonderful writer.
00:36:47We'll see.
00:36:49I've seen it's here.
00:36:51It's just one thing I want to know.
00:36:54What's that?
00:36:55The last ten pages.
00:36:57How does it end?
00:36:59I can't tell you.
00:37:01Why not?
00:37:03I, I haven't worked it all out yet.
00:37:05I don't believe you.
00:37:10You're in my weak spot.
00:37:11Oh, gosh, it's a big one.
00:37:15Yeah, well,
00:37:16it's got a mind of its own.
00:37:18So?
00:37:20So what?
00:37:22What happens to us?
00:37:26You really want to know?
00:37:28I won't be able to sleep at night.
00:37:31I'll kill you.
00:37:39Sounds like fun.
00:37:41Oh, it's gruesome.
00:37:43Do you fuck me to death?
00:37:46What are you thinking about?
00:37:47You're home.
00:38:09I'm fine, yeah.
00:38:10Thanks for asking.
00:38:11Were you watching?
00:38:18Yeah, I was watching.
00:38:21Congratulations.
00:38:23I wish you could have been there.
00:38:27Oh, that would have been good.
00:38:30Me cheek to cheek with the minimum wage.
00:38:40Anyway.
00:38:42Your, uh...
00:38:43Your escort looked fine.
00:38:46He wasn't my escort.
00:38:48He was my director.
00:38:52So what happened to his prize?
00:38:54What are you talking about?
00:38:55Come on, baby.
00:38:56I'm talking about what you do best.
00:38:58Please don't do that.
00:39:02Do what?
00:39:04Huh?
00:39:04Do what?
00:39:05Look, I don't even know where to start with you anymore.
00:39:11I can't keep up, Amanda.
00:39:13I can't keep up.
00:39:18I feel like I'm...
00:39:19I feel like I'm losing you.
00:39:22And I don't want to lose you.
00:39:24There's only one thing between us.
00:39:29And that's when the lights are off.
00:39:31And we can't see each other's faces.
00:39:33And even that doesn't matter.
00:39:35I'm inside you.
00:39:36And our bodies are like current running through wire.
00:39:40And all we do is feel.
00:39:46What do you want me to do, Eric?
00:39:51To feel.
00:39:52I want you to feel.
00:40:02I want you, Amanda.
00:40:05I never wanted anybody else but you.
00:40:08Eric.
00:40:09I love you, Amanda.
00:40:10I love you, Amanda.
00:40:22So what happens to us?
00:42:06From our point of view, the only thing we're concerned about at this point is Jarvis' involvement
00:42:13once things get rolling.
00:42:16As far as the rewrite is concerned, as far as his involvement when he's on the set,
00:42:20you find that funny?
00:43:01I have some good news.
00:43:02I have some good news.
00:43:03Well, you go ahead.
00:43:05You're on a hot streak.
00:43:07An old college buddy of mine, the Beast, he owns a cabin up in northern New Mexico,
00:43:11the Sangre de Cristos.
00:43:12He's not going to be using it for a while so I could get it.
00:43:15And I thought we could just hang out for the next month and do some camping and watch the
00:43:20Aspens turn to gold.
00:43:22It's magical, Danny.
00:43:24So what do you think?
00:43:25I would love to.
00:43:26Okay.
00:43:27Your plan is next Saturday night, so I figured we could leave a day or two after.
00:43:31I...
00:43:32I know I should have asked you first, but I don't know.
00:43:36Something just snapped and I went ahead and I made the call.
00:43:41Jarvis, I really do want to go away with you.
00:43:46But...
00:43:47But I have some good news, too.
00:43:50So our good news is just going to have to compromise for a while, okay?
00:43:55Okay.
00:43:56I got a call back.
00:43:57A really big call back.
00:43:58That's...
00:43:59That's terrific.
00:44:00And this is not off off Melrose.
00:44:01It's not for mineral water.
00:44:02Oh, I have a good feeling about this.
00:44:03What is it?
00:44:04A film.
00:44:05Oh, yeah.
00:44:06Do I know it?
00:44:07You better.
00:44:08It's you.
00:44:09It's you.
00:44:10It's you.
00:44:11It's you.
00:44:12It's me.
00:44:13It's me.
00:44:14It's me.
00:44:15It's me.
00:44:16It's me.
00:44:17It's me.
00:44:18It's me.
00:44:19It's me.
00:44:20It's me.
00:44:21It's me.
00:44:22It's me.
00:44:23It's me.
00:44:24It's me.
00:44:25It's me.
00:44:26Yours.
00:44:32Jarvis?
00:44:37Jarvis, are you okay?
00:44:41How?
00:44:43How what?
00:44:44How did you get it?
00:44:46Well, it turns out that my agent is a friend of your agent, Chastone, and so I had a meeting set up.
00:44:53you what
00:44:55well I met with Chaz Stone
00:44:59and we talked about your script
00:45:00and he liked my ideas
00:45:02so he set me up with the casting director
00:45:04I mean this wasn't easy
00:45:07you have written one hot movie
00:45:09but I got in
00:45:11and I got the call back
00:45:12I have what it takes to play this role
00:45:15I know what it takes to live it
00:45:23it's for the meal
00:45:25John what
00:45:27what are you
00:45:28Jarvis
00:45:31Jarvis
00:45:33get your hands off me
00:45:35what the hell are you doing Danny
00:45:36you think my work is some kind of game
00:45:38game
00:45:39I don't understand why you're acting like this
00:45:42I thought you'd be happy for me
00:45:44this is just the break I need
00:45:45I could be in your movie
00:45:47that's the problem you never should have seen the book in the first place
00:45:49you never should have read it but you did
00:45:51you couldn't leave the goddamn thing alone could you huh
00:45:53it is just like Gene
00:45:55it is just
00:45:55Gene
00:45:58I told you once
00:46:00I don't like to be manipulated
00:46:03I know I was there
00:46:05look
00:46:08Jarvis
00:46:09I met your agent
00:46:11he knows my agent
00:46:13that's how the meeting got set up
00:46:15that's how this business works
00:46:16that's how you get your foot in the door
00:46:18well congratulations because you got it there
00:46:20you know I
00:46:21I trusted you
00:46:24with a piece of me
00:46:25a piece
00:46:26of me
00:46:27I shared that
00:46:30and that is all I'm sharing with you
00:46:32go bend over somebody else's desk
00:46:36close to your feet
00:46:50he scarfed me
00:46:52I haven't asked you
00:46:52well
00:46:54but it's the owner of me
00:46:56he feels like
00:46:57he can do it
00:46:58he can do it
00:46:58I am told you
00:46:59I want to ask him
00:47:01that's how you get your house
00:47:02through your time
00:47:02I have seen him
00:47:04that's how hebo76ool
00:47:05Jarvis? Jarvis, are you home?
00:47:13If you're home, then pick up the phone. I really need to talk to you.
00:47:18Shit.
00:47:33Jarvis!
00:47:35Jarvis, are you going to stop for me or not?
00:47:54Are you going to talk to me, Jarvis, or just Stu?
00:47:59Stu.
00:47:59Do you want me to spend the night here?
00:48:13Better?
00:48:17What do you think?
00:48:18I'd like to take care of something else, too.
00:48:41I'm sorry.
00:48:53No.
00:48:56No.
00:48:58No.
00:48:58No.
00:49:00No.
00:49:01No.
00:49:02No.
00:49:03No.
00:49:04I'm gonna go take a shower.
00:49:34I'm gonna go take a shower.
00:50:04Talk to me.
00:50:22Well, we're split.
00:50:23Rudy likes the second.
00:50:25But I like the first.
00:50:26How about you, Michael?
00:50:28I just went over with Terrence, and I think safety goes to number two.
00:50:31She's sexy, and she wants it.
00:50:33And she'll draw at the box office.
00:50:34And there are other considerations as well.
00:50:36I'm gonna go along with whatever Terrence decides.
00:50:39You already know what I think.
00:50:40There's no comparison.
00:50:42She hit every beat.
00:50:43She takes direction.
00:50:45She got a body like a ball of lightning.
00:50:49Bring her in, M.K.
00:50:50Gentlemen, I would like to officially introduce the Cool Service's female lead, Danielle Payson.
00:51:08I'll see you next time.
00:51:08I'll see you next time.
00:51:13You're welcome.
00:51:13You're welcome.
00:51:18I'll see you next time.
00:51:18You're welcome.
00:51:22Hi, Danny signed in right now, so please leave a message.
00:51:37It's me. It's closing night.
00:51:39I thought we were having dinner before the show.
00:51:41So where the fuck are you?
00:53:40What's my motivation again?
00:53:42You've already got the part.
00:53:46You've already got the part.
00:53:48Now you just want him inside you.
00:53:50You want to own him.
00:53:52You want to own him?
00:53:54Right.
00:53:56Goddamn it.
00:53:58I forgot the next line.
00:54:00I'd like to take care of something else too.
00:54:02Right.
00:54:03Okay.
00:54:04Now go ahead.
00:54:06Suck him off.
00:54:08Suck him off.
00:54:10Suck him off.
00:54:12Suck him off.
00:54:14Suck him.
00:54:16Suck him off.
00:54:18Suck him off.
00:54:20Oh.
00:54:21Ah.
00:54:22Ah!
00:54:23Jarvis, you're early.
00:54:45Jesus, what happened to you?
00:54:47Some bitch ran me into a tree.
00:54:50Now look, if you like the type,
00:54:52did you get a number?
00:54:53Well, I'll never forget it.
00:54:58That's my right to come on some way to meet.
00:55:09Jarvis, I'd like to introduce you to Daniel Pace,
00:55:12and she's our lead.
00:55:15Hello, Daniel.
00:55:17We've already had the pleasure.
00:55:18We met at the theater.
00:55:24Oh, you've already seen the play.
00:55:26Excellent.
00:55:28Your material was made for her.
00:55:31She does great work.
00:55:34Exceptional.
00:55:35I'm gonna make her a star.
00:55:37You and the written word, of course.
00:55:40It's a terrific piece, Jarvis.
00:55:42Trust me.
00:55:43Just a couple of slight revisions,
00:55:45and I'm gonna make you know we'll come to life.
00:55:49Terry?
00:55:50Yeah?
00:55:51Saul is on the line.
00:55:52Why don't you two get to know each other a little better?
00:55:56And I'll be right back.
00:56:03Hi, hi, hi.
00:56:06I'm sorry about last night, Jarvis.
00:56:08I read for the part, and then I got it,
00:56:12and then I still had the play to do,
00:56:13and Terrence asked me out to dinner,
00:56:15and it's all happening so fast.
00:56:17My head's spinning.
00:56:19Jarvis, I got the part.
00:56:29Congratulations, Danny.
00:56:31I don't even know what to say.
00:56:35How was dinner?
00:56:35Nice?
00:56:36Nice.
00:56:39Very.
00:56:41Very expensive.
00:56:42I tried to call you from the restaurant, but...
00:56:44Yeah, I got your message.
00:56:47I, uh...
00:56:49I had to run out for a while.
00:56:53So what'd you do later?
00:56:55We drove around.
00:56:57We talked for a while.
00:56:59I was a good girl, darling.
00:57:02I was in bed by midnight.
00:57:08No shit.
00:57:14Tell me something, Danny.
00:57:16How does it feel to be like you?
00:57:19What do you mean?
00:57:20I mean, you can fuck anybody you want.
00:57:23Just don't stand here and lie to me.
00:57:24What are you talking about?
00:57:29I followed you last night.
00:57:31I saw you go to his house.
00:57:33I saw you go in his house.
00:57:34A good girl?
00:57:36Good to who?
00:57:37Good for what?
00:57:38Or should I ask Terrence?
00:57:41Mr. Raging.
00:57:41He followed me?
00:57:51Call it fate.
00:57:53Do you think I slept with him?
00:57:55I don't know.
00:57:57You tell me what you think I think.
00:57:59Do you think I slept with him?
00:58:02I don't know.
00:58:03Why don't you help me do the math?
00:58:05You get the role.
00:58:07My role.
00:58:08I don't hear shit.
00:58:09You get a dozen roses from the goddamn director.
00:58:11You have a champagne dinner,
00:58:13followed by a tour of the grounds.
00:58:16No, I think you read responsibly
00:58:18from his fucking autobiography.
00:58:19You have a very dangerous imagination, Jarvis.
00:58:32Are you aware of that?
00:58:35Well, you don't know the half of it.
00:58:37Guess if I told you Terrence was a married man.
00:58:41It doesn't mean shit.
00:58:43Grow up, Danny.
00:58:44This is Hollywood.
00:58:46You're right.
00:58:48This is Hollywood.
00:58:49So let's just have it your way,
00:58:53the way you'd ride it.
00:58:55I fucked his brains out.
00:58:58After my response of reading,
00:59:00his cock was so tremendous
00:59:04and sweet and huge.
00:59:11That was nice.
00:59:13How about another?
00:59:14Jeannie like that, too?
00:59:27How does it feel, lover?
00:59:37Michael?
00:59:38Yes, Terry?
00:59:39Tell Z we're all set.
00:59:40Have a messenger over the passes.
00:59:42Listen, good news.
00:59:45We're all going to the premiere tonight.
00:59:47Can you look stunning by some?
00:59:50What do you think?
00:59:54You got a tux?
00:59:57What do you think?
00:59:57You can borrow one from Wardle.
01:00:02We'll have a limo pick you up at your place.
01:00:06Christ.
01:00:08What a great fucking town.
01:00:09What a great fucking town.
01:00:10How do I look?
01:00:19How do I look?
01:00:21Like a young lion.
01:00:33Can you get that, pumpkin?
01:00:36How are you?
01:01:00How are you?
01:01:00How are you?
01:01:00How are you?
01:01:06How are you?
01:01:32it's just not exactly i'm gonna go talk to jarvis for a minute i'll be right back
01:01:51hey can i talk with you a minute sorry i'm incognito
01:02:04hey another pronto pronto man rapidamente
01:02:10jervis i really think you're shit wish you what danny fuck
01:02:16go rollerblading you tell me i'm shit out of new material
01:02:21what do you want me to say to you tell me do you want me to officially apologize to you
01:02:30i'm sorry if i hurt you jarvis i'm sorry you're sorry
01:02:35you're sorry about what danny did you hurt me danny or did i just want you to
01:02:41jarvis i'm an actress remember the actress from next door
01:02:49i wanted that role like you wanted your novel
01:02:52that's why we are where we are that's who we are
01:02:56now we can start
01:03:01good you're honest so let's start who you with tonight me or him pick your limo
01:03:12if you know what you're doing you'll loosen the noose a little
01:03:16you try to not you loosen it
01:03:19it's just a slipknot right hey you too
01:03:26i love you jarvis don't make this harder than it should be
01:03:36grow up this is hollywood
01:03:40what about jarvis did you see him leave
01:04:02he said good night about an hour ago and he just slipped off
01:04:07he's a very tense boy isn't he
01:04:12wait
01:04:19stay
01:04:32thanks for inviting me
01:04:39yeah what a lot i'm really glad that you came
01:04:43it's really pretty out here
01:04:49do you want to go inside
01:04:58yeah
01:05:03yeah
01:05:12yeah
01:05:15yeah
01:05:21yeah
01:05:24So, let's go.
01:05:54Terrence, I want...
01:06:04Jarvis.
01:06:06What's gonna happen, Danny?
01:06:11I wanna know.
01:06:13I wanna watch them play.
01:06:23Are you keeping warm in there?
01:06:27Come see for yourself.
01:06:33My God.
01:06:45Have you any idea what you do to me?
01:06:57Terrence, I really need to know what we're doing here.
01:07:01Are we making a film?
01:07:05Or are we having an affair?
01:07:07Well...
01:07:09If you're lucky, they're not one of the same.
01:07:13I'm seeing someone.
01:07:17I'm in love with him.
01:07:21I've been married for over ten years.
01:07:33I'm married, Danny.
01:07:43I've been married for over ten years.
01:07:47She loves me.
01:07:49I love her.
01:07:51But of times we...
01:07:55We seek our fulfillments independently.
01:07:59I have nothing.
01:08:01I've been married for a while, but I'm just a half.
01:08:05I've been married.
01:08:07I've been married for two years.
01:08:09I've been married for three years to me.
01:08:11I've been married for three years.
01:08:13where are we going to the balustrade i want you under the stars
01:08:26and if someone's watching oh you'd like that
01:08:31we'd both like that
01:08:35put your hands on the railing
01:08:43leave the heels home
01:08:59take off your train
01:09:08rip it off
01:09:13there's fire
01:09:42he'll live if i have to
01:09:56police please
01:10:01tell me what you want me to do jarvis
01:10:14how far do we go
01:10:17shut up
01:10:20turn around
01:10:23put your hands on the railing
01:10:26you can have me whenever you want jarvis
01:10:30that's not the question i said shut up
01:10:37i knew what you were like the first time i met you you just needed someone to open the cage
01:10:43what was that
01:10:51i don't know
01:10:53hey valentine daco you guys take the front door easy okay
01:10:58ralph you take the back
01:10:59ralph you take the back let's go
01:11:00this is the police
01:11:07come out of the house with your hands above your head
01:11:11help help help he's inside the house
01:11:14help he's inside the house
01:11:17please stay there
01:11:21move
01:11:28please
01:11:34please
01:11:38please
01:11:42please
01:11:46Move!
01:11:48Police!
01:12:14Back.
01:12:15Back.
01:12:23I said back.
01:12:32Hey, come here.
01:12:33Come here.
01:12:34Come here.
01:12:44Turner, Chris, grab the kids to your ass.
01:12:48Yeah.
01:12:49Come on, Mikey.
01:12:50Blow a glass of the Mikey.
01:12:52Come on.
01:12:53Come on, fast.
01:12:54Ow!
01:12:55Yeah!
01:12:56Come on, come on, come on.
01:12:57Woo!
01:12:58Woo!
01:12:59Woo!
01:13:00Woo!
01:13:01Woo!
01:13:02Woo!
01:13:03Woo!
01:13:04Woo!
01:13:05Woo!
01:13:06Ah!
01:13:07thr Rahmen!
01:13:08Who 1500.
01:13:09He's with a gross habían.
01:13:10He's with a gross Hymen, coming.
01:13:11there he is it's a hell of a shot thank you very much it helps when the left fielder can walk
01:13:30come on you put willie mays out there it wouldn't matter
01:13:34the old knee hadn't gone jervis i could have been a contender
01:13:38you hear the latest on our boy terrence uh how's he doing not good shoulders definitely fractured
01:13:48his neck hurts like hell he's gonna be out for a couple of weeks so they have to push the picture
01:13:53back they still haven't found the guy who did it terrence's date danny payson
01:14:00well she says the guy was wearing a mask she didn't get a good look at him
01:14:05she's an actress the hell she know anyway
01:14:11i tell you jarvis
01:14:14it is a sick world out there
01:14:17can you tell me what goes through these people's minds
01:14:22so what time is your flight
01:14:36eight tonight
01:14:39you know i'm a little worried about you pal
01:14:44i don't want any more of this five month crap
01:14:47you and me are on a roll
01:14:50need to come back and see me soon
01:14:52just be a couple of weeks jazz
01:14:56i get this idea you know
01:14:59it's a mystery
01:15:00a murder mystery
01:15:02i'll do the research
01:15:04see if i can make it fly
01:15:06just remember buddy keep the art on the easel
01:15:10you got some great stuff balled up inside you there jarvis
01:15:16once in a while i guess we just need to
01:15:20let you out of that cage
01:15:22let's go
01:15:52How about a lift?
01:16:04I thought we were meeting at the game.
01:16:07I was driving by and I saw you blow in.
01:16:15I was there for me, aren't you?
01:16:17It's my most enduring trait.
01:16:22What's this?
01:16:24I'm only gonna go away for a couple days.
01:16:26Look who's talking.
01:16:28So what's in the truck?
01:16:30It's my new computer.
01:16:33I thought I'd take it for a test drive.
01:16:36Fly.
01:16:39Well, if you want efficiency, you should give me a little more notice.
01:16:42I didn't even have time to call my agent.
01:16:52Dave, could you...
01:17:20Could you...
01:17:22I think I left my wallet underneath the front seat.
01:17:36Final seat.
01:17:43Jarvis.
01:17:50You're gonna love New Mexico.
01:18:15You're gonna love New Mexico.
01:18:20No, no.
01:18:32Departing passengers Nancy Moran and Russell Edwards.
01:18:34Please report to the courtesy guests.
01:18:45Paging passenger Amy Stone, please pick up the white courtesy phone.
01:18:55That will be an extra weight surcharge of $20.
01:18:59Yes, of course.
01:19:03Enjoy your trip, Mr. Peterson, and thank you for flying sky west.
01:19:15My fine furry friend.
01:19:29Bob, uh, what are you doing here?
01:19:33Trying to help you out, Jarvis.
01:19:37Looks like you're gonna need it.
01:19:41The keys to the cabin, amigo.
01:19:45You're getting sloppy.
01:19:55You're getting sloppy.
01:20:04Sky west place, 832, service to Albuquerque, now boarding at gate 11.
01:20:08Please remain seated while the fasten seatbelt sign is on.
01:20:18Excuse me, is the seat taken?
01:20:20It's all right, I was just changing seats.
01:20:26I couldn't take it back there.
01:20:29The guy smelled like a zoo.
01:20:30And you don't like animals?
01:20:37Some.
01:20:39Some animals.
01:20:41Being on all fours can have its advantages.
01:20:48You're in the business.
01:20:52Kind of.
01:20:53I'm a writer.
01:20:54Well, I'm an actor.
01:20:59Pleasure to meet you.
01:21:05Pleasure's mine.
01:21:06Pleasure's mine.
01:21:06Pleasure's mine.
01:21:07Pleasure's mine.
01:21:08Pleasure's mine.
01:21:08Pleasure's mine.
01:21:09Pleasure's mine.
01:21:09Pleasure's mine.
01:21:10Pleasure's mine.
01:21:11Pleasure's mine.
01:21:11Pleasure's mine.
01:21:12Pleasure's mine.
01:21:12Pleasure's mine.
01:21:13Pleasure's mine.
01:21:13Pleasure's mine.
01:21:14Pleasure's mine.
01:21:14Pleasure's mine.
01:21:15Pleasure's mine.
01:21:16Pleasure's mine.
01:21:16Pleasure's mine.
01:21:17Pleasure's mine.
01:21:18Pleasure's mine.
01:21:19Pleasure's mine.
01:21:20Pleasure's mine.
01:21:21Pleasure's mine.
01:21:22Pleasure's mine.
01:21:23Pleasure's mine.
01:21:24Pleasure's mine.
01:21:25Pleasure's mine.
01:21:26Pleasure's mine.
01:21:27Pleasure's mine.
01:21:28Pleasure's mine.