die monster die / 1965 movie

retro tv gold

A young scientist visits his fiancee's house and finds that her father has hidden a meteorite and is using its radiation to mutate the plants and animals, with disastrous consequences.

Transcript

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00:14:31In

00:14:32Sit down.

00:14:43I'm glad that you have come at this time.

00:15:02I'm glad that you are coming.

00:15:09I'm glad that you're here.

00:15:15I'm glad that you're here.

00:15:28Oh, Mervyn.

00:15:45Mervyn.

00:15:45Are you all right?

00:15:48Yes, sir.

00:15:50I'm going to need your help.

00:15:53You can trust me, sir.

00:15:58By what, Mrs. Whitley?

00:16:01Come here.

00:16:04Here, closer.

00:16:09That box, Mr. Reinhardt, there.

00:16:14Open it.

00:16:19It's an earring.

00:16:21Yes, it's an earring.

00:16:25Take it out of the box.

00:16:27Examine it.

00:16:28It looks like gold.

00:16:33Yes, it's gold.

00:16:35But its importance doesn't lie in the metal it is made of.

00:16:39I'm afraid I don't understand.

00:16:41Why should you?

00:16:43You probably think this whole house is obsessed with mystery.

00:16:48But I tell you, that single earring you are holding in your hand is surrounded by mystery.

00:16:53It belonged to my maid, Helga.

00:16:57She was a nice, simple girl and completely devoted to me.

00:17:02Well, about a month ago, she went down with some terrible disease.

00:17:08I begged off her to go to the doctor in Arkham.

00:17:10Did she go?

00:17:11Did she go?

00:17:12No.

00:17:13No, I don't think she did.

00:17:15No.

00:17:16I don't think she did.

00:17:17No.

00:17:19Mm.

00:17:22Mm.

00:17:23Mm.

00:17:53Chains for devils?

00:18:23Whatever it was, she seemed to be overcome by something...

00:18:40Well, it almost seemed like self-loathing.

00:18:45She took to wearing the veil as if she wanted to hide herself from prying eyes.

00:18:50Why is the earring so important?

00:18:53About a fortnight ago, she came here to see me.

00:18:57She... she was crying.

00:19:00She said she was... she was frightened of what was happening to her.

00:19:05What was happening to her?

00:19:07I don't know.

00:19:08I'm not sure.

00:19:11Anyway, she... she left and she dropped that earring.

00:19:16Stephen, I haven't seen her since.

00:19:19Well, perhaps Mr. Whitley knows.

00:19:24My husband says he knows nothing.

00:19:30Stephen, it's because of all these things that are happening here that I had to be sure of you.

00:19:34You are my one hope for Susan.

00:19:36Take her away from here.

00:19:40As soon as you can tomorrow, the next day.

00:19:43You must promise me that.

00:19:45My husband may not allow me to see you or speak to you again.

00:19:48I must have your promise now.

00:19:50What did you talk about?

00:20:15Oh, you.

00:20:17We talked about you.

00:20:18I want you to know I have the parental blessing.

00:20:19Well, half of it, anyway.

00:20:22My room's supposed to be down here.

00:20:23I'll show you.

00:20:30This is the room.

00:20:31I'll have Merwin bring up your case.

00:20:40Susan, how long has your mother been like that?

00:20:43Ill, you mean?

00:20:44Well, that and the darkened room, shaded bed.

00:20:50Not long.

00:20:52She's been worse the past few days.

00:20:55And the doctor has forbidden her to have any visitors?

00:20:58No, she hasn't seen a doctor.

00:21:01Father wants to look after her himself.

00:21:04And what about Helga?

00:21:07Helga?

00:21:08Why all these questions?

00:21:10Well, your mother's very concerned about her.

00:21:12She's disappeared.

00:21:14Susan, what's going on here?

00:21:15I don't know, Steve.

00:21:20What else did your mother talk about?

00:21:24Come here.

00:21:34Your mother did ask whether my intentions are honorable.

00:21:37Are they, Steve?

00:21:38What do you think?

00:22:00You shouldn't have invited Reinhardt here.

00:22:03You're a difficult woman, Letitia.

00:22:07No, not difficult.

00:22:10Only afraid.

00:22:12Oh, so that's it.

00:22:15The sins of the father, sir.

00:22:17Well, let me warn you.

00:22:19Nothing is going to deter me from my purpose.

00:22:22Yes, that's what Corbyn said.

00:22:24But he's dead.

00:22:25Letitia has been dead for a long time.

00:22:28If there was evil, it's buried with him.

00:22:33All the remains of Corbyn is a few harmless objects in the cellar.

00:22:38No, no.

00:22:38You know how the light pains me.

00:22:40No.

00:22:40Why do you persist in this delusion?

00:22:43Please, Nan, close the curtains.

00:22:45Please.

00:22:47I wonder if you realize how like Corbyn you've become.

00:22:52There's no similarity whatsoever.

00:22:56I've uttered no incantations.

00:22:58Neither have I cried out to any of the other so-called creatures of evil.

00:23:06It's only your methods that differ.

00:23:08And you know why?

00:23:10Because I don't believe in it, any of it.

00:23:12I never have believed in it.

00:23:14It is you who would perpetuate these blasphemies, these absurdities.

00:23:19None.

00:23:21I saw your father change from an upright, God-fearing man into an old man possessed of the devil.

00:23:30Whatever happened to my father will not happen to me.

00:23:33It's already happening.

00:23:35I could rather see it happening to you, Letitia, but not to me.

00:23:39It's happening to all of us.

00:23:42There's evidence of it all around us.

00:23:44It has nothing to do with Corbyn Whitley.

00:23:46Corbyn was invoking the dark powers when he died.

00:23:51Now his call is being answered.

00:23:56So that is why you sent for Stephen Reinhardt.

00:23:59I sent for him to take Susan away from here.

00:24:02What have you told him?

00:24:04Nothing.

00:24:05Are you sure?

00:24:06I don't need to tell him anything.

00:24:08He can see for himself.

00:24:10I don't want him here.

00:24:11He must leave.

00:24:12One way or another, he must leave.

00:24:14He is a guest here.

00:24:15None.

00:24:16I will not have him interfering.

00:24:18Would you prefer that I went into the town and showed myself?

00:24:23The once beautiful Letitia Whitley.

00:24:29Very well.

00:24:31A day, perhaps.

00:24:33A day, but no more.

00:24:34Then he must leave.

00:24:34Well, perhaps by then you will have seen the truth.

00:24:37The truth is that I see the future, and all that I've planned for it will fill it with a richness we have never known.

00:24:50Yes, that is what you see.

00:24:55All that I can see is horror.

00:24:58Horror!

00:24:58I'm sorry, sir.

00:25:26Well, I'm sorry.

00:25:28I'm sorry, sir.

00:25:29I'm sorry.

00:25:31I'm sorry.

00:25:32It's a very large room.

00:26:02Big enough for a king's banquet.

00:26:13There used to be many parties here, Steve, in my great-grandfather's time.

00:26:18But nonsense?

00:26:19None that I remember.

00:26:21Why not?

00:26:22I don't know.

00:26:24Perhaps the name of Whitley no longer commands the affection and respect it once did.

00:26:29Is that why no one in the village would drive me out here?

00:26:35You mean you had to walk all that way?

00:26:37The villagers have no use for us, Mr. Reinhardt.

00:26:40I may add the feeling is mutual.

00:26:44Mervyn.

00:26:45Yes, sir?

00:26:48Has Mrs. Whitley had her dinner?

00:26:50I placed a tray before her sermon.

00:26:52She didn't seem to want it.

00:26:53I'll take her up something a little later, Father.

00:26:58What was that?

00:27:09Mr. Whitley, I noticed a strange blackened area on the way to the house.

00:27:15What happened there?

00:27:16There was a fire, Steve.

00:27:23A fire?

00:27:25Why do you say it like that?

00:27:27Well, uh, did you see it?

00:27:29No.

00:27:30But Father did.

00:27:32Why are you so curious?

00:27:34Well, everything...

00:27:35Everything is dead in the area.

00:27:36Nothing seems to grow there.

00:27:37I touched a branch and it fell to ashes.

00:27:39My daughter has already told you there was a fire.

00:27:43But, Mr. Whitley, no fire leaves a place like that.

00:27:46My father's never allowed me to go on the heath.

00:27:52Why not?

00:27:54I don't know.

00:27:56But after the fire, some of the villagers disappeared there.

00:27:59No one's ever been able to explain what happened.

00:28:01I think, Susan, you're inclined to exaggerate.

00:28:05I would suggest, possibly, that you both...

00:28:07Mervyn!

00:28:13What's the matter with him?

00:28:15It's all right.

00:28:15This has happened before.

00:28:16But he's unconscious.

00:28:17Perfectly all right.

00:28:18I'll take care of it.

00:28:19I know exactly what to do.

00:28:20Susan!

00:28:22Come on, Steve.

00:28:26Steve!

00:28:26Mother, I brought you a dinner.

00:28:33I brought you a dinner.

00:28:37Mother, I brought you a dinner.

00:28:53It's your favorite.

00:28:56Take it away.

00:28:58Well, you must eat.

00:28:59Shh.

00:29:01Quiet, child.

00:29:02Listen.

00:29:04Listen.

00:29:06What is it?

00:29:07Shh.

00:29:08Quiet.

00:29:10Yes.

00:29:13Yes.

00:29:14Yes.

00:29:15Yes.

00:30:46Oh, I wish I could.

00:30:46Tonight.

00:30:47I can't.

00:30:48Why?

00:30:49Well, I can't leave mother the way she is.

00:30:51First it was the light, she couldn't stand it.

00:30:53Then she took to her bed.

00:30:54Now she won't eat.

00:30:55Susan, it was your mother who made me promise to take you away from here.

00:30:58Darling, I want to go with you.

00:31:00We're leaving here right away.

00:31:01No, it's impossible.

00:31:03Tomorrow morning.

00:31:04I'm afraid she won't be any better in the morning.

00:31:07Poor Steve.

00:31:08I wish I knew what to do.

00:31:09Steve!

00:31:15Why?

00:31:16By the window.

00:31:25There's nothing there.

00:31:26It's your imagination.

00:31:27I'm not imagining it.

00:31:29Let's not talk about it anymore.

00:31:30We'll discuss it tomorrow.

00:31:30Now, you have to get some rest.

00:31:33Oh, Steve.

00:31:35I love you.

00:31:36And I love you.

00:31:48And everything's going to be all right.

00:31:49All right.

00:32:06And everything's going to be all right.

00:32:36It came from downstairs.

00:32:44It came from downstairs.

00:33:06It came from downstairs.

00:34:19Where does this go?

00:34:39It leads to Merwin's room.

00:35:09Father!

00:35:14You shouldn't have come down here.

00:35:16But the screaming and the noise.

00:35:19Miss Merwin, he's dead.

00:35:21It was terrible.

00:35:23Now, please go back up to your rooms.

00:35:25Nobody can do anything to help now.

00:35:27Now, wait a minute.

00:35:28What's this all about?

00:35:30How did he die?

00:35:32He's been ill for a very long time.

00:35:34Where's the body?

00:35:36That's really none of your business.

00:35:38Well, I seem to think it is my business.

00:35:40No, Susan.

00:35:40Wait a second, Susan.

00:35:41You don't seem to realize what's happened here.

00:35:43This is my house.

00:35:44I must ask you to allow me to run my own affairs my own way.

00:35:47Hey, this may be your house but a man is dead.

00:35:51Get dressed.

00:36:08We're going to leave now.

00:36:08I can't leave now, Steve.

00:36:11Please don't make trouble.

00:36:16Good night.

00:36:19Good night.

00:36:38Good night.

00:37:08Good night.

00:37:38So, let's go.

00:38:08So, let's go.

00:38:38So, let's go.

00:39:08So, let's go.

00:39:38So, let's go.

00:40:08So, let's go.

00:40:38So, let's go.

00:41:08So, let's go.

00:41:38So, let's go.

00:42:08So, let's go.

00:42:38So, let's go.

00:43:08So, let's go.

00:43:38So, let's go.

00:44:08So, let's go.

00:44:38So, let's go.

00:45:08So, let's go.

00:45:38So, let's go.

00:46:08So, let's go.

00:46:38So, let's go.

00:47:08So, let's go.

00:47:38So, let's go.

00:48:08So, let's go.

00:48:38So, let's go.

00:49:08So, let's go.

00:49:38So, let's go.

00:50:08What was that?

00:50:38So, let's go.

00:51:08So, let's go.

00:51:38Oh, let's go.

00:52:08So, let's go.

00:52:38So, let's go.

00:53:08So, let's go.

00:53:38So, let's go.

00:54:08So, let's go.

00:54:38So, let's go.

00:55:08So, let's go.

00:55:38So, let's go.

00:56:08So, let's go.

00:56:38So, let's go.

00:57:08So, let's go.

00:57:38Get out of this.

00:58:08So, let's go.

00:58:38So, let's go.

00:59:08So, let's go.

00:59:38So, let's go.

01:00:08So, let's go.

01:00:38Let's go.

01:01:08So, let's go.

01:01:38So, let's go.

01:02:08So, let's go.

01:02:38So, let's go.

01:03:08So, let's go.

01:03:38So, let's go.

01:04:38So, let's go.

01:05:08The people.

01:05:38So, let's go.

01:06:08You can't.

01:06:38So, let's go.

01:07:08So, let's go.

01:07:37So, let's go.

01:08:07So, let's go.

01:08:37So, let's go.

01:09:07So, let's go.

01:09:37So, let's go.

01:10:07So, let's go.

01:10:37So, let's go.

01:11:07So, let's go.

01:11:37So, let's go.

01:12:07So, let's go.

01:12:37So, let's go.

01:13:07So, let's go.

01:13:37So, let's go.

01:14:07So, let's go.

01:14:37So, let's go.

01:15:07So, let's go.

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