- 5/30/2025
#casanova #romeoandjuliet #gormenghast
Anna decides to marry Vronsky. Starring: Nicola Pagett, Eric Porter, Stuart Wilson, David Harries, Robert Swann, Caroline Langrishe.
Anna decides to marry Vronsky. Starring: Nicola Pagett, Eric Porter, Stuart Wilson, David Harries, Robert Swann, Caroline Langrishe.
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Short filmTranscript
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02:37What is she going to think?
02:59They found out what the trouble is.
03:01What Pa?
03:02It seems that your bridegroom hasn't got a shirt to his back.
03:06What?
03:07Mind.
03:08All is now well I'm told.
03:10We can leave soon.
03:12But shirt or no shirt,
03:15he has a bride any man would be proud of.
03:18Do you think so?
03:20Do you remember once in Germany you asked me
03:23what the future would hold for you?
03:25You told me I'd find out.
03:28And have you?
03:30Are you quite sure?
03:37Oh this really is too bad mama.
03:48People are talking.
03:50What can we do?
03:52What can we do?
03:58Fool him, monsieur!
04:00Hold on!
04:01Easy does it!
04:03Now
04:05Come along, Kostya.
04:07I'll val it for you.
04:08I'll val it for you.
04:37Take the bride's hand and lead her up.
04:54No.
04:55I take her right hand in your right hand.
05:01See Kostya.
05:07Like this.
05:08See Kostya.
05:09Like this.
05:14Like this.
05:44And theенты Beers.
05:46See Kostya.
05:48First of all.
05:51The Hangouts.
05:55є
06:28What's wrong?
06:35Didn't you want advice?
06:37Praise God, I'm left to see the day.
06:40Well then.
06:44Hast thou, Constantine,
06:46a good, free, and unconstrained will
06:49and a firm intention
06:50to take unto thyself to wife
06:52this woman, Ekaterina,
06:54whom thou seest here before thee?
06:56I have, Reverend Father.
06:58Thou hast not promised thyself
07:00to any other bride?
07:01I have not promised myself, Reverend Father.
07:04Hast thou, Ekaterina,
07:06a good, free, and unconstrained
07:08will and a firm intention
07:09to take to thyself to husband
07:12this man, Constantine,
07:14whom thou seest here before thee?
07:16I have, Reverend Father.
07:17Thou hast not promised thyself to any other husband?
07:21I have not promised myself, Reverend Father.
07:23Give the blessing, Master.
07:29Blessed is the kingdom
07:30of the Father
07:33and of the Son
07:36and of the Holy Spirit
07:40now and ever
07:43and unto ages of ages.
07:46Amen.
07:47Amen.
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09:47What he does is to reveal what lies beneath.
09:49He said he would paint my soul.
09:53So he has, Anna.
09:55So he has.
09:57Yes.
09:59And I love, come and look.
10:07And I love, come and look.
10:19Who painted this?
10:27What do you think of it?
10:29I'm an artist, Your Excellency, not a critic.
10:33You have an opinion, surely?
10:35No.
10:36Oh come now, you've already guessed that it's my work.
10:37Is it a good painting or a bad painting?
10:41It is neither good nor bad, Your Excellency.
10:43It is nothing.
10:45I like it.
10:46That is your privilege, madame.
10:51Suppose I came to you for lessons.
10:53Not give lessons.
10:59No, truly.
11:01I could teach you something.
11:03What that idiot Goroneshev calls technique.
11:07But only God can make you an artist, Your Excellency.
11:11And that for some obscure reason he omitted to do.
11:14Now if you'll excuse me, two more sessions and it's finished.
11:17Will you not stay to dinner?
11:19Thank you, no.
11:20I have some drawings to do before dark.
11:22No, you may not be an artist, Your Excellency, but
11:28you do know something of what it means to be one.
11:41Why does he have to be such a bore?
11:44We do everything to show him that we like him, that we admire his work.
11:47The reason is, I think, that he feels socially inferior.
11:51He is, of course.
11:52So he has a need to emphasize the fact.
11:54Yet at the same time, as an artist of great talent,
11:56he believes himself superior and he can't help showing that.
11:59It makes it extremely awkward.
12:01And very uncomfortable, no doubt.
12:03I'm glad not to be in his position.
12:21But nevertheless, Anna, like Othello, my occupation's gone.
12:34Do you mean you won't finish it?
12:36Not only that, my love, I shall never paint again.
12:39Oh, Alexei, you enjoyed so much.
12:42No longer.
12:47You see, I am not like Golonyshev.
12:49By no means.
12:51Friend Golonyshev talks about his writing, his great work.
12:57In reality, he has nothing to say.
12:59So he pretends his theories are not yet matured,
13:03that he's still working them out, collecting material and so on and so on.
13:08Self-deception.
13:10He'll never do anything.
13:12Well, I may be like him in that.
13:14Never.
13:15But I cannot deceive myself if I can't do a thing well,
13:17at least to my own satisfaction.
13:18You were satisfied.
13:19So was I.
13:20Well, Heilof proved us wrong.
13:22Not only by what he said just now, but by the example of his own work.
13:28I suggested he should give me lessons.
13:30Just to see what he'd say.
13:32I already knew.
13:36So, I've had my lesson. One was enough and I've learnt it.
13:40Poor Alexei.
13:43Does it make you wretched?
13:45What a scrap.
13:47What shall you do?
13:50Well, one thing's certain.
13:52I must do something.
14:05Anna.
14:09Would you like to go back to Russia?
14:14Would you?
14:18So would I.
14:21Where in Russia?
14:23First to Petersburg.
14:24Petersburg?
14:25Oh, for a week or so I'll have to see lawyers, people, my brother about our property.
14:29I can see Seriosa.
14:31Of course.
14:32Then we can go to the country, to my estate of Ostrasenskoy.
14:34For the summer?
14:35As long as you wish.
14:37Oh, Alexei.
14:41Petersburg.
14:42Come back.
14:45Where should we stay?
14:46I thought the Hotel de l'Europe.
14:48Together?
14:49Ah, no.
14:50Not quite.
14:51Could have rooms for you and the baby and your women on one floor and rooms for myself above
14:55or below.
14:56What does it matter not far away?
14:58Well, I dare say I can put up with that for a week or so.
15:02As long as you love me.
15:04No, you needn't answer.
15:06I know you do.
15:11I know you do.
15:12I know you.
15:13Come back.
15:14Come back.
15:15I've been so happy here Alexei.
15:44so happy if this were the end of it all I know it won't be but if it were I
15:50should be content these few weeks they've meant more to me than the rest of
15:56my life and if it does end and I go on living to become an old woman a tedious
16:06ugly old woman I should still be happy proud
16:14because once you loved me
16:44at least she wasn't so brazen as to write to you
16:51I don't think I have the right to refuse her
16:54my dear friend you never see evil in anyone
16:57of the contrary
16:59but would it be Christian to deny her
17:04no no there are limits to everything
17:06immorality one can understand but cruelty is another matter
17:09above all cruelty to you
17:11who shall cast the first stone
17:15she loves her son
17:18can I refuse her the right to see
17:24but is it love is it sincere
17:26and if it were had we the right to work on the feelings of that little angel
17:30he thinks she is dead
17:32what will he think if he sees her
17:34so I hadn't thought of that
17:37no no I cannot advise you to allow it
17:48what would it lead to
17:49further suffering for you
17:51torture for the child
17:52if she had a grain of humanity in her
17:55she would not wish it herself
17:56and with your permission
18:00I shall write
18:02accordingly
18:03madame
18:12to remind your son of you might lead to questions on his part
18:17questions that could not be answered without implanting in the child's soul
18:21a spirit of condemnation towards what should be sacred to him
18:25in the circumstances I beg you to interpret
18:33your husband's refusal in the spirit of Christian love
18:37I pray to Almighty God to have mercy upon you
18:42oh that woman
18:49if only I'd written directly to him
18:52but that she
18:53a hypocrite
18:55a lying hypocrite
18:56the devil
18:57thought of Almighty God
18:58she doesn't care for Sereoza
19:02not two straws
19:03and I am not to see him
19:06because she says so
19:08well we shall see about that
19:11madam
19:17is something wrong?
19:18wrong?
19:20damnably wrong
19:21but we shall put it right
19:21I want a carriage now
19:23yes madam
19:24no
19:25wait a moment
19:26I have a better idea
19:27order a carriage
19:28for tomorrow morning at 7.30
19:29in the morning?
19:31sharp
19:31at 7.30
19:32I have a better idea
19:50her castle good morning
19:53my God
19:54is Sereoza still in his old room?
19:57yes but
19:58Let's do it.
20:28That's it.
20:45Sir, you're so...
20:50Wake up, Sir, you're so...
20:53Sir, you're so...
20:58Oh, darling, wake up.
21:04Wake up!
21:19I knew it wasn't true. I knew you'd be here.
21:23Did you? Did you, darling?
21:25Of course it's my birthday. You're always here on my birthday.
21:29I'll get up now.
21:39What are you crying for? I'm not.
21:42Not really. It's just that it's such a long time since I've seen you
21:46and you've grown. Just a few short months.
21:50What a huge, great boy. A huge monster!
21:54You're a giant. A terrible ogre.
21:57A dreaded troll. No, no. A disgusting elephant!
22:05And I should think you might have known better.
22:07You know the situation. Everybody in the household knows the situation.
22:12Who pays your wages? Eh? Anna Akadievna?
22:16Or is it Alexei Alexandrovich?
22:19You should not have let her in.
22:23Like the rest of us you know quite well, the master goes into the boys' bedroom every morning at 8.30 precisely.
22:29It wouldn't surprise me to see you dismissed.
22:32So what if I am?
22:34Ten years service and nothing but kindness from her?
22:38You've had the same so there's no need to put that face on.
22:42Some people know which side their bread is buttered.
22:44But as for me, if I go, I go.
22:48And if he goes, I go too.
22:53But of course, Mama. I knew I'd be here so I've worked it all out.
22:57When we've had coffee we'll go for a ride together in the park.
23:00And then...
23:01No, my darling, you mustn't think of it.
23:03Why not?
23:04Because I shan't be able to stay.
23:06I only came just for a moment because I wanted to...
23:08Now you're here, you must stay.
23:09Oh, Serioja.
23:12I kept showing the film as...
23:14It is half past eight.
23:16What of it?
23:17At this precise hour, Alexei Alexandrovich,
23:21I thought I should tell you.
23:23Sorry.
23:26I shall have to go.
23:27No, Mama, no, don't go.
23:29He won't go.
23:30He won't come just yet.
23:32Are you afraid of him?
23:34Sometimes.
23:35Well, you mustn't be.
23:36He loves you.
23:37No.
23:38Oh, yes.
23:39And you must love him.
23:40He's better than I am and he's kinder.
23:42No.
23:43Yes, and I have been wicked to him.
23:45When you're grown up, you'll understand.
23:47No one is better than you.
23:49Oh, my darling.
23:50It's good that you should think so.
23:59Goodbye, my son.
24:09Goodbye, my son.
24:10Goodbye, my son.
24:40Let me go.
24:42Let me go.
24:44Let me go.
25:10Let me go.
25:26Prosperity, yes, but only on the surface.
25:29To be assessed only by rising prices on the stock exchange.
25:33While the makers...
25:36No.
25:40The creators.
25:42Of the country's wealth.
25:47Well...
25:49Well what?
25:50You were looking at me.
25:52How did you know?
25:53I always know.
25:56I didn't mean to interrupt you.
25:58No.
26:00What were you thinking?
26:02Never mind.
26:03Go back to your writing.
26:05Don't let me distract you.
26:07But you do.
26:09Do you see?
26:10I have all these little holes to cut out.
26:12It's astonishing.
26:13Respectable people mend holes and you make them on purpose.
26:15Oh, Costia, you know perfectly well.
26:17Look, there's just a little curl.
26:22What were you thinking?
26:24Well...
26:25If you must know.
26:27Yes, yes I must.
26:29I was thinking...
26:33About the back of your neck.
26:36And willing you to turn around and you did.
26:39Of all the adorable creatures.
26:48What have I done?
26:50What have I done to deserve such happiness?
26:52It's not natural.
26:53Oh...
26:55Yes it is.
26:56Please.
27:01Come in.
27:04Kuzma's home and for once he hasn't forgotten anything.
27:07Including the mail.
27:10Two for me, Costia.
27:12For Mama and Dolly.
27:13The rest are yours.
27:14I've laid tea on the terrace for that soon.
27:17Thank you, Agarthea.
27:27Costia!
27:30Is anything the matter?
27:32It's...
27:34It's this...
27:36It's about my brother Nikolai.
27:39It's...
27:40It's from that...
27:41That girl of his.
27:42Marsha?
27:43She says he's desperately ill.
27:45In Moscow?
27:46No, no.
27:47He accepted a position at Kursk.
27:51He quarrelled with his chief.
27:52He was on his way back to Moscow.
27:54They got as far as a place called Tura there in some hotel there.
27:57She says...
27:58He is at death's door.
28:01He always talks of you.
28:03And we have no money left.
28:06Costia, that's dreadful.
28:08When shall you go?
28:11Tomorrow.
28:12I'll come with you.
28:13No, no.
28:14Kitty, my brother is dying.
28:15I have to go.
28:16But why should you?
28:17For the same reason.
28:19It's out of the question.
28:20Why?
28:22Why is it out of the question?
28:24What makes you say that?
28:25The Lord knows how I shall get there.
28:27What the inns will be like on the...
28:29Where you go I can go.
28:30Think.
28:31Think for a moment.
28:32That woman will be there.
28:34I can't allow you to associate with...
28:36All I know is that Nikolai is dying.
28:38And that you're going to...
28:39You're going to be lonely.
28:40Go back to Moscow for a while.
28:45Now you're accusing me of being mean and selfish.
28:48But you're wrong.
28:51I just feel it's my duty to be with my husband.
28:54But you won't see that.
28:55You don't want to understand.
28:57Kitty.
28:58You don't want me.
28:59So why did you marry me?
29:01Why did you if you regret it?
29:03Kitty.
29:05Kitty.
29:07Kitty.
29:09My darling.
29:10It's no use.
29:11I thought you promised we'd share everything.
29:15The good and the bad.
29:16Kitty.
29:17Kitty.
29:18I'm only thinking of you.
29:19That's my duty.
29:20To think of you.
29:21You don't trust me.
29:22You don't love me.
29:23Don't say that.
29:24It's not true.
29:27Kitty.
29:28Oh Kostia.
29:33I'll do whatever you say.
29:37But I am going with you.
29:56More tea Alexei?
30:00No.
30:02Well Mama I must leave now.
30:03If there's anything I can do I shall be in Petersburg for a while.
30:06Thank you no.
30:07Variel looks after me very well.
30:09That is her metier looking after people.
30:11If it weren't for her I shouldn't be alive today.
30:13And if it were not for...
30:14Yes Mama?
30:15Nothing.
30:16Nothing.
30:18Nobody wants my opinion who listens to an old woman.
30:21Or do you wish to tell me?
30:22Tell you.
30:24Since when have I been able to tell you anything?
30:26Yes.
30:27And you don't need my advice.
30:28You wouldn't take it before.
30:29So why should you now?
30:30I should like to hear it though.
30:31Very well.
30:33You're going to the country.
30:35Quite soon.
30:36Then make it quite soon.
30:38For you to be seen strolling about Petersburg out of uniform.
30:41No longer an officer in the imperial service.
30:45To be denied the court.
30:47To be observed walking openly in the streets of that.
30:49Please.
30:50Enough.
30:51Am I now to apologise?
30:53By no means your advice is excellent and I shall take it.
30:56Very well.
31:01I shall be in my room Variel.
31:11Care procedure.
31:13Take care.
31:14See?
31:15No problem.
31:28No problem.
31:30Alexei.
31:34Alexei,
31:35You see you know how fond I am of you.
31:39I believe so.
31:41But I cannot do what you want.
31:43No.
31:45You mustn't think that I'd criticize Anna
31:50or venture to judge in any way.
31:53Perhaps in her place I'd have done the same.
31:56I can't tell.
31:58But as things are...
32:02Haven't we got beyond these ancient conventions?
32:05Haven't we progressed at all?
32:07Not in society.
32:08Oh but I don't expect it to be received at court
32:10and she wouldn't wish it.
32:12But surely our intimate friends.
32:19Understand this Faria.
32:21If a divorce can be arranged Anna and I shall be married.
32:25Until then I consider her as my wife
32:27and I expect those who say they are fond of me to do so as well.
32:31No Alexei.
32:33We must recognize facts.
32:36You want me to go and see Anna
32:38to invite her here
32:40to rehabilitate her in society.
32:42It can't be done!
32:44For your brother's sake
32:46and for the sake of our daughters growing up
32:48for the sake of their future.
32:50No!
32:52The rules of our little world...
32:54The rules are nothing but a sham and you know that!
33:00Anna is no worse than dozens of women whom you do receive
33:03and she's better than most because at least she's honest.
33:05Alexei don't be angry with me.
33:07Please try to understand.
33:08I do understand and I am not angry with you.
33:11I'm just sorry because this means breaking up our friendship.
33:14No Alexei!
33:15Yes!
33:16Perhaps a great many others.
33:17My dear mother for instance.
33:18Do you think that I don't know what she was as a young woman?
33:22Doesn't everyone know?
33:24And wasn't she all smiles and approval when Anna and I first came together?
33:27She said so herself to me.
33:29A fashionable liaison with a married woman.
33:31Quite the thing for a young man as long as it doesn't become serious.
33:34And didn't the whole of your respectable society think the same?
33:36Doesn't that sort of hypocrisy sicken you?
33:38Well it does me.
33:39It makes me want to vomit.
33:44Goodbye Varia.
34:06So.
34:07Your costume is a little princess.
34:13Pretty.
34:14As a princess ought to be.
34:27What are you to come?
34:31You're not very comfortable here I'm afraid.
34:35We'll soon alter that.
34:37Now.
34:38Marsha.
34:43Has the doctor been to see him today?
34:45No doctor at all.
34:46No money for a doctor.
34:47Costia.
34:48I'll go once.
34:49Yes.
34:50And on the way will you see the manager.
34:51This room must be thoroughly cleaned.
34:52And Marsha will you fetch the chambermaid.
34:56Oh and a waiter.
34:57Say we want to order some special food.
34:59I have no money.
35:00All right I'll see you tonight.
35:05Stay away.
35:06Stay away.
35:07Stay away.
35:08Stay away.
35:09Ahhh.
35:17Agh.
35:18Look.
35:19oh
35:36yes i'm sure
35:40you're glad to be back in petersburg even if it doesn't mean living in an hotel
35:44it is a very good hotel the best precious of course but how i envy you the opportunity to
35:51visit venice rome naples a delightful romantic honeymoon in naples what could be more blissful
35:58florence was more blissful more so than naples impossible oh yes to tell you the truth betsy
36:04beautiful it may be but naples smells poor smelly old naples i am disillusioned
36:10but florence smelly too oh but our villa there was high on a hill it was two or three miles from the
36:17city i could have stayed there forever and your portrait was painted by mihailov did i yes you
36:24told me in one of your letters did he make love to you oh yes anna with his paints and brushes
36:32yes in its way his painting was an act of love indeed i longed to see it oh alexei had it sent
36:39directly to voz de regenskoy but when you come to visit us there ah yes but the country hardly my
36:45milieu well now is it anna you know that for me civilization ends at the edge of petersburg
36:50anything beyond is quite barbaric
36:57heavens i must fly will you not stay and dine with us i want you to see my little annie
37:02she's grown one too dear but no i have 10 appointments and i'm late for every single one of them
37:07then i certainly mustn't keep you you haven't told me about the divorce when to alexei i did so
37:15hope to see you betsy i am glad you came well i ignore the conventions as you are aware that plenty
37:22of starchy people won't until you are married and that's so simple nowadays i was just asking dear
37:28anna about the divorce no divorce betsy what it isn't possible that that is a pity alexei oh i have
37:39to go now when do you leave petersburg friday so soon defy seal anna i'll be in touch perhaps we can meet
37:48i hope so yes well i'll see you to a carriage oh no no truly there's no need no then at least as far
37:58as the staircase
38:10anushka dear betsy
38:17yes madam would you take that away and wash it thoroughly
38:47yea o master lord our god hearken unto mere sinner and thine unworthy servant in this hour
38:55deliver thy servant nicolai from this intolerable sickness which holdeth him in bitter impotency
39:02and give him rest with thy souls in glory for thou art the repose of our souls and of our bodies
39:11and unto thee do we ascribe glory to the father and to the son and to the holy spirit
39:20and to the holy spirit now and ever ages unto ages amen
39:34it's all over
39:49not quite
39:59as soon
40:04as soon
40:29my poor Kosteer.
40:49is everything done?
40:52thank God.
40:54thank God.
40:56we say thank God so easily but why should we?
40:58for releasing Nicolai from his pain.
41:00you inflicted that pain to begin with tell me that.
41:02oh Kosteer.
41:04Kitty I don't mean to offend you it's just
41:07I thought so much about death.
41:10I thought about it.
41:12I don't know if it leads to anything.
41:14you know it does.
41:16do I?
41:17you saw his face.
41:19in the end he was reconciled he was looking forward.
41:22to the end of it all.
41:24more than that I think.
41:26dearest I
41:28I'm not clever like you.
41:30I don't know anything about
41:32logic or philosophy
41:34or much about religion.
41:36but isn't it possible
41:38that the body suffers because the soul is fighting to break free?
41:44as my body must suffer pain
41:47and I welcome it.
41:49because I'm going to create a new life.
41:55Kitty.
41:57I didn't know. Are you sure?
41:59quite. quite sure.
42:01madam your health.
42:03and yours prince.
42:05although if you were any healthier than you are now I hate to think what might happen.
42:07probably explode.
42:09that is something I should like to see.
42:11from a safe distance.
42:13you see Anna to avoid that unpleasantness he drinks like a fish and sits up all night smoking and gambling.
42:27Yashvin I refuse to drink to your health but here is to good fortune.
42:31yes I drink to that.
42:34Baroness your servant.
42:35oh not that I hope.
42:37servants are so expensive to keep these days.
42:44by the way I ran at princess Betsy today.
42:47oh.
42:48did she know you were coming here?
42:50I told her.
42:51and what did she say?
42:52a great deal as usual.
42:54chiefly she wished me to know she admires you and loves you dearly.
42:57in short she's your best friend.
42:59oh I thought everybody knew that.
43:01then she gave me a message for you.
43:03she hopes you'll come and visit her.
43:05how very kind.
43:07between 6.30 and 8 this evening.
43:10that's interesting.
43:12to be so precise about the time.
43:15I'm sorry but between 6.30 and 8 is just the time I cannot go.
43:19I suppose you're going to the opera.
43:22Patty's benefit night.
43:23an opera?
43:24do you mean a real opera?
43:26all that standing about and people bawling their beards off.
43:29I mean a fat man and a fat woman screaming into each other's faces at a distance of 4 inches.
43:34for three hours.
43:36tonight I believe it's only songs.
43:38a recital.
43:39yes accompanied on the piano.
43:41ah the piano.
43:43I can just tolerate the piano.
43:45will you come Anna?
43:49I should like to very much if I had a box.
43:52then you must come with us.
43:54indeed yes.
43:55and Prince Yashvin too.
43:58delighted.
43:59oh that's splendid.
44:01I should love to come.
44:02it's a long time since I've heard Patty sing.
44:04box 4.
44:05we'll meet you there.
44:06now come along you two reprobates.
44:08Anna.
44:09we must fly if we're to get changed and get there in time.
44:12very well I will see you later.
44:14au revoir madame.
44:15a great pleasure to have met you again.
44:16au revoir prince.
44:17take care of your health.
44:19Russia needs men like you.
44:23until you get a house.
44:25this could be your little sell off.
44:27as a swine.
44:29let's keep two drunk.
44:31are you really going to the opera?
44:45is there any reason why I shouldn't?
44:47Anna for heaven's sake you know you can't go.
44:51are you going?
44:52no.
44:53you don't wish to be seen with me.
44:55it isn't that it is not that.
44:56don't you realize?
44:57I don't care to.
44:58am I a freak?
44:59I can't be seen in public
45:01or do you think I ought to be ashamed to show myself?
45:03well
45:05let me tell you that I am not.
45:07not for one moment.
45:09no matter what I've done.
45:11if it were all to do again from the beginning I would do the same.
45:15what do I care for other people?
45:17for me there is one thing that counts.
45:19the fact that we love each other.
45:21or is that no longer a fact for you?
45:25why don't you look at me?
45:27I am looking at you.
45:31and I see everything in the world that I care for
45:34and that I hold most dear.
45:36now this you must know because of what I do every day to prove it.
45:40and I am thinking only of you when I beseech you I entreat you not to...
45:44not to go to the opera with Paula.
45:46with Petritsky, Yashvin, your very good friends.
45:48all three accepted everywhere in society.
45:50what could be more innocent and more trivial?
45:53explain to me!
45:54explain in simple terms why I should not go.
45:57very well.
45:58it's Patty's benefit.
46:00it's a great occasion.
46:01everyone in Petersburg will be there.
46:03except you.
46:05and I am afraid for you.
46:09I'm afraid that if you do...
46:11is that you Anoushka?
46:12yes madam.
46:13come in then.
46:17about this evening madam
46:19would you draw me a bath Anoushka?
46:24I will come directly to choose a gown.
46:26and I will come to choose a gown.
46:27I will come to choose a gown.
47:19Good evening your ex.
47:21Good evening.
47:21Let me take your things.
47:24Long time since we saw your ex.
47:27show us a good night occasion pity you miss the beginning she's in fine voice
47:33yes I hear
47:57well rosy soldier I know soldier you still
48:27part of the old set come and see us at the regiment can't let you off without a supper
48:32thank you can't I'd like that very much you'd have to excuse me though my mother's here and I
48:36still haven't paid my respects disgraceful is it not enough that we should be forced to sit next
48:50to that that harlot I wish you wished now you insult me too give me my cloak we shall leave at once
48:59at once do you hear
49:01damnation where's vronsky
49:28you know colonel I think it's time you paid our respects to madame carolina
49:35not I old man I mean much as I'd like to can't be done not in my position you know
49:43not in my position you know I mean much as I can't be done
49:50I mean much as I can't be done
49:52Alexei where have you been did you see what happened no what it was mean and hateful madame
49:58catarsopha behaved abominably she insulted Anna quite on purpose did she indeed her husband spoke a few
50:05words to Anna by way of
50:10Alyosha dear boy how nice of you to come
50:14I have a charming young girl with me who's pining to meet you
50:20my son Count Vronsky the princess farm
50:33where's father
50:46why are you? of course
50:48will you come princess? there are so many people I want you to meet
50:52should you not be over there with your peculiar friends paying court to Madame
51:00Corinna? I'll ask you. no but why not? she's given us a sensation Patty is
51:08extinguished. famous prima donna's nose is quite out of joint. excuse me
51:16shall we leave now? the music is tolerable but as for the company I find it nauseating
51:27may I bring my wife to see you? we go to the country tomorrow
51:34ah pity
51:37I shall always remember your kindness
51:41I think we should go
51:45I'm sorry
51:52yeah
51:58yeah
52:01yeah
52:04yeah
52:10yeah
52:14Anna.
52:37It was your fault.
52:39It was all your fault.
52:41Mine.
52:43When I begged and implored you not to go,
52:45I feared it would be unpleasant.
52:47Unpleasant? It was dreadful.
52:49As long as I live, I shall never forget it.
52:53She said it was a disgrace to sit beside me.
52:55Silly woman's chatter, that's all.
52:57And she called me a filthy name out loud in front of everybody.
53:00Why did you risk such a thing? Why did you provoke it?
53:03I am to blame.
53:05You should have been there beside me to protect me.
53:08Yes, I should have been.
53:09But you weren't because you don't love me.
53:11No, no you don't.
53:13Ever since we came here I've been alone.
53:15You go out to see your mother, Varya, your friends.
53:19Tonight in the theatre I saw you with a girl.
53:21The Vavara girl?
53:23How often have you seen her?
53:25Your mother wants you to marry her.
53:27Is that it?
53:28Well do so then.
53:29Do so.
53:30She's pretty and she's rich and she's not a harlot.
53:34Mary, Anna.
53:35Oh!
53:36Oh!
53:37Oh!
53:38Oh!
53:39Oh!
53:40Oh!
53:41Oh!
53:42Oh!
53:43Oh!
53:44Oh!
53:45Oh!
53:46If I don't love you, why am I here?
53:49Why am I dressed like this?
53:51You see?
53:52You regret that?
53:54Oh, what a scrap.
53:55No more than you regret everything you've given up for me.
53:59You said this evening.
54:01Yes.
54:02And it was true.
54:04Even Serioza.
54:07Oh!
54:08Oh!
54:09Lexi had been so wretched these last few days since I've seen him.
54:15You saw him?
54:16Why didn't you tell me?
54:18I realised that I'd never see him again.
54:22Never!
54:23You should have told me.
54:26Yes.
54:30I was afraid to.
54:31You seemed so cold.
54:32I thought you might think me tedious.
54:34Oh, silly.
54:40If you don't tell me your troubles, how can I comfort you?
54:44Hmm?
54:48We are one person.
54:50Man and wife.
54:54Now we're much more than that.
54:56Because we only have each other.
54:58So...
55:05No more secrets.
55:10Love me.
55:12Love me, Alexei.
55:14That's all I ask.
55:16Love me.
55:18All would be well.
55:28I will never be well.
55:30Thanks, Alexei.
55:31I will never remember.
55:32I will never be alone.
55:33I won't be alone.
55:34Love me.
55:36Hope you're, too.
55:41No more.
55:43No more.
55:45No more!
55:47No more.
55:48No more.
55:49No more.
55:50We are in here.
55:52All right.
55:53No more.
Recommended
55:00
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