Sherlock and Daughter S01E04

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Sherlock and Daughter S01E04 Sherlock and Daughter S01 #SherlockandDaughter  #ShowMoviesTV  🎞 Please join https://t.me/CinemaSeriesUSFilm

Transcript

00:00:00liable to hang to destroy the red thread would be to the advantage of his both my auntie i would

00:00:05must call you to beg for my assistance you stole your own mother's jewels a private investigator

00:00:11is on the way this detective hired by the insurance company burke whistle sir he can go

00:00:16where you can and his interrogation will provide a theory of the crime i will have the truth

00:00:20we will be paid nothing for your claim you weren't kidnapped but willingly left with charlie who is

00:00:25now in prison and liable to hang to destroy the red thread would be to the advantage of his both my auntie

00:00:31i would must call you to beg for my assistance size great caution you must learn to hunt while looking

00:00:37like prey let me up or i'll blow your head off

00:00:40i could legally shoot you in self-defense but

00:00:55i'd rather talk shall i call for a constable or would you prefer to explain why you bushwhacked me

00:00:59side thread would be to the advantage of his both my auntie i would must call you to beg for my

00:01:05assistance size great caution you must learn to hunt while looking like prey let me up or i'll blow your head

00:01:11i could legally shoot you in self-defense but i'd rather talk shall i call for a constable or would

00:01:29you prefer to explain why you bushwhacked me should i call for a constable or will you explain why you've

00:01:33been following me all afternoon you've been following me all afternoon promise not to attack me again

00:01:36well they looked a lot better before you mash them up

00:01:45sorry i meant no insult

00:01:52why would you give my flowers

00:01:57so i'll try again explain why you bushwhacked me

00:02:02Or will you explain why you've been following me all afternoon promise not to attack me again

00:02:13When they looked a lot better before you mash them up

00:02:19Sorry, I meant no insult. Why would you give me flowers to ease an awkward introduction?

00:02:27Shall I try again?

00:02:32Oh

00:02:36They're great

00:02:39When they looked a lot better before you mash them up

00:02:46Sorry, I meant no insult

00:02:49Why would you give me flowers to ease an awkward introduction?

00:02:54Shall I try again?

00:03:02They're very nice. Thank you. You're most welcome. You could have introduced yourself earlier. I was anxious about how might be received

00:03:09Not entirely without reason. Sorry. I meant no insult

00:03:14Why would you give me flowers to ease an awkward introduction?

00:03:17You're very nice. Thank you. You're most welcome. You could have introduced yourself earlier. I was anxious about how might be received

00:03:33About how might be received

00:03:35Not entirely without reason

00:03:37Maybe I jumped the gun

00:03:39I'm Amelia Ross

00:03:41I'm Michael Wiley

00:03:43And I'm very much in need of your help

00:03:47What could I made like me do for a gentleman like you?

00:03:49No serving girl has ever put me on my back before

00:03:51No serving girl has ever put me on my back before

00:03:53You're far from ordinary

00:03:55And neither is your employer

00:03:57No

00:03:59So the flowers have something to do with Mr. Holmes

00:04:01You have that American way of getting right to the point

00:04:03Getting right to the point

00:04:04And you have a way of not answering direct questions

00:04:06Why do you need my help?

00:04:07How does it involve my employer?

00:04:09You could have introduced yourself earlier

00:04:10I was anxious about how might be received

00:04:13Not entirely without reason

00:04:15Maybe I jumped the gun

00:04:19I'm Amelia Ross

00:04:20I'm Michael Wiley

00:04:23And I'm very much in need of your help

00:04:25What could a maid like me do for a gentleman like you?

00:04:28No serving girl has ever put me on my back before

00:04:31You're far from ordinary

00:04:33And neither is your employer

00:04:35No

00:04:36So the flowers have something to do with Mr. Holmes

00:04:40You have that American way of getting right to the point

00:04:42And you have a way of not answering direct questions

00:04:44Why do you need my help?

00:04:45How does it involve my employer?

00:04:50A few years ago

00:04:51Mr. Holmes helped put a famous criminal professor James Moriarty behind bars

00:04:57You ever heard of him?

00:04:58No

00:04:59But I've only started working for Mr. Holmes recently

00:05:02Oh?

00:05:03And what's he like?

00:05:04I'm no spy Mr. Wiley

00:05:06I think spying is an ugly word

00:05:09And I'm not interested in his personal habits

00:05:11What are you interested in then?

00:05:13Your employer's relationship to Professor Moriarty

00:05:16But I don't want to talk about him buying his back

00:05:19A few years ago

00:05:20Mr. Holmes helped put a famous criminal professor James Moriarty behind bars

00:05:24You ever heard of him?

00:05:25You ever heard of him?

00:05:26No

00:05:27But I've only started working for Mr. Holmes recently

00:05:29Mr. Holmes recently

00:05:30Oh?

00:05:32And what's he like?

00:05:33I'm no spy Mr. Wiley

00:05:35I think spying is an ugly word

00:05:38And I'm not interested in his personal habits

00:05:40What are you interested in then?

00:05:41Your employer's relationship to Professor Moriarty

00:05:45But I don't want to talk about him buying his back

00:05:47Who doesn't talk about their boss behind his back?

00:05:51I only wonder if Mr. Holmes intends to accuse Professor Moriarty of more crimes

00:05:56If you could find out I'd be very grateful

00:05:58I would pay a full pound for your trouble

00:06:01Working with Mr. Holmes recently

00:06:03Oh?

00:06:04And what's he like?

00:06:06I'm no spy Mr. Wiley

00:06:08I think spying is an ugly word

00:06:10And I'm not interested in his personal habits

00:06:12What are you interested in then?

00:06:14Your employer's relationship to Professor Moriarty

00:06:17But I don't want to talk about him buying his back

00:06:20Who doesn't talk about their boss behind his back?

00:06:23I only wonder if Mr. Holmes intends to accuse Professor Moriarty of more crimes

00:06:29If you could find out I'd be very grateful

00:06:31I would pay a full pound for your trouble

00:06:33It's a lot of money

00:06:35How do I get in contact with you?

00:06:37I'll wait for you tomorrow and every day after that

00:06:40At Mrs. Bailey's Tea House on Park Road at 4pm

00:06:45Just in case you learn something

00:06:47Five shillings extra for me

00:06:49Five shillings extra for me tomorrow

00:06:50Who doesn't talk about their boss behind his back?

00:06:52I only wonder if Mr. Holmes intends to accuse Professor Moriarty of more crimes

00:06:57If you could find out I'd be very grateful

00:07:00I would pay a full pound for your trouble

00:07:02It's a lot of money

00:07:04How do I get in contact with you?

00:07:05How do I get in contact with you?

00:07:06I'll wait for you tomorrow and every day after that

00:07:09At Mrs. Bailey's Tea House on Park Road at 4pm

00:07:14Just in case you learn something

00:07:16Five shillings extra for meeting me tomorrow

00:07:18And to put some butter on the bacon

00:07:21I'll even plunk down for tea

00:07:23I'll think about your offer Mr. Wiley

00:07:26Thank you for the flowers

00:07:27Thank you for the flowers

00:07:28I would pay a full pound for your trouble

00:07:31It's a lot of money

00:07:33How do I get in contact with you?

00:07:35I'll wait for you tomorrow and every day after that

00:07:37At Mrs. Bailey's Tea House on Park Road at 4pm

00:07:42Just in case you learn something

00:07:44Five shillings extra for meeting me tomorrow

00:07:47And to put some butter on the bacon

00:07:49I'll even plunk down for tea

00:07:51I'll think about your offer Mr. Wiley

00:07:54Thank you for the flowers

00:07:56And for not shooting me in the head

00:07:58Maybe I shouldn't say so Ms. Rojas

00:08:00But it is such a lovely head

00:08:02I'm glad my gun wasn't loaded

00:08:04Until tomorrow then

00:08:08This is Bailey's Tea House on Park Road at 4pm

00:08:12Just in case you learn something

00:08:14Five shillings extra for meeting me tomorrow

00:08:16And to put some butter on the bacon

00:08:18I'll even plunk down for tea

00:08:21I'll think about your offer Mr. Wiley

00:08:25Thank you for the flowers

00:08:27And for not shooting me in the head

00:08:29Maybe I shouldn't say so Ms. Rojas

00:08:31But it is such a lovely head

00:08:33I'm glad my gun wasn't loaded

00:08:35Until tomorrow then

00:08:48Amelia, where are you?

00:08:50Amelia, where are you?

00:08:52Amelia!

00:08:54I need you!

00:08:55And for not shooting me in the head

00:08:56Maybe I shouldn't say so Ms. Rojas

00:08:58But it is such a lovely head

00:09:00I'm glad my gun wasn't loaded

00:09:02Until tomorrow then

00:09:03And for not shooting me in the head

00:09:04Maybe I shouldn't say so Ms. Rojas

00:09:05And for not shooting me in the head

00:09:06Maybe I shouldn't say so Ms. Rojas

00:09:09But it is such a lovely head

00:09:10I'm glad my gun wasn't loaded

00:09:12Until tomorrow then

00:09:14And for not shooting me in the head

00:09:16Maybe I shouldn't say so Ms. Rojas

00:09:18But it is such a lovely head

00:09:19I'm glad my gun wasn't loaded

00:09:21Until tomorrow then

00:09:23Amelia, where are you?

00:09:25Amelia, where are you?

00:09:27Amelia, where are you?

00:09:29And for not shooting me in the head

00:09:30Maybe I shouldn't say so Ms. Rojas

00:09:32But it is such a lovely head

00:09:33I'm glad my gun wasn't loaded

00:09:35Until tomorrow then

00:09:50Amelia, where are you?

00:09:53Amelia, I need you

00:09:55Beg your pardon, sir

00:09:56Ms. Rojas has not returned

00:09:57From pledging your horse

00:09:59Done on your orders, she says

00:10:01But those orders should have come through me

00:10:04If it hasn't occurred to you by now

00:10:05Amelia is not only my mate

00:10:07She is also my assistant

00:10:08In helping with the task

00:10:09And it involves the return of your sister

00:10:11What the devil is wrong with her?

00:10:13My wife is a woman of virtue

00:10:15And the thought of a young girl

00:10:16Involved in the grisly horrors of this kidnapping

00:10:19Upset her past the point of feminine endurance

00:10:22Well, I do apologize, Mrs. Halligan

00:10:24If I've challenged your notion of propriety

00:10:26But in the name of-

00:10:27Oh, there you are!

00:10:28What kept you?

00:10:29Never mind

00:10:30What a frightful hurry

00:10:31I'll ask for your report

00:10:32While I'm at movies

00:10:33Buy him in a sprax

00:10:34Thanks

00:10:35This taking off his clothes

00:10:36Yes

00:10:38Claire is terrified for her reputation

00:10:40But she-

00:10:41Helping with the task

00:10:42And it involves the return of your sister

00:10:43What the devil is wrong with her?

00:10:45My wife is a woman of virtue

00:10:47And the thought of a young girl

00:10:49Involved in the grisly horrors of this kidnapping

00:10:52Upset her past the point of feminine endurance

00:10:54Well, I do apologize, Mrs. Halligan

00:10:56If I challenge your notion of propriety

00:10:58But in the name of-

00:10:59Oh, there you are!

00:11:00What kept you?

00:11:01Never mind

00:11:02I'm in a frightful hurry

00:11:03I'll ask for your report

00:11:05While I'm at movies

00:11:06Buy him in a sprax

00:11:07He's taking off his clothes

00:11:11Claire is terrified for her reputation

00:11:13But she accepts that only we can keep her safe

00:11:15Mrs. Anderson even asked me to accept a post as Claire's chaperone

00:11:19Mr. Burtwistle

00:11:21The insurance investigator

00:11:23He offered me-

00:11:24Kidnapping

00:11:25Upset her past the point of feminine endurance

00:11:27Well, I do apologize, Mrs. Halligan

00:11:29If I challenge your notion of propriety

00:11:31But in the name of-

00:11:32Oh, there you are!

00:11:33What kept you?

00:11:34Never mind

00:11:35In a frightful hurry

00:11:36I'll ask for your report

00:11:37While I'm at movies

00:11:38Buy him in a sprax

00:11:40He's taking off his clothes

00:11:44Claire is terrified for her reputation

00:11:46But she accepts that only we can keep her safe

00:11:48Mrs. Anderson even asked me to accept a post as Claire's chaperone

00:11:53Mr. Burtwistle

00:11:54The insurance investigator

00:11:56He offered me a job as his apprentice

00:11:59Bertie Burtwistle?

00:12:02What a pompous ass

00:12:03Imagine working for him

00:12:05Listening to him pontificate all day

00:12:07What an insufferable bore

00:12:08Still, he has sometimes applied for me for advice

00:12:12Claire is terrified for her reputation

00:12:14But she accepts that only we can keep her safe

00:12:16Mrs. Anderson even asked me to accept a post as Claire's chaperone

00:12:21Mr. Burtwistle

00:12:22The insurance investigator

00:12:23He offered me a job as his apprentice

00:12:26Bertie Burtwistle?

00:12:30What a pompous ass

00:12:31Imagine working for him

00:12:33Listening to him pontificate all day

00:12:35What an insufferable bore

00:12:36Still, he has sometimes applied for me for advice

00:12:39So he's not a complete fool

00:12:40This other offer, however

00:12:43Chaperone to the American ambassador's daughter

00:12:45That's a job worth considering

00:12:46Not just for your safety

00:12:47But for Clara

00:12:48She's after all our last living link to the red thread

00:12:53I can't believe how quickly they got to poor Charlie

00:12:56Fast as a telegraph

00:12:58Whistle, the insurance investigator

00:13:00He offered me a job as his apprentice

00:13:02Bertie Burtwistle?

00:13:05What a pompous ass

00:13:07Imagine working for him

00:13:09Listening to him pontificate all day

00:13:11What an insufferable bore

00:13:12Still, he has sometimes applied for me for advice

00:13:15So he's not a complete fool

00:13:17This other offer, however

00:13:19Chaperone to the American ambassador's daughter

00:13:21That's a job worth considering

00:13:23Not just for your safety, but for Clara

00:13:25She's after all our last living link to the red thread

00:13:29I can't believe how quickly they got to poor Charlie

00:13:31Fast as a telegraph, Seymour

00:13:33However, before his untimely demise

00:13:35I did manage to wrink to the red thread

00:13:36Will not have been a great deal

00:13:37But Charlie

00:13:38And he's not a complete fool

00:13:39This other offer, however

00:13:40This other offer, however

00:13:42Chaperone to the American ambassador's daughter

00:13:44That's a job worth considering

00:13:46Not just for your safety, but for Clara

00:13:48She's after all our last living link to the red thread

00:13:51I can't believe how quickly they got to poor Charlie

00:13:56Fast as a telegraph, Seymour

00:13:58However, before his untimely demise,

00:14:00I did manage to wring from him the names of his accomplices,

00:14:04Mr. Weems and Maggot, if you can believe it,

00:14:08aliases, no doubt, as well as their possible destination.

00:14:11And with this information, I hope soon to have their faces.

00:14:15Yes, you are...

00:14:16Offer, however, chaperone to the American ambassador's daughter.

00:14:19That's a job worth considering, not just for your safety, but for Clara.

00:14:23She's, after all, our last living link to the red thread.

00:14:26I can't believe how quickly they got to poor Charlie.

00:14:30Fast as a telegraph, Seymour.

00:14:32However, before his untimely demise,

00:14:34I did manage to wring from him the names of his accomplices,

00:14:38Mr. Weems and Maggot, if you can believe it,

00:14:42aliases, no doubt, as well as their possible destination.

00:14:45And with this information, I hope soon to have their faces.

00:14:49Yes.

00:14:50You already do.

00:14:51Oh.

00:14:53I saw them leaving the coffin factory right before Charlie.

00:14:55Yes, well, Charlie suggested they'd been warned to escape by a police officer,

00:15:00someone of rank, no doubt.

00:15:01Names of his accomplices,

00:15:03Mr. Weems and Maggot, if you can believe it,

00:15:07aliases, no doubt, as well as their possible destination.

00:15:10And with this information,

00:15:12I hope soon to have their faces.

00:15:14Yes.

00:15:15You already do.

00:15:16Oh.

00:15:17I saw them leaving the coffin factory right before Charlie.

00:15:20Yes, well, Charlie suggested they'd been warned to escape by a police officer,

00:15:25someone of rank, no doubt.

00:15:27How did you manage to reach Charlie unseen?

00:15:29Oh, with the help of an old prisoner in exchange for finding his prodigal son,

00:15:33a task that will take me to Scotland Yard without crossing the thread.

00:15:37And is he this prisoner?

00:15:39He's completely unconnected to our...

00:15:41And with this information,

00:15:43I hope soon to have their faces.

00:15:46Yes.

00:15:46You already do.

00:15:48Oh.

00:15:48I saw them leaving the coffin factory right before Charlie.

00:15:52Yes, well, Charlie suggested they'd been warned to escape by a police officer,

00:15:56someone of rank, no doubt.

00:15:58How did you manage to reach Charlie unseen?

00:16:00Oh, with the help of an old prisoner in exchange for finding his prodigal son,

00:16:04a task that will take me to Scotland Yard without crossing the thread.

00:16:08And is he this prisoner?

00:16:11He's completely unconnected to our present business,

00:16:13which for you means tracking down Weems and Maggot.

00:16:16It is our most dangerous mission yet,

00:16:18and you may not go unarmed.

00:16:20So, allow me to demonstrate the basics of this, uh...

00:16:25It's kind of old, isn't it?

00:16:31Some other issues.

00:16:33For finding his prodigal son,

00:16:34a task that will take me to Scotland Yard without crossing the thread.

00:16:38And is he this prisoner?

00:16:40He's completely unconnected to our present business,

00:16:43which for you means tracking down Weems and Maggot.

00:16:47It's our most dangerous mission yet,

00:16:48and you may not go unarmed.

00:16:51So, allow me to demonstrate the basics of this, uh...

00:16:55Oh.

00:16:57It's kind of old, isn't it?

00:17:02Some other issues, but you've kept it in decent shape.

00:17:05I'll need more bullets.

00:17:06Uh, six is quite enough.

00:17:09How did you become so proficient in firearms and business,

00:17:12which for you means tracking down Weems and Maggot.

00:17:15It's our most dangerous mission yet,

00:17:16and you may not go unarmed.

00:17:19So, allow me to demonstrate the basics of this, uh...

00:17:23Oh.

00:17:25It's kind of old, isn't it?

00:17:30Some other issues, but you've kept it in decent shape.

00:17:33I don't need more bullets.

00:17:35Uh, six is quite enough.

00:17:37How did you become so proficient in firearms?

00:17:40My mother taught me.

00:17:42With a machine shoe boat.

00:17:47Remember, watch for the recoil,

00:17:50and aim ahead of the target.

00:17:52Ah!

00:17:56Time for something harder.

00:18:01Ah!

00:18:01You've improved.

00:18:06That's the first time you had even one pigeon when two were flying.

00:18:09But why learn this?

00:18:11And don't say it's the wilderness,

00:18:13because I already know how to hunt wild animals

00:18:14and protect myself from them, too.

00:18:16You're right, Amelia.

00:18:18Wolves and bears are not your enemies.

00:18:20Well, then who is?

00:18:22I am the daughter of an Apache mother

00:18:23and a Rantiero father,

00:18:25and my grandfather was a soldier of Spain.

00:18:27You were part of all of them,

00:18:29and also half-English.

00:18:32This frightens people.

00:18:33But why?

00:18:34If we're a part of everyone.

00:18:37Part of everyone?

00:18:38All of nothing.

00:18:39Don't say it's the wilderness,

00:18:41because I already know how to hunt wild animals

00:18:43and protect myself from them, too.

00:18:45You're right, Amelia.

00:18:47Wolves and bears are not your enemies.

00:18:49Well, then who is?

00:18:51I am the daughter of an Apache mother

00:18:52and a Rantiero father,

00:18:54and my grandfather was a soldier of Spain.

00:18:57You were part of all of them,

00:18:58and also half-English.

00:19:01This frightens people.

00:19:02But why?

00:19:04If we're a part of everyone.

00:19:06Part of everyone?

00:19:07All of nothing.

00:19:09We're a tribe of two.

00:19:12Well, maybe one day we can be a tribe of three.

00:19:15I could marry someone.

00:19:17Well, then who is?

00:19:17I am the daughter of an Apache mother

00:19:20and a Rantiero father,

00:19:22and my grandfather was a soldier of Spain.

00:19:24You were part of all of them,

00:19:26and also half-English.

00:19:28This frightens people.

00:19:30But why?

00:19:31If we're a part of everyone.

00:19:33Part of everyone?

00:19:35All of nothing.

00:19:37We're a tribe of two.

00:19:39Well, maybe one day we can be a tribe of three.

00:19:43I could marry someone.

00:19:45He's strong and handsome.

00:19:46He could help us.

00:19:48Shall we wait, then?

00:19:51Depend on someone we haven't met yet.

00:19:53Or, shall we be ready to protect ourselves?

00:20:01Paul!

00:20:02This frightens people.

00:20:03But why?

00:20:04Maybe if we're a part of everyone.

00:20:07Part of everyone?

00:20:08All of nothing.

00:20:10We're a tribe of two.

00:20:13Well, maybe one day we can be a tribe of three.

00:20:17I could marry someone.

00:20:18He's strong and handsome.

00:20:20He could help us.

00:20:22Shall we wait, then?

00:20:24Depend on someone we haven't met yet.

00:20:27Or, shall we be ready to protect ourselves?

00:20:29Yes.

00:20:34Paul!

00:20:39So, your mother taught you all this, but she did not teach you how to keep your balance in a fight.

00:20:45Excuse me?

00:20:46Your assailant had you on the ground where he rolled you at least once.

00:20:49I say he because...

00:20:50He could help us.

00:20:51Shall we wait, then?

00:20:54Depend on someone we haven't met yet.

00:20:55Or, shall we be ready to protect ourselves?

00:21:04Paul!

00:21:08So, your mother taught you all this, but she did not teach you how to keep your balance in a fight.

00:21:14Excuse me?

00:21:15Your assailant had you on the ground where he rolled you at least once.

00:21:18I say he because this mark on your shoulder comes from the hand of a man, though clearly not a gentleman.

00:21:23The general distress of your clothes in this trail of debris strewn across Mrs. Halligan's newly clean...

00:21:30Paul!

00:21:36So, your mother taught you all this, but she did not teach you how to keep your balance in a fight.

00:21:43Excuse me?

00:21:43Your assailant had you on the ground where he rolled you at least once.

00:21:47I say he because this mark on your shoulder comes from the hand of a man, though clearly not a gentleman.

00:21:51The general distress of your clothes in this trail of debris strewn across Mrs. Halligan's newly clean floor...

00:21:57...indicate a closer relationship with grass and mud than one would normally encounter in the course of returning a horse.

00:22:03And this, this, look at this.

00:22:06Primula, mother taught you all this, but she did not teach you how to keep your balance in a fight.

00:22:11Excuse me?

00:22:12Your assailant had you on the ground where he rolled you at least once.

00:22:15I say he because this mark on your shoulder comes from the hand of a man, though clearly not a gentleman.

00:22:19The general distress of your clothes in this trail of debris strewn across Mrs. Halligan's newly clean floor...

00:22:25...indicate a closer relationship with grass and mud than one would normally encounter in the course of returning a horse.

00:22:31And this, this, look at this.

00:22:33Primula Balgaris.

00:22:34Yes.

00:22:35Common primrose.

00:22:36Yes.

00:22:37Common primrose.

00:22:38So, pray explain this struggle which I urged you to avoid.

00:22:43Well, it wasn't my fault.

00:22:44There was a, a man, an older man, near your age.

00:22:46And the general distress of your clothes in this trail of debris strewn across Mrs. Halligan's newly clean floor...

00:22:49...indicate a closer relationship with grass and mud than one would normally encounter in the course of returning a horse.

00:22:55And this, this, look at this.

00:22:58Primula Balgaris.

00:23:01Yes.

00:23:02Common primrose.

00:23:03Yes.

00:23:04So, pray explain this struggle which I urged you to avoid.

00:23:08Well, it wasn't my fault.

00:23:10There was a, a man, an older man, near your age.

00:23:13He tried to steal Chance while I watered him.

00:23:17I, I slipped and rolled out of Chance's way, but...

00:23:21And mud than one would normally encounter in the course of returning a horse.

00:23:24And this, this, look at this.

00:23:27Primula Balgaris.

00:23:30Yes.

00:23:31Yes.

00:23:32Common primrose.

00:23:33So, pray explain this struggle which I urged you to avoid.

00:23:38Well, it wasn't my fault.

00:23:39There was a, a man, an older man, near your age.

00:23:43He tried to steal Chance while I watered him.

00:23:47I, I slipped and rolled out of Chance's way, but I jumped up and I struggled with the man who ran away when he saw that I'd fight back.

00:23:55Why did you not give chase?

00:23:56Why did you not give chase?

00:23:57Because I didn't want to leave your horse behind in case the thief had an accomplice.

00:24:01Well, yeah.

00:24:02Well, we'll take that as answer, though you did not account for the...

00:24:07There was a, a man, an older man, near your age.

00:24:12He tried to steal Chance while I watered him.

00:24:16I, I slipped and rolled out of Chance's way, but I jumped up and I struggled with the man who ran away when he saw that I'd fight back.

00:24:24Why did you not give chase?

00:24:25Because I didn't want to leave your horse behind in case the thief had an accomplice.

00:24:31Well, yeah.

00:24:32Well, we'll take that as answer, though you did not account for the primrose.

00:24:38Now, in what remains of the afternoon, you will have Mr. Halligood.

00:24:42There was a, a man, an older man, near your age.

00:24:46He tried to steal Chance while I watered him.

00:24:50I, I slipped and rolled out of Chance's way, but I jumped up and I struggled with the man who ran away when he saw that I'd fight back.

00:24:58Why did you not give chase?

00:24:59Because I didn't want to leave your horse behind in case the thief had an accomplice.

00:25:07Well, yeah.

00:25:08Well, we'll take that as answer, though you did not account for the primrose.

00:25:12The primrose.

00:25:13Now, in what remains of the afternoon, you will have Mr. Halligood drive you to the Coffin Factory to ascertain if there is a telephone on the premises.

00:25:21A telephone is a rather...

00:25:22I know what a telephone is.

00:25:23Oh, well, just making certain.

00:25:25Afterwards, you will press on to Richmond in search of Weems and Maggot.

00:25:29You will station yourself at the best local chop house and, uh, offer to sketch portraits.

00:25:34Amplice.

00:25:35Well, we'll take that as answer, though you did not account for the primrose.

00:25:41Now, in what remains of the afternoon, you will have Mr. Halligood drive you to the Coffin Factory to ascertain if there is a telephone on the premises.

00:25:51A telephone is a rather...

00:25:52I know what a telephone is.

00:25:53Oh, well, just making certain.

00:25:55Afterwards, you will press on to Richmond in search of Weems and Maggot.

00:26:00You will station yourself at the best local chop house and, uh, offer to sketch portraits at sixpence apiece.

00:26:06Now, you can use these pictures of Charlie's accomplices as examples of your work.

00:26:10No work.

00:26:11Oh, and then if anyone has seen either of these men, then...

00:26:13Yes.

00:26:14They're likely to comment on the quality of the likenesses.

00:26:15It's amazing how quickly you apprehend my salutes.

00:26:18Over the afternoon, you will have Mr. Halligood drive you to the Coffin Factory to ascertain if there is a telephone on the premises.

00:26:24A telephone is a rather...

00:26:25I know what a telephone is.

00:26:27Oh, well, just making certain.

00:26:29Afterwards, you will press on to Richmond in search of Weems and Maggot.

00:26:33You will station yourself at the best local chop house and, uh, offer to sketch portraits at sixpence apiece.

00:26:39Now, you can use these pictures of Charlie's accomplices as examples of your work.

00:26:44Oh, and then if anyone has seen either of these men, then...

00:26:46Yes, they're likely to comment on the quality of the likenesses.

00:26:49It's amazing how quickly you apprehend my solutions. Very interesting.

00:26:53Now, uh, here are two sovereigns, or expenses.

00:26:57Now, if you manage to locate the kidnappers or someplace they have confined Watson and Mrs. Hudson, you must send me a telegram forthwith.

00:27:04And where are you off to?

00:27:06Where are you off to?

00:27:07At sixpence apiece.

00:27:08Now, you can use these pictures of Charlie's accomplices as examples of your work.

00:27:13Oh, and then if anyone has seen either of these men, then...

00:27:15Yes, they're likely to comment on the quality of the likenesses.

00:27:18It's amazing how quickly you apprehend my solutions. Very interesting.

00:27:22Now, uh, here are two sovereigns, or expenses.

00:27:26Now, if you manage to locate the kidnappers or someplace they have confined Watson and Mrs. Hudson, you must send me a telegram forthwith.

00:27:33And where are you off to?

00:27:35Oh, Scotland Yard. I'm there to play the fool. I have no time to lose.

00:27:39Where's my coat? Oh, I left it on the stairs.

00:27:48Don't forget the gun.

00:27:50Yes, they're likely to comment on the quality of the likenesses.

00:27:53It's amazing how quickly you apprehend my solutions. Very interesting.

00:27:57Now, uh, here are two sovereigns, or expenses.

00:28:01Now, if you manage to locate the kidnappers or someplace they have confined Watson and Mrs. Hudson, you must send me a telegram forthwith.

00:28:08And where are you off to?

00:28:10Oh, Scotland Yard. And there to play the fool. I have no time to lose. Where's my coat? Oh, I left it on the stairs.

00:28:16Don't forget the gun.

00:28:17Don't forget the gun.

00:28:23Don't forget the gun.

00:28:24Don't forget the gun.

00:28:25Don't forget the gun.

00:28:30Don't forget the gun.

00:28:31Don't forget the gun.

00:28:33Don't forget the gun.

00:28:35Scotland Yard, and there to play the fool.

00:28:37I have no time to lose.

00:28:38Where's my coat?

00:28:38Oh, I left it on the stairs.

00:28:47Don't forget the gun.

00:28:56Tonight's episode of Sherlock and Daughter is brought to you by Fresh Pet.

00:29:00It's not dog food, it's food food.

00:29:05So, I heard you found someone special.

00:29:07Yeah.

00:29:07Is that...

00:29:08Oh, Scotland Yard, and there to play the fool.

00:29:10I have no time to lose.

00:29:11Where's my coat?

00:29:12Oh, I left it on the stairs.

00:29:20Don't forget the gun.

00:29:35Thank you for such a pleasant ride.

00:29:54You're welcome, Amelia.

00:29:55Though, it seems improper that you should put yourself in danger for the wages of a scullery maid.

00:30:00Oh, I have good reason to help Mr. Holmes, as do you and Mrs. Alligan.

00:30:04I wish I didn't upset her so much.

00:30:06Oh, no, it's not like that, no.

00:30:08From before we were married, during our days in service to the Earl of Compton, the missus

00:30:13has been keenly aware of social decorum.

00:30:15Mr. Holmes and his ways are sometimes a bit unaltered.

00:30:19I respect Mrs. Alligan's opinions.

00:30:22I would not mention the word opinion to her.

00:30:24In my wife's mind, she has no opinions, only the facts.

00:30:28Contradicting her is like trying to float upstream.

00:30:32That coach over there, there's Lord Witherssey's coach of arms.

00:30:36How odd.

00:30:37Not at all, Mr. Alligan.

00:30:38It's a bit of luck.

00:30:39Finally.

00:30:41Excuse me.

00:30:42This won't take long.

00:30:43But, Lord Witherssey, we can't just leave.

00:30:45Crack on, William.

00:30:46Your investigation hasn't stopped people from dying.

00:30:48Our inquiries are not yet complete.

00:30:50We were closed for minor refurbishments.

00:30:53No one was aware the kidnappers were hiding here.

00:30:55We must finish our own work before you can resume yours.

00:30:58If you refuse to leave, I will file a complaint with your superiors.

00:31:02As you wish, Lord Witherssey.

00:31:04Give me Scotland Yard and the double.

00:31:10Chief Inspector Whitlock's on us.

00:31:11Madam, the factory is closed.

00:31:14Sorry, sir.

00:31:16My brother is a joiner here, but he's fallen very ill.

00:31:20I'm sorry to hear it.

00:31:21Unfortunately, these coffins are not for sale.

00:31:23Oh, no, sir.

00:31:25I wanted only to know when work was to resume.

00:31:28Oh, don't worry, miss.

00:31:29If your brother is well by Sunday.

00:31:31When you are done, call me on my telephone in Richmond.

00:31:33My family will be so relieved.

00:31:35Thank you so much.

00:31:36I must go tell them right away.

00:31:39Excuse me, sir.

00:31:45Virgin, my lord, Richmond.

00:31:47Quick about it.

00:31:54Now where, Miss Rockham?

00:31:55To Richmond.

00:31:56Follow that carriage.

00:32:03Of course I can show you a telephone, Mr. Holmes.

00:32:08And while you're here this visit, as always, I can introduce you to some of the yard's newest crime-fighting innovations from our advanced scientific division.

00:32:15Oh, for example, though they're not exactly new, and there are already quite a few on the streets, but one day, sir, electric lights will replace gas lamps with a brilliance you can only imagine, banishing the darkness of night and keeping the criminals at bay.

00:32:32Or making it easier for them to see their victims, Detective Swan.

00:32:35And look at this. Samples from the pen of every known blackmailer and swindler in the land.

00:32:41We are almost at a point where we can put a name to a criminal by his penmanship alone.

00:32:45Well, let's hope these criminals remain ignorant of the typewriter.

00:32:48And, thanks to the work of Mr. E.R. Henry and several foreigners, the science division is in the midst of developing an index that can create, capture, and enlarge finger marks, since no two are alike.

00:33:00Well, you must remind me to invest in glove-making. Now, Detective Swan, fascinating as this tour has been, it is telephony that I wish to study.

00:33:08Right. And you are in luck, Mr. Holmes, for it has proven such a boon to policing that we have not one, but four telephones in our headquarters.

00:33:16Here's one of them.

00:33:17Well, I had hoped to see a working model.

00:33:20Certainly. I'll take you to Chief Inspector Whitlock's office.

00:33:24And may I say, sir, how admirable it is that a gentleman of your year still seeks to remain au courant with innovation.

00:33:32It is difficult to find people with such a lively curiosity in their late middle age.

00:33:36Detective, this sort of praise is usually reserved for one's eulogy.

00:33:41Oh, heartfelt, sir. You can be sure.

00:33:43Oh, this way. Telephones are upstairs.

00:33:45You could try our new elevator.

00:33:49This way, Mr. Holmes.

00:33:50I hate that blasted contraption. Telephones serve no useful purpose in detection. Take my rescue of the American ambassador's daughter.

00:34:00Oh, that was you.

00:34:02Well, your public modesty is remarkable.

00:34:05We have yet to release the news, but the coachman who kidnapped the girl has done the decent thing and hanged himself in a cell.

00:34:11Case closed.

00:34:12Or without the use of a telephone.

00:34:15Case closed.

00:34:16So you also recovered the ambassador's stolen jewels?

00:34:20Not yet, no.

00:34:21But the carpet had very little time to dispose of them.

00:34:25I am personally taking over this investigation, so I'm confident the jewels will be found.

00:34:31Can I tell you anything else about telephones, Mr. Holmes?

00:34:34Aside from Bolivar's complaints, do you find them useful?

00:34:37I do. If a suspect flees London by a rail, for example, I can just call ahead and have officers present on the platform before the wretch steps off the train.

00:34:50Operator.

00:34:51No, no, we're fine, thank you.

00:34:53Or without moving from my desk.

00:34:56How convenient.

00:34:57Perhaps I should have one installed for myself.

00:35:00They're still quite expensive for use in a private residence.

00:35:02In the pursuit of justice, I allow myself to be extravagant.

00:35:07I've just come from wasting half the day visiting that old reprobate Moriarty.

00:35:11Had I been able to conduct the interview by telephone, then I might have saved myself both the journey and several hours in his loathsome company.

00:35:19Moriarty.

00:35:20What did the villain have to say for himself?

00:35:22Oh, he was reciting some pathetic story about his son Daniel sent to Australia as a juvenile offender in the 80s,

00:35:31and now the young man has returned to London but has avoided visiting his father.

00:35:35Yes.

00:35:36I saw a brief mention of him two months ago.

00:35:42Every day, the Home Office sends me a list of potential revolutionaries, misfits and former felons.

00:35:49Home's supposed to keep on top of it all, I'll never know.

00:35:51And is Daniel Moriarty on that list?

00:35:53Yes. Changed his name to Michael Wiley, whilst in Australia, and who could blame him for that?

00:35:59Works as a clerk for some broker on the stock exchange.

00:36:03Would you like him brought in for questioning, this young Moriarty?

00:36:06No, no. I think it might be best to deal with the matter unofficially.

00:36:10And should you suddenly have an idea as to the whereabouts of the ambassador's missing jewels?

00:36:16I suppose I could just ring you.

00:36:20I wonder, Chief Inspector, does one buy the telephone and all that comes with it outright,

00:36:25or do they continue to charge you by the call?

00:36:28Both.

00:36:29Of course.

00:36:30Would you happen to have a statement I could examine just so I could estimate my monthly costs?

00:36:35I do have a copy, yes.

00:36:38The bill doesn't have names in it, of course.

00:36:41Just the numbers were dialed and the duration of each call.

00:36:46Cruise it at your leisure.

00:36:48Thank you, Chief Inspector.

00:36:49Happy to help, Mr. Holmes.

00:36:51You've proven useful in the past and may yet do so in the future.

00:36:54That's very thoughtful of you to say.

00:36:56I shall take my leave and allow you two gentlemen to resume your more important duties.

00:37:02Au revoir.

00:37:07Ah, Mr. Holmes?

00:37:09Going down?

00:37:10Yes.

00:37:11Always a pleasure to see you, sir.

00:37:24I could use your help regarding all the newest advances in our mutual field of endeavour,

00:37:30but only if I can depend on your discretion.

00:37:32I wouldn't want your superiors to know that we were in communication.

00:37:35They might think I'd lost my touch.

00:37:37I'm sure you've got some good years still left, sir, and it would be my honour to assist you.

00:37:41Mr. Holmes, drive to the nearest telegraph office and send a message to Mr. Holmes.

00:38:06Tell him that Lord Withersley doesn't just own the Coffin Factory, but he also has a mansion in Richmond.

00:38:12Amelia, I am Mr. Holmes' gentleman, and not an errand boy.

00:38:16Here, take these two sovereigns, send a message, and after that, enjoy the finest chop house you can find.

00:38:24Hold on to the change.

00:38:25My word.

00:38:27Where did you come by two old sovereigns?

00:38:29Never mind.

00:38:29I will ponder that question over a pork roast and all the trimmings.

00:38:34But if you have not come to town in three hours, I will return and wait outside the gate.

00:38:41It was a bad experience with a hound many years back.

00:38:45I think it would be safer if you came with me.

00:38:47Don't worry, Mr. Halligan.

00:38:48If it finds me, I know how to handle a dog.

00:38:50I think Dr. Watson and Mrs. Hudson are being held here, and Mr. Holmes needs to know, urgently.

00:38:57Now go get the message out, and enjoy dinner.

00:39:13Quiet!

00:39:13Sit!

00:39:15Sit!

00:39:17Sit!

00:39:19Stay!

00:39:20Stay!

00:39:23Stay!

00:39:25Stay!

00:39:32It's been a while since I've had to assign you boys such a complicated task.

00:39:37I'm afraid it requires a bit of legwork.

00:39:39I'm sure I want you to gather what's left of the Baker Street Irregulars

00:39:43and search through all the usual haunts of the clerks of the exchange for a young Australian,

00:39:48newly arrived, age 25, goes by the name of Michael Wiley.

00:39:52If you find him, you can have two shillings of peace.

00:39:55Well, Mr. Holmes, I'll text all night and day.

00:39:57We're not 11 anymore.

00:39:58Another half a crown, but I need results by sundown tomorrow.

00:40:02Is everything satisfactory, sir?

00:40:03I hope so, Mrs. Halligan. I'll be out for dinner.

00:40:06Cab!

00:40:06Right, another half a crown each if you make sure I'm not followed from this place.

00:40:12Richmond, Lord Withershees' estate.

00:40:14That's some distance, Governor.

00:40:16It's on my way home.

00:40:17Well, I'll double the fare, then you can wait for me and bring me back.

00:40:21For God's sake, man, try it.

00:40:22This is an emergency.

00:40:24Come on.

00:40:25Time to go.

00:40:26Excuse me, sir.

00:40:27Hold on a second there.

00:40:28We need to move this.

00:40:28We'll only be two minutes.

00:40:29Not even two minutes.

00:40:30Honest to God.

00:40:31Two minutes.

00:41:06Please, don't make any noise.

00:41:30Shulakom sent me.

00:41:31I'm here to help.

00:41:33Just give me a second.

00:41:51Don't make us out.

00:41:52Don't make us out.

00:42:22Let's find an eternal resting place for our guests by tonight.

00:42:32My wife and the other servants will be back late tomorrow morning.

00:42:35I'll dig a hole for them.

00:42:37I ought to deal a quick line to his and their journey.

00:42:39Shame to waste the coffins, though.

00:42:40They're worth less than they will be.

00:42:42A week or two hence.

00:42:42Valerian, did you open these caskets?

00:42:59No, sir.

00:42:59I doubt not.

00:43:02The leads have been forced.

00:43:04Stand up.

00:43:21Stand up.

00:43:22Stand up.

00:43:24Slowly.

00:43:27Show me your hands.

00:43:28One touch, and I'll make room for you in one of them coffins you open.

00:43:35All right, then, my lady.

00:43:44Who are you when you're at home?

00:43:45My name doesn't come.

00:43:47Just the name of my mother.

00:43:51Lucia Rojas.

00:43:52Sorry.

00:43:56Never heard of her.

00:43:58She was another victim of the red thread.

00:44:00Murdered by men like you.

00:44:02Men like him, you mean?

00:44:04How came you to be here?

00:44:05How did you know where we were?

00:44:09Too late for explanations, my lord.

00:44:12She's already seen them.

00:44:15And seen us.

00:44:15Hold your fire.

00:44:17First, I must call for instruction.

00:44:18And you would do well to remember your place.

00:44:25Yeah.

00:44:28Lords.

00:44:29Always giving orders.

00:44:30From Ireland to India.

00:44:33Go.

00:44:35Now.

00:44:36Before I lose my patience.

00:44:38Take the dog with you and put it in the kitchen and close the door.

00:44:40I don't want it running in here again.

00:44:45Man, our lordship is gone, my lady.

00:44:55Perhaps we can think of a better way to get acquainted.

00:45:08This is it.

00:45:09Stop.

00:45:11Stop.

00:45:12Stop.

00:45:15Are you expected, sir?

00:45:22Certainly hope not.

00:45:25Stop, sir.

00:45:26Are you your age?

00:45:28I've heard quite enough about my age for one day, thank you very much.

00:45:31For your information, I've just turned...

00:45:3440.

00:45:35Have to say, sir, you don't look it.

00:45:40Walk on!

00:45:41Walk on!

00:45:42Walk on!

00:45:45Walk on!

00:45:46Walk on!

00:45:47Walk on!

00:45:48Walk on!

00:45:49Walk on!

00:45:50Walk on!

00:45:51Walk on!

00:45:52Walk on!

00:45:53Walk on!

00:45:54Walk on!

00:45:55Walk on!

00:45:56Walk on!

00:45:57Walk on!

00:45:58Walk on!

00:45:59Walk on!

00:46:00Walk on!

00:46:01Walk on!

00:46:02Walk on!

00:46:03Walk on!

00:46:04Walk on!

00:46:05Walk on!

00:46:06Walk on!

00:46:07Walk on!

00:46:08Walk on!

00:46:09Walk on!

00:46:10Walk on!

00:46:11Walk on!

00:46:12Walk on!

00:46:13Walk on!

00:46:14I say, dear girl.

00:46:23You all right?

00:46:27He tried to.

00:46:34There's no need to speak of it.

00:46:37I understand.

00:46:42Are you safe here?

00:46:44Are we alone?

00:46:46No.

00:46:48No.

00:46:50The servants and the family are away, but Withersey is in the house.

00:46:55Front.

00:46:56Carriage.

00:46:57Coffins.

00:47:14Pity, we can't question them.

00:47:29No, no bother us no more.

00:47:37I always carry a little flask of brandy for medicinal purposes.

00:47:41It's a remarkable restorative.

00:47:43Would you care to...

00:47:44Now, I understand these stables may seem impressive, but might you wait for me here with your weapon at the ready?

00:48:01Yes.

00:48:03But if you're going to confront Withersey, be careful. He's one of them.

00:48:09Well, judging by Weems and Magga, do you think it's Withersey you ought to be careful?

00:48:12Where's Mr. Halligan?

00:48:14He's finishing his dinner. He'll be back in less than an hour.

00:48:17Aye.

00:48:19Well.

00:48:22Good work.

00:48:24Very good work.

00:48:29Sorry to have put you in such grave danger.

00:48:33Very sorry indeed.

00:48:35Wait there.

00:48:35Please hold, and I will try to connect you.

00:49:05Mr. Sherlock Holmes.

00:49:19Pleasure to see you again.

00:49:20Very good of you to say so, my lord.

00:49:23I admit to a certain ignorance regarding the proper etiquette in this situation.

00:49:30But perhaps you could talk to me instead of your telephone.

00:49:33Allow me to put the receiver down.

00:49:35Please.

00:49:39Don't move.

00:49:40I am standing perfectly still.

00:49:43Should have expected you, I suppose.

00:49:45The girl in the stables, one of your spies.

00:49:48Yes, she is.

00:49:49And alive and well.

00:49:50The same cannot be said of your confederate.

00:49:53The world will little grieve his absence.

00:49:56You, on the other hand.

00:49:57Killing me would be a very bad idea, my lord.

00:50:01Even for one who has made as many poor choices as you have of late.

00:50:05The police are en route.

00:50:07No, they're not.

00:50:07But what would they find, Mr. Holmes?

00:50:12When they finally appear, that remains to be seen.

00:50:14If Watson and Mrs. Hudson are present and alive and in good health, the authorities will find their kidnappers dead in the stables.

00:50:23And perhaps they could recover the jewels stolen from the home of the American ambassador.

00:50:27I could convince them that you are ignorant of the entire scheme.

00:50:33And your station and former wealth might give them pause.

00:50:37Former wealth, Mr. Holmes?

00:50:38I do note, without pleasure, the faded spaces on your walls where valued paintings used to hang.

00:50:46And your coat, which was fashionable four years ago, has had its colours refreshed in places with ink.

00:50:51And your tie is jagged along the edges from overuse.

00:50:56And this rug on which I'm standing is pocked with scars.

00:50:58Now, I know of only two vices that can create such circumstances.

00:51:02And since your face is unblemished, your challengers would seem to do less with drink and more to bad luck at cards.

00:51:11Just so, Mr. Holmes.

00:51:13Just so.

00:51:15Gambling lured me into wagering my happiness.

00:51:18And I lost.

00:51:19Well, I beg you, my lord.

00:51:22Roll the dice once more.

00:51:24Bet on me.

00:51:25Help rescue my friends and all may yet be well.

00:51:28Your friends are long gone from here, Mr. Holmes.

00:51:30The red thread has them, and I cannot help you save them.

00:51:33Strike back against the thread, sir.

00:51:37Help me bring these criminals to justice.

00:51:40My, but you entertain a high opinion of yourself, Mr. Holmes.

00:51:44Bring them to justice.

00:51:48You might as well try and sweep the sand from the Sahara, or clear the oceans of salt.

00:51:55You want to say you have no idea what you're up against, do you?

00:51:57This is no gang of pickpockets, sir.

00:52:02The red thread represents the very industrialization of crime.

00:52:06And they are preparing to commit the greatest offense ever conceived by the human mind.

00:52:11Or at least beyond your poor imagination.

00:52:14No.

00:52:15I have a much better idea.

00:52:16Killing me would be pointless.

00:52:18Helping you would be worse.

00:52:19Not only would it lead to my own execution, but that of my wife and children.

00:52:25Oh, yes.

00:52:27They would not scruple even at that.

00:52:29Believe me when I say it is impossible for you to escape.

00:52:32No, Mr. Holmes.

00:52:34It is you who cannot escape.

00:52:37But I can and I will.

00:52:41Farewell.

00:52:42Farewell.

00:52:49Farewell.

00:52:50Farewell.

00:52:51Farewell.

00:52:52Farewell.

00:52:53Farewell.

00:52:54Farewell.

00:52:55Farewell.

00:52:56Farewell.

00:52:57Farewell.

00:52:58Farewell.

00:52:59Farewell.

00:53:00Farewell.

00:53:01Farewell.

00:53:02Farewell.

00:53:03Farewell.

00:53:04Farewell.

00:53:05Farewell.

00:53:06Farewell.

00:53:07Farewell.

00:53:08Farewell.

00:53:09Farewell.

00:53:10Farewell.

00:53:11Farewell.

00:53:12Farewell.

00:53:13Farewell.

00:53:14Farewell.

00:53:15Farewell.

00:53:16Farewell.

00:53:17Farewell.

00:53:18Bounce, the quicker picker upper.

00:53:48Oh. You look very well, considering.

00:53:56Are you sure you won't need me this afternoon?

00:53:59Uh, no. Further investigation of the thread awaits installation of my telephone.

00:54:04In the meantime, I've started a new search for a young rascal called Dan Mariotti, also known as Michael Wiley.

00:54:14Michael Wiley?

00:54:16Yes. It's an alias adopted by the son of a very dangerous criminal whose father sometimes tries to kill me.

00:54:23There's nothing to worry about. The elder Mariotti is presently in prison and mostly harmless.

00:54:30I'm Amelia Rose.

00:54:31I'm Michael Wiley.

00:54:33And I'm very much in need of your help. I'll wait for you tomorrow and every day after that.

00:54:38At Mrs. Bailey's tea house on Park Road at 4 p.m.

00:54:43Well, we shall call this your monthly death. I want you to keep the money that Mr. Halligan returned to you.

00:54:49Find something completely unsuitable on which to spend it. Be free. Do whatever you want.

00:54:55Nice long walk will do you good. Preferably along the park. Stick to the most public areas possible. In fact, don't go too far outside the neighborhood.

00:55:02I'm glad I can do whatever I want.

00:55:04Just stay safe, please.

00:55:06It's really odd how concerns for your safety suddenly affect my concentration.

00:55:11Especially with people suggesting we might be facing offenses beyond my imagination.

00:55:17Oh, there's something at the door.

00:55:18I see my lessons in deduction have not been entirely wasted.

00:55:20Out of deference to Mrs. Halligan's sensibilities, if you could please leave by the servant's entrance, I, um...

00:55:31Yeah.

00:55:35Thank you for your kindness, Mr. Holmes. I appreciate it very much.

00:55:45Good morning.

00:55:47I'll help you.

00:55:47Hello, Mrs. Hudson. I'm here on business with Sherlock Holmes.

00:55:51Do you have an appointment?

00:55:52Lady Violet.

00:55:53My dear, Mrs. Hudson.

00:55:55People make appointments with me.

00:56:00Ah, there you are, Sherlock.

00:56:03How delightful to see you again.

00:56:09How little your rooms have changed in the last 20 years.

00:56:13And so lovely that your dear old landlady still guards the door.

00:56:22And where is the loyal Dr. Watson?

00:56:26On a walking tour of Italy.

00:56:29And that was not Mrs. Hudson.

00:56:31She's visiting her husband's family in the Scottish Highlands.

00:56:34That was her twin sister, Mrs. Halligan.

00:56:36An uncanny likeness.

00:56:38I half expected you might be helping the police with this grisly affair in Richmond.

00:56:43Oh?

00:56:44You haven't heard.

00:56:47Lord Withersie killed his coachman and then himself.

00:56:51And they found two more criminals in Withersie coffins shot through the head in his stables.

00:56:57Well, the case solves itself.

00:57:00Certainly hope not.

00:57:01Sensational murders can liven up the season, which has been even duller than usual.

00:57:08I came here straight from the American ambassador's residence.

00:57:11I believe you know him.

00:57:12We have been introduced.

00:57:14His wife is most insistent on hiring away one of your servants, a Miss Amelia Rojas,

00:57:20as chaperone for their daughter, Clara.

00:57:23Well, what have the ambassador's domestic arrangements to do with you?

00:57:26Since I was once presented at court, I am sometimes enlisted to help young ladies follow in my footsteps.

00:57:33Clara Anderson is one of my proteges.

00:57:36The Andersons paid my expenses to and from the United States in order to prepare their immature daughter, Clara,

00:57:43for her introduction to society.

00:57:45I can't say exactly when that will be, since the appropriate dates for balls are all spoken for,

00:57:51but I will work something out.

00:57:54For a fee, I suppose.

00:57:55In terms of income, I am dependent on my younger brother,

00:58:00whose generosity is even less pronounced than his intelligence.

00:58:04But back to your maid.

00:58:06Should not Amelia have some say in this matter?

00:58:08I don't see why.

00:58:11I am much opposed to this movement of treating one's servants as part of the household.

00:58:18No.

00:58:18The only question is, would she be aware of her place?

00:58:25She is, after all.

00:58:28She is, after all, what?

00:58:31An American.

00:58:32They are famed for over-familiarity and coarse manners.

00:58:35I have known some to be little short of passionate, which I always find very vulgar in a woman.

00:58:41Well, if you deem Amelia too unpolished for polite society, perhaps you should remain in my employ.

00:58:46Why, Sherlock, where on earth did you come by this photograph?

00:58:53Just look at them.

00:58:55Cowboys, cutthroats, Indians and sharpshooters.

00:58:59And in the back row, us.

00:59:01Oh, dear.

00:59:02We were so young.

00:59:04Oh, and there's that woman with whom you became so enamored.

00:59:09She was a designer, no?

00:59:12I'll never forget you comparing her to da Vinci.

00:59:15All her improbable inventions.

00:59:17What was her name?

00:59:18Little Pigeon.

00:59:20Little Dove.

00:59:21She was, in fact, an accomplished engineer.

00:59:24Oh, yes.

00:59:26I remember now.

00:59:27You wanted me to submit her designs for some terrifying weapon, was it not?

00:59:34To my father, when he was running the Ministry of War.

00:59:38You were quite keen on getting a working model constructed.

00:59:43It's a souvenir, nothing more.

00:59:45But it has bearing on my business, as you must surely know.

00:59:50Indeed.

00:59:51I suspect that's why you hired the girl in the first place.

00:59:54This is the picture out for her benefit.

00:59:58How sentimental you have become.

01:00:01The telegram I just handed you contains the details of Amelia's birth.

01:00:06Her mother, according to the Pinkertons, is none other than the same little dove of whom we were speaking,

01:00:11though she changed her name to Lucia Rojas.

01:00:14And I note Amelia's unnamed father is described as an explorer deceased.

01:00:21Yes.

01:00:22Amelia said something like that to me.

01:00:23Perhaps the girl was the offspring of one of those whirlwind romances for which theatrical types are so famous.

01:00:34Born a mere 18 months after her mother departed from London.

01:00:3918 months.

01:00:41That's right, they're, uh...

01:00:45Here.

01:00:47Oh, keep it.

01:00:48It's only the background information collected by the Pinkertons.

01:00:51There are no official documents, and I've copied all the relevant details now.

01:00:56Don't make a fuss over losing the girl's services just because you were fond of her mother.

01:01:02This new arrangement will improve her station in life,

01:01:05and is most definitely for the good of the country.

01:01:08My regards to Dr. Watson and Mrs. Hudson.

01:01:18If my mother said so, then I am your daughter.

01:01:2418 months.

01:01:25I'm your daughter.

01:01:26I'm your daughter.

01:01:27I'm your daughter.

01:01:28I'm your daughter.

01:01:29I'm your daughter.

01:01:30I'm your daughter.

01:01:31I'm your daughter.

01:01:32I'm your daughter.

01:01:33I'm your daughter.

01:01:34I'm your daughter.

01:01:35I'm your daughter.

01:01:36I'm your daughter.

01:01:37I'm your daughter.

01:01:38I'm your daughter.

01:01:39I'm your daughter.

01:01:40I'm your daughter.

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