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Sherlock and Daughter S01E05
Sherlock and Daughter S01
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00:01The murder weapon. Wise of you to keep it. Lucia Rojas, my mother, she was another
00:07victim of the red thread. They are preparing to commit the greatest
00:10offense ever conceived. Now that our lordship is gone, my lady, perhaps we can
00:16think of a better way to get acquainted? He tried to. It is telephony that I wish
00:22to study. Telephones serve no useful purpose in detection. Take my rescue of
00:26the American ambassador's daughter. You also recovered the ambassador's stolen
00:30jewels? Not yet. No. I am personally taking over this investigation so I'm
00:35confident the jewels will be found. I'm Michael Wiley. Alias adopted by the son of
00:39a very dangerous criminal also known as Dan Moriarty. I think spying is an ugly word.
00:44What are you interested in then? Your employer's relationship to Professor Moriarty.
00:48If you could find out I'd be very grateful. I'll wait for you tomorrow at
00:52Mrs. Bailey's tea house on Park Road.
00:56Come in Mrs. Halligan and bring Detective Swan and his friend with you.
01:12Sorry Mr. Holmes, but how did you know who was visiting? I had three sets of feet on the
01:18stairs and it took no great effort to deduce that the telephone installer Detective Swan
01:22promised will be here by 9am has inexplicably arrived at half past three in the afternoon.
01:28Good day Mr. Holmes and allow me to introduce you to Mr. Pete Pound at your service.
01:36Well I suppose in the future whenever you're delayed you could always call ahead on my new
01:41telephone. As you say sir. Now where do you want the device installed?
01:44And summon over here by the desk. Mr. Holmes, reconsider. Bringing that contraption into your
01:50rooms will be the end of your privacy. Oh no no no Mrs. Halligan. Imagine connecting to the whole wide
01:56world while sitting comfortably in your parlour. Why you could summon the police or a doctor or even speak to
02:03distant relatives and friends. It's quite marvellous. Excuse me sir, I just need to make some measurements.
02:08Sorry sir, when I opened the door these hoodlums ran past me.
02:14No problem Mr. Halligan, I was expecting these young men. Yes, sure. What is it?
02:18Sorry to come unannounced Mr. Holmes, but we found that Michael Wiley you were looking for.
02:21Wonderful, wonderful. Detective Swan, I assume you can finish this installation without me?
02:28Yes of course Mr. Holmes. And Mr. and Mrs. Halligan, I will leave you in command.
02:32And now sure, if you and your friends could please introduce me to Mr. Wiley.
02:45I began to think you weren't going to come. Am I permitted to say how much I was looking forward to seeing you?
02:50You can keep your flowers. I'm only here to say that I won't tell you anything about Mr. Holmes.
02:55But I thought we'd agreed that- No, no, my agreement was with someone called Michael Wiley.
03:00Your name is Dan Moriarty, and your father is a dangerous criminal who's tried to kill Mr. Holmes,
03:06who was talking about you as I walked out the door this morning.
03:08Please, please, people are here.
03:10What, that's how you begin an apology for lying?
03:13No, no, no, no, of course I regret very much that I lied, but-
03:16Mrs. Halligan, please make sure that neither Detective Swan nor Mr. Pound enter this room for the next few minutes.
03:32Of course, sir.
03:34Now, I demand an explanation for your reprehensible behaviour.
03:43I didn't-
03:44Not you, the Moriarty.
03:46Now, on our journey over here, Miss Rojas claimed that you pressured her into spying on me.
03:52Do you deny it?
03:53And I warn you, sir, this is not mere curiosity.
03:56Before you leave here today, I must be satisfied with your answers.
04:00It's a long story, Mr. Holmes.
04:02Well, feel free to summarise.
04:04As your father has learned to his cost, my ability to extrapolate from limited information may surprise you.
04:10It's with my father the story begins.
04:12After my mother died, my father was consumed with grief and work.
04:17Left to my own devices, I was adopted by a band of thieves who tricked me into picking people's pockets for their benefit.
04:25Another missing chapter from Oliver Twist.
04:27I had little skill as a thief, and at the age of nine I was arrested.
04:31But you were just a child.
04:33The Crown saw it differently.
04:35They bundled me off to Australia, and I was sold as an indentured servant to an isolated sheep farm.
04:41Well, how could they do such a thing?
04:43There was a plague of juvenile delinquents in London and a labour shortage in Australia, and the decision to solve one of these problems with the other was both inhumane and extremely popular politics.
04:54They emptied the jails, yes, but they also emptied the poorhouses and the orphanages.
04:59Little kids torn from their families, exiled halfway around the world, in conditions it would be improper for a young lady to hear.
05:09I know a lot about forced child labour. Maybe the British got the idea from California's missions.
05:15Surely you were never treated so badly.
05:17I could have been, if my mother and I had not had our own ranch.
05:22How long were you living in forced servitude?
05:26It took me 14 months to escape and change my name to Michael Wiley.
05:31And 14 years of constant application in order to obtain a position in a trading company with a branch here in London.
05:39Since my father had not found me, I resolved to find him.
05:44Not long after arriving here, however, I discovered that Professor James Moriarty was not teaching mathematics,
05:51but is the master of a vast criminal empire and sentenced to prison.
05:55Where he insists you visit him.
05:57One day, once he's paid his debt to society, I hope that father and I will be reunited.
06:03But should I visit him under his current circumstances, my employer might discover who I really am and...
06:08Your job and your future would be forfeit.
06:10Imagine, abandoned by your father, growing up the child of a man who didn't seem to know you existed.
06:16Yes, how awful. Amelia, please go upstairs and pack your belongings.
06:21What? Why?
06:22Well, as we discussed, you'll be moving to the ambassador's household, a chaperone to his daughter.
06:29But I thought...
06:30We will review this great good change in your personal fortunes once you have packed.
06:38Mr. Holmes, please, I beg you, hear me out.
06:46Ah, hello. Detective Swan of the Scotland Yard Scientific Division.
06:51Um, nice to meet you. I'm Amelia Ross.
06:53Are you here to consult Mr. Holmes?
06:55No, I work for him.
06:56Well, I'm here to supervise the installation of his new telephone.
07:01Have you ever used one before?
07:03No, not yet.
07:04Oh, well, if you'd ever like to practise, just call this number.
07:09I've just had it connected, so I will answer.
07:13I spend most of my days in my office, all hours.
07:17Can I just...?
07:18Oh, yes, of course.
07:19Uh, sorry to delay you.
07:25And since visiting him in prison is out of the question, I'm worried my father's release could be further delayed,
07:30should you bring more accusations against him, which I believe you would, if you could.
07:36On that point, you speak truthfully.
07:38If the law allowed, I would keep the professor behind bars forever.
07:41That, alas, is beyond my ability.
07:43What I can do, however, is demand that you stay as far away from Amelia as possible.
07:48You have no right to make a demand like that.
07:50Now, listen to me very carefully, Mr. Moriarty.
07:52I am ordering you...
07:53Under what authority?
07:54You just released her from your employment.
07:55I will not argue the point!
07:57A foreigner of mixed heritage without rank or position cannot afford to associate herself with a man who uses an alias, Mr. Wiley.
08:06Besides, you can no longer keep your father at a distance.
08:09He insists you visit him.
08:11I am only a clerk on the exchange.
08:13My hours are determined by Sir Nigel Parks, my employer.
08:16If you can find the time to take tea with my maid, you can manage to see your father.
08:21Sir, I told him to stay outside!
08:24Perhaps I should finish another day.
08:26I'll be available again three weeks from tomorrow.
08:28This is preposterous that a paying customer should be so ill-used.
08:32Very well, Mr. Pound. Continue your work.
08:34Any last words, Mr. Wiley?
08:41I'm surprised to find someone of your intellect, Mr. Holmes.
08:45Mistaking current circumstances for future prospects.
08:49Perhaps time will reveal just how much you underestimated my abilities.
08:53Oh, before I take my leave, Mr. Holmes, I should like to say that Amelia refused a considerable sum to spy on you.
09:04Well, that's just exactly what I would expect you to say under the circumstances.
09:08Mrs. Halligan, please show our guest out.
09:11Yes, sir, Mr. Holmes.
09:20You're nearly finished, Mr. Pound.
09:22Oh, sure. Extremely close.
09:38I told Mr. Halligan you're sending me away.
09:47It's completely unfair.
09:49Just because I didn't tell you that Dan was following me, you keep things from me all the time.
09:55Your move to the ambassador's household was settled long before I discovered you with Mr. Moriarty, about whom I will say only this.
10:01You're newly arrived in London and young men will take ruthless advantage of naive young girls.
10:06I beg you, do not encourage his attentions.
10:09I'm a stranger to London, not boys.
10:12I know we talked about me working with the Andersons, but this just feels like you're punishing me for jumping down after you told me not to confront anyone for following me.
10:20You disobeyed me. True. And you should not have. And you ought to have admitted it sooner.
10:25But your new job as Clara's chaperone is not a punishment. It is an accommodation with the Andersons that I could not refuse.
10:32Once you're inside the ambassador's household, then you will no longer be overtly connected to me and the risk to your life should diminish.
10:38I can take care of myself.
10:39Can Clara?
10:41Now, remember, she was released by her kidnappers in exchange for keys. But keys to what?
10:47Now, we must protect Clara. We don't know which keys the ambassador traded for her return.
10:52Now, Charlie the coachman is lost to us, so Clara is our best connection to the thread.
10:58And if we want to find Watson and Mrs. Hudson and identify your mother's killer, then we must seize every opportunity thrown our way.
11:05And your position in the ambassador's household increases our reach.
11:10Now, this will be my telephone number whenever this interminable installation ends.
11:17If you learn anything new about the thread, you can call me at once.
11:22All right. I'll do what I can.
11:27Thank you. And Amelia, remember Lord Withersley killed himself to escape the red thread and to spare his family.
11:35So please, please, stay on your guard.
11:40Each of you is either a foreigner or a merchant's daughter, disadvantaged by birth and class.
12:00You may depend on it.
12:01When I tell you posture is synonymous with nobility.
12:05Men of rank can spot a slump shoulder from across a ballroom.
12:09Everyone, one step forward, two steps back.
12:13Again, head erect, faint smile.
12:17One step forward, two steps back.
12:21This is what it means to be a lady.
12:24Now.
12:28Now.
12:31While maintaining your balance,
12:37suggest a suitable topic for a lady to discuss with a gentleman.
12:42Clara?
12:43Art?
12:44Good.
12:45Especially if you never take too strong an opinion.
12:48The gentleman may disagree with what you like.
12:50Emma.
12:51Politics?
12:52Absolutely not.
12:53The gentleman might share his opinions.
12:56They often do.
12:57Ladies are above these mundane concerns.
13:02Over brandy and cigars, men believe they control the world, but we will control them, ladies.
13:09And that is our path to power.
13:14God.
13:15That will be all for the day, Clara.
13:17I should like to talk with you privately for a moment.
13:19Someone gather up all the books and put them back where they belong.
13:22Where would you like them?
13:24Those go on the top shelf.
13:26My dear girl, I'm sorry to be the bearer of bad news.
13:31Though you are still first in line in case one appears, and the season might extend.
13:35But we don't yet have a date for your ball.
13:38I have a plan.
13:39Oh!
13:40Oh my gosh!
13:41Clara, help me!
13:42Emma!
13:43Emma!
13:44Emma!
13:45Emma!
13:46No!
13:47Emma!
13:48No!
13:49Emma!
13:50Emma!
13:51She's dead.
13:52I'm not surprised you want to share evidence.
14:08For your interest in this case is well known to me.
14:11Oh, how so?
14:12The young woman who helped rescue the ambassador's daughter is none other than your maid.
14:16You don't deny she was following your orders.
14:19She pursues a personal cause in connection with the case.
14:22What could Miss Rowe has possibly have to do with £50,000 worth of stolen jewels?
14:26Well, you asked the same question of Lord Withersley a few days ago and three murders and one suicide later.
14:32I had no idea Withersley was in financial distress.
14:36Today, I'll admit his involvement seems more probable.
14:40Withersley's complicity was never less than conspicuous, but I hardly think he killed three men before shooting himself.
14:47It's a pity his coachman, the O'Leary of Belfast, was murdered.
14:53He would have made an excellent suspect.
14:55The police say he's a revolutionary dedicated to overthrowing the crown.
15:00Well, that's an odd sort to be employed by a lord.
15:03Did you find the missing jewels at Withersley's estate?
15:05Alas, no.
15:06I did find two clues that might interest you.
15:09However, you suggested we share information.
15:13Yet I've done all the talking and you've done nothing but listening.
15:15That's a habit you would do well to cultivate, Bertie.
15:18Nevertheless, I'll take my turn.
15:20Well, the two other dead men you found at the Withersley estate, Messrs Weems and Maggot, were not, in fact, Clara Anderson's fellow hostages, but accomplices to her kidnapper.
15:30All murdered by the largest and most nefarious criminal syndicate I have yet to encounter, attempting a crime which appears to be, absurd as it may sound, beyond my imagination.
15:42This is the same syndicate with whom you're made as some personal animus.
15:47They also murdered her mother whilst the two of them were living in California.
15:50By the way, you don't suppose during your search for the missing jewels you have ever come across a weapon such as this?
15:59No, I'm afraid not.
16:03Why haven't you followed up these allegations yourself?
16:06People are watching me, Bertie.
16:08If I'm seen to meddle in these affairs, it could cost lives.
16:12Suddenly my clues no longer seem quite so thrilling.
16:16Well, they are to me.
16:18I can't stay long.
16:19What have you discovered?
16:21Five pairs of footprints and a button.
16:25Well, that sounds promising.
16:27That may well be, Mr. Holmes.
16:29It may well be, follow me.
16:32I understand the wilderness was poor training for civilisation, but a servant may never demand help of an employer.
16:43Emma just died.
16:47Be careful, little girl.
16:49Like the lion in the jungle, we did not turn the world into an empire without very sharp claws.
16:56You may want to remember that when next you cry for help.
17:02You can see the first set of prints belonged to a man with a slight limp.
17:24The second set belonged to a woman who stumbled once or twice in her journey.
17:29These two sets of prints valished next to the tracks of a large carriage which rolled out of the driveway headed to London.
17:36I think this button is lost by the gentleman on route.
17:40But there's nowhere to tell.
17:42Well, there is.
17:43The button is not weathered.
17:45Yes.
17:45So freshly lost, but not by accident.
17:48Note how the thread broke.
17:49This has been yanked deliberately from a man's waistcoat and left behind as a talisman for us to follow.
17:54Well done, dear old friend.
17:58Well done.
17:59That's kind of you to say.
18:00I'm happy the button tells us more of what happened.
18:03Not what, but whom.
18:05You see how the button is mother of pearl and the fabric to which it was sewn was broadcloth.
18:12So this comes from the wardrobe of a professional fellow.
18:14And you see how there is a dent across the front where it is regularly bumped against metal, such as one might find on a stethoscope.
18:21This button, Bertie, is proof of life.
18:25And I shall regard the moment you gave it to me as the first truly hopeful sign in many weeks.
18:29So this investigation is big enough for the both of us.
18:33Shall we proceed together?
18:34If whilst continuing your search for the missing jewels, you could quickly verify the recent murder of Lucia Rojas outside the city of Los Angeles and confirm that Amelia is indeed her daughter, I'll share more with you on this case tomorrow.
18:49Until then, I suggest you carry a revolver with you at all times.
18:55And on that note, I bid you farewell.
18:59Good day to you, Mr. Holmes.
19:02And good luck.
19:04Friends with Sherlock Holmes, eh?
19:07Imagine that.
19:08I can't get the sight of Emma out of my head.
19:21Dead.
19:22Just like that.
19:23And Lady Violet seems so indifferent.
19:25Did she dislike Emma?
19:27No, not at all.
19:29Emma was better at her lessons than the rest of us, and at dancing, too.
19:32I've saved my invitations for every ball of the season, so I can one day show my own daughter.
19:40Emma's was quite beautiful.
19:41She was so looking forward to the 18th.
19:43Now...
19:44I did not ask you to grease the top step of your library ladder so the girl would slip and fall.
20:02Clara could wait another year to debut, except for your intrigues, which I have advised against.
20:07No, you listen to me.
20:09My daughter will not have her ball on the 18th, unless I have received the full settlement for the jewels two days prior.
20:15I am focused on my part of this enterprise.
20:18Use your authority so that the insurance company pays me immediately for my losses, or I'll suffer the consequences.
20:26I bid you good night.
20:27Good night.
20:27I bid you good night.
20:57Hello, operator.
21:16Can you ring Mar-Mar-Mar-La-Bone 15?
21:20You mean Mar-La-Bone?
21:21Yes.
21:22Yes.
21:23One moment.
21:23I'm sorry, the telephone you're trying to call is not a working number.
21:38Mr. Pound, I must demand an explanation.
21:40You told me this telephone would be operational yesterday.
21:44If you don't want me to finish, call the other telephone company.
21:47Oh, wait.
21:48There is no other telephone company.
21:56Your friend seems to take great pride in ridiculing his customers.
22:00Oh, I don't think he is any worse than the other installers, sir.
22:02While he finishes, let us compare these two telephone bills.
22:08One listing calls to and from the late Lord Witherssey,
22:10and the other documenting all the calls in Chief Inspector Whitlock's office.
22:14Now, we will cross-reference the numbers to see which of them appear on both,
22:18and perhaps we can begin to identify some of our conspirators.
22:21But, sir, should we not have a warrant to study private telephone bills?
22:26As to that, so on, I am not an officer of the court.
22:29I recognise no authority higher than my own curiosity,
22:32and this bill was handed to me by Chief Inspector Whitlock himself.
22:36We are on firm legal ground.
22:39One, two, three, one, two, three, one, two, three, one, two, three, one, two, three.
22:48Very good.
22:49Or good enough.
22:50Now, as you know,
22:53the residence of the Italian ambassador lacks a proper ballroom,
22:57so his daughter's debut will be held here tomorrow,
23:01starting in the late afternoon,
23:03due to the ambassador's inability to comprehend our customs.
23:06For now, however, I have invited some young men
23:10with whom you might practice what we shall charitably refer to as your dancing.
23:16While these boys are not marriageable in any sense,
23:21on the floor of the ballroom and to the proper music,
23:26they know the steps.
23:27Come.
23:34Like this, see?
23:36Isn't it lovely?
23:45Eleanor?
23:46Please hold your head up when you move
23:48so your chin doesn't spread out over your neck.
23:51Deborah!
23:52You are supposed to be led, not dragged.
23:55I did not ask you to grease the top step of your librarian ladder
24:12so the girl would slip and fall.
24:26All done, sir.
24:28You may now use your telephone at your leisure.
24:31Oh, Mr. Pound, you've been so very, um, helpful.
24:35I have.
24:36Yes, and it occurs to me with such specialised knowledge,
24:39you might know how to identify a customer from their telephone number alone.
24:43As it so happens, I can do that.
24:46Ah, wonderful.
24:46Please, explain.
24:48Just call them up and ask their name.
24:50Will there be anything else, sir?
24:55Apparently not.
24:57See yourself out.
24:57Some inconvenience, but think, sir,
25:03you will be the first to use a telephone like this.
25:06Hello.
25:07Operator, could you please connect me to Belgravia 483?
25:12I cannot believe I have paid a company to treat me with such incivility.
25:15This decline in decorum will be the end of common decency.
25:18Oh, hello.
25:19This is the, uh, Department of Lost Property at Paddington Station.
25:22I was calling about that three-volume novel,
25:25what you reported missing.
25:27Mr. Holmes!
25:28Oh, who have I called then?
25:30No, the Dowager Duchess of Lincolnshire.
25:33Well, how about that?
25:35Mr. Holmes!
25:36Sir!
25:37You've just complained about the decline of common decency
25:39and here you are lying to a complete stranger.
25:42It wasn't a lie.
25:43It was a simple misdirection and note.
25:46It yielded the information we seek.
25:48A name attached to one of the many telephones
25:50used to call both Wethersie and the Chief Inspector's office.
25:53Let's try again.
25:55Uh, no.
25:58Yes, operator, could you please, uh, connect me to East 31?
26:03Those of a delicate sensibility might want to leave the room.
26:07Oh, yes, yes.
26:09Hello.
26:09Oh, am I speaking to the head of the household?
26:12Well, you see, I did speak to Sir Thomas last year
26:15about cleaning his carpets with my new patented, uh, hello.
26:22They both called the same stockbroker.
26:25The game's afoot.
26:26Justice is no game, Mr. Holmes.
26:28You've taken an invention designed to more closely connect the world
26:31and you've abused its purpose with more lies and deceit.
26:35Criminals have already corrupted your precious telephone.
26:38With lives at stake, I have little choice but to follow their example.
26:43Yes, hello, operator.
26:45Could you please connect me to Kensington 19?
26:49Go and prepare yourself for greater shocks.
26:52There is worse to come.
26:52Go on.
27:24Dr. Collier. Wait, there's more. If you did subscribe to Horse and Hound, we would have the Strand. You'd have quite the eclectic waiting room. What? Oh. Green and Crest Asylum for the Criminally Insane. Sorry, doctor. Well, perhaps for visitors.
27:54Amelia, there you are. I want to introduce Michael Wiley. I've already had the pleasure.
28:05Nice to see you again, Miss Rojas.
28:09I bet there's a story here. Excuse me, I want to go see if Eleanor has her ostrich feathers yet.
28:15I'm surprised you can get away from your busy job on the exchange for this weird dancing.
28:27My employer is friends with that witch, Lady Violet. She offered two shillings for young men to dance with these snobby girls, along with a free dinner, if we come for the ball tomorrow.
28:41I only accepted for a chance of seeing you. And then you left.
28:50Are you upset with me?
28:52Upset? Because Mr. Holmes has lost his trust in me? Upset because I've lost a job that I love in order to play nursery me to a boy-crazy girl?
29:01I only asked for what I thought was a small favor without considering it could do you harm.
29:07I offer my sincerest apologies.
29:10Are you at least better paid than when you were with Mr. Holmes?
29:13Not everybody chooses their job based on their salary.
29:17Besides, I work too much to spend it.
29:21Hello?
29:22I said hello.
29:27Oh, hello, ma'am.
29:28I represent the Fund for Police, Widows and Orphans, and I was wondering if you might offer...
29:35Why, Sherlock Holmes, you rascal.
29:37I was about to hang up until I realized it was you.
29:40Oh, how annoying.
29:43I was hoping my vocal disguise would hold up long enough to receive one of your legendary reprimands.
29:49I should tell you Orph, but I'm more interested in why you really called.
29:54Uh, well, to say how wonderful it was to see you in person last week.
29:58Oh, how very kind.
30:00And also to ask if Miss Rojas has been a suitable chaperone to the Ambassador's daughter.
30:06I would hardly describe the girl as sophisticated, but she does take her responsibility seriously.
30:11Would you care to see your former maid in action?
30:13I'm throwing an afternoon ball for the daughter of the Italian Ambassador's debut.
30:17I will send you an invitation at once.
30:20An afternoon ball.
30:22Come, please.
30:23Very well, I'll come.
30:25But do you not find these debutante balls to be a series of pretentious balls?
30:29How else to prepare young girls to be the wives of aristocrats?
30:33Except by surrounding them with pretentious balls.
30:36Now, I must go.
30:37I look forward to seeing you, Sherlock.
30:384pm, please.
30:39Au revoir.
30:395pm, please.
31:09It might seem strange being dressed up in broad daylight, but it'll do you good to be amongst the quality for an afternoon, Mr Holmes.
31:22Dancing.
31:24Music.
31:25Yes.
31:26You left out stimulating conversation, perhaps, because the afternoon will be spent without it.
31:32Mr Halligan, I will want you to drop me at the gate and come back one hour later, if you don't mind.
31:37I don't believe it would be proper for me to mind, Mr Holmes.
31:40Ah, that will be Mr Batwistle.
31:44Please show him up.
31:45Good afternoon, Sherlock.
32:06Ah, Bertie.
32:08Ah, you seem a little overdressed to receive my report.
32:12Yes, yes.
32:13Sadly, I have been asked out for the afternoon.
32:16Yes.
32:17Perhaps you have been up to something of more interest.
32:20Indeed, I have.
32:21First, there was a notice for Lucia Rojas' murder, though no official investigation followed.
32:28And the poor woman did have a girl farther unknown.
32:31Possibly an Englishman.
32:32I suppose since the girl was born six months after the Wild West show completed its London run.
32:37Six months?
32:37Are you certain?
32:39Quite certain.
32:41I was able to determine the date through an exchange with no less a personage than Buffalo Bill himself.
32:46Though he did not refer to the mother as Lucia Rojas, but as...
32:50Yes, yes.
32:51Little dove.
32:52It was her Wild West show, Nom de Guerre.
32:56Excuse me.
32:58Whether Amelia is, in fact, Lucia Rojas' daughter, I cannot say.
33:04We must at least consider her to be an imposter for a near-pennyless girl.
33:09She, uh, she did quite well out of all these arrangements.
33:13Yes.
33:14Nevertheless, I'm grateful to you for establishing as many of these facts as possible.
33:19Very grateful.
33:20Oh, it's my pleasure.
33:21And there was also a series of telegrams sent overseas.
33:25Yes.
33:29Oh, yes.
33:31There we go.
33:34Have you learned anything else?
33:38No.
33:39Just that there is some connection between the theft of the jewels and someone of rank at Scotland Yard.
33:44Well, I'm not surprised.
33:46With £50,000 to distribute, I mean, one could bribe the entire police force, couldn't one?
33:50Ha, ha.
33:51Yes.
33:52You're holding out on me, Sherlock.
33:53I am.
33:54Though others might consider you a pompous windback, I know you to be an extremely serious, would-be investigator.
34:03Well, thank you.
34:05I think.
34:06Yes.
34:06Come along.
34:06The jewels will only be found by bringing down the criminal syndicate that has stolen them.
34:12So I say to you, advisedly, Bertie, watch your step, dear fellow.
34:16Watch your step.
34:17Oh, my goodness, Amelia.
34:33Isn't it beautiful?
34:34It's like a fairy tale.
34:36Only you, Miss Anderson, not your servant.
34:41She's not my servant.
34:42She's the chaperone.
34:44A foreign girl must stay outdoors during the war.
34:47I'd like her to come inside with me.
34:49Miss Anderson.
34:50No, I'd like her to come inside.
34:52Miss Anderson, please.
34:52Please.
34:53Please.
34:54I need her.
34:56Just don't draw attention to yourself, Clint.
34:58It's just a party.
34:59Just don't dance with the same boy twice or get pulled away from the crowd.
35:02Okay?
35:04Okay.
35:05Go inside.
35:05It's fine.
35:09There's a bench over there.
35:11Go.
35:11Go.
35:20The daughter of the American ambassador to the court of St. James is Tara Anderson.
35:32Why are you out here instead of looking after your charge?
35:54That's the least of it.
35:55Wait until you hear what I found out about Lady Virat.
35:58She's deeply...
35:59deeply involved with the Red Thread, yes?
36:02I know.
36:02No, it's much more than that.
36:06Come.
36:24Miss Anderson.
36:25We meet again?
36:28We do indeed, Mr. Wiley, was it?
36:32How kind of you to remember.
36:34May I be allowed to write my name on your dance card?
36:36Of course.
36:38But only one dance.
36:39I've been ordered to mingle.
36:41And you're certain about the weaponry in Lady Violet's parlour,
36:45the same design as the knife left behind in your mother's body?
36:48As certain as you are that the button found by Mr. Birt whistle belongs to Dr. Watson.
36:52We're closing in on them, Amelia.
36:58Perhaps separating you from Clara was more than just snobbery.
37:02We always said they would try to approach her again.
37:05Clara is...
37:06so impressionable.
37:10Do I detect a growing fondness for your young child?
37:13Now that I'm seeing how she was brought up,
37:17I know it's not Clara's fault she is the way she is.
37:20She was really kind to me when we met.
37:22Maybe I'm just jealous that she still has a mother to talk to.
37:27I mean, I'd give anything to speak to mine again.
37:31Even if it was just for a minute.
37:33Even if it was just to tell her I'm doing what she wanted.
37:36Anyway...
37:41Amelia, I wanted to tell you that if I seemed distant
37:50when I sent you to the Ambassador's house,
37:53I am sorry.
37:56Extremely sorry.
37:58Yes.
37:59It's all right, Mr. Holmes.
38:02I'm still getting to know you,
38:04so I didn't take it personally.
38:05Also,
38:08you told me someone needs to keep watch over Clara,
38:12and I can't now.
38:13Your mind never strays far from the case.
38:16Commendable.
38:17You will save the subject of Lady Violet for later.
38:19Meanwhile, I will look after the young lady in your absence.
38:22These people don't spend time talking to servants, Mr. Holmes.
38:25And I'm sure someone's watching us.
38:29There's more I want to tell you about later.
38:31Quite right.
38:32It won't be long.
38:35Mr. Sherlock Holmes of Baker Street, London.
38:43Oh, my God.
38:45Holmes.
38:46Oh, my God.
38:46Oh, my God.
38:47Oh, my God.
38:47Oh, my God.
38:48Oh, my God.
38:49Oh, my God.
38:50Oh, my God.
38:52You arrived on time.
39:06Oh, I had hope to surprise you.
39:09Well done.
39:10Now, excuse me briefly.
39:12I must check the ballroom and chide my students on their wretched dancing.
39:16Chase me down later.
39:17On that, you have my word.
39:29I'm done.
39:30Help me.
39:31Help.
39:32In the name of God, someone.
39:34Are you okay?
39:34Shall we visit the ballroom and take your first walks?
39:37Thank you, Mr. Wiley.
39:39I will always remember you were the first to ask me to dance, but I'm afraid my principles
39:43do not allow me to stay.
39:45Miss Anderson, you cannot be leaving so quickly.
39:48Mr. Holmes, how lovely it is to see you, but I'm afraid I must say farewell.
39:53My chaperone was forced to remain with the carriages, and I cannot enjoy myself inside while my friend
39:58is outside in the cold.
39:59Are you okay?
40:03What do you mean Amelia was denied entry?
40:19Unacceptable.
40:22Excuse me.
40:22I just spoke to Waite-Mr. Wax.
40:25I beg your pardon, Miss Anderson.
40:28Help!
40:30Help me!
40:33Help!
40:36Help!
40:39Hey!
40:40Anyone, please!
40:42Hey!
40:43Come on!
40:45Help!
40:49Hey!
41:17Hey!
41:18Hey!
41:18Hey!
41:19Hey!
41:19Hey!
41:19You