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Cinema Series US Film
  • 5/29/2025
Poker Face Season 2 Episode 2

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Transcript
00:00Oh
00:21Well, we're taking a big risk here, so just tell us what you want
00:26All right, honey
00:27Three hundred each be at the gazebo at six
00:31Three hundred I thought brains went for five we have to build up a rapport with the new broker
00:39I think you've built enough rapport. I don't know what you're talking about. It's just business. I swear to you
00:48You think I'm a fool
00:51We should have gotten eight hundred for those risks
00:54You're holding out on me to hell with it
00:56I am keeping the money and I'm sleeping with him, too
00:59You home-wrecking harpy
01:01No, if it weren't for me this place would have run it a long time ago. You weak bloodless shriveled little worm
01:08Are we inside minimum yeah, I think you overshot them one or uh, he's inside minimum, right? Okay. All right, we'll do it again. Let's cut
01:16Reset
01:21Yeah
01:23Reset
01:25Yeah
01:27Yeah, I think you overshot them one or uh, he's inside minimum, right? Okay. All right. We'll do it again. Let's cut
01:34Reset
01:34Yeah
01:36Come on in
01:41Copy that. Okay, coming in
01:45Thank you for the wrap
01:47I wasn't sure
01:49Oh
01:51There she goes
01:53What's your story? You with makeup? Hair wardrobe?
02:00Oh, me? No, no
02:03I wish
02:05This is my husband's funeral home
02:08Do you need some help? No, no, no, don't touch that
02:10We will meet again
02:22You're beautiful
02:25Must've been my problem
02:26Don't know where
02:27Don't know where
02:28I'm gonna make you gorgeous
02:29Don't know where
02:30Don't know where
02:31I'm always fine
02:32but I know
02:33You're not in my way
02:35A project
02:36A project
02:37A project
02:38Why did they even send this in 1973 anyway?
02:41These, like, iPhones and DNA and stuff make it way too easy to solve murder.
02:45Like, one drop of blood, boom.
02:49There's your guy.
02:50Excuse me.
02:51This is a work area.
02:52It's off limits.
02:54Go.
02:54Sorry, dude.
03:08What the hell is going on?
03:13And we're back up.
03:14Going right into a take.
03:15Roll sound, please.
03:16What happened to the lights?
03:17It's a live set.
03:18Sparks blew a breaker.
03:19We're rolling.
03:21Action.
03:22The families will never know because all they're getting are ashes.
03:26Ashes.
03:27Everyone thinks they're ashes.
03:29They're actually bone fragments, ground, the consistency of ashes.
03:32Any respectable funeral director would say remains.
03:36Let's be quiet.
03:37Greta?
03:38I'm sweating.
03:40Good job.
03:41Grant.
03:43Oh, my God.
03:43They destroyed the place.
03:44Honey, they're professionals.
03:48They're going to leave it exactly the way it came.
03:49Dan Locos told me.
03:51Fuck is Dan Locos.
03:52Dan.
03:53The locations manager.
03:55Hat and mullet.
03:57Yeah.
03:58That's what they all call them.
03:59Like a nickname.
04:01They have names for everything.
04:03A whole secret language.
04:04The bathroom is the honey wagon and snacks are crafty.
04:08I don't care.
04:09Just keep them out of my workshop.
04:10And speaking of which, what are you doing anyway?
04:14You're supposed to be finishing the makeup job.
04:16Honey, I will.
04:17Tomorrow morning, the Hoppenstammers will walk through that door to grieve their beloved grandmother.
04:23Real people.
04:24Dealing with real death.
04:26That's what our lives are about now, Greta.
04:29Not this fantasy land.
04:32Yeah.
04:32We've already rescheduled the Hoppenstammers once because you talked me into this ridiculous filming.
04:37And the money from it is going to get us through the month.
04:40And I needed...
04:42What?
04:44What do you need, Greta?
04:47I don't know.
04:51Something.
04:53Alive.
05:01Hey!
05:02What happened to the lights?
05:06It was just a breaker.
05:07I'm sorry.
05:08And I'll be sure to keep the PAs out of the basement.
05:09Oh, yes.
05:10And the peons in the basement.
05:12And look behind you.
05:14You're destroying my father's peonies.
05:16And trampling my grandmother's lavender.
05:18And desecrating my great aunt's azaleas.
05:21Fred, it'll all be better than new when we leave.
05:23I told you.
05:23You won't even know we were here.
05:25Oh, my God.
05:26The Hoppenstammers.
05:27We'll replant those, too.
05:31The hell is this?
05:32We didn't talk about a party.
05:35Mrs. Hoppenstammer.
05:36Mr. Hoppenstammer.
05:38Mr. Hoppenstammer?
05:39Ms. Hoppenstammer?
05:41Ms. Hoppenstammer?
05:42Fred, what the hell is going on here?
05:44Well, we had to reschedule for tomorrow.
05:47Uh, Greta was supposed to call you?
05:50Nobody called us.
05:52Oh, shit.
05:54Oh.
05:56Shit.
05:57For three generations, my family has kept this place a sanctuary to the sanctity of life's final passage.
06:09This is not a job.
06:11Not a business.
06:14This is a temple to the dignity of death.
06:19And you and I are its caretakers.
06:22So, oh, shit.
06:27Indeed.
06:30I want...
06:35a divorce.
06:40What?
06:41One of the makeup girls from the shoot said she can set me up with work in Miami.
06:47Local stuff.
06:48Small ads.
06:50My cosmetology license can transfer over.
06:53Miami?
06:54I don't want to hurt you.
06:56I just want to take my half and go.
07:01Your half.
07:02I know.
07:02You probably can't afford to buy me out.
07:05I've spoken to the realtor whose aunt we did last month, and he's already found us a really good offer.
07:10Let's have a baby.
07:13A baby would bring life into this place.
07:17That's what you want.
07:18And he would grow up to be our child.
07:21And he would take over this place when I die.
07:24A fourth generation keeping the fire...
07:26I am not going to trap a baby, too, in this depressing, haunted shithole.
07:34You think I trapped you?
07:36I don't know.
07:37I mean, when we got married, I was so young.
07:45So, yeah, I feel...
07:48trapped.
07:50But I think you're trapped here, too.
07:53Mostly, maybe, with all these ghosts.
08:00You should get out.
08:02Out?
08:03Yeah.
08:05I don't understand out.
08:07There is no out.
08:15Well, there is for me.
08:18What about sleepwalk?
08:20Fred, I hate sleepwalk.
08:29You homewrecking harpy!
08:32No!
08:33If it weren't for me, this place would have rotted a long time ago.
08:37No thanks to you, you weak, bloodless, shriveled little worm.
08:41You homewrecking harpy!
08:43No!
08:43Oh!
08:44Cut!
08:45Alright, let's reset and go again.
08:48You homewrecking harpy!
08:54Oh!
08:55Cut!
08:56Reset!
08:57You homewrecking harpy!
09:00Cut!
09:00You homewrecking harpy!
09:02No!
09:03Two hungry coffee!
09:15And cut.
09:20That should do it.
09:21We'll clean up the rest of the blood splatter in the morning.
09:30Greta?
09:31Greta?
09:32Where have you been?
09:33Hi.
09:35Out.
09:37With friends.
09:40Fabian, I'm sorry.
09:43I overreacted.
09:44Can we just talk about this?
09:47No.
09:49No.
09:50No.
09:51No, no, no, no, no.
09:52No.
09:58No.
10:01How long will this take?
10:02When will you be out of my home?
10:03Tomorrow morning, 7 a.m.
10:06They'll strike the set dressing and scrub the place.
10:07So, don't worry.
10:08You'll be able to eat off the floors if that's your thing.
10:12You'll be able to eat off the floors if that's your thing.
10:13No.
10:14No.
10:15No.
10:16No.
10:17No.
10:18No.
10:19No.
10:20No.
10:21No.
10:22No.
10:23No.
10:24No.
10:25No.
10:26No.
10:27No.
10:28No.
10:29No.
10:30No.
10:31No.
10:32No.
10:33No.
10:34No.
10:35No.
10:36No.
10:37Um?
11:07Ring my bell, ring my bell.
11:15Ring my bell, ring my bell, ring my bell.
11:25Ring my bell, set yourself free.
11:32Yeah.
11:33So long, I'm trying to get better for what we can do, you're doing my best.
11:55There you are.
12:25So long, I'm trying to get better.
12:45So long, I'm trying to get better.
13:07All right, here, I'll help you.
13:25All right.
13:37So long, I'm trying to get better.
13:53So long, I'm trying to get better.
14:09I'm trying to get better.
14:25I'm trying to get better.
14:41Oh, yeah, anyway, I'm pretty sure I about cracked the code.
15:09I mean, there was a while there where I really, I just couldn't get a moment's peace, you know?
15:13Hayride, lighthouse, what have you.
15:16But the last three months, well, not a peep from Beatrix's house, not a peep from the Five Families.
15:22Mm-hmm.
15:25Feeling pretty good.
15:26Feeling pretty good.
15:27Oh, no big huge deal, but I even quit smoking, and that was kind of my whole scene.
15:31Yeah, I switched to vaping.
15:33Techno cotton candy, it's delicious, you shouldn't know that.
15:37Anyway, no one really knows if it's healthier, but hey, vice is spice of life.
15:42What else are we doing on this great trip to nowhere?
15:46No one knows.
15:47We do know how it ends.
15:50At the end, it ends the same for each of us.
15:53I guess I buy the ticket, take the ride, right?
15:57Who knows might even run for sheriff of Aspen.
16:00I see my Hunter S. Thompson references are lost on you, and that's a shame.
16:06That's why we need to keep books in Florida libraries.
16:09It's very important.
16:10Mai Tai on the beach, huh?
16:12Gosh, kids, you guys are great.
16:15And that's, it's dead, and you see that's the one downside with these things, is they run on batteries.
16:27Oh, hey, with cigarettes, you're always looking for a lighter, right?
16:30Okay.
16:31Guess I'm off on a battery run.
16:34Pleasure doing business.
16:36And, uh, great work on the moat.
16:39You can call me if you can bear.
16:41Yeah.
16:42Yeah.
16:43Yeah.
16:44Yeah.
16:45Yeah.
16:46Yeah.
16:47Yeah.
16:48Yeah.
16:49Yeah.
16:50Yeah.
16:51Yeah.
16:52Yeah.
16:53Yeah.
16:54Yeah.
16:55Yeah.
16:56Yeah.
16:57Yeah.
16:58Yeah.
16:59Yeah.
17:00Yeah.
17:01Yeah.
17:02Yeah.
17:03Yeah.
17:05Yeah.
17:06Uh.
17:07Uh.
17:08Okay, uh.
17:10Hi.
17:11Uh.
17:12So, uh, what's the why?
17:28Yeah.
17:29what's the why hey yeah sorry for the chase what year is this this car this
17:35is she's a beauty oh thanks yeah it's a this right here is a 1969 Plymouth
17:41Barracuda limited edition original engine windshield wipers it just won't
17:45start but hey that's why I got this rag I'm so sorry if I spooked you let me
17:53just get to business here see I rent these classics for like movies they call
17:58them picture cars I see and you see you're not affiliated with the mob nah
18:02Union 385 Florida teamster branch I have seen Hoffa yes very cool okay got it
18:09all right we're making a new movie yes it's set in 73 doesn't pay cash
18:24and I will pay you the other half that wrap Wow which is when ish six ish I'm
18:35gonna put this CV radio in with transpose so they can communicate with the driver
18:39on set cool it's actually yeah check it out but cool I'm gonna be like Linda
18:45man's right hey this is gorgeous I kill all hippie subvert normality over
18:51wow nothing it's a it's a Dennis Hopper classic you really should check it out
18:58love that guy you do oh it seems like you're not that familiar with his work
19:02actually call sheets oh looks like a murder happened around here good no
19:12great copy that corpse has COVID hey do you have COVID me I know I'll be honest
19:18with you I haven't tested much recently great want to be a corpse pays cash
19:21sure okay let's go thanks it's just business I swear to you you think I'm a
19:26fool the wrist we should have gotten 800 for those wrists you've been holding out
19:33on me oh to hell with it I am taking the money and I'm sleeping with him too you
19:38home wrecking harpy no but worrying for me this place would have run it a long time
19:43ago you weak bloodless shriveled little worm cut cut cut let's go again wait again quiet
19:57from the corpse please all right everyone sit tight while sparks works this out no
20:05business like show business huh tell me about it back from lunch in 30 people back
20:09in 30 there's so much food they're gonna throw it away really oh hey corpse you
20:15should come sit with us this guy what I miss so anyway it's not just eye makeup like
20:26we're used to you use actual paint not makeup I don't know these people these
20:30dead shells but when I start to work I imagine them alive and happy with me
20:38sometimes I even talked to them this is sounding creepy and I get it I get it
20:50caring about someone even if they're gone and yeah want to give them a little bit of
20:55dignity even if they'll never know it I get it yeah but then life among the dead what kind of life is that
21:10I get that too I actually went to cosmetology school thinking I'd move to Miami and work for a magazine or something like fashion
21:26shoots or what you guys do but then my parents got in a car accident and that's how I met Fred and then switched focus to mortuary stuff wait you mean your parents are buried here no they were cremated
21:39but yeah Fred directed the funeral I was devastated 25 going on 18 I'd never been on my own
21:47just completely lost and Fred was gentle he really cared he was just what I needed in that moment
21:55I didn't think I was picking a path but then you wake up and it's too late for anything else
22:03too late shit too late girl I know plenty of people in Miami doing commercial stuff if you ever need a hookup
22:11if you ever need a hookup
22:13really
22:15okay irregardless you two want to get blackout wasted tonight
22:19I
22:21we do a hell of a banger
22:23yes
22:25wow
22:27Greta can I speak to you inside please
22:29so
22:37so a banger huh
22:39back in five people
22:41points points points
22:43points
22:44hey I
22:45ah
22:46ah
22:47bathroom
22:52bathroom
22:53thanks
22:55and what is all this by the way
22:57well thank you for asking
22:58this day has been hell on me
23:00here at Finch's we are proud to offer a guaranteed unbeatable variety of keepsakes for your family's remains
23:09ah
23:10Fred Finch
23:11oh
23:12uh
23:13Charlie
23:14Charlie corpse
23:16pretty cool pretty cool yeah yeah so wait
23:21what does that mean I uh
23:23does that mean so what
23:25you can put ashes and any of this stuff
23:29remains
23:30not ashes
23:31remains
23:32we can infuse remains into practically anything
23:35bookends
23:36fountain pen ink
23:38stained glass Christmas ornaments
23:40shot glasses
23:42cufflinks
23:44even fireworks
23:47crazy
23:48there are constant breakthroughs in crematory science
23:51so many ways to keep your duly departed within arm's reach
23:55you like music
23:57hmm
23:58spice of life
23:59same
24:00be dead without it
24:01same
24:02I installed a state of the art
24:05vinyl record press from a supplier in Germany
24:08really
24:09learned rudimentary German as well
24:11oh
24:12the buttons are in German
24:13I see
24:14you pick the song
24:15and we can press your loved ones into vinyl records on site
24:19no other funeral home in the southeast can do that
24:22huh
24:23so these uh
24:24yeah yeah
24:25yeah
24:26yeah but
24:27oh
24:28remains
24:29right not ashes
24:30no no crushed bone fragments called remains
24:34Greta
24:35Greta
24:36yeah she had mentioned that you were
24:37into all this kind of stuff and I can see why I think it's a
24:42it's cool
24:43it's cool genuinely
24:45very special place here
24:46yeah
24:47well
24:48a certain amount of urgency on the pee pee front
24:51oh
24:52yes
24:53all yours
24:54ah thanks
24:56i don't want to be pressed into an ornament
25:00you don't want to be an ornament
25:02no
25:03i don't want to become a record Greta
25:08it is it's it's weird it's niche
25:10it's also kind of cool
25:13romantic
25:14he's already had the molds made for our special songs
25:18it's like I'm already dead
25:20red flags
25:21red flags
25:22i don't even get to pick mine
25:23you think i'd pick
25:24santo and johnny's sleepwalk
25:28he can't dance to that song
25:30ring my bell
25:31i told him
25:32fifteen years of marriage
25:34he's never taken me dancing
25:36and never
25:38rung my bell
25:40sleepwalk
25:44i hate the slide guitar
25:46what am i Hawaiian
25:49no no
25:51i mean that
25:52that's appropriation
25:53you don't need to go here trust me
25:55google it google it
25:56Greta
25:57before we all google
25:58maybe it's time for a little uh hydration
26:00huh
26:01easy on the moonshine
26:08no
26:09why
26:10just
26:11give me give me give me
26:12put your um number into my phone
26:14oh
26:16oh the password's um
26:18one two one two
26:19after my old chihuahua's birthday
26:21oh no
26:22worn one out for the chihuahua
26:23i think i'm in here
26:25call me anytime
26:27she's good
26:28yeah
26:29i'm learning
26:30i'm learning tricks
26:31turn it on
26:41turn it on
26:42shh
26:43shh
26:44oh shh
26:45he's inside
26:46you sure you don't want to come in
26:48me
26:49no i live in this car
26:50hey
26:51give me a
26:52miami miami
26:53miami
26:54all right
26:55miami miami
26:56miami miami
26:57miami
27:00we're gonna go right
27:01what
27:02don't bullshit me because i'm gonna go back
27:03shh
27:04no i don't bullshit seriously
27:05okay it's greta and charlie
27:06yeah
27:07we'll go
27:08wherever anyway
27:09yeah any
27:10here tomorrow okay
27:11listen you still want to go tomorrow morning
27:13i'll be here i'll pick you up kiddo okay
27:15yeah
27:16all right buddy
27:17all right
27:19all right
27:20all right
27:21good night
27:22nighty night
27:23shh
27:24shh
27:25shh
27:26shh
27:27shh
27:28shh
27:29shh
27:30shh
27:31shh
27:32okay
27:33miami
27:34okay
27:36she's ready to lock up now
27:47she's loaded
27:48see boy
27:50hey gorgeous this is cb
27:54any copy
27:55kill all hippy subvert normality
27:57over
27:59good morning
28:04Greta!
28:07Yo, Greta.
28:09Oh, hi.
28:10Have you seen Greta?
28:11Who?
28:12Yeah, the wife.
28:13She lives here.
28:14We had this plan.
28:15We were going to go to Miami today.
28:17We were pretty wasted, so...
28:18Busy, babe.
28:19Oh.
28:20Oh.
28:21Oh.
28:22Oh.
28:23Oh.
28:24Oh.
28:25Oh.
28:26Oh.
28:27Oh.
28:28Oh.
28:29Oh.
28:30Oh.
28:31Oh.
28:32We're pretty wasted, son.
28:33Busy, babe.
28:34Oh.
28:37Greta!
28:38We ride at dawn!
28:42Oh.
28:46Ah.
28:50What do you say?
28:52Greta?
28:54She's gone.
28:56She told me she was going to leave me.
28:59This is the last thing she texted me last night.
29:02I woke up this morning, and she was gone.
29:06Without a trace.
29:07I...
29:08I...
29:09Just like that.
29:11After 20 years.
29:13Oh.
29:15She must have left with the film crew.
29:18Yeah.
29:20I...
29:21I...
29:22I'm so sorry.
29:26Ah.
29:32Hmm.
29:33Okay.
29:34This is it, man.
29:35Hawaiian appropriation.
29:36Google it.
29:45Okay.
29:46This is it, man.
29:49Hawaiian appropriation.
29:50Google it.
29:51Google it.
29:52Yeah.
29:53Google it.
29:54Yeah.
29:55Huh.
29:56That's what the dream is.
29:57It's the dream.
29:58It's the dream.
29:59It's the dream.
30:00I know, folks.
30:01It's the dream.
30:02And I'm going to see you're gonna see you're gonna see you're gonna see you're going
30:03the moon.
30:04It's the dream.
30:05I'm gonna see you're going to see you're gonna be on a plane.
30:06I remember the night we met.
30:36Brandy Savage had just died, and we were just pounding shots from the Macho Man.
30:42Oh, gosh. Excuse me. It's a beautiful story.
30:47Did she have a pacemaker or an implant with a battery?
30:52It's a fire safety issue.
30:54Anything with a battery will explode in the crematora furnace.
30:57I...
30:58No?
30:59Not that we know of.
31:01Can you sign here to attest to that?
31:03My wife, Greta, was supposed to go over all this with you.
31:06Hi, Mrs. H.
31:07And Mr. H, hi.
31:09I did want to say that your mother-in-law seemed like an incredible woman, and my condolences.
31:15And Fred, hi. I just wanted to double-check on Greta.
31:20I'm kind of in the middle of shepherding a grieving family through their final moments with a loved one right now.
31:24Uh...
31:25Your sweet wife, Greta, is she okay?
31:27It's a crazy thing. She's...
31:28She's disappeared.
31:29And, uh...
31:30Oh, my God.
31:31Oh, no. No, she didn't disappear.
31:33Well, I...
31:34I...
31:35She's gone, and you don't know where she is, and...
31:37Oh, I don't know where she is.
31:39The poor girl, Fred.
31:40Can we help?
31:41I can hog up a posse.
31:43Oh, no...
31:44What?
31:45No, no, no, no, no, no.
31:46No need to hog up.
31:48Excuse me, Mrs. Hoppenstammer.
31:51This is Banshee's moment.
31:53I'm so very, very, very sorry for the intrusion.
31:56Yes, it is, and thanks for the hog up, and...
31:59Uh, sorry.
32:00She was incredible.
32:01Hi, Fred.
32:02I... I did.
32:03I just was wondering, is there anything that may have indicated that Greta was, uh, gonna take off like this?
32:08No, no. Greta decided to leave with the film crew.
32:10All right?
32:11She said she wanted to leave with the film crew, and she did.
32:14True.
32:16Huh.
32:17Oh, hi.
32:19Oh, also, and, um, I...
32:21This is incidental.
32:22I'm just curious.
32:23You had mentioned that you press your own vinyl in-house.
32:26Uh...
32:27About how long does that take?
32:29Come back when you have a body.
32:31Eh...
32:32And I'd be happy to discuss all of our services.
32:34Now...
32:36Kindly leave.
32:38Heh.
32:40Hmm.
32:41Hmm.
32:44Something...
32:49It's...
32:50A call sheet.
32:51Uh-huh.
32:52She texted me late last night, like, fifty times.
32:53Hey...
32:54Hey...
32:55We'll get us filled with an A. Hey...
32:56What's up?
32:57Uh, hey...
32:58It was, like, a ton of A's. You get the picture, but, yeah.
32:59This morning, I didn't get a text back.
33:00Uh...
33:01Uh...
33:02Weird.
33:03Hey, uh...
33:04It's a flow.
33:05One after the other.
33:06A pause.
33:07Mm-hmm.
33:08Mm-hmm.
33:09You got it.
33:10Do you know what this movie is about?
33:11No idea.
33:12Right.
33:13I said it was set in 1973.
33:14I think it's a multiverse thing.
33:15How?
33:16Anyway, I'll ask around and see if anyone's seen Greta, you know?
33:17Set Deck was here at 7 a.m.
33:18It's worth asking them if they saw her leave.
33:19Oh, okay.
33:20Um, Set Deck.
33:21Um, Set Deck.
33:22Um, set Deck.
33:23Um, set Deck.
33:24Um, set Deck.
33:25Uh, okay.
33:26Um, set Deck.
33:27I think it's a multiverse thing.
33:28How?
33:29Anyway, I'll ask around and see if anyone's seen Greta, you know?
33:33Set Deck was here at 7 a.m.
33:36It's worth asking them if they saw her leave.
33:38Oh, okay.
33:40Um, Set Deck.
33:41Page.
33:42Wild night.
33:44Hey, um, so you, uh...
33:46Were you at the funeral home this morning?
33:48Yeah, uh, 7 a.m. call.
33:49Set Deck had to go clean up the murder scene.
33:52Right.
33:53Right.
33:54And did you see Greta?
33:55No.
33:56But that creepy funeral guy was kind of hovering the whole time,
33:59making sure we got everything.
34:00To be fair, we did leave it kind of grisly after last night's shoot.
34:04You know, fake blood splattered everywhere.
34:06Yeah.
34:07How do you know that that blood was fake?
34:10Maybe, girl.
34:11It's a movie.
34:12Oh.
34:13Right, right.
34:14Yeah, that makes sense.
34:15Oh, uh, pardon.
34:16Uh, hi.
34:17Uh, do you happen to...
34:18Do you happen to know what this movie is about?
34:20Uh, it's not my department,
34:22but I think I heard someone say it's about vanity.
34:25Oh, cool.
34:27Uh, now I get it.
34:28Yes, yes, of course.
34:29Hi.
34:30No one's seen Greta all day.
34:31I tried calling her, but all I got was a voice message.
34:35You know, her husband told me that she left with the film crew,
34:38and I could tell he was telling the truth.
34:39How?
34:40Well, cause things, you know, it's a long story, anyway.
34:43Oh, you seem worried.
34:44Think something might have happened to Greta?
34:46The record thing, well, it's tenuous.
34:48Maybe I should go back to that death house and do a little snooping.
34:52Our lunch break is in 20 minutes.
34:54We'll come with you.
34:56Wow.
34:57You're a good egg, Tommy.
34:59What are we snooping for, though?
35:02It's a good question.
35:03I guess anything amiss, out of place, strange, weird.
35:06I-I don't know.
35:07I-I think I'm hoping I'll know it when I see it.
35:09Papa Sam is hope.
35:12The highway sweeps with high-octane dreams.
35:16Mama Banshee's gonna ride with us.
35:20Come on, Mama.
35:22Let's ride!
35:24Let's snoop.
35:33Shh.
35:34Okay.
35:35We need a plan.
35:39Shh.
35:40You go in there.
35:41I'll go down the stairs.
35:45Shh.
35:46Shh.
35:47You go in there.
35:48I'll go down the stairs.
35:50I'll go down the stairs.
36:20Shh.
36:21He's there.
36:22Everybody's there.
36:24All right, come on, buddy.
36:26Come on.
36:31Oh, soll問 him he does not drown.
36:34There.
36:35There he is.
36:36Let me!
36:37Let��고 for you.
36:40Please tell them to the house.
36:42Listen to him.
36:43My name isn't Jessica.
36:44You listen, he's there.
36:45Let's start.
36:46I think I'm angry.
36:47Let's try to figure it out.
36:48Hello?
37:18What are you doing in here?
37:33Uh, hi.
37:35I, uh, I'm just here looking for my friend, Greta.
37:38Are you kidding me?
37:39I told you, she left with the film crew.
37:41I don't know where they took her.
37:43Yeah, you did tell me that, and, uh, it's true.
37:46But it's also true that, uh, Mama Banshee, well, she rides with the, uh, Hoppenstammers.
37:53What?
37:53I'm just thinking, well, if it's true that Greta left with the film crew, uh, the question
37:58remains, Fred.
37:59What condition did she leave with the men remains?
38:02See, the question remains.
38:06Added to which, uh, she hasn't been picking up her phone for some reason, and, well, gosh,
38:11I mean, more things just keep adding up.
38:13You know, the, uh, the death song thing, the, uh, I saw you listening to that record
38:17this morning, the one with the song that you picked out for her, even though she hated
38:20it, uh, Sleepwalk.
38:23Yeah.
38:24And now, well, the craziest thing, now there's this, uh, speck of, what's that look like to
38:32you?
38:33You're insane.
38:34What do you think happened in here yesterday?
38:35That's movie blood.
38:37They missed a spot.
38:38They missed a spot.
38:39Yeah.
38:42Yesterday.
38:44You see, yesterday, well, I was lying in this casket all day, uh, pretending to be dead.
38:49As far as vocations go, intolerable.
38:53I ain't nothing to do but, uh, stare up at that ceiling all day, watching over and over
38:58that cheesy and, frankly, misogynistic murder scene.
39:02And each time, well, you see, a bunch of that movie blood, it would splatter on that
39:06wall over there.
39:06And every time, a few specks would land on that white silk cloth situation covering the
39:11whole ceiling.
39:12But the people that do the, uh, the lights and so forth, well, they told me that they,
39:16they said that they ramped out after the filming.
39:20So that means that I guess they would have taken the white silk with them.
39:25Hmm.
39:26I guess that means that, uh, whenever this little spot is here, it must have gotten here
39:30after the shoot.
39:32You see, uh, overnight, I think that, uh, Greta finally decided she'd, uh, had enough
39:39of being trapped inside of this embalmed death house.
39:41And you didn't like that, Fred.
39:43And she, well, hey, this movie shoot gave you the perfect cover to stop her, to keep
39:52her here forever, uh, trapped inside of a song that you got to choose.
39:57Am I getting warmer?
39:59But what you didn't count on, I guess, is, uh, is somebody giving a damn about her.
40:04Now, look me in the eye, you manipulative creep, and, uh, tell me that you didn't kill
40:10her.
40:13Greta just texted me.
40:16She's fine.
40:20Huh?
40:22Wait, wait, wait, what?
40:24Yeah, I guess she must have fallen asleep on the, on the Greyhound to Miami, but she made
40:29it.
40:30It's all good.
40:31You see?
40:33Oh, jeez.
40:35Uh, oh, man, I, uh, oh, uh, oh, Fred, I, I'm sorry.
40:43Well, my lunch breaks up.
40:46Catch you later.
40:47All right, Tommy, thanks, man.
40:49Ah, jeez.
40:52Ah.
40:55Fred, Fred, I'm sorry, I'm sorry.
40:57No, really, please, man, I'm sorry.
41:00She's gone.
41:01It's, it's all my fault.
41:05I am a creep.
41:07You're not a creep.
41:08No, no, no, no, no, no, no.
41:09Look, people grow apart.
41:11They want different things.
41:14Greta, she wanted to move to Miami, okay?
41:17And you, you, you, you love it here.
41:20This embalmed death house.
41:22All right, I'm sorry I said that.
41:25Really.
41:26I, I, believe me, if you knew the wreck that was my life, I.
41:31My whole family, everyone I ever cared about, it was passed on.
41:36They're all right here with me.
41:39Yeah, and it's, uh, it's beautiful.
41:42Like, you can feel their presence.
41:43My Uncle Jeffrey, he's right there in that lamp.
41:46What do you mean, uh, in the lamp?
41:50His remains, they're, they're in the lamp.
41:57Yeah.
41:58Isn't that beautiful?
41:59And, and my cousin Shirley's over there in the music box.
42:04Hey, Shirley.
42:05Great Uncle Rick is in the stained glass.
42:07And Grandma B, well, she's actually in the grandfather clock.
42:11And, that's my dad.
42:14Right there in, in the mug.
42:16Hey.
42:21The rest of his remains with mixed oil paints.
42:24That's him.
42:25I'd like to sit here and have coffee with him in the morning.
42:30Greta never really understood.
42:32How could she?
42:33I, uh, should probably, uh, hit the head and then the road.
42:39Belly full of tea.
42:40Thanks, Dad.
42:42Mm-hmm.
42:42Right.
42:42Sorry, Aunt, and, uh...
42:47What's up?
42:48Bingo.
42:49Baby.
42:49Baby.
42:50Baby.
42:50Baby.
42:51Oh, baby.
42:52Baby.
42:52Baby.
42:54Baby.
42:54Baby.
42:54Baby.
42:55Baby.
42:55Baby.
42:55Holy shit.
43:19Dog birthday. Dog birthday.
43:25Huh.
43:422022?
43:55Yeah.
44:00Oh, God.
44:06Oh.
44:10Oh.
44:11Oh.
44:12You
44:37Fred hey, hello
44:42What the fuck is happening?
44:46Please let me out of here, please!
44:48Please!
44:49No, no, no, no, no!
44:50Fred! Fred! Fred!
44:52Fred! No, no, no, no, no!
44:54Let me out of here!
45:00Listen, if you let me out of here,
45:02I swear that I won't say anything, okay?
45:04I swear, I swear, I'm really sorry, okay?
45:06I promise, just please, please let me out of here!
45:08Please! Please!
45:10Fred!
45:16With your clever guessing,
45:18you're getting warmer,
45:20much,
45:22much warmer.
45:26Fred, Fred,
45:28please listen to me, okay? Listen to me!
45:30You were the one who talked her into leaving
45:32in the first place.
45:34So in a way,
45:36it's perfect justice.
45:38No, no, no, no, no!
45:44Fred!
45:46Fred!
45:48Fred!
45:50Fred!
45:52I don't know.
46:22I don't know.
46:52Come on.
46:54Come on.
46:55We gotta go.
46:57Come on.
46:59Come on.
47:00Come on.
47:01Come on.
47:03Come on.
47:04Come on.
47:05Come on.
47:07Come on.
47:09Ben!
47:11Ben!
47:13Oh, fuck.
47:15Come on.
47:16Come on.
47:17Come on.
47:18Come on.
47:19Come on.
47:20Come on.
47:21Come on.
47:22Come on.
47:23Come on.
47:24Come on.
47:25Come on.
47:26Come on.
47:27Come on.
47:28Hey.
47:29Oh, fuck.
47:30Oh, fuck.
47:32Of course.
47:33Oh.
47:34Oh.
47:36Oh.
47:38Oh.
47:47Ah, oh.
47:48Fuck, I've ever deserved one.