Home And Away 3rd June 2025
Catégorie
📺
TVTranscription
00:00Sous-titrage Société Radio-Canada
00:30Sous-titrage Société Radio-Canada
01:00You don't understand. Cash is a mate.
01:02So he couldn't stop his mate from getting caught up in the middle of a police operation?
01:07It wasn't like that.
01:09Why did you come through to take a seat?
01:10So I was being nice to him and then he shuts me down. So what do I do? I like shrimp.
01:23It sounds like you had every right to.
01:26I don't know. Calling the boss a hypocrite on the first date does seem like a poor choice in hindsight.
01:31Yeah, I mean that's an interesting way to resign.
01:34Oh, ha ha ha ha ha.
01:36I'm kidding. I'm kidding. You're a great cop. A new side will see that. Look how good you've been with Lacey.
01:42Oh, and there's a whole other awkward situation that he's going to put me in.
01:45Yeah. I cannot believe that he is her dad. So random.
01:48Small world, right?
01:49Yeah. So what are you going to do?
01:52Nothing. Nothing.
01:53Oh, can you make a complaint? You know, unfair treatment or something?
01:57Yeah, except most of what he's pulling me up on is true. It's going to sit right there in my pile.
02:03Cash Newman speaking.
02:04Yes, Sarge.
02:09I'm on the way.
02:11You gotta go.
02:12I've been summoned.
02:13Yeah.
02:14Okay.
02:16Bye.
02:16Good luck.
02:17Yep.
02:21I have everything I need. Thank you for your time.
02:25You still don't understand. Like I said, cash needed backup.
02:29Bottom line, you shouldn't have been there. Your safety was compromised.
02:32Okay. Okay. Looking back, it was a risk.
02:34We're not in the business of taking our mates to police rescues. Newman, in here.
02:48Your mate was explaining those extenuating circumstances you were talking about earlier.
02:53Okay.
02:54So he got into the patrol car and you didn't stop him. End of story.
02:59It was a bit more complicated than that, was it?
03:02Tell me.
03:04What exactly is your definition of extenuating circumstances?
03:08Would you call, would you call this love? I can't call it, yeah.
03:19But I need you to know if you fall, I'll meet you there.
03:24And I can tell you everything that's on my mind.
03:27Honey, I, I'm gonna try, I'm gonna try.
03:32I, I, I, I'm gonna try.
03:40What happened? Where'd you start?
03:42Yeah, I've got the same question.
03:46It sounded amazing.
03:47Ah, hi, can I help you?
03:51Sorry, I didn't mean to interrupt. Avalon.
03:55Avalon Bracken.
03:57Yep, I know.
03:59My ex-manager made me listen to your album like 50 times when it first came out.
04:03What's going on here?
04:04Avalon was the big thing when I was working with Forrest.
04:07You're making me sound like I'm 100 years old.
04:10Self-funded first album and recording the second one next door.
04:14Nice to meet you. I'm Remy, this is Kirby.
04:17Look, that really did sound amazing.
04:19Maybe think about some backing vocals and really give it more depth.
04:27We'd better get back to it.
04:28Yeah, of course. I guess I'll see you around.
04:32Yeah, catch her.
04:38Where'd the attitude come from?
04:40Who walks into someone else's recording session and starts giving advice?
04:43She's just being friendly. Why is she getting under your skin?
04:45Because Forrest told me over and over and over again that she's my competition.
04:50And she is. She's really good.
04:52Okay, why don't we call today?
04:56Yeah, it's a good idea. I'm wrecked.
04:58I'm going to stay here a bit longer.
04:59Why don't you get a jump on tomorrow?
05:02Maybe do some work on some of the tracks we put down?
05:04Are you sure? I feel bad for leaving you here to work.
05:06It's cool. But, uh, maybe do me a favour.
05:12Baby, think about those backing vocals. I mean, Avalon had a good point.
05:16Yes, I know she did. That's a problem.
05:20Why don't we ask Aidan?
05:21Okay, no one's voice compliments yours like hers.
05:24And it'd be great having her in here, you know? A bit of magic.
05:27Mm-hmm. That's true.
05:29Yeah?
05:29All right, we'll get some rest.
05:31Thank you.
05:32See ya.
05:38Cash, I'm really sorry. I was trying to help.
05:42I'll see you at home.
05:43Yeah.
05:45Hey, it's a letter from the doctor.
05:49It's all the details on the physio I was doing while I was in hospital.
05:52Great.
05:53So, can we start now?
05:54Okay. Settle down, mate. Remember what we talked about.
05:57I get there's still a lot of restrictions, but it's more reason to get stuck in.
06:00How'd you go with the plan you were talking about?
06:03Oh, I didn't get around to it. Something else came up.
06:05But how about we go over those restrictions and make a start on it now?
06:08Great.
06:18Going somewhere?
06:19Uh, yeah.
06:21I can give you a lift.
06:22You're lying.
06:23I'm fine. Thanks.
06:24I don't mind, really. I'm hitting together.
06:25I said I'm fine. Can you just go?
06:27Lacey, what's happening? Where are you going?
06:45I don't know. I just need to get out of here.
06:47Why?
06:49This town is just really small.
06:52How about I just sit and wait with you until the bus comes?
06:57It's up to you.
06:58But as soon as that bus comes, I'm out of here.
07:04What is it, Newman?
07:06So I don't know if you need anything before I go?
07:08No.
07:08For what it's worth, your daughter was an asset to our investigation.
07:16See you tomorrow.
07:17Have you got family somewhere? Is that where you're going?
07:37Why do you even care?
07:39I thought you'd be happy to see me go.
07:40Look, in the beginning, I wasn't your biggest fan.
07:44You're worried about Theo.
07:46Because he was willing to throw everything away to be with you.
07:51He still is.
07:52I can't be here anymore.
07:53This isn't the right place for me.
07:54I thought it was.
07:57It's not.
07:58Whatever is going on, you can sort it out.
08:03Theo cares about you.
08:05Do you two have a five?
08:06This isn't about Theo.
08:07This is about my dad.
08:11He's decided to move here.
08:15If he's here,
08:18it can't be.
08:18Well, you weren't joking when you said your new sergeant was pretty tough.
08:29It's like talking to a brick wall.
08:30Sounds like he's got it in for the both of you.
08:32He's impossible.
08:33I thought he was going to arrest me.
08:34Well, don't worry.
08:35If he's going to arrest someone, it's going to be me.
08:37Well, you did say that he had some personal stuff going on, so...
08:40So he is human.
08:41No one would go that far.
08:43Speak of the devil.
08:44Is that him?
08:45Yep.
08:45Hi.
08:49Hey.
08:50How can I help?
08:51What's good here?
08:52Ah, the pizza's pretty popular.
08:54Great.
08:56And the beer.
08:56Thanks.
09:02I feel like I'm ten years old getting in trouble for my teacher again.
09:04As if you ever got in trouble.
09:06You want me to speak to these meals?
09:08That's illegal.
09:09I can do it.
09:10No.
09:11No.
09:15You're sure I can't get you something to eat?
09:23I'm okay.
09:24Thank you.
09:28Whatever is going on with you, Dad, are you sure that it can't be fixed?
09:33No, we can't be around each other.
09:35Why not?
09:37Because we'll never see eye to eye.
09:39But he's your dad.
09:40I'm sure he still loves you.
09:42That's why I left.
09:46This love doesn't mean anything.
09:48You proved that when mum died.
09:51Lacey, I'm so sorry.
09:53You seem to care more about that than he does.
09:56Oh, I'm sure that's not true.
09:57No, it is.
09:58He was more interested in forgiving the driver than he was mourning the loss of his own wife.
10:03The driver that was responsible for your mother's death.
10:11How long has it been since you left home?
10:15About six months.
10:17I, uh, changed my name.
10:20Never looked back and then he shows up.
10:23He's the new police sergeant at Yavvy Creek.
10:25Your dad's a cop.
10:28Does Theo know any of this?
10:30Well, he knows mum died, but that's all.
10:34Lacey, I can't even pretend to understand what you're going through.
10:38But do you think it's right that you keep running?
10:43Whatever you decide to do, it's entirely your call.
10:48But you need to be up front with Theo.
10:50You need to be up front with Theo.
11:20You need to be up front with Theo.
11:50That is not how producers play guitar.
11:53Yeah, well, it's how this one does after hours.
11:58Where's the diva?
11:59Don't call her that.
12:01Sorry, but she really needs to chill.
12:04What are you doing here so late?
12:06It's not late for me.
12:08Creature of the night.
12:09Are you still recording?
12:10No, we're out having a drink next door if you want to join us.
12:12Thanks, but I'd better not.
12:15Come on.
12:16Just me and a couple of studio musos.
12:18I promise you'll have fun.
12:19It's not that.
12:20It's got a lot to do tomorrow.
12:22So, next time?
12:24So, yourself.
12:26But FYI, you looked like you were having way more fun kicking back with the guitar than you did at the mixing desk.
12:31Swing by for a night.
12:35Happy to change your minds.
12:43About time you got home.
12:45Oh, I didn't realise you were waiting for me.
12:47So, how'd it go?
12:48Good.
12:48Yeah?
12:49Mostly.
12:49I mean, we were working on my favourite track, but we feel like there's something missing.
12:53Well, I thought you were happy with it.
12:54I was.
12:55I mean, I am.
12:56I just think we need some backing vocals.
13:01And I was really hoping that you would do it.
13:04You want me to sing back up for your album?
13:07I know that it's late notice, but it's only one track, and Remy and I can't think of anyone more perfect, so please, say yes.
13:16Yes!
13:17Yes!
13:17We need to be back in the studio first thing.
13:20It's going to be just like old times.
13:22Thank you.
13:24Good night.
13:25Good night.
13:30What's going on?
13:38Here you go.
13:39This may help.
13:40Thanks.
13:43I've been thinking.
13:45You're right.
13:46I shouldn't just leave town because of Dad.
13:49What about Theo?
13:51Are you going to tell him that you were planning on leaving?
13:53What about your dad?
13:54Hey.
13:56Hey.
13:57Hey.
13:57Lace, what are you doing here?
13:58Oh, I just ran into Leah and we got talking.
14:02How'd you go to the hospital?
14:04Got the all clear from the doctor, so I'll start with Tanya tomorrow.
14:07Good.
14:08What are you guys talking about?
14:13Uh, we were just going to cook dinner, weren't we?
14:17Great.
14:18I'm starving.
14:18Yeah, who wants a drink, right?
14:20Yeah, yeah, me for this.
14:21Great idea.
14:29You all?
14:30Yeah.
14:31Yeah, yeah, I'm fine.
14:35I'm so glad that you're here.
14:38Me too.
14:38I hope Tanya doesn't go too easy on me.
14:56I know he said we'll start slow, but I'll be right.
15:00I'm not sure how long I'm going to be.
15:07Are you sticking around?
15:10Lace.
15:11Huh?
15:12Sorry.
15:14You've been a bit quiet.
15:16Fine.
15:20It was really cool that you hung out with Leah yesterday.
15:24I enjoyed it.
15:25Yeah, I get the impression she did too.
15:28I know it's hard.
15:29She reminds you of your mum.
15:32But it means a lot to me that you're making the effort.
15:36Hey.
15:37Ready for your first session?
15:39Let's do it.
15:40Glad you're pumped.
15:42Hey, you're welcome to join us if you're going to watch me yell at your boyfriend.
15:44Mm.
15:45Sounds fun, but I reckon I'll pass.
15:48You sure?
15:49Yeah.
15:49We've got to keep job hunting.
15:51But good luck.
15:53All right.
15:57How many coffees does it take to produce an album?
15:59Can't wait.
16:01Did you come in and have a listen at some point?
16:02Same.
16:03It's going well then?
16:03Yeah.
16:04Yeah, Eden's coming in and lay down some back and back.
16:06Nice.
16:07Lacey.
16:08I'll chat to you soon.
16:09Right on, mate.
16:09Hey, thanks for helping out with dinner last night.
16:12Okay?
16:12It is a rare thing for Leah to let anyone into her kitchen.
16:16It was fun.
16:17All right.
16:18You should do it more often.
16:20Get your air.
16:20Thanks for coming.
16:24No, I'm not staying.
16:26I'll keep it short.
16:29Can't help feeling you and I ended up in the same place for a reason.
16:34And I feel like it's an unfortunate coincidence.
16:36Just get to the point.
16:41I was hoping we could talk about where we go from now.
16:43Where we go nowhere.
16:44Come on, Lacey.
16:45No, no, no.
16:45I mean it.
16:46If you see me, you walk the other way.
16:51When I'm going to have coffee, you'll be friends.
16:52So please get that possibility out of your head right now.
16:56I'm your dad.
17:02Is this really how it's going to be?
17:03Absolutely.
17:05I want nothing to do with you ever.
17:16We can go through everything on the way, but I know how quick you are at picking up music.
17:32So I know it's not going to be a problem.
17:35Also, if you have any ideas whatsoever, I'm so happy to hear them.
17:38Coffee.
17:39Thank you.
17:40Thank you.
17:42Oh, do you feel that?
17:43Feels like old times.
17:44Yeah, except it's not like old times, is it?
17:49Hmm?
17:52I, I, I, I can't do it.
17:53I'm sorry.
17:54What?
17:55Why not?
17:56Because I, I can't get my head around the idea of stepping up to the microphone when it's not with the band.
18:02I'm, I'm so grateful that you asked me, but you're going to have to get someone else.
18:09Okay.
18:12I'll meet you outside.
18:14Don't look at me like that.
18:25Look, I feel the same way about where things land are for the band.
18:28You know that.
18:29But you, me, and Kirby, we are Luke.
18:31Okay?
18:31It started with us.
18:34So maybe, instead of getting caught up on how things ended, think about all the fun we had getting there.
18:38Sarge, I feel like we got off on the wrong foot yesterday.
18:58Can we try again?
19:00Great minds.
19:00Because I was going to say, I think a clean slate do us both some good.
19:05Ordering you to bring in Lacey was an abuse of power.
19:14It won't happen again.
19:15I've had no idea where she's been for the past six months.
19:26I couldn't believe my eyes when I saw her name on that case file.
19:29I'm grateful to you for the care you took of her during that case.
19:35I appreciate that.
19:40I've decided there'll be no formal action against you for involving a citizen in police operations.
19:46Thank you.
19:46But that doesn't change the fact that you knowingly went against protocol.
19:53You'll be on traffic duty until further notice.
19:56Yes, Sarge.
20:00I trust you'll be doing things by the book.
20:03You have my word.
20:06That'll be all, Newman.
20:07Thank you.
20:20The only other person I can think to ask is Theo.
20:23But I really think we need a female vocal.
20:25Yeah, I agree.
20:26Okay, I'll make some calls once we get in the studio.
20:28Get all set up.
20:32What the hell are you doing?
20:33Nothing.
20:34Seriously, what is this?
20:35Relax, I was just looking for some menus for some takeaway.
20:39Well, you have no right to be here.
20:42What was she looking through?
20:44Just our notes from yesterday.
20:46See?
20:47I need to call this TIA.
20:48Your secrets are safe.
20:50I'll leave you to it.
20:53Enjoy your day.
21:03This is a surprise, friend.
21:05Fancy a game, friend?
21:06Yeah, I guess so.
21:07Friend.
21:07I think we'd be really wrong as a couple.
21:13Dana, are you in there?
21:15Hey, Harper.
21:17What you doing here?
21:18They're just friends.
21:19Hi.
21:20Hi.
21:20But could they be something more?
21:22Just friends, remember?
21:24Took the words right out of my mouth.
21:25I don't do relationships.
21:29Sounds like she is your girlfriend, brother.
21:31He said that you and I are in a relationship, aren't we?
21:34I mean, you tell me.
21:35Well, I asked you first.
21:36I asked you last.
21:37Home and Away.
21:40Next week on 7.
21:417.
21:427.
21:427.
21:437.
21:437.
21:458.
21:459.
21:478.
21:4811.
21:499.
21:4910.
21:5110.
21:5111.
21:52El 돌�.
21:5311.
21:5414.
21:5614.
21:5614.
22:0016.
22:0119.
22:0216.
22:0319.
22:0521.
22:0619.
22:0715.