- 5/25/2025
CARA DE MUÑECA (DOLL FACE, 1946, Full movie, Spanish, Cinetel) HD
Category
🎥
Short filmTranscript
00:00:00♪♪
00:00:10Cara de muñeca.
00:00:12♪♪
00:00:22♪♪
00:00:32♪♪
00:00:42♪♪
00:00:52♪♪
00:01:02Harman ensaya.
00:01:04Las audiciones para la nueva opereta de Fró Harman Park Avenue
00:01:07están teniendo lugar en el Teatro Belmond.
00:01:10♪♪
00:01:20♪♪
00:01:30¿Qué más da? De todas formas, no vas a trabajar para él.
00:01:35¿Estoy bien?
00:01:36Como siempre. Preciosa y perfecta.
00:01:41Gracias, chicos. Ya os diremos algo.
00:01:46No tienen clase.
00:01:47Para un espectáculo de Harman, no.
00:01:49¿Quién es el siguiente?
00:01:50El siguiente, por favor.
00:01:52Soy yo.
00:01:53Sí.
00:01:56Un momento, cielo.
00:01:57¿No quieres que te dé suerte?
00:01:58Se me olvidaba. Estoy tan nerviosa.
00:02:14¿Cómo se llama?
00:02:15Mary Elizabeth Carroll, señor.
00:02:17Pero todos me llaman Mary Beth.
00:02:20¿Tiene experiencia?
00:02:21Oh, sí.
00:02:22Siempre que he cantado con el coro de la iglesia,
00:02:24el Richfield Clarion, nuestro periódico local,
00:02:27ha publicado...
00:02:28No lo pongo en duda.
00:02:29Cántenos su canción, por favor.
00:02:32Por favor.
00:02:33¡Vamos!
00:03:04¡Vamos!
00:03:05¡Vamos!
00:03:06¡Vamos!
00:03:07¡Vamos!
00:03:08¡Vamos!
00:03:09¡Vamos!
00:03:10¡Vamos!
00:03:11¡Vamos!
00:03:12¡Vamos!
00:03:13¡Vamos!
00:03:14¡Vamos!
00:03:15¡Vamos!
00:03:16¡Vamos!
00:03:17¡Vamos!
00:03:18¡Vamos!
00:03:19¡Vamos!
00:03:20¡Vamos!
00:03:21¡Vamos!
00:03:22¡Vamos!
00:03:23¡Vamos!
00:03:24¡Vamos!
00:03:25¡Vamos!
00:03:26¡Vamos!
00:03:27¡Vamos!
00:03:28¡Vamos!
00:03:29¡Vamos!
00:03:30¡Vamos!
00:03:31¡Vamos!
00:03:32Very good.
00:03:56Another chorus and pick up the tempo.
00:04:00Somebody's walking in my dreams
00:04:07That's why I'm talking in my dreams
00:04:14Someone keeps buttoning when I start counting sheep
00:04:21That's it, that's how you sing Cara de Muñeca
00:04:25What are you doing? How dare you interrupt the singer?
00:04:28Boss, don't you know who she is?
00:04:29She's Cara de Muñeca Carol, she works at the Gayety on 14th Street.
00:04:32You must have heard about her.
00:04:34Cara de Muñeca Carol?
00:04:35Of course, she's the reason why the temperature in that part of the city is so high.
00:04:39Yes, you know what happens when she goes out to act?
00:04:41The air conditioning breaks down, she can't do it.
00:04:43Very well, you know everything. Are you done?
00:04:46Oh my, we didn't expect something like this to happen.
00:04:48Okay, she's Cara de Muñeca Carol and she works at the magazine.
00:04:51What else do you want? She doesn't do striptease, she has a lot of personality and she's a great artist.
00:04:56Tell me, who are you?
00:04:58Hannigan, my name is Michael Francis Hannigan.
00:05:01I'm in charge of the Gayety show and I direct it.
00:05:04I also represent this young lady.
00:05:07If you mess with her again, you'll have to deal with me.
00:05:10It's clear that she sings very well and in a way she's a professional,
00:05:12but I can't hire someone with her history in my show.
00:05:16What doesn't she have that you need?
00:05:18Culture, class, that rare touch of distinction.
00:05:21If I don't get it wrong, are you saying I don't have class?
00:05:24In case you don't know, my teacher was... tell him, Michael.
00:05:27A guy with a lot of class from Tallahassee.
00:05:29Well, she's from Brooklyn, but that has nothing to do with it.
00:05:32I'm glad, Miss Carol, but I'm afraid you're no good for me.
00:05:35Next, please.
00:05:38Let's go, darling.
00:05:43Culture, class, that rare touch...
00:05:45What the hell is that?
00:05:47If that's what I'm thinking, she'll pay for it.
00:05:53Dollface.
00:05:55Hi, Nicky. Hi, Mike.
00:05:57How's it going with Herman?
00:05:58They're very tough.
00:05:59I'm sorry.
00:06:00Hey, if you don't hurry up, someone's going to get very...
00:06:03I didn't know it was so late.
00:06:05Go on, I'll be right there.
00:06:07All right.
00:06:17Hey, Al.
00:06:23I suppose you're in my place.
00:06:25You're dating a girl who's perfect in everything, but...
00:06:28well, she lacks a little culture.
00:06:30What would you do to get her?
00:06:33Culture?
00:06:34Doesn't that have anything to do with working the land?
00:06:38Forget it, Al. I haven't told you anything.
00:06:48Pay me.
00:06:50Yes, Mr. Hannigan.
00:06:52Oh, I'll take this box of chocolates, too.
00:06:54Yes, sir.
00:06:553.15, all included.
00:07:00Besides, today, for your purchase, we give you this book.
00:07:03Would you exchange it for some gum?
00:07:05Oh, no, sir, I'm sorry.
00:07:06I'm sure you'll like it.
00:07:07The author has a lot of style.
00:07:09He must be a very cult man.
00:07:11Don't tell me. Does he work with Herman?
00:07:13What did you say?
00:07:14Forget it.
00:07:15I'm afraid the author is a novelist and still not very well known.
00:07:18But the critics have received his work very well.
00:07:20It has been very successful.
00:07:21Really?
00:07:22Oh, yes. It has a magnificent style.
00:07:24Let me read you a paragraph. It's from the first page.
00:07:27All the cyclopean weight of the universe
00:07:29rested on his tormented chest.
00:07:31Myriads of stars shone before his astonished eyes.
00:07:34With the taste of degradation and bitterness in his mouth, he...
00:07:37So that's culture, huh?
00:07:39Writing about the hangover.
00:07:41Hangover?
00:07:45Carry out the ritual.
00:07:49Go with the rhythm.
00:07:50Come and see the beautiful and exotic girls in the choir.
00:07:54Come and admire Frankie Porter.
00:07:56With her movements, it makes you shake like a drum.
00:07:59Come and have fun with Chita Schwamm,
00:08:01the cheerful lady from Brazil.
00:08:03With Nicky Ritzy, our romantic singer,
00:08:06the evening will be exciting.
00:08:08And to finish as a party,
00:08:10neither more nor less than the star of the variety theater,
00:08:13La auténtica cara de muñeca Carrol.
00:08:43That charm and chiseling.
00:08:48Thrill me like the star-spangled banner.
00:08:52You're red hot and beautiful.
00:08:58Fresh off the vine.
00:09:03Lover girl, you're a cover girl.
00:09:06One of heaven's own designs.
00:09:09You're red hot and beautiful.
00:09:14And hot for your mind.
00:09:23Red hot and beautiful.
00:09:33Red hot and beautiful.
00:09:39Cause I love it when you are my movie star.
00:09:44Thanks boys, you simply overwhelm me.
00:09:49What have I got?
00:09:52Come on, don't you tell me.
00:09:55You're red hot and beautiful.
00:10:00Fresh off the vine.
00:10:10You're red hot and beautiful.
00:10:15And hot for your mind.
00:10:21Red hot and beautiful.
00:10:26And hot for your mind.
00:10:31Red hot and beautiful.
00:10:36And hot for your mind.
00:10:41Red hot and beautiful.
00:10:46Red hot and beautiful.
00:11:16Red hot and beautiful.
00:11:21Red hot and beautiful.
00:11:26Red hot and beautiful.
00:11:31Red hot and beautiful.
00:11:36Red hot and beautiful.
00:11:41Red hot and beautiful.
00:11:46Red hot and beautiful.
00:11:51Red hot and beautiful.
00:11:56Red hot and beautiful.
00:12:01Red hot and beautiful.
00:12:06Red hot and beautiful.
00:12:11Red hot and beautiful.
00:12:16Red hot and beautiful.
00:12:21Red hot and beautiful.
00:12:26Red hot and beautiful.
00:12:31Red hot and beautiful.
00:12:36Red hot and beautiful.
00:12:41Red hot and beautiful.
00:12:46Red hot and beautiful.
00:12:51Red hot and beautiful.
00:12:56Red hot and beautiful.
00:13:01Red hot and beautiful.
00:13:06Red hot and beautiful.
00:13:11Red hot and beautiful.
00:13:16Red hot and beautiful.
00:13:21Red hot and beautiful.
00:13:26Red hot and beautiful.
00:13:31Red hot and beautiful.
00:13:36Red hot and beautiful.
00:13:41Red hot and beautiful.
00:13:46Red hot and beautiful.
00:13:51Red hot and beautiful.
00:13:56Red hot and beautiful.
00:14:01Red hot and beautiful.
00:14:06Red hot and beautiful.
00:14:11Red hot and beautiful.
00:14:16Red hot and beautiful.
00:14:21Red hot and beautiful.
00:14:26Red hot and beautiful.
00:14:31Red hot and beautiful.
00:14:36Red hot and beautiful.
00:14:41Red hot and beautiful.
00:14:46Red hot and beautiful.
00:14:51Red hot and beautiful.
00:14:56Red hot and beautiful.
00:15:01Red hot and beautiful.
00:15:06Red hot and beautiful.
00:15:11Red hot and beautiful.
00:15:16Red hot and beautiful.
00:15:21Red hot and beautiful.
00:15:26Red hot and beautiful.
00:15:31Red hot and beautiful.
00:15:36Red hot and beautiful.
00:15:41Red hot and beautiful.
00:15:46Red hot and beautiful.
00:15:51Red hot and beautiful.
00:15:56Red hot and beautiful.
00:16:01Red hot and beautiful.
00:16:06Red hot and beautiful.
00:16:11Red hot and beautiful.
00:16:16Hello, Nick.
00:16:18Thank you, Nicky.
00:16:20You're in a bad mood again, eh?
00:16:22What's the matter? Franky's back on the job?
00:16:25Yes.
00:16:26Nick, why don't you get along with her?
00:16:28I wouldn't be able to, Mike.
00:16:30I couldn't even lift a finger.
00:16:32Who said you have to lift a finger?
00:16:34Keep the five together.
00:16:36I don't dare.
00:16:37Well, you're screwed.
00:16:39When a girl starts to treat you the way Franky...
00:16:46Mike!
00:16:48You must have thought about leaving with someone else, eh?
00:16:51No one has crossed my path since I met you.
00:16:53But if someone did...
00:16:55What would you do?
00:16:57I'd buy you a torch so you could light it with the fire of your passion.
00:17:01You know what I'd do? Give you a kiss.
00:17:04Well, I have to go.
00:17:07Are you coming with me?
00:17:08No, no, I've stayed here with Mr. Gerard, so I'll wait for him.
00:17:11Oh, okay.
00:17:12Darling, have you forgotten again?
00:17:14Well, actually, I haven't forgotten,
00:17:16but we didn't get a very good result with Herman.
00:17:19That's what you think.
00:17:20The problem was not having kicked you harder.
00:17:23Kusum, hi.
00:17:30Do you need anything, friend?
00:17:32I have an appointment with Mr. Hannigan.
00:17:34I'm Mr. Gerard.
00:17:36Oh, yes.
00:17:37Room number two is waiting for you.
00:17:45Be careful, friend.
00:17:47I'm sorry, I'm sorry.
00:17:49Hey!
00:17:50Are you looking for me?
00:17:56I'm...
00:17:57Let's go.
00:17:59Oh, Frederick Manley Gerard.
00:18:02I'm Mike Hannigan.
00:18:03Come in.
00:18:05Sit here.
00:18:08It's in his house.
00:18:10Would you mind telling me why you brought me here, Mr. Hannigan?
00:18:14Yes, sir.
00:18:15Right now.
00:18:16Tell me, how do the publishers pay today, Freddy?
00:18:19Do they make a lot of money?
00:18:21The income I contribute to literature is not very high.
00:18:24That's what I thought.
00:18:26Say, they give away their books and you spend more than three dollars.
00:18:29Oh, but that doesn't mean anything.
00:18:31It has served me for what I wanted.
00:18:33Say, and what do you want?
00:18:35Would you like to write a book about the world of the show?
00:18:38With the emphasis on the word show?
00:18:41You are very fast.
00:18:42I want you to write the biography of Cara de Muñeca.
00:18:44You write it and she signs it.
00:18:46What do you think?
00:18:47Who is Cara de Muñeca?
00:18:49She is the star of our theater.
00:18:51She is one of the most important figures of Bodeville.
00:18:54You don't know Cara de Muñeca?
00:18:56No, I don't know her.
00:18:57In fact, it's the first time I step foot in one of his temples.
00:19:01How do you call it?
00:19:02Bodeville.
00:19:03Don't be serious.
00:19:06Well, it's time for you to come and see a good show.
00:19:09It's very instructive every Saturday.
00:19:11This is full of students.
00:19:13Tell me, do you accept the deal?
00:19:15I'm afraid I'm not interested, Mr. Hannigan.
00:19:18I adore certain aspects of the theater,
00:19:20but honestly, not this one in particular.
00:19:23Even some of the most esoteric works
00:19:26carried out in the name of grass,
00:19:28it is possible that I am more interested.
00:19:31You just said something, friend.
00:19:33Just that I would say so.
00:19:35Imagine that your house is flooded
00:19:37and you begin to dry the floor.
00:19:39You know how to adopt a sarcastic attitude to a problem.
00:19:42And that's bad, yes, very bad.
00:19:43What you should do is fix them together.
00:19:45And then check all the pipes
00:19:47and weld them so that they don't leak again.
00:19:49Is that what you're trying to tell me?
00:19:51How do you know?
00:19:52Words are enough, Fred.
00:19:53You are my type.
00:19:54We'll leave it for 2,000.
00:19:55Oh, no, I'm sorry.
00:19:56It's a lot of money, friend.
00:19:58It's a reasonable amount, Mr. Hannigan,
00:20:00but I just don't need that money.
00:20:02So the issue is settled.
00:20:03Anyway, I thank you for...
00:20:05They are for you, dear.
00:20:07Has that ghost arrived yet?
00:20:09Good to say, right?
00:20:10I...
00:20:11Girls, I have the pleasure of introducing you to Mr. Gerard.
00:20:14The doll face, Carol.
00:20:15Fred.
00:20:16Delighted.
00:20:17She is Chita Chuan.
00:20:18Delighted.
00:20:19She doesn't want to do it.
00:20:20She said no.
00:20:21There's nothing more to say.
00:20:22Well, Freddy, say hello and goodbye.
00:20:24Hello.
00:20:25Hello, Mr. Gerard.
00:20:26Why don't you want to do it?
00:20:27Don't they pay you well?
00:20:28Yes, much more than I expected.
00:20:30What is the reason?
00:20:31Do you think we're not worthy of you?
00:20:33Not at all.
00:20:34Oh, oh.
00:20:35You'd better go, Freddy.
00:20:37What would you think if I told you that I accept?
00:20:40Really?
00:20:41You're going backwards, huh?
00:20:42Have you heard?
00:20:43He has changed his mind.
00:20:44I hope he doesn't change his mind again.
00:20:46Oh, he won't.
00:20:47Don't worry about that.
00:20:48We can start right away.
00:20:50It will be a great book, huh?
00:20:51The possibilities are endless.
00:20:52Endless?
00:20:53Does that mean he'll do it?
00:20:55Endless.
00:20:56Stay with me and I'll give you all the details,
00:20:58everything you need to know.
00:21:00As a writer, I think it's much more practical
00:21:02for the information to be direct.
00:21:03Miss Carroll will give me all the details I need.
00:21:06Oh, very good.
00:21:07That means I'll have to go with you wherever you go.
00:21:10I'll make time for you.
00:21:12Do we start tomorrow morning?
00:21:14Yes, tomorrow at 1 o'clock,
00:21:16at 2 o'clock in the afternoon,
00:21:17in my room at Hotel Plaza Terrace.
00:21:19Okay?
00:21:20Okay, I won't be long.
00:21:21Very well.
00:21:22It has been a great pleasure.
00:21:23Mr. Gerard.
00:21:24Oh, Miss Chum, excuse me.
00:21:26Goodbye.
00:21:27Goodbye.
00:21:28Thank you for coming.
00:21:31You see?
00:21:32All settled.
00:21:33And to prove to you that I trusted
00:21:35that everything would go well,
00:21:37when I came here,
00:21:38I stopped at the jewelry store and I bought this.
00:21:41Do you like it?
00:21:43Oh, Mike, they're beautiful.
00:21:45But weren't you the one who said we should wait?
00:21:48Of course, but we won't have to wait long.
00:21:50The book is about to start.
00:21:52What's wrong with having the rings ready?
00:21:56Oh, no.
00:21:57You keep them.
00:21:58I could lose them.
00:21:59That ghost has changed his mind very quickly.
00:22:02Don't you think?
00:22:03What does that matter now?
00:22:05The first thing I'll do as soon as I can
00:22:07is have them record in your ring
00:22:08that he's my man,
00:22:09and in mine, she's my doll.
00:22:11What do you think?
00:22:12You know, Mike,
00:22:13you could have written the book.
00:22:16Oh, you're already here.
00:22:18Hello, darling.
00:22:19Hello.
00:22:20Hello.
00:22:21Breakfast, eh?
00:22:22Have you started?
00:22:23Yes, we were about to.
00:22:24Good.
00:22:25What do you want to know?
00:22:26Everything, Miss Carroll.
00:22:27Your complete story so far.
00:22:29I want you to reveal your past,
00:22:30your hopes,
00:22:31to discover your ambitions.
00:22:32Can't you do all that until four?
00:22:34What I want is an exact account of your beginnings.
00:22:37Oh, it started at birth, like everyone else.
00:22:38Why don't you tell her how you came into the world?
00:22:40That's what I want to know.
00:22:41Very good.
00:22:42In short, I want to know when and where.
00:22:44I won't tell you when.
00:22:46I was born in Brooklyn,
00:22:47on Kenna Avenue, in front of the brewery.
00:22:49Dad loved that neighborhood.
00:22:51He was born in Maryhill,
00:22:53right in front of JP Morgan's library.
00:22:57Is he well, Mr. Gerard?
00:22:58Don't worry.
00:22:59I know what he's trying to do.
00:23:00Maryhill has more class than Brooklyn.
00:23:02The people from Brooklyn are going to get angry.
00:23:04Now tell me about your parents.
00:23:06Well, my father was a plumber.
00:23:09His father was an engineer.
00:23:12But what kind of bad taste joke is this?
00:23:14I thought it wasn't like that,
00:23:15that you had to tell the truth about your life.
00:23:17Darling, he's giving you a hint of class and culture.
00:23:20Who's going to want anything from a plumber?
00:23:22Those who have a clogged bathroom.
00:23:24Do you want to shut up for a while?
00:23:25I've told you, Mike.
00:23:26I think it's a terrible idea.
00:23:28You want to soak up the face of a culture doll.
00:23:30And what's wrong with that?
00:23:31Then you'll give it directly to Harman.
00:23:33And then, what's going to happen?
00:23:35Without a doll face, your show will be terrible.
00:23:37And we'll all lose our jobs.
00:23:39I'm aware of that.
00:23:40But to help her, I'm able to take the risk.
00:23:42Oh, Mike, you're a charm.
00:23:44Oh, sure, sure.
00:23:45Charm is my middle name.
00:23:51What's wrong, darling?
00:23:53I never thought you could be a mother.
00:23:56Mother?
00:23:57Yes.
00:23:58I just gave birth.
00:23:59An idea.
00:24:00Please, tell us.
00:24:01Not now.
00:24:02Tonight, after the show, I want everyone to be there.
00:24:04Darling, do you remember that corner of the world you told me about?
00:24:08I just bought it.
00:24:12What's wrong?
00:24:13Why don't you fix it?
00:24:14Be quiet.
00:24:15Calm down.
00:24:16Silence.
00:24:17A little silence.
00:24:18Silence.
00:24:19A little silence.
00:24:20Good, mother.
00:24:21What's that great idea?
00:24:22Sit down and make yourself comfortable, please.
00:24:24You all know that Mr. Gerard is helping Muñeca write a book.
00:24:27And you also know the reason.
00:24:29Freddy, do you think that book could be a great success?
00:24:32A bestseller?
00:24:33It's possible.
00:24:34It will be a sound book.
00:24:35It's the first time a queen of the magazine has written a book.
00:24:38I'm sure of that.
00:24:39That's how my idea was born.
00:24:41Instead of letting that book be sent alone to Broadway, we'll all go.
00:24:46What do you mean, Mike?
00:24:47Let's see.
00:24:48Why benefit Herman with that advertising?
00:24:50We're not going to do it.
00:24:51We'll present our show in Broadway.
00:24:54Yes!
00:24:55We need money, Mike.
00:24:56Of course we need money.
00:24:57Everyone will put what they can.
00:24:59How much do you have?
00:25:00Maybe 8,000.
00:25:01Not bad to start with.
00:25:02And you, Nicky?
00:25:03I have saved a couple of hundred dollars and I can also contribute with a song.
00:25:08We accept the money and also your songs.
00:25:10How much do you have in the bag?
00:25:12Well, in the first national bag I have three of the big ones.
00:25:153,000?
00:25:16With what I have, we have almost 20,000 enough to start.
00:25:19What do you think of my idea?
00:25:21Do you think I'll succeed in Broadway?
00:25:23Oh, you'll be a star.
00:25:24Possibly you'll end up being another Carmen Miranda.
00:25:26Carmen Miranda?
00:25:27The one who does tico-tico-ta, tico-tico-ta, tico-tico-tico-ta.
00:25:30Bah!
00:25:31Tell me what she has that I don't.
00:25:33Chita, what can you lose?
00:25:35My money.
00:25:37What do you think, darling?
00:25:39It's a wonderful idea.
00:25:40With 20,000 dollars you can't put on a great show.
00:25:43We'll think of something.
00:25:44A trick.
00:25:45A trick?
00:25:46To get so much money you need something more than a trick.
00:25:49Really, Mike, I don't know how we're going to do it.
00:25:52Can I suggest something?
00:25:53Of course.
00:25:54I like your project and I'd love to invest in it.
00:25:56A deal is made.
00:25:57How much?
00:25:58As much as is necessary.
00:25:59Are you serious?
00:26:00Of course.
00:26:01And do you have the money?
00:26:02Of course.
00:26:03Oh!
00:26:04That's wonderful.
00:26:05In addition to writing the book that will give us advertising,
00:26:08we'll also put in the money we need.
00:26:10Isn't that great, Mike?
00:26:11Yes, yes.
00:26:12Listen, we have to celebrate this.
00:26:14Okay?
00:26:15Okay.
00:26:16Let's go.
00:26:17Good.
00:26:21What, Mike?
00:26:22In that book there's more than you thought, huh?
00:26:32Listen, Twitchell.
00:26:33I'm going to give you this exclusive news.
00:26:35Carol, the queen of the magazine, is writing her biography.
00:26:39Yes, sir.
00:26:40A book about her life.
00:26:41Exclusive.
00:26:42Carol, who you can see in the Gaiety Theater, has become a writer.
00:26:46She's writing a book about her life.
00:26:48Let's hope it comes out.
00:26:50The queen of the Baudeville enters the literature.
00:26:53Extraordinary literary event.
00:26:57Carol, the star of the Gaiety.
00:27:00The queen of the Baudeville writes her autobiography.
00:27:04Squire interviews Carol, the queen of the Baudeville,
00:27:07who writes her autobiography.
00:27:09Miss Carol, star of the Gaiety Theater,
00:27:12spends many hours on her favorite instrument, the harp.
00:27:15The Baudeville actors know perfectly well
00:27:17that the public loves and respects us.
00:27:19Otherwise, our theaters would be filled day after day.
00:27:23End of chapter 21.
00:27:24There's one more.
00:27:25Are you tired?
00:27:26Continue.
00:27:27Continue.
00:27:32Why the long face?
00:27:34I was thinking.
00:27:36The book is ready, the rehearsals will begin.
00:27:39I'm afraid my collaboration is about to end.
00:27:43Don't be silly, please.
00:27:45Do you think we'll let her go after what she's done for us?
00:27:48Really?
00:27:49Of course.
00:27:50May likes to see her around here.
00:27:53May, who is very kind.
00:27:56Chapter 22.
00:27:58All those who mock my vocation and speak in an offensive way
00:28:02should know that the roots of the Baudeville
00:28:04are found in the comedy of art of the Renaissance.
00:28:07The comedy?
00:28:09Of what?
00:28:11The comedy of art, a popular show of the 16th and 17th centuries.
00:28:15That particular form of theater was based on Ancient Greece.
00:28:20The Greeks called it that in some way?
00:28:24Very well, I think I should include it.
00:28:26I'll put it in chapter 16.
00:28:29You always give me very good ideas.
00:28:32May, do you want to hear my new song?
00:28:34Later, when Carlos finishes it.
00:28:37Tell him, he'll die of laughter.
00:28:39May, we have a fantastic joke.
00:28:41Very well, tell me.
00:28:42Harry, ask me.
00:28:43You've been offered a new job, haven't you?
00:28:45Yes, as an eagle watchman, I've rejected it.
00:28:47Why?
00:28:48I have no idea how to watch eagles.
00:28:52That joke is from the time of my great-grandfather.
00:28:55It's true what he said, that Hannigan is the only man of his life.
00:28:59And I'm sorry I could lose others.
00:29:02Well, maybe I'll have another chance in front of you.
00:29:06I beg you not to speak like that, Mr. Gerard.
00:29:09Why not? You know very well what I feel.
00:29:11Yes, but it won't do you any good.
00:29:13You're the most charming woman I've ever met.
00:29:15The most provocative, the most seductive, the most tempting.
00:29:19Excuse me, there are salmon, cucumber and salami canapés.
00:29:23Try one.
00:29:24I'm not hungry.
00:29:27Well, have you read it?
00:29:28Yes.
00:29:29Did you like it?
00:29:30Carol thinks I've read it too much.
00:29:33Is that bad?
00:29:34Is it bad that I consider her the most seductive woman?
00:29:37The most tempting woman I've ever met?
00:29:40Is this the book?
00:29:41I don't know, I'm just reading between the lines.
00:29:45Well, I think we're done then, right, Freddy?
00:29:49Once the book is finished, all that's left is for me to do my part.
00:29:53Is that okay with you?
00:29:54If that's how you prefer it.
00:29:55That's how I prefer it.
00:29:57Very well, Freddy, thank you.
00:29:59It's been a pleasure.
00:30:00Wait a minute, Mike.
00:30:01The final moment has not yet arrived.
00:30:03Tomorrow we have an appointment with Mr. Bennet to make some changes.
00:30:07Well, cancel it.
00:30:08But, Mike, how can we cancel it?
00:30:11There's no need to make any changes because we don't need that book anymore.
00:30:15We don't need it anymore?
00:30:16No.
00:30:17We have the publicity we wanted.
00:30:18It doesn't matter if the book doesn't come out.
00:30:20Everyone knows you.
00:30:21They know we're rehearsing a show.
00:30:23That's precisely why the book should be published.
00:30:25Because of the publicity it has been given.
00:30:27I'm not going to leave it now and look like a fool.
00:30:30I had already decided to abandon the idea and I abandon it.
00:30:33Well, you can go back to it because I plan to move on with it.
00:30:37Let's go into the room, Mr. Gerard.
00:30:39The atmosphere here is too cold.
00:30:45Nicky, sing your song.
00:30:46Carol has already finished.
00:31:09You don't need a halo or wings
00:31:24You can do such fabulous things
00:31:37With eyes that love me to dream
00:31:47Lips that say, say when
00:31:58You walk by and everybody starts to sigh
00:32:11Here comes heaven again
00:32:25With eyes that love me to dream
00:32:36Lips that say, say when
00:32:48You walk by and everybody starts to sigh
00:33:00Here comes heaven again
00:33:17With eyes that love me to dream
00:33:27Lips that say, say when
00:33:37You walk by and everybody starts to sigh
00:33:47Here comes heaven again
00:33:58What can I help you with?
00:34:00What about Mr. Bennet's boat?
00:34:02It left in the direction of Mr. Bennet's house 20 minutes ago.
00:34:05It won't be back until at least half an hour.
00:34:08We won't make it to the theater on time if we stay and wait here.
00:34:11Can we rent a boat?
00:34:13That's what they're here for, sir.
00:34:15You see? It's all taken care of. Let's go.
00:34:24We'll pay you when we get back.
00:34:26Don't worry, sir.
00:34:43Where is Mr. Bennet's island?
00:34:45I think we're taking too long to get there.
00:34:48Don't worry. He'll see it in a few minutes.
00:34:52I think she's a little suspicious, Miss Carroll.
00:34:54I see some air of suspicion in her face.
00:34:56You see, last night you didn't tell me anything about us having to come to any island.
00:35:01Are you sure you're not up to something?
00:35:03I wouldn't dare say a word of honor.
00:35:05Although, if I were certain it would be of any use,
00:35:08I would break the engine to be left alone in the middle of the sea.
00:35:11Well, I must warn you that I swim like a mermaid.
00:35:14I could even break a record.
00:35:20Just at the right time, Mr. Gerald.
00:35:23But I haven't done anything.
00:35:27What's wrong?
00:35:28I don't know. I'm not a mechanic.
00:35:31I suppose you would have told me.
00:35:35I'm afraid we're out of fuel.
00:35:37And of course, we don't have any oars.
00:35:40Hey, telephone operator, call Jamaica. Yes, 9-2-5-2-1. Yes, yes, I'll wait.
00:35:46Frankie, replace Carroll. We'll wait for her. If she hasn't arrived, it's for some reason.
00:35:50Maybe they've run out of candles and they don't know how to go back to the dark.
00:35:53Don't be silly. If Carroll could, she'd be here.
00:35:56Remember the day she told us?
00:35:58It wasn't easy for her, but she was able to get to the station.
00:36:01Shut up. I'm talking on the phone.
00:36:04Hey, Mr. Bennet, is Miss Carroll or Mr. Gerald there?
00:36:09No, they're not there. Neither she nor he.
00:36:11I've been waiting for them all day and they haven't shown up yet.
00:36:14They said they were going to see you. Something must have happened to them.
00:36:18How do you get home? Yes, yes.
00:36:23Crossing the sea?
00:36:26Where did they get a boat from?
00:36:28Oh, yes, yes, I understand.
00:36:30It would be better if you approached me and asked if they had rented a boat.
00:36:34Yes, thank you, Mr. Bennet.
00:36:37Have you found out anything?
00:36:38Not yet. I'll get there.
00:36:41Replace her, unless she arrives before I get back.
00:36:44Good, Mike.
00:36:46See you later.
00:37:00Somebody's walking in my dreams
00:37:07That's why I'm talking in my dreams
00:37:15Someone keeps butting in
00:37:20When I start counting sheep
00:37:25Someone keeps cutting in
00:37:29And cutting off my sleeve
00:37:35Someone whose voice I recognize
00:37:43Gives out those confidential signs
00:37:53I may be crazy
00:37:57But as crazy as it seems
00:38:02Somebody's walking in my dreams
00:38:08And it's you, dear
00:38:11It's you who's walking in my dreams
00:38:22Somebody's walking in my dreams
00:38:29That's why I'm talking in my dreams
00:38:36Someone keeps butting in
00:38:39When I start counting sheep
00:38:44Someone keeps cutting in
00:38:47And cutting off my sleeve
00:38:51Someone whose voice I recognize
00:38:58Gives out those confidential signs
00:39:05I may be crazy
00:39:07But as crazy as it seems
00:39:12Somebody's walking in my dreams
00:39:16And it's you
00:39:19Do, do, do, do, do
00:39:26It's you who's walking in my dreams
00:39:49I don't think they can do much with this fog.
00:39:53Hello!
00:39:54He's been shouting for two hours.
00:39:56Don't you think they should have answered by now?
00:39:58Today is not our lucky day.
00:40:00I don't like this at all.
00:40:01I don't know where he's taking us.
00:40:03I'm worried.
00:40:04You're worried?
00:40:05Well, imagine how Mike must be.
00:40:07The poor man at this hour will think I'm dead.
00:40:10Mr. Gerard must get a phone call at any cost.
00:40:14Listen.
00:40:16It's like there's a shore.
00:40:18Does that mean there's land?
00:40:20Yes.
00:40:21And the water is not very cold.
00:40:23Are you going to swim to the shore?
00:40:25I have to call Mike before he goes crazy.
00:40:27Well, I can't leave you alone.
00:40:29I'll go with you.
00:40:36Oh, no.
00:40:37If I lose the ring, he'll hate me forever.
00:40:41Here, do you mind taking it?
00:40:42No.
00:40:56I'll take your coat.
00:40:57You might need it.
00:41:00Miss Carroll, do you always swim with your hat on?
00:41:07Only when the tide is high.
00:41:15I'm sorry.
00:41:40We've been looking for them all night.
00:41:42There's no sign of them.
00:41:44We would have found the boat.
00:41:46And where are they?
00:41:47That's what they ask me.
00:41:48I just know there's no sign of them.
00:41:50Hey, Jack.
00:41:51Pass me the primaries.
00:41:55Do you see anything?
00:41:56There's a boat on the shore, a mile from here.
00:41:59I can't tell the number, but it's definitely one of mine.
00:42:05I don't see anyone.
00:42:07Hey, Joe.
00:42:08Go to that shore.
00:42:14Okay.
00:42:35It's empty.
00:42:36I don't think so.
00:42:40Maybe they went swimming.
00:42:42Let's look around the beach.
00:42:54Hey, Mr. Hannigan.
00:42:56Come on.
00:43:12When he wakes up, tell him he owes me 10 pavos.
00:43:28It's okay.
00:43:29Don't move.
00:43:33Don't move.
00:43:42Hello.
00:43:46He's wrong.
00:43:47I can explain.
00:43:48We haven't done anything.
00:43:50Just walking around the beach.
00:43:53Actually, not even that.
00:43:55Miss Carroll, wake up.
00:43:57We've been rescued.
00:44:00Miss Carroll.
00:44:01Don't you think I should call her by her name?
00:44:05Miss Carroll.
00:44:09What time is it?
00:44:11It's time to get up.
00:44:13Mike!
00:44:15Mike, I'm so glad to see you.
00:44:17It's been horrible.
00:44:18We ran out of fuel in the middle of the sea, and we had to swim to this awful place.
00:44:23Tell me, how did you find us?
00:44:25You were very comfortable and very relaxed.
00:44:27Oh, no, Mike.
00:44:28You won't be angry about last night.
00:44:30I didn't mean to offend you.
00:44:31No, of course not.
00:44:33And how am I supposed to take this?
00:44:35Oh, be reasonable.
00:44:36I've already told you what happened to us.
00:44:38The boat's engine stopped, and we had to come swimming.
00:44:47How did it get here?
00:44:49The tide must have pushed it.
00:44:52Would you mind not looking at me like that, Mike?
00:44:55I've told you the truth.
00:44:56We didn't get here by boat.
00:44:58We couldn't because we ran out of fuel.
00:45:01I don't think I understand engines.
00:45:03I thought it was that.
00:45:04It's the truth.
00:45:05Of course it is.
00:45:06And then we had to swim to this awful place.
00:45:09Listen, Hannigan.
00:45:10We couldn't do anything but wait for someone to find us in the morning.
00:45:14We were cold.
00:45:15We were wet and destroyed.
00:45:17I see.
00:45:18And I put on my ring so I wouldn't catch a cold, right?
00:45:22You're wrong, Hannigan.
00:45:23Cheetah had a ring on his finger.
00:45:25I don't believe you.
00:45:28You're wrong, Hannigan.
00:45:29Cheetah was right.
00:45:30He didn't speak for himself.
00:45:31The most charming, the most seductive, the most provocative.
00:45:34He proposed to you, and you accepted.
00:45:36No, Mike.
00:45:37I never thought you'd be able to do something like this to me.
00:45:40This...
00:45:41I had to see it with my own eyes.
00:45:43Very well.
00:45:44If you wanted to keep her, then keep her.
00:45:47I wish you good luck.
00:45:50Yes.
00:45:51Yes.
00:45:52I wish you good luck.
00:45:55Good luck to you both.
00:45:58Mike!
00:46:00Mike!
00:46:11What's wrong with the audience today?
00:46:13They applauded as if they were afraid to break their hands.
00:46:15There's not enough audience to make noise, Frankie.
00:46:18And now you'll say I don't attract them as much as a woman's face.
00:46:21Frankie, I wasn't going to say that.
00:46:23Nikki.
00:46:27We're closing this Saturday.
00:46:29There are only four days left.
00:46:31You should have told us before.
00:46:33We knew this was going to happen two months ago.
00:46:35Ever since Carlos left, there's no audience.
00:46:38There's no money.
00:46:39Thank Mike that we didn't close earlier.
00:46:41Yes, it's been very hard for him.
00:46:43I'm sorry, guys.
00:46:44If I could keep him, I would, but I can't.
00:46:47We understand, Mike.
00:46:48Well, I don't understand.
00:46:50You should have told us 15 days in advance.
00:46:52If you had taken care of the business instead of going around with that stupid doll face.
00:46:56Frankie, shut up already.
00:46:58How dare you talk to me like that?
00:47:00I told you to shut up.
00:47:01I'm defending my rights.
00:47:03If you don't shut up, in addition to your rights, you'll get a slap in the face.
00:47:06So go to your dressing room and change.
00:47:10Yes, Nikki.
00:47:11Mike, it works.
00:47:12Of course.
00:47:13I told you, with women, sometimes you have to be tough.
00:47:16Yes, with some, yes.
00:47:42Have you still not managed to put out the fire of your passion?
00:47:48Sorry, I didn't know you were here.
00:47:51I should have called.
00:47:53You're very free not to turn it off.
00:47:55Yes, yes, but I can't forget her.
00:47:59Do you see her often?
00:48:01Occasionally.
00:48:02Is she okay?
00:48:03Yes, she's fine.
00:48:06Tell me, what has she been doing lately?
00:48:08Having a lot of fun.
00:48:10She and her ghost writer.
00:48:12Of course.
00:48:14Of course, of course, of course.
00:48:16Why not?
00:48:17You gave her to him, didn't you?
00:48:19There was no need, it was already done.
00:48:21Mike Hannigan, you're a stupid man.
00:48:23Are you really convinced that Carol thinks of someone other than you?
00:48:26You put that idea in my head, insisting that he was after her.
00:48:30And it was true, why not?
00:48:31She's a very pretty girl, but that doesn't mean she likes him.
00:48:35I like many men, but I don't know anyone who considers me his type.
00:48:41You're right.
00:48:43It all started because of me, I guess.
00:48:46Seeing her with that writer...
00:48:50It felt like a slap in the face.
00:48:52You've already slapped her.
00:48:53And you deserve it.
00:48:55Come on, Mike, why don't you go see her and apologize?
00:48:59Or at least call her on the phone.
00:49:01You have no idea how much money I've spent trying to talk to her.
00:49:04She's not at home, she's not at home, always the same song.
00:49:07And I don't know what she's reading, but of course not my letters.
00:49:10She returns them all without opening them.
00:49:14How is it?
00:49:15The press and the public liked it a lot.
00:49:17Milo's genius, who has he dedicated it to?
00:49:24To Frederick Manley Gerard, without whom this book would never have been written.
00:49:30Wow, it's really gratifying.
00:49:33Well, there's still something else.
00:49:36Carol asked me to return them to you yesterday.
00:49:47I assumed you'd need a ring, since you've returned the one you had.
00:49:51The fact of giving it to you doesn't mean anything.
00:49:54It's just a jewel that shares the beauty of your hand.
00:49:58If you decide you like it and want to keep it in your finger, you'll make me very happy.
00:50:02If not, you just have to tell me,
00:50:05I'm sorry, Fred, it's not to my liking, nor is it a jewel I like.
00:50:09I mean it.
00:50:11You're one of the most wonderful men I've ever met, Fred.
00:50:22It must be Herman.
00:50:24I'm sure he'll regret everything he said to you.
00:50:27Hello, Mr. Herman.
00:50:29Hello.
00:50:31Hello, Miss Carol.
00:50:33I hope you still remember me.
00:50:35I'm the man who told you I didn't have a class.
00:50:37Yes, I remember you, Mr. Herman.
00:50:39And I'm also a man who would be useless to analyze the head,
00:50:42because the doctors wouldn't find anything inside.
00:50:45I want to make you a proposition.
00:50:47Will you listen to it, or would you rather I leave?
00:50:49Today is the day of the propositions.
00:50:51I'll listen to it.
00:50:53Congratulations.
00:50:54Please, have a seat.
00:50:56Perhaps Mr. Gerard has told you why I've come.
00:50:59I understand that your show, Park Avenue,
00:51:02has been suspended in Philadelphia.
00:51:04Yes, it only lasted two shows in a row.
00:51:06A record.
00:51:07This is my situation.
00:51:09I've rented the Belmond Theater and I don't have any show.
00:51:12I want it to be my star if we find a musical urgently.
00:51:15Do you know any?
00:51:16Well...
00:51:17And why not The Genius of Milo?
00:51:19How could I not think of it?
00:51:20It's true, it would be very easy to do it.
00:51:22We could use the text of the book
00:51:24and the anecdotes that appear in it, right?
00:51:26Great!
00:51:27And I wouldn't have to worry about the cast.
00:51:29The Gayety has closed, so I could hire your actors.
00:51:32They all appear in the book.
00:51:33Don't say any more, you've convinced me.
00:51:35They all have a lot of talent, Mr. Harmon,
00:51:37but there's one thing you should know.
00:51:39They don't have a lot of culture.
00:51:41Oh, this time we'll make an exception.
00:51:48Harmon hires Carol as a puppet.
00:51:50The famous businessman will make a musical
00:51:52based on the autobiography of Carol, the puppet's face,
00:51:55The Genius of Milo.
00:51:59Today's rehearsals will take place with the whole company.
00:52:02Danesland with Carol, the puppet's face,
00:52:04and Nick and Richie.
00:52:23And every time they meet
00:52:25Here's the way you'll hear them greet
00:52:28A-ha-ba-ha-ba-ha-ba, hello Jack
00:52:31Well, a-ha-ba-ha-ba-ha-ba, I just got back
00:52:34Well, a-ha-ba-ha-ba-ha-ba, let you some breeze
00:52:37Say, what ever happened to the Japanese?
00:52:40Well, a-ha-ba-ha-ba-ha-ba, haven't you heard?
00:52:43A-ha-ba-ha-ba-ha-ba, slip me the word
00:52:46I got it from the guy who was in the know
00:52:48It was mighty smoky over Tokyo
00:52:51A friend of mine in a B-29
00:52:53Dropped another load for luck
00:52:56As he flew away, he was heard to say
00:52:59A-ha-ba-ha-ba-ha-ba, Jack, Jack
00:53:02Well, I gotta go to fishing
00:53:04That's okay, I'll give you my permission
00:53:07And I'll say
00:53:08A-ha-ba-ha-ba-ha-ba, on your way
00:53:11And I'll dig you later in the USA
00:53:21A-ha-ba-ha-ba-ha-ba, I just got in
00:53:24Well, a-ha-ba-ha-ba-ha-ba, slip me some skin
00:53:27Well, you're looking mighty pretty, Mr. Curly Locks
00:53:30I'm the gravel girlie of the Bobby South
00:53:33Ah, yes, yes, yes, yes, yes, yes, you talk big
00:53:36Well, I'm the fresh tomato, you can dig
00:53:40I'm the gravel girlie of the Bobby South
00:53:43Ah, yes, yes, yes, yes, yes, yes, you talk big
00:53:46Well, I'm the fresh tomato, you can dig
00:53:49Let's have a heart-to-heart and you'll decide
00:53:52A-ha-ba-ha-ba-ha-ba, shake me on the side
00:54:01You knock me flat, you're the kind of a cat
00:54:03Makes me wanna blow my top
00:54:07Till the end of time
00:54:14If you feel that way, tell me what you say
00:54:17A-ha-ba-ha-ba-ha-ba, mop-mop
00:54:20Well, now, you're really talking, you're no square
00:54:23You can't be from Wilhelmken
00:54:25Delaware
00:54:26You got a line of job that's really zoo
00:54:28But I'll dig you later, baby, you're all root-ta-ta
00:54:36A-ha-ba-ha-ba-ba-ba, do-do-do-do-do-do-do
00:54:56You're the kind of a cat with a sharp grievance
00:54:59Say, you really know yourself
00:55:02Well, if you feel that way, tell me what you say
00:55:05I get the longer little mousy with the great big eyes if you're looking for a spousy why
00:55:13you're just my size.
00:55:14Mister, how you look to blubber with that knocked out guac.
00:55:15Seems your lips are made of rubber every time you talk.
00:55:16Oh no, no, no.
00:55:17Hubba hubba.
00:55:18Yes, yes, yes.
00:55:19Hubba hubba.
00:55:20Mop, mop, mop.
00:55:21Hubba hubba.
00:55:22Oh, what you know.
00:55:23Oh, what you know.
00:55:24Oh, what you say.
00:55:25Oh, what you say.
00:55:26I say I'll take you later baby in the U.S.A.
00:55:27I say I'll take you later baby in the U.S.A.
00:55:28I say I'll take you later baby in the U.S.A.
00:55:29I say I'll take you later baby in the U.S.A.
00:55:30I say I'll take you later baby in the U.S.A.
00:55:31I say I'll take you later baby in the U.S.A.
00:55:32I say I'll take you later baby in the U.S.A.
00:55:33I say I'll take you later baby in the U.S.A.
00:55:34I say I'll take you later baby in the U.S.A.
00:55:35I say I'll take you later baby in the U.S.A.
00:55:36I say I'll take you later baby in the U.S.A.
00:55:37I say I'll take you later baby in the U.S.A.
00:55:38I say I'll take you later baby in the U.S.A.
00:55:39I say I'll take you later baby in the U.S.A.
00:55:40I say I'll take you later baby in the U.S.A.
00:55:41I say I'll take you later baby in the U.S.A.
00:55:42I say I'll take you later baby in the U.S.A.
00:55:43I say I'll take you later baby in the U.S.A.
00:55:44I say I'll take you later baby in the U.S.A.
00:55:45I say I'll take you later baby in the U.S.A.
00:55:46I say I'll take you later baby in the U.S.A.
00:55:47I say I'll take you later baby in the U.S.A.
00:55:48I say I'll take you later baby in the U.S.A.
00:55:49I say I'll take you later baby in the U.S.A.
00:55:50I say I'll take you later baby in the U.S.A.
00:55:51I say I'll take you later baby in the U.S.A.
00:55:52I say I'll take you later baby in the U.S.A.
00:55:53I say I'll take you later baby in the U.S.A.
00:55:54I say I'll take you later baby in the U.S.A.
00:55:55I say I'll take you later baby in the U.S.A.
00:55:56I say I'll take you later baby in the U.S.A.
00:55:57I say I'll take you later baby in the U.S.A.
00:55:58I say I'll take you later baby in the U.S.A.
00:55:59I say I'll take you later baby in the U.S.A.
00:56:00I say I'll take you later baby in the U.S.A.
00:56:01I say I'll take you later baby in the U.S.A.
00:56:02I say I'll take you later baby in the U.S.A.
00:56:03I say I'll take you later baby in the U.S.A.
00:56:04I say I'll take you later baby in the U.S.A.
00:56:05I say I'll take you later baby in the U.S.A.
00:56:06I say I'll take you later baby in the U.S.A.
00:56:07I say I'll take you later baby in the U.S.A.
00:56:08I say I'll take you later baby in the U.S.A.
00:56:09I say I'll take you later baby in the U.S.A.
00:56:10I say I'll take you later baby in the U.S.A.
00:56:11I say I'll take you later baby in the U.S.A.
00:56:12I say I'll take you later baby in the U.S.A.
00:56:13I say I'll take you later baby in the U.S.A.
00:56:14I say I'll take you later baby in the U.S.A.
00:56:15I say I'll take you later baby in the U.S.A.
00:56:16I say I'll take you later baby in the U.S.A.
00:56:17I say I'll take you later baby in the U.S.A.
00:56:18I say I'll take you later baby in the U.S.A.
00:56:19I say I'll take you later baby in the U.S.A.
00:56:20I say I'll take you later baby in the U.S.A.
00:56:21I say I'll take you later baby in the U.S.A.
00:56:22I say I'll take you later baby in the U.S.A.
00:56:23I say I'll take you later baby in the U.S.A.
00:56:24I say I'll take you later baby in the U.S.A.
00:56:25I say I'll take you later baby in the U.S.A.
00:56:26I say I'll take you later baby in the U.S.A.
00:56:27I say I'll take you later baby in the U.S.A.
00:56:28I say I'll take you later baby in the U.S.A.
00:56:29I say I'll take you later baby in the U.S.A.
00:56:31I say I'll take you later baby in the U.S.A.
00:56:32I say I'll take you later baby in the U.S.A.
00:56:33I say I'll take you later baby in the U.S.A.
00:56:34I say I'll take you later baby in the U.S.A.
00:56:35I say I'll take you later baby in the U.S.A.
00:56:36I say I'll take you later baby in the U.S.A.
00:56:37I say I'll take you later baby in the U.S.A.
00:56:38I say I'll take you later baby in the U.S.A.
00:56:39I say I'll take you later baby in the U.S.A.
00:56:40I say I'll take you later baby in the U.S.A.
00:56:41I say I'll take you later baby in the U.S.A.
00:56:42I say I'll take you later baby in the U.S.A.
00:56:44I say I'll take you later baby in the U.S.A.
00:56:45I say I'll take you later baby in the U.S.A.
00:56:46I say I'll take you later baby in the U.S.A.
00:56:47I say I'll take you later baby in the U.S.A.
00:56:48I say I'll take you later baby in the U.S.A.
00:56:49I say I'll take you later baby in the U.S.A.
00:56:50I say I'll take you later baby in the U.S.A.
00:56:51I say I'll take you later baby in the U.S.A.
00:56:52I say I'll take you later baby in the U.S.A.
00:56:53I say I'll take you later baby in the U.S.A.
00:56:54I say I'll take you later baby in the U.S.A.
00:56:55I say I'll take you later baby in the U.S.A.
00:56:56I say I'll take you later baby in the U.S.A.
00:56:57I say I'll take you later baby in the U.S.A.
00:56:58I say I'll take you later baby in the U.S.A.
00:56:59I say I'll take you later baby in the U.S.A.
00:57:00I say I'll take you later baby in the U.S.A.
00:57:01I say I'll take you later baby in the U.S.A.
00:57:02I say I'll take you later baby in the U.S.A.
00:57:03I say I'll take you later baby in the U.S.A.
00:57:04I say I'll take you later baby in the U.S.A.
00:57:05I say I'll take you later baby in the U.S.A.
00:57:06I say I'll take you later baby in the U.S.A.
00:57:07I say I'll take you later baby in the U.S.A.
00:57:08I say I'll take you later baby in the U.S.A.
00:57:29I say I'll take you later baby in the U.S.A.
00:57:58I say I'll take you later baby in the U.S.A.
00:57:59I say I'll take you later baby in the U.S.A.
00:58:00I say I'll take you later baby in the U.S.A.
00:58:01I say I'll take you later baby in the U.S.A.
00:58:02I say I'll take you later baby in the U.S.A.
00:58:03I say I'll take you later baby in the U.S.A.
00:58:04I say I'll take you later baby in the U.S.A.
00:58:05I say I'll take you later baby in the U.S.A.
00:58:06I say I'll take you later baby in the U.S.A.
00:58:07I say I'll take you later baby in the U.S.A.
00:58:08I say I'll take you later baby in the U.S.A.
00:58:09I say I'll take you later baby in the U.S.A.
00:58:10I say I'll take you later baby in the U.S.A.
00:58:11I say I'll take you later baby in the U.S.A.
00:58:12I say I'll take you later baby in the U.S.A.
00:58:13I say I'll take you later baby in the U.S.A.
00:58:14I say I'll take you later baby in the U.S.A.
00:58:15I say I'll take you later baby in the U.S.A.
00:58:16I say I'll take you later baby in the U.S.A.
00:58:17I say I'll take you later baby in the U.S.A.
00:58:18I say I'll take you later baby in the U.S.A.
00:58:19I say I'll take you later baby in the U.S.A.
00:58:20I say I'll take you later baby in the U.S.A.
00:58:21I say I'll take you later baby in the U.S.A.
00:58:22I say I'll take you later baby in the U.S.A.
00:58:23I say I'll take you later baby in the U.S.A.
00:58:24I say I'll take you later baby in the U.S.A.
00:58:25I say I'll take you later baby in the U.S.A.
00:58:26I say I'll take you later baby in the U.S.A.
00:58:27I say I'll take you later baby in the U.S.A.
00:58:28I say I'll take you later baby in the U.S.A.
00:58:29I say I'll take you later baby in the U.S.A.
00:58:30I say I'll take you later baby in the U.S.A.
00:58:31I say I'll take you later baby in the U.S.A.
00:58:32I say I'll take you later baby in the U.S.A.
00:58:33I say I'll take you later baby in the U.S.A.
00:58:34I say I'll take you later baby in the U.S.A.
00:58:35I say I'll take you later baby in the U.S.A.
00:58:36I say I'll take you later baby in the U.S.A.
00:58:37I say I'll take you later baby in the U.S.A.
00:58:38I say I'll take you later baby in the U.S.A.
00:58:39I say I'll take you later baby in the U.S.A.
00:58:40I say I'll take you later baby in the U.S.A.
00:58:41I say I'll take you later baby in the U.S.A.
00:58:42I say I'll take you later baby in the U.S.A.
00:58:43I say I'll take you later baby in the U.S.A.
00:58:44I say I'll take you later baby in the U.S.A.
00:58:45I say I'll take you later baby in the U.S.A.
00:58:47I say I'll take you later baby in the U.S.A.
00:58:48I say I'll take you later baby in the U.S.A.
00:58:49I say I'll take you later baby in the U.S.A.
00:58:50I say I'll take you later baby in the U.S.A.
00:58:51I say I'll take you later baby in the U.S.A.
00:58:52I say I'll take you later baby in the U.S.A.
00:58:53I say I'll take you later baby in the U.S.A.
00:58:54I say I'll take you later baby in the U.S.A.
00:58:55I say I'll take you later baby in the U.S.A.
00:58:56I say I'll take you later baby in the U.S.A.
00:58:57I say I'll take you later baby in the U.S.A.
00:58:58I say I'll take you later baby in the U.S.A.
00:59:00Here comes heaven again.
00:59:08Get that angel thing.
00:59:16You don't need a hammer wing.
00:59:24You can do such fabulous things.
00:59:33With eyes that love you can dream.
00:59:42And it's the same thing when you walk by.
00:59:54And everybody starts to sigh.
01:00:01Here comes heaven again.
01:00:31I say I'll take you later baby in the U.S.A.
01:00:39I say I'll take you later baby in the U.S.A.
01:00:47I say I'll take you later baby in the U.S.A.
01:00:54I say I'll take you later baby in the U.S.A.
01:01:05I say I'll take you later baby in the U.S.A.
01:01:14I say I'll take you later baby in the U.S.A.
01:01:22I say I'll take you later baby in the U.S.A.
01:01:33I say I'll take you later baby in the U.S.A.
01:01:43I say I'll take you later baby in the U.S.A.
01:01:54I say I'll take you later baby in the U.S.A.
01:02:04I say I'll take you later baby in the U.S.A.
01:02:15I say I'll take you later baby in the U.S.A.
01:02:25I say I'll take you later baby in the U.S.A.
01:02:34I say I'll take you later baby in the U.S.A.
01:02:43I say I'll take you later baby in the U.S.A.
01:02:53I say I'll take you later baby in the U.S.A.
01:03:04I say I'll take you later baby in the U.S.A.
01:03:14I say I'll take you later baby in the U.S.A.
01:03:25I say I'll take you later baby in the U.S.A.
01:03:35I say I'll take you later baby in the U.S.A.
01:03:46I say I'll take you later baby in the U.S.A.
01:03:56I say I'll take you later baby in the U.S.A.
01:04:07I say I'll take you later baby in the U.S.A.
01:04:17I say I'll take you later baby in the U.S.A.
01:04:28I say I'll take you later baby in the U.S.A.
01:04:38I say I'll take you later baby in the U.S.A.
01:04:49I say I'll take you later baby in the U.S.A.
01:04:59I say I'll take you later baby in the U.S.A.
01:05:10I say I'll take you later baby in the U.S.A.
01:05:20I say I'll take you later baby in the U.S.A.
01:05:31I say I'll take you later baby in the U.S.A.
01:05:41I say I'll take you later baby in the U.S.A.
01:05:52I say I'll take you later baby in the U.S.A.
01:06:02I say I'll take you later baby in the U.S.A.
01:06:13I say I'll take you later baby in the U.S.A.
01:06:23I say I'll take you later baby in the U.S.A.
01:06:34I say I'll take you later baby in the U.S.A.
01:06:44I say I'll take you later baby in the U.S.A.
01:06:55I say I'll take you later baby in the U.S.A.
01:07:05I say I'll take you later baby in the U.S.A.
01:07:16I say I'll take you later baby in the U.S.A.
01:07:26I say I'll take you later baby in the U.S.A.
01:07:37I say I'll take you later baby in the U.S.A.
01:07:47I say I'll take you later baby in the U.S.A.
01:07:58I say I'll take you later baby in the U.S.A.
01:08:08I say I'll take you later baby in the U.S.A.
01:08:19I say I'll take you later baby in the U.S.A.
01:08:29I say I'll take you later baby in the U.S.A.
01:08:40I say I'll take you later baby in the U.S.A.
01:08:50I say I'll take you later baby in the U.S.A.
01:09:01I say I'll take you later baby in the U.S.A.
01:09:11I say I'll take you later baby in the U.S.A.
01:09:22I say I'll take you later baby in the U.S.A.
01:09:33I say I'll take you later baby in the U.S.A.
01:09:44I say I'll take you later baby in the U.S.A.
01:09:54I say I'll take you later baby in the U.S.A.
01:10:05I say I'll take you later baby in the U.S.A.
01:10:15I say I'll take you later baby in the U.S.A.
01:10:26I say I'll take you later baby in the U.S.A.
01:10:36I say I'll take you later baby in the U.S.A.
01:10:47I say I'll take you later baby in the U.S.A.
01:10:57I say I'll take you later baby in the U.S.A.
01:11:08I say I'll take you later baby in the U.S.A.
01:11:18I say I'll take you later baby in the U.S.A.
01:11:29I say I'll take you later baby in the U.S.A.
01:11:39I say I'll take you later baby in the U.S.A.
01:11:50I say I'll take you later baby in the U.S.A.
01:12:00I say I'll take you later baby in the U.S.A.
01:12:11I say I'll take you later baby in the U.S.A.
01:12:21I say I'll take you later baby in the U.S.A.
01:12:32I say I'll take you later baby in the U.S.A.
01:12:42I say I'll take you later baby in the U.S.A.
01:12:53I say I'll take you later baby in the U.S.A.
01:13:03I say I'll take you later baby in the U.S.A.
01:13:14I say I'll take you later baby in the U.S.A.
01:13:24I say I'll take you later baby in the U.S.A.
01:13:35I say I'll take you later baby in the U.S.A.
01:13:45I say I'll take you later baby in the U.S.A.
01:13:56I say I'll take you later baby in the U.S.A.
01:14:06I say I'll take you later baby in the U.S.A.
01:14:17I say I'll take you later baby in the U.S.A.
01:14:27I say I'll take you later baby in the U.S.A.
01:14:38I say I'll take you later baby in the U.S.A.
01:14:48I say I'll take you later baby in the U.S.A.
01:14:59I say I'll take you later baby in the U.S.A.
01:15:09I say I'll take you later baby in the U.S.A.
01:15:20I say I'll take you later baby in the U.S.A.
01:15:30I say I'll take you later baby in the U.S.A.
01:15:41I say I'll take you later baby in the U.S.A.
01:15:51I say I'll take you later baby in the U.S.A.
01:16:02I say I'll take you later baby in the U.S.A.
01:16:12I say I'll take you later baby in the U.S.A.
01:16:23I say I'll take you later baby in the U.S.A.
01:16:33I say I'll take you later baby in the U.S.A.
01:16:44I say I'll take you later baby in the U.S.A.
01:16:54I say I'll take you later baby in the U.S.A.
01:17:05I say I'll take you later baby in the U.S.A.
01:17:15I say I'll take you later baby in the U.S.A.
01:17:26I say I'll take you later baby in the U.S.A.
01:17:36I say I'll take you later baby in the U.S.A.
01:17:47I say I'll take you later baby in the U.S.A.
01:17:58I say I'll take you later baby in the U.S.A.
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