- 5/23/2025
https://t.me/TopfansNovelas2
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Short filmTranscript
00:00I'm sorry, Natalia, I had the phone on silent,
00:02but we're here with Luciana and Joaquin.
00:05Yes, the three of us are listening to you on speakerphone.
00:08But how did Fabiola show up? Is she okay?
00:10Yes, yes, she's fine, but she needs medical help, please.
00:13I'm in the northern part of the Barranca de las Luciérnagas.
00:17Very well, the three of us are going there.
00:19Yes, hurry up, please.
00:23Let's go in my car.
00:25I'll take mine too.
00:26No, I'd rather the three of us go together, okay?
00:28Hold this for me, Joaquin.
00:34Victoria!
00:35Victoria!
00:36Victoria, you have to go, because the DA is coming, Joaquin.
00:39Dana, I need you to send a medical unit to the Barranca de las Luciérnagas.
00:44That's correct.
00:56THE LORD OF THE SKIES
01:01Leonardo has to go.
01:03The usual thing is that when someone makes a mistake, they leave.
01:06Leonardo is not even a visible part of the campaign.
01:09And the official version is that he helped my sister,
01:11so he doesn't have to go.
01:13My daughter is right.
01:14Leonardo is helping a lot to solve the problem.
01:17We don't have to leave him out of the campaign.
01:19Well, I'm very sorry, because I've already decided.
01:21It's just that this is teamwork, and you can't solve it alone.
01:24Really? Who are you going to vote for?
01:26For you or for me?
01:27I am the one who makes the most important decisions.
01:30Very well, then you solve it alone,
01:32but Leonardo does not make a single statement.
01:39This situation has upset us all,
01:41but I'm sure we can reach an agreement together, please.
01:43The idea of my resignation from the campaign was yours or Karina's?
01:47It seems very strange to me that Karina is not at this meeting.
01:50I think she could have a better voice on this matter.
01:54Of course, why?
01:55Karina doesn't have to be here.
01:57The one who made the decision to resign was me.
02:01Look, if I were your campaign manager,
02:05I would say that you are making the right decision, Enrique.
02:09Why is Natalia looking for Fabiola Briseño?
02:14You already know her.
02:15As a good journalist, she was interested in the case and started looking for her.
02:19And why did she ask the DA for help?
02:21Didn't they tell her that the case had already passed from the DA to the police?
02:24She probably trusted her friend's boyfriend more.
02:28I think she already knows who Fabiola Briseño is,
02:30but she doesn't know who Fabiola Briseño is.
02:32I don't know who Fabiola Briseño is,
02:34but I don't know who Fabiola Briseño is.
02:37I thought they didn't get along anymore,
02:39since Natalia left the pension.
02:41Well, she left it for personal reasons,
02:44but as you have already seen, we are still in contact.
02:47I find it very strange that Natalia has already known where to find her.
02:52And you've been looking for her for so long, haven't you?
02:54But well, you see, sometimes these kinds of things are luck.
02:59But the important thing is that she has appeared, don't you think?
03:01But I'm worried that we're going to have problems,
03:03because Fabiola's case is no longer our competition.
03:06Those are things of bureaucracy, but don't worry.
03:09I'll make sure you don't get into trouble for helping Fabiola.
03:13Well, I hope they don't accuse us of interfering in someone else's business.
03:32I can publicly resign and continue advising Inés.
03:35No one has to find out.
03:37It's a good idea.
03:39We don't need a member to keep Leonardo working with us.
03:43Of course, if Inés agrees.
03:45And if not, I will always appreciate this opportunity.
03:49I can keep seeing you as a friend.
03:52I would not lose your talent for anything in the world.
03:55Right, Dad?
03:57For me, it's fine.
03:58You know I've never been able to deny you anything, daughter.
04:02Enrique, we have to talk in private.
04:04I can't right now.
04:05I don't know what you're going to do about the incident,
04:07but I want to see it in writing first.
04:09This is urgent!
04:11Take care of my dad, I'll take care of Leonardo.
04:24Germán, can you tell Rodrigo
04:26to get everything ready for the recording of the message?
04:29Of course.
04:31Excuse me.
04:34Oh, how nice it is to feel so much power.
04:40Especially being by your side.
04:53What happened to Leonardo?
04:55He'll do what we talked about.
04:56He'll say he was helping Mariana at Inés' request.
05:00He'll officially quit, but he'll keep working for Inés.
05:04Did Enrique accept that?
05:06I thought he really wanted him out of the campaign.
05:10Do you think Enrique is in a position to negotiate with his wife?
05:15Now you're going to judge me for my relationship with Enrique?
05:19I don't care what you do in your bed, Karina.
05:21I'm telling you this as a friend.
05:24The thing is, Enrique is too worried about keeping Leonardo and Inés away.
05:27I don't know.
05:29Anyone could think he's jealous.
05:32Thank you, but I know perfectly well what I can expect from Enrique.
05:35Really?
05:37It looks like you're looking for me to doubt him.
05:40If I tell you this, it's because I appreciate you, Karina.
05:43And I would tell you exactly the same thing if you had confessed to me
05:46from the beginning of your relationship with Enrique.
05:50Look, I think you're a woman who has a lot to give.
05:54The thing is, this game demands a lot of sacrifices.
05:59I don't know if you're willing to do them all.
06:02I don't even know if love fits in this game.
06:05Somewhere.
06:24What good is it that we pay so much money to the inept Berta?
06:27She and her infiltrator should have found Fabiola first.
06:30The important thing is that the infiltrator is right now with the DA.
06:34He will give us details later.
06:36And what is he going to say?
06:37San Francisco got ahead of us.
06:39And to top it off, the DA is in there.
06:41These are the figures you asked me for.
06:42Well, here you go.
06:43Leave that.
06:44We have more important matters to attend to here.
06:47Fabiola appeared.
06:57I'm your brother, your boyfriend.
07:02If you think you're so brave,
07:04why don't you send that damn video to the police?
07:07Send it to them.
07:09Here's the last copy of the video I had.
07:12Should we delete it?
07:19It was to be sure that I'm no longer in danger with your uncle.
07:23If there is no such video, you don't have to be afraid.
07:27Yeah.
08:27What's going on?
08:49What I don't understand is that if you managed to pass the case to the police,
08:53what does the DA have to do?
08:55I have no idea.
08:56He's probably acting on his own.
08:58Besides, Berta already put someone in charge
09:00to find that girl and end the problem.
09:03Well, if you're trying to find a solution to the problem,
09:05I can help you.
09:06Shut up!
09:08You're not going to do anything.
09:09We're not going to move a finger until we have information.
09:12Because if Fabiola can talk,
09:14she probably already did at this moment.
09:27Don't worry, don't worry.
09:29I'll take care of it, don't worry.
09:32Fabiola, look, we're not going to do anything to you.
09:35We came to help you, okay?
09:37Look, I brought you a gift.
09:40Yes?
09:42Trust me.
09:43Trust me.
09:45You're going to like it.
09:46Yes.
09:47Yes, yes, yes.
09:48Don't move, don't worry.
09:50Don't move, brother.
09:51Don't worry.
09:56Natalia!
09:57I'm here!
09:58Roberto!
09:59We're down here!
10:00Natalia, help me, please.
10:04Let's go, let's go.
10:05Let's go.
10:06We have to get her.
10:07Yes.
10:16Don't worry, don't worry.
10:19Don't get close, Joaquin, don't get close.
10:21Don't worry.
10:22We're not going to hurt you.
10:23We're not going to hurt you.
10:24We're here to help you.
10:26I'm not going to hurt you, calm down.
10:30We're going to help you.
10:31I'm going to let you go, but don't go.
10:34We're not going to hurt you.
10:36Don't worry.
10:42Leave me.
10:49Fabiola.
10:52Don't worry, please.
10:53We're not going to hurt you.
10:57We've been looking for you for a long time.
10:59And you're safe.
11:01Really.
11:06Look.
11:09Daughter.
11:10He's your father.
11:12Daughter.
11:14Little jewel.
11:18It's me.
11:20Dad.
11:24It's me, daughter.
11:31He doesn't recognize me.
11:49He's always given piano lessons.
11:52Ever since I met Omar, it's something I learned from my grandfather.
11:54He was also a musician.
11:56Mrs. Chofi, I've been looking for you because I need...
11:59Is Omar here for you?
12:02He's in the store with some suppliers.
12:05Mrs. Chofi, I'm here to pay the rent for the room I've been using these days.
12:08Look, the rent is per month.
12:10And Omar and Elena are going to pay it.
12:13I understand, but it was before.
12:15I'm going to move back to the neighborhood where I rent.
12:25I need you to carefully review the message Leonardo is going to record.
12:29If there's something you don't like, you modify it.
12:31But that's why I have to face Inés and clearly...
12:33If you don't want to do it, you do it, Karina.
12:35But I'm not going to let Inés, to defend that idiot, do whatever she wants.
12:39Germán just told me that Leonardo is going to pay the rent.
12:42Do whatever she wants.
12:43Germán just told me that Leonardo has officially resigned from the campaign.
12:47Instead of continuing to advise Inés from the outside.
12:49My intention was to separate him from my wife.
12:51But he turned out to be very cunning.
12:55I see.
12:57What worries you is that your wife pays you with the same currency.
13:01Oh, please, don't say stupid things.
13:03I say it because I know this guy very well.
13:05For many years.
13:06And I know what he's capable of.
13:08What I think is that you are very jealous of the women in your family.
13:14But don't worry, candidate.
13:16I do what I'm asked.
13:26Elena, I know you have good intentions and I appreciate it.
13:29But I'm already in good health.
13:30And besides, I've always been exaggerated to live with you and Daniel.
13:33I did it to support you, to help you with the baby.
13:36But you don't know about gratitude, do you?
13:39Sofi, can you help me explain to him that he has to stay here?
13:43That only applies to Susana.
13:46And in the end, she decides about her life and her son's.
13:49But you're not thinking about my baby.
13:50No, it's not your baby.
13:51Understand it once.
13:52It's my son.
13:53It's the only thing I have left of Tobias.
13:54But it's not Tobias.
13:55Understand it once.
13:56I've told you a thousand times, Elena.
13:57Well, what do you want?
13:58That I have nothing to do with that baby or what?
14:00Well, if you're like that, no.
14:02I miss Elena from before.
14:04The one who was good, kind, sensible.
14:09See you, Mrs. Sofi.
14:31I love you.
14:32I love you too.
15:01I love you too.
15:31I love you too.
15:57Let's record this greeting.
15:59Let's see.
16:00Yes, it's very good, isn't it?
16:01It's very good, isn't it?
16:04No, not at all.
16:05It's perfect.
16:07You know all the publicity perfectly.
16:09You don't have to do any of that.
16:11And besides, they're crazy people.
16:12Yes, of course.
16:15I'm here to supervise the recording.
16:21Supervise what?
16:24There's Rodrigo to do it.
16:26And I doubt that the statement Leonardo made
16:29needs corrections.
16:31No, no.
16:32I don't doubt his abilities.
16:34But it's my job and I have to do it.
16:36Karina, what you need is an order
16:39because I can give it to you here live.
16:41Go.
16:42I don't love you.
16:44I'm sorry.
16:46But it's Enrique's decision.
16:48Either you leave
16:49or there's no recording.
16:51And go tell your boss.
16:52Go on.
16:53I don't understand why you're worried about the candidate.
16:55We had already agreed on what I was going to say.
16:58Inés, I think we shouldn't waste any more time.
17:00Anyway, Ms. Cortez
17:02won't see anything out of place.
17:05Perfect.
17:06So if you have an essay or something in writing,
17:08I'd like to see it.
17:09You didn't understand me well, did you?
17:11If I allowed you to stay,
17:13it's so you can justify your salary,
17:15not so you can intervene in the process.
17:17So shut up and shut your damn mouth.
17:20And go on.
17:21Go tell your boss what's going on.
17:23Go on.
17:25What else?
17:26What we were doing.
17:38All right.
17:45My mother's event was great.
17:47But she was very tired.
17:49Well, if you need help, I'll do anything.
17:54You shouldn't be so nice.
17:56I discover more and more things about you
17:58and I feel like I'm falling in love.
18:00Clara, I'm going through a very bad time,
18:02and you know it.
18:03And I can't be with you
18:05if I'm thinking about someone else.
18:07Well, it's a shame you don't let me fall in love with you.
18:10But if you want, I'll cry to convince you.
18:14Sorry, did I hurt you?
18:16What are these marks?
18:34The guy you're in the video with
18:36is the same guy you escaped with last night.
18:39How do you know him?
18:41He's an ex-boyfriend.
18:43He's an ex-boyfriend.
18:45And I met him many years before you did.
18:48That video was made two nights ago.
18:51Of course, if you came to sleep at your house,
18:53you would have found out about me,
18:55not a rumor about your students.
18:57Oh, well, then our son probably already found out.
19:00Look, I have so many reproaches for nothing
19:04that I don't care what you say anymore, my love.
19:07You're a cynic.
19:09This is unacceptable.
19:11I'm leaving this house.
19:13You've always left me alone.
19:14I don't even know why I got married to you.
19:16Do whatever you want.
19:18I wasn't asking for permission.
19:21Neither was your father.
19:33No, I'm sure I hit myself with something.
19:35No, no, it doesn't look like a blow.
19:38It looks like you were tied up with some ropes.
19:40No, no, Chris.
19:41How can they tie me up?
19:46Look, Clara, if you don't want to tell me, it's fine.
19:49But if you're in trouble, let me help you, please.
19:53Yes?
19:57Yes.
20:01I'm in a complicated relationship.
20:04But I'm going to tell you.
20:07It's someone older.
20:11And as soon as I realized that I didn't love him,
20:13but that I loved you, I told him.
20:15I told him and I finished it.
20:18But he didn't stop bothering me.
20:21Yesterday he went to my house and he got all intense
20:23and started pulling me and hurt me.
20:28But it's not right for him to hurt you.
20:30Come on, let's report him. I'll go with you.
20:32No, no, no, no, no, no.
20:34Luckily my mom was there and she super threatened him.
20:38I don't think he'll stop there again.
20:43What a shame.
20:45What do you think is the worst thing about me
20:46for messing with someone like him?
20:49But I swear I was honest.
20:51No, you don't feel bad.
20:54Sometimes you trust people and they turn out to be
20:58not what you expected.
21:00Hey, but that doesn't define you as a person, okay?
21:03Don't worry.
21:05Come on.
21:19Oh, woman.
21:20Let's see, drink some water.
21:22No.
21:23You're very dehydrated from crying so much.
21:26I've never fought with Elena.
21:27And what hurts the most is that I said horrible things to her.
21:30No, you told her the truth.
21:31Mario is your son, not hers.
21:33What you did was to hit him.
21:37If I hadn't hit him, he wouldn't have encouraged me.
21:40Yes, well, you'll talk to Elena.
21:42Give her time.
21:44Of course, if it's possible.
21:47Thank you for listening to me.
21:51Well, I'd better go because I want to see my son.
21:54No, I'll take you. I'm going over there.
21:55I also want to see my grandson.
21:57Oh, yes.
21:58He's very strong.
21:59Oh, yes, thank God.
22:00I'll take care of the changarro, Severiana.
22:02Bye, Mrs. TV.
22:03Be careful.
22:28He asked a few questions,
22:30but he's more worried that he'll be sanctioned
22:32for meddling in the case again.
22:35Do you think Joaquin suspected something?
22:38I doubt he said anything in front of Manolo or Natalia.
22:41That's why I took him.
22:43To involve him in the search
22:45and that he can't report us with internal affairs.
22:48It was very risky for you to take him to go after Fabiola.
22:51Manolo has already declared to the police
22:53that he will not be involved in the search.
22:54And Natalia said she called Luciana
22:56because of the closeness she has with her.
22:58So we're covered.
23:00If that bastard is backed by someone powerful,
23:02I don't think he's very worried.
23:04And how is Fabiola?
23:06Luciana asked one of her teachers
23:08to do an independent evaluation.
23:11But I warn you,
23:13he didn't even recognize his own father.
23:15And that's not good at all.
23:17I don't know what's going on.
23:19I don't know what's going on.
23:21I don't know what's going on.
23:22I know what's going on.
23:24Get out of here.
23:29Do you know what your name is?
23:35Fabiola, do you know where you are?
23:41We have to rule out that she is in a selective mutism process
23:44or that she has any neurological affection.
23:46My daughter has not taken the medications
23:49that prevent psychotic outbreaks, Doctor.
23:52Fabiola was at the Brown Clinic.
23:53Apparently, she was kept there drugged with inotadil.
23:56I know what happened to Dr. Brown
23:58and his forbidden drug.
23:59Do you think that drug is what's keeping her in that state?
24:03That drug was taken off the market
24:05because of the effects it caused.
24:07One of them is phasia.
24:09Yes, the first symptoms in the patient
24:11are that she starts having language problems
24:13until she seems incoherent
24:14and in some cases, she stops speaking at all.
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25:58We have to do a brain scan,
26:00potential evocative tests, and other tests
26:02to know how many chances your daughter has of recovering.
26:05Yes, we also have to work with a neurologist.
26:08We're going to do everything we can to help Fabiola.
26:11Brother,
26:13now I'm not just worried about her physical and mental health.
26:19I think my daughter is still in danger.
26:22What are you afraid of?
26:24Well, my daughter can be a key witness
26:28in the case involving Enrique Ferrer's nephew and son.
26:33Are you referring to the attack on the Saldaña brothers?
26:36Fabiola can turn the case around
26:39and find the real culprits.
26:41But you're talking about blaming your brother Adrián and your cousin.
26:44Yes, doctor, it's something that hurts me.
26:46But I also know that justice must be above all else.
26:50That's why I want to ask for your discretion and your support.
26:56We must spread the rumor that Fabiola will never recover.
26:59Her life depends on this.
27:02Can we count on you, doctor?
27:09I agree that you want to get rid of Enrique,
27:12but the fact that a nail pulls out another nail
27:14can only lead to the two of them being stuck.
27:17Don't worry, Dad. You know me.
27:19And you know I'm not Mariana.
27:21The only thing that worries me is that you're on Enrique's side.
27:24It's not like that, and we've already talked about it.
27:28First, it's winning the elections.
27:30And then the personal matters.
27:35And I remind you that whether we like it or not,
27:37men are always judged differently than women.
27:42No, but you already know that.
27:44The important thing here is that I believe and trust you.
27:48And I'm going to protect you.
27:53As long as you do what you want, right?
27:55But don't worry, Dad.
27:57We still want the same thing.
28:07Hey, hey.
28:08What about Pedro Infante?
28:10Could it have been Antonio Pedro?
28:12I have no idea, Natalia. I don't know.
28:13Could it have been the Illuminati?
28:15Hey, Jorge.
28:16Sir, thank you for your help.
28:18I know you have other cases to attend to,
28:20so I want to wait for Dr. Valladares' results.
28:22If you don't mind, I'd like to hear the doctor's first diagnosis.
28:25I've spent so much time looking for Fabiola
28:27that I feel a personal connection with the case.
28:30Doctor, how is Fabiola?
28:33I still have to do a lot of studies, but...
28:37it seems that the patient's condition is irreversible.
28:41There's nothing that can be done, not even in the long run.
28:44Well, I'm just doing a protocol to give an official diagnosis,
28:48but between us, there's nothing to do with Fabiola.
29:03Oh, my little gem.
29:07I know what you're going through.
29:10It's very difficult.
29:13How I wish I were in your place,
29:15and that you were healthy.
29:20I swear that whatever happens,
29:23I will not leave you.
29:26I will always take care of you.
29:30I want you to smile again like you used to.
29:39I think it's time to have a special drink.
29:42Like before.
29:44It's our way of sealing pacts.
29:46And since you were nominated, we haven't done it.
29:54Are you telling me which pact we're going to seal?
29:56For our own good.
29:58You and I must contain Inés.
30:02I totally agree with that.
30:13It was a fortune that Inés and I agreed before talking to Ferrer.
30:18As I assumed, he wanted to fire me.
30:22Just because I know you work for me, I don't think badly of you.
30:26But that video you made, Leonardo,
30:29it really seems like you work for the Ferrer brothers.
30:33I would not want to think that this friendship,
30:35or whatever you have with the Avendaño sisters,
30:38could put you on the side of my adversaries.
30:40I spoke in favor of Ferrer and his party was to rid me of all suspicion.
30:44Please.
30:46Now comes the rematch.
30:48I'm going to create a trend in the media
30:50to highlight all the Ferrer scandals.
30:52I want to sow doubts among voters.
30:55And I have to stay in the campaign.
30:58I need to take advantage of the differences
31:00between the candidate and all his surroundings,
31:03including Inés.
31:05Tell me about that.
31:07Well, there was a very, very strong discussion
31:11between her, Ferrer, and the media coordinator.
31:15They wanted to define the position they were going to have about the video.
31:19Good, very good.
31:21Write the first messages to respond to the evaluation.
31:23Done.
31:24Okay.
31:27Let's go.
31:36Hello, Edgar. Good afternoon.
31:38Hey, I need to talk to you personally.
31:48The doctor who took your daughter, Luciana, was very clear.
31:51Fabiola has her brain melted.
31:54Therefore, any statement from her on the Saldaña case,
31:57if she can ever speak,
32:00loses relevance.
32:02Well, at least we have one less problem.
32:06Well, we have to keep hiding Erick Zapata's body
32:10until it is convenient for us to find him.
32:12And the police agreed to make Fabiola appear?
32:16That's right.
32:17They're going to do studies on her again,
32:19but I'm sure those studies will coincide
32:21with the diagnosis of Dr. Valladares.
32:24And what was the relationship between Fiscal Furia
32:26and the father of that girl?
32:28Roberto advised the gentleman to continue looking for his daughter.
32:31Briseño looked for her on his side
32:34and to find her with a fried brain.
32:37A timely coincidence for us.
32:52THE LORD OF THE SKIES
32:55Something Leonardo did left me with a thorn in my side.
32:59Do you think he sold himself to the Ferrer?
33:01Because I also saw the statements.
33:02She really seemed to be in favor of the Remi party
33:04and his candidate.
33:06I'm going to give him a vote of confidence,
33:08but I can't rely solely on what he does.
33:12That's why I want to ask you to give me a special job.
33:22THE LORD OF THE SKIES
33:28Well, it was a very good idea to get Dr. Valladares' support.
33:32Yes, fortunately he understood our need.
33:35He and I agreed to review Fabiola's medical case
33:38and thus seek her mental recovery.
33:40And one more thing.
33:41It is important that Joaquin find out
33:43about the relationship between Fabiola and Manolo
33:45and the case.
33:47I don't want to appear on that list, please.
33:49Those people are very dangerous.
33:52You saw that they tried to kill Mr. Manolo
33:54and I'm still paranoid.
33:56I feel persecuted.
33:58If Joaquin got us involved in the Crescente case
34:00and the Saldaña case,
34:01don't both crimes have to do with the same person?
34:04No, not necessarily.
34:06He's still selling himself to the best bidder.
34:08We'll have to find out who's paying him
34:09so he can serve as an informant.
34:12Obviously, one of them is Enrique Ferrer.
34:14And the other is the one who committed the fraud
34:15of the Crescente financial company.
34:17Well, I hope we can move forward
34:19with the report that the accountant,
34:20Felia Mayan, gave us.
34:22Yes, it is essential to contact the agent
34:24of the Crescente financial company.
34:31Hey, thank you very much for inviting me to the play.
34:33It was great.
34:35I'm glad you liked it.
34:37I have to go now.
34:40Are you like this because of the message
34:41I gave you at the end of the play?
34:43No, no.
34:45Nothing to do with it.
34:48It was probably your ex-addict, wasn't it?
34:50No, it wasn't!
34:51And please, I don't want you to get stuck
34:52with what I told you.
34:54I'm fed up with it.
34:55I don't want to know any more about it.
34:57As you wish.
35:00My taxi is here.
35:04Let's go.
35:12I'm coming.
35:17I'm coming.
35:29We can't talk if we can't meet.
35:30We'll meet tomorrow.
35:32I'll text you.
35:33Kisses.
35:34We'll talk.
35:35Ma'am, they're waiting for you.
35:42What are you doing here?
35:44I was expecting more confidence from you, Inesita.
35:47I'm your unconditional.
35:49I didn't need Alex's threats
35:51because of your son's little secret.
35:53Luis went crazy, sold my car,
35:55and now he's sending you this money
35:56as payment for the debt.
35:59For me, it's all the same.
36:00But...
36:01I don't want to end up losing.
36:14You can't talk to me whenever you want.
36:16I have a life.
36:19I left my house and I want you at my disposal.
36:22We didn't agree on that.
36:26Well, that was before.
36:28But from now on,
36:30it's going to be like this.
36:37It's a shame that Luis doesn't think like you.
36:40I'm going to give you back this money
36:41and you'll know how to justify
36:43if you buy a truck or you buy yourself.
36:45That's right.
36:46Because this money
36:47is only a part of our debt.
36:50Oh, don't say debt, Inesita.
36:52And I'm going to need your total support
36:55so that Alexander is close to my son.
36:57Because being close to him
36:58helps him a lot more
36:59than anything I can try
37:01to keep his anguish from overflowing.
37:04I don't know if you knew,
37:05but Alex was trying to have something
37:07with the guy who ran over Derencito.
37:09But he already got the idea
37:10that this is impossible.
37:12Look, he won't be the first
37:13to come back with an ex out of spite.
37:15Or as you say,
37:16if Derencito is so bad,
37:18he could come back with him out of pity.
37:20Because you don't think less
37:22and you act more.
37:24As long as my son is okay,
37:26I will always be grateful to you.
37:29There you can use the word debt.
37:31Because I'm going to fulfill you.
37:33Don't you remember?
37:34♪
38:05No me descartes.
38:10No me digas que te estás enamorando.
38:15Yo solo quiero pasarla bien.
38:16La soledad es mala compañía.
38:18Y contigo la paso muy bien.
38:19Ah, ¿sí?
38:20Pues busca a tu otro idiota.
38:21La idiota que me gusta hoy,
38:24eres tú.
38:27Tú a mí no me puedes obligar, ¿eh?
38:29Está bien.
38:30Entonces voy con Saldaña
38:32y hablo de hombre a hombre.
38:33Bueno, de hombre a niño.
38:34Con él.
38:36Y le cuento que eres mía.
38:38¿Ah, sí?
38:39¿Y yo puedo hablarle a la policía
38:41para que vayan por tu hijo
38:42y lo metan a la cárcel?
38:44¿Cómo ves?
38:48Yo ya sé que Adrián y Memo
38:50fueron los que atropellaron a Daniela y a su hermano.
38:54¿De qué estás hablando?
38:55No te hagas.
38:58Yo ate cabos
39:00de lo que pasó esa noche
39:01con Alexander que se puso súper mal
39:03porque la policía fue investigada en la universidad.
39:06Y ahora entiendo
39:07los comentarios que le hacías a Adrián.
39:10De los secretitos.
39:12Tú te vas a callar la boca, ¿me oíste?
39:14No sabes con quién te estás metiendo
39:15y no sabes lo que son capaces de hacerte.
39:27¡Ay, Sose Barret!
39:32Ay.
39:35¿Qué haces, ma?
39:36Estoy desarmando la cuna
39:37porque la ingrata de Susana
39:38ya no quiere saber nada de nosotros.
39:40Pero era un regalo para Susana.
39:42Pues entonces que se la lleve.
39:43Que se la lleve con tu papá
39:44ahora que andan tan pegados, ¿no?
39:45Que la vaya a meter al cuartito ese
39:47donde vive a ver si cabe.
39:48Y sino que la tira a la basura.
39:49Tranquilízate, ma.
39:50Pues si el bebé no va a estar aquí con nosotros
39:52entonces no tiene caso tener la cuna.
39:55¿Ves? Ya te lastimaste.
39:56A ver, ma.
39:57Suéltalo, por favor.
39:58No, no.
39:59Con esos gritos.
40:00¿Qué tienes?
40:01Que tengo que desarmar la cuna.
40:02Con el desarmador.
40:03Pero no lo suelta.
40:04Ya, Elena.
40:05A ver, ya.
40:06Mírame.
40:07Yo no sé que te puso así,
40:08pero no puedes seguir haciéndote daño.
40:13Tranquila.
40:14A ver, vamos a respirar
40:15por la nariz profundo.
40:16Lento.
40:17Uno, dos, tres, cuatro.
40:20Y exhalas.
40:26Ya quería que merendáramos juntos.
40:28Yo no puedo, mi amor.
40:29Ya te había dicho que no.
40:58¿Por qué me estás siguiendo?
41:28¿Por qué me estás siguiendo?
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