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00:05:20Well?
00:05:48Where did you find her?
00:05:51Where?
00:05:55Where?
00:06:08That's where she lives.
00:06:13I didn't like the town at all.
00:06:15Something strange about it.
00:06:17And nobody knew I hired you?
00:06:19Nobody saw you come here?
00:06:21I'm good at my job.
00:06:23Everything confidential.
00:06:25Thanks.
00:06:28Anytime.
00:06:31They're coming!
00:07:17You're welcome.
00:07:48You're a stranger in town, aren't you?
00:07:50Yes.
00:07:52It's getting dark.
00:07:54You better get inside somewhere.
00:08:17Okay.
00:08:47I'd like a menu, please.
00:09:07I'm sorry, sir, but we're closing.
00:09:11But it's dinner time.
00:09:12You can't close before seven o'clock at night.
00:09:14It's getting dark.
00:09:15We always close before dark.
00:09:17They come out in the dark.
00:09:21Who?
00:09:45Who's there?
00:10:16Who's there?
00:10:17It's your brother.
00:10:19Harold.
00:10:33Come in.
00:10:35Quickly.
00:10:46So you found me at last.
00:10:50It took me a long time.
00:11:03What do you want?
00:11:05I've come to see you.
00:11:07After all, you are my sister.
00:11:16Why have you buried yourself in a place like this?
00:11:20Why is everyone so afraid of the dark here?
00:11:24Because of them.
00:11:26Them?
00:11:27There have been 17 cases so far.
00:11:30Bodies found with every drop of blood drained out of them.
00:11:36Now, tell me why you wanted to find me so badly.
00:11:39Father died four weeks ago.
00:11:42I've been looking for you ever since.
00:11:44You were always there, you know.
00:11:46You always were his favorite.
00:11:48He left you everything.
00:11:50For as long as you live.
00:12:01No! No! No!
00:12:14No!
00:12:44No!
00:13:14No!
00:13:44Good evening.
00:14:11Good evening.
00:14:14The table d'hote is rather nice, sir.
00:14:16Juice, soup, roast, sweet, coffee.
00:14:20Sounds fine.
00:14:35Ah, tomato juice.
00:14:44Yes.
00:15:11It tastes rather strange.
00:15:14It is our usual, sir.
00:15:19And now, how would you like your roast clots?
00:15:22Well done, medium, rare.
00:15:26Roast what?
00:15:28Clots. Blood clots.
00:15:44No!
00:16:15No!
00:16:38Much better than the frozen stuff.
00:16:40Quite a nice bouquet.
00:16:44It's good here.
00:16:48I'll have a glass too, please.
00:17:14A recurrent dream.
00:17:16More.
00:17:17Oh, much more.
00:17:19It's hard to explain.
00:17:22It's with me all the time.
00:17:24Do you have a sister?
00:17:27Oh, no.
00:17:31No.
00:17:32It's just a dream.
00:17:34We all have something like it.
00:17:36And you, what's your dream?
00:17:39Why not his?
00:17:41I don't know.
00:17:43Why not his first?
00:17:47My what?
00:17:48Dream.
00:17:49Vision.
00:17:51Phobia. Obsession.
00:17:53Fear.
00:17:54Whatever you want to call it.
00:17:57My dream is a very peculiar one.
00:18:01Very peculiar indeed.
00:18:04But so real.
00:18:06So real.
00:18:15Well, Wilson.
00:18:16As they say, congratulations are in order.
00:18:19I'm going to get married.
00:18:21At your age?
00:18:23Well, I've spent a lot of time amassing a fortune,
00:18:25acquiring a lovely house,
00:18:26filling it full of beautiful things.
00:18:28Now I need somebody to look after them.
00:18:30And me, of course.
00:18:32Who's the lucky girl?
00:18:33Oh, nobody you'd know.
00:18:34The daughter of a chum of mine.
00:18:35Sir George Nelch.
00:18:37A little lad, huh?
00:18:40Well, she's not little now.
00:18:41She's grown up.
00:18:43Very charming, really.
00:18:44Well, why on earth should she marry you?
00:18:46I think she must have someone of a catch, really.
00:18:49Very easy to get on with, actually.
00:19:05© BF-WATCH TV 2021
00:19:36© BF-WATCH TV 2021
00:19:47Eleanor.
00:19:49Eleanor!
00:19:52You've moved the furniture.
00:19:54Yes, I thought it would look better if I...
00:19:56But you've moved the furniture.
00:19:58I go for a magazine and it doesn't matter.
00:20:00Darling, you must admit it looks nicer.
00:20:02But you've moved the furniture.
00:20:03I'll never be able to find anything.
00:20:05If it bothers you that much...
00:20:07Well, of course...
00:20:09Of course it bothers me.
00:20:11A place for everything and everything in its place.
00:20:13That's how business is run.
00:20:15That's how society is run.
00:20:17And that is how a home should be run.
00:20:20Yes, Arthur.
00:20:34© BF-WATCH TV 2021
00:20:47Morning, my dear. Sleep well?
00:20:57What's this?
00:20:59They're mine.
00:21:01Yours?
00:21:04Yes.
00:21:08What are they doing in my drawer?
00:21:10I moved your things to your side of the bed.
00:21:13But my underpants have always been
00:21:15in the second drawer on the left
00:21:17folded up with the buttons on the top.
00:21:19How come we live in chaos?
00:21:21Come with me. I want to show you something.
00:21:30Come on.
00:21:33This one's for you.
00:21:45Now, Eleanor, this is my workshop.
00:21:49I love making things.
00:21:51It relaxes me.
00:21:53But I couldn't make anything
00:21:55unless I kept all my things neatly filed away.
00:21:57Nails, size, length, screws,
00:22:00size, kind, thread, diameter.
00:22:03I know where everything is.
00:22:05I just have to put out my hand and I find it.
00:22:07And that, Eleanor, is the value of neatness.
00:22:13Yes, Arthur.
00:22:16Why did you marry him, Eleanor?
00:22:19Father had no money.
00:22:21I had no ability, no profession.
00:22:23What else was I to do?
00:22:25Besides, he's quite nice, really.
00:22:28Except...
00:22:30Except for what?
00:22:31Well, there's nothing I seem to be able to do for him
00:22:34except keep his house tidy.
00:22:36Oh.
00:23:01Mmm.
00:23:18Now, darling, darling.
00:23:20Here we go into the kitchen. Come and sit over here.
00:23:22I'll do the cooking.
00:23:24High time I illustrated to you what a splendid cook I am.
00:23:28And to sit down there,
00:23:29make yourself perfectly comfortable.
00:23:32I did a lot of cooking when I lived alone.
00:23:35Developed into quite a chef, actually.
00:23:41Oh, spaghetti pomodoro.
00:23:45Tomatoes.
00:23:47Al dente, of course.
00:24:00Mmm.
00:24:02Tomatoes.
00:24:17New tomatoes.
00:24:21Go ahead, tomatoes. Go ahead.
00:24:30Tomato puree.
00:24:33New tomatoes. Go ahead.
00:24:36Spaghetti sauce.
00:24:43Eleanor.
00:24:45Eleanor!
00:24:52No tomatoes.
00:24:54No tomato puree.
00:24:56No spaghetti sauce.
00:24:57Nothing!
00:24:59I must have forgotten.
00:25:01But there's no excuse to forget!
00:25:03Come over here.
00:25:05Come on.
00:25:07My dear.
00:25:09Inside the doors of these cupboards
00:25:11is a list of all the items in the cupboard.
00:25:13Against each item are three marks.
00:25:15Now, every time you use one of the items,
00:25:17you erase one of the marks.
00:25:19This is the eraser, right here.
00:25:21So you can never have an empty space.
00:25:23But two marks.
00:25:25Tomato puree. No marks.
00:25:27No tomato puree.
00:25:29Three marks. Spaghetti sauce.
00:25:31No spaghetti sauce.
00:25:33You haven't even bothered!
00:25:51Eleanor?
00:25:53Eleanor?
00:26:01Good morning, darling.
00:26:04Good morning?
00:26:06Last night.
00:26:08How splendid.
00:26:10How absolutely splendid.
00:26:23All correct.
00:26:26Darling.
00:26:32What a smashing breakfast.
00:26:36Absolutely marvellous.
00:26:38If I can do with this,
00:26:40I've got a very hard day ahead of me.
00:26:43Sure.
00:26:45Back at six, as usual.
00:26:52Good morning, darling.
00:27:22He'll be back at six.
00:27:52Oh!
00:28:22Oh!
00:28:52Good morning, darling.
00:29:22Oh!
00:29:52Oh!
00:30:22Oh!
00:30:53Eleanor!
00:30:59I-I wanted to hang a picture.
00:31:01I came down for the nail.
00:31:03You've messed up my whole house.
00:31:05Can't you do anything neatly?
00:31:06Can't you?
00:31:07Can't you do anything neatly?
00:31:08Can't you do anything neatly?
00:31:10Can't you?
00:31:11Can't you do anything neatly?
00:31:13Can't you do anything neatly?
00:31:14Ah!
00:31:16Ah!
00:31:17Ah!
00:31:18Ah!
00:31:20Ah!
00:31:21You said I couldn't be neat, but I was.
00:31:44I tidied up everything after I finished.
00:31:49All neat and tidy, everything in its place, and a place for everything.
00:32:19And are you neat and tidy?
00:32:34Not more than anybody else, and yet.
00:32:37Yet what?
00:32:38It's all so real.
00:32:39I know the feeling.
00:32:40I've had it often with the...
00:32:41What?
00:32:42I tell you.
00:33:12It's all so real, and yet.
00:33:19It's all so real, and yet.
00:33:30I have before me a magic basket, pressed by the guards of the temple.
00:33:49I open it.
00:33:54Akbar!
00:33:59I give you my blessing.
00:34:01May the guards protect you from all danger.
00:34:20Pray for the soul of the one within.
00:34:50The guard be praised for this mystic miracle.
00:35:18And now, for demonstration of supernatural power of human body, to withstand pain through
00:35:29the power of mind.
00:35:40It is a trick.
00:35:44Nothing is so far as yoga.
00:35:48Excuse me, please.
00:35:49Excuse me.
00:35:55The real one is in his sleeve.
00:36:10No guards, no supernatural powers, no yoga.
00:36:14Just tricks.
00:36:18Huh?
00:36:21As a fellow magician, I can assure you of that.
00:36:39Oh, it's hot in here.
00:36:43And that doesn't seem to do any good.
00:36:46Darling, why don't we just pack up and go home?
00:36:51We wanted to see the land of ancient mystery.
00:36:53Well, we've seen it.
00:36:55There isn't a mystery in sight.
00:36:57There isn't even a new trick for our act.
00:37:00Let's give it another day or two.
00:38:31Huh?
00:38:37Huh?
00:38:43Huh?
00:38:50Huh?
00:39:02How much?
00:39:05How much do you want for a trick?
00:39:07Name your price.
00:39:09There is no trick.
00:39:11The magic is in the rope.
00:39:15Okay, then.
00:39:16Sell me the rope.
00:39:18I cannot.
00:39:19It was my mother's.
00:39:21And her mother's.
00:39:22And her mother's.
00:39:26I give you...
00:39:3240,000 rupees.
00:39:34It is not for sale.
00:39:37Not at any price.
00:40:08Of course it's a trick.
00:40:10It has to be.
00:40:12But I examined the basket, the rope,
00:40:15and I couldn't see how it was rigged.
00:40:17And she wouldn't sell it.
00:40:19If I couldn't figure out how it worked,
00:40:21no one else would be able to.
00:40:24It could be a sensation.
00:40:26We've got to get it.
00:40:37The trick you showed me yesterday...
00:40:53No trick.
00:40:54Of course, the magic you showed me.
00:40:58I told my wife about it,
00:41:01and she wondered if you couldn't show it to her.
00:41:04No, you know my wife is ill,
00:41:07and we wondered if you couldn't come to our hotel room.
00:41:12I pay you 200 rupees just to show it to her.
00:41:38Just a moment.
00:41:47Come in.
00:41:55This is my wife, Ines.
00:41:59I am sorry you are ill.
00:42:55Oh!
00:43:17We'll put her in the trunk later.
00:43:25Let's see what the trick is first.
00:43:34She said the secret is in the rope.
00:43:39Which isn't, Arno. There's no wire in it.
00:43:42Nothing!
00:43:54Look!
00:44:02Look!
00:44:11Keep playing, keep playing!
00:44:24Oh!
00:44:26Oh!
00:44:52It holds me! I can climb it!
00:44:57And now, just as it will be in our act...
00:45:02Ines! Ines! Where are you?
00:45:32Ines!
00:46:02Oh!
00:46:32Oh!
00:46:53I have before me a magic basket,
00:46:57placed by the guards of the temple.
00:46:59I'll open it.
00:47:03Akbar!
00:47:07I give you my blessing.
00:47:09May the guards protect you from all danger.
00:47:32You look as though you've seen a ghost.
00:47:35There are no such things as ghosts,
00:47:38except in magicians' illusions.
00:47:42I have a similar vision. Do you?
00:47:46Similar fear.
00:47:48Similar, but not quite.
00:47:53It begins in a graveyard.
00:48:02In a grave.
00:48:07A freshly dug grave.
00:48:14My grave.
00:48:23Buried alive.
00:48:28How did it happen?
00:48:32I remember now.
00:48:35I remember.
00:48:39It's a surefire plan, Alex.
00:48:41Now, this will cut down my pulse and heartbeat,
00:48:44my entire metabolism,
00:48:46so that even the best doctor will think that I'm dead.
00:48:50Now, these are pills I'd be taking if I had a heart condition,
00:48:54so it'll look as though I've had an attack.
00:48:56There'll be no trouble getting a death certificate.
00:48:58Now, you must make absolutely sure
00:49:00that I'm buried not more than 24 hours after I die.
00:49:05Then all you have to do is wait until night,
00:49:08dig me up,
00:49:09and I'll hide at your place while you collect the insurance money,
00:49:13and we're off and away.
00:49:19You know, it would have made a really great story.
00:49:23I'd have been lucky to get 50 pounds for it.
00:49:27There's no money in horror.
00:49:53And once you've collected the insurance money, friend Alex,
00:49:56I shan't need you anymore.
00:50:03The perfect plan.
00:50:06Perfect.
00:50:26Perfect.
00:50:56Perfect.
00:50:58Perfect.
00:51:22The perfect plan, except for one thing.
00:51:29I'll never learn it.
00:51:33I will never pass the anatomy course.
00:51:36Hmm.
00:51:37Trouble is, we can only work in the dissection room
00:51:39for the short periods we're assigned to it.
00:51:42Hmm.
00:51:43If only we had a body of our own.
00:51:45What?
00:51:46Well, we could work like women wanted to.
00:51:58Hmm.
00:52:21Mr. Maitland?
00:52:28Mr. Maitland?
00:52:58Mr. Maitland?
00:53:28Mr. Maitland?
00:53:48Damn it!
00:53:59Oh!
00:54:01Sorry if I gave you a fright.
00:54:18You got the money?
00:54:20After we get the body.
00:54:22What do you want his body for?
00:54:25We're ghouls.
00:54:28Ghouls?
00:54:37They're giving out.
00:54:39Hurry, Alex.
00:54:41Hurry.
00:54:59Watch where you're throwing it, will you?
00:55:01Aye.
00:55:02Throw it that way.
00:55:04Oh.
00:55:16Sorry.
00:55:29Did you hear a cough?
00:55:31No.
00:55:32No?
00:55:59Should be just about waking up now.
00:56:03I wonder how long it'll take
00:56:05before he realizes his friend Alex isn't coming.
00:56:29Alex!
00:56:31Huh?
00:56:33Huh?
00:56:58Hey!
00:57:29You can give me the money now.
00:57:31It's all yours.
00:57:33Sorry about the head.
00:57:59A preposterous story.
00:58:02It seemed so real.
00:58:04Almost as if he were going to do it.
00:58:07But why that one?
00:58:09Why that particular nightmare?
00:58:12Why are you interested in his nightmare?
00:58:15It's yours that you're really concerned with, isn't it?
00:58:19Mine begins on an island.
00:58:21A tropical island.
00:58:24The island of Haiti.
00:58:27The island of Haiti.
00:58:43Hey!
00:58:45Hey!
00:58:48Oh, don't you remember me?
00:58:50Bob.
00:58:51Bob Dixon!
00:58:53What are you doing here?
00:58:54I had some business in Port-au-Prince.
00:58:56I heard your name mentioned in a bar.
00:58:59How's the work going?
00:59:00Not bad, I think.
00:59:01Self-portrait.
00:59:02But like all my work,
00:59:04it's scorned, considered worthless.
00:59:06What do you mean worthless?
00:59:08I saw one sold only a few weeks ago for 5,000 pounds.
00:59:125,000?
00:59:14Sold by whom?
00:59:15Oh, the Casco.
00:59:17In his gallery.
00:59:18He sold it on behalf of Lawrence Dilton.
00:59:20But why such a price?
00:59:21Your pictures.
00:59:23They've been highly praised
00:59:24by no less an art critic than Fenton Breedley.
00:59:27Fenton Breedley?
00:59:38Fenton...
00:59:40Fenton...
00:59:51Hello?
01:00:11What do you wish?
01:00:13To buy voodoo.
01:00:15Why?
01:00:17To get revenge on those who wronged me.
01:00:32What do you do?
01:00:34I'm an artist.
01:00:36Who the hell do you paint with?
01:00:38Into what?
01:00:48No.
01:00:50You want voodoo.
01:00:53You must do it.
01:01:06You must do it.
01:01:37Now what?
01:01:39Why get a little doll to stick pins into?
01:01:43You are an artist.
01:01:45You don't need doll.
01:01:48Now, go.
01:02:06Go.
01:02:36Go.
01:03:06Go.
01:03:36Go.
01:04:06Go.
01:04:36Go.
01:05:06Go.
01:05:36Go.
01:06:06Go.
01:06:36Go.
01:07:06Go.
01:07:36Go.
01:08:07Go.
01:08:20This will get me to London,
01:08:22and then you'll get it all back,
01:08:24and lots more.
01:08:26Thanks.
01:08:36Thanks.
01:09:06The studio was available?
01:09:08Yes.
01:09:14Nice to see you back.
01:09:24Oh, I bought the safe exactly as you said in your letter.
01:09:29And here's the combination.
01:09:32I bought you some milk and bread in case you wanted a cup of tea.
01:10:24You cheated me.
01:10:26You cheated yourself.
01:10:29If you had any faith in your work,
01:10:31you wouldn't have listened to what Fenton said about your paintings
01:10:34and you wouldn't have sold them to me at the price you did.
01:10:36You were all in it together.
01:10:38That's the way of the world.
01:10:40You buy cheap,
01:10:42you sell dear.
01:10:44And pay a critic to tell lies so you can do it.
01:10:47No.
01:10:49You cheated me, all three of you.
01:10:52And I'm going to have revenge.
01:11:04I'm going to have revenge.
01:11:34I'm going to have revenge.
01:12:04I'm going to have revenge.
01:12:34I'm going to have revenge.
01:12:56Fenton Breedley, art critic.
01:12:59You saw my pictures
01:13:01and you told me about them to the public.
01:13:04Now, Mr. Art Critic,
01:13:07you will never see another picture again.
01:13:32I tell you, she doesn't mean a thing to me.
01:13:35How long have you been seeing her?
01:13:38Look, darling, it doesn't mean I don't love you.
01:13:41You're my wife, but we're living in the 20th century now.
01:13:45You'll never see another woman again.
01:14:01Arthur Gaskell, art dealer.
01:14:04You lied to me.
01:14:07You told me that my pictures were worthless
01:14:10and that you couldn't handle them.
01:14:13You won't handle anything again.
01:14:32No, no, no, that's not the way.
01:14:34You're doing it all wrong.
01:14:37Look.
01:14:47I don't know why we employ you.
01:14:50Now, watch.
01:14:53Watch what I do.
01:14:56Watch what I do.
01:15:00Now, watch.
01:15:04Like that, see?
01:15:06Just use your intelligence.
01:15:09I'll show you once more.
01:15:18See?
01:15:22No, no, no!
01:15:30Now, Mr. Diltont,
01:15:33you can wait until tomorrow.
01:15:59Mr. Moore is here to see you.
01:16:02He doesn't have an appointment.
01:16:05Tell him to come in.
01:16:08Then you can go.
01:16:29Read about them, then.
01:16:34Now it's your turn.
01:16:38You have two minutes to live.
01:16:49Don't move.
01:16:54Just want to show you something.
01:17:00It's only a pen.
01:17:03A red felt pen.
01:17:29It's only a pen.
01:17:59It's only a pen.
01:18:29It's only a pen.
01:18:59It's only a pen.
01:19:29It's only a pen.
01:19:59It's only a pen.
01:20:29It's only a pen.
01:20:59Can't be!
01:21:29Can't be!
01:21:51Can't be!
01:21:59Can't be!
01:22:22That's your story.
01:22:26Well, we all have our cross to bear, haven't we?
01:22:29But it seems so real,
01:22:32almost as if it happened.
01:22:34Happened.
01:22:36Or could.
01:22:39You think that our fears
01:22:42could be a sort of warning?
01:22:45A warning of what may happen?
01:22:49Nonsense.
01:22:55Well,
01:22:58well,
01:23:24well,
01:23:28well,
01:23:58well,
01:24:29That's how it is.
01:24:32And how it always will be.
01:24:36Night after night,
01:24:39we have to retell
01:24:42the evil things we did
01:24:45when we were alive.
01:24:48Night after night
01:24:51for all eternity.
01:24:58Night after night
01:25:01for all eternity.
01:25:28© BF-WATCH TV 2021
01:25:58© BF-WATCH TV 2021
01:26:28© BF-WATCH TV 2021