“That's My Baby!” is a 1944 American comedy-drama film directed by William Berke. The story follows Phineas Moody, the head of Moody Comics, who is suffering from severe melancholia. His daughter, Betty, and her fiancé, Tim Jones, devise a plan to lift his spirits by filling the Moody mansion with vaudeville performers in an attempt to make him laugh. When their efforts fail, they track down Phineas’s estranged wife, Hettie, whom Betty hasn’t seen since childhood. The film culminates in the creation of an animated cartoon, which finally brings Phineas and Hettie back together. Featuring musical performances and comedic routines, the film is a lighthearted mix of romance, family, and entertainment.
Credits:
Director: William Berke
Producer: Walter Colmes
Starring: Richard Arlen, Ellen Drew, Leonid Kinskey, Minor Watson
Screenplay: Nicholas T. Barrows, William Tunberg
Cinematography: Robert Pittack
#ThatsMyBaby1944 #ClassicHollywood #ComedyFilm
Credits:
Director: William Berke
Producer: Walter Colmes
Starring: Richard Arlen, Ellen Drew, Leonid Kinskey, Minor Watson
Screenplay: Nicholas T. Barrows, William Tunberg
Cinematography: Robert Pittack
#ThatsMyBaby1944 #ClassicHollywood #ComedyFilm
Category
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Short filmTranscript
00:01:00Oh, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
00:01:31Hiya, Tim.
00:01:41Tim, we're getting something great, something with a real switcheroo.
00:01:44Yeah, we got a real bubble on it.
00:01:46All right, make me bubble. Make him bubble.
00:01:49Well, you know the story.
00:01:51Yeah, I know the story.
00:01:53We'll pick it up where the black wasp has grabbed the girl.
00:01:55She's a pretty smart kiddo, she knows what's coming and she struggles.
00:01:58Wait a minute, Joe!
00:01:59What's the matter?
00:02:00Before she struggles, the wasp gives her the business.
00:02:02Yeah?
00:02:03About the plans, remember?
00:02:04Yeah.
00:02:05He asks her for the plans to Twilight's new rocket ship and she turns him down.
00:02:08That's right.
00:02:09He's about to give her the sting of his breath.
00:02:12Sting of death!
00:02:13Sting of death!
00:02:16Ah, Captain!
00:02:17Captain Twilight comes to the rescue!
00:02:20Ah, but Captain Twilight was caught off guard!
00:02:22Captain Twilight realizes he's in the tightest spot of his career.
00:02:25Does that stop him?
00:02:26No!
00:02:27He gives him everything he's got.
00:02:30He throws himself out of his stuff.
00:02:32Why, you!
00:02:36Ah, he'll overcome that, Captain Twilight!
00:02:38Stop, Twilight!
00:02:39He comes back again.
00:02:40Ah!
00:02:41Ah!
00:02:42Ah!
00:02:43Ah!
00:02:44Ah!
00:02:45Ah!
00:02:46Ah!
00:02:47Ah!
00:02:49Why, you!
00:02:53He always comes back, Captain Twilight!
00:02:55He comes and he comes and he comes!
00:02:56The wasp is about to give Captain Twilight the sting of his breath!
00:03:03Sting of death!
00:03:04Sting of death!
00:03:05Why, you!
00:03:16Tim, what do you say?
00:03:17Is that a great twist or not?
00:03:19Oh, it's great, fellas.
00:03:20I'll buy it.
00:03:22And you can have it.
00:03:29Am I crazy?
00:03:30Certainly.
00:03:31What?
00:03:32Well, wait a minute.
00:03:33You gotta be crazy in this business to make any money.
00:03:35Then Mr. Moody's crazy!
00:03:36Well, certainly he's crazy!
00:03:37Everybody's crazy!
00:03:38We're all crazy!
00:03:44So what else have you got?
00:03:45Only your character for next month's magazine.
00:03:47I couldn't sleep a wink thinking about it.
00:03:50The next time you can't sleep, try counting sheep.
00:03:53I will.
00:03:57My suggestion is to throw this in the wastebasket.
00:04:00In that case, we'll take the basket up to Moody.
00:04:02He might fool you and like it.
00:04:04Just a minute, Jones.
00:04:05I'm still general manager of the plant, Hilton Payne, remember?
00:04:08Oh, brother, how could I ever forget it?
00:04:10And Mr. Moody can't approve something he doesn't see.
00:04:13No.
00:04:14And furthermore, I don't approve of anyone who steps on my toes.
00:04:17You wouldn't.
00:04:18Looks like a spot for a pinch hitter.
00:04:19What's the score?
00:04:20Hello, Betty.
00:04:21It's tied.
00:04:22He says no, I say yes.
00:04:24What you boys need is a referee.
00:04:26Now, honey, don't you bother your pretty little head about details.
00:04:29Jones and I will settle this between us.
00:04:31Maybe I could decide.
00:04:33I think I know father's likes and dislikes as well as you do.
00:04:38And I've decided it's tops.
00:04:40Thanks.
00:04:41Well, Betty, I guess your decision just about covers everything.
00:04:49You know, it's funny what jealousy can do to a guy's judgment, isn't it?
00:04:52I can understand that.
00:04:55Father thinks I'm going to marry him.
00:04:58You know, you have the most beautiful eyes.
00:05:01Tim.
00:05:03Father isn't a well man.
00:05:05And the most beautiful hair.
00:05:07He depends on me.
00:05:09And the most beautiful mind.
00:05:11Tim, stop.
00:05:12I'm serious.
00:05:13Yes, I know.
00:05:15And, well, I think that we should do something about it.
00:05:18Yes, yes, we will.
00:05:20But you still have the most beautiful hair.
00:05:21And...
00:05:22The most beautiful mind.
00:05:23And I've decided to...
00:05:24And the most beautiful mind.
00:05:25I've decided that I'm going to get a doctor.
00:05:27Yes.
00:05:28Okay, okay.
00:05:42Miss Wilson, where's Mr. Austin?
00:05:44Good morning, Mr. Moody.
00:05:45Yes, yes.
00:05:46Where's Mr. Austin?
00:05:47He should be here any moment, Mr. Moody.
00:05:49Send him in the minute he comes.
00:05:50Yes, Mr. Moody.
00:05:54Good morning, Miss Wilson.
00:05:56Go right in, Mr. Austin.
00:05:57Mr. Moody's waiting for you.
00:05:58Good.
00:06:06Good morning, Annie.
00:06:07Good morning, Hoppy.
00:06:08I'm glad to see you.
00:06:09Hi, Tilly.
00:06:10Start toiling.
00:06:11Here's the morning news, right on the dot.
00:06:13What happened to Picklepuss?
00:06:14Did he go out of that jam he was in yesterday?
00:06:16Yeah, he made it all right.
00:06:17Just the cups were closed.
00:06:18Hold it.
00:06:19Don't tell me.
00:06:20I want to read it later.
00:06:22Say, how come his nibs are so scared of the comics?
00:06:24If I could make a million bucks with him like he did,
00:06:26I'd die laughing.
00:06:28Uh, why don't you send one in and see what happens?
00:06:30A very funny idea.
00:06:32The girl that worked before me forgot just once.
00:06:34The comics went inside, and boom, she was outside.
00:06:37Yeah, well, that makes a difference.
00:06:42That's why I like you, Henry.
00:06:43You're honest.
00:06:44Don't try to impress me like everyone else.
00:06:47Hilton, for instance.
00:06:48He's just waiting for me to retire.
00:06:51Oh, I thought you approved of him
00:06:52that he was going to marry Betty.
00:06:54He's the man Betty thinks she wants to marry.
00:06:56I'm not going to interfere.
00:06:58I made a mistake in my own marriage.
00:07:00Who am I to tell her what to do?
00:07:02I like Betty.
00:07:03I hope she'll be happy in every way she can.
00:07:05I like Betty.
00:07:06I hope she'll be happy and never want for anything.
00:07:08She won't, at least financially.
00:07:11Oh, then you're going to give Hilton the business.
00:07:13Yes, but not the way he expects.
00:07:17He's a lucky young man.
00:07:18I hope he appreciates it.
00:07:20Henry, the art of appreciation is lost
00:07:22in this world of dog-eat-dog.
00:07:24Everybody is out for something.
00:07:26I know.
00:07:28A bunch of cutthroats.
00:07:35Good morning, Marjorie.
00:07:36Good morning.
00:07:37I'll take this in.
00:07:41Good morning, Miss Moody.
00:07:42Good morning, Henry.
00:07:43How's Dad?
00:07:44Wonderful.
00:07:45He brightens up my whole day.
00:07:48I'm Dr. Calloway.
00:07:49It's good to see you.
00:07:50It's a pleasure.
00:07:51Miss Moody, this is Dr. Swatsky of Prague.
00:07:53Swatsky with a V, Calloway.
00:07:55Oh, sorry, with a W.
00:07:56How do you do?
00:07:57How do you do?
00:07:58If you gentlemen will wait here a minute,
00:07:59I'll go in and prepare Dad.
00:08:06That glint in your eyes can mean only one thing.
00:08:09You've got an idea.
00:08:10I have, and it's a good one.
00:08:12I was afraid of that.
00:08:13Well, what is it?
00:08:14Did you take your medicine?
00:08:15No.
00:08:16Why not?
00:08:17Because my medicine does you more good than it does me.
00:08:27Now, open.
00:08:29Open.
00:08:30Open.
00:08:31Open.
00:08:32Open.
00:08:33Open.
00:08:34Open.
00:08:42Now, do you feel better?
00:08:44Very much better.
00:08:46Hello, Dr. Calloway.
00:08:48I hope you have better luck this time.
00:08:50Well, I'm sure we will.
00:08:51I'm fortunate in having Dr. Swatsky with me on the case.
00:08:54Dr. Swatsky?
00:08:55Swatsky, yes, Swatsky.
00:08:57This is very, very interesting.
00:09:00Calloway, my dear colleague, I haven't seen one like this recently.
00:09:03Wait a minute.
00:09:04There's nothing wrong with me.
00:09:05Mr. Moody's the man you want.
00:09:07Moody, yes, Mr. Moody.
00:09:09This is a very intriguing example of the paranoid type.
00:09:14Yes.
00:09:15Consolidated up four points.
00:09:17Associated up five.
00:09:18Go ahead and order that mink coat.
00:09:22But Hilton told me to sell both of them yesterday.
00:09:25Hilton.
00:09:26Hilton.
00:09:27Hilton.
00:09:28Were you calling me, RP?
00:09:29No, I'm not calling you.
00:09:31I'd like to forget you.
00:09:38Now, Daddy, don't get upset.
00:09:40What would Dr. Calloway think if he saw you this way?
00:09:42Dr. Calloway.
00:09:43Yes, and we're very lucky.
00:09:45He's brought a famous specialist from Prague.
00:09:47Specialist medicines.
00:09:48What good do they do?
00:09:50Betty, I know you're trying to help me, but it just won't work.
00:09:52All your doctors, specialist medicines, none of them do any good.
00:09:56Please, Dad, try it just once more.
00:09:59This time we'll win.
00:10:01I'll bet on it.
00:10:03All right, but if you lose, this will be the last time.
00:10:06It's a bet.
00:10:14Dr. Calloway, Father will see you now.
00:10:17Dr. Swatsky?
00:10:18Yes?
00:10:19No.
00:10:20Oh, thank you very much.
00:10:24Thank you very much.
00:10:27Hello, Calloway.
00:10:29Dr. Swatsky, Mr. R.P. Moody.
00:10:32R.P. Moody.
00:10:33How do you do?
00:10:34How do you do, Mr. Moody?
00:10:36Melancholia Maribundus, Dr. Calloway.
00:10:38The pleasure is all mine.
00:10:40You're welcome to it.
00:10:43In going over your case with Dr. Calloway,
00:10:46we have found that sanity runs in your family.
00:10:50Right now, I doubt it.
00:10:52Now, I also found out that you're a successful businessman.
00:10:56Don't you feel sometimes that you're all alone?
00:11:00No, no, no.
00:11:01Please, please, don't interrupt me.
00:11:02Quiet, please.
00:11:03Shh.
00:11:04Now, at times you have the feeling as though you're in total darkness.
00:11:09Answer me, please.
00:11:10Yes, many times.
00:11:11Good, good.
00:11:12Like going somewhere.
00:11:13Now, tell me, please, when, when those things do occur?
00:11:18When I turn out the light and go to bed.
00:11:20When you turn out the lights and go...
00:11:21No, no, no, no, no, no, no.
00:11:24When you laugh, when you laugh, is it a high-pitched laughter like...
00:11:30Or is it, is it perhaps a hysterical one like...
00:11:33It has a slow start and then builds up.
00:11:35Or is it a full, full whole-hearted laughter, deep like...
00:11:41I never laugh.
00:11:42You never laugh?
00:11:43No, no, no.
00:11:44That, that you don't mean.
00:11:45That I do mean.
00:11:47I haven't smiled, let alone laughed in 20 years.
00:11:49Dr. Calloway, that I cannot believe.
00:11:53An acute case of melancholia.
00:11:56No, no, no.
00:11:57The diagnosis we have left behind, my dear colleague.
00:11:59The reasons for it, the etiology, the prognosis of it.
00:12:03That's what, what I cannot understand.
00:12:06The facial muscles?
00:12:08The facial, the facial muscles.
00:12:10That is correct.
00:12:11That is correct.
00:12:12Will you please lean back?
00:12:14Like this.
00:12:15The facial muscles.
00:12:18That's strange.
00:12:19Strange.
00:12:20Very strange.
00:12:21Very, very strange.
00:12:23No, no.
00:12:24That's correct.
00:12:25Now, let's see the facial muscles and reactions.
00:12:29Let's see another...
00:12:31Observe, Dr. Calloway.
00:12:32Absolute and normal reaction.
00:12:35Now, let's see this.
00:12:37Sit back, please.
00:12:38Sit back.
00:12:41Now, everything is absolute, you know.
00:12:43Bet or no bet, he's going too far.
00:12:45No, no, no.
00:12:46Now, Mr.
00:12:48Moody.
00:12:49Mr. Moody, Mr. Moody.
00:12:50Now, please, please.
00:12:51Try to think, if you can.
00:12:5420 years ago.
00:12:5620 years ago.
00:12:58Remember?
00:12:59Your daughter was just a little baby.
00:13:03What happens to you then?
00:13:05What happened 20 years ago is no concern of yours.
00:13:07And I've had about all I can stand for today.
00:13:09Dr. Calloway.
00:13:11Unless I have a full cooperation,
00:13:13we're getting no place fast.
00:13:17This is only an idea, a clue.
00:13:19Perhaps a parallel to jump from.
00:13:21What is it, Dr. Swadzki?
00:13:23My dear young lady.
00:13:26In 1783,
00:13:28Philip of Spain was suffering from melancholia
00:13:31so moribund that it threatened his life.
00:13:34After a search, a singer was found
00:13:37whose voice had that therapeutic effect.
00:13:41Now, the singer provided tectonic
00:13:44and the king imagined the king was healed.
00:13:47Oh, brilliant, a masterly analysis.
00:13:49Now, thank you, thank you very much.
00:13:50Now, the cure, it is simple.
00:13:52All we have to do is make Mr. Moody laugh.
00:13:56I could have told you that without a fee.
00:13:58The whole world needs laughter.
00:13:59Laughter is a medicine.
00:14:00And you can't take an overdose of it.
00:14:02It's good for what ails you?
00:14:03Falling hair, falling arches, bunions.
00:14:05Why, the whole world's crying for it.
00:14:07Say, why don't we bottle it and go into business?
00:14:10It is a very refreshing point of view.
00:14:12Well, there must be somebody who can make him laugh.
00:14:14I doubt it.
00:14:15Tim, I've got the beginning of an idea.
00:14:18And I've got the end of it.
00:14:26If the king of Spain was cured by one singer,
00:14:29then we'll hire the best talent that money can buy.
00:14:32They should be able to do something for Dad.
00:14:40Freddy Fisher and his band.
00:14:42George McKay.
00:14:44Bill.
00:14:45Dottie.
00:14:47Duffy.
00:14:48And Peanuts.
00:14:50Darby and Dardell.
00:14:52Isabelita and the Guadalajara Boys.
00:14:54Chewie Reyes and his truck and air band.
00:14:57Mike Ryan and his musical maniacs.
00:14:59And Bob Roberts.
00:15:00And Mervin.
00:15:02Alphonse Vergier and Doris Dewayne.
00:15:05Almodovar and his pal.
00:15:07Almodovar and his pal.
00:15:27Where's Hoskins?
00:15:29Hoskins took the day off to get married, sir.
00:15:31I'm his brother.
00:15:32Who brought that beast in here?
00:15:34I did, sir.
00:15:35He's not a beast.
00:15:36He's my dog.
00:15:37Well, I'm allergic to dogs.
00:15:38And I think I'm going to be allergic to you.
00:15:40Get him out of here.
00:15:41Say, listen.
00:15:42If you want any help, you better take what's available.
00:15:44And with me, it's love me, love my dog.
00:15:47Besides, he's a fine dog.
00:15:49I'm crazy about him.
00:15:51The greatest trick dog that ever lived.
00:15:54But he won't do easy tricks.
00:15:56Only big tricks.
00:15:58And the bigger the tricks, the better he'll do them.
00:16:01Did you get that buildup I gave you?
00:16:03I told him you won't do easy tricks.
00:16:05Only big tricks.
00:16:06Come on.
00:16:07Let's show him some class.
00:16:08Ready?
00:16:09Stand up, boy.
00:16:10Up.
00:16:11Come on, boy.
00:16:12Stand up.
00:16:13Up.
00:16:14Come on, boy.
00:16:15Stand up.
00:16:16Up.
00:16:17Too easy.
00:16:18Lay down.
00:16:19Dead dog.
00:16:20When I say dead dog, you lay down.
00:16:22Well, he don't have to lay down.
00:16:23He's dead standing up.
00:16:24It's all right.
00:16:25Look, over here.
00:16:26I'll show you.
00:16:27Look, right here.
00:16:28Right here, look.
00:16:29Over here.
00:16:30Come on, boy.
00:16:31Come on.
00:16:32See that trick?
00:16:33He moved.
00:16:34I hope he didn't strain his shoulder.
00:16:36That's all.
00:16:37Take it easy.
00:16:38You're working a little too fast.
00:16:39Slow up a little.
00:16:40Take your time.
00:16:41Go ahead.
00:16:42Lay down, will you?
00:16:43Lay down.
00:16:44I think the suit is too big for you.
00:16:46Look at that.
00:16:47Look.
00:16:48Maybe he's expecting mumps.
00:16:49Why don't you stop suffering and lay down?
00:16:52Collapse.
00:16:53Hold up.
00:16:54Lay down.
00:16:56You won't believe it.
00:16:57When I first got that dog, he couldn't do nothing.
00:17:00Go on and bark.
00:17:01Come on, bark.
00:17:06That was me.
00:17:08Would you like to see him do one more trick?
00:17:10This is the last trick, of course.
00:17:12Come here, Flash.
00:17:14Flash.
00:17:15Come here, Flash.
00:17:17Come on, boy.
00:17:18Look at that speed he's burning up today.
00:17:23He couldn't go any further.
00:17:24It's a little uphill over here.
00:17:26Now the dog is going to jump.
00:17:28He's raring to go.
00:17:29Look.
00:17:30Can you make it?
00:17:31One, two, three.
00:17:33Go.
00:17:34There he goes.
00:17:35There he goes.
00:17:36The flunk.
00:17:37He's a little out of wind now.
00:17:38Take your time.
00:17:39Why don't I give him a little rub down so he can do it again?
00:17:41Try it again.
00:17:42This time sneak up on it and fall on the other side.
00:17:44Go ahead.
00:17:45Go.
00:17:46There he goes.
00:17:47There he goes.
00:17:48Boom.
00:17:49Well, anyway, this is the way he looks after he jumps.
00:17:52Like that.
00:17:53There it is.
00:17:54Oh, he's a great pet, I'm telling you.
00:17:56There's no limit to his tricks.
00:17:58Look at him running around here.
00:17:59Look at that.
00:18:00There he goes.
00:18:01Go flunk.
00:18:02Boom.
00:18:03And besides, the dog is a great music lover.
00:18:06Oh, he loves high class music.
00:18:08But let me tell you, of all the music he's ever heard, he likes my music the best.
00:18:13He'd rather hear me play one song on this harmonica than eat 40 or 50 steaks.
00:18:17And this is his favorite song, played by his master.
00:18:21Callaway, my dear, this is the moment when we should observe our patient at the closer
00:18:28range.
00:18:29Yes, at the closer range.
00:18:32Mm-hmm.
00:18:33Much closer.
00:18:35Doctor, doctor, what happened?
00:18:38Contradictory symptoms, Callaway.
00:18:40Most contradictory.
00:18:42Tell me, please, what is his next move?
00:18:45Oh.
00:18:46Breakfast.
00:18:47Breakfast.
00:18:48That is very good.
00:18:50Very good.
00:18:51Breakfast.
00:18:52Breakfast.
00:18:53Very good.
00:18:54Breakfast.
00:18:55Breakfast.
00:18:56Breakfast.
00:18:57Breakfast.
00:18:58Breakfast.
00:18:59Breakfast.
00:19:00Breakfast.
00:19:01Breakfast.
00:19:02Breakfast.
00:19:03Breakfast.
00:19:04Breakfast.
00:19:05Breakfast.
00:19:06Breakfast.
00:19:07Breakfast.
00:19:08Breakfast.
00:19:09Breakfast.
00:19:10Breakfast.
00:19:11Breakfast.
00:19:12Breakfast.
00:19:13Breakfast.
00:19:14Breakfast.
00:19:15Breakfast.
00:19:16Breakfast.
00:19:17Breakfast.
00:19:18Oh, yes sir.
00:19:19Very good.
00:19:20Where's Hilda?
00:19:21She took the day off to Mary Hutton, sir.
00:19:27Oh.
00:19:28What are you doing here?
00:19:29Well, I'm waiting for Waddable to come back.
00:19:30No questions.
00:19:31Here are your three minute eggs, sir.
00:19:32you prefer him on the older side. That gag
00:19:42always went good in Kansas City. Who's this man trying to take my job it's just
00:19:47for today pick me always only up for the day. For the day what is he going to do
00:19:53the other day he's here to entertain oh entertain your father well I think if you
00:19:57give me
00:19:58a chance to drop my hair I could entertain your father and I'm probably my hair
00:20:01right now.
00:20:29Oh. Oh. How
00:20:36is that. I think it might be
00:20:37a very good idea you think.
00:20:53What's the meaning of this now everything's going to be all right I'm going to be
00:20:56all right with a house full of hoodlums. I don't like surprises what are you doing
00:21:01here. Mr Jones is just helping helping out well help me out tell me who you're
00:21:07helping well. You aren't we can select the entertainment for the entertainment for
00:21:13the employees anniversary party where when did you get that idea well we are
00:21:17recently. Yeah that's fine it's not
00:21:21a bad idea well let's start selecting I've got
00:21:23a place of business to go to Mr Moody Mr Moody one more question when you ask me
00:21:28later please I have something to look at.
00:21:36Crying. Every night I'm alone I keep crying.
00:21:45Or I seem to be lost in
00:21:48a crazy dream. And I'm hopelessly drifting along.
00:22:00Crying. Every night by the phone I keep crying.
00:22:09I'm just groping around in a hazy dream.
00:22:15Well there's no use in dreaming along.
00:22:25The harder I try to forget all our moments the more the tears come to my eyes.
00:22:37Foolish I know but I can't help but feeling that the whole silly thing wasn't wise.
00:22:50I'm lonely. Every morning I wake and I'm lonely.
00:23:00As the days pass me by I go drifting along just like a ship that drifts along at sea.
00:23:15Hey Robin! Hey Robin! Robin I was standing out there and I heard you sing a song.
00:23:19I was singing crying. You said you were crying.
00:23:21That's right. Well Robin I laughed. I got fooled last night.
00:23:25I was crying last night too Robin. I'm gonna cry.
00:23:30Robin look at me cry. I'm crying because I was a ship.
00:23:34I cried. Robin. Robin you said you were a ship.
00:23:41I cried. Robin look at me cry.
00:23:50Now you can take a bath Mike. What kind of a bath?
00:23:53A bubble bath. Very good. A bubble bath.
00:23:56Robin this is a terrible way to make a living. Robin I cried every night. I cried.
00:24:03Hey I don't want to set the world on fire. Don't worry you won't with that face.
00:24:08I don't want to set the world on fire.
00:24:13Hey Mike! Mike! Mike!
00:24:25Boy! Am I put out!
00:24:30Look!
00:24:32What they put out in the desert. Good folks!
00:25:13The doctor is making a lion into a sheep. The lamb doctor.
00:25:17The lamb, the sheep, the mutton. What's the difference?
00:25:19It is so beautifully symptomatic of father fixation.
00:25:22Now I ask you. Where is the mutton?
00:25:24All right. Don't answer. Don't answer. I'm going to ask Mr. Moody myself.
00:25:27I've asked him already once and I'm going to ask him again. Watch me.
00:25:32Very good. Very good entertainment. Please my employees.
00:25:35Yes. Yes. Yes. Mr. Moody. There's one more thing.
00:25:38Dr. Oplotsky please. I'm occupied.
00:25:41Mr. Moody my name is Dr. Vzvatsky with the V.
00:25:59Well.
00:26:01I'll attend to that sir. Doris.
00:26:05You can't do that.
00:26:06You can't wear a bathing suit. I'll have to put some more clothes on you.
00:26:36How do you like this?
00:26:38Beautiful. The dress.
00:26:41How do you like this?
00:26:43Beautiful. The dress.
00:27:11And this for an afternoon dress. No pins.
00:27:14No pins.
00:27:16And this for an afternoon dress. No pins.
00:27:19No pins.
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00:28:16The bride.
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00:31:11Yadé.
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00:33:35Yadé.
00:33:36Well, there must be souvenirs or keepsakes
00:33:38or something around the house.
00:33:41Not in the house.
00:33:43Wait a minute.
00:33:44There's a confidential file in the office.
00:33:46No one ever touches it.
00:33:48I've got it.
00:33:50We'll wrap the joint.
00:33:52In broad daylight?
00:33:54No, tonight.
00:34:03There you are, Raffles.
00:34:04Start raffling.
00:34:05Hardly worthy of my talents.
00:34:07Now, this is going to be very easy.
00:34:14I broke my knife.
00:34:15Maybe I should have brought a tool kit.
00:34:17Oh, you should find what you want in here.
00:34:23Lighter?
00:34:24File?
00:34:25Powder?
00:34:26Let's blast.
00:34:27Blast this time of the night?
00:34:28Might wake up the watchmen.
00:34:30Don't worry about that.
00:34:31This building would have to fall down
00:34:33before we could wake up Ansel.
00:34:35Ansel?
00:34:37Uh, the watchmen.
00:34:39Dear old Ansel.
00:34:40There's only one trouble with this thing.
00:34:42It won't open.
00:34:43Oh, why didn't you say so in the first place?
00:34:47Marvelous, darling, marvelous.
00:34:51What's that?
00:34:52Just Ansel, remember?
00:34:54Oh, yeah, Ansel.
00:34:55When may we expect him?
00:34:57Just three more doors.
00:35:01Two more.
00:35:04Uh, perhaps you better go through this.
00:35:06After all, it's your past.
00:35:08Not afraid of old skeletons, are you?
00:35:10Skeletons don't worry me.
00:35:16This is mother and daddy when they were first married.
00:35:18Mother's kind of pretty, isn't she?
00:35:20You know, put a modern dress on her and it could be you.
00:35:23Yeah.
00:35:24Am I crazy?
00:35:26Why, your father's laughing.
00:35:29Yeah.
00:35:30It's too bad he can't laugh like that now.
00:35:32He was awfully happy then.
00:35:37Uh-oh.
00:35:52Good evening, Ansel.
00:35:56Who are you?
00:35:57Oh, I was expecting Ansel.
00:35:59I wasn't expecting anybody.
00:36:01What's your name?
00:36:02Uh, Betty Moody.
00:36:05Betty Moody.
00:36:08Betty Moody.
00:36:10Oh, yes, uh, your name is on my list, Miss Moody.
00:36:15Yes, well, I'm glad my name's on your list.
00:36:18Well, good night.
00:36:21Good night, Miss Moody.
00:36:32Huh.
00:36:34All the time I thought you knew, Ansel.
00:36:38Tim, isn't it terrible the way people have violent tempers when they're young?
00:36:42Oh, that's all right, darling, I'll forgive you.
00:36:45Mother refers to it as artistic temperament.
00:36:48Father calls it blank, blank, blank stubbornness.
00:36:52And three years later, they're of the same opinion.
00:36:56Apparently, they haven't changed a bit.
00:37:01Tim, that could never happen to us, could it?
00:37:05Not in a million years, darling.
00:37:11I'm afraid we're gonna have coners again.
00:37:12Oh.
00:37:13Back in your cave.
00:37:20Why, Betty.
00:37:23I saw a light in the office as I was driving by and I thought I'd come up and investigate.
00:37:28And now that you've investigated.
00:37:30I am perfectly satisfied with what I've found.
00:37:33What have you found?
00:37:34You.
00:37:36Just when I was getting the silly idea that I'd lost you.
00:37:39You have.
00:37:40Betty, be sensible.
00:37:42You're not going to let a ridiculous infatuation for a fellow like Jones upset your whole future.
00:37:47Just a minute, Bub, you're going too far.
00:37:49Where'd you come from?
00:37:50In there.
00:37:52What are you doing here?
00:37:53Looking after Miss Moody's future, starting now.
00:37:56And I'd say you've got a great start going through Mr. Moody's private papers.
00:37:59Hilton, I think you'd better leave.
00:38:01I'm going to.
00:38:02And when I go, I'll walk out, not sneak out.
00:38:04Sneak out.
00:38:05Isn't that clear?
00:38:06Perfectly clear.
00:38:08Not forgetting this, Jones, we'll settle this later.
00:38:17Good morning, R.P.
00:38:18Where'd you get that, Hilton?
00:38:20Well, it was this way.
00:38:21I know, you ran into a door.
00:38:23Yes.
00:38:24No, I was driving by the office last night and I saw a light through the window.
00:38:28I came up to investigate and I found one of your employees going through your private papers.
00:38:33Going through my papers?
00:38:34Yes.
00:38:35Naturally, I took exception and that's how I got the black eye.
00:38:38Who was it?
00:38:40Timothy Jones.
00:38:41Jones?
00:38:42Why, that good for nothing.
00:38:43How do you do, Mr. Moody?
00:38:44Not now, Swatsky.
00:38:46Good morning, Dr. Swatsky.
00:38:47Oh, the paranoid type.
00:38:49Now look, Dr. Swatsky, I know, but the last time I saw you, I told you that Mr. Moody was a gentleman that you should have talked to.
00:38:56I know, but I'm awfully busy.
00:38:57You shouldn't get excited.
00:38:58You see, in criminal times...
00:38:59Dr. Swatsky, I know, but I'm not the one...
00:39:04Strange character, isn't he?
00:39:07Monk, we'll run through it a couple times before we try it on Tim.
00:39:09Ah, the story begins a way out west.
00:39:14What am I gonna be?
00:39:15You're gonna be Monk the Killer.
00:39:20I'm not afraid of you.
00:39:21Besides, you've got Little Rallo and Bill Phelps, the two boy rangers, trapped in the cabin.
00:39:24Monk, you move out, be ready to make a run for the door.
00:39:29I'll get the chalk.
00:39:30I'll get the mail, sir.
00:39:33This is the cabin?
00:39:34Uh-huh.
00:39:35What's that?
00:39:36Little cabin.
00:39:38Oh, remember now, we are the two boy rangers.
00:39:44And you've pre-solidified.
00:39:51The most powerful youth in all the land.
00:39:54Ha-ha-ha-ha!
00:39:59Ah, it's a matter of minutes before the killer bashes down the door.
00:40:01Yes, sir.
00:40:02Then Phelps sees the mail, sir.
00:40:03Ah-ha!
00:40:10Okay, Monk.
00:40:15On the floor, on the floor.
00:40:17Rallo!
00:40:18We've got the killer.
00:40:19Quick, the soap.
00:40:20You mean the rope?
00:40:21The rope!
00:40:22The rope!
00:40:23I got it!
00:40:24Stop the rope!
00:40:28I'm tearing fast, Phelps.
00:40:29But we'll get through.
00:40:30You'll get through.
00:40:33Hey!
00:40:34What's more, the boy rangers come through with victory, right?
00:40:38They'll keep coming.
00:40:39They'll come through at the end of time.
00:40:40They'll all of us come.
00:40:41The boy rangers will all of us come.
00:40:46Hey, how can you be standing there and in the sack, too?
00:40:48Well, it ain't me.
00:40:50Well, who's in the sack?
00:40:51Yeah, who's in the sack?
00:40:53I don't know.
00:40:56You scoundrel!
00:40:57Oh, Mr. Cody.
00:40:58You scoundrel!
00:40:59You're through.
00:41:00You're finished.
00:41:01Yeah, I...
00:41:02Get out and stay out.
00:41:03Yeah, I know I'm throwing them out.
00:41:04Send my mail to the club, will you, boys?
00:41:05Bye.
00:41:06Bye.
00:41:07Get out of here, both of you!
00:41:11A boy ranger never fails!
00:41:12He always goes through!
00:41:20Dad!
00:41:21Dad, what happened?
00:41:22Everything.
00:41:23Everything bad.
00:41:24Mainly Jones.
00:41:25Now, wait a minute, Dad.
00:41:26Nobody's going to sneak behind my back and pry through my private office.
00:41:28I kicked him out.
00:41:29Tim was with me last night.
00:41:31We both poked through your office.
00:41:32Betty!
00:41:33Dad, we were only trying to help you.
00:41:35That's another thing I will not stand for.
00:41:37I will not allow anybody to pry into my private life.
00:41:39Well, this time you're going to stand for it.
00:41:41It's my life, too, and up until now you've run it.
00:41:43Run it?
00:41:44I've been an indulgent father.
00:41:45Right.
00:41:46You've indulged yourself for 20 years.
00:41:47Made me miserable and sorry for you.
00:41:49Now I know why Mother...
00:41:50Your mother has nothing to do with this.
00:41:52Leave her out of it.
00:41:53I'm not going to leave her out of it.
00:41:54She's my mother, and I'm glad I found out she's a person instead of a rumor.
00:41:58And...
00:42:00And another thing.
00:42:01Whether you like Tim or not, I love him.
00:42:19You see, the clouds are deepening.
00:42:21Horses are galloping ahead.
00:42:25And from the turn to the turn,
00:42:27Through the thick chain of enemies,
00:42:30The machine gunner is enraged.
00:42:32The machine gunner is young.
00:42:34Oh, Tachanka, yes, Tachanka, yes,
00:42:37Our city is beautiful.
00:42:39Where the army Tachanka,
00:42:42All four wheels.
00:42:44Oh, Tachanka, yes, Tachanka, yes,
00:42:47Our city is beautiful.
00:42:49Where the army Tachanka,
00:42:52All four wheels.
00:42:59Oh, behind the Volga and the Don,
00:43:02The golden steppe was rushing,
00:43:04Behind the burnt, dusty,
00:43:06The machine gunner is young.
00:43:10And the irresistible rush
00:43:13Of the red-horse mane,
00:43:15Curves, branches, smoke,
00:43:17Curves, the pain of fire.
00:43:20Oh, Tachanka, yes, Tachanka, yes,
00:43:22Our city is beautiful.
00:43:24Where the army Tachanka,
00:43:27All four wheels.
00:43:29Oh, Tachanka, yes, Tachanka, yes,
00:43:32Our city is beautiful.
00:43:34Where the army Tachanka,
00:43:37All four wheels.
00:43:45All four wheels!
00:43:55Give me another, will you, Murph?
00:43:56Okay.
00:43:57Make it two.
00:43:59Aye, beautiful.
00:44:01You look almost happy.
00:44:03I am, since you came into the joint.
00:44:05Sorry about what happened, Tim.
00:44:07I came as soon as I left Dad.
00:44:09How'd you leave him?
00:44:10Alone.
00:44:12I wish we were alone.
00:44:14What would you do this?
00:44:21Don't you worry baby, we'll get along after all I've still got that comic strip running
00:44:26You know as far as your dad's concerned. He's through with me, but I'm not through with him
00:44:32Neither am I
00:44:33And we've got unfinished business
00:44:37We could only find mother
00:44:41You know Tim Henry might be able to help Henry
00:44:45Yeah
00:44:46He's been shaving dad for the last 30 years. He knows him better than anyone
00:44:51Hey Murph, give me a phone will you
00:44:57Got the number
00:45:00Oh
00:45:12Hey, they didn't have saloons like this when I was your age
00:45:15Stop Henry. Oh, so that's what they call them. Now. What do you have?
00:45:20lemonade
00:45:21lemonade I
00:45:23Get what you mean, but what's in it? Lemons sugar and water
00:45:31Henry I thought you might be able to tell us something about mother. Where can we find?
00:45:35Well, she spends her winters in California the summer season in Connecticut and the play season here
00:45:43Then she should be here. No, but if she is she's at the Tower Hotel Tower Hotel
00:45:47She's a writer, you know under the name of Lacey Thornton
00:45:54You
00:45:57Get excited darling. Oh, I'm not excited. I just realized what this means
00:46:02You see, I've never seen my mother now that you're going to see her. You wonder what she's like
00:46:09Yeah
00:46:10What is she like you and me?
00:46:14There's only one way to find out
00:46:24I do come right in
00:46:29Oh
00:46:31It's such a relief to be with young people
00:46:32You know, usually I'm interviewed by this horribly businesslike people who insist upon pinning you down to places and dates and uh, oh
00:46:39I'm sorry. Mr. Jones. He's he's gonna be your son
00:46:44That is I'm gonna marry him and I'm your daughter. Why how delightful? Oh, I love romance in fact
00:46:51A daughter a Betty. Oh
00:46:55Oh
00:46:56It just doesn't seem possible a little Betty had grown into such a beautiful young lady
00:47:03And about to marry such a beautiful young man. Oh
00:47:07Beautiful period. Oh, oh, oh do sit down
00:47:11I wrote your story once and let me see. It was the book before the last no the one next to that mother
00:47:20Dad has been
00:47:21But he hasn't been well, and I thought maybe that we could help him. Oh poor Phineas
00:47:28He was always hard to understand
00:47:30But he has done well in business hasn't he?
00:47:33He's a good man. He's a good man. He's a good man. He's a good man
00:47:38But he has done well in business hasn't he haven't you heard oh
00:47:43I've been away for months and months. Oh ever so long. I used to do all my work in Europe and oh, it's so stimulating
00:47:52mother
00:47:53Dad dad is quite ill
00:48:02What are you doing here
00:48:03You're just the guy I'm looking for I'm here to do you a favor here grab a chair and hang and hang on
00:48:10You know what? I'm gonna do. I'm gonna double your production and triple your income
00:48:14You know, you know the way things are now the American working man's got to have something besides an automobile in a house in a lot
00:48:21He's got to be made happy and he's got to be kept happy
00:48:24Give music to make him happy the American working man loves music
00:48:29You can tell that by the way, he jumps when the whistle blows
00:48:32You're I sure he just give him give him that music and just make his day a big long beautiful song
00:48:38The sky's the limit give me no
00:48:40Razzmatazz, okay boys
00:48:59Oh
00:49:10I'm getting tired of jazz. I'm plenty slick feller from North Dakota. I've even seen a little bit of
00:49:18Minnesota. Oh, give me that tea yucca, too
00:49:21And let me holler wahoo
00:49:23Now people think I'm in a rut because they're off their not oh, give me that razzmatazz
00:49:29Give me that razzmatazz
00:49:59Oh
00:50:29I
00:50:38Don't think we're gonna make it Oh
00:50:47Hey, how'd you like it get that hard where those spare parts out of here absolutely no soul
00:50:54Yes, sir, get me a ticket on a train to California make it the cheap don't get it on the super cheap
00:50:59I've had all I can stand of this. I'm getting out of here
00:51:06Oh
00:51:08Pony is if only he hadn't gone completely sour on cartoons
00:51:12cartoons
00:51:14What about cartoons? Why he was laughing at one the last time we were together or
00:51:19Next to the last time a week ago
00:51:23We have gone to a cafe or a modest little place to celebrate the night before his 35th birthday
00:51:31That was the night. He had the baby. He had the baby
00:51:36You mean me? No, darling a brainchild
00:51:40He drew it on the wall of the cafe
00:51:43Poor Phineas. His one ambition was to be an artist
00:51:47Being artistic myself
00:51:48I realized he could never be a great artist and there's nothing worse than a poor artist is there
00:51:55No, nothing could be worse. That's just what I told Phineas. Oh
00:51:59It was dreadful. He created quite a scene
00:52:03Poor Phineas. I never realized what that cartoon meant to him. I can
00:52:09Maybe that cartoon was an idea when you shattered it. You took everything away. No, I didn't it was on the wall of the cafe
00:52:17Maybe it might revive something give him a new life
00:52:21Tim
00:52:22Would it be wonderful if it would?
00:52:24But that was 20 years ago
00:52:26Surely wouldn't be there now. Could you remember where the cafe was? Well, I don't know
00:52:32But it would be fun to try wouldn't it? That's the chance. We'll have to take I love to go places
00:52:37I remember once in London with the Earl of Caffer's down
00:52:43Mother is this your idea of a nice cozy little place?
00:52:46I'm positive this is where it was
00:52:48Or is it?
00:52:51Good evening, sir the table for three
00:53:16I
00:53:46Do
00:54:16You
00:54:46You
00:55:16You
00:55:46You
00:56:02Good evening this way, please. I think I think our table was right over there
00:56:16As I remember it a Phineas was sitting there you see we wanted to be secluded
00:56:23We came in here
00:56:26Your table is over there. Oh
00:56:29But we we don't want to be over there. We want to be over here. Perhaps we could sit over there
00:56:35I
00:56:46Don't go yet
00:56:48If you could remember approximately where it was, yes, I remember I remember it was that wall
00:56:55Wasn't near the corner. Yes. Yes. It was in that corner. Now. We're getting some
00:57:01Gasps all we went out. Yes, cool with it. Yes. Yes
00:57:04Oh
00:57:28What are you doing a young man, oh, excuse me curly
00:57:31Shit if you insist on annoying our guests, I'll have to ask you to leave partner junior junior, huh?
00:57:43Darling didn't I teach you not to flirt with strange ladies? Oh, but you can meet some lovely people that way mother
00:57:49Would you say the picture would be about here? Yes, it'll be right there only over there
00:58:01Oh
00:58:25How do you like that no picture
00:58:27No picture, sorry Gus, yeah
00:58:34Eddie you're all wrong. I look the little man wasn't there
00:58:39But why an egg I ordered roast beef medium my down F is an egg
00:58:44That's his beat you ordered F and not there. Why didn't you say that in the first place?
00:58:49mother
00:58:51He doesn't understand French. They're probably born in Brooklyn
00:58:55I
00:58:57Know it's here someplace
00:58:58And it's very simple. All we have to do is take all the paper off the wall
00:59:02Oh, oh not all the paper and just just a part of the picture. See we couldn't do that
00:59:08now
00:59:10It's opposing the picture here
00:59:16Picture isn't there. All you have to do is put the piece back the baby
00:59:21There it is right where I said it would be
00:59:25I
00:59:32Would you mind bringing our check mine it will be a pleasure
00:59:55I don't think Phineas would recognize his own work, but you've got to draw to the real
01:00:10I never pay bills. I just signed my name. I was afraid of something like this. I'll have to see the manager
01:00:16That's a good idea. I hate to complain, but I think he
01:00:25Gentlemen observe that the original cartoon has its lines up up and up
01:00:30That means that the creator of it was in the up mood. In other words to say happy. That's good logic. Thank you very much
01:00:40How's that Hattie I really can't say Timothy but it does look a little like crack don't you think could be
01:00:46Keep it up Tim. You're doing swell
01:00:48Oh
01:00:51That isn't it the Tim take a look at mine, will you yeah
01:00:56Gentlemen, of course, I'm not an artist but from the medical point of view if mr
01:01:00Timothy will trade his nose with this gentleman's ears. Oh, no. No, he couldn't do that
01:01:05But why because I like his nose much better. Thank you. Eddie. Thank you
01:01:12Mr. Timothy, yes
01:01:14Remember that laughter that you wanted to put in bottles. Yeah, do you think that has commercial possibility? Oh, definitely definitely
01:01:24How's that Eddie
01:01:26Timothy, I just know that is not quack quack. No, that's baby
01:01:31All right. Let's go home. Let's put baby to bed
01:01:44I
01:02:14I
01:02:32Rp we've got to hurry the cabs waiting. I don't want you to miss this Train. I don't intend to
01:02:38This is perfect for you
01:02:40California relaxation in the Sun say by the way Hilton
01:02:44Betty happens to need anything, now you look out for her, won't you?
01:02:47Of course, R.P. You leave everything to me.
01:02:49You just get out in that sun.
01:02:51Stop harping on that sun business, will you?
01:02:53I don't tan, I burn.
01:02:55I know that, but as I was saying, count on me.
01:02:58Forget the firm.
01:02:59I've forgotten it already.
01:03:00R.P., we've got to go. The cab's waiting.
01:03:02If you've forgotten anything, I'll send it to you.
01:03:04Say, who's taking this trip? You or me?
01:03:07But you know I haven't seen Phineas for years, and it gives me a funny feeling.
01:03:11Or am I beginning to be afraid?
01:03:13You don't have to be afraid. We're doing all we can.
01:03:15If he growls at you, you just growl right back, Mother.
01:03:21Oh, uh, are you taking a trip? Those are Father's bags.
01:03:24Yes, he's off to California. If you'll excuse me, there's a cab waiting.
01:03:27Oh, but he can't do that to us.
01:03:29And not after all the trouble we've gone to.
01:03:33Uh, you just explain it to him, Mother.
01:03:37Oh, Phineas.
01:03:39Why, Hattie.
01:03:41Phineas, dear, how wonderful you look after all these years.
01:03:45Why, it seems just like yesterday, and we were so happy.
01:03:48And you were so foolish.
01:03:49I was not foolish.
01:03:51Now, Phineas, if you're going to be stubborn, I'll have to growl at you.
01:03:54And remember, you didn't like it before.
01:03:57So don't be silly and do it all over again.
01:03:59I am not silly.
01:04:00Then why are you taking a trip?
01:04:02You took a trip. A long one.
01:04:04Oh, but I like trips. Trips are so nice.
01:04:07But you can't. Not that we've just found each other.
01:04:10Oh, Hattie, my little flutter brain.
01:04:13If you'll excuse me, R.P., we've got to get going.
01:04:15The train won't wait.
01:04:16Hilton, can't you see I'm busy?
01:04:18Young man, just explain to them that he'll be a few moments late.
01:04:23Oh, Phineas, I want you to meet two of the nicest young people.
01:04:26Hattie, I don't want to meet any more people.
01:04:28I've met enough people today, forever.
01:04:30That's such a sweet thought, Phineas.
01:04:32But we'll be all alone, or almost, and we'll see the picture together.
01:04:35Picture?
01:04:36Yes, it'll be like old times, Phineas, darling.
01:04:40But I don't want to see any picture, now or any other time, and that's final.
01:04:43Father, you sit right down.
01:04:45Phineas, you'd better do as she says.
01:04:48I guess you're right. Chip off the old block.
01:04:56Now, I know that I'm the paranoid type.
01:04:58I know that, and we've been all through that.
01:05:00But my name is not Dr. Moody.
01:05:02Now, look!
01:05:03Now, look! I'm not the paranoid type.
01:05:10THE END
01:05:40THE END
01:06:05What do you know? Eleanor's back.
01:06:09Who's Eleanor?
01:06:13How am I doing now, Pete?
01:06:16Great! You're my baby!
01:06:25That's all I wanted to hear.
01:06:32Bye now.
01:06:38THE END
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