‘Swing High, Swing Low’ is a 1937 American romantic comedy-drama film directed by Mitchell Leisen, starring Carole Lombard and Fred MacMurray. The story follows Maggie King, a hairdresser who meets brash soldier Skid Johnson on his last day in the Army. After a chance encounter in Panama, Maggie and Skid fall in love, and she encourages him to pursue his talent as a trumpet player. When Skid’s career takes off in New York, fame and fortune lead to personal struggles, misunderstandings, and heartbreak. The film is known for its emotional depth, musical sequences, and the chemistry between Lombard and MacMurray.
Credits:
Director: Mitchell Leisen
Producer: Arthur Hornblow Jr.
Starring: Carole Lombard, Fred MacMurray, Charles Butterworth, Jean Dixon
Screenplay: Virginia Van Upp, Oscar Hammerstein II
Cinematography: Ted Tetzlaff
#SwingHighSwingLow1937 #CaroleLombard #ClassicHollywood #RomanticDrama
Credits:
Director: Mitchell Leisen
Producer: Arthur Hornblow Jr.
Starring: Carole Lombard, Fred MacMurray, Charles Butterworth, Jean Dixon
Screenplay: Virginia Van Upp, Oscar Hammerstein II
Cinematography: Ted Tetzlaff
#SwingHighSwingLow1937 #CaroleLombard #ClassicHollywood #RomanticDrama
Category
🎥
Short filmTranscript
00:00:00["Swing High, Swing Low, Swing Through, and Go!" playing in the background throughout the video.]
00:00:14Swing high, swing low, swing through and go.
00:00:22Not bad, not poor.
00:00:26Well, a swing can do more than any day out for you.
00:00:46Swing high, swing low, swing through and go.
00:00:54Not bad, not poor.
00:00:58And if you think you can swing high,
00:01:02and if you think you can swing high, swing low.
00:01:08Swing high, swing low.
00:01:13["Swing High, Swing Low, Swing Through, and Go!" playing in the background throughout the video.]
00:01:33["Swing High, Swing Low, Swing Through, and Go!" playing in the background throughout the video.]
00:01:59["Swing High, Swing Low, Swing Through, and Go!" playing in the background throughout the video.]
00:02:10You're watching, aren't you?
00:02:12Oh yes, it's the most exciting thing ever, so why don't you come out and look at it?
00:02:16How you can sit there with that mud and stuff all over your face when you could be seeing this, I can't understand.
00:02:20So what do you see?
00:02:21A lot of machinery with water dripping all over it.
00:02:23If I ever see those locks again, I'll scream.
00:02:26["Swing High, Swing Low, Swing Through, and Go!" playing in the background throughout the video.]
00:02:38Hello.
00:02:40Hey you, I said hello.
00:02:42So you weren't speaking to me by any chance?
00:02:44No, on purpose.
00:02:45You know, soldiers on sentry duty aren't supposed to talk.
00:02:48What can they do to me? They can fire me.
00:02:50All right, I've already quit.
00:02:52I'm all washed up with the Army.
00:02:53This is my last day.
00:02:55Say, there's an idea.
00:02:56We ought to celebrate.
00:02:57Yeah, the Army will probably do the celebrating.
00:03:00Say, is the rest of you as beautiful as your face?
00:03:02No, I weigh 200 pounds a night and I don't wear shoes.
00:03:05Ha, perfect.
00:03:06What shall we do tonight?
00:03:08How about meeting you on the dock under the moon?
00:03:10But if there isn't a moon.
00:03:11I'll meet you under the dock.
00:03:13No kidding, how about you and me go places tonight when your boat gets in?
00:03:16Okay?
00:03:17No kidding, how about you scram until I can see some of the scenery down here?
00:03:20I am the scenery down here.
00:03:21I'm Skid Johnson, the one-man Army.
00:03:23Ask anybody.
00:03:24It's been delightful, Mr. Johnson.
00:03:25Now go away, you bother me.
00:03:27Thank you so much.
00:03:28Ha, honey, I didn't think you'd admit it.
00:03:30I'll meet you on the dock at Balboa.
00:03:32Hey, I'll be wearing my suit,
00:03:33and I'll wear a carnation on my buttonhole so you'll know me.
00:03:35I wouldn't know you if you wore a rose behind your ear.
00:03:38Ha, that's a good idea.
00:03:40Ha, ha, ha.
00:03:59Gee, isn't it wonderful?
00:04:00It's like going down in the elevator, it's wonderful.
00:04:03I guess it is the first time.
00:04:07Do the tropics always smell like this?
00:04:10Look!
00:04:10Oh!
00:04:11I forgot all about it!
00:04:12Let me take her down quick.
00:04:14All you had to do was to turn off the juice as soon as the time was up.
00:04:17I thought you could do that for gosh sake.
00:04:23Oh!
00:04:24I must have been asleep.
00:04:25The tropics make me so languorous.
00:04:27Well, how does it look?
00:04:29Oh, I'm just ducky.
00:04:32Hi.
00:04:33What have you done to her?
00:04:34It's the tropics.
00:04:35They always do that to us.
00:04:36Oh, the tropics.
00:04:37Right.
00:04:38Oh!
00:04:39Oh, she's coming to my house!
00:04:40No, no, no.
00:04:41No, no.
00:04:42Everything's done all right.
00:04:43It's quite all right.
00:04:44Yes, I know you will, yes.
00:04:45You girls will both come to my cabin just as soon as you've finished.
00:04:57I suspected it.
00:04:58I suspected it from the very first day.
00:05:00You're not a beauty operator at all, are you?
00:05:03No, that's where you got me.
00:05:05How dare you recommend her to me?
00:05:06Oh, now, look, boy.
00:05:07She's a friend of mine.
00:05:08She's broke.
00:05:09She's hitchhiking away to California.
00:05:10Hm.
00:05:11Did she have to hitchhike on my customer's basis?
00:05:13Well, it was the only thing we could think of.
00:05:15You didn't want her to sing or anything now, did you?
00:05:17Certainly not.
00:05:18Why should I want her to sing?
00:05:20Do you sing?
00:05:21Yes, but not very good.
00:05:22Well, it's the only thing she does know.
00:05:24But there's a guy, see, in California.
00:05:26Who don't care if she don't know anything.
00:05:28He wants to marry her.
00:05:30He's a cow baron or something.
00:05:32He's richer than Lucifer.
00:05:33Oh.
00:05:34Lucifer wasn't rich.
00:05:35Oh, what was he?
00:05:36Well, he was, um, he, uh, what was he?
00:05:38Proud.
00:05:39Proud.
00:05:40Proud.
00:05:41There, see, I told you.
00:05:42Don't try to change the subject.
00:05:43Now, if this Lucifer was so, I mean,
00:05:44if this man was so proud, I mean, uh, rich,
00:05:46why doesn't he send you your fare?
00:05:48Oh, he doesn't even know I'm coming.
00:05:50I thought you said he was going to marry her.
00:05:52No, I didn't.
00:05:53I said he wanted to marry her.
00:05:54Oh, pardon me.
00:05:55Wanted to.
00:05:56And on that account, Maggie figured there
00:05:57must be something wrong with him.
00:05:58Yes.
00:05:59So she's going out to look the situation well over
00:06:01before getting into anything.
00:06:02You see, she doesn't know him very well.
00:06:04Oh, but he's known me for three years.
00:06:05But it's so hard to explain.
00:06:07If Maggie were on the stage, she'd be a stage dog.
00:06:09Oh, of course.
00:06:10But she works at a nightclub.
00:06:11So he doesn't know her.
00:06:12Tell me, tell me.
00:06:13Oh, he's just crazy about her.
00:06:16Just crazy.
00:06:18Just crazy.
00:06:19Well, you're driving me crazy.
00:06:35Now, you've got to bargain with these guys, see?
00:06:37I'll start on this line, and you start on that one.
00:06:39They're all asking $3.
00:06:40If you find one that'll take two, yell for it.
00:06:42Well, I hope so, for $3.
00:06:44Oh, now.
00:06:46That's it.
00:06:47$3 on that one.
00:06:48How much?
00:06:49$3 on that one.
00:06:50No, no, that's too much.
00:06:51$3 on that one.
00:06:52Lady, you take my car.
00:06:53Round trip, Panama City, $1.
00:06:55How much?
00:06:56$1.
00:06:57You wait there.
00:06:58I'll grab a girlfriend.
00:07:00Among most notable public buildings of Panama
00:07:02is Palacio del Presidente.
00:07:04It is built on the same site that was occupied
00:07:06by official residents of Kings of Spain
00:07:08during colonial efforts.
00:07:10On the ground floor is Moorish Courtyard,
00:07:12in the center of which are water fountains,
00:07:14in which may be seen swimming water chickens
00:07:16of native species.
00:07:18There is also a swimming pool,
00:07:20in the center of which are water fountains,
00:07:22in which may be seen swimming water chickens
00:07:24of native species.
00:07:26Ducks to you.
00:07:27Yeah, well, ducks to you, too.
00:07:28This isn't a palace.
00:07:29It's a cathedral.
00:07:30Must be the wrong street.
00:07:31Must be the wrong guidebook, too.
00:07:45Listen, wise guy.
00:07:46You can come out from behind that hat now.
00:07:48What's the matter with the hat?
00:07:49I've got a rose behind my ear, too.
00:07:51I still don't know you.
00:07:52Say, you know, you're an awful liar.
00:07:54Say, do you know this guy?
00:07:55No, and we're tired of playing.
00:07:56You can stop this car right now.
00:07:58Now, come on.
00:07:59Be a sport.
00:08:00I told you I was just mustered out of the army today.
00:08:02Thought it'd be fun for the four of us to celebrate.
00:08:04Who's the fourth?
00:08:05Harry.
00:08:06He owns the car.
00:08:07We're not interested.
00:08:08Speak for yourself.
00:08:10Say, I don't know what you've got to be sore about.
00:08:12When you hired this heap, you thought you had a native guy.
00:08:14So it turns out that instead of that,
00:08:16you've got a fine, upstanding, clean-limbed
00:08:18American lad and his friend.
00:08:20Here's where he lives.
00:08:21Harry, I mean.
00:08:22You'll like Harry.
00:08:23And instead of showing you a lot of buildings and statues
00:08:25and stuff, we'll show you the real town.
00:08:27You're getting a couple of guys for nothing,
00:08:29and yet you're kicking.
00:08:30Come on.
00:08:31Be good guys.
00:08:32We'll drive around.
00:08:33I'll make my usual cracks.
00:08:34And if you laugh, I'll think I'm good.
00:08:35And if you don't, I'll think you don't.
00:08:37What do we waste?
00:08:38Two hours.
00:08:39What's two hours?
00:08:40I've never heard anybody talk so much in my life.
00:08:42Have you ever tried to sell anything?
00:08:43Sure.
00:08:44Right now.
00:08:45Me.
00:08:46You know, if you had something good to sell,
00:08:47you'd be really wonderful.
00:08:49Harry?
00:08:53Hey, Harry.
00:08:54Come on.
00:08:55We're going out.
00:09:01All right.
00:09:06Harry puts everything he's got into his piano playing.
00:09:08Everything?
00:09:11Girls, prepare yourselves.
00:09:12You're about to meet Harry Rankin, our new pianist.
00:09:15Girls, prepare yourselves.
00:09:16You're about to meet Harry Rankin, the hottest piano player
00:09:18in Panama.
00:09:19Oh, no wonder he's hot in that overcoat.
00:09:21Well, I'm just recovering from an attack of chills and fever.
00:09:24Would you have a coin or a tablet?
00:09:26It's the tropics, you know.
00:09:27Yeah, I know it.
00:09:28Do you know it?
00:09:29Yes, I really think you should have one.
00:09:31If you're for me, I've already got my pill.
00:09:35Well, um, Harry, this is, uh,
00:09:36Ella.
00:09:37Ella, and that's, uh,
00:09:38Marguerite.
00:09:39Maggie.
00:09:40Marguerite.
00:09:41How do you do?
00:09:42I'm very glad to know both of you.
00:09:43Hello.
00:09:44You should be glad to know anyone.
00:09:48Well, uh, let's go.
00:09:49Come out in the front seat, Maggie.
00:09:50Come on.
00:09:51You better climb over that door.
00:09:52There's more.
00:09:56Oh, allow me.
00:09:58This is a real Panamanian joint.
00:10:23Tourists don't get out here very much.
00:10:24Oh, it's smelling.
00:10:25It's lovely.
00:10:27I think it's funny.
00:10:28I think I ought to have.
00:10:29I see.
00:10:33What is this?
00:10:34Hey, you better move over here closer to me.
00:10:36Why?
00:10:37Well, you know where you are, don't you?
00:10:38Well?
00:10:39You're in the tropics.
00:10:40Well, I know that, silly.
00:10:41And it's night.
00:10:42Oh, it isn't either.
00:10:43Well, it'll be night in a minute.
00:10:44Say, what are you getting at?
00:10:46You.
00:10:47Oh, stop it.
00:10:48If you can act like that, we won't have any fun at all.
00:10:50Well, you know, most girls like it on a junk like this.
00:10:53I can be myself then, huh?
00:10:54Oh, I wouldn't go that far following you.
00:10:56Well, you're pretty fast with the answers, aren't you?
00:10:58No, they just seem fast.
00:10:59You see, you've been down here quite a little while,
00:11:01and the tropics kind of slow you down.
00:11:08What's the matter?
00:11:09Don't you want the rest of your oysters?
00:11:11I don't want this one.
00:11:21I'm glad that's over with.
00:11:39What's the matter?
00:11:40Don't you like trumpet music?
00:11:41No.
00:11:42Nobody likes trumpet music.
00:11:43There are some on set.
00:11:44Uh, those splatter sponges.
00:11:46Do they?
00:11:47I think they do.
00:11:48Look, somebody might like it, but you couldn't be very bright
00:11:50if you didn't like trumpet music.
00:11:52Maybe you're right.
00:11:53I like it.
00:11:54You do?
00:11:55Well, what you like about it, I can't possibly imagine.
00:11:57It's just noise.
00:11:58You blow a lot of air into a tin horn,
00:11:59and it comes out rat-tat-tat-tat.
00:12:01Oh, it's awful.
00:12:02What's the matter?
00:12:03Don't you like music?
00:12:04Music?
00:12:05Of course I like music, but that isn't music.
00:12:06It's, uh, well, of course I like music.
00:12:08Violins, that's what I like.
00:12:10Soft, sweet, and romance.
00:12:12There's no romance in a trumpet.
00:12:13Romance in a trumpet?
00:12:15Eh!
00:12:16What you mean is you don't like trumpet?
00:12:19I don't like trumpet.
00:12:49I don't like trumpet.
00:12:50I don't like trumpet.
00:12:51I don't like trumpet.
00:12:52I don't like trumpet.
00:12:53I don't like trumpet.
00:12:54I don't like trumpet.
00:12:55I don't like trumpet.
00:12:56I don't like trumpet.
00:12:57I don't like trumpet.
00:12:58I don't like trumpet.
00:12:59I don't like trumpet.
00:13:00I don't like trumpet.
00:13:01I don't like trumpet.
00:13:02I don't like trumpet.
00:13:03I don't like trumpet.
00:13:04I don't like trumpet.
00:13:05I don't like trumpet.
00:13:06I don't like trumpet.
00:13:07I don't like trumpet.
00:13:08I don't like trumpet.
00:13:09I don't like trumpet.
00:13:10I don't like trumpet.
00:13:11I don't like trumpet.
00:13:12I don't like trumpet.
00:13:13I don't like trumpet.
00:13:14I don't like trumpet.
00:13:15I don't like trumpet.
00:13:16He's a playboy and he plays.
00:13:20Did you hear all the things I said?
00:13:26La-la-la le-la-la la-la...
00:13:28The music is low but you are much lower.
00:13:38Your music is beautiful, but you are a thousand times more beautiful.
00:13:44You are like a flower.
00:13:47Let's not waste any more time.
00:13:50Let's dance to celebrate the beginning of our adventure.
00:14:08Let's go.
00:14:25I want to have you in my arms.
00:14:28We'll dance in the morning.
00:14:31Then?
00:14:33Why?
00:14:34Why?
00:14:36Do you think he's any better than any of the girls?
00:14:38He took off his hat, didn't he?
00:14:40Didn't he?
00:14:41No, no, yeah, yeah, no.
00:14:44Having a little trouble?
00:14:45I'm not sure, but I think he's being fresh.
00:14:46Let him go, sir. Don't get involved.
00:14:48I'll see the young lady first.
00:14:49Yeah, he is a little fresh.
00:14:50Well, why don't you sock him or something?
00:14:52I can't. He'll cut me out.
00:14:53Well, what does that have to do with it?
00:14:54He's a good dancer.
00:14:55That's an old South American custom.
00:14:56It means you dance with anybody.
00:14:58He took off his hat for me.
00:15:00There's no reason for him to take it off now.
00:15:02Take it off or take it off.
00:15:03Now, listen, fella, you've got this girl all wrong.
00:15:04Now, scram.
00:15:05Don't get involved, sir.
00:15:06Or I'll have to forget that I'm a gentleman.
00:15:09The young lady is coming with me.
00:15:10I said get out of here. Scram.
00:15:11Hey, Moose, look.
00:15:13She's got her hat on.
00:15:14Yeah, yeah, yeah, I've got my hat on.
00:15:16Hat?
00:15:17Yeah, hat, chapeau, sombrero.
00:15:19Oh, sombrero.
00:15:22Sombrero.
00:15:25Come on, let's get out of here.
00:15:34Come on, get out of here.
00:15:36Get out of here.
00:15:37I didn't know that you shouldn't take your hat off.
00:16:04I took my hat off when he was French.
00:16:05I didn't know that you shouldn't take your hat off.
00:16:06You see?
00:16:07I didn't know that.
00:16:08Well, anyway, it was fun.
00:16:09Did you hurt yourself?
00:16:10No.
00:16:11Give me a hand, sir.
00:16:12You're not going to cry, are you?
00:16:13No.
00:16:14I'm going to tie my hat on.
00:16:15Oh, dear.
00:16:16Oh.
00:16:17Skip.
00:16:18Skip.
00:16:19Skip.
00:16:20Skip.
00:16:21Skip.
00:16:22Skip.
00:16:23Skip.
00:16:24Skip.
00:16:25Skip.
00:16:26Skip.
00:16:27Skip.
00:16:28Skip.
00:16:29Skip.
00:16:30Skip.
00:16:31Skip.
00:16:32Skip.
00:16:33Skip.
00:16:34Skip.
00:16:35Skip.
00:16:36Skip.
00:16:37Skip.
00:16:38Skip.
00:16:39Skip.
00:16:40Skip.
00:16:41Skip.
00:16:42Skip.
00:16:43Skip.
00:16:44Skip.
00:16:45Skip.
00:16:46Skip.
00:16:47Skip.
00:16:48Skip.
00:16:49Skip.
00:16:50Skip.
00:16:51Skip.
00:16:52Skip.
00:16:53Skip.
00:16:54Skip.
00:16:55Skip.
00:16:56Skip.
00:16:57Skip.
00:16:58Skip.
00:16:59Skip.
00:17:00Skip.
00:17:01Skip.
00:17:02Skip.
00:17:03Skip.
00:17:04Skip.
00:17:05Skip.
00:17:06Skip.
00:17:07Skip.
00:17:08Skip.
00:17:09Skip.
00:17:10Skip.
00:17:11Skip.
00:17:12Skip.
00:17:13Skip.
00:17:14Skip.
00:17:15Skip.
00:17:16Skip.
00:17:17Skip.
00:17:18Skip.
00:17:19Skip.
00:17:20Skip.
00:17:21Skip.
00:17:22Skip.
00:17:23Skip.
00:17:24Skip.
00:17:25Skip.
00:17:26Skip.
00:17:27Skip.
00:17:28Skip.
00:17:29Skip.
00:17:30Skip.
00:17:31Skip.
00:17:32Skip.
00:17:33Skip.
00:17:34Skip.
00:17:35Skip.
00:17:36Skip.
00:17:37Skip.
00:17:38Skip.
00:17:39Skip.
00:17:40Skip.
00:17:41Skip.
00:17:42Skip.
00:17:43Skip.
00:17:44Skip.
00:17:45Skip.
00:17:46Skip.
00:17:47Skip.
00:17:48Skip.
00:17:49Skip.
00:17:50Skip.
00:17:51Skip.
00:17:52Skip.
00:17:53Skip.
00:17:54Skip.
00:17:55Skip.
00:17:56Skip.
00:17:57Skip.
00:17:58Skip.
00:17:59Skip.
00:18:00Skip.
00:18:01Skip.
00:18:02Skip.
00:18:03Skip.
00:18:04Skip.
00:18:05Skip.
00:18:06Skip.
00:18:07Skip.
00:18:08Skip.
00:18:09Skip.
00:18:10Skip.
00:18:11Skip.
00:18:12Skip.
00:18:13Skip.
00:18:14Skip.
00:18:15Skip.
00:18:16Skip.
00:18:17Skip.
00:18:18Skip.
00:18:19Skip.
00:18:20Skip.
00:18:21Skip.
00:18:22Skip.
00:18:23Skip.
00:18:24Skip.
00:18:25Skip.
00:18:26Skip.
00:18:27Skip.
00:18:28Skip.
00:18:29Skip.
00:18:30Skip.
00:18:31Skip.
00:18:32Skip.
00:18:33Skip.
00:18:34Skip.
00:18:35Skip.
00:18:36Skip.
00:18:37Skip.
00:18:38Skip.
00:18:39Skip.
00:18:40Skip.
00:18:41Skip.
00:18:42Skip.
00:18:43Skip.
00:18:44Skip.
00:18:45Skip.
00:18:46Skip.
00:18:47Skip.
00:18:48Skip.
00:18:49Skip.
00:18:50Skip.
00:18:51Skip.
00:18:52Skip.
00:18:53Skip.
00:18:54Skip.
00:18:55Skip.
00:18:56Skip.
00:18:57Skip.
00:18:58Skip.
00:18:59Skip.
00:19:00Skip.
00:19:01Skip.
00:19:02Skip.
00:19:03Skip.
00:19:04Skip.
00:19:05Skip.
00:19:06Skip.
00:19:07Skip.
00:19:08Skip.
00:19:09Skip.
00:19:10Skip.
00:19:11Skip.
00:19:12Skip.
00:19:13Skip.
00:19:14Skip.
00:19:15Skip.
00:19:16Skip.
00:19:17Skip.
00:19:18Skip.
00:19:19Skip.
00:19:20Skip.
00:19:21Skip.
00:19:22Skip.
00:19:23Skip.
00:19:24Skip.
00:19:25Skip.
00:19:26Skip.
00:19:27Skip.
00:19:28Skip.
00:19:29Skip.
00:19:30Skip.
00:19:31Skip.
00:19:32Skip.
00:19:33Skip.
00:19:34Skip.
00:19:35Skip.
00:19:36Skip.
00:19:37Skip.
00:19:38Skip.
00:19:39Skip.
00:19:40Skip.
00:19:41Skip.
00:19:42Skip.
00:19:43Skip.
00:19:44Skip.
00:19:45Skip.
00:19:46Skip.
00:19:47Skip.
00:19:48Skip.
00:19:49Skip.
00:19:50Skip.
00:19:51Skip.
00:19:52Skip.
00:19:53Skip.
00:19:54Skip.
00:19:55Skip.
00:19:56Skip.
00:19:57Skip.
00:19:58Skip.
00:19:59Skip.
00:20:00Skip.
00:20:01Skip.
00:20:02Skip.
00:20:03Skip.
00:20:04Skip.
00:20:05Skip.
00:20:06Skip.
00:20:07Skip.
00:20:08Skip.
00:20:09Skip.
00:20:10Skip.
00:20:11Skip.
00:20:12Skip.
00:20:13Skip.
00:20:14Skip.
00:20:15Skip.
00:20:16Skip.
00:20:17Skip.
00:20:18Skip.
00:20:19Skip.
00:20:20Skip.
00:20:21Skip.
00:20:22Skip.
00:20:23Skip.
00:20:24Skip.
00:20:25Skip.
00:20:27Get up and move.
00:20:28Where's the linen, sheriff?
00:20:29You and Skip bring the bed last night,
00:20:30and I'll make breakfast, and we'll clean this place up.
00:20:31Let's get some sleep first.
00:20:32You can't sleep, and it's mist.
00:20:33We have.
00:20:40Oh, dear.
00:20:46This hasn't been moved since I first came here.
00:20:52Try this and see if we can team it up.
00:20:54Let's go through there.
00:20:56Where is the water?
00:20:57In the pump.
00:20:59What?
00:21:00In the pump!
00:21:01Oh.
00:21:06Oh!
00:21:07What's the matter?
00:21:09The pump.
00:21:10Oh, look.
00:21:11I found a shoe that's been missing for about three weeks.
00:21:16I'll make it.
00:21:19No.
00:21:20Take the net off.
00:21:24Thank you very much.
00:21:26It's going to be awfully weak.
00:21:28Going to be what?
00:21:29Weak for coffee!
00:21:30Oh, it's going to be weak.
00:21:32Let's try it this way.
00:21:34Try it that way.
00:21:35I'm talking about the bed.
00:21:37Oh, you want to toss it?
00:21:39What toss it?
00:21:40The bread in it.
00:21:41What do you think of it?
00:21:42Oh, she means the bread.
00:21:43Oh, the bread.
00:21:44There isn't any.
00:21:46I fed the rest of it to the pigeons this morning.
00:21:48So that's what you've had living around here with you.
00:21:51What'd you say?
00:21:52What'd you say?
00:21:54I said it would be a nice touch to have a couple of goats
00:21:56around here, too, don't you think?
00:22:01Say, what do you suppose she wants with a couple of goats?
00:22:05Get over.
00:22:11Tip your hand up a little.
00:22:12What?
00:22:13Tip your hand up a little.
00:22:15You don't need to yell at me.
00:22:16I'm right here, you know.
00:22:18How do you turn the gas on?
00:22:20There isn't any gas.
00:22:21Well, then how do you cook?
00:22:23You put a fire in the stove with wood.
00:22:29Hey, look.
00:22:30We're getting no place fast with this thing.
00:22:32Say, I have an idea.
00:22:35Just sit down quietly and figure this thing out.
00:22:38Must be a simple answer to it somehow.
00:22:47I can tell you eat out a lot.
00:22:49And that certainly isn't good for you.
00:22:50No wonder Harry's sick.
00:22:51He would have to buy a lot of things,
00:22:53you know, staples and things.
00:22:59Well, maybe I did the wrong thing.
00:23:01Skinner, Skinner, I think I did the wrong thing.
00:23:03Yes, Skinner, Skinner, I think I did the wrong thing.
00:23:09Well, never mind.
00:23:11I'll do it myself.
00:23:16Oh, John.
00:23:17Wait a minute.
00:23:19That's certainly put you in a lovely spot, haven't I?
00:23:22Well, with me, it's just temporary.
00:23:23You know, just till my boat comes through again.
00:23:25What are you going to do?
00:23:26Oh, don't worry about me.
00:23:27I can always go back in the army.
00:23:29The army.
00:23:30What do you want me to do?
00:23:31Go native?
00:23:32No, just take that junk out and burn it up.
00:23:34What are you saving beer caps for?
00:23:36Hey, there's a lottery ticket I almost won on.
00:23:41The army.
00:23:42Always the army.
00:23:44No ambition at all.
00:23:49Skinner.
00:23:50Huh?
00:23:51You can do something with it.
00:23:53With what?
00:23:54It's a crime to hide a talent like you've
00:23:56got under an army blanket.
00:23:57You're the best trumpet player I ever heard.
00:23:59I thought you said you didn't like trumpet music.
00:24:01Oh, I didn't, and I still don't.
00:24:02But I like it when you play it.
00:24:03I don't know what you do to it.
00:24:04Something.
00:24:05Why don't you try making a living with it?
00:24:07You mean go to work?
00:24:08Yes.
00:24:09I hate to bring it up, but I'll do it.
00:24:11I'll do it.
00:24:12I'll do it.
00:24:13I'll do it.
00:24:14I'll do it.
00:24:15I'll do it.
00:24:16I'll do it.
00:24:17I'll do it.
00:24:18I hate to bring it up, but Skid can go to work over at Mercury.
00:24:20Oh, that's wonderful.
00:24:21Did she really offer you a job?
00:24:22Why don't you take it?
00:24:23Would you like to have your own trumpet?
00:24:24Oh, of course you couldn't get a job in an orchestra
00:24:26unless you had your own horn.
00:24:27Oh, but Skid's got a horn.
00:24:29Well, you don't have to tell the whole world about it, do you?
00:24:31Oh, come on.
00:24:32You might like working.
00:24:33You might like it better than the army.
00:24:34You couldn't tell until you try it.
00:24:35I can tell now.
00:24:39Skid!
00:24:40Bah bah dah!
00:24:41Bah bah dah dah dai!
00:24:45Dah da!
00:24:46Dah da!
00:24:47Dah da!
00:24:48Ah dah dah dah.
00:24:50Oh dah dah...
00:24:53Oh, no, Pauletta, I don't have a lottery today. I have a beautiful rooster.
00:25:23Come on, Zaxby. Come on, Zaxby.
00:25:36Two for a lotto is no good.
00:25:53Skid, did you get it? Harry, Skid's back.
00:26:12How much did you get? Did you start right away?
00:26:14Oh, no, not right away.
00:26:16Well, what's the matter?
00:26:18I say, Skid, did you know you had a hen with you?
00:26:20Yeah, I know it.
00:26:22Well, where did you get that?
00:26:23He was in a fight.
00:26:25Well, what difference does that make?
00:26:26Well, he got fouled. He got fouled.
00:26:29You didn't expect me to walk right away and leave a foul, foul, foul, did you?
00:26:34Oh, no.
00:26:35He doesn't feel very good. He...
00:26:37Well, anybody with any heart would have done the same.
00:26:39Hey, he's wounded. I'd better go get something.
00:26:41Yeah.
00:26:42Oh, he really has a nasty stench.
00:26:44Oh, go get me a damp towel, will you?
00:26:46Sure, sure.
00:26:47Oh, you poor silly little darling. You're so ugly.
00:26:51Do you want to know his name?
00:26:54He's got a pretty name.
00:26:56It's Fion Formalato.
00:26:57That means, uh, wing triumph.
00:26:59Yeah, well, suppose we just call him Butch.
00:27:01Yeah.
00:27:04Hey, you're not thwarting me at all, are you?
00:27:06Thwart what?
00:27:07Well, uh, for my betting on him.
00:27:09Betting on him?
00:27:10Yeah, you see, uh, he's a professional now, and, uh, well, uh,
00:27:15he was going swell until his knees kind of buckled under him,
00:27:18and then he, he lost, and I, I lost the money.
00:27:22What money? You didn't...
00:27:24Skip Johnson, where's your trumpet?
00:27:27Well, I pawned it.
00:27:29But, but I still got my mouthpiece. I can sort of keep my lip up on it, and...
00:27:32You know, uh, keep my lip up.
00:27:38Claudian. Hey, that ought to do it.
00:27:43I just figured it was the use of working a whole week for what you can win in a couple of minutes.
00:27:47Nice figuring.
00:27:48I got just the right thing for him.
00:27:49What's that?
00:27:50Claudian.
00:27:51Claudian? You're not going to put Claudian on a chicken, Harry.
00:27:53It's the best thing for scratches. I always use it myself.
00:27:55Well, don't say I didn't warn you.
00:27:56This will fix him right up.
00:27:58Butch, come here. Butch, hey.
00:28:00Here, here.
00:28:01Nice hand now.
00:28:02Go away.
00:28:03Go away.
00:28:04Go away.
00:28:05Of course, I'm not the type to tell you I have to...
00:28:06Go away.
00:28:07Go away.
00:28:08Go away.
00:28:09Go away.
00:28:10Go away.
00:28:12Here.
00:28:13Take this thing away.
00:28:14Come on.
00:28:15Come on, Butch.
00:28:16Come on, Butch.
00:28:18That's gratitude, eh?
00:28:19Skid, get him, will you?
00:28:20Now, don't get him excited.
00:28:21Don't get him excited.
00:28:22There.
00:28:23There, Butch.
00:28:27Gosh, Maggie, you don't know Murphy.
00:28:29I can't go in and ask for an advance when I haven't even got the job yet.
00:28:32You can't get the job without the trumpet, and you can't get the trumpet without the five dollars.
00:28:36But I'm too young to die.
00:28:37All right, you wait here. I'll get it.
00:28:39No, no, no.
00:28:40No girl has to run interference for me.
00:28:41Oh, listen, Skid.
00:28:42You know, sometimes it's easier to sell somebody else than it is yourself, isn't it?
00:28:45I mean, it'd be easier for you to tell somebody I'm good than you're good, wouldn't it?
00:28:47Oh, would it?
00:28:48You wait here.
00:28:49I'll be out in a minute.
00:28:51You'll be out quicker than that.
00:28:53But, Mrs. Murphy, I didn't ask for a job for myself.
00:28:56Oh, well, let it go then.
00:28:57But you couldn't work in a better place.
00:28:59And you're the type I like around here.
00:29:01You wouldn't have to do much.
00:29:02Sing a little, dance a little, and talk to the customers.
00:29:06I think you're making a big mistake, but let it go.
00:29:08I ain't begging you.
00:29:09But it's Skid that has to die.
00:29:11Skid's got a talent for making more trouble than any ten guys in Panama.
00:29:14I heard what he'd done at the tiara last night.
00:29:17They got it closed for a week for repairs.
00:29:19He ain't gonna bust up my joint.
00:29:21Oh, that.
00:29:22Yeah, that.
00:29:24Well, I...
00:29:27Oh, I wish you'd been there last night.
00:29:29It was really beautiful.
00:29:31It must have been.
00:29:32There ain't a stick of furniture left in the place.
00:29:34Oh, Skid feels awful about everything, you know.
00:29:36A young man just out of the army with responsibilities and everything.
00:29:40It's hard.
00:29:41Skid Johnson never had a responsibility in his life.
00:29:46Well, he's got me.
00:29:48Well, you can't be such a serious proposition.
00:29:52You're kind of new in Skid's life, ain't you?
00:29:54New?
00:29:55Oh, I should say now.
00:29:56Why, Skid and I have known each other ever since childhood.
00:29:59He sent for me to come down just as soon as he got out of the army.
00:30:02Oh, I wouldn't marry him as long as he was in the army.
00:30:04Would you?
00:30:05No.
00:30:06Oh, so you could see how he'd feel on his honeymoon with his wife working and him broke without a job.
00:30:12Yeah.
00:30:14And besides, we do a swell number together.
00:30:16Skid and I have always worked together.
00:30:17Well, not in the army, of course.
00:30:20Oh, don't you see?
00:30:22I can see one thing.
00:30:23Skid's got a lot more sense than I give him credit for.
00:30:26All right.
00:30:36Hello. You remember me.
00:30:37Well, hello. You sure have been in there long enough.
00:30:40For Pete's sake, how did you do it?
00:30:41Well, she just understood. You're crazy. She's really a wonderful woman, Skid.
00:30:46Murphy?
00:30:47Oh, underneath that bark and cigar smoke, she's a woman.
00:30:49All women are romantic.
00:30:50Murphy's romantic?
00:30:52The minute she found out we'd just been married, she went positively dewy-eyed.
00:30:56The minute she found out what?
00:30:57Skid, listen. Don't be mad because I told her we were married.
00:31:00Married?
00:31:01Well, you cared very much. She's got you a job.
00:31:03And she even said I could do something or other for a couple of weeks.
00:31:05And by that time, I'd be back and I'd go away.
00:31:08Don't get sore.
00:31:11I'm not sore.
00:31:15I'm not sore.
00:31:18I'm not sore at all.
00:31:26Hiya, Murph.
00:31:45He got a new blonde working for him.
00:31:47Yeah? Well, she ain't army-racing, so relax.
00:31:50She'll be, hey?
00:31:51Mmm.
00:31:53Cinco.
00:32:00Hiya, Skid.
00:32:04Hiya, Skid.
00:32:23Watch my feet.
00:32:24Hey, Maggie.
00:32:27Say, you look swell out there.
00:32:28You made the rest of those games look like an elephant act.
00:32:30Oh, thanks.
00:32:31Where'd you learn to walk like that?
00:32:32Oh, well, I learned.
00:32:33Oh, darling.
00:32:38I was so excited when Murphy told me you were working here, I...
00:32:41Uh, Maggie, uh, Alvarez, this is Miss King.
00:32:44How do you do?
00:32:45Oh, Miss King.
00:32:47Why, I thought you were the new bride.
00:32:49Oh, Miss King.
00:32:51Why, I thought you were the new Mrs. Johnson I've been hearing so much about.
00:32:54I am.
00:32:55Really?
00:32:56Hmm.
00:32:57See, Skid, I thought I knew you awfully well.
00:32:59I didn't think you were the marrying kind.
00:33:02And I still don't.
00:33:07Girl, I used to know.
00:33:08You used to know?
00:33:09Yeah, I used to know.
00:33:10Oh, I want answers.
00:33:12But listen, unless you want us both to lose our jobs,
00:33:14you better introduce me as your wife.
00:33:15You know, we're supposed to be married.
00:33:16Yeah, but you're not my wife.
00:33:18Well, but I'm supposed to be.
00:33:25Come on, come on.
00:33:26You're supposed to be working, you know.
00:33:27Yeah, I'm supposed to be a lot of things.
00:33:30Wild fever that rages.
00:33:32Watch out, it's contagious.
00:33:38I love you.
00:33:39I love you.
00:33:40I love you.
00:33:41I love you.
00:33:42I love you.
00:33:43I love you.
00:33:44I love you.
00:33:45I love you.
00:33:46Maggie, come on, I'll help you change your costume.
00:33:48Hector wants to meet you.
00:33:50Big coat hanger man from Cleveland.
00:33:52And you get 25% for all the champagne they order.
00:33:55And only 10% for the scotch.
00:33:57This passion will banish in you.
00:33:59And this feeling, you'll be revealing the banishing you.
00:34:04Hey, Murphy, who is that gal?
00:34:06Anita Alvarez.
00:34:07Why, cute kid.
00:34:15Mr. Musselwhite, may I present Miss Johnson.
00:34:17Glad to meet you, Miss Johnson.
00:34:19Have a scotch and soda.
00:34:20In the tropics?
00:34:21Didn't you know it was poison to drink hard liquor
00:34:23so near the equator?
00:34:24Oh, champagne's the only thing.
00:34:25Champagne's the only thing.
00:34:26You mean to say everybody in the tropics drinks champagne?
00:34:29She's quite right, Mr. Musselwhite.
00:34:31Waiter.
00:34:32Bad nation, you
00:34:34Senses reeling, you'll be revealing
00:34:36This bad nation, you
00:34:39Won't need your position
00:34:41You're all in deletion
00:34:43Tells you of your condition
00:34:45Panamania
00:34:47Panamania, Panamania
00:34:51And I told them they'd have to order a hundred gross at coat hangers
00:34:54Or they wouldn't get any at all
00:34:56Are you listening?
00:34:57Yes, I'm listening.
00:35:01Senses reeling, you'll be revealing
00:35:03This bad nation, you
00:35:05Won't need your position
00:35:07You're all in deletion
00:35:09Tells you of your condition
00:35:11Panamania
00:35:13Panamania
00:35:16You're all in deletion
00:35:18Tells you of your condition
00:35:20Panamania, Panamania
00:35:22Panamania, Panamania
00:35:32Excuse me now, I have to change.
00:35:34Certainly.
00:35:40Maggie.
00:35:42Say, you shouldn't encourage those dumb guys like that.
00:35:44Well, what possible difference could it make to you?
00:35:46No difference, no difference at all, but
00:35:48You've got to remember, we're supposed to be married.
00:35:50Yes, but we're not.
00:35:53Is he out?
00:36:11I wonder who designs these things for Mercy.
00:36:14You know you're all on one side or the other?
00:36:17Yeah, he was born on the side of a hill.
00:36:19No, I think that's from St. Mary's.
00:36:21No, I think that's from stabbing my foot when I keep time to music.
00:36:25Go on, skit, keep on playing.
00:36:28But at this time, allow me to introduce to you
00:36:30Our newest convert of the fine art of trumpeting.
00:36:32Oh, shut up!
00:36:34I'll tell you about that forever. I told you when you played it.
00:36:36It thrills me.
00:36:38To the marrow of my bones, it chills me.
00:36:40Say, there's a lyric.
00:36:42The trumpet thrills me. To the marrow of my bones, it chills me.
00:36:44That's not bad.
00:36:46That's not good.
00:36:48It's better than that school song I wrote.
00:36:51Fright on for Redlands, Conservatory of Music?
00:36:53Boy, I bet that was a hit.
00:36:55Yes, it was.
00:36:57Fright on for Redlands, Conservatory of Music.
00:37:03Here we took a break.
00:37:05Ra-ra-ra, RCM.
00:37:07Hey, wait a minute, Harry, play that a little slower.
00:37:13No, no, no, no, get a little smaller there.
00:37:15You know...
00:37:17Oh, I know, ballad style.
00:37:19Play it, kid.
00:37:23To the marrow of my bones, it chills me.
00:37:27Harry!
00:37:29Harry's the one that said it. Harry's the one with the music.
00:37:31You know, I think we've got something here.
00:37:33Get us a paper and pencil.
00:37:35Gee, it's pretty.
00:37:37If it clears up to me, did you think Murphy would let us do it?
00:37:39Why?
00:37:41Well, you know, I told him we did a number together.
00:37:43You told her a lot of things, didn't you?
00:37:45Yes, I certainly did. Harry, what's the first line?
00:37:48To the marrow of my bones, it chills me.
00:38:02When you blow that horn, you thrill me.
00:38:08To the marrow of my bones, you chills me.
00:38:10To the marrow of my bones, you chills me.
00:38:16I hear a call to arms.
00:38:24Oh, the glissies and oh, the ecstasy.
00:38:30Reaching out to me like fast caress.
00:38:36Harry, go.
00:38:39I hear a call to arms.
00:38:45Even though you go and miss me,
00:38:51One dream you will never spare.
00:38:57Oh, when you're gone, I'll hear you say.
00:39:03Echoing in my heart.
00:39:05Blow it long.
00:39:07Forever.
00:39:11Blow it long.
00:39:13Slow.
00:39:15Endless.
00:39:17Let my soul respond.
00:39:19We surrender.
00:39:25Harry, go.
00:39:27I hear a call to arms.
00:39:35To arms.
00:39:47I'll call you here. You look terrible. I'll meet you in five minutes.
00:39:49No, before I forget, you look fine, Sean. You're wonderful.
00:39:55You're leaving?
00:39:56Yeah, the farm.
00:39:58I've got a job in New York.
00:40:00The El Greco. You know the El Greco.
00:40:02Yeah, I know the El Greco. Does the El Greco know you?
00:40:05Well, it depends on my reputation.
00:40:07Who doesn't?
00:40:09Say, if you or Skid ever get to New York, be sure to look me up, won't you?
00:40:11No.
00:40:13Are you talking for yourself or Skid?
00:40:15Talking for both of us.
00:40:17Say, you're pretty sure of yourself, aren't you?
00:40:19Mm-hmm.
00:40:21Listen, Skid's just a quick change artist.
00:40:23Now you seem, now you don't.
00:40:25That's why you don't bother me in the least.
00:40:27Well, Skid, all you have to do is just play chitter.
00:40:29You're wonderful. You're really wonderful.
00:40:31You look lovely, too. I mean, your hair's coming down on that side.
00:40:34Harvey, I can't believe my eyes.
00:40:36Oh, it's so good to see you.
00:40:38It's good to see you, too, Marguerite.
00:40:40You look fine. Of all faces, you're running.
00:40:42How did you know I was here?
00:40:44Oh, some girl sent me a wire. Here it is.
00:40:46There.
00:40:48Yeah. She said you were stranded here on your way to me.
00:40:50But she shouldn't have told you that.
00:40:52Harvey, I...
00:40:54Now you listen. I'm not kidding myself.
00:40:56I know you're not in love with me or you were married to me a long time ago.
00:40:58But, Harvey, you don't understand.
00:41:00Sure I do. I always have.
00:41:02Well, just having you around, that's enough for me, Marguerite.
00:41:04Well, Harvey... Come on, Maggie. We haven't got much time.
00:41:06Oh, Skid, this is Harvey Howell. He's a very good friend of mine.
00:41:08Skid Jones. Oh, glad to know you.
00:41:10Uh, we're on our way to get married.
00:41:12Married? Yeah, tonight.
00:41:14Maggie isn't taking any chances on wedding until tomorrow.
00:41:16She knows the guy's got to tell the truth on Washington's birthday.
00:41:18Say, why don't you come along? Harry's going.
00:41:20We need a couple of witnesses. Well, he's a piano player.
00:41:22Well, Maggie knows you, and... Skid!
00:41:24No, no. I'd...
00:41:26I'd like to, Marguerite. Oh, that's well.
00:41:28Come on. Come on, Maggie.
00:41:32Repeat after me, please.
00:41:34For better or for worse.
00:41:36For better or for worse.
00:41:38Till death do us part.
00:41:40Till death do us part.
00:41:42You are married now.
00:41:45Married?
00:41:48Felicidades, mi amor.
00:41:50Muchas felicidades.
00:41:52You're supposed to kiss the bride.
00:41:55Muchas felicidades.
00:41:57You're supposed to kiss the bride.
00:41:59I...
00:42:22We don't open till nine o'clock.
00:42:24The tree ain't ready yet.
00:42:26And at nine o'clock, down with the whiskers.
00:42:28It sure is hot.
00:42:29Hot or cold, it's Christmas, so act like it.
00:42:32And you boys, hurry with those decorations.
00:42:34Thank you, ma'am.
00:42:35♪ Really cold ♪
00:42:40♪ If it isn't love ♪
00:42:41Pedro?
00:42:42Yes, ma'am?
00:42:43A little more sugar in this, and hurry.
00:42:44♪ Then if it isn't love ♪
00:42:46Terrence and Dolly, come in here
00:42:48and collect all this paper, and you get a girl,
00:42:50step on it, we've got to get this place open.
00:42:52Come on.
00:42:53♪ If it isn't love ♪
00:42:56♪ If it's not a place ♪
00:43:00♪ Burning night and day ♪
00:43:04♪ Then it's nothing more than a game ♪
00:43:06♪ Children's play, and I'm not that person ♪
00:43:11♪ My heart never was tamed or betrayed ♪
00:43:18♪ But beware, my heart never was broken ♪
00:43:27If you break it, I don't care.
00:43:33♪ Then I'll know that it's really love ♪
00:43:41♪ And I won't complain if it's really love ♪
00:43:46♪ If it's really love ♪
00:43:52♪ It's worth the pain ♪
00:43:59Gee, honey, I left a crack in my heart.
00:44:02Yeah, that first one wasn't so good.
00:44:03Well, I know it.
00:44:04Second one wasn't so good either.
00:44:05Well, you don't have to rub it in.
00:44:07Just like a woman.
00:44:08I don't know, why are you so mean to me on Christmas Eve?
00:44:10Who's mean to you?
00:44:12You are.
00:44:13Oh, no, honey, I was only kidding.
00:44:15Guys, you can sing it any way you want.
00:44:17Well, I know it's no good.
00:44:19Oh, it sounds fine.
00:44:21Have you got a handkerchief?
00:44:22No, you didn't do the wash last week.
00:44:24Oh, darling, I'm sorry.
00:44:25I'll do it in the morning.
00:44:26I'll help you.
00:44:27Here, I'll help, too.
00:44:29Oh, thanks, Eric.
00:44:34Oh, I just love Christmas, don't you?
00:44:35You know, we ought to bring Butch over to see Santy Claus.
00:44:37Nah, Butch is too old for Santy Claus.
00:44:39Oh, we haven't had him a year yet.
00:44:41Seems a lot longer now, doesn't it?
00:44:43What?
00:44:44Oh, no, honey, I mean, it doesn't seem that long, does it?
00:44:46It's just like a man.
00:44:48Thank you, honey.
00:44:49Well, let me a coat.
00:44:51Now that we're all friends again,
00:44:52could we rehearse for the introduction?
00:45:00You know, that guy can play chopsticks
00:45:02and make it sound like number one on the hit parade.
00:45:04Yeah, he's brought more business in here
00:45:07than any ten acts I've had.
00:45:10Yeah.
00:45:13I see she's still at the El Greco.
00:45:15No wonder they haven't caught up with her by now.
00:45:17Who?
00:45:17Alvarez.
00:45:18She says, Merry Christmas,
00:45:19and she feels so sorry for us down here.
00:45:22Well, she needn't.
00:45:23How do you like the new number?
00:45:25It's all right.
00:45:27You know, you'd never get a swell head around Murphy, would you?
00:45:29You'd never get a swell head anyway.
00:45:31You're too smart.
00:45:32Skid belongs to the big time, Mrs. Johnson.
00:45:34He belongs on Broadway, and that's where I want to put it.
00:45:36But will he listen to me?
00:45:38Well, certainly he'll listen to you.
00:45:39Well, certainly he'll not listen to me.
00:45:41You mean you offered Skid Johnson a job in New York
00:45:44and he turned it down?
00:45:45I got a spot where he could step right into it,
00:45:46and a honey.
00:45:48Well, don't worry.
00:45:49He'll take it.
00:45:50Well, when would you want us to come?
00:45:52Well, now look, honey.
00:45:54Dames are a drug on the market.
00:45:56Skid's got something that's different.
00:45:58He's got something to set that town on its ears, see?
00:46:02Sure, sure, I see.
00:46:04Now, if you'll let him go on ahead
00:46:05and kind of get the feel of things,
00:46:06then he can send for you.
00:46:08In the meantime, you can hold on to the job here,
00:46:10and if Skid should draw a blank up there,
00:46:12you'd have something to come back to.
00:46:14That make sense, don't it?
00:46:16Sure, sure, that makes sense.
00:46:18Too good to turn down.
00:46:20But I've got to talk to him.
00:46:23Harry, where's Skid?
00:46:25Well, he's, uh, he just, uh.
00:46:27Thanks.
00:46:31Hey, Miguel.
00:46:32Oh, you have Skid?
00:46:32He has.
00:46:33Two.
00:46:34Too many.
00:46:35Oh, but Maggie, this is Christmas.
00:46:36Well, last time was your birthday.
00:46:38You know, the time before that, it was Butch's birthday.
00:46:39Pretty soon, any day will be a holiday,
00:46:40and then where will we be?
00:46:42It's about closed.
00:46:44Honey, you have to take care of yourself and your condition.
00:46:46What's the matter with my condition?
00:46:48You don't know, but you're about to become a star.
00:46:49I just fixed it.
00:46:50Now, honey, you go over and thank the man
00:46:51and tell him you'll be very proud and happy
00:46:53to go to New York with him.
00:46:54Oh, no.
00:46:56Oh, Skid, but you can send for me a new time and all.
00:46:58It's your chance.
00:46:58You've got to take it.
00:46:59Look, Maggie, I've already told the guy
00:47:01I don't want to go to New York.
00:47:02I like it here.
00:47:03Gosh, we're doing all right.
00:47:04We have fun.
00:47:05You want to blow a trumpet and cheap hokey talk
00:47:06all your life?
00:47:07Why not?
00:47:08Well, does it mean anything for you to become a star?
00:47:10You know, go right to the top.
00:47:11All right, I go right to the top.
00:47:12What do I do when I get there?
00:47:13Oh, but honey, you'll be a sensation.
00:47:15You know, really a sensation.
00:47:16I'm a sensation here.
00:47:17Isn't that enough?
00:47:18No.
00:47:18Hey, Murphy, Maggie wants me to go to New York.
00:47:20I couldn't go if I wanted to, could I?
00:47:22Tell her.
00:47:22Why?
00:47:23What's stopping you?
00:47:25Well, you've got a contract with me.
00:47:26Yeah?
00:47:27Well, listen, young man.
00:47:29My contracts ain't worth the paper they're written on.
00:47:31My lawyer sees to that.
00:47:33Good luck, kid.
00:47:34Thanks, Murphy.
00:47:35And if I got a spot for you, if I got a spot in the El Greco,
00:47:39you heard of the El Greco?
00:47:41Yeah, yeah, I've heard of the El Greco.
00:47:44All visitors ashore.
00:47:46All visitors ashore.
00:47:49All visitors ashore.
00:47:54You better take these pills with you, skid.
00:47:57I'd sure laugh at you too if I turned out to be a prize flop.
00:47:59Mr. Moore is supposed to be very good.
00:48:02I am a flop like Nelson.
00:48:03I know.
00:48:04You can always go back in the army.
00:48:05All visitors ashore.
00:48:07I think I'd better get off now, skid.
00:48:08I'm beginning to get sick.
00:48:09Well, so long, Harry.
00:48:10Bye.
00:48:11You better take the lemon.
00:48:12No, thank you.
00:48:16Gosh, Maggie, I don't know how to say goodbye.
00:48:17I've never said goodbye to you.
00:48:19Oh, we'll never say goodbye to each other.
00:48:23I wish I didn't feel like making a big mistake.
00:48:26All visitors ashore.
00:48:29Here, the bank won't give it.
00:48:30Oh, no, I can't take that.
00:48:31Oh, I don't need it.
00:48:32I don't want you to run short.
00:48:33You know when you get there and they don't treat you right,
00:48:35then you can walk out.
00:48:36See, darling?
00:48:37All visitors ashore.
00:48:38Oh, I love you so, so much.
00:48:45Goodbye, darling.
00:48:47Goodbye, Maggie.
00:48:48All visitors ashore.
00:48:49I wish I could feel lost already without you.
00:48:51Oh, no, darling.
00:48:53Goodbye.
00:48:54Come on, ladies.
00:48:55Let's go now.
00:48:56I know, I know.
00:48:57All right.
00:48:59No.
00:49:07I'm scared.
00:49:17I'll go for you right away, honey.
00:49:18You be all ready.
00:49:19Get packed and everything.
00:49:20All right, darling.
00:49:21I will.
00:49:27Get Mr. Murphy.
00:49:29Get Mr. Murphy.
00:49:30Get Mr. Murphy.
00:49:31Get Mr. Murphy.
00:49:32Get Mr. Murphy.
00:49:33Get Mr. Murphy.
00:49:34Get Mr. Murphy.
00:49:35Get Mr. Murphy.
00:49:36Get Mr. Murphy.
00:49:37Get Mr. Murphy.
00:49:38Get Mr. Murphy.
00:49:39Get Mr. Murphy.
00:49:40Get Mr. Murphy.
00:49:41Get Mr. Murphy.
00:49:42Get Mr. Murphy.
00:49:43Get Mr. Murphy.
00:49:44Get Mr. Murphy.
00:49:45Get Mr. Murphy.
00:49:46Get Mr. Murphy.
00:49:47Get Mr. Murphy.
00:49:48Get Mr. Murphy.
00:49:49Get Mr. Murphy.
00:49:50Get Mr. Murphy.
00:49:51Get Mr. Murphy.
00:49:52Get Mr. Murphy.
00:49:53Get Mr. Murphy.
00:49:54Get Mr. Murphy.
00:49:55Get Mr. Murphy.
00:49:56Get Mr. Murphy.
00:49:57Get Mr. Murphy.
00:49:58Get Mr. Murphy.
00:49:59Get Mr. Murphy.
00:50:00Get Mr. Murphy.
00:50:01Get Mr. Murphy.
00:50:02Get Mr. Murphy.
00:50:03Get Mr. Murphy.
00:50:04Get Mr. Murphy.
00:50:05Get Mr. Murphy.
00:50:06Get Mr. Murphy.
00:50:07Get Mr. Murphy.
00:50:08Get Mr. Murphy.
00:50:09Get Mr. Murphy.
00:50:10Get Mr. Murphy.
00:50:11Get Mr. Murphy.
00:50:12Get Mr. Murphy.
00:50:13Get Mr. Murphy.
00:50:14Get Mr. Murphy.
00:50:15Get Mr. Murphy.
00:50:16Get Mr. Murphy.
00:50:17Get Mr. Murphy.
00:50:18Get Mr. Murphy.
00:50:19Get Mr. Murphy.
00:50:20Get Mr. Murphy.
00:50:21Get Mr. Murphy.
00:50:22Get Mr. Murphy.
00:50:23Get Mr. Murphy.
00:50:24Get Mr. Murphy.
00:50:25Get Mr. Murphy.
00:50:26Get Mr. Murphy.
00:50:27There is noise.
00:50:29I hear a call.
00:50:33Fire!
00:50:35Fire!
00:50:37Fire!
00:50:39Fire!
00:50:40Fire!
00:50:42Help!
00:50:44Help!
00:50:45Help!
00:50:46And the thing to predict that Skid Johnson's magic trumpet will fill the Albrecht D. O'Knightly.
00:51:10You know, we'll have to start a clipping book for him right away.
00:51:14He doesn't photograph badly at all.
00:51:15Now listen, New York public, completely fooled, get ready to sail in a week, last skid.
00:51:19What do you think of that?
00:51:20Not much.
00:51:21What's he waiting a week for?
00:51:22Oh, he'll have to pay back Georgie, doesn't he?
00:51:23He'll have to buy some new clothes.
00:51:24You wouldn't want him running around New York in ice cream pants, would you?
00:51:26I wouldn't want him running around New York at all.
00:51:28Maggie?
00:51:29Oh, I guess this shows you.
00:51:30Gee, I won't have much time to get ready at all, will I?
00:51:31No.
00:51:32Don't you think it's pretty good he's saving up money to send for me already?
00:51:33It's a miracle.
00:51:34Yeah.
00:51:35Oh, it's from Harvey.
00:51:36He's in New York.
00:51:37Mercy!
00:51:38Harvey seems to get himself into a terrific success.
00:51:39Gee, I knew he would be.
00:51:40Oh!
00:51:41Oh!
00:51:42Oh!
00:51:43Oh!
00:51:44Oh!
00:51:45Oh!
00:51:46Oh!
00:51:47Oh!
00:51:48Oh!
00:51:49Oh!
00:51:50Oh!
00:51:51Oh!
00:51:52Oh!
00:51:53Oh!
00:51:54Oh!
00:51:55Oh!
00:51:56Oh!
00:51:57Oh!
00:51:58Oh!
00:51:59Oh!
00:52:00Oh!
00:52:01Oh!
00:52:02Oh!
00:52:03Oh!
00:52:04Oh!
00:52:05Oh!
00:52:06Oh!
00:52:07Oh!
00:52:08Oh!
00:52:09Oh!
00:52:10Oh!
00:52:11Oh!
00:52:12Oh!
00:52:13Oh!
00:52:14Oh!
00:52:15Oh!
00:52:16Oh!
00:52:17Oh!
00:52:18Oh!
00:52:19Oh!
00:52:20Oh!
00:52:21Oh!
00:52:22Oh!
00:52:23Oh!
00:52:24Oh!
00:52:25Oh!
00:52:26Oh!
00:52:27Oh!
00:52:28Oh!
00:52:29Oh!
00:52:30Oh!
00:52:31Oh!
00:52:32Oh!
00:52:33Oh!
00:52:34Oh!
00:52:35Oh!
00:52:36Oh!
00:52:37Oh!
00:52:38Oh!
00:52:39Oh!
00:52:40Oh!
00:52:41Oh!
00:52:42Oh!
00:52:43Oh!
00:52:44Oh!
00:52:45Oh!
00:52:46Oh!
00:52:47Oh!
00:52:48Oh!
00:52:49Oh!
00:52:50Oh!
00:52:51Oh!
00:52:52Oh!
00:52:53Oh!
00:52:54Oh!
00:52:55Oh!
00:52:56Oh!
00:52:57Oh!
00:52:58Oh!
00:52:59Oh!
00:53:00Oh!
00:53:01Oh!
00:53:02Oh!
00:53:03Oh!
00:53:04Oh!
00:53:05Oh!
00:53:06Oh!
00:53:07Oh!
00:53:08Oh!
00:53:09Oh!
00:53:10Oh!
00:53:11Oh!
00:53:12Oh!
00:53:13Oh!
00:53:14Oh!
00:53:15Oh!
00:53:16Oh!
00:53:17Oh!
00:53:18Oh!
00:53:19Oh!
00:53:20Oh!
00:53:21Oh!
00:53:22Oh!
00:53:23Oh!
00:53:24Oh!
00:53:25Oh!
00:53:26Oh!
00:53:27Oh!
00:53:28Oh!
00:53:29Oh!
00:53:30Oh!
00:53:31Oh!
00:53:32Oh!
00:53:33Oh!
00:53:34Oh!
00:53:35Oh!
00:53:36Oh!
00:53:37Oh!
00:53:38Oh!
00:53:39Oh!
00:53:40Oh!
00:53:41Oh!
00:53:42Oh!
00:53:43Oh!
00:53:44Oh!
00:53:45Oh!
00:53:46Oh!
00:53:47Oh!
00:53:48Oh!
00:53:49Oh!
00:53:50Oh!
00:53:51Oh!
00:53:52Oh!
00:53:53Oh!
00:53:54Oh!
00:53:55Oh!
00:53:56Oh!
00:53:57Oh!
00:53:58Oh!
00:53:59Oh!
00:54:00Oh!
00:54:01Oh!
00:54:02Oh!
00:54:03Oh!
00:54:04Oh!
00:54:05Oh!
00:54:06Oh!
00:54:07Oh!
00:54:08Oh!
00:54:09Oh!
00:54:10Oh!
00:54:11Oh!
00:54:12Oh!
00:54:13Oh!
00:54:14Oh!
00:54:15Oh!
00:54:16Oh!
00:54:17Oh!
00:54:18Oh!
00:54:19Oh!
00:54:20Oh!
00:54:21Oh!
00:54:22Oh!
00:54:23Oh!
00:54:24Oh!
00:54:25Oh!
00:54:26Oh!
00:54:27Oh!
00:54:28Oh!
00:54:29Oh!
00:54:30Oh!
00:54:31Oh!
00:54:32Oh!
00:54:33Oh!
00:54:34Oh!
00:54:35Oh!
00:54:36Oh!
00:54:37Oh!
00:54:38Oh!
00:54:39Oh!
00:54:40Oh!
00:54:41Oh!
00:54:42Oh!
00:54:43Oh!
00:54:44Oh!
00:54:45Oh!
00:54:46Oh!
00:54:47Oh!
00:54:48Oh!
00:54:49Oh!
00:54:50Oh!
00:54:51Oh!
00:54:52Oh!
00:54:53Oh!
00:54:54Oh!
00:54:55Oh!
00:54:56Oh!
00:54:57Oh!
00:54:58Oh!
00:54:59Oh!
00:55:00Oh!
00:55:01Oh!
00:55:02Oh!
00:55:03Oh!
00:55:04Oh!
00:55:05Oh!
00:55:06Oh!
00:55:07Oh!
00:55:08Oh!
00:55:09Oh!
00:55:10Oh!
00:55:11Oh!
00:55:12Oh!
00:55:13Oh!
00:55:14Oh!
00:55:15Oh!
00:55:16Oh!
00:55:17Oh!
00:55:18Oh!
00:55:19Oh!
00:55:20Oh!
00:55:21Oh!
00:55:22Oh!
00:55:23Oh!
00:55:24Oh!
00:55:25Oh!
00:55:26Oh!
00:55:27Oh!
00:55:28Oh!
00:55:29Oh!
00:55:30Oh!
00:55:31Oh!
00:55:32Oh!
00:55:33Oh!
00:55:34Oh!
00:55:35Oh!
00:55:36Oh!
00:55:37Oh!
00:55:38Oh!
00:55:39Oh!
00:55:40Oh!
00:55:41Oh!
00:55:42Oh!
00:55:43Oh!
00:55:44Oh!
00:55:45Oh!
00:55:46Oh!
00:55:47Oh!
00:55:48Oh!
00:55:49Oh!
00:55:50Oh!
00:55:51Oh!
00:55:52Oh!
00:55:53Oh!
00:55:54Oh!
00:55:55Oh!
00:55:56Oh!
00:55:57Oh!
00:55:58Oh!
00:55:59Oh!
00:56:00Oh!
00:56:01Oh!
00:56:02Oh!
00:56:03Oh!
00:56:04Oh!
00:56:05Oh!
00:56:06Oh!
00:56:07Oh!
00:56:08Oh!
00:56:09Oh!
00:56:10Oh!
00:56:11Oh!
00:56:12Oh!
00:56:13Oh!
00:56:14Oh!
00:56:15Oh!
00:56:16Oh!
00:56:17Oh!
00:56:18Oh!
00:56:19Oh!
00:56:20Oh!
00:56:21Oh!
00:56:22Oh!
00:56:23Oh!
00:56:24Oh!
00:56:25Oh!
00:56:26Oh!
00:56:27Oh!
00:56:28Oh!
00:56:29Oh!
00:56:30Oh!
00:56:31Oh!
00:56:32Oh!
00:56:33Oh!
00:56:34Oh!
00:56:35Oh!
00:56:36Oh!
00:56:37Oh!
00:56:38Oh!
00:56:39Oh!
00:56:40Oh!
00:56:41Oh!
00:56:42Oh!
00:56:43Oh!
00:56:44Oh!
00:56:45Oh!
00:56:46Oh!
00:56:47Oh!
00:56:48Oh!
00:56:49Oh!
00:56:50Oh!
00:56:51Oh!
00:56:52Oh!
00:56:53Oh!
00:56:54Oh!
00:56:55Oh!
00:56:56Oh!
00:56:57Oh!
00:56:58Oh!
00:56:59Oh!
00:57:00Oh!
00:57:01Oh!
00:57:02Oh!
00:57:03Oh!
00:57:04Oh!
00:57:05Oh!
00:57:06Oh!
00:57:07Oh!
00:57:08Oh!
00:57:09Oh!
00:57:10Oh!
00:57:11Oh!
00:57:12Oh!
00:57:13Oh!
00:57:14Oh!
00:57:15Oh!
00:57:16Oh!
00:57:17Oh!
00:57:18Oh!
00:57:19Oh!
00:57:20Oh!
00:57:21Oh!
00:57:22Oh!
00:57:23Oh!
00:57:24Oh!
00:57:25Oh!
00:57:26Oh!
00:57:27Oh!
00:57:28Oh!
00:57:29Oh!
00:57:30Oh!
00:57:31Oh!
00:57:32Oh!
00:57:33Oh!
00:57:34Oh!
00:57:35Oh!
00:57:36Oh!
00:57:37Oh!
00:57:38Oh!
00:57:39Oh!
00:57:40Oh!
00:57:41Oh!
00:57:42Oh!
00:57:43Oh!
00:57:44Oh!
00:57:45Oh!
00:57:46Oh!
00:57:47Oh!
00:57:48Oh!
00:57:49Oh!
00:57:50Oh!
00:57:51Oh!
00:57:52Oh!
00:57:53Oh!
00:57:54Oh!
00:57:55Oh!
00:57:56Oh!
00:57:57Oh!
00:57:58Oh!
00:57:59Oh!
00:58:00Oh!
00:58:01Oh!
00:58:02Oh!
00:58:03Oh!
00:58:04Oh!
00:58:05Oh!
00:58:06Oh!
00:58:07Oh!
00:58:08Oh!
00:58:09Oh!
00:58:10Oh!
00:58:11Oh!
00:58:12Oh!
00:58:13Oh!
00:58:14Oh!
00:58:15Oh!
00:58:16Oh!
00:58:17Oh!
00:58:18Oh!
00:58:19Oh!
00:58:20Oh!
00:58:21Oh!
00:58:22Oh!
00:58:23Oh!
00:58:24Oh!
00:58:25Oh!
00:58:26Oh!
00:58:27Oh!
00:58:28Oh!
00:58:29Oh!
00:58:30Oh!
00:58:31Oh!
00:58:32Oh!
00:58:33Oh!
00:58:34Oh!
00:58:35Oh!
00:58:36Oh!
00:58:37Oh!
00:58:38Oh!
00:58:39Oh!
00:58:40Oh!
00:58:41Oh!
00:58:42Oh!
00:58:43Oh!
00:58:44Oh!
00:58:45Oh!
00:58:46Oh!
00:58:47Oh!
00:58:48Oh!
00:58:49Oh!
00:58:50Oh!
00:58:51Oh!
00:58:52Oh!
00:58:53Oh!
00:58:54Oh!
00:58:55Oh!
00:58:56Oh!
00:58:57Oh!
00:58:58Oh!
00:58:59Oh!
00:59:00Oh!
00:59:01Oh!
00:59:02Oh!
00:59:03Oh!
00:59:04Oh!
00:59:05Oh!
00:59:06Oh!
00:59:07Oh!
00:59:08Oh!
00:59:09Oh!
00:59:10Oh!
00:59:11Oh!
00:59:12Oh!
00:59:13Oh!
00:59:14Oh!
00:59:15Oh!
00:59:16Oh!
00:59:17Oh!
00:59:18Oh!
00:59:19Oh!
00:59:20Oh!
00:59:21Oh!
00:59:22Oh!
00:59:23Oh!
00:59:24Oh!
00:59:25Oh!
00:59:26Oh!
00:59:28Have you seen Skid?
00:59:31Oh, Skid...
00:59:33Skid and I are getting a divorce.
00:59:35Oh I don't know, you know, he's gone a long time,
00:59:39that's the way it goes I guess.
00:59:41Oh, well you finally got some sense did you?
00:59:57Is Mr. Harvey Howell still registered there?
01:00:05I'd like to speak to him, please.
01:00:10My wife?
01:00:11That's what she said.
01:00:12She called up three times.
01:00:13No, no, no.
01:00:14My wife's in Panama.
01:00:15Letter from her.
01:00:16Probably some girl pulling your gag.
01:00:17Yeah.
01:00:18I'd like to speak to Mr. Harvey Howell, please, Mr. Harvey Howell, Mr. Harvey Howell, Mr.
01:00:45Harvey Howell.
01:00:51Oh, no, Macky.
01:01:02Last night and the night before, and all day.
01:01:08That's all he's been doing, reading that letter.
01:01:10For a week now he's been reading that letter.
01:01:13I say a week's too long to read any letter.
01:01:15It's my letter, isn't it?
01:01:16Guess a guy can read his own letters if he wants to.
01:01:18All right, all right.
01:01:19But the boys that run that place you think you work in
01:01:21are plenty sore.
01:01:22If you don't show up tonight, you're fired.
01:01:25Hey, are you listening to me?
01:01:27You read that a dozen times, too,
01:01:29and it says she's sailing on the Normandy tomorrow.
01:01:31No matter how many times you read it,
01:01:33it'll say the same thing.
01:01:34She's sailing on the Normandy tomorrow.
01:01:38Guess I'll be a sap if I go up and say goodbye to her.
01:01:43Better let things ride the way they are, I guess.
01:01:46Better let her alone.
01:01:52That guy, Harvey, couldn't have any cake
01:01:54if I just went up and said goodbye to her.
01:01:57I haven't met his wife yet.
01:02:00All I want to do is go up and say goodbye
01:02:02and have a couple of drinks and say goodbye.
01:02:07Come on.
01:02:09Hey, what do you want me for?
01:02:11Come on.
01:02:12Bring Tony with you.
01:02:13Oh.
01:02:14Why the French divorce?
01:02:16Thought our divorce was good enough for you?
01:02:18Well, Harvey's attorney arranged it that way.
01:02:20Have you told Skid?
01:02:21I wrote him.
01:02:22How'd he take it?
01:02:23I haven't heard from him.
01:02:24Skid never was much of a hand for writing letters.
01:02:26He never was much of a hand at anything.
01:02:28He doesn't play a bad trumpet.
01:02:30How long did he spend studying?
01:02:32I don't know.
01:02:34He doesn't play a bad trumpet.
01:02:36How long did these French divorces take?
01:02:38I don't know.
01:02:39I guess it'd be kind of fun in Paris.
01:02:40I've never been there before.
01:02:42I was there once with my first husband.
01:02:45I heard about it.
01:02:48Hey, Maggie.
01:02:51Hey, there's Skid.
01:02:53Oh, what'll I do now?
01:02:54Let him rap.
01:02:55You're not in.
01:02:56Well, there's no sense in being unfriendly.
01:02:57Now, you just keep on picking him up and dusting him off
01:02:59every time he falls down, and the first thing you know,
01:03:01you'll get Harvey sore.
01:03:02I know, but he might be in trouble or something.
01:03:03Oh, Maggie.
01:03:19How's that for an address?
01:03:20Fine.
01:03:21How are you, kid?
01:03:22You're looking swell.
01:03:23Oh, say, this is Georgie Herman, my agent.
01:03:24You remember him.
01:03:25Hello, Mr. Johnson.
01:03:26Glad to see you.
01:03:27And this is Tony Reilly.
01:03:28I keep him around just for laughs.
01:03:29Laugh, Tony.
01:03:30He kills me.
01:03:31That's enough, Tony.
01:03:33Oh, this ain't all, Ella.
01:03:34How are you, Ella?
01:03:35Glad to see you.
01:03:36How are you, Harry?
01:03:37Glad to see you, Skid.
01:03:38Hey, this looks like old home we can pat about, doesn't it?
01:03:39Harry, you're looking awful well.
01:03:40Is anything wrong?
01:03:41Ella and I got married.
01:03:42No.
01:03:43Well, I guess the guy that said there was one born every minute
01:03:45was right, huh, Tony?
01:03:46He's funny.
01:03:47Very.
01:03:48Don't be bitter, Ella.
01:03:49Shall I serve them, sir?
01:03:50No, thanks.
01:03:51I'm an old bartender from way back.
01:03:52Thank you, sir.
01:03:53Don't work too hard, son.
01:03:54Maybe one of these days you'll be in the door like I am.
01:03:56Thank you, sir.
01:03:57Say, it's a good thing I brought up these drinks.
01:03:58We got some celebrating to do.
01:03:59There's yours, gorgeous.
01:04:00No, thanks.
01:04:01Oh, come on.
01:04:02Come on.
01:04:03This is Skid's going away party for Maggie.
01:04:04By the way, I, uh, got your valentine.
01:04:11Why didn't you come up alone?
01:04:12Oh, I couldn't shake these guys.
01:04:13They've been with me since last night.
01:04:15Last night?
01:04:16I haven't looked a bit in the face for a week.
01:04:18King of the nightclub now, huh?
01:04:20Well, I gotta let the people see me, don't I?
01:04:22Where'd you get the black eyes?
01:04:24Oh, my knee taking bows.
01:04:25Whose knee?
01:04:27You ought to see the other fellow, Mrs. Johnson.
01:04:29Well, that's what I thought.
01:04:30Well, you quit riding me.
01:04:31I'm doing all right, ain't I?
01:04:32Certainly are.
01:04:33Your two weeks notice is written on every bottle of scotch
01:04:35from town.
01:04:36Hey, lay off.
01:04:37You've got a new guy to worry about now.
01:04:41You stepping out pretty soon?
01:04:43I've got to get a divorce first, don't I?
01:04:45Yeah, that's right.
01:04:47Say, you've been crying.
01:04:48I have not.
01:04:49Don't kid me.
01:04:50I've seen you cry too often.
01:04:51If that's for me, don't put too much water in it.
01:04:55OK, sweetheart.
01:04:56How's this for you?
01:04:57You'll have to play for yours, Professor.
01:04:58Well, it won't be the first time.
01:04:59You're telling me?
01:05:00Come on.
01:05:01Play something better than 40.
01:05:02So you used to be a professor there.
01:05:05Right on for dear old Redlands Conservatory of Music.
01:05:09Remember that, Maggie?
01:05:10Yes, I remember.
01:05:14What's the matter, kid?
01:05:15Nothing.
01:05:16I was just thinking we had fun riding it.
01:05:17That was all.
01:05:19Yeah, we did, didn't we?
01:05:21Boy, we used to whine about that number, didn't we, Georgie?
01:05:25Hey!
01:05:26Say, remember when I pawned my trumpet and you had to buy the...
01:05:29Say, did we ever pay that $5 back to Murphy?
01:05:32Yes, I think.
01:05:33Murphy?
01:05:34He's who?
01:05:35Oh, she ran the joint in Panama where we used to work.
01:05:36She's Butch's mother now.
01:05:38Butch is our chicken.
01:05:39I'd say you'd have died if that chicken tried to murder her, Harry.
01:05:42That's funny.
01:05:43A chicken tried to kill you?
01:05:45Yeah, and he got attacked by a bad one, too.
01:05:48Oh, gee, you look silly.
01:05:49You see, I set the house on fire, and you know what these two did?
01:05:51They got the bed stuck in the door, and they went to sleep.
01:05:53She wanted goats.
01:05:54I never could figure that out.
01:05:55Goats?
01:05:56Indy goats in a house?
01:05:58Yeah.
01:05:59Hey, boy, was that a night.
01:06:00Maggie took off her hat, see, when you take off the hat...
01:06:01Yeah, the doctors are in jail, and, you know,
01:06:03he had to make a noise like a boat to get us out.
01:06:05Oh, yeah.
01:06:06He had to make a noise like a boat.
01:06:08Well, the judge was Spanish, see, and she wanted to catch a boat
01:06:10and I forgot the word for boat, so I was trying to show him like this.
01:06:13Woo-hoo!
01:06:14Woo!
01:06:15Woo-hoo!
01:06:16Woo!
01:06:18Oh.
01:06:22Having a party, Maggie?
01:06:23No, no.
01:06:24Come in, Harvey.
01:06:25Hello, Mr. Howell.
01:06:26Hello, Ella.
01:06:27How are you, Howell?
01:06:28Hello, Skid.
01:06:29Boys, this is Mr. Howell.
01:06:30He's an old cowhand from way out west.
01:06:33How are you, Mr. Howell?
01:06:34Glad to meet you.
01:06:35Andy Fowler Skids is a pal of mine.
01:06:37Harvey, you know Harry?
01:06:39Certainly.
01:06:40We were witnesses at Skid's wedding, weren't we?
01:06:43Yeah, that's right.
01:06:45That was some wedding.
01:06:46That was some wedding.
01:06:47We didn't even know what the guy was talking about.
01:06:49Maybe we weren't even married.
01:06:50Maybe you two were going to a lot of trouble for nothing.
01:06:52That'd be a laugh, wouldn't it?
01:06:53Well, Harvey, here's a drink for you.
01:06:55Thanks.
01:06:56Well, there's no sense in us standing around like this, is there?
01:06:58I know, I know.
01:06:59I don't want to spoil anything for you.
01:07:00It sounded very gay in here to me when I came in.
01:07:02Why don't you go on with the music?
01:07:04Why, surely, Mr. Howell.
01:07:05Play, Harry.
01:07:06Yeah, play something.
01:07:07Yeah, come on, play something, Harry.
01:07:09Come on, Harry, play the wedding march.
01:07:10Play it fast and hot.
01:07:11This is a hot wedding.
01:07:13Come on, Harry, play it.
01:07:17Stop it, stop it.
01:07:18No, we're celebrating a wedding.
01:07:19Come on, sing it, everybody.
01:07:20Here comes the bride.
01:07:21Come on, sing it.
01:07:26Good.
01:07:27I think you'd better go now.
01:07:28All right, all right, Mr. Howell, I'm going.
01:07:30I'm going.
01:07:31Don't worry, I'm going.
01:07:32So long, Maggie.
01:07:43Skid, Skid, we've looked every place for you.
01:07:46Do you know what time it is?
01:07:47It's nearly time for you to go on.
01:07:49Get away from me.
01:07:51Skid, snap out of it, will you?
01:07:53Get away from me.
01:07:54Skid, you've got to listen to me.
01:07:55If you don't show up, you'll get fired.
01:07:57You hear what I said?
01:07:58Skid!
01:07:59I said get away from me!
01:08:00Skid!
01:08:30Skid!
01:08:31Skid!
01:08:32Skid!
01:08:33Skid!
01:08:34Skid!
01:08:35Skid!
01:08:36Skid!
01:08:37Skid!
01:08:38Skid!
01:08:39Skid!
01:08:40Skid!
01:08:41Skid!
01:08:42Skid!
01:08:43Skid!
01:08:44Skid!
01:08:45Skid!
01:08:46Skid!
01:08:47Skid!
01:08:48Skid!
01:08:49Skid!
01:08:50Skid!
01:08:51Skid!
01:08:52Skid!
01:08:53Skid!
01:08:54Skid!
01:08:55Skid!
01:08:56Skid!
01:08:57Skid!
01:08:58Skid!
01:09:00Skid!
01:09:01Skid!
01:09:02Skid!
01:09:03Skid!
01:09:04Skid!
01:09:05Skid!
01:09:06Skid!
01:09:07Skid!
01:09:08Skid!
01:09:09Skid!
01:09:10Skid!
01:09:11Skid!
01:09:12Skid!
01:09:13Skid!
01:09:14Skid!
01:09:15Skid!
01:09:16Skid!
01:09:17Skid!
01:09:18Skid!
01:09:19Skid!
01:09:20Skid!
01:09:21Skid!
01:09:22Skid!
01:09:23Skid!
01:09:24Skid!
01:09:25Skid!
01:09:26Skid!
01:09:27Skid!
01:09:28Skid!
01:09:29Skid!
01:09:30Skid!
01:09:31Skid!
01:09:32Skid!
01:09:33Skid!
01:09:34Skid!
01:09:35Skid!
01:09:36Skid!
01:09:37Skid!
01:09:38Skid!
01:09:39Skid!
01:09:40Skid!
01:09:41Skid!
01:09:42Skid!
01:09:43Skid!
01:09:44Skid!
01:09:45Skid!
01:09:46Skid!
01:09:47Skid!
01:09:48Skid!
01:09:49Skid!
01:09:50Skid!
01:09:51Skid!
01:09:52Skid!
01:09:53Skid!
01:09:54Skid!
01:09:55Skid!
01:09:56Skid!
01:09:57Skid!
01:09:58Skid!
01:09:59Skid!
01:10:00Skid!
01:10:01Skid!
01:10:02Skid!
01:10:03Skid!
01:10:04Skid!
01:10:05Skid!
01:10:06Skid!
01:10:07Skid!
01:10:08Skid!
01:10:09Skid!
01:10:10Skid!
01:10:11Skid!
01:10:12Skid!
01:10:13Skid!
01:10:14Skid!
01:10:15Skid!
01:10:16Skid!
01:10:17Skid!
01:10:18Skid!
01:10:19Skid!
01:10:20Skid!
01:10:21Skid!
01:10:22Skid!
01:10:23Skid!
01:10:24Skid!
01:10:25Skid!
01:10:26Skid!
01:10:27you. Know never mind.
01:10:36Why Tony goodbye goodbye you pretty soon oh oh oh you're going to get a booking
01:10:41agent told me I might find Skid Johnson here well he was here about three minutes
01:10:45ago when he went out you wouldn't have any idea where he went I have no idea.
01:10:57It used to get my wife's money she couldn't take it I used to say just
01:11:01a teaser say why I can ask it back in the army but you can't you know I never
01:11:07thought it. What did you say we can't use you you're all shot.
01:11:21Better put your clothes on son you're pretty shaky.
01:11:27To.
01:11:48Watch it. I've been looking all over town for
01:11:55you looking fine how you doing I'm doing all right good I got
01:11:58a proposition Oh thanks I got
01:11:59a few I know but first I got
01:12:00a proposition I get in with me.
01:12:13And we got
01:12:14a mighty sweet little swing band on me we're playing in town in Long Island New
01:12:17Jersey we're in Long Island tonight that's where you and I are going now or you can
01:12:21get out of your skit we're on the bridge we're crossing the river. I had
01:12:25a last minute hunch come in town look for you so the band's getting
01:12:28a radio audition tonight I thought maybe you could jump in and help us out. I'll show
01:12:32you can't scare. You must be going nuts
01:12:40oh and you think I'm going to play like you are a partner to a sponsor you know the
01:12:43chance made you know when you said
01:12:45a name I meant a name somebody remembers I remember this I work my head off
01:12:50a radio spot I get
01:12:51a big sponsor all steamed up I get it all set to fight the bad suit in New York and
01:12:56then what do I hear. Johnson's cock I don't know you said that before. I'm putting
01:13:02a program through the night hot or cold do we have to go through with it sure we'll
01:13:07have to go ahead with it too late to call off now it's your funeral not mine I can
01:13:11always tell another band.
01:13:20I know
01:13:29I was just going to Johnson stopping and move I got to get in touch with the
01:13:32before she gets out of town. You've got
01:13:39a helping Mrs Johnson you could always do anything scared and this is his last
01:13:42chance getting
01:13:44a bad guy Mr Johnson sort of figured maybe that's what you're wrong. When you
01:13:51have
01:13:52a room you have to try and give it. To be a download no I'm trying to close tonight
01:13:57I'm going to be married as soon as I get good for you I guess just well just to
01:14:01forget all about skid I guess he's just no good he's got to bed though the kids got
01:14:07a lot of talent. But then if he goes on his face they do if you know is it.
01:14:14Good luck.
01:14:44And. You'll never make. The broadcast isn't until ten o'clock he's out like
01:14:51a light come on let's get some stuff.
01:14:57Maggie. How did you get here no don't tell me I know and I'll bring you
01:15:04the neck how are you had no I don't know George he told me all right. You remember
01:15:10those emergencies I told you about.
01:15:14And.
01:15:27That's the most of our cast is going to come.
01:15:44To. You see.
01:15:53Kid me I've been seeing things lately. I wouldn't.
01:16:04Look.
01:16:04At. You look
01:16:13so I'm glad to see you. Let's have
01:16:18a drink. That's all you need.
01:16:21To.
01:16:33Not seem to me I mean. You're not going to let me know you're not going to ride
01:16:40you. Know
01:16:46. I can't get back to me when you don't have to know who you're going to be
01:16:51a big hit tonight or you got to put yourself together to get to look you know they're
01:16:55going to let me listen to New York at ten o'clock. I don't think I can make it
01:17:01oh sure you can make it you've got to get why without you well I've had this thing
01:17:06can you know they've been good friends of ours you can't walk out on them now.
01:17:09Well. Sure you can come out of it.
01:17:21You know I don't think I was pretty good.
01:17:33On the right you'll be all right you got to be all right.
01:17:39You.
01:17:50Ready for.
01:17:59Good evening friends we're broadcasting from the harmony dance hall the brightest
01:18:03night spot outside the city of New York there it is now we have
01:18:06a surprise for you tonight friend of course you all remember Skip Johnson and his
01:18:10magic trumpet. Back together again right here and it's going to play for you most
01:18:18any minute now he's doing a grand comeback he's climbing right back up on top the
01:18:23heap again better than ever come on let's give Skip a hand.
01:19:28Is that your heart. I can't be him as probably somebody clowning.
01:19:36Around.
01:19:54Because I was keeping.
01:19:59You know we're going to do together. I can't do it you can tell me.
01:20:07When you know that for you.
01:20:13To the marrow of my bones you.
01:20:21Very good. I hear a call to arms.
01:20:26I hear a call to arms.
01:20:35No.
01:20:48I hear a call to arms.
01:20:54You can make it.
01:20:56I can't.
01:21:04For me it was for you.
01:21:14For.
01:21:25Me.
01:21:32I hear.
01:21:55You.