- 5/19/2025
The Ghoul 1933
Category
🎥
Short filmTranscript
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00:02:00We don't want to buy no line owner nothing.
00:02:05Mr. Dragore, please.
00:02:07Oh, him.
00:02:09♪♪
00:02:19♪♪
00:02:29♪♪
00:02:39♪♪
00:02:49No sound, please.
00:02:51After two years I find you.
00:02:54I want the eternal light.
00:02:57♪♪
00:03:02I can kill with this from the end of the room.
00:03:05No lies, please.
00:03:07You cannot kill in England, Mahmud.
00:03:09They get down there and hang them.
00:03:13I have not come alone.
00:03:15If I hang, there are others.
00:03:17The eternal light goes back to the tomb from which you stole it.
00:03:21But I tell you, I have not got it.
00:03:23Please, I am not a child.
00:03:25I... I sold it.
00:03:28To whom did you sell it?
00:03:30To Professor Morland.
00:03:34That robber of the dead.
00:03:38Has he sold it?
00:03:39He did not buy it to sell.
00:03:40What then?
00:03:41Like you, Mahmud.
00:03:42She believes.
00:03:43Believes?
00:03:44He believes that the eternal light will open for him the gates of paradise?
00:03:48Even so.
00:03:50He gave the best part of his fortune for it.
00:03:52And very soon he will know whether or not he was right.
00:03:55What do you mean?
00:03:57Professor Morland is dying.
00:04:02Then you think it will be buried with him.
00:04:05I am sure of it.
00:04:07We have only got to wait until he is dead.
00:04:22I knew this.
00:04:28Open out of the way.
00:04:52What's that?
00:05:08Well?
00:05:09What is it?
00:05:10Good evening.
00:05:11I happen to be staying in the neighborhood and hearing of your master's illness,
00:05:14I took the liberty of calling.
00:05:16How is he?
00:05:17He is fine.
00:05:19He hasn't asked for anyone of my cloth?
00:05:21Nor will he.
00:05:22He is set in his ways, and they are the ways of the heathen.
00:05:25I know he won't see the rector,
00:05:27but though I am a comparative stranger, I don't like to leave a man to die like that.
00:05:31He will die in his own fashion, as he has lived.
00:05:34Still, sometimes at the end.
00:05:36Not with him.
00:05:37He is stubborn and unbending, and will be so at the throne itself.
00:05:43Well, I suppose I can't help it.
00:05:45He will be so at the throne itself.
00:05:48Well, I suppose I can be of no use then.
00:05:50No manner of use.
00:05:56Good night.
00:06:09He is asking for you.
00:06:11Where can I find Mr. Brown?
00:06:28Wizard.
00:06:29Come in or go out.
00:06:41You have to go up soon if you want to see him again.
00:06:48Curious house, this.
00:06:50Curious owner.
00:06:52Yes, but I suppose a great Egyptologist can't be expected to be like other people.
00:06:56Well, he'll be like a great many other people soon.
00:06:59That's not a very sympathetic thing to say.
00:07:01Well, I'm not a sympathetic man.
00:07:04Want a drink?
00:07:05That's across the hall, isn't it?
00:07:08I dare say.
00:07:09Thanks.
00:07:1975,000
00:07:24September 22, 1931
00:07:39Daily journal
00:07:461922
00:07:55The eternal light, mine at last.
00:08:01The eternal light, mine at last.
00:08:31I want to see you there.
00:08:36I'm here.
00:08:41Is the door shut?
00:08:43It is.
00:08:45No listeners?
00:08:47None.
00:08:50The curtains.
00:08:51They are drawn.
00:08:55Come nearer.
00:09:01This man broken.
00:09:05Watch.
00:09:07Broken.
00:09:09You are always suspicious.
00:09:11Have you ever trusted a living soul?
00:09:14Only fools.
00:09:19I trust you.
00:09:22I trust you.
00:09:24Better to trust in the spirit than in the flesh.
00:09:27I put my trust in my own gods.
00:09:35And now, when I am dead, my funeral,
00:09:43he will bury me at dusk.
00:09:46In the clothes I told you.
00:09:50He will place the figure of Anubis
00:09:54at the west of the inner chamber.
00:09:57I will.
00:10:00And on the night of the full moon,
00:10:07at the full moon,
00:10:10of the full moon,
00:10:15at the first hour,
00:10:19I will make my offering of the eternal light
00:10:24to Anubis,
00:10:27opener of the ways.
00:10:33If I have done well in his sight,
00:10:37those fingers will close over the jewel
00:10:45and he will open to me the gates of immortality.
00:10:51The hand of a heathen image will now come to life.
00:10:56Ah, the bandage, the bandage.
00:11:07The bandage.
00:11:37Look.
00:11:44This is the eternal light.
00:11:50It must rest in my hand.
00:11:55A man will know fine peace who robs his heirs.
00:12:00Bandage my hand.
00:12:02The eternal light must lie with me in the tomb.
00:12:09You're afraid of me.
00:12:12I'm afraid for you.
00:12:15If this should leave me,
00:12:19then you'll have reason to fear.
00:12:24For when the full moon strikes the door of my tomb,
00:12:29I will come back.
00:12:32You hear?
00:12:34I will come back to kill.
00:12:40Bandage my hand.
00:12:59Bandage my hand.
00:13:01Doctor!
00:13:28Doctor!
00:13:31Doctor!
00:13:50Windows.
00:13:53Open.
00:14:01It's all over.
00:14:28It's all over.
00:14:31Make out a certificate. Heart failure.
00:14:38What was the idea of bandaging his hand like that?
00:14:43I cannot say. He had many a queer fancy.
00:14:49I'll be around in the morning to sign the certificate.
00:14:53Sign the certificate.
00:15:01I'll no be leaving me master's side till his body is laid to rest.
00:16:23THE END
00:16:53Where are you going?
00:16:55To feed the lamp that is to burn inside.
00:17:23It's all wrong.
00:17:26It's so disgraceful.
00:17:53THE END
00:18:23THE END
00:18:39Wait!
00:18:41You're leaving the key inside.
00:18:43Aye. That was another of his queer fancies.
00:18:53THE END
00:19:07When your master died, Leng,
00:19:10I believe him to have been possessed of a jewel of great value.
00:19:14Do you know anything about it?
00:19:16Nothing.
00:19:18I advise you to be very careful, Leng.
00:19:20I have a careful nature.
00:19:22You're putting yourself perilously near dishonesty.
00:19:26I've seen men nearer.
00:19:36You may regret this, Leng.
00:19:52THE END
00:20:08Davis.
00:20:10I want you to stay here and watch that man by the club foot.
00:20:14I'm not a detective, Mr. Broughton.
00:20:16One more word from you, Davis, and you're out of work.
00:20:19I have reason to believe that he has stolen a valuable piece of property.
00:20:23He may make an effort to get rid of it.
00:20:25Watch him and telephone me at my office if he leaves the house.
00:20:29Very good, sir.
00:20:49THE END
00:21:08Harlan.
00:21:10Miss Betty Harlan, 52 Blanford Street.
00:21:40THE END
00:22:10© BF-WATCH TV 2021
00:22:40Carry up.
00:22:50From Rapson's.
00:22:52Ten shillings if you'll drive me to Yaxford Station in time to catch the five o'clock train.
00:22:56I'll oblige you, Governor. I was going straight back as it was.
00:23:10© BF-WATCH TV 2021
00:23:30That's a very old carpet, Mr. Morland. I should be glad if you will not kick it to pieces.
00:23:34I'm sorry. When I'm angry, I do kick.
00:23:37Be good enough to explain that.
00:23:39Yes, I intend to.
00:23:41By your own statement, Miss Harlan and I are the sole heirs of Professor Morland.
00:23:45We were informed neither of his death nor of his funeral.
00:23:48Your uncle died and was buried in a certain way according to his wishes, which...
00:23:53Need I go on?
00:23:55Almost his last words were a threat to return from the dead.
00:23:59In my opinion, he was mad.
00:24:01That may be so, but Miss Harlan and I should have been consulted.
00:24:04I understood that you and Miss Harlan were not on speaking terms.
00:24:07What of that? You expect quiet at a funeral, don't you?
00:24:09Yes, I also expect it in my office.
00:24:11I'm very sorry, but after all, this means a good deal to both of us.
00:24:14My uncle was worth about 4,000 a year.
00:24:16Well, he isn't now.
00:24:18What do you mean by that?
00:24:20He spent a good deal, you know.
00:24:23It may surprise you to know that some time ago he drew a cheque for 75,000 pounds.
00:24:28What for?
00:24:30I don't know.
00:24:32You were in charge of all his affairs and you don't know?
00:24:34That's what I said.
00:24:36And I advise you to look after the tone of your voice.
00:24:39I'm not at all sure.
00:24:41I have much more important things to look after than the tone of my voice.
00:24:44I don't follow you.
00:24:46I'm going to run down to Owlsvale House tomorrow morning.
00:24:49Yes, well, I...
00:24:51I don't think you realise the...
00:24:54conditions that you will find there.
00:24:56No, that's why I propose to go.
00:24:58You won't like it.
00:25:00It will be most uncomfortable.
00:25:02You don't advise me to go?
00:25:04I think you'll be making a very big mistake.
00:25:07Then I'll go.
00:25:11Oh, by the way, does Miss Harlan know anything about this will business?
00:25:14No doubt she will have received a letter from me by now.
00:25:17Do you know Miss Harlan?
00:25:19No.
00:25:21I propose to give myself the pleasure of calling upon her this evening.
00:25:24PHONE RINGS
00:25:26Hello.
00:25:28Hello, Davies. Wait a minute.
00:25:30I have a visitor here, but I think he's just going.
00:25:33Thank you very much.
00:25:35If you're going to see Miss Harlan tonight, I shall be there myself.
00:25:38No doubt you will succeed in making a painful interview intolerable.
00:25:42Good afternoon.
00:25:44Your manner must help your practice a great deal.
00:25:54Now, Davies.
00:25:58Come in.
00:26:05Can you direct me to Bluntford Street, please?
00:26:08Follow the tram lines, close on a mile, and then turn right at the church.
00:26:11I'm obliged to you.
00:26:42Oh, hello, Cainey.
00:26:44Oh.
00:26:55Oh, it's good to get out of that fog.
00:26:57My dear, a most exciting thing has happened.
00:27:00Oh! Oh, don't let it happen again.
00:27:02No, not that. That's a chestnut.
00:27:05It's this.
00:27:07It looks like a solicitor's letter.
00:27:09Just been delivered by hand.
00:27:11Oh, dear. What haven't we paid?
00:27:13I wonder if I'm going to get a shock or not.
00:27:15Oh! Oh, Cainey, that is a silly game.
00:27:20After all we've said about Uncle Henry.
00:27:22What do you think he's done?
00:27:24Something nice at last.
00:27:25He's dead.
00:27:27My dear, I'm sorry.
00:27:29And his solicitor wants to see me.
00:27:31My dear, I'm glad.
00:27:33He was awfully rich, wasn't he?
00:27:35He may have left you a fortune.
00:27:37If he has, I'll buy you a private cinema.
00:27:40Oh!
00:27:41I say, when did this letter come?
00:27:43A few minutes ago.
00:27:45Why?
00:27:46He asked me to telephone him if I could see him here at six.
00:27:49You don't want to miss the chance of a fortune for the sake of tuppence.
00:27:53You'd better run out and do it now.
00:27:55You're right.
00:29:40Miss Harlan.
00:29:42Yes?
00:30:10Ah!
00:30:13Ah!
00:30:17Ah!
00:30:23What's the matter? What's happened?
00:30:25Somebody attacked me and snatched my bag.
00:30:27Why, good Lord, it's Betty Harlan.
00:30:29Ralph Moreland.
00:30:31You would go and get yourself into some kind of mix-up.
00:30:33You would arrive when it's all over.
00:30:36Well, I'm going home.
00:30:37Wait a minute.
00:30:38I was on my way to see you, strictly on business.
00:30:40You wouldn't be allowed in for any other reason.
00:30:42That's good.
00:31:08Exit.
00:31:12Cunningham Garage. Quickly as possible.
00:31:39Oh!
00:31:57Oh, so you brought him.
00:31:59Dear Mr. Broughton, we're delighted to see you.
00:32:02Oh, it isn't Mr. Broughton. It's my cousin, Ralph Moreland.
00:32:05Dear Mr. Morland, we're delighted to see you.
00:32:09Wrong again. We don't like him very much.
00:32:11Oh, don't we? I didn't realise.
00:32:15Well, our two families are not on speaking terms.
00:32:17Oh, dear.
00:32:18As far as I can make out, it was started by my late uncle as a Christmas joke.
00:32:21Oh, won't you sit down?
00:32:25But now he's dead. The trouble's all over.
00:32:29I'm not sure. It hasn't just begun.
00:32:31Where's Mr. Broughton?
00:32:33Oh, he won't come because I didn't telephone.
00:32:35I nearly got throttled instead.
00:32:38Pity!
00:32:39There was a man with a limp. He pushed a note into my hand.
00:32:42I'd just put it in my bag when somebody snatched the whole affair.
00:32:46What was in it?
00:32:47There's something of value at Isle's Vale.
00:32:50Others are after it. So come.
00:32:53And Broughton was doing everything he knew to keep me away from there.
00:32:58There's a fox in the cover somewhere.
00:33:00Goodbye.
00:33:03Why goodbye?
00:33:05I'm going down there right away. I'll let you know what happens.
00:33:07You're wrong. I'll let myself know. If you go, I go, too.
00:33:11You can't do that.
00:33:13Alone in a house with a man you're not even on speaking terms with.
00:33:16Oh, don't be so absurd. It's not as if I even liked him.
00:33:20If another woman was going, perhaps.
00:33:22I suppose that means you want to come, too.
00:33:24Well, obviously, it's my duty.
00:33:26And suppose I object?
00:33:29I'm not so broke I can't hire a car.
00:33:32Oh, all right, you win. But for goodness' sake, hurry.
00:33:49Girls, get in this as best you can. There you are.
00:33:57You first. No, you. Hurry up.
00:34:03Oh, this is an unspeakable car.
00:34:05There's no room for my legs.
00:34:07All right, you're on.
00:34:17It looks as if I'll have to walk.
00:34:20You might do worse. There's a grand moon.
00:34:23It's full.
00:35:32It's full.
00:35:53I'll see if there's a name on this gate.
00:35:55No, there's nothing to show. This is the place.
00:36:02But there aren't any other places, and I'm frozen.
00:36:05Well, it's no use going to the wrong place.
00:36:07Wait a minute. Here's someone on a bike.
00:36:09Hi there, cocky. Wait a minute.
00:36:12Oh, hello. I'm awfully sorry. I didn't see you were a parson.
00:36:15Oh, that's all right.
00:36:18Any trouble?
00:36:19Oh, no, no. We just want to get to Owlsvale House.
00:36:23Well, this is it.
00:36:25As a matter of fact, I'm calling there myself.
00:36:27Did you know my uncle, Professor Morland?
00:36:29Oh, slightly.
00:36:30First, I ought to introduce myself.
00:36:32My name's Hartley, Nigel Hartley.
00:36:34I'm down at Raverley, the Vicar's Hill.
00:36:36How do you do?
00:36:38I'm Rafe Morland.
00:36:40This is Miss Harlan.
00:36:42We're the heirs of the old...
00:36:43Couldn't we have the rest of the introduction indoors?
00:36:46Yes, yes, of course. You must be cold.
00:36:49Right, straight down this drive.
00:36:51You go along. I'll follow.
00:36:52All right.
00:36:54Here we are.
00:37:25It can't be all right here.
00:37:28I'll show you the way.
00:37:54What's all this?
00:37:56Oh, it's nothing.
00:37:58It's nothing.
00:37:59It's nothing.
00:38:00It's nothing.
00:38:01It's nothing.
00:38:02It's nothing.
00:38:03It's nothing.
00:38:04It's nothing.
00:38:05It's nothing.
00:38:06It's nothing.
00:38:07It's nothing.
00:38:08It's nothing.
00:38:09It's nothing.
00:38:10It's nothing.
00:38:11It's nothing.
00:38:12It's nothing.
00:38:13It's nothing.
00:38:14It's nothing.
00:38:15It's nothing.
00:38:16It's nothing.
00:38:17It's nothing.
00:38:18It's nothing.
00:38:19It's nothing.
00:38:20It's nothing.
00:38:21It's nothing.
00:38:22It's nothing.
00:38:23What a horrible house.
00:38:26I wish I was back home in bed.
00:38:30I can hear someone coming.
00:38:44Well, don't stand about. Come inside.
00:38:53Come on.
00:39:20We're going to the library.
00:39:23Come on.
00:39:53I may be old-fashioned, but I feel awkward when I'm not introduced to people.
00:39:57I'm sorry. I forgot you didn't know your clients by sight.
00:40:02This is Miss Harlan.
00:40:03How do you do?
00:40:04I was expecting a telephone message from you.
00:40:07Oh, I was on my way to call you up when the most extraordinary thing happened.
00:40:14And this is Miss Kaney.
00:40:18How do you do?
00:40:24You're a surprise, Broughton.
00:40:27I have a great deal of business to clear up down here.
00:40:30This house has needed a woman for about 25 years.
00:40:35Oh, now I've blinded myself.
00:40:38You haven't wasted much time in getting here, Mr. Morland.
00:40:41No. Just a little too much, perhaps.
00:40:43Whatever do you mean?
00:40:45Really, you're the rudest man alive.
00:40:47Oh, pretty pussy.
00:40:50How horrible.
00:40:51It's stuffed.
00:40:53I dare say you know your own business best.
00:40:55But why did you want to bring a parson?
00:40:57A pure accident. We met at the gates.
00:40:59So naturally you brought him in.
00:41:01Broughton, I can stand a certain amount, but no more.
00:41:03Oh, come, come. Let's make a battle of it.
00:41:15You stay here in the car.
00:41:16No. I shall be among the trees.
00:41:19I shall be among the trees, watching.
00:41:35You may say I have no right to express this opinion,
00:41:37but to my mind it's a scandalous and disgraceful burial,
00:41:40which may have disastrous consequences.
00:41:43It would be very disastrous if he came back, wouldn't it?
00:41:46I quite see Mr. Hartley's point.
00:41:48You make friends quickly, don't you?
00:41:49And enemies quicker.
00:41:50Need we have these childish squabbles?
00:41:53We all know the dead men don't come back.
00:41:59Oh, I wish I was back home in bed.
00:42:02Hadn't somebody better answer that?
00:42:04Certainly.
00:42:05It's your house.
00:42:07Very well.
00:42:15I'm sorry to disturb you,
00:42:17but there's an intimate friend of Professor Morland.
00:42:21Well, you'd better come in.
00:42:22We seem to be giving a party.
00:42:24Oh.
00:42:25Well, thank you.
00:42:39My name is Aga Ben Dragore.
00:42:41An Egyptian?
00:42:43An Arab.
00:42:45I don't remember having heard your name.
00:42:47I did not flatter myself that you would,
00:42:49but I knew Professor Morland some years ago,
00:42:52in Egypt.
00:43:03I heard of his death
00:43:05and of his burial in my own faith,
00:43:07and I hoped, as I am leaving England tomorrow,
00:43:10that I might be allowed to visit his tomb.
00:43:14I must protest against anything of the sort.
00:43:16Why shouldn't the poor man look at his friend's tomb?
00:43:19I don't mind him going.
00:43:21I can't believe that you'd willingly encourage paganism.
00:43:25The Egyptians were not pagan, sir.
00:43:28As no doubt you know, Miss, uh...
00:43:31Caney,
00:43:33I think you're all being very unkind to Mr. Dragore.
00:43:37I don't think you people realise
00:43:39quite how far Morland's queer ideas took him.
00:43:42He even believed that after his death at a certain hour,
00:43:44the image of a nubis would come to life in his tomb
00:43:46and receive his soul.
00:43:48It's horrible.
00:43:50Well, I can't see that it matters.
00:43:52After all, if that sort of mumbo-jumbo gave him any comfort...
00:43:55It matters a great deal.
00:43:57If my suggestion is likely to hurt anyone's feelings,
00:44:01please forget it.
00:44:03Oh, I think that's very sweet of you, Mr. Dragore.
00:44:07Oh, your sympathy is more than charming.
00:44:11Well, what about a cup of coffee after your cold drive?
00:44:15I dare say we should find some in the kitchen.
00:44:18May I offer my services as pantry man?
00:44:22Quite sweet of you.
00:44:28Come, Mr. Dragore.
00:44:32For sheer speed.
00:44:34She'll not let him out of her sight for a moment now.
00:44:36Perhaps that's just as well.
00:44:39Come along, Betty. How about making a fire in the library?
00:44:42Yes.
00:44:44I'm sorry. There should be this sort of atmosphere.
00:44:46After all, we're only ships that pass in the night.
00:44:49Hmm. You want a drink, or will you pass now?
00:44:52Ah... Oh, well, thank you very much.
00:45:02There you are.
00:45:16Oh, if you build it that way, there won't be any draft.
00:45:19Well, it'll be the only place in this house where there isn't one, then.
00:45:23Oh, don't you think you carry those snappery torts a trifle too far?
00:45:27Since we met, I can't remember you saying a kind word to anyone.
00:45:31Perhaps you're right. I'm sorry.
00:45:39Six cups.
00:45:41That's just...
00:45:43Just far too many. Eh?
00:45:48Tell me about Egypt.
00:45:51Have you ever seen a sheik?
00:45:55I am one.
00:45:58I am one.
00:46:07Oh, thank you.
00:46:11Then how should I address you?
00:46:14Oh, I'm cutting sandwiches for a sheik.
00:46:18I don't feel quite well.
00:46:20Oh, don't be alarmed.
00:46:22We're not quite as uncivilised as people think.
00:46:25Oh, don't say that.
00:46:28Do you ride a white stallion?
00:46:30Sometimes.
00:46:32Oh, down the path of the moon,
00:46:35the noble animal plunging and frothing at the nostrils
00:46:39till it found us at your feet, faithful unto death.
00:46:43Well, not very often.
00:46:45You see, it's rather too expensive.
00:46:47I know it's not your fault.
00:46:49We were taught to hate one another, but...
00:46:51Good Lord, you don't think I hate you, do you?
00:46:53Well, I can't somehow feel I'm your dearest friend.
00:46:56You never did have a great deal of sense, did you?
00:46:59Oh, that's nice.
00:47:03Rafe, I've a woman's intuition that you and I are up against things.
00:47:07Yes, I'm pretty sure we are.
00:47:09Well, then, let's cut the quarrelling.
00:47:12Shoulder to shoulder, eh? All right.
00:47:15Partners. Partners.
00:47:17Ah.
00:47:24Oh, what a wonderful night.
00:47:26It's a full moon.
00:47:41Scared of a dead man,
00:47:43I've come to you, my dear.
00:47:46I've come to you, my dear.
00:47:48I've come to you, my dear.
00:47:51Scared of a dead man in his tomb?
00:47:55Shame on yourself.
00:47:59Are you a child that your knee should rattle at the talk of a madman?
00:48:07Look your enemy in the face.
00:48:10It's the fear the big door has got you
00:48:13and will hold you fast till you stare it down.
00:48:21Do dead men walk?
00:48:24I'm no thinking a dead man will cross my path tonight.
00:48:50Oh, no.
00:49:20Oh, no.
00:49:50Oh, no.
00:50:20Oh, no.
00:50:50Oh, no.
00:51:21I was dreaming.
00:51:24Now I will show you how we make coffee in the desert,
00:51:28underneath the stars.
00:51:30But you don't make it yourself, do you?
00:51:33No, of course not.
00:51:36A Circassian slave, lovely as sin,
00:51:39cooks it for us, kneeling.
00:51:41And if it is not to our liking...
00:51:43I know.
00:51:45She's dreaming.
00:51:49She's stripped to the waist
00:51:52and lashed for miles across the Sahara.
00:51:56Where she is finally eaten by locusts.
00:51:59And rightly.
00:52:01Now, take this canister and do exactly as I tell you.
00:52:06No.
00:52:08And if I fail?
00:52:10The Yorkshire moors are just behind us.
00:52:14Now, six spoonfuls.
00:52:18One.
00:52:23Two.
00:52:28Three.
00:52:31Four.
00:52:34Five.
00:52:44Leave me alone, will you?
00:52:46You're miles away from...
00:52:50What's the matter with you?
00:52:52Are you mad?
00:53:00What was the matter with him?
00:53:02Was it drink?
00:53:04No. Terror.
00:53:06Stark terror.
00:53:08Oh, then I've caught it.
00:53:11You stay here.
00:53:13I'll look after him.
00:53:15If you must look after somebody, why look further?
00:53:19Eh?
00:53:21Come on, then.
00:53:28Rafe! That limp, I'd swear to it, anywhere.
00:53:42That's the man.
00:53:48Look here, did you give a note to this...
00:53:50Gather up your things and get out of here.
00:53:52The master, I've seen him.
00:53:55You...
00:53:59Rafe! Rafe!
00:54:02Rafe!
00:54:04Who screamed?
00:54:06I did.
00:54:08Who screamed?
00:54:10I did. That's the last time I'll ever try to make coffee in a strange house.
00:54:15That man with the limp, who was he?
00:54:17Lang, your uncle's servant.
00:54:20Well, he seemed mad to me.
00:54:32Yes, and probably dangerous.
00:54:36You others had better go into the library. I'll have a word with him.
00:54:39Yes, come along. Mr Broughton understands the man.
00:54:57It would do no harm to warn my man to stand by.
00:55:00Your man? Is he a sheik too?
00:55:03No. No, he's a chauffeur. He's outside now with my car.
00:55:11Oh, you're not leaving us, are you?
00:55:15My dear lady.
00:55:26Not a very courageous person, our foreign friend.
00:55:30You think he's run away? Absurd.
00:55:34I'd like to see you riding your bicycle with a Circassian slave, lovely as sin, across the handlebars.
00:55:40What on earth are you talking about?
00:55:42Now listen, good people.
00:55:43Good people?
00:55:44Don't you think perhaps we're allowing this thing to get on our nerves?
00:55:47Don't you think perhaps if we took a grip on our self-control...
00:55:50Now listen, good person.
00:55:52This is our show and our nerves are probably just as good as the next man's.
00:55:56So keep that sort of talk for your pulpit.
00:55:58Well, of course, I have no wish to interfere where I'm not wanted.
00:56:01Then don't. This is not a Sunday school.
00:56:09After that, I think I can say good night.
00:56:12As you please.
00:56:18Well, I'm sorry I was offensive. Good night.
00:56:21Oh, well, the tongue is an unruly member, is it not?
00:56:24Yes.
00:56:25Yes.
00:56:28Good night.
00:56:36I was tempted.
00:56:39I was tempted, but I did not fall.
00:56:53I did not fall.
00:56:55Everything's safe. I swear it.
00:57:03When you told me you'd come back from the grave, how could I believe you?
00:57:08I never knew such things could be.
00:57:25I never knew such things could be.
00:57:52I have not got it.
00:57:54I have not got it.
00:57:56The girl, she has it. I swear it.
00:58:25Now, what on earth's the matter with you?
00:58:28You look as if you'd seen a ghost.
00:58:30I have.
00:58:33I saw Morlant as plainly as I see you.
00:58:38I'm going to mix myself a drink.
00:58:49Betty, just a minute.
00:58:54Well?
00:58:56I have an idea they're trying to scare us out of this house.
00:59:55Now, there's no use blinding ourselves to the facts.
00:59:58There must be something pretty big at stake.
01:00:00Something that depends on getting rid of us.
01:00:03That's how it looks to me.
01:00:05Well, what are we going to do?
01:00:24I don't know.
01:00:26I don't know.
01:00:54I don't know.
01:01:25Who's there?
01:01:32Betty, I'm going down to that tomb and find out whether it's the only way we've got of finding out what's going on round here.
01:01:37Well, I don't want to be left here alone. Can I come too?
01:01:41There's nothing wrong with your nerve.
01:01:43Come on.
01:01:46I'll put on a pullover and some thicker shoes.
01:01:49All right.
01:01:51Is this yours?
01:01:53Yes.
01:01:54I'll keep an eye on Browdon.
01:02:06Let's go.
01:02:08Let's go.
01:02:10Well, I think you have every chance of seeing things if you lower scotch at that pace.
01:02:40I think you have every chance of seeing things if you lower scotch at that pace.
01:03:10I think you have every chance of seeing things if you lower scotch at that pace.
01:03:40Oh!
01:03:47Oh!
01:04:10Oh!
01:04:16Oh!
01:04:22Oh!
01:04:25Oh!
01:04:29Oh!
01:04:33Woo-ooo!
01:05:07Mr. DeGore! Mr. DeGore! Mr. DeGore! Mr. DeGore!
01:05:23Oh, there you are! Oh, Mr. DeGore! I'll come up to you!
01:05:33Wait. I'll come down.
01:05:38What do you want?
01:05:41There was somebody in the library!
01:05:43Who?
01:05:44I don't know! The door! It's shut! It's shut!
01:05:48Don't scream!
01:05:50Oh, that's what I need! The command in your wonderful voice!
01:05:59Come with me!
01:06:01I think you've gone far enough with your insinuations!
01:06:05Yes, and I may go a great deal farther!
01:06:09What is it? What's the matter?
01:06:11I've seen him!
01:06:19Now perhaps you believe what I told you!
01:06:22Get me a glass of water quickly, will you?
01:07:05Thanks. I wasn't hurt, only frightened.
01:07:29Right, see if you can find Miss Caney, will you?
01:07:36It's wonderful to be with a man who isn't afraid!
01:07:40I am afraid!
01:07:41You, who have ridden barebacked over the desert!
01:07:45If you don't stop chattering, I'm afraid I shall have a knife in my back!
01:07:48But when I'm with you, I have to talk! It comes like poetry!
01:07:54Are you prepared to obey me?
01:07:56In anything!
01:07:58Then close your eyes and don't speak for ten seconds!
01:08:28We all panic sometimes!
01:08:50I felt his hands on me!
01:08:52That's why I know it was no ghost!
01:08:54It was no ghost!
01:08:56Look at the clock! It's nearing the hour!
01:08:59I know where you'll find him now!
01:09:02He's gone back to the tomb, to his heathen gods!
01:09:08Then you and I will follow him there!
01:09:10Wait a minute!
01:09:11What's his doctor's telephone number?
01:09:13Yaxford, 7-2.
01:09:56Look! The door's open and there's a light!
01:10:24I'll go no nearer!
01:10:29I can see a shadow moving!
01:10:31I'll go no nearer!
01:10:33Well then, go back!
01:10:36What about it, Betty?
01:10:38Do we go on?
01:10:40Yes, of course!
01:10:43Thought you'd say that!
01:11:14I'll go no nearer!
01:11:42I'll go no nearer!
01:12:13I'll go no nearer!
01:12:38Look!
01:12:52Hartley!
01:12:53So you're not a parson, just a dirty crook!
01:13:00You'd better get out of my way!
01:13:03Your hand, eh?
01:13:04So that's how it was done!
01:13:07I wouldn't come any nearer!
01:13:09I don't have to!
01:13:17Look!
01:13:18If you please!
01:13:19Thank you!
01:13:20Come on, now!
01:13:39Now!
01:13:47Now!
01:13:48Stop it!
01:13:51Get up!
01:14:08Go!
01:14:37Why, it's too late! Are you badly hurt?
01:14:44No, no, it's nothing!
01:14:47Come and sit down!
01:14:49Where's the key?
01:14:50He threw it away!
01:15:01When I phoned the doctor, I told him to bring the police.
01:15:03They ought to find us somehow!
01:15:06Even if they do come, how can they break down that door?
01:15:14They'll find a way!
01:15:20I'll make a bandage!
01:15:30The doctor in charge didn't understand the case.
01:15:33I'm afraid of catalysts!
01:15:34Really?
01:15:35Morland was buried alive!
01:15:38Oh, Mr. Dragore!
01:15:40What were those shots?
01:15:42Out of my way!
01:15:43Where are the others?
01:15:44Leave me alone!
01:15:47I rather thought you might be leaving in a hurry with something in your pocket that doesn't
01:16:11belong to you.
01:16:12Hand it over!
01:16:13You win!
01:16:14That woman!
01:16:15There she is!
01:16:16Come now!
01:16:17Oh, you put-uproar!
01:16:18Come, you fool!
01:16:19I tell you, she's got it!
01:16:20Come on, then!
01:16:22Stop!
01:16:25Now, Miss Kaney, if you please!
01:16:34No, stop!
01:16:38Now, Miss Kayleigh, if you please.
01:16:50I don't think so.
01:16:51You fool!
01:16:52If either of you two horrible men so much as move, in it goes.
01:16:58But you don't know the value of that jewel.
01:17:01I don't care for the value, it will go.
01:17:04And if you shoot, I'll go with it.
01:17:07I mean it.
01:17:09Down 30 feet.
01:17:11And about 60 feet of water.
01:17:14And... and...
01:17:15And then Australia.
01:17:20I can't see to tie this.
01:17:22That light seems much lower.
01:17:34Hartley! Quick! Come on! Get up! Get him out of here!
01:17:45Right.
01:17:50The door! The door!
01:17:52It's shut!
01:17:54The flames!
01:17:56They mustn't reach the door!
01:18:05It's no good. You can't breathe in there.
01:18:10A cartridge!
01:18:13It's here. The only...
01:18:18The only...
01:18:23I've had enough of this, Miss Peeny.
01:18:25It's both of us.
01:18:27I've had enough of this.
01:18:30I've had enough of this, Miss Peeny.
01:18:32Supposing I'm ready to shoot and take the risk?
01:18:35You'd be taking a bigger risk than you think.
01:18:38I'll take that gun, thank you.
01:18:40Now look here!
01:18:41That'll do. Now, what's the trouble?
01:18:43This. They're after it. All of them.
01:18:47It belongs to them.
01:18:51I'll carry her to the house.
01:18:59Get back! Back in that corner!
01:19:29Back in that corner!
01:19:59© BF-WATCH TV 2021
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