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  • 5/15/2025
نظموں پر مبنی ’’نہ ژھائے نہ عکس‘‘ کتاب پر نسیم شفائی کو ساہتیہ اکیڈمی ایواڈ سے نوازا گیا ہے۔

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00:00आज हम आपकी मुलाकात वादिय कश्मीर की मशूर शायरा प्रोफिसर नसीम शफाई साहिबा से कराने जा रहे हैं प्रोफिसर नसीम शफाई साहिबा को जदीद और की हबा खातून कहा जाता है
00:15इनकी तीन किताबे अब तक मन्जराम पर आ चुकी है नसाय नाक्स यानी नसाया नाक्स इस किताब पर इन्हें साहिटी अकडमी अवार्ड से भी नवाजा जा चुका है इसकी इलावा टाइगोर लिटरली अवार्ड भी इनके नाम है खेर मगद हमें आपका एक्टियू ठार
00:45लालाद की रंगीनी आपको दिगर शायरात से मुझफरिद बनाती है इसकी कोई खास वज़ा है ने ऐसी कोई खास वज़ा ने हाँ जो इनसान फील करता है महसूस करता है उसको पेपर पैन लेके सियाही लेके उसको एक्स्परिस करने तक की जब बात होती है तो सब की मु�
01:15और की जब मैं निकली तो तब मुझसे पहरे कुछ खावातीन लिखती जरूर थी और मुझे तो लगता है हर औरत हर खातून जो होती है वो शायरा या आर्टिस ने कहना चाहिए तकलीकार होती है जब वो मां बनती है तो तकलीकार इससे बड़ी दुनिया में तकलीक होती �
01:45जब वो दुनिया के सारी मुझकिलों का मुकाबला करते हुए आगे बढ़ जाती ही हुमत है औरत में तो इस तरह से जहां से भी मुझे लगता है कहीं से भी मुझे इंप्रेस करता है कभी दिल को छूजाती है कोई बात तो मैं लिख लेती हूँ कई बार तो ऐसा है कि हमार
02:15capacity.
02:17Because we are such a way that we are such a group where women have a character or a
02:24character.
02:26When I started writing, I felt like many women were writing.
02:32But after coming, I got a feeling.
02:35At the beginning of my mother, teachers, my husband or my in-laws
02:43I always had a friend of mine.
02:47So, this is why I got out.
02:51And I got out.
02:53So, today I am in front of you.
02:55When you write about it, you have a special note that you have to do it?
03:01Or you have to write about it?
03:04Because you have to write about it?
03:06Yes.
03:07So, you have to write about it?
03:13Oh, I have to say that, the mess of students who write about it is the same thing,
03:20whatever you write about it, whatever you write about it is the same thing.
03:23The fingers of the hair is the heart of the nose.
03:27So, you leave your heart from where you go.
03:31What is your heart?
03:34sensitive to it, someone can feel it, someone can see it,
03:41not, so we take this from our own, we take it from our own,
03:45yes, the woman's story is my heart, when I see what happens,
03:54I'm so proud of it, in the past, I was not proud of it,
03:59I think that I'm more powerful in this situation.
04:04And today's new-news, new-news, new-news, new-news, new-news, new-news, new-news.
04:12When I tell you how to write, I think that there are many things,
04:17there are many things, many things, many things,
04:20which I think I should understand.
04:24And I say that whatever you write, I try to write, it should be a piece of literature.
04:31When we talk about your own-news,
04:34we say that the same thing that the same thing is,
04:37that the same thing is compared to the same thing.
04:42Why?
04:43I think that it's a great fun for me.
04:47I don't have the same feelings.
04:50I don't have the same feelings.
04:52I don't have the same feelings.
04:54I keep my own feelings.
04:56I keep my own feelings.
04:58But when I talk about it, I think that it's different.
05:02I think that it's different.
05:04I think that it's different.
05:06You also have the same feelings.
05:08Is it the same feelings that are in Western world?
05:11Or are you different?
05:13You're Miranda.
05:14Oh, yeah.
05:15I know.
05:16I mean, I'm a feminist.
05:17I was who says this,
05:18I'm sorry.
05:19I have to read it.
05:20That's because I didn't listen to me.
05:21There are many things here.
05:22Oh, wow.
05:23What about it?
05:24I did learn from this.
05:25I love it.
05:26I've heard,
05:27but I know,
05:28this is the same thing.
05:30I really can't learn from people.
05:31I thought,
05:32that it's a part of the world.
05:33There's a part of feminism.
05:34That's what I've learned from you.
05:35It's a part of feminism.
05:36I couldn't start with it.
05:37I've learned from you.
05:38ultimately I have seen that he was a very very tight
05:41he was a feminist
05:43he was a political
05:45of course
05:46I think that he was a natural
05:47I did not know that he was a natural
05:49but he had not done it
05:52but now he said that
05:56that there is no way
05:57that there is no way
06:00feminist writers
06:01but my feminism
06:04concept
06:05was the
06:07is that the biggest thing is that God has made a man
06:13that it was something that was created in the world that was created.
06:19But I want to say that my God has made a woman with respect.
06:25This is not the same.
06:27It is not the same.
06:28It is not the same.
06:29It is not the same.
06:30Okay.
06:31So God has made a woman with respect.
06:33Why did he make a woman with respect?
06:35But I have told you that the man is a father, a brother, a son.
06:42There are so many relationships with respect.
06:44There are so many relationships with respect.
06:46Where are the people with respect?
06:48Where are the people with respect?
06:50But yes, the expectation is that women will be recognized.
06:55This is a good example.
06:57Okay, you can understand it.
06:59It is our concept of our concept.
07:02It is a good thing.
07:04But it can be done.
07:07I mean, I have seen the old times when we were little.
07:11In your life or in your life, in our college,
07:14there were many things that happened to fight for a man,
07:17to fight for a man, to fight for a man, to fight for a man,
07:19to divorce a man.
07:20It was a bad thing.
07:22But in today's world, I am talking about subcontinent.
07:27I am talking about subcontinent.
07:28What?
07:29What?
07:30What?
07:31What?
07:32What?
07:33What?
07:34What?
07:35What?
07:36What?
07:37What?
07:38What?
07:39What?
07:40What?
07:41What?
07:42What?
07:43What?
07:44What?
07:45What?
07:46What?
07:47What?
07:48What?
07:49What?
07:51What?
07:52What?
07:53foreign
07:59foreign
08:05foreign
08:19My first book is Darche Musrit, which is women oriented.
08:26It's a big wall, but it was a small thing.
08:33The woman wants to see the outside world and the outside world.
08:40Because the first time I wrote poetry,
08:46So I tried to make my family say that I don't have a book.
08:53After that, this is my first impression.
08:56I was at the end of millennium women writing in India.
09:03So they told me to write something like this.
09:09If I had a book, I would say it was a natural.
09:18I don't know why I would think if I had a book in my mind,
09:22I would think I would be very low.
09:26I would not have a book in my mind.
09:29I would say it's a book called the title.
09:31I was on the title of this book.
09:33I was at 2000 now.
09:35It's a good literature.
09:35It's a good title.
09:37It's a good title.
09:38It's a good title.
09:39Yes.
09:40Because it's a very close to my heart.
09:42If there are some ideas that have been in my heart,
09:45it's a good way.
09:48But it's a good title.
09:50In Hindustani, I had to have a need for me.
09:53I had to read it across the country.
09:56I had to read it myself.
09:59I had to read it.
10:01I had to read it.
10:03I just wanted to do the essence.
10:06What...
10:08.. It's a great six- Chandler,
10:09.
10:10ado cat.
10:12May I love it?
10:15Sure.
10:17I just wanted to catch the essence thatWhat...
10:21I decided.
10:23Tell me.
10:26I just wanted to catch the essence.
10:30catch the essence
10:32what
10:34what
10:35what
10:36what
10:37what
10:38I just
10:39would like to say
10:40but
10:41it's
10:42but
10:44the
10:45special
10:46I
10:48give
10:50this
10:51I
10:52have
10:53the
10:54same
10:55I
10:56have
10:58He made my college, my home, and then he made it in Tregor Hall.
11:05There was also a film.
11:08Someone told me where I was.
11:10He said, you know, that he has an international award.
11:15I said, I don't know.
11:16I didn't know.
11:17I didn't know.
11:18I didn't know.
11:19I didn't know.
11:20I didn't know.
11:21I didn't know.
11:22I didn't know.
11:23I didn't know.
11:24My first book book book, My name is Bavainat Zanqas.
11:28People asked me what was the title of Bavainat Zanqas.
11:33What is Bavainat Zanqas?
11:35This is a very big Sophie song, Shashkral.
11:37This is the title of Shashkral.
11:39The name is Bavainat Zanqas.
11:41It is the title of Bavainat Zanqas.
11:46What is Bavainat Zanqas?
11:48This is the title of Bavainat Zanqas.
11:52is to whom i can tell
11:54ڈریچ مجرد
11:56اور دو بند اس کے کسی
11:58بھی نازم کے ہم آپ کی زمان سننا چاہیں گے
12:00ڈریچ مجرد یہ پہلی ہی نازم
12:02ہے بہت چھوٹی نازم ہے اس کے دو حصے
12:04ہیں باک
12:05the cry the veil
12:08یا ساک پاتھ چھابہ
12:09یا ہا یا سپریت
12:11دو شامن
12:12بارمس رای و پیانہ پنند
12:14لکٹن لکٹن شہزادن
12:16کیا سا مندشت کیا سا
12:18رہرت ہم سای باین
12:20It's been a long time since the time I was not and was not.
12:25Let me see the trees all over the place.
12:29If you have a garden, I will be at the temple.
12:32Wow!
12:32The trees are also chiming.
12:37This is the part that is one of the trees,
12:40we have a woman who is growing now.
12:43But here we are,
12:46even more people who are living with water,
12:50foreign
12:56foreign
13:02foreign
13:08foreign
13:14foreign
13:18foreign
13:42foreign
13:46popular
13:47in China
13:49Kashmir
13:50Shani
13:53Mr.
13:54Mr.
13:55Mr.
13:56Mr.
13:57Mr.
13:58Pehline
14:00Shani
14:02Shani
14:04Mr.
14:06Mr.
14:07Mr.
14:08Mr.
14:09Mr.
14:10Mr.
14:11Shani
14:12Mr.
14:12Mr.
14:13Mr.
14:14Mr.
14:15Hussaini Mahfidou
14:17Khawadien Parkspit
14:19Then our
14:2090
14:22Shahabas Hotel
14:24I was going to go to the first time
14:27Shahid Sahib
14:28Me too
14:28I was going to go
14:30But
14:31My
14:32Peech
14:33Raha
14:34A
14:34Folk
14:36My
14:40Sahara
14:40Raha
14:41Raha
14:41Raha
14:41Raha
14:41Raha
14:41Raha
14:41Raha
14:42Raha
14:43Raha
14:44Raha
14:45In the middle of our village, we had a lot to live.
14:52I can hear it.
14:53I remember it, I remember it, from my childhood,
14:57I remember it, I remember it.
15:00So,
15:03I remember it.
15:07I remember it.
15:09I remember it, I remember it.
15:10I remember it, I remember it.
15:12I remember it.
15:14and then I studied it in a big way.
15:17I became a part of Hussaini Magalice,
15:21which was in particular,
15:23in the other places.
15:26But for 35 years,
15:29I became a part of the Rishaii Council.
15:34Do you see Kishmiri's lyrics in today's video?
15:39What about Kishmiri's lyrics?
15:41ڈب کی دنیا میں آ رہے ہیں
15:42میں کبھی میں ہمیشہ
15:45optimist رہی ہوں
15:46pessimist نہیں ہوں
15:47ہم چھوٹی سی زبان
15:51ہے ہماری اور آج کل
15:52ایک خواف سے کے ساتھ
15:55چلتے ہیں ہم کے
15:56extinct ہو رہی ہیں چھوٹی زبانیں ختم
15:58ہو رہی ہیں لیکن جب تک ایک بھی بولنے والا زندہ
16:01ہے
16:01کوئی فکر کے بات نہیں ہے
16:03جب ہم comparison کرتے ہیں نا اردو
16:05کو کشمیری کے ساتھ زیادہ
16:08اردو لکھنے والے ہیں as compared to
16:10کشمیری یہ وہ تو ہے وہ تو ہے
16:11ہمارے ساتھ ایک علمیہ ہوا ہے
16:13کہ ہم لوگ
16:15سب کچھ کرتے ہیں پوری دنیا
16:18کی knowledge ہمارے بچوں
16:20کو ہونی چاہیے لیکن
16:21کشمیری ہم گروہ میں
16:24بولتے نہیں ہیں گروہ میں
16:25بچوں کو سکھاتے نہیں ہیں حالانکہ
16:27ہم بانی حال کے پاتھ
16:30جائیے آپ دیکھیں ہماری
16:31ساتھ والی بہنیں ہماری
16:33ڈوگری سب کچھ بڑیں گے
16:35ڈوگری ان کو آتی ہے وہ لی یہاں
16:37اس میں کچھ وجوہات
16:39رہے ہیں سیاسی بھی رہے ہیں
16:41لیکن
16:43ہونا تو نہیں چاہیے کم از کم
16:45میں کہتی ہوں پڑنا اور
16:47بولنا تو آنا چاہیے میں ابھی
16:49ایک اور پروجیکٹ پر عام کر رہی ہوں آج کل
16:51وہ ہے
16:53ون ون میں
16:55ٹرائی کر رہی ہوں کہ میں کمپائل کروں
16:57وہ ون ون جو اب
16:59رہا نہیں ہے موجود نہیں ہے
17:01وہ جب ہماری بزرگ خواتین
17:03تھی ان کے ساتھ ہی چلا گیا
17:05لیکن وہ اتنا شاندار
17:07اتنا شاندار اس کی امیجری
17:09اس کے لفظ
17:10اس کا جو ریدم ہے وہ الگی ہے
17:13اس کو سنبھال کے رکھنے کی ضرورت ہے
17:15یہ ایک دم سے تو مکناری اٹھا کے
17:18اور ایسی بےہودہ
17:20گانے
17:21گاتے ہیں جن کے ساتھ
17:23میرا دل خرار ہو جاتا ہے
17:24ایک گانہ تھا ہندی فلم
17:28کا کسی کا
17:28تجھ کو مرچی لگی تو
17:31میں کیا کروں
17:32میں نے ایک جگہ سنا
17:34مرد سوا انگل لگی سے
17:36ابھی کیا کرے
17:36یہ ہم نہیں ہیں
17:38ہم بہت ہی ڈیسنٹ قوم ہیں
17:40ہمارے ہاں شاندار
17:41اتنے میں جب کمپائل کر رہی تھی
17:42لکھ رہی تھی وہ
17:43میں خود بھی حیران رہ گئی
17:45کیا ہم
17:46کیا کیسے وہ عورتیں
17:48بناتی تھی
17:49اور سب کی سفان پڑھ ہوتی تھی
17:51اور بنا ملاوٹ کے
17:52بنا ملاوٹ کے
17:53انتنا شاندار ہوتا ہے
17:56وہ میں کوشش کرتی ہوں
17:57میں نے
17:57almost تیار ہے
17:58اس میں تھوڑی سی changes کے ساتھ
18:00میں چاہتی ہوں
18:00اس کو میں اوپر
18:01کتابی صورت دے
18:02کتابی صورت
18:03اور میں
18:03headline اوپر دے
18:05یہ کیا ہے
18:06کس occasion پہ
18:07یہ گایا جاتا تھا
18:08کس occasion پہ
18:09کیونکہ
18:09مانمون وہی ہے
18:11جو
18:12لڑکی والوں کا
18:14الگ ہوتا تھا
18:15لڑکی والوں کا
18:16الگ ہوتا تھا
18:17دولہ آنے کے وقت
18:18دولہ
18:19گھر سے جب جاتا تھا
18:20تو اس کا
18:20الگ ہوتا تھا
18:21اس طرح سے
18:22میں کچھ
18:23headings دے کے
18:24اس کو
18:24بنانا چاہتی ہوں
18:26وہ
18:26مستیار ہی ہے
18:28انشاءاللہ
18:28بہت جلدہ ہے
18:29آخر پر کوئی
18:30میسیج ہوگی
18:30آپ کی
18:31جو
18:32نئے لکھنے والے ہیں
18:33خاص کر کشمیری کے
18:34ان کو یہی
18:36نئے لکھنے والوں کو
18:37کیا میں کہوں
18:37وہ تو اتنا شاندار
18:39لکھتے ہیں
18:39اور ہر ہر بات
18:40لے کے
18:40میں پڑھتی رہتی ہوں
18:42فالو کرتی رہتی ہوں
18:43لیکن ان کو یہی
18:45کہ
18:45لکھو نہ
18:46لیکن پرانی
18:47کو
18:48پر نظر رکھو
18:49کیونکہ جو
18:50ہمارے پاس
18:50پرانہ ہے
18:51جیسے ہماری
18:52صوفی شاعری ہے
18:53للدت سے دیکھے
18:54آئی تک دیکھیں
18:55کتنا شاندہ
18:55کتنے بڑے شاعر
18:56کتنے بڑے
18:57لکھنے والے
18:58ہمارے گزرے ہیں
18:59ضروری یہ بھی ہے
19:00کہ ہمارے
19:00پروز رائٹرز
19:02بہت کم ہیں
19:02پروز بھی لکھیں
19:03اور
19:04پویٹری پر
19:05ہمارے فوق
19:06جو ہے
19:07اس کو بھی
19:07نمد نظر رکھیں
19:08ترقیب
19:09اتنی شاندار
19:10سیملیز
19:11میٹا فرز
19:11اتنی تشبیحات
19:13اس پہ نظر رکھیں
19:14اس کو دیکھیں
19:15اس کو پڑھیں
19:15اور جہاں
19:17چار
19:17بزرگ عورتیں بیٹھیں
19:19کچھ گائیں
19:20کچھ کہیں
19:21اس کو یاد رکھیں
19:22اس کو سمجھیں
19:24تاکہ
19:24آگے کی نسلوں تک
19:26وہ
19:26ٹرانسفر ہوتی رہیں
19:28تبدیل ہوتی رہیں
19:29برحال
19:29پروفیسر رسیم شفائی صاحبہ
19:31آپ نے ہمیں
19:32اپنا وقت دیا
19:33اور ایٹو بھر سے بات کی
19:34آپ کا بہت شکریہ
19:35شکریہ

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