- 5/10/2025
Films in Public Domain
Category
🎥
Short filmTranscript
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00:03:14BROTHER
00:03:15IT'S QUITE A ROUTINE
00:03:16WHEN A MAN
00:03:18AND A DARK
00:03:20CAN BOTH
00:03:21MAKE A MONKEY
00:03:22OF ONE
00:03:23PIG-HEADED FOOL
00:03:24HIPP-A-RAY
00:03:25HIPP-A-RAY
00:03:26LET THEM SAY WHAT THEY MAY
00:03:27I'M A FOOL
00:03:29FOR MY LOVE
00:03:31AND MY MUCH
00:03:33My love, and my mule, my love and my mule, I get my goat, what to do, what to do, what
00:03:49to do, believe me it's cruel, sets her a heck of a no, and I quote, and unquote, when
00:03:57a man and a donkey can all make a monkey, and one pig-headed fool, hipp-a-ray, hipp-a-ray,
00:04:06let them say what they may, I'm a fool, for my love, and my mule.
00:04:27Oh, I beg your pardon, I thought this was, this is my room.
00:04:35Indeed it is, mademoiselle.
00:04:37Well, I, I don't think I know you.
00:04:39To your long list of admirers, mademoiselle, I would like myself to be added.
00:04:45I congratulate you on your singing.
00:04:47Well, thank you very much.
00:04:49And it occurred to me you might care to join me for a late supper.
00:04:53Well, I'm sorry.
00:04:55I'm sure, mademoiselle, more tired of restaurants.
00:04:58Up at my villa, just the two of us can...
00:05:01Oh, now, look, Buster, why don't you forget the whole thing and go home and shave?
00:05:04Mademoiselle, you are a stranger in a strange country.
00:05:08All I have done was to offer my hospitality.
00:05:10And all I'm saying is thanks a million, but will you please get out of here?
00:05:13Mademoiselle, there is no need to lose your temper.
00:05:17If one is young and beautiful, one must expect the attention...
00:05:21Will you get out of here to answer...
00:05:23If this gentleman is annoying you, I should be pleased to remove him.
00:05:30Maybe it could save me the trouble.
00:05:31Your name, signore.
00:05:32My name?
00:05:33I...
00:05:33It is distasteful to me, signore, to fight a duel with the inferior.
00:05:37Adieu?
00:05:38Are you kidding?
00:05:39Not at all, mademoiselle, unless this gentleman apologizes as he leaves the room.
00:05:43I do apologize, mademoiselle.
00:05:46I did that.
00:05:46No.
00:05:47And now what do you do?
00:05:47Good night.
00:05:48Good night.
00:05:50Hey.
00:05:52Do you really go around stabbing a people?
00:05:55I have learned, mademoiselle, that if one threatens loudly enough, one never has to fight.
00:06:03Say, you're pretty smart.
00:06:04I accept your compliment, mademoiselle, and should like to return it.
00:06:09I found your performance enchanting.
00:06:13Much obliged.
00:06:14For many nights I have watched you, not only with admiration, but envy.
00:06:20Beyond everything else in the world, I wanted to be a singer.
00:06:23Well, what stopped you?
00:06:28Unfortunately, circumstances compelled me to enter my father's business.
00:06:33Oh?
00:06:34What do you do?
00:06:36I work for the government.
00:06:38Oh, well, lots of people do that at home, too.
00:06:41So one hears.
00:06:42Pardon me.
00:06:45Well, uh...
00:06:47I have to change my costume.
00:06:52Imagine the impertinence.
00:06:53A complete stranger asking you to go with him to his villa.
00:06:57Without a saffron.
00:07:02I, too, have a villa only 50 kilometers from here.
00:07:07But would I ask you to go with me to it?
00:07:09Without a saffron?
00:07:11Oh, certainly not.
00:07:16Of course, at this hour, it might be difficult for me to find one.
00:07:21Well, uh, I could find a chaperone.
00:07:25You could?
00:07:26Sure.
00:07:28Georgie Hoskins and the California cowboy.
00:07:31All of them?
00:07:32Look, mister...
00:07:34Imperium.
00:07:36Imperium.
00:07:37Well, uh, thanks a lot, but...
00:07:40Good night.
00:07:40Mademoiselle, this is Italy.
00:07:47Out there is the Mediterranean.
00:07:50Over it, the most beautiful moon.
00:07:54Oh, I love Italy.
00:07:56And the Mediterranean.
00:07:58And the moon.
00:07:59Of course you do.
00:08:00And I get all of it.
00:08:01Every night.
00:08:02Right from my balcony.
00:08:04I sit out there with a chicken sandwich and a glass of milk.
00:08:07All by myself.
00:08:08And love it.
00:08:12What a waste of, uh...
00:08:15the Mediterranean.
00:08:16Well, uh, good night, Mr. Imperium.
00:08:22Good night, Mademoiselle.
00:08:24You are married.
00:08:25Oh, not me.
00:08:26Oh, that is a pity.
00:08:28A great pity.
00:08:30Because if Mademoiselle were Madame,
00:08:33it would be quite correct for me to kiss her hand.
00:08:41Thus.
00:08:42But since Mademoiselle is unmarried,
00:08:45one is only permitted to shake the hand.
00:08:48Thus.
00:08:50Well, uh, if I ever do get married,
00:08:53I'll let you know.
00:08:56Good night.
00:08:58Arrivederci.
00:09:00Arrivederci.
00:09:03I'll be seeing you.
00:09:12Hello, Giovanni.
00:09:26Buonasera, signorina.
00:09:29Chicken sandwich.
00:09:30Good.
00:09:31Glass of milk.
00:09:32Si mangia sempre la stessa cosa, signorina.
00:09:35Sempre la stessa cosa.
00:09:39Always the same thing.
00:09:40Brava, brava, signorina.
00:09:42Well, I'm learning.
00:09:48Grazie.
00:09:49Buonanotte, signorina.
00:09:50Buonanotte, Giovanni.
00:09:51Buonanotte, Giovanni.
00:10:10Well, well, well, what a coincidence.
00:10:23Well, isn't it?
00:10:25And I don't think I like it.
00:10:27No?
00:10:28There was a nice couple living in that room.
00:10:30They were from Texas.
00:10:31Texas, eh?
00:10:32What happened to them?
00:10:33They are extremely happy in a deluxe suite, at the same price.
00:10:37I thought you had a villa near here.
00:10:39I do.
00:10:41It was no trouble to have my suitcases packed.
00:10:43Yes.
00:10:44I did.
00:10:46Desidera qualche cos'altro?
00:10:48Altezza.
00:10:49No.
00:10:51Giovanni.
00:10:52Signorina.
00:10:53What was that you just said?
00:10:54Desidera qualche cos'altro?
00:10:57No, no.
00:10:57The last word.
00:10:59Altezza.
00:11:00Yes.
00:11:01What does it mean?
00:11:03It means, your royal highness.
00:11:05Why did he call you that?
00:11:07Oh, because of a very unfortunate accident.
00:11:10Accident?
00:11:11Of birth.
00:11:13Forgive me, but I am Prince Alexi de la Marde Corporantarte.
00:11:19Prince Alexi de... de...
00:11:23Just call me Al.
00:11:35Your Highness.
00:11:41Yes?
00:11:43This whole thing is what we call a set-up, isn't it?
00:11:47Yes.
00:11:49What I mean is, you've got plans.
00:11:52Yes.
00:11:53And this routine, you've used it many times before?
00:11:57Yes.
00:11:58Usually with great success.
00:12:00Oh, yes.
00:12:02But sometimes, oh, not often, I'm sure, but sometimes a failure.
00:12:09Yes.
00:12:11I suppose I should have recognized you.
00:12:14Your picture's in the paper often enough.
00:12:16You're always winning medals for climbing mountains, aren't you?
00:12:23Yes.
00:12:25Well, Your Highness, I hope you realize you're not going to win any medals tonight.
00:12:32Yes.
00:12:38Well, as long as we understand each other, there is no reason why I should not sit here and enjoy the Mediterranean.
00:12:45The Mediterranean went that-a-way.
00:12:48I am supremely content with the view.
00:12:51Perhaps I can tempt you with a little champagne.
00:12:58My friend, you can't tempt me, period.
00:13:01Period.
00:13:02Oh, not that I don't admire your technique, the lengths you go to.
00:13:08That man with a beard, and that baloney about a duel, and getting those nice Texas people to move.
00:13:14Champagne, caviar, the moonlight, the Mediterranean.
00:13:18Oh, I can't take no credit for the Mediterranean.
00:13:20Mm-hmm.
00:13:21We'll take a bow for putting it to good use.
00:13:23Oh, I knew there was something missing. Soft music.
00:13:26You do not like music.
00:13:27Oh, I love it. But, um, where are the violins?
00:13:32Violins?
00:13:33Well, a man who would think of everything would surely think of violins.
00:13:37Mademoiselle, I would consider violins extremely, as you say, corny.
00:13:42Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:13:48The man who would think of everything would surely think of violins.
00:13:51Mademoiselle, I would consider violins extremely, as you say, corny.
00:14:18Your highness, I like the violin.
00:14:26Play beautifully.
00:14:33Let me look at you
00:14:39Soft against the sky
00:14:45Young and strong and sure of your heart
00:14:53Don't the less you possess
00:14:58A sonet, tenderness
00:15:04Let me fall in love
00:15:11Let me breathe a sigh
00:15:16When I see such beauty and life
00:15:22Then you ask me why
00:15:27I suddenly live in but you
00:15:35With you in my sight
00:15:43So stand alone, please do
00:15:50And let me look at you
00:15:59To know
00:16:03Ever higher
00:16:19Becomes my desire
00:16:24For you tonight
00:16:30When I see such beauty and life
00:17:00Can you ask me why
00:17:05I suddenly live in but you
00:17:13With you in my sight
00:17:19So stand alone, please do
00:17:29And let me look at you
00:17:38That was charming
00:17:51Well, uh, goodnight, you're...
00:17:53Al?
00:17:56Goodnight
00:17:57Oh, I can't call you Al
00:17:59But I may call you
00:18:01Frederica
00:18:02Frederica Brown
00:18:05It doesn't suit you
00:18:07No
00:18:08I shall call you
00:18:10Freda
00:18:11Freda?
00:18:13It's an Italian word
00:18:14But it describes you perfectly
00:18:16Well, what does it mean?
00:18:19Oh, it's one of those
00:18:20Untranslatable words
00:18:21But believe me, my dear
00:18:22It describes you
00:18:23Freda
00:18:25Freda
00:18:26I like it
00:18:28Well, goodnight
00:18:37Arrivederci
00:18:39Freda
00:18:41Arrivederci
00:18:43Arrivederci
00:18:44Freda
00:19:06Freda
00:19:07Freda
00:19:09Brown
00:19:10Ladies and gentlemen
00:19:13The kid from Albuquerque
00:19:14Miss Freda
00:19:15Brown
00:19:16Hi, Freda
00:19:19Cold, huh?
00:19:31Freda
00:19:35It describes you perfectly
00:19:38Perfectly
00:19:40Well, of all the...
00:19:41Well, of all the...
00:19:55Pronto
00:19:56Camera
00:19:58Do you see
00:19:59Quattro per four?
00:20:01Hello?
00:20:08Freda
00:20:13Very funny
00:20:15What?
00:20:16Freda
00:20:17Well, aren't you?
00:20:19Aren't I what?
00:20:20Very, very Freda
00:20:22Look, your highness
00:20:24I'm a tired working girl
00:20:26Where are you now?
00:20:27In my room
00:20:28I know
00:20:29But where?
00:20:30I'm at the telephone
00:20:31Where is the telephone?
00:20:32It's over there on the desk
00:20:33Over there on the desk?
00:20:34Strange
00:20:35In my room is by the bed
00:20:36So?
00:20:37So...
00:20:38I was thinking
00:20:39Go on
00:20:40I was thinking that since you do not trust me in the moonlight
00:20:42Perhaps tomorrow when the sun is shining
00:20:43You would drive with me in my car or we could sail a little boat
00:20:47Or anything else you'd like to do
00:20:48Nothing fatal ever happens
00:20:49In my room is by the bed
00:20:50In my room is by the bed
00:20:51So?
00:20:52So...
00:20:53I was thinking
00:20:55Go on
00:20:56I was thinking that since you do not trust me in the moonlight
00:21:02Perhaps tomorrow when the sun is shining
00:21:06You would drive with me in my car or we could sail a little boat
00:21:12Or anything else you'd like to do
00:21:15Nothing fatal ever happens in the sunshine
00:21:18Well perhaps your highness
00:21:21If you'll call me in the morning
00:21:23Then you do trust me
00:21:25Oh yes
00:21:26I trust you
00:21:27Good night
00:21:28Arrivederci
00:21:35You do trust me
00:21:37You do trust me
00:21:39Oh yes your highness
00:21:42I trust you
00:21:44You do trust me
00:21:45You don't just love me
00:21:49If you like you
00:21:59I trust you
00:22:06You don't trust me
00:22:09You don't trust me
00:22:10Please don't trust me
00:22:11If you don't trust me
00:22:12THE END
00:22:42THE END
00:23:12THE END
00:23:22Well, where'd you find your little friend?
00:23:26He seems to have lost his father and mother.
00:23:30What was here once upon a time? A castle?
00:23:32Perhaps a watchtower built by the Saracens, 1200 years ago.
00:23:36So that we could enjoy the view.
00:23:39Well, here comes his family.
00:23:42Buongiorno, signore.
00:23:43Buongiorno.
00:23:46Buongiorno, signorina.
00:23:47Well, buongiorno, bambino.
00:23:48You insulted him.
00:23:51Insulted him?
00:23:52Bambino is baby.
00:23:53Ragazzo is boy.
00:23:55Buongiorno, ragazzo.
00:23:57Buongiorno, signorina.
00:24:00He is no longer insulted.
00:24:04Buongiorno, Al.
00:24:08Buongiorno, Fred.
00:24:09Buongiorno, caro nome.
00:24:15Pretty name?
00:24:17Dear name.
00:24:20Dear name.
00:24:24Cara mia.
00:24:26My dear.
00:24:29My dear.
00:24:33The only Italian I knew before I came here was spaghetti and ravioli.
00:24:38And now you know pizza and antipasto.
00:24:46I know one more Italian word.
00:24:49Andiamo.
00:24:51Andiamo.
00:24:52But andiamo means let's go.
00:24:54That's right, dear.
00:24:56Let's go.
00:25:07Let's go.
00:25:10Let's go.
00:25:12Oh, I forgot.
00:25:14He is in Italian, don't you?
00:25:16Oh.
00:25:17What was that new word you were teaching me?
00:25:19Andiamo.
00:25:20That's right.
00:25:23Andiamo.
00:25:24Andiamo, andiamo.
00:25:28My bambina, let's go.
00:25:30Cara mia.
00:25:31Look around you.
00:25:32What a beautiful show.
00:25:35So come with me presto.
00:25:37Caro nome.
00:25:37Andiamo.
00:25:38Andiamo.
00:25:39Andiamo.
00:25:40Andiamo, andiamo for a glorious spring.
00:25:49How alegro, how ivace, how alive is the spring.
00:25:54And we are alive to each other and so.
00:25:58Andiamo.
00:25:59Andiamo.
00:26:00Andiamo, andiamo.
00:26:11Andiamo.
00:26:12Andiamo.
00:26:13Andiamo.
00:26:14Andiamo.
00:26:15Andiamo.
00:26:16Andiamo.
00:26:17Andiamo.
00:26:18Andiamo.
00:26:19Andiamo.
00:26:20Andiamo.
00:26:21Andiamo.
00:26:22Andiamo.
00:26:23Andiamo.
00:26:24Andiamo.
00:26:25Andiamo.
00:26:26Andiamo.
00:26:27Andiamo.
00:26:28Andiamo.
00:26:29Andiamo.
00:26:30Andiamo.
00:26:31Andiamo.
00:26:32Andiamo.
00:26:33Andiamo.
00:26:34Andiamo.
00:26:34Andiamo.
00:26:35Andiamo.
00:26:36The bright future, the perfect day
00:26:43We're never made to last
00:26:50Andiamo
00:26:55Andiamo
00:26:56My bambina, let's go
00:26:58Cara mia, look around you
00:27:01What a beautiful show
00:27:03Oh, come with me
00:27:04Caronome, my love
00:27:07The sun is high above
00:27:11Andiamo
00:27:15Andiamo for a glorious spring
00:27:18Allegro, divaction
00:27:20Our life is the spring
00:27:22And we are alive to each other and so
00:27:26Wishing fortissimo
00:27:29Do you love me?
00:27:34Pas
00:27:35Sol
00:27:36La
00:27:36Si
00:27:38La
00:27:39Si
00:27:39Do you love me?
00:27:42Si, si
00:27:44A bravissimo
00:27:47Andiamo
00:27:53Andiamo
00:27:54To a hilltop of pine
00:27:56Will a pizza
00:27:57Antipasto
00:27:58And some very good wine
00:28:00So come with me
00:28:02For a time
00:28:03For a time
00:28:03For a time
00:28:03For a time
00:28:03For so fast
00:28:05A bright
00:28:06Buffet
00:28:08The perfect day
00:28:12Were never made to last
00:28:20Andiamo
00:28:22Andiamo
00:28:25Andiamo
00:28:27Andiamo
00:28:29Andiamo
00:28:30Oh, my God.
00:29:00Oh, it's wonderful.
00:29:21Gee, it's beautiful.
00:29:23On a clear day, you can see Corsica.
00:29:26Gosh, if the kids back in Albuquerque, you could see me now.
00:29:29Oh, do you come here very often?
00:29:31Yes, very often.
00:29:34Oh, who will?
00:29:36My little son.
00:29:40Tell me about your son.
00:29:42What would you like to know?
00:29:45Well, does he look like you?
00:29:48Oh, by not coincidence, I just happen to have these with me.
00:29:52Oh, how old is he?
00:29:58Not yet six.
00:30:00And he rides?
00:30:01Like one of your cowboys.
00:30:03I taught him.
00:30:05What's he doing there?
00:30:06Playing chess with my father, the king.
00:30:09I taught him to box, too.
00:30:15You did?
00:30:16Indeed, I did.
00:30:17And you know what happened?
00:30:18He got into a fight with the gardener's boy.
00:30:20Eight years old.
00:30:22Three inches taller.
00:30:24Well, that wasn't so funny.
00:30:25But it was.
00:30:26It was terribly funny.
00:30:28One punch from the gardener's boy, and my little prince got two beautiful black eyes.
00:30:33He told me he fell in the bus stop.
00:30:39You must be proud of him.
00:30:41Very proud.
00:30:43I bet he's proud of you, too.
00:30:45For a whole year, after we lost his mother, I never left the palace.
00:30:51It gave us a chance to become wonderful friends.
00:30:57What does he want to be when he grows up?
00:31:00Oh, I mean...
00:31:01A lawyer's son may be an engineer.
00:31:03A doctor's son may be a price fighter.
00:31:07But when one is born in the shadow of a throne, one dies in that shadow.
00:31:16You don't want him to be a king?
00:31:18I do not.
00:31:20But if he were a good king, and he ruled wisely...
00:31:24A king does not rule.
00:31:27He is only a symbol.
00:31:29I do not wish my son to be a symbol.
00:31:31I do not wish my son to be a king.
00:31:33And you?
00:31:36You do not want to be a king?
00:31:38No.
00:31:40I don't want to be a king.
00:31:42But for me, it's too late.
00:31:44All my life, I've accepted the privilege of a prince.
00:31:47Therefore, I cannot serve the duty of a king.
00:31:52When I was a little girl, I remember a story about a little boy.
00:31:56An ordinary little boy.
00:31:58One fine day, he discovered that he had been changed into a prince.
00:32:03Well, why can't it be the other way around?
00:32:07Perhaps it can.
00:32:08You don't want to be a king.
00:32:23You do not want to be a king.
00:32:27You do not want to be a king.
00:32:29Dalla grama a testa.
00:32:31Un momento, Giovanni.
00:32:52Giovanni, mi devi fare un grande favore.
00:32:54Di alla signorina Brown che sono andato a Genova.
00:32:57Ma che ritornerà in tempo per il nostro chicken sandwich in glass of milk.
00:33:00Ma benissimo, Altezza.
00:33:01Non ti dimenticare, è importantissimo.
00:33:03No, Altezza.
00:33:04Da questo fiore alla signorina Brown.
00:33:27Grazie.
00:33:28Grazie.
00:33:29Grazie.
00:33:30Grazie.
00:33:31Grazie.
00:33:32Grazie.
00:33:33Grazie.
00:33:34Grazie.
00:33:35Grazie.
00:33:36Grazie.
00:33:37Grazie.
00:33:38Grazie.
00:33:39Grazie.
00:33:40Grazie.
00:33:41Grazie.
00:33:42Grazie.
00:33:43Grazie.
00:33:44Grazie.
00:33:45Grazie.
00:33:46Grazie.
00:33:47Grazie.
00:33:48Grazie.
00:33:49Grazie.
00:33:50Grazie a tutti.
00:33:51Grazie a tutti.
00:33:52Grazie a tutti.
00:33:53Fernand, take my car, go to the Riviera Hotel in Rapallo, and deliver this note to...
00:34:06Miss Frederica Brown?
00:34:08Your activities are seldom secret, sir.
00:34:13But a note is hardly necessary.
00:34:16I will handle this matter with my usual discretion.
00:34:19This matter, as you choose to call it, is not usual.
00:34:23You will deliver this note to Miss Brown and follow me on the earliest plane.
00:34:28As you will, sir.
00:34:49Oh!
00:34:50Oh!
00:34:51Oh, but I expected...
00:34:52I know.
00:34:53Oh!
00:34:54You are Miss Brown?
00:34:55Yes.
00:34:56My name is Fernand.
00:34:59Oh. Oh, but I expected...
00:35:19I know. You are Miss Brown?
00:35:21Yes.
00:35:22My name is Bernand.
00:35:24I hope you will forgive this intrusion, but I come to you with a message from His Royal Highness.
00:35:28Was something wrong?
00:35:30I'm afraid so.
00:35:31Three days ago, His Majesty, His Royal Highness's father, became seriously ill.
00:35:38This morning, his condition became critical.
00:35:41Naturally, he would want his son and heir at his side.
00:35:44Oh, naturally.
00:35:45On learning of the seriousness of the situation, His Royal Highness was compelled to leave without benefit of goodbyes.
00:35:53I see.
00:35:54His Majesty is not expected to live.
00:35:58Hence, His Royal Highness will become our king.
00:36:05I, by the way, am His Majesty's Prime Minister.
00:36:08And I've brought you...
00:36:10A letter?
00:36:12His Royal Highness's regrets.
00:36:15I suppose with practice, one should become calloused in these situations, but...
00:36:21Somehow, I never find them easy.
00:36:25What is it that you don't find easy?
00:36:28To, uh, say his au revoirs.
00:36:31His Royal Highness is so sentimental.
00:36:34Goodbyes become impossible for him.
00:36:38Fortunately, you are an American.
00:36:39Americans are practical, Mademoiselle.
00:36:43If you knew what I've been through with some of these European women.
00:36:49Oh, you have my sympathy.
00:36:52I've always heard that European women are very...
00:36:55Impractical.
00:36:56I see you are about to enjoy your supper, Mademoiselle.
00:37:01Good appetite and goodbye.
00:37:03Oh, I, oh, I almost forgot.
00:37:07If, when Mademoiselle is in Paris,
00:37:10she would pair this Ducati and select, say,
00:37:13some modest jewel that might catch her fancy,
00:37:17His Royal Highness would be very grateful.
00:37:21Good night, Mademoiselle.
00:37:24Mademoiselle.
00:37:24Mademoiselle.
00:37:25Mademoiselle.
00:37:26Mademoiselle.
00:37:27Mademoiselle.
00:37:28Mademoiselle.
00:37:29Mademoiselle.
00:37:30Mademoiselle.
00:37:31Mademoiselle.
00:37:32Mademoiselle.
00:37:33Mademoiselle.
00:37:34Mademoiselle.
00:37:35Mademoiselle.
00:37:36Mademoiselle.
00:37:37Mademoiselle.
00:37:38Mademoiselle.
00:37:39Mademoiselle.
00:37:40Mademoiselle.
00:37:41Mademoiselle.
00:37:42Mademoiselle.
00:37:43Mademoiselle.
00:37:44Mademoiselle.
00:37:45Mademoiselle.
00:37:46Mademoiselle.
00:37:47Mademoiselle.
00:37:48Mademoiselle.
00:37:49Mademoiselle.
00:37:50Mademoiselle.
00:37:51Mademoiselle.
00:37:52Mademoiselle.
00:37:53I'm going to go.
00:37:55I'm going to go.
00:37:57I'm going to go.
00:37:59How are you?
00:38:01Thank you very much.
00:38:03I'm going to go.
00:38:23A Hollywood?
00:38:33I'm going to go.
00:38:53Wait for me. I'll be about ten minutes.
00:38:55All right, Mr. Hunter.
00:39:03Hello, Mr. Hunter.
00:39:05Hello, Mac.
00:39:06Not through shooting the test yet.
00:39:07They have just finished the last shot, sir.
00:39:09Anna?
00:39:11Anna?
00:39:12Anna!
00:39:13Yeah, yeah, madame.
00:39:14Oh, what time is it?
00:39:15Oh, I passed an oven.
00:39:17Oh, I'll just about make it.
00:39:19Oh, hello, darling.
00:39:21I want to talk to you.
00:39:23I want to talk to you, too.
00:39:25Well, let me get out of this, and I'll be right with you.
00:39:33We've got to move fast.
00:39:36Yes, madame.
00:39:37Did you talk to Palm Springs?
00:39:38Yes, madame.
00:39:39Everything arranged?
00:39:40Everything, madame.
00:39:41Did you check for the airport?
00:39:43No, madame.
00:39:44It was too early.
00:39:45But I think by now we can get the information.
00:39:48No, wait, Anna.
00:39:50You're not going with me, madame?
00:39:52No, I'm driving down alone.
00:39:55But I have engaged rooms for two.
00:39:58One for madame and one for me.
00:40:00I know, Anna, but...
00:40:02I've never kept any secrets from you, have I?
00:40:05Never, madame.
00:40:07Well, I'm keeping that secret from you now.
00:40:12I know, madame.
00:40:13What do you know?
00:40:15That ever since you received a telephone call from Paris,
00:40:19madame has been full of very much secrets.
00:40:22But I understand.
00:40:24Well, if you do, and you just might,
00:40:26you'll see that no one else does.
00:40:28Oh, no, no, no, no, no, no, no.
00:40:30No one, madame.
00:40:31Come in, Paul.
00:40:35Have a cup of coffee, darling, while I change.
00:40:38Anna, my beautiful, I'd like to be alone with Miss Barlow.
00:40:41You know, monsieur, I do not understand English.
00:40:43Anna.
00:40:44Anna.
00:40:45Yes, madame.
00:40:46Why don't you make that phone call outside?
00:40:48Yes, madame.
00:40:49I thought you didn't understand English.
00:40:51Not one word.
00:40:53What do you think of Bolton?
00:40:58He's a good actor.
00:40:59I thought he was great.
00:41:01I think we ought to look further.
00:41:03Oh, but we've tested over 20.
00:41:05I brought them from New York, from London, from anywhere I can find them.
00:41:09This fellow Bolton's played all the kings there are.
00:41:12Richard, Henry, Lear.
00:41:15Just what is it you're looking for?
00:41:17Something.
00:41:19When I find it, I'll know.
00:41:21Do this for me, darling.
00:41:22Uh-huh.
00:41:23Look, honey, I want to talk to you about something.
00:41:27Yes.
00:41:28This is our third picture together.
00:41:31I think it's going to be our best.
00:41:33I think so, too.
00:41:34When you first brought me this story, frankly, I was again an American girl falls in love with a king.
00:41:39It seemed, um, old-fashioned.
00:41:42Now, somehow, I believe it.
00:41:45I've always believed it, Pa.
00:41:48Okay.
00:41:51So, this is our third picture together.
00:41:53Still no contract, just a handshake.
00:41:55What's wrong with a handshake?
00:41:57Nothing.
00:41:58I like it.
00:41:59Gives me a chance to hold your hand.
00:42:02But look, Fred, that fellow's got to make plans.
00:42:05How about a handshake for three or, say, five?
00:42:09Why not ten pictures more?
00:42:11So that's what's worrying you.
00:42:13Look, darling, a star can't get any better than the best, and you're the best.
00:42:18Now, why in the world would I ever want to go anyplace else?
00:42:21Yeah, that's fine.
00:42:23That's fine, but there's a little more to it than that.
00:42:26Look, Freda.
00:42:28Five pictures, ten pictures, ten years, twenty years, there's still all that time.
00:42:34All that time between pictures when I don't even see you.
00:42:38Doesn't make sense.
00:42:40We're going to work together or to be together.
00:42:42Not just at the studio, not just for dinner.
00:42:46Paul, are you asking me to marry you?
00:42:50I'm not asking you to run for Congress.
00:42:53Why didn't you wait until Monday?
00:42:57We've known each other three years.
00:43:00This is Friday.
00:43:01We should have waited until Monday.
00:43:03Okay, honey, I'll compromise.
00:43:07Give me your answer tonight.
00:43:14I can't see you tonight.
00:43:16No?
00:43:17No, I'm going out of town.
00:43:20Oh, where are you going?
00:43:22I'll be back Monday.
00:43:24Monday?
00:43:26Or sooner.
00:43:27And on Monday, I say to you, please, Miss Barlow, will you marry me?
00:43:32Will you, Paul?
00:43:34I don't vote for someone else over the weekend.
00:43:38Well, if you don't.
00:43:44That's fair.
00:43:46Handshake?
00:43:47Handshake.
00:43:49Goodbye.
00:43:50That'd better wait for Monday, too.
00:43:53Maybe you're right.
00:43:56Welcome back!
00:43:59Jack.
00:44:00Oh!
00:44:01Good evening!
00:44:16Take it to him!
00:44:18Easy!
00:44:19Palm Springs, 1497.
00:44:49Hello, hello Mrs. Carbat, this is Anna, Anna, Miss Barlow's maid.
00:45:03For three hours I am calling you from Los Angeles.
00:45:05No, no, no, Miss Barlow, she should be there any minute now.
00:45:09Who, me? No, I am not coming.
00:45:12I am sick, very sick.
00:45:17Miss Barlow wants you to know she wants only one room.
00:45:23No, no, no, she does not want you to lose money.
00:45:27If you cannot rent the other room, she will pay for it.
00:45:31But please, please you try to rent the other room.
00:45:35Well, I'll see what I can do.
00:45:37Goodbye.
00:45:39Gwen!
00:45:42Gwen!
00:45:43Yes, Aunt Mary.
00:45:44I made this phone.
00:45:45She's not coming.
00:45:46She's coming, but she only wants one room.
00:45:48Really?
00:45:49Please put these in the east room.
00:45:51I'll put these back in the living closet.
00:45:54What clock's right for a change?
00:45:56Nevertheless, put the towels in the east room.
00:45:59Yes, Auntie.
00:46:00That's her!
00:46:03The east room, Gwen.
00:46:05Yes, Auntie.
00:46:07Madame Cabot?
00:46:08I'm Mrs. Cabot.
00:46:09Ah.
00:46:10One may enter?
00:46:11Of course.
00:46:12My name is Imperium.
00:46:13Imperium?
00:46:14Imperium.
00:46:15I thought that's what you said.
00:46:16Imperium.
00:46:17Imperium.
00:46:18I have just arrived from Paris.
00:46:19From Paris?
00:46:20Well, that seems extraordinary.
00:46:22Oh, well, uh...
00:46:23It is my understanding, Madame, that you have a room for rent.
00:46:26Well, how'd you hear about it, if we don't advertise?
00:46:28Well, you see, in Paris it was very cold and very wet.
00:46:29I had your desert was very warm and very dry.
00:46:33I love you.
00:46:34That's my secret, Madame.
00:46:35My name is Imperium.
00:46:37My name is Imperium.
00:46:39Imperium.
00:46:40Imperium.
00:46:41Imperium.
00:46:42I thought that's what you said.
00:46:43Imperium.
00:46:44I thought that's what you said!
00:46:46Imperium.
00:46:47I have just arrived from Paris.
00:46:48From Paris?
00:46:49Well, that seems extraordinary.
00:46:50Well, there...
00:46:51It is my understanding, Madame, that you have a room for rent.
00:46:52Well, how'd you hear about it, if we don't advertise?
00:46:54Well, you see, in Paris it was very cold and very wet.
00:46:57dry. I like warm, madame. Oh, we're very warm here. The weather, that is. Oh, the weather is what I
00:47:04refer to, madame. I thought that's what you meant. And so, madame, I boarded the plane, flew to Palm
00:47:09Springs, but unfortunately without reservations. I have tried half a dozen different hotels,
00:47:16and at one of them, one of the clerks said that you occasionally rented rooms, and here we are.
00:47:21Well, it just so happens, by the merest coincidence, that I do have a vacancy. Good. I get my back.
00:47:29Oh, they're all right out there. Come with me. I'll show you what I've got. It may not be elegant
00:47:34enough for you, but... A home, I find, usually reflects the personality of each occupant. In this
00:47:42instance, I have no fears, madame. Oh, that's nice of you to say that, Mr. Sheridan. It was nothing,
00:47:47madame. Nothing at all. This is the west room. It's just the same as the east room, except it's,
00:47:56uh, it's, uh... West. Yes. These are the bags. Oh, the bags. You can sleep. Neither one you like. Good,
00:48:03good. The dressing room's over there. You don't have to pay attention to that door. Never. It leads into
00:48:08the other room, but the door's bolted on both sides. A wise precaution. I'm sorry there isn't anyone to get
00:48:14your bags for you. You'll have to bring them in yourself. Oh, of course.
00:48:21Mademoiselle.
00:48:27Who is he? Mr. Imperium. Huh? That's what he said. Imperium. There's no such name. It's his. There must be.
00:48:36I was just thinking. He's somebody. I don't know. First of all, I thought he was a foreign movie star,
00:48:41like Charles Boyer. He's not Charles Boyer. Well, anyway, he looks like an actor. If he is one,
00:48:48Miss Barlow will know who he is. Definitely. I'll ask her. You'll do nothing of that sort. Get
00:48:53your feet off the bed. But, Auntie. The only reason she comes here is because it's so quiet. No one ever
00:48:58bothers her asking her questions, including you. Oh, we're not bothering. Oh, uh, Mr. Imperium,
00:49:09there's my niece, Gwendolyn. Mademoiselle. Delighted. How do you do? Oh, just saying to Andy,
00:49:15I know I've seen you before. You're picked or something? Uh, Gwen. Oh, I don't mean to be rude,
00:49:19Mr. Imperium, but haven't I? Perhaps, Mademoiselle, in another life, we were friends. Oh, Mr. Imperium,
00:49:26what a perfectly dream he thought. Uh, Gwen, darling, if we're going to the movies tonight,
00:49:30you've got your homework to do. Yes, Auntie. Uh, now, darling. Yes, Auntie.
00:49:38Au revoir. Au revoir. Of course, you don't realize it, but if you'd have arrived just one
00:49:44minute earlier, I wouldn't have had a room for you. Oh, fantastic. Yes, sir. She canceled her
00:49:49room just before you rang the doorbell. You see, she always reserves both rooms. That's why she won't
00:49:53be disturbed or run to strangers and things. But at exactly one minute, two, her maid called,
00:49:58and then the clock struck three. Whose maid? Miss Barlow. Fred the Barlow. Fred the Barlow.
00:50:04Oh, yes. You've seen her? In person? On the screen. Oh, my dear, just what you see,
00:50:09in person. She's even more beautiful and young. Where's her for any makeup? Just a little lipstick,
00:50:13maybe a bit of powder. Don't tell the truth, down here, she just lies out in the sun with nothing on.
00:50:18No makeup of any. I do hope I made me what you're talking about. I can't understand her giving up
00:50:23one of the rooms. Seems so peculiar because money can't mean anything to her. You'll forgive me if I
00:50:28don't introduce you to Miss Barlow. She's really very sweet and nothing grand about her. But we have
00:50:32sort of an understanding. We never introduce her to anyone. I will be very undemocratic,
00:50:37madame. Auntie! Auntie! She's here! Oh, will you excuse me, please? I've got to greet Miss Barlow.
00:50:43Oh, well, you forgot to tell me how long you'll want the room. Until the 17th. The 17th.
00:50:50That'll be Monday. Would it? Oh, well, today's Friday. Is it? Oh, yes,
00:50:54of course. The 17th will be Monday. Oh, well, thank you, Miss Imperium.
00:51:14Oh, dear. What is it? Mr. Imperium. Mr. Imperium? That's what he says, his name is. I knew he was a foreigner, but didn't know his sign.
00:51:24Maybe I should have. Most of them do, I suppose. I don't mind, Mr. Cabot. Do you love me?
00:51:35A thousand pardons, madame. Of course.
00:51:46It was the strangest thing, Miss Barlow. Just after I hung up the phone, I talked to your maid.
00:51:51The bell rang. There stood Mr. Imperium. Wasn't it the most amazing coincidence?
00:51:56Oh, amazing. Gwen, will you please put these in the bathroom?
00:52:02Yes, Auntie.
00:52:04Oh, dear. He's singing again. Will you excuse me, Miss Barlow?
00:52:11Barlow?
00:52:13Yes, Gwen?
00:52:14Where is he?
00:52:15Who?
00:52:16Mr. Imperium.
00:52:18I don't believe there is such a name.
00:52:21Perhaps not.
00:52:22And yet I know I've seen him in something.
00:52:25In something?
00:52:26The movies, I mean.
00:52:28Of course, he's not a star. We don't know right away who he is.
00:52:30But he must be an actor. I can tell.
00:52:33I know I've seen him, Miss Barlow. I just know I've seen him.
00:52:36Well, perhaps you have.
00:52:38But at any rate, I shall see no one for the next few hours.
00:52:40But I'm exhausted.
00:52:43May I draw the drinks for you?
00:52:45That would be wonderful.
00:52:50He is good-looking, isn't he?
00:52:52Who?
00:52:53Mr. Imperium.
00:52:55Well, I'm afraid I didn't notice.
00:52:58Well, if there's nothing else I can do...
00:53:01Nothing else. Thank you.
00:53:02I ask him not to sing anymore.
00:53:11He was very nice about it.
00:53:12Well, why didn't you do that?
00:53:13Well, so you can rest, Miss Barlow.
00:53:15Oh, well, that was kind of you.
00:53:17And of him.
00:53:18Well, rest well.
00:53:19I'll try.
00:53:32Frederica Brown.
00:53:58Your Majesty.
00:54:05For 12 years I have waited for this moment.
00:54:09Why have you waited so long?
00:54:12All through the war I was a prisoner of my palace.
00:54:16I know.
00:54:18I prayed for you.
00:54:21Then there was the revolution and the government in exile in Paris.
00:54:25When I learned what Bernadette had done to us and I was free to look for you,
00:54:31there was no Frederica Brown.
00:54:34But by name had unchanged.
00:54:37I was easy to find.
00:54:40So many times I wanted to write.
00:54:42Well, why didn't you?
00:54:44It took a long time for me to forget.
00:54:48A long time to fall in love with someone else.
00:54:51Someone else?
00:54:51Then the phone rang and the oprier said Paris calling.
00:54:58And then I heard your voice.
00:55:01And I hadn't forgotten you at all.
00:55:03Oh, that's what I waited to hear.
00:55:10What is it, Frederica?
00:55:11Well, only that, even in Hollywood, we do read the newspapers.
00:55:20And what do you read?
00:55:22That next Tuesday there will be a plebiscite.
00:55:26Your people will go to the polls to vote you back onto the throne.
00:55:30You'll be a king again and I...
00:55:33So that's it.
00:55:37On Tuesday night there will be a plebiscite.
00:55:40And my people will go to the polls.
00:55:43But they will vote against me because by that time they'll know I am here with you to stay.
00:55:50If you'll let me.
00:55:51But where is he now?
00:55:56Who?
00:55:57Bernadette.
00:55:58In Paris, so busy with his government in exile.
00:56:02Probably going out of his mind trying to find me.
00:56:06He found you once before.
00:56:08This time I have been too clever.
00:56:11No one knows I am here except your state of the party.
00:56:15So, my darling,
00:56:16On Tuesday night there will be a king with our throne.
00:56:22A commoner.
00:56:24In love is a queen.
00:56:32She's still resting.
00:56:34She must have been tired.
00:56:36Mr. Imperium was tired too.
00:56:38The desert air.
00:56:39That's a new name for us.
00:56:41What are you talking about, Gwen?
00:56:43Oh, auntie, don't be so unsophisticated.
00:56:46Shh, Gwen.
00:56:47Oh, good evening, Miss Barlow.
00:56:49Good evening, Mrs. Cabot.
00:56:50Gwen, won't you join us?
00:56:52Oh, no, thank you.
00:56:53Well, there's plenty here.
00:56:55We're going to the movie afterwards.
00:56:56Would you like to go with us?
00:56:57Oh, thanks very much.
00:56:58But it's such a lovely night.
00:56:59I thought I'd take a little drive and get a bite of dinner and then come back to bed.
00:57:03I hope Mr. Imperium's all right.
00:57:04We haven't seen him since I showed him the role.
00:57:07My love and my mule
00:57:09Are two of a kind
00:57:12What to do, what to do, what to do
00:57:14My love like my mule
00:57:16Forgive me, madame.
00:57:21I forgot my promise.
00:57:22I think you've got a wonderful voice, Mr. Imperium.
00:57:25You could be an opera.
00:57:26Oh, you flatter me, mademoiselle.
00:57:29I'll bet without my accent
00:57:30You would all think me a cowboy.
00:57:34Oh, even with the accent.
00:57:35Oh, what a wonderful evening.
00:57:37Everybody pay me compliments.
00:57:39That's a very old song.
00:57:41Where'd you learn it?
00:57:42In Italy, madame.
00:57:43And you remembered it?
00:57:45It was sung
00:57:45Not too well, mind you
00:57:48By a very beautiful woman.
00:57:51I remembered the woman and therefore the song.
00:57:54Oh, I think that's charming, Mr. Imperium.
00:57:56Don't you must follow?
00:57:58Oh, charming.
00:58:00Not original, mind you
00:58:02But charming.
00:58:03Madame, there is so much originality in the world and so little charm.
00:58:10For example...
00:58:12For example?
00:58:13For us to dine together would not be very original, but it would be charming.
00:58:18Well, the restaurants here are rather limited.
00:58:21To me, Mr. Imperium, you suggest caviar, champagne.
00:58:26On the contrary, madame.
00:58:29I am the chicken sandwich in the glass of milk type.
00:58:33Well, we can do better than that.
00:58:35There's a little place halfway up the mountain.
00:58:36Charcoal broiled steaks.
00:58:38Oh, Miss Barlow, you have talked me into it.
00:58:41Madame, mademoiselle,
00:58:42My love and my mule are two of a time.
00:58:47What to do, what to do, what to do.
00:58:49We didn't even introduce them.
00:58:51Shh.
00:58:51What?
00:58:53I tell you, Auntie, there's something squidgy about the whole thing.
00:58:58Squidgey?
00:58:59In the first place, giving up the room,
00:59:02then going off with him, a stranger, just like that.
00:59:05And why should a foreigner sing cowboy songs?
00:59:08I don't know, dear.
00:59:09But your uncle was an American, and he loved the thing,
00:59:13Oh, Solomeo.
00:59:15Of course, that was different.
00:59:16He really never knew the words.
00:59:23I must find some way to make a living.
00:59:26We think in that story.
00:59:27I could teach dancing, singing, boxing, chess, horseback riding.
00:59:36But I don't like to teach.
00:59:42No.
00:59:43What about an antique shop?
00:59:46Cool.
00:59:47I take old clocks and make them into lamps.
00:59:51I take old lamps and make them into clocks.
00:59:57A restaurant.
00:59:58Why didn't we think of this before?
01:00:02A restaurant right in Beverly Hills.
01:00:05The King's Chopper.
01:00:07No.
01:00:08Al's place.
01:00:11But I am not worried.
01:00:13In America, your success story is very common.
01:00:17Like your Paul Hunter.
01:00:19I read in the magazine he started by selling newspaper in the street.
01:00:22They say that about most successful men, but in Paul's case, it happens to be true.
01:00:28Tell me more about him.
01:00:29What do you want to know?
01:00:31Everything.
01:00:32Well, he's tall, dark, intelligent, and sometimes quite handsome.
01:00:39Dark?
01:00:41And he's in love with me.
01:00:43Andrew is not.
01:00:45No.
01:00:45Tell me about your new picture.
01:00:52What is this story?
01:00:55An American girl falls in love with a king.
01:01:00What a coincidence.
01:01:02Isn't it?
01:01:03Who will play this king?
01:01:05We don't know.
01:01:05We've tested more than a dozen actors, but there's always something missing.
01:01:14Fletcher.
01:01:15How would I photograph?
01:01:17How would you photograph?
01:01:20For a thousand years, actors have grown wealthy playing kings.
01:01:24It would be a beautiful event.
01:01:27Beautiful.
01:01:29What a wonderful country this America.
01:01:32Only a few moments ago, I am a lowly restaurant proprietor.
01:01:38Now, I am the star of the picture.
01:01:42Co-star, darling.
01:01:44Well, with my new success, I can afford to be generous.
01:01:50In this picture, do I make love to you?
01:01:53Oh, yes.
01:01:53I think I can do that, too, very convincingly.
01:01:58You're serious.
01:01:59Never have I been more serious in all my life.
01:02:04But perhaps your Paul will think I am not the type.
01:02:08My Paul has a wonderful eye for talent.
01:02:11Everything okay, folks?
01:02:11You have no idea how okay.
01:02:14Would you mind, Miss Barlow?
01:02:15Not at all.
01:02:21Thank you very much.
01:02:22Thank you very much.
01:02:23Next year, I will sign the autograph book.
01:02:27Well, hello.
01:02:32Hello, Miss Barlow.
01:02:32Nice to see you.
01:02:33Hello.
01:02:34Hello.
01:02:35Mr. Imperium, I want you to meet the Guadalajara trio.
01:02:38How do you do?
01:02:39When do you start your picture, Miss Barlow?
01:02:42He means when we work.
01:02:43Well, it won't be long now.
01:02:44You have found someone to play the king?
01:02:46I think we have.
01:02:47Well, you know.
01:02:49After the recites making love to you, I also sing.
01:02:52Oh, I'm afraid you do, darling.
01:02:53In what language?
01:02:54Well, you do one number in Spanish.
01:02:56Why?
01:02:57Because these are my friends, and I want to give them a job.
01:02:59Oh, I suppose I ask them if they know such and such a song,
01:03:03and they will answer yes.
01:03:04Well, if they answered no, there wouldn't be any song.
01:03:06Go on, ask me.
01:03:07Okay, okay, okay.
01:03:08Let's see now.
01:03:09Let's see.
01:03:10Do you know solamente una vez?
01:03:13Well, she's not one.
01:03:16Solamente una vez amé la vida, solamente una vez y nada más.
01:03:37Una vez nada más en mi cuento brilló la esperanza.
01:03:46La esperanza que alumbra el camino de mi soledad.
01:03:55Una vez nada más se entregue el alma con la dulce y total renunciación.
01:04:13Una vez nada más en mi cuento brilló la esperanza.
01:04:23Now you do one in English.
01:04:35Oh, I am a king.
01:04:36I can sing in every language.
01:04:37You belong to my heart, now and forever, and our love at its start, so long ago.
01:04:56We were gathering stars while a million guitars played our love song.
01:05:07When I said I love you, every bit of my heart said it was a moment like this.
01:05:23Do you remember, do you remember, do you remember, and your eyes threw a kiss when they met mine?
01:05:38Now we own all the stars and a million guitars are still playing?
01:05:45Darling, you are the song and you'll always belong to my home.
01:06:03You belong to my home.
01:06:10You belong to my home.
01:06:11I know.
01:06:12I love you.
01:06:13I love you.
01:06:14Good afternoon.
01:06:15Good afternoon.
01:06:16Good afternoon.
01:06:17Good afternoon.
01:06:18Good afternoon.
01:06:19Good afternoon.
01:06:20she put it around on the other side of the house oh auntie they aren't home their doors are still
01:06:27opening her lights out and it's after 11. yes it does it doesn't take that long it doesn't take
01:06:34that long for what to eat steak and potatoes they might have gone for a drive there's nothing restful
01:06:40about a drive well she said she came down here to rest well she rested all afternoon how do you know
01:06:47the drapes are drawn so were his so are his what drapes drawn he rested too i wonder
01:06:57gwen dear it isn't good for you to wonder so much but i do wonder auntie what about for goodness sakes
01:07:05oh auntie i don't mean to be rude really i don't but well i guess i guess when you get older you just
01:07:13get naive really what would you say if the doors between their rooms were unlocked well they couldn't
01:07:22be dear luck to myself this morning but suppose they were unlocked now oh good heavens no there's one
01:07:29one way to find out come on
01:07:38you belong to my heart now and forever and our love had it started so long ago
01:07:50oh una vez nada mas oh i've done it again forgive me i really meant to keep my promise oh that's
01:08:00all right let's do period you sounded so happy happy how could one help but be happy to drive through
01:08:07the night with so beautiful a companion of course i am happy and are you happy too miss barlow i oh ever
01:08:15so happy full of good food clean desert air and all of a sudden i'm utterly exhausted oh and i too
01:08:24what a wonderful place to rest this desert well good night miss barlow and thank you so much for
01:08:32a delightful evening i enjoyed it good night and blessed be the coincidence who knows what may happen next
01:08:40i hope he hasn't made a bore of himself oh no miss cabot boy is hardly the word what is the word miss
01:08:54barlow the word i never could find the right word when i wanted it but believe you my dear it isn't
01:09:02good boy good night there you see he's going to his room and she's on her way to hers i can't imagine
01:09:11what makes you think the things you do maybe it's your asthma squidgy come on it's time to go to bed
01:09:20long distance please i want beverly hills crestview 54124 1497
01:09:39i'm calling paul it's pretty late well he has a phone by his bed oh yes i see well i imagine he
01:09:48he has most executives do you know oh i didn't know well now you do hello hello paul did i wake you
01:09:58no oh i'm glad you don't oh that's sweet of you darling what darling oh yes darling of course darling
01:10:11show business everybody calls everybody calls everybody darling oh what darling no no i was just
01:10:19talking to a friend well you don't know him paul he's a very old friend and paul is the most
01:10:27extraordinary thing but he would be absolutely marvelous as the king
01:10:33she wants him to play the king the terrible part is his majesty would be superb
01:10:38he is pretty yes i have every confidence in your enthusiasm but um why didn't you suggest him before
01:10:47he wasn't available now mr hunter you see how serious this is how important it is that something
01:10:54should be done at once no no i've got too much at stake freder must make a wrong decision
01:10:58what's up really i said we'll come in tonight and call anna for me will you darling tell her to prepare
01:11:04the guest room well i i'm only being hospitable and then paul be at my house at 10 in the morning
01:11:13please do what
01:11:17well yes i know tomorrow isn't monday
01:11:22well i can't talk about it over the phone
01:11:24well not now darling please that's right in the morning at 10. goodbye
01:11:37i stayed home all evening why he said he didn't want to take the chance of falling in love with
01:11:48someone else obviously no gambling darling we've got to pack and drive to beverly hills
01:11:56and we'd better get started before before we what before we forget a lot of things that simply
01:12:03have to be remembered for instance for instance a three-hour drive to beverly hills a drive to beverly hills
01:12:09was not exactly what they had planned
01:12:13darling will you get packed certainly your majesty
01:12:27oh so that's it
01:12:38could we could we perhaps pay it a visit now but there'll be nothing to see except some empty
01:12:44stages and the night watchman i have always liked fashionable resorts out of season
01:12:50but there's something i'd like to show you at that
01:13:03hello hello lucky will you turn the lights on please sure thing you want them all on every last one
01:13:09come on come on i want to really show you something
01:13:22now you wait right here
01:13:27all right ready ready and the almost
01:13:39well well well well what a coincidence isn't it what happened to those wonderful people from texas
01:13:48oh they struck oil they always do
01:13:53miss barlow yes
01:13:56this old thing is what we call in america a setup
01:14:02uh yes
01:14:03yes you have plans yes you have done this before oh yes and always with great success
01:14:14yes and sometimes not very often sometimes a failure
01:14:21yes yes tonight you will have no failure i am what you call not hard to get you have suspected this
01:14:34yes
01:14:35it is incredible my darling that one man could be so happy and at the same time so hungry
01:14:49me too
01:14:51now we have to find a name for you i have a name oh well imperium's fine but i mean we have to get a
01:14:56first name first name but i also have a first name alexi i know i know alexi de gavel de gude or
01:15:01something other no something simple like joe george harry sam
01:15:08ignat
01:15:11beautiful
01:15:12the shadow of a throne starring fred de barlow and ignat
01:15:20oh that'll be paul now listen darling don't be over eager just let him do most of the talking
01:15:27and when it comes to money i'll handle that oh not paul isn't generous but after all he is a businessman
01:15:32and i am only an athlete paul darling i your majesty
01:15:40madame
01:15:42i bring you mr hunter's apologies but he felt that his presence would lend further embarrassment to an
01:15:46already awkward situation no apologies are necessary bernand no one in all the world could be more
01:15:54welcome i was just beginning to worry about how i could find you but i should have known like a bad
01:16:01penny you turn up at the opportune moment forgive me miss barlow you do remember bernand yes i seem
01:16:09to remember that we did meet once before i'm sure madame understands by now that there are things in
01:16:14the course of our duties i understand many things bernand but not what brings you here but i understand
01:16:20freder he's come above the plebiscite haven't you bernand about the speech i am to make on tuesday
01:16:26exactly your majesty's unscheduled departure from paris created a vacuum that was not uh
01:16:33precisely part of our plan oh yes our plans that's what i want to see you about bernand
01:16:40i think you should know that there has been a slight alteration in our plans there is hardly time for
01:16:45alterations your majesty the speech must be made on tuesday or else no my friend on tuesday you'll tell
01:16:53our people and thus the world that i renounced the throne your majesty 12 years ago i made a grave
01:17:00mistake aided somewhat by you only a fool would lose the same battle twice so tell my people their
01:17:08king has made his final choice to spend the rest of his life with the woman he loves
01:17:15do you realize what you're doing madame do you realize i realize at this time there's no letter for
01:17:20you to burn no lies that you can tell your majesty i have no intention of you forget yourself bernand
01:17:26my abdication will take place on tuesday this is only saturday i am still the king you may go
01:17:35surely your majesty knows me well enough to know that i would not only take this long and tiresome
01:17:40journey without baggage baggage it's diplomatic language for the ace of trumps come come you have
01:17:47baggage then let us examine it by all means you know madame that after the war ended we had a revolution
01:17:58we'll find miss barlow very well informed good but this she may not know our people now are weary of
01:18:06revolution they want their king again and they are going to have a king madame if not the father then
01:18:16they'll have the sun the sun the sun where is your son in england with good friends enjoying life like
01:18:26any english boy he loves his life in england i'm told it seems so cruel to put an end to it
01:18:34put an end to what to his life to his life in england oh he he's bluffing
01:18:42my boy is safe in england you know he is my news is somewhat later than your own then where is he
01:18:50the moment that his majesty disappeared i took it upon myself to communicate with the prince
01:18:54he is at present somewhere on the continent in the care of good and patriotic friends and if his
01:19:00majesty remains silent then i shall speak as his majesty suggested and i shall tell our countrymen
01:19:08that their king deserted them in their hour of need and that his son will come to them and reign under
01:19:15my regency until he comes of age
01:19:21my boy is safe in england
01:19:23where is your telephone right here the library
01:19:32one moment your majesty the united states government has generously provided a military
01:19:37airplane it is waiting at gate 44 at the los angeles international airport there will be no
01:19:42publicity they will respect your incognito i shall await you there if any harm has come to my boy
01:19:51you there if any harm has come to me
01:19:54i want to talk to you
01:20:07i can't believe that you would place a teenage boy upon the throne to to be a target for a bomb
01:20:25to be a target is the destiny of anyone who rules listen to me bernan tomorrow i can sign the contract for
01:20:34for 10 years i'll give you half three quarters of my salary more if you like if if you'll return
01:20:43the boy to england and let his majesty stay here with you
01:20:47and let his majesty stay here with me
01:20:56i have never envied his majesty his crown but to be loved so deeply by one so beautiful
01:21:05of that i am indeed envious
01:21:17in a moment like this when my whole world is falling to pieces to be concerned with such a
01:21:46little thing what little thing that bow bernan's bow you didn't notice your majesty your majesty
01:21:57that insulting little bow from the neck it's all i get from him he knows it infuriates me that's why
01:22:06why he doesn't now to my father your majesty hello hello hello mr taylor
01:22:18this is king galaxy speaking yes fine thank you fine tell me i have been led to believe that is
01:22:28uh there is uh there is a rumor that my son what is that he did
01:22:37yes of course i'll wait the boy was not kidnapped oh thank heaven no he left of his own accord
01:22:44he left a note to the headmaster he's going to read it to me have you pencil and paper
01:22:49yes yes yes mr taylor
01:22:58my country is in danger and i can do no less
01:23:04yes then go to a raid
01:23:13were my personal happiness the only consideration
01:23:22i should like to have remained in england forever
01:23:28with those i love
01:23:35but i have been taught that battles are never won by running away
01:23:47thank you mr taylor thank you
01:24:0717 years old
01:24:08you taught him to ride you taught him the box perhaps you taught him this too
01:24:30but i wanted to know that he's been taught him though
01:24:33but i wanted to know that he's not going to go back to him
01:24:40so
01:24:41goodbye dear darling
01:24:45bye
01:25:00Hello, Paul.
01:25:11Thanks for coming.
01:25:12It's okay.
01:25:15He certainly was the type.
01:25:17He certainly was.
01:25:20He didn't like the part?
01:25:22He didn't like the part.
01:25:26What now, Fred?
01:25:30Five pictures, ten pictures, twenty, if you like.
01:25:33Between pictures?
01:25:35All that time between pictures, Fred.
01:25:38Any plans?
01:25:41He said, out of a dead, Chief.
01:25:45What does that mean?
01:25:48I'll be seeing you.
01:26:00I'll be seeing you.
01:26:21THE END
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