- 5/9/2025
Films in Public Domain
Category
🎥
Short filmTranscript
00:00:00THE END
00:01:30Hey, felons, look!
00:01:36Well, if it isn't Jack Maitland tearing up the town again.
00:01:39Who's out in the front seat, Millie Blake?
00:01:41Millie!
00:01:42Oh, oh, boy, let me see, let me see.
00:01:44Oh, Millie!
00:01:47Boy, what a ball of fire she is.
00:01:49Just raring to go.
00:01:50Well, there wasn't any of these raring's going on before her old man died.
00:01:54That girl needs a father.
00:01:55Millie knows how to take care of herself.
00:01:58And don't I know it?
00:01:59Well, maybe she does.
00:02:03Oh, I love this.
00:02:06I've never ridden fast enough.
00:02:07I get a thrill out of it.
00:02:08Hmm, I want excitement.
00:02:11I want to live to go everywhere and see everything and fill everything.
00:02:17How would you like to go to New York, Millie?
00:02:20Oh, I love it, but...
00:02:21Oh, it'll be a long time before I get there, I guess.
00:02:30How would you like to go with me?
00:02:34Listen, that's the one thing I won't do.
00:02:38I thought we'd settle that a year ago at Miller's Farm.
00:02:41Oh, I mean it.
00:02:42I think you're the most beautiful girl in the world,
00:02:44and I'm the man to take care of you.
00:02:47Am I being proposed to?
00:02:49You're getting the news broken to you gently
00:02:51that you're going to be Mrs. Jack Maitland of New York.
00:03:19See, that looks funny.
00:03:21It looks great.
00:03:22Anything else, sir?
00:03:46Ice water?
00:03:47If I want anything, I'll call you.
00:03:49Thank you, sir.
00:03:50Sure.
00:04:04Millie.
00:04:08Why, darling, you're trembling.
00:04:11It's just excitement.
00:04:15Mrs. Jack Maitland.
00:04:22Why don't we drive to New York now?
00:04:35Now?
00:04:36It's only two hours.
00:04:37Oh, ho, ho.
00:04:39I'll see you.
00:04:41Who's your boss?
00:04:45My husband.
00:04:46Do you love him?
00:04:50Yes.
00:04:55Afraid of him?
00:04:59I guess I'm silly.
00:05:01Of course you are.
00:05:03Now, come on, darling, and get some rest.
00:05:05You're all tired out.
00:05:06A little rest will do you worlds of good.
00:05:16I have to telegraph.
00:05:18Telegraph?
00:05:19Yeah, my mother.
00:05:20Oh, good heavens.
00:05:22I'll telephone her.
00:05:24You get to bed.
00:05:24Hello.
00:05:34Uh, give me long distance, please.
00:05:43Hello, uh, Mrs. Blake?
00:05:45Uh, this is Jack Maitland.
00:05:47Millie wants to talk to you.
00:05:48Hold the wire, please.
00:05:49Yes, hold, hold the phone.
00:05:51Oh, Millie.
00:05:53Millie.
00:05:58Come on, darling.
00:05:59This is long distance.
00:06:01Step on it.
00:06:03I haven't anything to put on.
00:06:08Oh, here.
00:06:19Please, hurry, honey.
00:06:30Hello, dear.
00:06:34I'm, I'm married.
00:06:39I married Jack Maitland.
00:06:42We're in a hotel in Greenwich.
00:06:45Married?
00:06:46Well, if you're married to such a fine man of Jack Maitland,
00:06:50what are you crying about?
00:06:53But I, I never got married before.
00:06:56How can I tell?
00:07:01I'll, I'll write to you when we get to New York.
00:07:07Goodbye, dear.
00:07:14Millie.
00:07:15Did you tell her?
00:07:21Yes.
00:07:23What did she say?
00:07:26She said,
00:07:28for you to be good to me.
00:07:45I got, I got a little bit of a bath.
00:07:51You did?
00:07:52Well, think of that.
00:07:54Such a big girl.
00:07:56I don't know my little baby.
00:07:58Yes, dear.
00:07:59Do you want your bath now, huh?
00:08:01Mm-hmm.
00:08:01You do?
00:08:02And shall mama give it to you?
00:08:03Mm-hmm.
00:08:04Oh, you dear.
00:08:05Oh, you dear.
00:08:06Mm-hmm.
00:08:07Mother loves you so.
00:08:09Precious woman.
00:08:11Come on, stand up.
00:08:12Up she goes.
00:08:13Oh, you're getting so big, Connie.
00:08:15I don't know my little girl.
00:08:18Come on.
00:08:18Should we go in?
00:08:20Mm-hmm.
00:08:20All righty.
00:08:24Come in.
00:08:25Time for the baby's bath, Miss Maitland.
00:08:32Oh, let me give her a bath, will you?
00:08:35I'll do it just like you do it.
00:08:37Now, Miss Maitland, don't tease.
00:08:39Oh, go on.
00:08:40Please let me.
00:08:41I'm sorry, Miss Maitland.
00:08:47Say, whose baby is this?
00:08:50Well, what's that all about?
00:08:55Oh, it's that governess.
00:09:01You'd think she owned my baby.
00:09:04Oh, we see it about 10 minutes a day.
00:09:08Oh, Jack.
00:09:10Don't be cross.
00:09:12Honey, it's awful.
00:09:13I haven't got a thing to do all day long until you come home.
00:09:16It's too bad about you, isn't it?
00:09:18A beautiful home, all the clothes that money can buy,
00:09:20and a car to ride around in.
00:09:22Oh.
00:09:23That doesn't make up for being lonely.
00:09:25Yes?
00:09:26Yes?
00:09:26Yes.
00:09:28Little bags are all packed, sir, and the car's at the door.
00:09:32Yes.
00:09:33Oh, Jack, are you going to go away again this weekend?
00:09:38My business demands it.
00:09:39Oh, honey.
00:09:41Forget business for a couple of days.
00:09:44Let's be like we're used to, just the two of us.
00:09:47Are you going to start that again?
00:09:48I'm sorry.
00:09:53I won't talk about it anymore.
00:09:55I won't talk about it anymore.
00:09:56I won't talk about it anymore.
00:10:15You're a sweet kid.
00:10:16I thought you were going to forget again this morning.
00:10:23Forget what?
00:10:24To kiss me.
00:10:26Well, you see, I didn't.
00:10:28Oh, but Jack, I mean a real kiss the way you used to.
00:10:34There you are.
00:10:37Well, what's the matter now?
00:10:40Don't you love me anymore?
00:10:42Well, of course I do, sweet, but...
00:10:44You don't kiss like it.
00:10:46Well, good heavens, dear, I can't waste all my days billing and cooing.
00:10:50I have business to look after.
00:10:51Well, business didn't bother you when we were first married.
00:10:54You don't love me anymore, that's what it is.
00:10:58I loved you when I married you, and I love you now.
00:11:01Well, then why do you leave me day after day?
00:11:04I get so lonesome I could die.
00:11:07Do you think I go away because I want to?
00:11:10Why are you always kicking?
00:11:12Well, why shouldn't I kick?
00:11:13I'd like a little fun for a change.
00:11:16I'd like a little loving once in a while.
00:11:19What do I get?
00:11:20You're downtown all day, when you do come home at night, you go to bed and you snore.
00:11:24Listen, I'm not going to stand here and argue with you.
00:11:26I have a train to catch.
00:11:27Goodbye.
00:11:28That's right, run!
00:11:29You big coward, run!
00:11:31Good morning, Millicent.
00:11:50Good morning, Mother.
00:11:51Good morning, Millicent.
00:11:53Good morning, Mother.
00:11:55How's the baby?
00:11:57Oh, she's just like a little angel.
00:12:01What's the matter, sweet?
00:12:03I'm afraid I was crossed with Jack this morning.
00:12:11Oh, he'll get over it.
00:12:13I'm sure of that.
00:12:15It takes time for young people to adjust themselves to each other.
00:12:20And a whole lot of patience.
00:12:24You do like me a little, don't you?
00:12:26I love you, Millicent.
00:12:28I was thinking only this morning that if I had a daughter,
00:12:32I should want her to be just like you.
00:12:36I could just hug you to pieces with her.
00:12:40Thank you, dear.
00:12:42Maybe that Jack now.
00:12:50Hello?
00:12:52What?
00:12:54Why, Angie Wickersham!
00:12:57When did you get in New York?
00:12:59And you never told me.
00:13:02Why, Angie and I grew up together.
00:13:05Well, I didn't ring you because I thought you might be too proud to talk to me.
00:13:10Well, then I got thinking you might get sore if I didn't.
00:13:13So I did.
00:13:15So she did.
00:13:17Oh, I live with a girl named Helen.
00:13:21Oh, I'm working.
00:13:24Say you're a sales girl at Mason's.
00:13:26I'm a sales girl at Mason's.
00:13:28You've got the day off.
00:13:30I've got the day off.
00:13:32Tell her to meet you in front of Mason's at one.
00:13:35Can you meet me in front of Mason's?
00:13:37One o'clock.
00:13:38One o'clock?
00:13:39All right.
00:13:41I'd like to see you pretty bad.
00:13:43Goodbye.
00:13:45I got her to come.
00:13:48You got her to come?
00:13:50She's coming in spite of you.
00:13:53I guess I know how to talk to a friend from home without you telling me.
00:13:57Did you tell her how to bring your room rent?
00:14:00You'll get your money now, will you fade?
00:14:15Why, I never knew they had cabarets running in the daytime.
00:14:27Oh, yes.
00:14:29It's a place for tired businessmen to relax in.
00:14:33Oh, hello.
00:14:34Hello.
00:14:35Uh, same as usual?
00:14:37Yes, thanks.
00:14:38I'll take Ginger out.
00:14:40Yes.
00:14:41I come here pretty often.
00:14:45Yes, I see.
00:14:46You're rather well acquainted.
00:14:48It isn't hard for a girl to get acquainted in this town.
00:14:51Oh, Angie.
00:14:52Don't try to fool me.
00:14:54I'm your friend.
00:14:56Tell me, how did you happen to come to New York?
00:14:59Well, I got engaged to a man who got his divorce in Mexico.
00:15:03You would.
00:15:06Well, how can a girl tell what's going to happen in Mexico?
00:15:09Oh, Angie.
00:15:12Hello, Miss Riley.
00:15:13Oh, hello, Max.
00:15:14I'm looking for my girlfriend.
00:15:16Oh, never mind.
00:15:17There she is.
00:15:18All right.
00:15:24Oh, there you are, my dear.
00:15:25Hello, Helen.
00:15:26Uh, Miss Riley.
00:15:27Miss Blake.
00:15:28Oh, uh, Mrs. Maitland now, is it not?
00:15:30Oh, just Millie, if you'd like.
00:15:32Won't you have something?
00:15:34Cream to milk.
00:15:35Not hard to manage, you know.
00:15:37Well, this is a pleasant little, uh, witch part.
00:15:41Say, what's that crack?
00:15:43I, I beg your pardon.
00:15:45Beat it.
00:15:46Beat it.
00:15:47Go on, beat it.
00:15:48Oh, well, I hope you don't misunderstand my dear.
00:15:51No, I, I don't.
00:15:53Oh, then I can relax.
00:15:56Say honestly, Millie, you're a good egg.
00:16:00Well, I hope so.
00:16:01Say, I, I like to call my home.
00:16:02My husband's away, and suppose we have dinner tonight.
00:16:03Gee, that'd be swell.
00:16:04Where the phone?
00:16:05Right over there by the door.
00:16:06I'll show you, Millie.
00:16:07No, don't bother.
00:16:08I can find her.
00:16:09Say, you know, Angie.
00:16:10I like that dame.
00:16:11What ails you?
00:16:12Well, the dirty cheater.
00:16:15Who?
00:16:16Him, her husband.
00:16:17That one with the blondet?
00:16:18Yeah.
00:16:19Well, what ever made you bring her here, you little moron?
00:16:24Well, how did I know?
00:16:25Why, he's in here all the time.
00:16:26I've never seen him.
00:16:27Oh, well, I've never seen him.
00:16:29I've never seen him.
00:16:30Oh, well, I think he's here, and I've never seen him.
00:16:34Well, what ever made you bring her here, you little moron?
00:16:40What did I know?
00:16:42Why, he's in here all the time.
00:16:44I've never seen him.
00:16:45Oh, he has that blonde dame in here five days a week.
00:16:48Really?
00:16:48There we are.
00:16:53Here she comes.
00:16:54Oh, get her out of here.
00:16:55Tell her you're sick.
00:16:56Tell her anything.
00:17:10Do we have dinner here?
00:17:14Oh, no.
00:17:16The food here is terrible, Millie.
00:17:17Let's go to Cavanaugh.
00:17:18Yes, let's.
00:17:19Well, aren't we going to have our drinks?
00:17:21Oh, we can get some drinks over there.
00:17:23Yes, and it's so stuffy in here.
00:17:24I feel a little faint.
00:17:26Yeah, come on, Millie.
00:17:26Let's blow.
00:17:27Oh, I love this tune, that playing.
00:17:30Let's watch him dance a few minutes.
00:17:34Oh, oh, come on, Millie.
00:17:36Let's not eat here.
00:17:37Well, all right.
00:17:40Jack, honey, let's not dance anymore.
00:17:52I want to sit down with you.
00:17:54All right, good.
00:17:55Oh, I'll bet that dame can suck.
00:18:12Her father was a blacksmith.
00:18:14Really?
00:18:14Come on, beautiful.
00:18:24What can we do for you?
00:18:26Millie.
00:18:27Who is this woman?
00:18:29Who wants to know?
00:18:30Quiet.
00:18:31What for?
00:18:32Say, what are you budding in here for?
00:18:35Please, will you come on?
00:18:36Let's get out of here.
00:18:36Take your hands off me.
00:18:38Dame, anyhow.
00:18:39Will you keep quiet?
00:18:40This is my wife.
00:18:41That wouldn't mean anything to her.
00:18:42Oh, your wife.
00:18:44Will you come on?
00:18:44Keep quiet.
00:18:45You'll have everybody in the place in here.
00:18:46Let them come in.
00:18:48Well, Mrs. Maitland, we'll have a showdown and right now.
00:18:54Tell her what I am to you or I will.
00:18:57Go on, tell me what he is to you.
00:18:58She doesn't know what she's talking about.
00:18:59I don't?
00:19:00Well, I'm his sweetheart.
00:19:01That's what I am.
00:19:02And you don't mean a thing to him.
00:19:04Millie.
00:19:05Waiter, will you hold her?
00:19:06So this was your important business.
00:19:08Let me go.
00:19:09Citizen, please.
00:19:10Will you come out of here?
00:19:10I must not drag you.
00:19:11Take your hands off me.
00:19:12You and I are through, you chief.
00:19:19Oh, Millie, I'm terribly sorry.
00:19:21Gee, Millie, you look kind of sick, honey.
00:19:23Don't you think we'd better go?
00:19:25I'm all right.
00:19:26Millie, will you come out of this place?
00:19:28If it's good enough for you, it's good enough for me.
00:19:30But you can't be seen here.
00:19:32From now on, I don't care where I'm seen.
00:19:34As long as I'm not sane with you.
00:19:58Come in.
00:19:59Oh, hello, Millie.
00:20:03How are you?
00:20:05Oh, fine.
00:20:06Hello, Millie.
00:20:07Yeah, I'm glad to see you.
00:20:08Well, so this is the heaven divorce dropped you into.
00:20:12Uh-huh.
00:20:13Floyd Avenue on the elevator.
00:20:15Oh, it isn't so bad.
00:20:17Well, I'm through with marriage.
00:20:19From now on, I'll play my own way.
00:20:21Well, thank heavens, you salvaged some good clothes anyway.
00:20:24This is nice.
00:20:26Here, slip it on and we'll take you to the domino room and show you off.
00:20:30And we'll get you a job in the courses just like we started with.
00:20:33That ought to get you a quick offer.
00:20:35But I can't afford to go out night.
00:20:38Well, you certainly can't afford to stay home night.
00:20:42Not at this stage in the game.
00:20:45I've got to get up in the morning early and look for work.
00:20:48What?
00:20:49Work?
00:20:50Well, of course.
00:20:52Well, when are you going to find time for opportunity?
00:20:53Well, don't you call a good job an opportunity?
00:20:57Well, I wouldn't call it very substantial.
00:21:00Now, just what kind of a job would you like?
00:21:04Well, I don't know.
00:21:06I want...
00:21:07I see.
00:21:07You're just going to pass up everything and become a working girl.
00:21:11Yes, I guess that's it.
00:21:13What I can't understand is giving up that baby and not collecting for it.
00:21:18I think it's unnatural.
00:21:19Terrible.
00:21:20But wouldn't it be selfish to take her away from that beautiful home?
00:21:24And besides, it isn't really like giving her up.
00:21:28I call her up every night and...
00:21:30and I see her Sunday morning.
00:21:41Isn't she a darling?
00:21:49Gee.
00:21:51I suppose nothing matters when...
00:21:53when you've got something like that.
00:21:55Well, please.
00:22:07Called for Mr. Harrison.
00:22:12Call for Mr. Stone.
00:22:13Hello.
00:22:16Michelle!
00:22:17Hello.
00:22:18No, thanks. I have my dinner at home.
00:22:22But if I ever come to Akron, I certainly will.
00:22:28You know, I could use you very nicely in one of our shows.
00:22:31Thanks, Mr. Marks, but I don't want to join your show, or any show for that matter.
00:22:41Would you like to tell each broker?
00:22:43No, thanks. I've met all the rich brokers I care to in the last two years right here.
00:22:48Good morning, Mr. Damian. Good morning, Millie.
00:22:58Hello, Jim. Hello, Mark.
00:23:01Some cigarettes, Keith.
00:23:05Mark, it's a lucky thing for you. You haven't got Miss Blake in your show.
00:23:09Lucky? How?
00:23:11Well, you'd never find another girl lovely enough to match up with her.
00:23:14Oh, that stops me.
00:23:16I bet you went to bed early to crack them out that good.
00:23:21I stepped around till four.
00:23:23Well, you certainly don't look it.
00:23:25No?
00:23:25I have to get my good old eight hours, or I'll never get any place.
00:23:30Just what is your ambition, Millie?
00:23:34Oh, to keep my independence, and perhaps a little comfort.
00:23:39Finding it difficult?
00:23:41Sort of.
00:23:42Really?
00:23:44You know, independence seems to be a hard thing to hang on to.
00:23:49Well, how about the comfort?
00:23:50Oh, lots of offers.
00:23:52Oh, I see.
00:23:54Then I'll have to wait my turn in line.
00:23:57Huh?
00:23:57Oh, no, you won't.
00:23:59Well, that's interesting.
00:24:01There isn't any line.
00:24:03And that's unbelievable.
00:24:06Oh, yes?
00:24:07Yes.
00:24:08Hello, Millie.
00:24:09Oh, hello, Carly.
00:24:10Hello, Millie.
00:24:11Hello.
00:24:11Well, how's the press this morning?
00:24:13Not so good, Jim.
00:24:14What a crop of eyes you three have.
00:24:17You ought to see the tonsils.
00:24:20Why don't you boys go up to my room and ask Henry to mix you a pickup?
00:24:23Oh, thanks, Jimmy.
00:24:25These bankers have such tender hearts.
00:24:28Why shouldn't they run the country?
00:24:29Don't ask me riddles.
00:24:31Come on, let's get the lifesaver.
00:24:35Well, as I was saying...
00:24:39See you later, Tommy.
00:24:43So long.
00:24:49Millie?
00:24:50Goodbye.
00:24:55Marty.
00:24:56I could let him get away with that.
00:24:57As sick as I am.
00:24:58Oh, Tommy, why don't you slow down?
00:25:01You'll never get any place until you do.
00:25:03I wish I felt as good as you look.
00:25:05Uh-huh.
00:25:06Well, you've got to start the night before for that.
00:25:09Hello, Millie.
00:25:09Sorry I was late.
00:25:11Oh, that's all right.
00:25:14Well, what's the idea?
00:25:15This is my day off.
00:25:17Say, when you take a day off, it's a national holiday.
00:25:20What do you say we go to Coney Island and celebrate?
00:25:22No, Tommy, I wouldn't risk having you fired.
00:25:25Oh, don't worry.
00:25:26I take that risk 365 days a year.
00:25:29What do you say?
00:25:30I can fix it with the editor.
00:25:31All right.
00:25:34I'll go get that pickup and be right back.
00:25:37If we go to Coney, no pickup.
00:25:40Okay.
00:25:41No pickup.
00:25:42Well, for heaven's sake.
00:25:54Say, who's been gilding these lilies?
00:25:57Hello, Millie.
00:25:58Hello, Millie.
00:26:00Oh, don't you look grand.
00:26:02We're just back from Saratoga.
00:26:04Hmm, what a season we've had.
00:26:06Oh, they're lovely.
00:26:08You know Mr. Rock, don't you?
00:26:10I'm afraid so.
00:26:11Oh, we're lunching at Sherry's.
00:26:13Yeah, what's going on there?
00:26:14A trade convention?
00:26:16Soak your head.
00:26:17Would you like to come along, dear?
00:26:19No, I'm going to Coney with Tommy.
00:26:21What a man.
00:26:23I have my moments.
00:26:25I'll be back in a minute.
00:26:28What in the world do you see in that egg?
00:26:32Oh, he's a nice boy and he doesn't try to paw me.
00:26:35She goes out with men for the darndest reasons.
00:26:41Oh, say, we saw Maitland in Saratoga.
00:26:43And of all the parties he threw.
00:26:46You know, Millie, every time I think of you turning down that Maitland dough,
00:26:49I get chilled.
00:26:51When I'm through with a man, I'm through.
00:26:54When I'm through with a man, I'm just beginning.
00:26:57Let's go, huh?
00:26:58All right.
00:26:58You don't mind if we run?
00:26:59No, bring us up sometime, Millie, will you?
00:27:01Sure, I will.
00:27:02Don't let Millie eat too much.
00:27:03No, I won't.
00:27:06Come on, dear.
00:27:11Look at her going to Coney with a reporter.
00:27:14I don't know what it is,
00:27:16but that town you two came from leaves a terrible mark.
00:27:20What kind of a mark?
00:27:23Oh, shut up.
00:27:32Wouldn't the Indians come and get a laugh out of them?
00:27:35You should roll it.
00:27:36I don't.
00:27:37I know what I like to do.
00:27:39Oh, yeah?
00:27:40That yellow?
00:27:42Uh-huh.
00:27:43You want to pull this off?
00:27:45Well, I don't know.
00:28:06Thanks for a swell day, Tommy.
00:28:31I never knew before I could do it on ice cream soda.
00:28:33You didn't. You know, what you need is a guardian.
00:28:37That's right. You know, what I need is a wife.
00:28:42Well, don't look at me and say it. I held a wife's job once.
00:28:48This would be different.
00:28:50Maybe it'd be different, but it'd still be a terrible position.
00:28:57I'd rather be in the tobacco business.
00:28:59Do I, uh...
00:29:03Uh-uh. You don't.
00:29:06Good night.
00:29:08Good night.
00:29:09It's nice to be a geranium and bloom out in the spring.
00:29:27And when the birds return from the south, I can merely say
00:29:31Just because they grow in the sign of a cottage, try it still.
00:29:42One would think that the poor thing would never again as thrill.
00:29:46But when they find their delicate banks around the windowsill,
00:29:49It's a sweet!
00:29:50Oh, my dear!
00:29:51Oh, that's nice to be a geranium instead of a jankens.
00:29:55Woo!
00:29:56Woo!
00:29:57Woo!
00:29:58Woo!
00:29:59Woo!
00:30:00Woo!
00:30:01Woo!
00:30:02Woo!
00:30:03Woo!
00:30:04Woo!
00:30:05Woo!
00:30:06Woo!
00:30:07Woo!
00:30:08Woo!
00:30:09Woo!
00:30:10Woo!
00:30:11Woo!
00:30:12Woo!
00:30:13Woo!
00:30:14Woo!
00:30:15Woo!
00:30:16They won't allow destroy!
00:30:17Ah, it's midnight and the neighbors are complaining!
00:30:18Hide damn!
00:30:28Hide damn!
00:30:30Very strong!
00:30:31Come on, Ryan!
00:30:32Whoah!
00:30:33Whoah!
00:30:34Everybody pretend we're drunk!
00:30:36Shhh.
00:30:37Get Tiryal!
00:30:38Come in.
00:30:41Hello, everybody!
00:30:42How are you?
00:30:43How are you, Boyd?
00:30:45Jimmy, you've come to spend your vacation.
00:30:47Well, Tommy, I thought you might need some reinforcements about now.
00:30:51Hey, Millie, we're saved. The Marines are here.
00:30:57Hello, Jimmy.
00:30:57Hello, Millie.
00:30:58Yeah, I'm glad to see you.
00:31:00Hello there, Mike. Give me that.
00:31:01Hey, wait a minute. Wait a minute. You don't know how heavy that is.
00:31:05Lead the way, Millie.
00:31:06Right. Come on.
00:31:07Come on, Mike.
00:31:07Say, what brings Jimmy Damier here?
00:31:16What brings Jimmy Damier anywhere other than the day?
00:31:22It's nice seeing you again, Miss Millie.
00:31:24Yeah, that'll be all, Mike.
00:31:26Yes, sir.
00:31:29Good night, Miss Millie.
00:31:30Good night.
00:31:34Here, Miss Delvin.
00:31:35Have a little drink for yourself.
00:31:36Well, I might have won.
00:31:40Hey, Tommy. Tommy, listen.
00:31:42Say, Tommy.
00:31:43Jimmy Damier is out in the kitchen all alone with Millie.
00:31:48Shall I sock him?
00:31:49Don't be silly. Jimmy's my pal.
00:31:53And don't you worry about little Millie.
00:32:01Hey, Johnny, come on.
00:32:04Hey, okay. Let's have a drink.
00:32:06Well, I... I guess the party's over.
00:32:09That's fine, boy. That's okay.
00:32:10I want to be a deranged...
00:32:13The answer is...
00:32:14Now, close the door, darling.
00:32:16That's all.
00:32:17Well, I... I guess the party's over.
00:32:21I don't know when I've had a better time.
00:32:23You know, you're wonderful to talk to, Millie.
00:32:25I loved hearing about your travels.
00:32:29It must be wonderful to see the world.
00:32:32I... I want you to see my Mandarin robes.
00:32:37Don't you think you should put them in a museum for everyone to see?
00:32:41Uh-uh. No, I keep those for people I like.
00:32:44Oh.
00:32:44That's the kick in having them.
00:32:46I see.
00:32:48Well, suppose we toddle along.
00:32:52We?
00:32:52Uh-huh.
00:32:54We.
00:32:55We.
00:32:56The party seems to be over.
00:32:59I'll see you home.
00:33:01Will you?
00:33:02Naturally.
00:33:03Have you a hat?
00:33:08That's all I came in.
00:33:13Our host.
00:33:15Oh.
00:33:26Poor Tommy.
00:33:27Oh, he'll be all right.
00:33:33Great kid, Tommy.
00:33:42Oh, it's from the other two.
00:33:45Have gone to the...
00:33:47What?
00:33:48Turkish bath.
00:33:50Johnny.
00:33:51Well, let's get going, shall we?
00:33:53My car's outside.
00:34:03Millie.
00:34:05Yes.
00:34:06Just a minute.
00:34:07Good night, Jim.
00:34:32Good night.
00:34:32Well, what's the idea?
00:34:35Aren't I seeing you home?
00:34:38Not this trip.
00:34:40You're kind of slow making up your mind, aren't you, Millie?
00:34:43No.
00:34:46My mind's made up.
00:34:49Good night.
00:34:51I see.
00:34:55Good night, Millie.
00:34:57Good night.
00:34:57Good night.
00:35:02Nobody home.
00:35:16Hey.
00:35:17Look at this joint.
00:35:18It's all cleaned up.
00:35:20We must have a little bit of a fairy in our home.
00:35:23Since when did Tommy take to reading the women's fashion page?
00:35:34Hello.
00:36:02Hello, Tommy.
00:36:05Look.
00:36:05Bouquet and everything.
00:36:07I've gone romantic on you.
00:36:09Oh, Tommy, you're so sweet.
00:36:12I was just thinking about you.
00:36:14I know.
00:36:15I can feel it all the way up Broadway.
00:36:18I wish you didn't have to work.
00:36:20So do I.
00:36:22We ought to have had today together.
00:36:24But aren't you grateful for what we have?
00:36:26Sure I am.
00:36:28Gee, I'm happy.
00:36:29Are you, darling?
00:36:30I am, too.
00:36:32Oh, come on, Millie.
00:36:33Marry me, won't you?
00:36:35I want something to hold us together.
00:36:38But, Tommy, love will do that.
00:36:41If it can't, then the rest doesn't matter.
00:36:44But, darling.
00:36:45Oh, it's like I said, Tommy.
00:36:47I tried it once and it didn't work out.
00:36:49Now I...
00:36:50I would marry the best man living.
00:36:54And you are that to me.
00:36:56But I'll stick to you, Tommy.
00:36:57Good luck, Millie.
00:36:59Good luck, Millie.
00:37:12You deserve it.
00:37:13You certainly do.
00:37:27Say, you know, I didn't think the answer had that much good sense.
00:37:30Oh, I'm a big shot now.
00:37:31Private secretary and everything.
00:37:33Well, that calls for a few hearty congratulations.
00:37:37I think it's just swell, the way you kept abreast with us.
00:37:40Oh, I've been lucky.
00:37:42That's one reason I'm giving that party tonight at the Claritum.
00:37:45We'll be there.
00:37:46Though, as a matter of fact, it's a double celebration.
00:37:49It's for Tommy's good luck, too.
00:37:51Say, what's that reporter bulled out of you now?
00:37:54Jimmy Damia's giving him a publicity job in the Haymarket Bank.
00:37:58Oh, grand.
00:37:59Isn't that grand?
00:38:00It's a surprise, too.
00:38:01Tommy doesn't know what it's all about.
00:38:03That's what I've always suspected.
00:38:04Oh, now, stop it.
00:38:07Why don't you get Mr. Damia to do something for you for a change?
00:38:11Yeah, why don't you start looking out for little Millie?
00:38:13These things don't last, you know.
00:38:15I'm not worrying.
00:38:17After four years?
00:38:19It's time you started.
00:38:23I've decided it's time I looked around for an advantageous marriage.
00:38:27Oh, really?
00:38:28I feel I've done all that can be done with the present situation.
00:38:34Here you are, honey.
00:38:36Well, I'm going to call Tommy.
00:38:38Excuse me.
00:38:39So now she's got him in the bank.
00:38:42Well, he won't have to worry about money anymore.
00:38:45No.
00:38:46But the bank will.
00:38:49Go.
00:38:50Go.
00:38:51You can't.
00:38:52Oh, Tommy, it's going to be a wonderful party.
00:38:56You can come late, can't you?
00:38:57Well, but you know what these assignments are.
00:39:02But it won't take all night.
00:39:05You can come anytime before daylight.
00:39:07And tell me, I got a big surprise.
00:39:12I'll tell you at the party.
00:39:14You'll be sure and come now.
00:39:15Oh, all right, honey.
00:39:19But I don't know what time it'll be, though.
00:39:24So long.
00:39:24Oh, all right, honey.
00:39:47She isn't a blonde, she's not a brunette
00:40:08She's Millie the redhead and hard to forget
00:40:13Look out for your heart, look out for your nerves
00:40:18She's Millie the redhead with dangerous curves
00:40:23She's good and she's bad, she cannot disguise
00:40:28An angel and devil look out of her eyes
00:40:33If you've ever met, you'll never forget
00:40:37That Millie's a redhead and young
00:40:41It's a little surprise, Max just wrote it
00:40:54Do you like it?
00:40:56Oh Jimmy, I love this
00:40:58I'll have one written for you
00:41:00Oh, me too
00:41:01Oh, I didn't have any idea Tommy'd be so late
00:41:12Maybe he's out on a special assignment
00:41:14Yes, he is
00:41:15Blonder brunette
00:41:17Oh, Jimmy, that doesn't sound like you
00:41:20Well, I'm not worrying if you're not
00:41:22Yes, I've been around the world several times
00:41:26I'm starting again
00:41:29Just as soon as I can straighten out some matters in Omaha
00:41:31Oh, I just love to travel
00:41:34You know, I've given up the idea of marrying for love
00:41:37I mean a cute love
00:41:39Someday I hope to marry a nice conservative gentleman
00:41:43Just to travel
00:41:44Suppose we have lunch tomorrow
00:41:48I want to show you my itinerary
00:41:51Oh, Mr. Hawksworth
00:41:53Angie
00:41:55Oh, that's you and I, Dan
00:42:00Certainly
00:42:01You partners
00:42:03I think I'll go phone Tommy
00:42:16Sure
00:42:17Excuse me
00:42:33You'll pardon me just a moment, won't you?
00:42:51I'm so sorry
00:42:53Oh, uh, it's nothing
00:43:03Oh, Helen
00:43:13Helen, will you wipe my show off, please?
00:43:15Oh, hello, Helen
00:43:16How are you?
00:43:18Who's throwing your party?
00:43:20Millie Blake for Tommy Rock
00:43:22Say, there's a dame ought to have her brains taken out and renovated
00:43:26Yeah
00:43:27I'll say so
00:43:28Passing up a boy like Jimmy Damier
00:43:30Try to let a cheap reporter play her for a sucker
00:43:33Ha ha
00:43:34Stalk her out of that and you'll be doing something
00:43:37Say, maybe I couldn't
00:43:40What do you mean?
00:43:42I could tell her whose apartment Tommy Rock's parked in right this minute
00:43:46Well, hello, Millie, I didn't see you
00:43:48What do you mean?
00:43:49Oh, don't pay any attention to her, Millie
00:43:51You shut your trap, Roscoe
00:43:53Go on, Roscoe, you started it, now finish it
00:43:55Sure I will
00:43:56Get out
00:43:57No, I won't
00:43:58She wants it, she'll get it
00:44:01Go on
00:44:02He's in Madge Bergman's apartment
00:44:04You're a liar
00:44:06Oh, am I?
00:44:07All right, I'll show you
00:44:09Oh, give me a nickel, someone
00:44:11Say, you beat it, you meddling little
00:44:14She can't call me a liar
00:44:15Here's your nickel
00:44:16What do you want to listen to her for, Millie?
00:44:21Give me Brian
00:44:223-3-4-2
00:44:23Oh, come on, Millie, let's go, she's tight
00:44:26Let me alone
00:44:27Hello, that you, Madge?
00:44:31This is Clara
00:44:32Say, listen, dear
00:44:33I left my bag at your apartment this afternoon
00:44:35And all my money's in it
00:44:37Listen
00:44:38I thought your boyfriend could bring it down
00:44:41But if Tommy's coming down
00:44:44Why can't he slip me the bag?
00:44:48I'm sitting right by the table
00:44:49Right by the door
00:44:51Oh, nobody will see him
00:44:54Okay
00:44:57Well, how will you like it when I get the bag?
00:45:06You won't
00:45:07No
00:45:08Just watch my table
00:45:10It's right by the door
00:45:12So
00:45:26I know
00:45:27So
00:45:33Oh, what's wrong, Millie?
00:45:52What?
00:45:53Why the sudden flask?
00:45:55Oh, I was just wondering where Tommy could be.
00:45:58Oh, he'll be along soon.
00:46:01Sure.
00:46:03Thanks, Tommy.
00:46:20That's all right.
00:46:33Hey, look out, Millie.
00:46:36That isn't water.
00:46:38No?
00:46:39Well, come again.
00:46:42Jimmy, I'm a red-headed woman.
00:46:44Look out for me.
00:46:46Hello, everybody.
00:46:47Hello, Tommy.
00:46:48We've been expecting you for weeks.
00:46:50Hello, honey.
00:46:51How are you, Jim?
00:46:52I'm fine, Tommy.
00:46:54Sit down, Tommy.
00:46:56Now that the little white-haired boy is here, let's bring the big surprise.
00:47:00Well, say, what is all this?
00:47:03A surprise for you, Tommy.
00:47:05We're going to start you all out in the world right.
00:47:08Hey, Millie, Millie.
00:47:10Hold it loose, Jimmy.
00:47:11All right.
00:47:14Say.
00:47:16Don't you like it?
00:47:18Mr. Tommy Rock doesn't know it yet, but as a result of his recent achievements in New York
00:47:23journalism, it gives me the very greatest pleasure to offer him the position of publicity
00:47:28director at the Haymarket Bank.
00:47:31Say.
00:47:32Will you take it, Tommy?
00:47:34I suppose it's thanks to you, huh?
00:47:37Will you take it anyhow?
00:47:38Will I take it?
00:47:40Oh, good boy, Tommy.
00:47:41Attaboy.
00:47:42Now, as I was saying.
00:47:43Let me finish it, Jimmy.
00:47:44Why, of course.
00:47:45Mr. Rock will take anything without bothering where he finds it.
00:47:51Even a part of his numbers don't mean anything in Mr. Rock's life.
00:47:56He simply gets the idea that he's necessary on the inside and goes right in.
00:48:02Why, Millie.
00:48:03You just heard Mr. Rock say he'd take this position.
00:48:07Well, now that he's in such a taking mood, I'm going to ask him to take something else.
00:48:13But, Gates!
00:48:14Well, Millie, what ails you?
00:48:16I'm just fixing things up for your blonde friend.
00:48:19I'm big-hearted.
00:48:21Say, what's the idea?
00:48:23Get out, will you?
00:48:24You're crowding a party.
00:48:25Millie, Millie.
00:48:26Come on, Jimmy.
00:48:27Fire up the place.
00:48:28This is all night.
00:48:29Oh.
00:48:30Before I go anyplace with you, you're coming somewhere with me.
00:48:41Well, what are you going to do?
00:48:43Never mind.
00:48:43There's something I've got to do.
00:48:45Now, listen.
00:48:46Say, who follows who?
00:48:48I follow you?
00:48:49No, sir.
00:48:50You follow me.
00:48:52Jimmy, I'm a red-headed woman.
00:48:55Well, what's the idea of coming here, Millie?
00:49:16I don't know.
00:49:19I thought there were a few things around here Mr. Rock wouldn't need.
00:49:25My picture, for instance.
00:49:33First, I wouldn't like that around.
00:49:35I don't know.
00:49:39Those little knick-knacks.
00:49:42I made them myself just to make things kind of homie.
00:49:47Here, here, Millie.
00:49:48Now, come on.
00:49:48Put yourself together.
00:49:50Don't you worry about me.
00:50:05Come on.
00:50:35Hello, George.
00:50:58Say, did the porter leave my railroad tickets here with you?
00:51:00Yes, here they are, Johnny.
00:51:01Ah, thanks, George.
00:51:03Well, if I don't see you again, Merry Christmas.
00:51:06Merry Christmas.
00:51:09Hello, Jimmy.
00:51:10Well, hello, Tommy.
00:51:11Where are you going with that turkey?
00:51:13Albany.
00:51:14Albany, huh?
00:51:15Christmas dinner with the wife.
00:51:16Home stuff, you know.
00:51:18Well, you'll be a little late for Christmas dinner in Albany, won't you?
00:51:22No.
00:51:23I don't have to be there until Thursday, the day before Christmas.
00:51:27Oh, well, today is Christmas.
00:51:29Yesterday was Thursday.
00:51:31Thursday?
00:51:31Well, whatever became a Wednesday?
00:51:36I'm going to telephone and find out about this.
00:51:42Hello, Jim.
00:51:43Why, hello, Mark.
00:51:44Merry Christmas.
00:51:45Same to you.
00:51:46What's wrong with Holmes?
00:51:48He's lost something.
00:51:49Yeah?
00:51:50Yeah.
00:51:50What?
00:51:51Wednesday.
00:51:52Oh.
00:51:54Who are you dining with tonight, Jim?
00:51:56I'm dining alone.
00:51:57Oh.
00:51:58Who's Millie playing around with now?
00:52:02At this moment?
00:52:04Oh, it may be a grand duke.
00:52:07Or it may be anybody.
00:52:10I think I'll give her a ring, Marks.
00:52:12Bye, please.
00:52:27Bye.
00:52:28Oh, that's delicious.
00:52:30Delicious.
00:52:32Say, that story's been spoiling in the icebox for six months.
00:52:35Well, really, Elmer.
00:52:39Yes, dear.
00:52:41Well, we must be going.
00:52:43Yes, dear.
00:52:45Say, what's the matter?
00:52:47Can't you stand a healthy story since you're married?
00:52:50My dear, married life has done nothing to my sense of humor.
00:52:53You're right about that.
00:52:58Oh, will somebody answer that phone?
00:53:01Answer it yourself. It's probably another division of your love parade.
00:53:06Five camel up.
00:53:08All right.
00:53:10Now, Helen, can we drop you somewhere?
00:53:13Oh, thanks, awfully old thing, but I'm spending the afternoon with Millie.
00:53:18Petey, don't you drop me anywhere.
00:53:21All right.
00:53:23Has this Millie changed?
00:53:25Oh, don't be silly.
00:53:27She's just trying to forget Tommy Rock.
00:53:29After six months.
00:53:31Say, has it ever occurred to you there are brains that remember six months?
00:53:36Really?
00:53:37Holy.
00:53:38Well, we must be coming along.
00:53:40Bye-bye.
00:53:41Goodbye.
00:53:42Oh, hello, dolly.
00:53:47Mr. Millie, why don't you and I go someplace?
00:53:51Huh?
00:53:52Somewhere.
00:53:53Well, Angel, come on over here.
00:53:56Uh-uh, not with that gang you've got there.
00:54:01Did you get my present?
00:54:03Uh-huh.
00:54:05I was swell, Jimmy.
00:54:07But I don't know why you sent it, because it's going to go right back.
00:54:11I still pay my own way.
00:54:13Oh, Jimmy, how you swear.
00:54:19Say, listen.
00:54:20Why don't you give me a New Year's party at the lodge?
00:54:22You can't do it.
00:54:23Oh, shut up.
00:54:24Does that put you in a better frame of mind, darling?
00:54:26Now, have a nice Christmas.
00:54:28Bye-bye.
00:54:29What's the idea about New Year's?
00:54:30You heard me.
00:54:31Oh, I can't stand this, Millie.
00:54:32Why not?
00:54:33You won't be there.
00:54:34Jimmy, Damier, one of the field, eh.
00:54:35Jimmy Damier won of the field, eh?
00:54:40That's a laugh, right?
00:54:41Sure.
00:54:42Oh, I can't stand this, Millie.
00:54:43Why not?
00:54:44You won't be there.
00:54:49What's the idea about New Year's?
00:54:52You heard me.
00:54:53I can't stand this, Millie.
00:54:55Why not? You won't be there.
00:54:59Jimmy Damier won at the field, eh?
00:55:03That's a laugh.
00:55:05Yes, and after two years, it's getting on my nerves.
00:55:08Oh, forget her.
00:55:10Forget her?
00:55:11You don't know, Millie.
00:55:13She gets in your blood.
00:55:15I never knew a woman like her.
00:55:19But, Millie.
00:55:21Run along.
00:55:22You spend Christmas with your wife.
00:55:24I don't understand.
00:55:26I thought...
00:55:26I've changed my mind.
00:55:29Goodbye.
00:55:30Merry Christmas.
00:55:32And a Happy New Year.
00:55:47Hello.
00:55:49Oh, Tommy.
00:55:55Say, I...
00:55:57I just want to wish you a Merry Christmas.
00:56:03You remember the last one we had together?
00:56:07I haven't been giving it much thought.
00:56:09But thanks for the good wishes.
00:56:11Oh, say, Millie.
00:56:15I'm feeling kind of low.
00:56:17Couldn't I drop over for a little while?
00:56:24No, I'm sorry, Ty.
00:56:26I'm busy.
00:56:28But...
00:56:29Merry Christmas, and...
00:56:31Thanks for calling up.
00:56:32Goodbye.
00:56:33Goodbye.
00:56:33Honey?
00:57:03Oh, don't cry, Millie.
00:57:07You know what you need?
00:57:10A good drink.
00:57:17Merry Christmas.
00:57:19Hey, what are you squawking about?
00:57:24You got everything you want, haven't you?
00:57:26Sure.
00:57:28Everything.
00:57:29That's good.
00:57:30Shall I answer that?
00:57:35No.
00:57:37That old Jimmy Damien.
00:57:39He's been calling up all night.
00:57:43He's probably lost his keys once again in some way.
00:57:49Well, he's not going to get in here tonight.
00:57:53He can only come here when I say so.
00:57:56Say, I know what's the matter with you.
00:57:58That's Tommy Rock calling him.
00:58:00It's not any of those flowers.
00:58:02Sure.
00:58:04All the others have bottles.
00:58:07Say, why don't you get him out of your mind?
00:58:10He's nothing but a good-looking tramp.
00:58:13But, Alice, you don't understand.
00:58:18You've never really been in love.
00:58:21Say, listen, there was an actor in Toledo.
00:58:30Oh, I just cried.
00:58:32My eyes out.
00:58:35Oh, help.
00:58:37I didn't mean to make you cry.
00:58:39It's all right, Millie.
00:58:40It's all right.
00:58:41Forget him.
00:58:43They're all alive.
00:58:44Hey, the only thing I ever got out of love was the pain.
00:58:52Men are all trapped.
00:58:53Oh, awful tramp.
00:58:58Go.
00:59:00Go.
00:59:01She's blazes her heart
00:59:10On hopeless affairs
00:59:14She's Millie the redhead
00:59:19But nobody cares
00:59:23Well, hello there, Jimmy.
00:59:36Why, hello, Millie.
00:59:38Hello.
00:59:51Hello, Millie.
00:59:51Hello.
00:59:52Hello, Mark.
01:00:03Well, she still goes to the best places, doesn't she?
01:00:06You're bald.
01:00:07You've spoiled her.
01:00:08What happened, anyway?
01:00:13You know how Millie always used to be?
01:00:15Insisted on working and doing as she pleased.
01:00:18I could never be with her unless she wanted me to.
01:00:22Finally, it got on my nerves.
01:00:25Well, you can laugh, Mark, but you never knew her.
01:00:29Praises be.
01:00:32She looks good to me, though.
01:00:34Even if she has a daughter of 17.
01:00:38Is she...
01:00:43Is she anything like...
01:00:44She's going to be a queen.
01:00:47Really?
01:00:49Haven't you seen her?
01:00:50No.
01:00:51No, I haven't seen her since she was a little kid so high.
01:00:54I sent her a present once and I nearly got my head bitten off.
01:00:58Get an eyeful, boy.
01:01:01You'll wish you were back at college.
01:01:03Taking her to parties.
01:01:05Yeah?
01:01:06Where do you ever see her?
01:01:08Me?
01:01:08I'll let you in on a little secret.
01:01:13To please my old mother, I go to church.
01:01:17Oh, yeah?
01:01:19The kid attends with old Mrs. Maitland.
01:01:21Oh, I see.
01:01:23I know the Maitland slightly.
01:01:25Huh?
01:01:25Say, Mark.
01:01:30Call for me Sunday, will you?
01:01:32Golf?
01:01:32Uh-uh.
01:01:34Church.
01:01:35The walls will fall in.
01:01:39The walls will fall in.
01:01:39The walls will fall in.
01:01:39The walls will fall in.
01:01:45Oh, yeah.
01:01:47Oh, yeah.
01:01:49And who?
01:01:50Oh, yeah.
01:01:51Oh, yeah.
01:01:52Oh, yeah.
01:01:57Oh, yeah.
01:01:59Oh, yeah.
01:02:00Oh, yeah.
01:02:01Oh, yeah.
01:02:02THE END
01:02:32Hello, Millie. How are you?
01:02:44I'm fine.
01:02:46Say, have you seen anything of Jimmy Damier tonight?
01:02:50Why, yes. There he is, over there.
01:02:53Let me have a table.
01:02:55Why, sure.
01:03:02Bill, tell Mr. Damier that I want to see him immediately.
01:03:17Is that okay?
01:03:18You bet.
01:03:19All right.
01:03:20Oh, Jim.
01:03:21What?
01:03:25Yeah?
01:03:26Where?
01:03:27There.
01:03:28All right.
01:03:36Will you excuse me?
01:03:37Certainly.
01:03:38I'll be right back.
01:03:40Okay.
01:03:40Well, hello, Millie.
01:03:54Hello, Jim.
01:03:56How are you?
01:03:57Haven't seen you forever so long.
01:03:58Sit down.
01:03:59I wish I could, Millie.
01:04:01But I'm rather...
01:04:01Please.
01:04:02Sit down.
01:04:03Well, what's on your mind?
01:04:11There's something I want to talk to you about.
01:04:14I'm worried.
01:04:16Well, what about?
01:04:17I've heard from half a dozen people
01:04:20that you're seen around the Maitland home.
01:04:25Oh, yeah?
01:04:26Well, Maitland and I have got a business deal together.
01:04:30Why should that worry you?
01:04:32Because you're seeing my little girl, Connie,
01:04:35and I want you...
01:04:35Now, just a minute, Millie.
01:04:37Just a minute.
01:04:39It's not my fault if she happens to be home
01:04:41when I'm dining there.
01:04:42You've taken her to the theater?
01:04:44Yes, but her grandmother's been along.
01:04:47Why, she's a kid of 16.
01:04:49That wouldn't mean anything to you.
01:04:52Oh, no?
01:04:53Well, I'm much obliged for your good opinion of me.
01:04:58However, I don't think it's anybody's business
01:05:00where I go or with whom.
01:05:03No?
01:05:03No.
01:05:04Well, this happens to be my business.
01:05:08If you hurt my baby, I'll...
01:05:11I'll stop at nothing.
01:05:16Oh, what rot.
01:05:22Please, Jim.
01:05:23Won't you do this for me?
01:05:26It's only for my peace of mind.
01:05:29It's not much I'm asking.
01:05:31Only to keep away from my little girl.
01:05:34Sure, sure.
01:05:39If you're so wrought up about it, all right.
01:05:43Will you shake on it?
01:05:44Sure.
01:05:46You've always been a good friend, Jim.
01:05:49Feel better now?
01:05:50A lot.
01:05:50Fine.
01:05:51We'll say it for old time's sake, huh?
01:05:53For old time's sake.
01:05:58Would you sit down and have a drink with me?
01:06:00I wish I could, Millie, but I'm very busy tonight.
01:06:04Yes.
01:06:05I know.
01:06:07Well, goodbye.
01:06:09Goodbye, Grandma.
01:06:20Goodbye, Grandma.
01:06:20Goodbye, dear.
01:06:20I'll be down next weekend.
01:06:22Isn't it something new?
01:06:24You're coming in from school every weekend?
01:06:27As long as you say I may.
01:06:29It's all right at school, you know.
01:06:32And Uncle Jimmy's going to take me to the matinee next Saturday.
01:06:36Yeah?
01:06:36It's good of you, Jimmy, to drive her out to school.
01:06:38Oh, not at all.
01:06:39It's only a mile or so beyond the lodge.
01:06:41Lucky for me, we were going at the same time.
01:06:43We'll be seeing you next week.
01:06:45Yes, I'll telephone.
01:06:45Good.
01:06:46Goodbye.
01:06:48Goodbye, sweet.
01:06:51Goodbye.
01:07:08Goodbye.
01:07:09Goodbye.
01:07:09Goodbye.
01:07:10Goodbye.
01:07:10Goodbye.
01:07:11Goodbye.
01:07:12Goodbye.
01:07:12Goodbye.
01:07:13Goodbye.
01:07:13Goodbye.
01:07:14Goodbye.
01:07:14Goodbye.
01:07:15Goodbye.
01:07:15Goodbye.
01:07:16Goodbye.
01:07:16Goodbye.
01:07:17Goodbye.
01:07:17Goodbye.
01:07:18Goodbye.
01:07:18Goodbye.
01:07:19Goodbye.
01:07:19Goodbye.
01:07:20Goodbye.
01:07:20Goodbye.
01:07:21Goodbye.
01:07:21Goodbye.
01:07:22Goodbye.
01:07:22Goodbye.
01:07:23Goodbye.
01:07:23Goodbye.
01:07:24Goodbye.
01:07:24Goodbye.
01:07:25Goodbye.
01:07:25Goodbye.
01:07:26Goodbye.
01:07:26Goodbye.
01:07:27Goodbye.
01:07:27Goodbye.
01:07:28Goodbye.
01:07:28Goodbye.
01:07:29Goodbye.
01:07:30Goodbye.
01:07:30Goodbye.
01:07:31Goodbye.
01:07:32Goodbye.
01:07:33Goodbye.
01:07:34Goodbye.
01:07:34Goodbye.
01:07:35Goodbye.
01:07:36You come back in a couple of hours, will you, Mike?
01:07:41Yes, sir.
01:07:42All right.
01:07:59Oh, my, that's lovely.
01:08:01You like it?
01:08:03Oh, it's cold.
01:08:05Yeah.
01:08:10There, now, you come on and sit by the fire.
01:08:13First of all, I must take off your coat.
01:08:18And now the hat.
01:08:22Thanks.
01:08:23Well, now you sit down here and make yourself comfortable.
01:08:26I'll take off your galoshes.
01:08:30It sure is cold out, isn't it?
01:08:32Mm-hmm.
01:08:35Well, we've got to warm up those pretty little legs.
01:08:38I'll warm by the fire.
01:08:39Huh?
01:08:41Hello?
01:08:42This is Mike, Miss Millie.
01:08:44Yeah.
01:08:45Say, maybe I'm talking out of turn, but I just felt I had to tell you this.
01:08:49But listen, if it gets past you, it's going to cost me my job.
01:08:52Well, I picked up your daughter with Damien tonight at her home.
01:08:57But Mike, he was taking you to school, wasn't he?
01:08:59Well, he didn't take her to school.
01:09:01He stopped off at his lodge up in the country instead.
01:09:04Yeah, they're there now.
01:09:06The kids seem to think it was just a lark.
01:09:09Hello?
01:09:10Hello?
01:09:11Hello?
01:09:12Hello?
01:09:13Hello!
01:09:14Hello!
01:09:15Hello? Hello? Hello?
01:09:18Hello?
01:09:43I think I can talk your grandmother out of her objections, if you'll just have patience.
01:09:48Oh, I'm crazy to get started.
01:09:50Are you?
01:09:51I've always wanted to be an actress, ever since I was a baby.
01:09:55Well, I think you're quite old enough to do as you please now.
01:09:58Oh, you're impeached to say that, Uncle Jimmy.
01:10:01Am I?
01:10:09Driver! Driver, put it up to $60!
01:10:12I'll give you $50 if you put it up to $60 and keep it there!
01:10:15Gee, it's great to be here talking about my career, instead of fooling around with the girls at school.
01:10:26Yeah. Yeah, not quite so conventional, huh?
01:10:30Well, if I'm going to have an art career, I certainly can't be bothered about conventions.
01:10:35Certainly not. But I hope your grandmother won't mind.
01:10:40Of my being here?
01:10:42Yes.
01:10:44I suppose she would.
01:10:46Yeah, I suppose so.
01:10:48Yeah, not so good, huh?
01:10:50Well, you know that my preparing for the stage is a secret.
01:10:53And that my being here is part of that.
01:10:56So, I don't think it's necessary to mention it?
01:10:59I don't think so, either.
01:11:01Yes.
01:11:02Will you have a little more cider?
01:11:03Do you think I'd better?
01:11:05Oh, it can't possibly hurt you.
01:11:11There.
01:11:16It tickles my nose.
01:11:18Does it?
01:11:19But I like it.
01:11:20Do you? Well, have some more.
01:11:22Don't slow down.
01:11:27Hurry.
01:11:28Hurry.
01:11:29All right.
01:11:30All right.
01:11:33I always have such a good time when I'm with you, Uncle Jimmy.
01:11:36Yeah, well, now suppose we forget the uncle part of it for just now.
01:11:42And, and you call me Jimmy.
01:11:45All right.
01:11:46Jimmy.
01:11:47All right.
01:11:48And just for that, I'm going to show you something.
01:11:52There.
01:11:53Oh.
01:11:54Oh, how gorgeous.
01:11:55You like it?
01:11:56Oh.
01:11:57Now, you just slip that mandarin coat on you.
01:11:58May I?
01:11:59Yes, indeed.
01:12:00Oh, would you please step on it?
01:12:01It's not far.
01:12:02We're almost there.
01:12:03Please, hurry.
01:12:04Hurry.
01:12:05Hurry.
01:12:06Now let me see it.
01:12:07Oh.
01:12:08And if it matches your beauty, it's yours.
01:12:09It does.
01:12:10Really?
01:12:11Uh-huh.
01:12:12Oh, Jimmy.
01:12:13Oh, would you please step on it?
01:12:17It's not far. We're almost there.
01:12:19Please, hurry. Hurry.
01:12:21Now let me see it.
01:12:24And if it matches your beauty, it's yours.
01:12:28It does.
01:12:30Really?
01:12:31Uh-huh.
01:12:32Oh, Jimmy.
01:12:35Oh, Jimmy.
01:12:37You're the most wonderful man in the world.
01:12:43You're the most beautiful girl I ever saw.
01:12:51You're the most beautiful girl I ever saw.
01:13:13Oh.
01:13:16If there's someone coming, you'd better go upstairs.
01:13:18Oh, but I won't go home.
01:13:19Do as I told you, go upstairs.
01:13:21Hurry up now. Go in that room.
01:13:28Let me in.
01:13:37Jim, it's my way. Let me in.
01:13:43Oh, hello, Millie. What do you want?
01:13:50Say, what do you mean, breaking in here like this?
01:13:52You dirty swine after all your promises.
01:13:54Where's my little girl?
01:13:55Well, how do I know? She isn't here.
01:13:56No?
01:13:57No.
01:13:58Well, I'm going to go see.
01:13:59You're going to do nothing of a kind.
01:14:00Please don't.
01:14:01Yes, I am. You are my little girl.
01:14:03Come on now.
01:14:04Let me show you.
01:14:05Yes, sir.
01:14:06Nothing of a kind.
01:14:08Help me.
01:14:09Help me.
01:14:11Mother.
01:14:13Mother.
01:14:16My baby.
01:14:17I knew it.
01:14:19Hey, look out.
01:14:20What are you doing?
01:14:21I warned you.
01:14:22You creep.
01:14:24Ah!
01:14:28Oh.
01:14:31Oh.
01:14:34Oh.
01:14:43you don't know who this woman was no you didn't see her when you were struggling with mr damier
01:15:03no didn't you try to see her no did you hear this unknown woman leave the house
01:15:13i i don't know you will answer yes or no i don't know i said miss blake you've already testified
01:15:23that you heard a woman leave the house just after the shot was fired now weren't you interested in
01:15:28seeing who this person was who might have been a witness to the shooting why not because you
01:15:36already knew your honor i object objections sustained what were you doing when you thought
01:15:49you heard this woman leave the house i can't remember miss blake you received a long distance
01:15:58telephone call from a new rochelle pay station didn't you i don't know where it came from
01:16:05who telephoned i don't know what did that person tell you i can't remember she can't remember
01:16:17didn't they tell you that damier had another woman at his lodge and didn't you enraged by jealousy
01:16:24go out there and shoot him frame it any way you like i don't know what i'm up here for anyway
01:16:32your honor there's no need for any further questions
01:16:37miss blake don't you realize that by refusing to answer you were placing yourself in a very serious
01:16:46position
01:16:51i can't quite see why this defendant was placed on the stand your honor the defendant refused to confide
01:16:56in me i hope that by placing on the stand i might get some enlightenment myself any further questions
01:17:04excuse
01:17:05court is now adjourned until two o'clock
01:17:21here comes old fella
01:17:24hello boy
01:17:27well bob what do you think
01:17:28we've just got one chance we've got to play it hard how's millie same as ever won't budge an inch
01:17:36her silence has put her in a tough spot gee we've got to put this thing over now you fellas got to
01:17:42stay on the job i'll do my part right down fellas here's the d.a
01:17:45you boys do a little more work on him we've got to keep him thinking our way but don't overdo it
01:18:05hi henry hi hi t whoa hello boys
01:18:12well how'd you like it this morning oh you got the case all sewed up i'll say we have i was just
01:18:18saying you proved the clearest case of jealousy i've ever heard of jealousy was the motive all right
01:18:23i proved that beyond a doubt how's this pointing an accusing finger at the attorney for defense
01:18:29the orator's voice rang out like a pistol shot sure shale a femme he cried find the woman is that a
01:18:38headliner ain't it there sure shale a femme no i think i'd better say it in plain english find the
01:18:46woman well i'll use the french in the paper you know it kind of gives it more class well that won't
01:18:51be bad sure we're gonna have a big afternoon say this little town will be on the map for a while
01:18:57anyhow if you tried this case in new york you'd be the next governor well thanks gentlemen
01:19:04well now if you'll excuse me i've got to get back to the courthouse
01:19:07don't forget to hear my summarization this afternoon
01:19:09we'll be right there
01:19:16friendly i only hope we can put this over oh boy so do i
01:19:22oh mike where's tummy rock right there
01:19:28hello mike what are you doing here say what's the idea what do you mean well i don't like the looks of
01:19:33this thing and from now on you can count me out now wait a minute mike you gave us your word you'd
01:19:37keep out of town until the trial was over yeah that was because you guys still would help millie
01:19:42well it hasn't done any good so far and i'm going to the district attorney now listen here mike you can't
01:19:46do that why we're all familiar you know that well i'm not so sure but you've got to believe us now
01:19:52they've got us almost licked we've got just the one chance and you're not going to spoil everything are
01:19:56you are you well i don't know the way things have been handled it all looks a kind of screwy to me
01:20:08who was this other woman who was there with damier at the time isn't it reasonable to suppose that
01:20:16she was the one who took the place of the defendant who faded by a life of dissipation
01:20:23had been discarded from damier's affections she won't tell you why she took that long ride in
01:20:29the middle of the night with a gun in her hand to shoot down a man in cold blood but isn't it clear
01:20:35to you her motive was jealousy and what right had such a defendant even to the privilege of jealousy
01:20:43there's no palliation no one distraught with grief and an overwhelming sense of injury committed
01:20:50this crime and if this isn't so why doesn't the defendant produce the other woman find that other
01:20:57woman let her come here if she can and tell us otherwise mother mother oh
01:21:04you should not have come please don't listen to her please mother oh my baby oh connie why did you
01:21:21come my mother did you think i wouldn't come your honor what does this mean it means your honor we're
01:21:27gonna place this young girl on the stand the unknown woman the daughter of this defendant but your
01:21:33honor we mean your honor to prove that millicent blake went to the lodge that night and shot jimmy
01:21:38damier not from jealousy but to rescue her innocent 16 year old daughter from this blackguard who had
01:21:46lured her there under such circumstances that the shooting was justified i won't let you i won't let
01:21:51it's your honor this is most unethical order order order we're in the witness
01:22:06i guess we fixed them take a look at that jury take a look at old sandy claude saunders
01:22:11sure say la femme you fellas pull this frame up we just couldn't bear to let the governor ship get out of manhattan
01:22:22you solemnly swear that the evidence you give in this case to be the truth the whole truth and
01:22:27nothing but the truth so help you god yes sir
01:22:30what is your name my dear constance maintenance is that lady your mother yes sir
01:22:53then juror number nine said that he'd have shot anyone that tried to make an actress out of his
01:22:57daughter but that kid putting her arms around her mother's neck was the most beautiful sight i've ever
01:23:03seen i hope she keeps them there it'll be good for both of them you driving millie back to new york tommy
01:23:13me what gave you that idea i don't know i was just wondering here they come
01:23:27the old lady maitland suddenly stuck by her well so have a couple of other people it looks like millie's going back home
01:23:57so
01:24:03so
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44:01
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