NYPD Blue Season 4 Episode 15 Taillight's Last Gleaming
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TVTranscript
00:00Music
00:24I told my sister to tell her these little rich kids she's running around smoking pot with
00:28They get through this hippie phase, their parents are gonna set them up with jobs
00:32Your niece is a bright girl, she'll be alright
00:36I said it won't be like that for you
00:38Oh shoot
00:40All over
00:42I told you about that tail light
00:44Yeah, I know
00:46Driver
00:56Step out of the car with your hands up
01:04Listen, I'm on the job
01:06Get your hands up on top of that car
01:10Passenger side, same thing
01:12Out of the car, put your hands up on top
01:14Look, I said I'm on the job
01:16Passenger side, get out of that car now
01:18Put your hands up on top
01:20I'm a New York City police lieutenant, my shield's in my pocket
01:28Alright, let me see it
01:30Take it out, slow
01:40Sorry about that
01:42Can't blame me for being careful
01:44You know you got a tail light burnt out back here
01:48You alright?
01:50You stopped us like you have my description on a bank robbery
01:54All due respect
01:56You're gonna tell me how to do a car stop now?
02:00Officer, you get a good look at this shield
02:02I did lieutenant
02:04And I'm saying
02:06VTL section 375.2
02:08The tail light out is a summonsable offense
02:10Do me a favor
02:12You wanna give me a summons, give it to me
02:14But don't lecture me on vehicle and traffic law
02:16I'm doing my job
02:18Sir
02:20How about you just get this tail light taken care of?
02:24Arthur, let's go
02:26Arthur, let's go
02:36How do you say that name?
02:38Sh-Mansky
02:40You wanna write it down?
02:42What's your name?
02:44John McCaslin
02:46You sure you don't wanna give me a summons?
02:48The two of you have a nice name
02:52Let's get out of here
02:54Let's get out of here
03:223
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03:345
03:353
03:36The
03:375
03:385
03:405
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03:436
03:445
03:456
03:476
03:496
03:506
04:21You're welcome.
04:51You're welcome.
05:21Could I switch seats with you?
05:24Be a big favor.
05:28Appreciate it.
05:29Son.
05:34Hey, Pop.
05:49Oh, Andy.
05:51Can I give you a kiss?
05:54Will they throw us out?
05:55Oh, my God.
05:57I can't believe it's you.
06:03How you been?
06:06How's Theo?
06:07Oh, God.
06:08He's wonderful.
06:10He had some health questions, but he's fine.
06:14And Sylvia's good?
06:15She's wonderful.
06:16She's a wonderful mother.
06:20You know, I'm trying to understand what's going on.
06:24You know, I'm dead, but I'm doing all right.
06:28I wish we'd have seen you sooner.
06:36We had a lot of sorrow with your death.
06:42Pop, we didn't see each other too much when I was alive.
06:45What's your inference with that?
06:49No, I'm just saying.
06:52Nobody says I didn't make any mistakes.
06:55I would have liked to have seen the baby in Sylvia, too.
06:57That's all I'm saying.
06:58I took you for breaking balls.
07:03Why not seeing you growing up?
07:07It's a little late about that, Pop.
07:14I wish the hell they'd let you come over there, Andy.
07:19The little guy, he's a real pisser.
07:23And in 40 ways, he reminds me of you.
07:26I never say that to Sylvia because of the upset.
07:34Did I just ruin something now with my nature?
07:38No.
07:41Anyways, I gotta go.
07:45If I offended anybody, let them know I'd try to curb it.
07:48Yeah, I don't know how it works.
07:51I love you, Pop.
07:54Any opportunity, any modification on my part.
07:59Love to Sylvia and the baby.
08:04Take good care of yourself as you can.
08:06My son.
08:25Good-looking boy.
08:28I did something here.
08:31They pulled him.
08:32Is that it for him, or is he coming back?
08:38I can't talk no more.
08:42You should have talked across me.
08:44I can't talk no more.
08:45I'm finished.
08:46I can't talk no more.
09:16what is it
09:26another bar stick up
09:30civilian shot
09:33they're bringing him to the squad room from the hospital
09:36we're talking in your sleep
09:38what did i say
09:40i wasn't listening very well
09:44i gotta go talk to this guy
09:51appreciate you being able to help us
10:10so uh coming in and all being injured
10:13let's see
10:14well i want you to find out who these guys are and what they
10:19what they were trying to prove
10:21yeah
10:21what time did they come into the bar sir
10:23oh they come in about a quarter after one
10:26one orders uh jack daniels the other one of gin and tonic
10:31had they been in there before
10:33well if they case the place i never seen them
10:37i don't know what kind of crooks
10:39jack daniels he pulls out this piece of crap looks like a 22
10:44night guy said they got a 25 shell casing off the floor
10:48okay same difference as a puny gun
10:51i'm thinking it's a joke
10:53the other guy he don't have
10:55a dick they go it's a robbery
10:57a robbery
10:59who the hell do you
11:01get out of here before i beat your skulls in
11:04and then jerk off
11:06shoots me in the head
11:08only what happens
11:10the bullet don't penetrate
11:11so
11:12i'm pouring blood
11:14i jump over the bar you yellow rat bastards i kill you
11:19i'm chasing them around until they uh run out the back way
11:22you can give us descriptions
11:23hearty
11:24faggot sons of bitches
11:26i like to rip their hearts out
11:29uh let me remember
11:35it was uh two uh nondescript looking skinny white kids
11:42in their 20s
11:44one's got short hair
11:46a baseball cap
11:48nothing special
11:50no uh mustaches or nothing
11:53what about what they were dressed like
11:54like i was checking them out
11:57the hell do i know what they had on
11:59regular clothes
12:01the douchebag with the gun
12:03if i ran into him in the subway
12:06i bet i could spot him
12:08we should get you with a sketch artist
12:09you mind coming back in
12:11well i'd like to try and get some sleep if i could
12:16although i'm so worked up about this
12:19how about we call you at noon mr glasso
12:21have you come back for a sketch
12:23yeah yeah all right then
12:25really appreciate it
12:27do you have any brothers disappear at birth
12:38what do you mean
12:40bobby uh i'd like to catch a nap myself before day tour gets in
12:50you got upstairs
12:51yeah get on this thing fresh
12:53i'm sick of these guys making us look like jerks
12:57and they're willing to use that gun now
12:58lucky for this guy was just a 25
13:02you think anything would have penetrated that head
13:05let me see if i can nap upstairs
13:10please
13:23Son of a bitch.
13:53Son of a bitch.
14:23Could be the same perps.
14:25Listen, you want to compare notes?
14:26Uh, yeah, sure.
14:28Let's go to the coffee.
14:30Call me your name again.
14:31Eddie Hazel.
14:32Call me Eddie.
14:33You new over there, Eddie?
14:34Six weeks.
14:35Just came over from transit.
14:37It's how you like her above ground.
14:39Love it.
14:40Hey, Jim.
14:40Hey, James.
14:41James, uh, see that woman in a wheelchair in the vending area downstairs?
14:47Yeah, I saw her with another woman.
14:49The woman was apparently the victim of a con gang.
14:52She's up $5,000.
14:54Wheelchair bound?
14:55These scam artists, they're always targeting the weaker.
14:57That's the lowest of the low.
14:59Let me get squared away in the locker room, and then I'll go down and see you.
15:04I'll talk to you later, Gina.
15:05Bye, James.
15:05Um, Gina, there'll be two officers from the 111 by here sometime this morning.
15:11If I'm not in my office, have them go in there and wait.
15:14Sure, Lieutenant.
15:19Good-sized crowd is watching the Knicks.
15:23These two come in and order a gin and tonic and a Jack Daniels.
15:26That's their thing.
15:28Comes to find out the bar's got a betting pool going.
15:31Bartender aims to pay off after the game's over.
15:33But these two perps whip out the little poop-butt pistol and walk away with $1,500.
15:41So when you heard what went down over on my spades...
15:44I wonder if these jokers figured it was their lucky night.
15:47Oh, yeah, they're lucky.
15:48They're lucky they stood that shot and beat them to death at the barstool.
15:52You know, I'd like to talk to that fellow.
15:54Well, if it's cool with you.
15:56Yeah.
15:57There you go.
15:59This guy Galasso, he's got a bit of an attitude, but he wants to cooperate.
16:03Okay, bartender at hondos named Bill McGregor.
16:07Here's his home phone number.
16:09Now, you might have to push him a little bit behind the betting.
16:11It was a little shy to open up.
16:14All right.
16:14Hey, you know, tell me something.
16:18What happened to your PAA?
16:20Well, if I can ask.
16:21Temp to rate.
16:22Scumbag cut her up.
16:24Damn.
16:25Was he caught?
16:26Mm-hmm.
16:27That squad got him.
16:28Way to go.
16:30You know what?
16:32She's still a pretty girl.
16:33All right, Bobby.
16:36Thanks for the coffee.
16:38And you take it easy, man.
16:40You too, Lenny.
16:44That's one of us gets these junkers, man.
16:46The white woman took out a cellular phone and called her boss, supposedly a lawyer,
16:56and asked that we should do it.
16:58He said, bring the money down to his office, and he would check on if it was counterfeit,
17:02and then we'd be able to split it.
17:04You, the white woman, and the black girl, were going to split it?
17:06I mean, I did talk to this man on the phone myself.
17:11He did sound like a lawyer.
17:13He sounded like a lawyer?
17:16Oh, God, sister, you're not that dumb.
17:19Mrs. Duffy, what did he say to you, the man on the phone?
17:22He said for us to share the $60,000, we should each put up some money of our own to show good
17:29faith while he checked on if the other was counterfeit.
17:33You weren't suspicious that this had to be cash?
17:35What does that even mean?
17:36I can't explain what the money you could afford to lose.
17:40These people are experts at manipulating people's trust.
17:43They'd probably run the same scam a hundred times.
17:46Don't feel ashamed you were victimized.
17:49What happened next, ma'am?
17:51The woman took $5,000 from her bank, or so I thought, and then I withdrew mine.
17:59Her taking her money out first, that was part of gaining your confidence.
18:02And then the black girl said she needed a ride to her bank, but with my wheelchair, I should
18:10wait at this coffee shop.
18:12I was given the zippered bag to hold on to in the meantime with the $60,000.
18:18Which was really chopped up newspaper.
18:21Oh, as soon as they got in the car, I knew I'd made a terrible, terrible mistake.
18:28I'm going to do my best to catch the people who did this to you.
18:32What am I supposed to do now, sis, huh?
18:35Ma, how can I have peace of mind, you living independent by yourself, if you let this happen?
18:43Okay.
18:45Hey, Lombardi.
18:46What's doing?
18:48Yeah, I'm good.
18:49Listen, uh, Eddie Hazel, he came by the house this morning, and, uh, he's working on some
18:56bar stick-ups.
18:58Yeah, he gave me a phone number on a witness from Hondo's bar, and, uh, I don't know, man,
19:06I must have wrote down the number wrong here, because...
19:09What?
19:11Really?
19:14Uh, could you do me a favor, then, and, uh, check the 61?
19:19Yeah, the guy's name is McGregor.
19:23Thanks.
19:24What's going on?
19:25Some detective from Midtown South came over this morning, he's looking to swap information.
19:30So there's a mix-up on this phone number of a witness that he gave me.
19:34Lombardi's saying, I'm surprised this jerk wouldn't even give a phone number to...
19:38Hello?
19:39Yeah.
19:42Hmm.
19:442739.
19:46Right.
19:47Well, what about the home address?
19:48Is that on there?
19:51Uh-huh.
19:51Uh, so what you were saying before about, uh, this guy Hazel, what's the deal with him?
19:58Yeah, huh?
20:02Yeah.
20:04All right, thanks.
20:05Thanks for saying.
20:06Yeah, take care.
20:07What do you say?
20:11This Eddie Hazel, he's pissed off half the squad over there, Red.
20:15He's an ex-transit cop looking to set the world on fire.
20:18He's stealing collars from his own guys.
20:20You think him giving you the wrong numbers on purpose?
20:23Lombardi said that.
20:24He said that's the kind of silly crap that he's doing.
20:27You got the legit number and address here?
20:29Uh, bartender at a place got hit a few hours before this Mont Street Tavern.
20:33Let's check him out.
20:35Surprise this asshole detective.
20:36We found a guy.
20:54Lieutenant?
20:55Sergeant calls us at home.
20:57Says we're to come talk to you.
20:58Yeah, good morning.
21:00I wanted to talk to you about the incident last night.
21:04The incident?
21:06Yeah, I'm curious.
21:07What was going through your mind?
21:10Deciding a busted taillight warranted me and my wife being treated like Bonnie and Clyde?
21:18Lieutenant, I regret whatever the inconvenience, to your wife or yourself.
21:23But we got to protect ourselves out there.
21:25You wouldn't be here if I thought it was about protecting yourself.
21:28I can't help what you think.
21:29Until I have control of the situation out there, how am I supposed to know what I'm dealing with?
21:36Do you feel the situation was handled appropriately?
21:38It's me pulled you over, sir.
21:40It's me you got to beef with.
21:42Officer McCaslin can't speak for himself?
21:46How about it?
21:47The police have gotten shot during car stops.
21:49We need to protect ourselves.
21:51How long have you been on the street?
21:54Ten months.
21:56You?
21:56Six and a half years.
21:58Queens the whole time.
22:00So what?
22:01So what did you perceive is so threatening about me that you reacted to the degree that you did?
22:10Color my skin?
22:12I knew.
22:13I knew you were going to make this a black and white thing.
22:17You tell me one thing I said out there to disparage you or your wife racially.
22:23The minute you pulled us over, you didn't treat us like two people.
22:26You treated us like two black people.
22:28Uh-uh.
22:29No sale.
22:30Shut up.
22:31And when you found out I was a lieutenant, you talked to me like a black lieutenant.
22:36Hey, I take no crap out there.
22:38Not even from an off-duty boss.
22:40Wants to question the man or I'm doing my job when he's in the wrong.
22:44You're a meathead, Shemansky.
22:46And a half-assed cop.
22:48This job is knowing how to deal with people.
22:50All due respect, I don't need to stand here and be called names.
22:57Can I go?
23:00Here.
23:01Here to both of you.
23:03Get the hell out of my sight.
23:04What?
23:08Now, let's go.
23:09Let's go.
23:10Let's go.
23:12Let's go.
23:13I'll be right back.
23:43I told all about that.
23:46You mind opening the door, sir?
23:54Detective Simons, Detective Sipworth, we're at the 15th Precinct.
23:57I spoke at length with a black detective over at Hondo.
24:00Yeah, and he said you were very helpful with the description.
24:03We think that the same two men held up another bar after Hondo's, and we'd like your help.
24:13By my help, I hope you wouldn't look to do damage in terms of my employers or whatever else was going on before we got robbed.
24:23Nobody really cares about the bet and trying to get the stick-up team, so why don't you tell us what went down?
24:29Like I told the black detective, these two guys come in, they sit at the bar, they order a couple of drinks, which they nurse for half an hour.
24:36When the ball game's over, one of them pulls out this pocket-sized pistol.
24:4025, Matt and Nick will finish.
24:43They demand the money, I give it up, they split.
24:45There's something you're not telling us.
24:47What?
24:48What's with this shoulder rig?
24:50You got a carry permit?
24:52No.
24:52No, you just collect holsters.
24:55Where's the gun fits in this rig?
24:57Hmm?
24:58Behind the bar, maybe, where it might do some good?
25:01Only why, if you got, what, a .45 at the bar, why do you let these thieves walk through the door?
25:10You see how it, though, makes sense?
25:12So if we start taking this place apart, Mr. McGregor, are we going to find any illegal firearms here?
25:17What do you want from me?
25:18The truth.
25:19Did you have a gun at that bar?
25:21Yeah.
25:21You use it to defend against this holdup?
25:25They took it.
25:27The stick-up guys took your gun?
25:30How did that happen?
25:31I froze up, all right?
25:33A .25 in my face.
25:36Then the guy comes around the bar to take the money out of my hands, sees I have a Colt 1911 down there.
25:42Takes their gun away from me.
25:44You tell the other detective this, the black detective?
25:47No.
25:49No, you didn't?
25:52So they're out there now with a .45 automatic.
25:54The minute she says I'm supposed to take money from my bank account to show good faith, I walked away.
26:11It's good you did that.
26:13These swindlers ought to be stopped.
26:16They're brazen.
26:17Well, given they didn't succeed in cheating you, it'll be a tough case to do anything with.
26:22Excuse me, Dan.
26:24Ma'am, are you talking about a black and white team?
26:26Two females show a zippet bag full of found money?
26:30Ma'am, this is Detective Martinez, ma'am.
26:33Oh, yeah.
26:34It's a black and white team.
26:36And the black girl had some kind of accent.
26:39A Jamaican, I don't know what.
26:42You could identify these women?
26:43I looked very closely at them both.
26:47Yeah.
26:48That took you a second, Dan?
26:50Pardon me.
26:52Excuse me.
26:54You working something we can put with this?
26:58Yeah.
26:59I had a complaint this morning.
27:00The handicapped lady gave her five grand for the scammers a week ago.
27:04That woman couldn't pick out their photo.
27:07Well, I can show Mrs. Klein some of the books and she picks somebody out.
27:11Yeah.
27:11You can show your complaint at a photo, right?
27:13Yeah.
27:14I also want to talk to the boss about some kind of sting.
27:16I'll catch him in the act.
27:17Maybe put you out as a mark.
27:20Would you be interested in something like that?
27:22Think I can pass for 65?
27:23I was thinking, well, you could, you know, play like you're crippled.
27:27Roll around in a wheelchair.
27:28Talk to the boss.
27:30But I can say you're interested, right?
27:32Sure, James.
27:33Mrs. Klein.
27:35Could you come with me, maybe?
27:36Hey, Greg.
27:42You up for a little over time tonight?
27:44I'm going to set in some bars tonight.
27:47What do you know about the stick-up team?
27:49A couple of scouts have been taking bars off.
27:51They've got some new artillery.
27:54And they can't be professionals leaving prints on every freaking blast to touch.
27:58No hits off those, huh?
27:59Plus, they score a loaded 45 off one bar.
28:02A few hours later, they go to rob a place in Little Italy.
28:06They use the same piss and 25 they've had all along.
28:10Well, it could be different next time.
28:12They broke their chair.
28:12He's throwing a shot.
28:13Maybe it's going to get good to them.
28:16Got any sketches on them?
28:17Fellas, a topless player just got hit midtown.
28:21There were shots fired.
28:22Vince could tell he's involved.
28:23Is he hurt?
28:24I don't know.
28:2538th and 7th.
28:31What did he say?
28:3238th and 7th?
28:33Yeah.
28:33Vince, you hit?
29:00None of them.
29:01Chest pains.
29:03How are you feeling?
29:04Better than I did.
29:06I think I hit one of them, Andy.
29:07Two white males try to rob a place.
29:09I intervene.
29:10They throw shots.
29:11Both of them throwing shots?
29:12Well, I got one of them, I think.
29:15One guy yelled, grabbed his shoulder, going out the door.
29:19Then I went down.
29:20Chest pains.
29:21Could just be God saying keep away from these titty bars.
29:25I used a phone.
29:27I had to get through a telephone.
29:28There you go, Vince.
29:30Reach out and touch somebody.
29:32Take good care of them, huh?
29:33Yeah.
29:38Hey!
29:40Oh, look at this.
29:43What are you guys doing here?
29:45No, you hold on.
29:46That's Vince Catelli from our squad.
29:48We got word that he was involved.
29:49We come check on him.
29:51What's the shot?
29:52Chest pains, Eddie.
29:53Well, why don't you go keep him company?
29:56Hold his hand, huh?
29:58You know, you're some kind of jerk.
29:59You had me going.
30:00What the hell was your problem giving me a wrong number on that witness?
30:03What are you talking about?
30:04Yeah, you play whatever kind of silly games you need to play, Eddie.
30:07Next time you give me wrong information on a case, me and you, we're going at it.
30:11Be good to check the emergency rooms in the area.
30:20Catelli says he might have hit one of them in the shoulder.
30:23I'll hear what Catelli's got to say when I interview Catelli.
30:27So this got nothing to do with getting these assholes off the street before somebody gets killed.
30:32My mistake.
30:32Look, why don't you say it moving that way, all right?
30:57Hey, thanks for stopping by, Captain.
30:59Sure.
31:01What's up, Arthur?
31:02I, um, I need something taken care of.
31:06Well, you're not big on asking for favors.
31:08It must be some.
31:09You're pretty tight with the chief of patrol.
31:11Pretty tight?
31:12What's up?
31:13I got pulled over last night in Queens.
31:16Cop breaks my balls like you wouldn't believe.
31:20I like to see him sent somewhere he has to earn his money.
31:23How do you break your balls?
31:25Overreacts, number one.
31:27Orders me and Lillian over the top of the car for a broken taillight.
31:30I show my shield and this, um, meathead, Shemansky, starts in like he's gonna write the summons anyway.
31:37So you want him transferred, Shemansky?
31:40He spent his whole career in Bayside, Queens.
31:43Only black people he sees are the ones he pulls over, wondering what the hell they're doing in the neighborhood.
31:48He needs to do some time in Brooklyn North, or Harlem, where he has to learn to deal with everybody.
31:55Understand who's a threat and who's not.
31:58You sure this is how you want to handle it?
32:01I had him in here today.
32:03Gave him a chance to fix it.
32:04All this guy wants to do is smart mouth.
32:07Can you handle this for me, Captain?
32:09All right, Arthur.
32:14I'll see what I can do.
32:39Excuse me.
32:47Can you help me?
32:49What?
32:50Look.
32:51Look at this.
32:52It's full of money.
32:54I found it at that bus stop.
32:57There's no identification with it?
32:59There was just this piece of paper.
33:01I don't know what it mean, though.
33:02Celtics 60K.
33:06Celtics is a basketball team.
33:09It's probably gambling money.
33:11What's the procedure for something like this?
33:13Can I get in trouble?
33:14Excuse me, miss.
33:15Is everything all right?
33:18Yeah, I was just trying to help this woman.
33:20I don't know what to do.
33:21Look.
33:22I found it.
33:23Oh, my God.
33:24There's a note.
33:25I think it's gambling money.
33:28She can probably keep it, right?
33:29Listen, I will share this money with you.
33:32If you can help me find out what to do so I can keep it,
33:35I will share it with both of you.
33:39Uh, I mean, I could call my boss.
33:41He's an attorney.
33:43I have a cellular phone you can use.
33:46Your boss will know what to do?
33:48Yes, call your boss.
33:50Listen, I really mean it.
33:52I want to share this money with you both.
33:54You're such nice people.
33:56They went for our phone.
33:57Get the recorder going.
33:59Yeah.
34:01Hi, Mr. Bennett?
34:02Yeah.
34:03Hey, it's me, Susan.
34:05I'm here on 12th Street,
34:07and there's this woman who found this bag full of money.
34:10And me and this other lady were just sitting here
34:12trying to figure out if she can keep it.
34:14You know, you've got a gorgeous ass.
34:17No, no ID.
34:19I dreamt about your ass last night.
34:21Oh, great.
34:23He says there's a good chance you can keep it.
34:25I can't keep it!
34:26Oh, my God!
34:28I love this United States!
34:31What?
34:32Oh.
34:34What's he saying?
34:36He says we need to make sure the money hasn't been reported stolen.
34:40If we bring it by his office,
34:43he'll make the legal inquiries and return it to us by tomorrow.
34:47I should do that?
34:48He can make the legal inquiries?
34:50Wait.
34:51I'm sorry.
34:52I didn't hear you, Mr. Bennett.
34:54Okay.
34:55He says if we're each going to have a right to this money,
34:58we each need to put up some money to establish our legal claims.
35:01I'm willing to do it.
35:04And my bank's just up the street.
35:06Would you be willing to do that?
35:08Okay.
35:09I can put up $5,000.
35:11If it means we're going to get $60,000.
35:13All right.
35:15Well, are you in?
35:17I guess so.
35:18Yeah.
35:18Detective, this woman has information.
35:31I know who did those bar holdups.
35:34I know where they're going to be, too.
35:36I read this witness.
35:37Thanks, Simonson.
35:42I'm Dr. Simone.
35:43Carl and Donny Vandrelli.
35:45They'll be on a bus to Baltimore at 2.30.
35:48This is Dr. Sibyl's here.
35:50What's your name?
35:51Teresa.
35:52How do you know who these guys were looking for?
35:55Carl lives with me, right?
35:57His dick-brained cousin comes to town.
36:00Got this handgun.
36:02He talks Carl into going and sticking places up.
36:04You've been around them talking about this?
36:06Yeah, they gotta get drunk beforehand to even work the nerve up.
36:10And I'm like, you guys are not cut out for this.
36:12Which one of them give you the black guy?
36:15Yesterday, they come in.
36:17Donny shot.
36:18Crying.
36:19Bleeding on the furniture.
36:21I'm like, that's it.
36:22The car's got this big gun they stole, right?
36:25Now, he's a big deal now.
36:27Gonna punch me in the face in my apartment.
36:33Which one is this?
36:34Oh, that's Donny.
36:37That's the idiot.
36:38You got a picture of the other one?
36:40No, but I'm telling you, 2.30 bus to Baltimore.
36:44That's the master plan they came up with.
36:47You expecting?
36:50Man, oh, man.
36:54Port Authority bus terminal?
36:56Yeah.
36:58Hey, Teresa, we're gonna need you to write your full name, your address, and your phone-to-mail here.
37:02You ready to take these guys?
37:09Bus terminal's Midtown South.
37:12Think you ought to call up Eddie Hazel?
37:14Let him have this collar.
37:15Thanks for coming in, huh?
37:20How?
37:21Can you make sure Teresa gets that okay?
37:23So, you got some kind of clout, huh?
37:41You get me transferred to Bed-Stuy, which is a toilet.
37:45You got business here, Shemansky.
37:46You turn my life upside down, because you think I'm a bigot.
37:50I should take my best shot, because you didn't get my best out there in Bell Boulevard.
37:58Go ahead, speak your mind.
38:01What do you, you got the place wired up?
38:04Huh?
38:05I say the words I want, you get me kicked off the job altogether?
38:08You were in the wrong, Lieutenant.
38:14Why are you doing this to me?
38:18It's like you said.
38:19You pull somebody over out there, no telling who you're dealing with.
38:23Everybody excuse us.
38:48We're looking for a missing girl.
38:50We're police, and we need your help in this.
38:52We're going to be coming up the aisle, showing you this girl's picture.
38:55Please tell us if you've seen her.
38:57Ma'am, do you recognize this girl?
38:59No.
39:00Sir, excuse me.
39:02Is she with female ladies?
39:03No.
39:10Ma'am, do you recognize this girl?
39:12How about you?
39:13Ma'am, you ever seen her?
39:14Any of you recognize her?
39:15What's the lady?
39:18Fellas, have you seen this girl?
39:20Gentlemen?
39:20Yes.
39:21No?
39:21Sure.
39:23Does she look familiar to you?
39:25Do you recognize this girl, sir?
39:26Come on.
39:27Don't move.
39:28Come here.
39:28Stay calm.
39:29My shoulder.
39:29Put your hands up on the chair.
39:31Keep your hands up on the chair right there.
39:34Everybody stay calm.
39:35Stay in your seats, please.
39:38God, please.
39:39It hurts.
39:40There was a friend of mine you threw shots at yesterday, so you just saved your breath about where it hurts.
39:45What is this crap?
39:47Hey, what the hell are you doing here?
39:49Yo, Eddie.
39:50You taking a trip to Baltimore?
39:53Bus is going to be delayed like ten minutes.
39:55Look, our squad caught the call, all right?
39:59The picket lady identified them from our sketch.
40:02You better explain yourself, Simone.
40:04This look like the damn 15th Precinct.
40:06Hey, hey.
40:07We got a tip.
40:08We moved on it.
40:09I don't know what you did down in the tunnel all those years, but up here, that's what you're supposed to do.
40:14Okay, so you got your first grade.
40:16How the hell with the next man trying to get his?
40:18Is that the story, Simone?
40:19I got my first grade from a lot of hard work with my partners.
40:23Not humping other detectives.
40:25Get your act together, Eddie, or you're never going to be anything on this job.
40:51You tracked down the third partner in that con game?
40:53Uh, no, not yet.
40:56Black girl's given us a number of addresses and hangouts on him.
41:00She really wants to help herself.
41:01You did good work on this time.
41:03That's James' plan.
41:06Captain, we need to talk?
41:09On this cop's transfer, I need to tell you, I don't think it was your finest hour.
41:20Why is that?
41:24The both of us know the job has an ethical awareness course for this kind of cop in this kind of situation.
41:32The sensitivity class isn't going to do it for this guy.
41:35Arthur, if Shemansky's like you say he is, don't like black people much to begin with.
41:42Plus, resentful now, from his point of view, a black boss lost his life up.
41:48Is that the kind of cop you want walking around a neighborhood don't need any extra problems?
41:52So you're concerned I'd be lowering the quality of life in Bed-Stuy?
41:56I'm just pointing out what I know you know already.
42:01As bosses, our decisions have consequences outside the rooms we make them in.
42:06If you want to discuss the quality of policing in black neighborhoods, we could take that up at length.
42:11But what's going on here is what always goes on with a black man on this job who asks for an accommodation.
42:17It's assumed he's got a hidden agenda.
42:19Look, I came here asking for you to look at using your juice to hurt this guy
42:23and remind you that people neither you nor I know are liable to pay to tab.
42:29Pretending it's about you being black so you don't have to face what it is you're doing.
42:34That's on you.
42:41Okay.
42:44Okay.
42:45Transfer him to this precinct.
42:48Transfer him here?
42:49Yeah, that way I can deal every day with the consequences of the decisions we made here.
42:59I think over time, knowing the kind of man you are at heart,
43:05might turn out good for Shemansky, might be good for you too.
43:09I think we've looked enough into my heart and soul, Captain.
43:14Is sending him here acceptable to you?
43:16Yeah.
43:18I can make that happen.
43:19I can make that happen.
43:39Hey, Greg.
43:43Hey, Abby.
43:44You have a good shift?
43:46Yeah, yeah.
43:47We shut down one of those found money con teams.
43:52You just on your way in?
43:53Four to twelve.
43:56You like it there in anti-crime?
43:58Yeah, I do.
44:01Greg, could you find time for dinner sometime in the next while?
44:05Well, sure.
44:07Of course.
44:10What's the occasion?
44:11Just a pleasant meal between friends?
44:14Well, I hope that it was a pleasant meal that might result in a special occasion.
44:21Wow.
44:23That's very mysterious and interesting.
44:27Well, I'm not comfortable being more specific.
44:32Well, sure.
44:34Just let me know today.
44:36I got broad areas of empty calendar.
44:39Thanks a lot.
44:40Sure.
44:41Night, Greg.
44:42Have a good shift, Abby.
44:43Have a good night.
44:44What's going on, Andy?
45:02You think it's possible people have passed on making contact with the living?
45:22You mean a ghost?
45:24Yeah, more so by way of your dreams.
45:28I don't know.
45:29By working these robberies, Andy Jr. being killed in a bar, I can see rationally how a dream might manifest from that.
45:43What happens in a dream?
45:45We're in contact.
45:47Don't exactly get along.
45:53I don't believe it's possible.
45:55I used to dream about my wife quite a bit.
45:59Yeah.
46:01Never seemed to have any particular meaning.
46:05Me cooking meals for her, taking her on walks and stuff.
46:10So she never came with tips on horses to bet?
46:14Nothing like that?
46:16Nah.
46:16Nah.
46:17Nah.
46:17Nah.
46:25Something alcoholic?
46:51We collared those guys, stuck you up.
46:55Is that right?
46:57Collared them on a bus.
46:59Large vehicle.
47:07Son.
47:10I am so relieved.
47:12You know who's in the bathroom that I brought with me?
47:19Who?
47:20Sylvia and the baby.
47:23They're both in the ladies' room.
47:24I told her to keep his eyes covered.
47:27Be truthful.
47:29I don't think they should be present here.
47:31You think I brought him to expose Theo to liquor?
47:39Look, I don't want to fight with you.
47:41Well, I can't do nothing right.
47:43I brought him to meet his brother.
47:46You think seeing me murdered is going to make a happy memory?
47:49This is where you were murdered.
48:02I just don't want to complicate it.
48:13These murdering bastards.
48:16What the system lets walk around.
48:20Dad, I don't want to complicate it.
48:23I'm a police officer.
48:24You understand that?
48:27It makes certain claims on my time.
48:29Oh, here we go.
48:31These are the skills killed you.
48:33Gee, Pop, really?
48:34You think they'll stop with killing you?
48:37This is why I have to do this.
48:39That's crap.
48:49The balls you sit here.
49:07Right, Dad.
49:08You shut up.
49:09You don't know nothing how the world is.
49:12Yeah, I was really sheltered being murdered.
49:22Oh, my God.
49:24What did I do?
49:25What did I do?
49:38What's your problem?
49:39I gave you my seat at the diner.
49:42We're going to be lifetime companions?
49:45That's Jesus Christ, Dad.
49:48Congratulations, pissing off Jesus Christ.
49:50That's your boss.
49:58He's traveling with you.
50:04Dad is when he started.
50:06Dad, what did I do?
50:10What did I tell you?
50:11I don't recall.
50:17Talk through me.
50:20Talk through me.
50:22Please, give me another chance.
50:26What did you just have?
50:36I loved him as bad as I am.
50:58My poor boy.
51:06Good boy.
51:36Good boy.
51:40Good boy.
51:44Good boy.
52:06Good boy.
52:14Good boy.
52:16Good boy.
52:16Good boy.
52:16Good boy.
52:17Good boy.
52:18Good boy.
52:19Good boy.
52:19Good boy.
52:19Good boy.
52:19Good boy.
52:20Good boy.
52:20Good boy.
52:21Good boy.
52:21Good boy.
52:22Good boy.
52:22Good boy.
52:22Good boy.
52:23Good boy.
52:23Good boy.
52:24Good boy.
52:24Good boy.
52:25Good boy.
52:25Good boy.
52:26Good boy.
52:26Good boy.
52:27Good boy.
52:27Good boy.
52:28Good boy.
52:28Good boy.
52:29Good boy.
52:29Good boy.
52:30Good boy.
52:31Good boy.
52:31Good boy.
52:32Good boy.
52:32Good boy.
52:33Good boy.
52:33Good boy.
52:34Good boy.
52:34Good boy.
52:35Good boy.