- 5/9/2025
NYPD Blue Season 4 Episode 17 A Wrenching Experience
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TVTranscript
02:29How'd the shooting go down?
02:31Did they say anything when they came over to you?
02:33No.
02:33So this wasn't like an argument on the street.
02:39It was more like an execution, huh?
02:40I wouldn't say.
02:42Maybe something went down before Tony picked me up.
02:45Argument in the street.
02:47Tony, say anything about that?
02:49I got to call my work.
02:51So Tony gets shot, they swipe the code, and then they split.
02:54Yeah.
02:54You see the car they were driving?
02:56I wasn't looking at the car.
02:58I was looking at Tony bleeding on the sidewalk.
03:01Okay.
03:02Okay.
03:02God, this is our baby coming.
03:07You mind if we take you to the station house?
03:08Maybe you can take a look at a few photographs of the panel like the guys you described.
03:12Maybe work a little with the police artist?
03:16Screw that.
03:17I'm going home on Colin's sake and going home.
03:20Well, maybe we can have a cop drive you home and bring you back whenever you're ready.
03:25I said what I'm going to say.
03:29Yeah.
03:30All right.
03:31Must have been after my new sheepskin coat.
03:37I got a new four days ago, but De'Lana just giving it to them.
03:44You give her a ride home?
03:45Sure.
03:46Come on.
03:54She's some cold business.
03:56It's got to be a whacker.
03:57They'd have snatched her purse up, too.
03:59She don't know who.
04:01She sure knows what it was about.
04:03Maybe she's holding back out of respect for her coat.
04:29It's got to be a whacker.
04:32She's very good.
04:32She's had to be a whacker.
04:33She's very close.
04:34I want to be a whacker.
04:36Why are you?
04:36Every day.
04:37You're getting my flack.
04:38You're getting my flack.
04:39I'm doing that can't be a whacker.
04:39Maybe you're getting out of seems.
04:42You're getting me.
04:43You're getting me.
06:15The mystery's finally revealed.
06:19How do you know it's not just meeting our girlfriend?
06:22Oh, that's... that's a component of it, James.
06:25Me meeting Kathy, but, uh...
06:27But that's not the total purpose now.
06:30Abby said so when we dined out.
06:33Yeah. Well, time will tell, huh, Greg?
06:35Absolutely. It's zero hour.
06:43Anyways, you probably want to read about the Knicks.
06:46Yeah, there's several stories here.
06:48Guys, homicide and transmission repair shop on second.
06:52Got it, boss.
06:53Son of a bitch.
06:57Good morning, Luke.
06:58Hey, guys.
06:59Good morning.
07:00Um, possible shaken baby of Bellevue?
07:03Okay.
07:04Um, working with Diane.
07:06Okay.
07:07Okay.
07:07Talk to Simone.
07:11What's this doing, Miller?
07:13That's Milo Guzman.
07:15He's a caller for sticking up at KFC.
07:17Wants to, uh, talk to you about your case.
07:20Let's chat.
07:21Come on.
07:23Thanks.
07:23That fetching necklace, Milo.
07:32You and the Latin Kings?
07:35I need help with this other thing.
07:39Yeah, it's sticking up at KFC.
07:41Me and Julio Diaz got arrested for that.
07:44That would be information already in the department's possession, Milo.
07:48Look, I got something else, all right?
07:51There was a third guy in the stick-up.
07:53But if I give up his name and if you guys don't help me, I'm gonna get shanked in the joint.
07:58All right.
07:58If you help us clear this Perez homicide, we give you our word.
08:02It gets attention from the DA.
08:04Attention, huh?
08:05We talk to the DA.
08:06The DA talks to the judge.
08:09Hey, stack it up against all your other offers.
08:16The victim that got shot, Tony Perez, he's done with the Latin Kings, too.
08:21It starts with this girl.
08:23Then he looks to drop himself out.
08:25This is Wanda Diaz?
08:26It's more his idea than hers.
08:29She went with another king before.
08:31We ain't like the mafia.
08:33If you want out, it's possible.
08:35It can happen.
08:36But you gotta ask a crown jewel's permission.
08:39I know we're closing in on the Perez homicide, Milo.
08:42A couple other kings wanted me to go with him to see Tony.
08:47It was just gonna be told.
08:49That's all.
08:49The guns are just to get his attention?
08:52I didn't have no gun.
08:54The other guys are back.
08:55Yeah, Tony, too.
08:56He sees us.
08:57He throws down.
08:59You know, I hit for cover.
09:01The guys shoot back.
09:02Then it was over.
09:04One of my guys took the girl's jacket because he wanted it for his old lady.
09:08And the stick-up date around that we're sort of needing money to leave town.
09:15The heat from shooting Tony.
09:17Yeah, we know how one thing leads to another.
09:21Julio Diaz, you got in custody.
09:23The third guy is Dio Ramirez, which is the crown jewel of the kings.
09:31I'm giving up the crown jewel.
09:34Ramirez is at his regular places?
09:36Hold up somewhere.
09:37Hiding.
09:38I don't know.
09:40Hey, no one does dick with the D.A., Milo, if we don't get Ramirez.
09:45Sometimes you hide with Rudy Moreno.
09:48Rudy got a good job.
09:49And him and Dio are boys since they were kids.
09:53Where?
10:00We live on 10th Street.
10:04Imagine a crown jewel in our very precinct.
10:23What do we got?
10:32This guy is one of the licensees, Mel Ligon.
10:36Cash register is cleared out.
10:38He shot in the head.
10:39Took a good beating to the face.
10:41Who found him?
10:42A customer came to pick his car up.
10:44Calls him in debt and splits.
10:46I got the customer's pedigree.
10:48They're going to start the canvas.
10:49All right.
10:50Oh, my God.
10:56What's going on?
10:58Come on.
11:00Who are you?
11:01Danny DeMarco.
11:02I work here.
11:03Oh, my gosh.
11:04What happened to Mel?
11:06Mel's dead, Danny.
11:07I am gone 40 minutes and poor Mel gets killed.
11:12That is horrible.
11:14How'd you hurt your hand?
11:16Oh, I did that before I went to the ATM.
11:20I just went to the ATM and the jeweler, my wrench slip, while I was walking on the transmission.
11:25This is just terrible.
11:26You had robberies before?
11:29Yeah.
11:29No.
11:30People love Mel.
11:32Why would someone do this?
11:36There's a blood trail outside.
11:38Oh, that'll probably be mine from this.
11:40It probably goes right to the ATM.
11:42I went to get money because I had to take a present from my mom out of layaway.
11:47You sure got the details of your morning down, Danny.
11:51Should I get that?
11:52No.
11:52Right.
11:56Hello?
11:58This is Detective Meadowboy.
11:59Who's calling?
12:00Is there Paul DeMarco?
12:02Shh.
12:03Yeah, Mr. DeMarco, there's been an incident.
12:07I wonder if we could come and talk to you.
12:09My dad is going to be very upset.
12:11He and Mel were partners and longtime friends.
12:14I'd rather tell you in person.
12:16Would that be all right?
12:17Oh, that's not far.
12:18We can be there in about 15 minutes.
12:21All right.
12:21Thanks very much.
12:26Um, this officer here is, uh, is going to take you into our station house, Danny.
12:34And, uh, we'll bring your father in and hopefully we can get all the information we need.
12:39I told you all I know.
12:40Well, we still got more questions.
12:42I got people picking cars up.
12:45Well, you're going down to the station house, Danny.
12:48Now.
12:49I was just getting there.
12:56Yeah.
12:57Only thing bad if this kid had a sign on him, right, Greg?
13:00A recipe.
13:02Maybe it fell off on his way back from the ATM.
13:15Wouldn't bother me if this was a false alarm.
13:17Yeah.
13:18Things seem, uh, pretty much on track again with you and Bobby.
13:22Yeah, pretty much.
13:23We're actually going to try to go to a movie tonight.
13:25Oh.
13:26Where's the odds that this will take overtime?
13:28I'm Dr. Rosen.
13:29I reported the possible shaking baby.
13:31I'm Detective Kirkendall.
13:32This is Detective Russell.
13:34My patient's a one-year-old girl with a whiplash-type injury to her brain.
13:39Large hematoma in the back of her head and a smaller one in front.
13:42She also has finger marks on her shoulder blades and thumb marks on her chest.
13:45The sitter says she injured herself falling off a couch.
13:49The fall wouldn't explain the finger marks.
13:51And she has no bruising on the outside of her skull.
13:53I'd want an MRI, but shaking's definitely the likeliest cause.
13:57Is she going to die?
13:59I think she probably will.
14:02Um, what's the sitter's name?
14:04Amy Chu.
14:06She's right over there.
14:07Is Tina okay?
14:15Amy, we're from the police department.
14:17We're looking into what happened to Tina.
14:19Um, she fell off the couch.
14:21You know, I'm just away from her one minute.
14:24And she fell?
14:25Yes.
14:25Why'd you left her on the couch?
14:27Um, I made a mistake.
14:29Is she going to be all right?
14:31The doctors are doing everything they can for her, Amy.
14:33What you need to concentrate on is helping us understand how this accident happened.
14:38I made a mistake for one minute.
14:40What happened?
14:41Where's Tina?
14:42I'm so sorry.
14:44Um, Tina hit her head and the doctor is taking care of her.
14:49Why weren't you with her?
14:50What's wrong with you?
14:51I made a mistake.
14:52Give us a doctor with Tina, John.
14:53Amy, you need to come to the station house with us.
14:56I'm going to have to go home?
14:56Yeah, you do.
14:57John, when it's going to be new for you, would you please get in touch with us?
15:02John, Tina, what's wrong with you?
15:04I don't know.
15:05I don't know.
15:07Awful girl.
15:08You hurt our baby.
15:11Let's go home.
15:12Let's go home.
15:27Rudy Moreno?
15:35Yeah.
15:36Dr. Sipwitz and Simone, can we come in?
15:39Sure.
15:45What are you here for?
15:47You know a guy named Leo Ramirez?
15:49My whole life.
15:50Know where he is?
15:51It's a guessing game with him just out of the joint.
15:54Yeah, well, we need to talk to him about a guy getting shot.
15:57Tony Perez.
15:58Know anything about that?
16:00No.
16:01No.
16:01You got an address for us, Rudy?
16:02A place where we can go and talk to this Leo?
16:05He just crashed us with friends.
16:07Kind of lives a wandering life.
16:08Phone number, pager.
16:12A pager, Rudy?
16:14Does Leo have a pager?
16:15I'm not sure.
16:17In the Army, huh?
16:18MP.
16:19In fact, I'm on the list.
16:21They're applying for the police department.
16:22They're doing my background check.
16:24Is that right?
16:25Well, I'll tell you something, Rudy.
16:27If you want to get on this job a solid here helping us find Leo, that's not going to hurt your chances.
16:33The flip side, you don't cooperate.
16:37Your investigator is liable to hear about that.
16:39We know each other since we're five years old.
16:42If you want to be on the job, Rudy, you're going to be facing situations like that.
16:46You and Ramirez, you go way back, right?
16:48Well, he shot a man dead in the street.
16:50You want me to be, Paul?
16:58Find out where he is when he calls you back, Rudy.
17:01And we'll grab him up without Leo ever knowing it came from you.
17:05I'm going to know.
17:05I'd like to keep trying my partner's wife.
17:28She don't have to hear from a stranger.
17:29Maxine, could you set Mr. DeMarco up with a phone and a coffee room?
17:35Sure.
17:36Yeah, whatever beverage he's looking for.
17:37Your DOA had some political juice.
17:46Big supporter of the job.
17:48This guy we brought in is the father of the kid we like for the homicide.
17:53While we're working up the crime scene, this kid walks in with a bloodied up hand he supposedly got fixing a tranny.
17:59There's a blood trail outside the back door of this transmission place, leads to the ATM where this kid made a withdrawal from.
18:06Yeah, we think he took out the money to account for having the proceeds from the robbery.
18:10Yeah, he took the money out to cover the robbery, then he puts himself down the street at a jeweler, taking out a gift on layaway.
18:17So, um, the jeweler backs him?
18:19Yeah.
18:20He says he was there, but he was acting awfully nervous.
18:23Jeweler says he thought he was going to rob him.
18:25Anyways, uh, we're going to see what we get from the father and then go back at the kid.
18:34Um, ooh, uh, as we're leaving this transmission place, James spoke aside to me.
18:40This kid did everything but wearing a rest me sign on his back.
18:50Nothing like building up the boss's expectations.
18:53You think that was too much fanfare?
18:57Thanks, Maxie.
18:58Okay.
19:04You got my son in here?
19:06Yeah, we, uh, need some further information from Danny.
19:10Listen, DeMarco, uh, do you know if Mr. Eigen had anyone angry at him?
19:15This was a straight arrow guy.
19:18He didn't gamble, he didn't do drugs, he didn't run around.
19:21Did your son get along with Mel?
19:24My son doesn't get on with anyone.
19:27He had a drug problem, can't keep a job.
19:30He was working for you and Mel.
19:32Mel was nice enough.
19:33He suggested hiring Danny, you know, let him move out of my and my wife's apartment.
19:39Kid doesn't have one friend.
19:42Not one person to call, have a social time with.
19:45Mr. DeMarco, do you know Danny to be violent?
19:51I don't know.
19:53Does he own a gun, you know?
19:57Where was he, anyhow?
19:59He should have been doing repairs there.
20:03Danny says that he, uh, stepped out to, uh, pick up a present for your wife.
20:07I want to talk to him.
20:11Not right now, Mr. DeMarco.
20:15Are you done with me?
20:17Yeah, you can go for now.
20:20Hey, you tell him.
20:22If he did this, I hope he burns in hell.
20:33Ready to go at him?
20:34Did you talk to my dad?
20:46Yeah, we just finished, Danny.
20:49Is he horrified?
20:50He's pretty broken up.
20:52Because he and Mel were best friends 30 years, you know.
20:55He tells us you didn't normally, uh, go out for errands in the middle of a working day.
21:00Well, today, I went to go pick up earrings I'd bought for my mother.
21:05I-I got them with me.
21:06Will you stop by that jeweler going to pick up your dad?
21:09You said you had those earrings on layaways since four months back.
21:12Well, I'd saved enough by now.
21:15It's not like Mel and my dad paid me a king's salary.
21:20Are you directing suspicion at me?
21:24Danny, your wrench injury is consistent with what might happen in some type of altercation.
21:31I explained every single aspect.
21:35My blood, my whereabouts.
21:39I resent the implication because there's a killer on the loose.
21:43Do you own a gun, Danny?
21:44Danny, no.
21:46I went to work.
21:48I did my repairs.
21:50I took a break, which I am entitled to.
21:52And then Mel was dead.
21:55That is my story.
22:01Are you on drugs presently, Danny?
22:08I have told you my story.
22:11I have told you my story.
22:14That was easy, huh, Greg?
22:37I feel very scared.
22:40We understand that, Amy.
22:42We know you're upset about Tina.
22:47Can you tell us exactly what happened leading up to Tina's having to go to the hospital?
22:55Tina was on the couch.
22:58Just for a minute, I went to the kitchen to get a juice bar.
23:02When I got back, she had fallen.
23:06Did she cry when she fell?
23:07No, I would hear and come right away.
23:11So she was unconscious?
23:15Yes.
23:18Amy, the doctor said Tina's head injuries were different from the kind she'd have gotten, following the way you described.
23:25I can't understand that.
23:29Mm-mm.
23:31Just generally speaking, Amy, did the baby cry a lot?
23:35No.
23:36Get you frustrated?
23:37Oh, no.
23:38You know, sometimes people get angry at a crying baby and shake them to get them to stop.
23:43No, I did everything normal.
23:46You can check the journal.
23:48What journal?
23:48I'll mark everything down.
24:00715, give Tina a bath.
24:04830, feed her.
24:06910, she goes to P.
24:08I change the diaper.
24:12You do a page like this every day?
24:14Yeah, everything she'd do.
24:16Yeah.
24:16So, feeding, peeling, poop, all of it.
24:21And this was the Zeng's idea?
24:23My idea.
24:28I love the baby.
24:30I love the baby.
24:46Amy, we're going to have you sit here a little while.
24:51And I'd really like you to use the time to think through other ways Tina might have gotten her head injuries.
25:00Okay.
25:01You want a soda or something?
25:11No, thank you.
25:12A lot of time on that corner.
25:32Hey, you need to slide down in the seat, Woody, so you can just see over the window.
25:37That's him.
25:46That's Leo.
25:47Got the black jacket, taking the cigarette?
25:49The one going back in.
25:51All right.
25:52All right, throw that blanket over here while we go get him.
25:55We'll put Leo in a radio car and then we'll pick this car back up.
25:59I wouldn't mind talking to him, explaining that.
26:02We're going to cover up with the blanket until we get back in, huh?
26:04Let's go.
26:11Exhale.
26:12Exhale.
26:14He fell from the ceiling, you know.
26:20Isn't that right?
26:23It's good.
26:23It's good.
26:23Let's get home.
26:26Everybody up against the wall, hands over your head.
26:28Up against the wall.
26:29You two, get up.
26:29Hands over your head.
26:30Get up there.
26:31Man hanging with your boy some kind of crime, man.
26:34What do you got in the bag there, Leo?
26:36You know my name.
26:37Because your ugly puss is on a surveillance camera in that KFC.
26:41I don't know what KFC you're talking about, my man.
26:44The one I'm familiar with ain't got no surveillance camera.
26:47You mean it's just not up there where everybody can see it.
26:50I know who told you I was that.
26:52Yeah, I'll be having a conversation with him real soon.
26:55Shut up.
26:55Let's get a radio car and take this slime bag in.
26:58That coat is stolen. Give it up.
27:00Nah, man. That's hers.
27:01No, I think that must have been a dream you had.
27:04You got to see a lot, they ain't no one got to hassle them, right?
27:18Oh, yeah. That's our stick, Leo.
27:21Our specialty is the ones that murder people on the street and steal from pregnant women.
27:26And where you getting at?
27:27You killed Tony Perez, Leo.
27:30Wasn't me.
27:31Perez's girlfriend is picking you out, Leo.
27:34Plus that coat your old lady was sporting in the bodega.
27:37Yeah, that used to be hers.
27:40Come on.
27:41There's a lot of sheepskins out there.
27:44And that girl?
27:45I wouldn't be so reliable she's gonna go against the king.
27:48No, huh?
27:50Tony wasn't the first king she dated.
27:52So why'd you kill him, Leo?
27:53Because you wanted to straighten out instead of screwing up with your boys?
27:56You got to ask the crown jewel's permission.
28:01Anything possible with that.
28:03Crown jewel being you?
28:06Maybe I'd say yeah.
28:08Maybe I'd say no.
28:09So because this guy didn't want to kiss your ring there, you figure he deserves dying?
28:14Man, I'm not figuring nothing because I wasn't involved.
28:18But my general statement is this.
28:20A member's gotta show respect.
28:23I cut her on, Bob.
28:25Love your accent.
28:27You love my accent, huh?
28:30You want a fistful of my accent?
28:32Man, you're really bad, aren't you, Leo?
28:35That girl's never giving you up.
28:37That's just about my position, yeah.
28:41Get up, asshole.
28:50There's your new position.
29:02Mr. and Mrs. A.
29:17How's Tina?
29:18On a respirator.
29:20They don't know where she will live.
29:22We're so sorry.
29:24Why do you make us be here?
29:26You should be talking to Amy Chu.
29:28We're talking to Amy.
29:30Why don't we sit over here?
29:32Would you like something to drink?
29:47Just ask us what you're eating.
29:51Has Tina ever fallen before?
29:53No.
29:54Did you or your wife ever have occasion to set her down real hard?
29:57No, no.
29:58This is Amy Chu's doing.
30:00We're certainly looking at the possibility Amy's responsible.
30:04She does seem diligent and very caring about your daughter.
30:08Tracking Tina's daily activities in the journal, meals, when she would go to the bathroom.
30:14I noticed that there were no entries for when the baby would sleep.
30:19No.
30:20Did you give Amy instructions to keep Tina awake?
30:23Yes.
30:24Mrs. Young, a one-year-old needs to nap during the day.
30:30They go six, eight hours without sleep.
30:32They're suffering deprivation.
30:34Weakness, we want her to be tired so everyone sleeps.
30:37My wife and I work hard.
30:39Get home, we want Tina fed clean, ready for bed.
30:43Sure.
30:44Did you ever see Amy be rough with Tina?
30:47Tina, it must be her.
30:51I want to be with Tina.
30:52I want to go.
30:54Thanks for coming in.
31:05I'm going to the hospital to get a statement from the admitting intern.
31:08So how are you holding up, Wanda?
31:17It's hard, you know.
31:19Did we hear that story right there?
31:21The head of that diaper company that's going to be putting up money for the baby?
31:25Yeah, you heard on the radio what happened to Tony.
31:27He's going to help with some of the baby's expenses.
31:30So that's a good break.
31:32Yeah, it's going to help.
31:34We need you to pick Tony's shoe around, Wanda.
31:38You think so?
31:39Nobody's talking about testimony.
31:42No, you pick him up a lot.
31:44He's going to be looking to deal.
31:46You think so?
31:47Yeah, that's what we think, Wanda.
31:49You think different?
31:50You think he'll plead out?
31:51You don't know the crown jewel.
31:54Which does hint Wanda's awareness on Tony's assailant.
31:59This head of the diaper company.
32:01Mr. Altmaier.
32:04Publicity fanatic.
32:05You know, a post comes out, he ain't in it.
32:07That guy goes to bed with a migraine.
32:09Mr. Altmaier finds out that you did the right thing here, Wanda.
32:12You're going to be looking at a lot more than diaper money.
32:16He thinks so?
32:17Oh, yeah.
32:18Widowed mother-to-be stands up to fiancé's killers.
32:22Blowhard financier, frees her from gang's clutches.
32:25I'll tell you something else, Wanda.
32:27A guy like this steps in, he makes a long-term commitment.
32:30They don't want no embarrassment afterwards.
32:32Anything bad happens to you.
32:34We're talking about a lifestyle makeover here.
32:39You think so?
32:43Absolutely.
32:43I'll tell you who did it, and pick him out.
33:01Man, this day, DeMarco interview, I'm not going to pretend one PP's not putting my feet to the fire somewhat.
33:07We recognize the position you're in, Captain.
33:09And what I'm not going to do is put Lieutenant Fancy in the middle, which is why I want to speak to the bolt to use directly.
33:15And I'm not going to put you in the middle, kibitzing how you run your interview or conduct your case.
33:20So what would be your point, Captain?
33:22The point is, don't be shy.
33:26Meaning?
33:27Meaning, I'm not going to advocate one interrogation technique from another,
33:31but we want a statement from this asshole before anyone gets too much older.
33:35And if the room's got the wrong population, I think we're all adults and we're prepared to sacrifice for the good of the whole.
33:42So what does that sound like, don't walk him, but don't give him anything to hit?
33:47Arthur, if that's what you heard, I'm not listening right.
33:51I got nothing against timely hits.
33:53Deal with him the way you think it's right.
34:11I want to be more helpful.
34:13I really do.
34:14Yeah?
34:15Then you should be more candid, Danny.
34:17Well, I wish I could say more because there are layers and sides to every story.
34:24So what's preventing you from exploring those?
34:28You ever find yourself the odd man out?
34:33Sure.
34:34Out in the cold?
34:36Third wheel, which is an unpleasant thing.
34:39Absolutely.
34:40Dad was my situation at my workplace.
34:44Mel and my dad are big pals.
34:47Go to lunch every single day while I brown bag it.
34:51Hurt your feelings?
34:55I put up with it, you know.
34:57Them being all buddy-buddy with their jokes.
35:03But then they'd laugh at me.
35:09And boss me.
35:10And say, I don't do a good job.
35:17Did, uh, Mel laugh at you yesterday?
35:20I mean, it just isn't common courtesy.
35:25Call someone stupid and a moron.
35:30And at the same time, show an everlasting love for Mel.
35:36This is your dad now.
35:37Both.
35:40Both of them best friends.
35:42Making me feel like dirt.
35:45Danny, did all this resentment, plus, uh, inadequate wages, how you felt the case, did you finally do something about that?
35:57No.
35:59Jerking us around a little, Danny?
36:01Lead up to being cooperative, then yank the rug out?
36:04No.
36:04Because there's other ways we can go on this, where you'll wish you took the chance my partner's given you.
36:09What's that supposed to mean?
36:11You're on the methadone maintenance, right?
36:14My program gives me up.
36:16That's breach of confidence.
36:17I figure you got good and loaded before you did what you did this morning.
36:21Not worried at all, jonesing in here.
36:23I am not worried because I'm innocent.
36:28You're not worried because you think your alibi's solid.
36:32And you're still feeling good from your dose, right?
36:36What you're leaving out, Danny, is the chance you might get your ass kicked.
36:40Do you wish you were dead?
36:51I didn't know it.
36:53And you're not going to make me say that I did.
37:20I think I got to tone him up.
37:23Thing is, James, he's not going for a lawyer.
37:25Indicating what?
37:27Indicating some aspect he wants to be forthcoming.
37:30How about it's indicating he thinks he's got all the answers for circumstantial evidence,
37:34and he's getting off on breaking our balls.
37:36I differ on tuning him up.
37:38Because he a genie's out of the bottle experience.
37:41I don't think it's right for this kid.
37:43The clock's running on this, Greg.
37:45We don't move him soon.
37:46I'm going upside his head.
37:48It's four o'clock, Lieutenant.
38:02Do you know where your eigeninvestigation is?
38:04I'd give it a rest, Colin.
38:06Got your crack detectives Martinez and Medivoy in this one.
38:09Meaning what?
38:10The dead guy had a lot of juice.
38:11I don't think you want to come out of the jungle empty-handed.
38:14Lou, Diane's on her way back.
38:16The baby died.
38:18Did the babysitter make a statement?
38:20We'll go back at her now.
38:21She's a baby killer.
38:22Why the lack of enthusiasm?
38:24Oh, kiss my ass, Colin.
38:27Not an entirely unappealing thought.
38:29She adored this kid, Lou.
38:34Forty entries a day in a journal.
38:36Every hiccup the kid made.
38:38But do you think she did it?
38:41I don't think the parents would have taken the time.
38:44They made me.
38:44Okay.
38:45Okay.
38:59Thanks, Josh.
39:10It's about time I go.
39:13Yeah, Danny?
39:15You get enough jollies telling us lies?
39:18I'd like to talk to you a little more, Danny, on this morning's circumstances.
39:23Meaning your boss's death.
39:25One of my boss's death.
39:27Right.
39:28You know, your dad's your other boss.
39:30Not that he wouldn't rather that I was out of his life altogether.
39:35You know, I tried suicide three times.
39:40And believe me, my dad never cried at my bedside like I know he's crying over Mel.
39:48You know, you're a sniveling little asshole.
39:52Why shouldn't your dad grieve over his friend getting killed?
39:55Why should that make you jealous?
39:57He's not begrudging this grieving, James.
40:00But is dad not showing equivalent sympathy when Danny was down himself?
40:05Or maybe he was laughing.
40:08Making fun.
40:10Like you can't even kill yourself right, you worthless jerk.
40:14Oh, Danny, take it easy.
40:15You think that I am jerking you around?
40:20You think that I am not genuinely upset?
40:24My life is a failure.
40:28You think that I'm glad I'm on methadone maintenance?
40:32Or that no one in this world cares two cents about me?
40:35Well, put me on that list, you creepy little jerk.
40:38It's a long list.
40:40Well, put me on the top.
40:45God.
40:48I am so unhappy.
40:49I am so unhappy.
40:50Come here, Danny.
40:59Come here and let it out.
41:06You think I wanted things to happen?
41:13All right.
41:14All right.
41:14Tell me what happened.
41:20I got, I got carried away.
41:25I took a double dose.
41:28And the anger had brought to them.
41:32I would have killed both of them if my dad had been there.
41:41I'm such a weasel.
41:43And then what?
41:44Then.
41:47I had to cover up.
41:49Of course you did.
41:51There, there.
41:52There.
41:52There.
41:53There.
41:53There.
42:06There's no easy way to tell you this, Amy.
42:26Tina died an hour ago.
42:28Oh, no.
42:31Oh, no.
42:32Oh, baby.
42:36The doctor said whatever happened absolutely didn't have to be intentional, but Tina died
42:48from someone shaking her too hard.
42:56Amy, anyone could tell from looking at that journal you kept how much you loved and cared
43:02for Tina.
43:03I loved her.
43:09I took care of her the best I could.
43:14But now she's dead.
43:16No.
43:17Don't go.
43:18Don't go.
43:22No, I'm fed her and creamed her.
43:28I was walking a hold of her.
43:40You know, I saw in the mirror that her eyes were closing, you know.
43:50You know, no, no, no.
43:56My mother, she's very sick last year and, you know, they loaned me money for the medicine.
44:07You know, I can't lose this job.
44:11You know, the last time, the drugs, they said they fire me if she falls asleep.
44:22But the baby is so tired.
44:30She tried so hard to stay awake for me, but she can't keep from sleeping.
44:37You know, I'm loving Tina, she...
44:43Okay, Amy.
44:46I'm...
44:47Captain Bass says congratulations.
45:05Yeah, good.
45:06Yeah.
45:07Little TLC from Greg turned the trick, huh, Lou?
45:10It'd be good work, Greg.
45:11Yeah.
45:12But I gotta fess up.
45:14Heh.
45:15You know, if he didn't go, having him in a hug, I was gonna give him a hell of a noogie.
45:20Hmm.
45:22Hmm.
45:23Really going to the movies?
45:24You don't want to go?
45:25No, I want to go.
45:27It's just an invitation to some kind of natural disaster or something.
45:43It's Jerry Maguire, Diane.
45:45I'm saying something will come up.
45:47Yeah, something will definitely come up.
45:49It's my hope for after the film.
45:52That's a disgusting remark.
45:55You're fortunate you're among friends.
45:59Hmm.
46:00Doctor, Detective Simone's in there.
46:07Can you give me a second?
46:09It's good.
46:11Come on, Amy.
46:13How's it going?
46:15Wheel's going back in, huh?
46:18Yeah.
46:19I got a lot of guilt about it.
46:21Well, you gotta believe in the future, Rudy.
46:23Turning away is gonna make you a better person.
46:25Plus, you'll be able to do good for some other people.
46:28I want that.
46:31So was that just some BS tactic?
46:34Saying you'd help me get in the academy?
46:36You investigate his name is Earl Collins, right?
46:42I got a meeting with him tomorrow at 10-15.
46:45Thanks.
46:46I'll be seeing you again, Rudy.
46:47Thanks.
46:48I'll be seeing you again, Rudy.
46:50I'd see you again, Rudy.
46:51I'll be see you again, Rudy.
47:00More wine, Greg?
47:15Uh, no, thank you very much.
47:19Oh, yes, of course.
47:30Boo, Greg.
47:32You think I've had enough?
47:35That was, um, boo like a witch.
47:39Oh, I thought you were hackling my second glass.
47:42She was trying to get you to relax a little bit.
47:46Ah, ah, point taken.
47:50Boo, I'm nothing to be afraid of.
47:54So you don't mind if I have the second glass?
47:59Not at all.
48:06Did you always want to be a cop, Greg?
48:13I, uh, I flirted with being a schoolteacher, Kathy.
48:19But, uh, I came on a job market in a budgetary era.
48:25Teachers just weren't getting hired.
48:27Um, I had, uh, relatives on a job.
48:32What we call, uh, uh, uh, a hook.
48:35And so that's, uh, how things came out.
48:42Kathy's a writer.
48:44Oh, is that so?
48:46Kathy writes copy for an ad agency.
48:49And she writes poetry.
48:51And she's working on a wonderful novel right now.
48:57Kathy, I am just so full of admiration for that.
49:00I, I, I very much enjoyed reading.
49:04I, I, I sometimes thought my declining years, uh,
49:08I could write stories about the job.
49:11The next Joseph Womba.
49:13The next Joseph Womba.
49:15Why not?
49:17I bet you got great stories to tell.
49:20Greg is a terrific detective.
49:21Well, you are just the two nicest people.
49:27I can't tell you what fun and relief I've had.
49:30Wait till we start singing sea chanches after dessert.
49:34I know one, Kathy.
49:35I, I know a capital ship.
49:37A capital ship on an ocean trip
49:42With the whopping window blinds
49:45The wind that blew
49:46Gets made the crew
49:50And troubled the captain's mind
49:52My God!
49:56I haven't sung that song in 20 years.
50:00Can I just ask you a question straight out?
50:03Because I feel such rapport.
50:05Sure.
50:05Is that a vagina on the wall?
50:11It, it, it
50:12It was intended as an art piece.
50:21What have I said?
50:22Have I, have I just made a complete faux pas?
50:24No, no.
50:26We should have taken it down
50:28Instead of trying to cover it up.
50:30Have I mortified myself?
50:33Greg.
50:35Yes.
50:37You're a cool guy.
50:41Hardly.
50:42Trust me.
50:47Finish your food, finish your wine,
50:49And then we're gonna have great dessert.
50:51And then we can hang out until you're ready to go.
50:54Well, I'd like to sit under that
50:57So it's out of my field of vision.
51:00Switch places.
51:10I'm not sure I'm capable of any more steps.
51:13Sure you are.
51:14I'm not sure I'm capable of any more steps.
51:16I'm not sure I'm capable of any more steps.
51:16Oh, I'm not sure I'm capable of any more steps.
51:17So there's even more, huh?
51:18Oh, he's so cute.
51:43Hey, he's all right.
51:44You just wish you could put your hands around them.
51:47Well, I'll put your hands around them, huh?
51:49You don't have to send you back to the academy with some sensitivity training there.
51:53I'm not talking about Tom Cruise.
51:55Bobby, the little boy.
51:58I knew that.
52:01No, he was cute.
52:03He gives Jerry Maguire the hug.
52:07Yeah.
52:08I want some of those.
52:11Oh, yeah? Kids, huh?
52:13Hmm. And that's, that's when you're supposed to say, I want to give them to you, Diane.
52:23Oh, you know I do.
52:27Hmm.
52:31Show me the engagement ring.
52:35You think I can talk that thing around with me?
52:41Where is it?
52:43Where?
52:45Show me the ring.
52:47Is it in your pocket?
52:50Come on, Diane.
52:51It's embarrassing.
52:52Some of you are going to call a cop on me.
52:54You just don't want to get me out of your pants.
52:59It's in the apartment.
53:00You have transportation in this town, huh?
53:10Yo!
53:16Here we go.
53:26I love you, Bobby.
53:30Sir, I'm going to sell her to ring.
53:38Okay.
54:00So,
54:08I'll see you next time.
54:09So,
54:10I'll see you next time.
54:22Bye.
54:27Bye.
54:27Bye.
54:27Bye.
54:28Bye.
54:28Bye.
54:28Bye.
54:29Bye.
54:29Bye.
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