Miami Vice Season 4 Episode 11 Rock And A Hard Place
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00:00Racketeering Strike Force, U.S. Attorney's Office, anything you say may be used against you.
00:08Let's go.
00:14This one's for Will. You're gonna make him a star too, remember?
00:18And Rocky, and Lex, and everyone else you screwed over, you mealy-mouthed, two-faced bastard.
00:24Let's go. Let's go.
00:26We finagle a plea. The worst you get is a year, reduced to six months.
00:32In the record business, rule number one is don't get caught.
00:36You do time. I don't care if it's six months or six minutes.
00:39Your own grandmother won't return your calls. You're dead.
00:43If Lowe's not gonna take a fall, he's gonna name names.
00:46Whose? Mine.
00:48Who am I gonna name, Paul? You.
00:52And you're gonna name everybody but the janitor on the 10th floor.
00:56Then the subcommittee on pay-all reconvenes, and we got another two years of indictments and headlines.
01:02Deadlines.
01:04So?
01:06So, Tommy is about to become a very minor footnote in the history of rock and roll.
01:13Tommy got a couple of armed security guards
01:16To hang well from the shower head in our hotel.
01:24You know that?
01:26Yeah.
01:28But I can't do it.
01:34I'm sorry.
01:35What is this, heavy metal?
01:47What is this, heavy metal?
01:47Man, that's terrible, that Tommy Lowe, huh?
02:11Yeah.
02:12I heard his car overheated in Miami.
02:14Yeah, those imports really aren't designed for that humidity.
02:20So, what are we going to do about Cape?
02:24Tonight, on Miami Vice.
02:26How did you get into first class?
02:35I walked.
02:37Awesome, isn't it?
02:40Where's your boarding pass?
02:42It's okay.
02:44What's your name?
02:46Henry.
02:48Henry?
02:50Hank.
02:50Thanks a lot.
02:55Come on, Henry.
02:56Let's go.
03:03Yeah.
03:05Nice looking fans, honey.
03:11Well, better buckle up.
03:15Going down.
03:20Come on.
03:22Bye-bye.
03:25Bye-bye.
03:47Bye-bye.
03:49Bye-bye.
03:49Bye-bye.
03:50Bye-bye.
03:50I'm going to get on the line.
04:20I'm going to get on the line.
04:50I'm going to get on the line.
05:20I'm going to get on the line.
05:50I'm going to get on the line.
06:20I'm going to get on the line.
06:50So much integrity, artistic integrity, they're going to blow everyone out of the box come Christmas. Guaranteed.
07:01Thanks.
07:02See you around seven.
07:10I'll be ready.
07:11What the hell was all that about?
07:21Business as usual.
07:23God, I'd forgotten how audious it can all be.
07:26Yeah, well, you won't get an argument out of me.
07:30That's not what I'm talking about.
07:33The hell was that?
07:35I mean, that mob scene.
07:36Who's responsible for that?
07:38Public relations geniuses, every Indusica.
07:42It was all carefully planned and orchestrated.
07:44Yeah, yeah.
07:45Like the Kennedy assassination.
07:47Sweetheart.
07:48I'm serious.
07:49If you ask me, those airheads spaced on the damn security arrangements.
07:57Maybe they just forgot?
08:00They forgot?
08:01Your wife is dead, Mr. Crockett.
08:04We forgot?
08:05Okay.
08:06I'll call Wiggins later.
08:09Yeah, well, we're nutcase central now, and I'm not going to let you out of my sight.
08:14Oh, you won't get any arguments from me on that one.
08:19Don't you want to argue just a little bit?
08:22Mm-hmm.
08:23Maybe we get the blood boiling in on me.
08:26Mm-hmm.
08:26All right.
08:44Jump up.
08:55Get it.
08:56Hey.
08:56Devil with a bluegrass, bluegrass, bluegrass, devil with a bluegrass song.
09:02Ooh, yeah.
09:04Devil with a bluegrass, bluegrass, bluegrass, bluegrass.
09:07Devil with a bluegrass song.
09:40Hey, Stevie.
09:43It is.
09:43Oh, it is.
09:44Yeah, my machine's been on the fridge.
09:47Yeah?
09:47Yeah.
09:48For three weeks?
09:49Frankly, I'm surprised to see you.
09:51Thought I read your obit in Melody Maker years ago.
09:55Another fast lane breakdown.
09:59Stevie, here's a guy you should be talking to.
10:02Jerry Lee, you know Steve Owens?
10:03Yeah, sure. How you doing?
10:05Nice party.
10:07Nice article.
10:07You wrote that Rolling Stone article?
10:10Yeah, National Inquisitor.
10:13This kid made Caitlyn sound like Mother Teresa in a black leather habit.
10:17Very thorough.
10:19Well-researched for a gossip rag.
10:21Thanks.
10:23Except for one thing.
10:25Couldn't get a line on the old man.
10:27Sonny Burnett.
10:29He's a nobody.
10:30Small businessman.
10:31What kind of business?
10:32Import-export.
10:35Stevie, don't be a stranger.
10:37Import-export?
10:39Give me a break.
10:43Want something to drink, darling?
10:45Yeah.
10:46Oh, excuse me.
10:47Can we have a glass of champagne and blackjack?
10:50Sure there.
10:51Ashley, I'm starving.
10:53You never give me enough time to eat.
10:55There you go.
10:56Go for it.
10:56Get you.
10:57Hey, Kayliss.
10:59Hi.
11:00Come on, love.
11:01There's no time to eat now.
11:02But I want you to be my...
11:03Hey, dude.
11:04Listen, Terry Crosby is a time to meet you, mom.
11:08Thank you, Missy.
11:09Let me have a blackjack, please.
11:26Neat.
11:31Sonny.
11:32Sonny.
11:35I know you.
11:36Not yet.
11:40But I am a big fan of Kayliss.
11:43Big fan.
11:47Mr. Ralph Slick, personal manager.
11:51Not the Mr. Slick.
11:55My reputation precedes me.
11:57Thanks.
11:58Okay.
11:59Okay.
11:59Okay.
11:59Okay.
11:59Okay.
11:59Okay.
11:59Okay.
11:59Okay.
11:59Okay.
12:00Okay.
12:00Okay.
12:00Okay.
12:01Okay.
12:01Okay.
12:02Okay.
12:02Okay.
12:03Okay.
12:03Okay.
12:04Okay.
12:04Okay.
12:05Okay.
12:06Okay.
12:07Okay.
12:07Okay.
12:09Okay.
12:11Your reputation subs.
12:36Morning, sweetheart.
12:38You're up, Harley.
12:40Well, I was just thinking,
12:42it's about nine, nine o'clock back in Miami,
12:46and Swiatek's just coming with the donuts
12:50and eating them all.
12:55Sounds like a man who's missing his work.
12:59Well...
13:02When are you going?
13:05This afternoon?
13:08I got to.
13:11Plus, I want to rain on your parade.
13:14It's not my parade.
13:17Well, it sure as hell isn't mine.
13:24It's only for a little while.
13:26Then we can take the money and run.
13:32Thought we were doing okay before.
13:35We were, but the way this album's moving...
13:41Even I didn't expect it to go this fast.
13:44When it's raining money in the music business,
13:46you don't put up an umbrella.
13:48It could be set for life.
13:50Anyway, you know I love to sing.
13:56My hit album means that I could keep on doing that...
14:01as much as I want.
14:07Well, darling, if that's what you want...
14:09and that's what I want too.
14:19Here's to the future.
14:21That, of course, is always the unexpected and excessive promotional expenses.
14:37That's always good for $400,000 or $500,000.
14:40What'd you get on this thing up front?
14:42Nothing, right?
14:44$30,000?
14:45$35,000.
14:46But she got a lot of points.
14:48$55,000.
14:51Any loopholes?
14:52Well, if she fails to tour in support of the album, she loses the points.
14:57There's a possibility.
14:59She never was much for touring.
15:00Especially now that she's settled into matrimonial bliss.
15:01Yeah, it's nice to see her so happy.
15:02Well, we'll think of something.
15:03In the meantime, I want the promo guys to hype the bejesus out of this album.
15:04My gut tells me this Piper trip is going to go right down the toilet on number three.
15:06The model is going to wear real thin.
15:07What are you doing?
15:28What are you doing?
15:36What does it look like?
15:38I'm kidding.
15:39You don't want to miss your plane.
15:44What I don't want is my wife.
15:47Hassled.
15:48You going to be all right?
15:58I'll be fine.
15:59You're the one getting up in the airplane.
16:03Don't worry.
16:04Nicole, are you okay?
16:15Sonny, great meeting you, man.
16:18You know, man, I would have brought the limo,
16:29but it's in the shop.
16:31Don't get me started.
16:34What's wrong?
16:35Too laid back in Lotus Land?
16:37Yeah, laid back.
16:39Like a school of piranha in a hot tub.
16:44I'm just happy to be back in the real world.
16:46Yeah, if you can call Miami real.
16:49Yeah.
16:51How's Kate?
16:52She's fine.
16:54Said to give you a big kiss.
16:55Hey, morning, Sonny.
17:09Hey, Trudy.
17:11Well, Mr. Hollywood.
17:13Nice picture.
17:14Sure.
17:14Everyone's famous for 15 minutes, Sonny.
17:22Yeah, you can almost make out your hairline.
17:25We did a little brainstorming down at the DA's office this morning.
17:41Your wife fingered Tommy Lowe.
17:46We figured maybe you hear a little pillow talk.
17:48They pay you for that?
17:56Brainstorming?
18:01Give me a break.
18:03Brain dead, maybe.
18:05Tommy Lowe was gonna cop a plea
18:07on ratting out some business suits at royalty records.
18:11Only somebody hotwired him first.
18:13Name's Mahoney.
18:15I always forget them.
18:16They're like, uh, frickin' frack.
18:22Fremont and Wiggins?
18:24Yeah, that's it.
18:26Paul Fremont and Gordon Wiggins.
18:28What?
18:38Want me to do your job for you?
18:42San Diego's near L.A., isn't it?
18:45Yeah, near enough.
18:46Why?
18:47Seems there was a lot of speculation
18:49about some no-name DJ
18:51that stiffed your boys on some airplay.
18:55And?
18:55Last week, border agents
18:58found him in pieces
18:59all around the desert.
19:06Fremont and Wiggins.
19:08Rumor has it they pushed the buttons.
19:18I'll take it.
19:22Who's gonna be better positioned than me?
19:25Hey, man.
19:32Hey, partner, how you doing?
19:33How you doing?
19:33All right.
19:34Look, I brought you some dinner
19:35since you're living alone again.
19:38Not for long.
19:40I thought Carolyn was gonna be in L.A.
19:41for the entire week.
19:42Well, she is, but I'm on my way back.
19:45Tommy Lowe?
19:47Yeah.
19:47She's gonna get absolutely orbital
19:50when she finds out I'm working her bosses.
19:53You'll understand.
19:55I wouldn't bet on it.
19:58We haven't had an agreement.
20:02She didn't get involved in the police work,
20:04and I didn't get involved in the music business.
20:07Separate, but equal.
20:09But this is my case.
20:13I got no choice.
20:16Uh-huh.
20:17Your choice.
20:20What's that supposed to mean?
20:22You could've handed it off.
20:25Castillo could've kicked it all the way back to Los Angeles.
20:28Are you kidding me?
20:32It's complicated, Rico.
20:35Nobody else has the inside track.
20:39I mean, this Fremont and Wiggins,
20:40they're a couple of tube stakes.
20:44It's just guesswork trying to tie in
20:46to Tommy Lowe's murder.
20:49Like I said.
20:54If it was your wife, would you shine it on?
20:58So what do you want me to do?
21:03Import, export.
21:05I'll be damned.
21:08These guys should take out ads in the yellow pages.
21:11Import, export.
21:13Kind of with a spin on the Caitlin Davies resurrection story,
21:16doesn't it?
21:17Yeah.
21:18Candidate for sainthood found in love nest with dealer.
21:22Yeah.
21:23Yeah.
21:24This could be a killer.
21:25Michael, see if you can track down our Miami stringer.
21:30Then get them to get some names of the people
21:33that Jerry Lee can talk to about this creep, Burnett.
21:37You ready to go?
21:39And book Jerry Lee in the next flight down.
21:42I've been choking off my emotions.
21:59Why?
22:01You miss me?
22:02Nah, not much.
22:07Well, maybe a little.
22:08In the middle of the night.
22:11I woke up feeling a little empty.
22:13I don't carry a nightstick.
22:23And then what do I do?
22:32I read you your rights.
22:35Or do I just whip out the handcuffs?
22:40Mm-hmm.
22:42And then what?
22:44And then you take my...
22:47Hey, excuse me, Kate.
22:49Problem is solved.
22:51We better get going.
22:53I'm sorry, darling.
22:56Yeah, me too.
23:00I love you too.
23:03Bye.
23:03I love you too.
23:19Bye.
23:19Bye.
23:27Bye.
23:28Bye.
23:29Bye.
23:29Bye.
23:30Bye.
23:32Bye.
23:32Bye.
23:33I'll take my living off the evening news
23:56Just give me something, something I can use
24:01People love it when you lose
24:06They love dirty laundry
24:09Well, I could have been an actor
24:16But I wound up here
24:19I just have to look good
24:22I don't have to be clear
24:25Come and whisper in my ear
24:29Give us dirty laundry
24:33Kick them when they're out
24:39Kick them when they're down
24:40Kick them when they're out
24:42Kick them when they're down
24:43Kick them when they're down
24:51Kick them when they're down
24:52Kick them when they're up
24:54Kick them all around
24:55Operator. Hello. Well, they damn well better accept the charges.
25:17Trish. Jerry Lee. Bump the alien baby eater cover story. You're not gonna believe the dirt I'm getting on this brunette dude. This guy makes Scarface look like Mr. Rogers. Absolutely. If it's dirty, it's got his fingerprints on it. I got a couple of more sleazeballs to interview and then I'm getting fumigated and flying home.
25:47Right.
25:52I'm sure I remember you, Mr. Burnett, but if you'll just wait, I'll ring her.
26:16That won't be necessary. It's a surprise.
26:46So, uh, who's Johnny B. Good?
26:51He's damage control, Sonny. Working overtime?
26:55Oh, no.
27:05Yeah. I mean, it wasn't gonna be easy.
27:12How bad is it?
27:19Johnny B. Good's got friends at the Inquisitor, but even with the correction, it's pretty bad.
27:26I'm supposed to be the shining example of drug-free America.
27:41Oh, no.
28:02What?
28:04Wow.
28:09There go the record sales.
28:12We're dead, Gordon.
28:19I'll be an idiot.
28:21This is great.
28:23You want to talk about it?
28:44What's it to talk about?
28:46There's a big fat lie out there, not a damn thing neither of us can do about it.
28:59Maybe I should just go to the papers and announce that I'm a cop.
29:14Don't dangle solutions you can't deliver, Sonny.
29:18Kate.
29:32I am sorry.
29:39I know.
29:45I am sorry.
29:52Great.
29:54Great.
30:02Here they go. Let's go.
30:05Oh, yeah.
30:06Oh, yeah.
30:07Hey, baby!
30:08Hey, baby!
30:09Hey, baby, you need some back.
30:10We're a drug dealer.
30:11Were you surprised to find out your husband is a drug dealer?
30:14Over here.
30:15Oh, is that how you met him?
30:17Was it love or was it lose?
30:34I'll see what I can do.
30:36Look, I hate to be brutally direct, Kate,
30:40but doesn't he have some work to do in Miami?
30:44It was just a romantic weekend.
30:47He's going back tonight.
31:01Well, at least they caught my good side,
31:04my chivalrous side.
31:07If a bit Neanderthal.
31:09A bit.
31:10How much worse does it get?
31:13Okay.
31:16One more time.
31:19I'm really sorry.
31:23I know.
31:25And I love you, Sonny, but this is driving me stark raving.
31:29I didn't know it was so important to you.
31:31I mean, the music, I understand.
31:35But the business, that...
31:37It's not.
31:39It is.
31:41Look, I despise all the phony crap that goes with it,
31:45but I have to put up with it.
31:47Because it allows me to do the work that I love to do best.
31:51I'm a singer.
31:53I could sing in the shower for myself.
31:56But I get so much more satisfaction when people can hear me.
32:00To get ear play, I have to cooperate with the business people.
32:04They're under investigation for murder.
32:10What?
32:12Fremont and Wiggins.
32:14I found out when I was in Miami.
32:20They hit Tommy Lowe.
32:22That's ridiculous.
32:24Their executives are crying out loud.
32:27They don't go around blowing people up.
32:29All right.
32:31Then who did?
32:34Some of Tommy Lowe's greatest hits were on the freebase pipe.
32:39He owed money to half the dealers in South Florida.
32:41Maybe.
32:43We're putting our money on the payola line.
32:47We?
32:48You're an assignment here, aren't you?
32:54It's not just me.
32:57You've got a job to do here, too.
33:00It's my case.
33:02The same way it was my case when we met.
33:05So what not?
33:09I gotta figure my next move.
33:10Okay.
33:20Well, let's just get one thing clear.
33:25Until you have proof on Fremont and Wiggins,
33:28I don't want to hear about it.
33:31Sure move, Sonny.
33:33I'm not involved.
33:38See you later.
33:40See you later.
33:41See you later.
33:44See you later.
33:45See you later.
33:49Well, Caitlin sure picked herself a winner this time.
33:53This guy's a lunatic.
33:55Detail is better than no, ain't Paul.
33:56This Burnett's been calling me every day.
33:59I told Marianna to tell him I'm tied up till next week.
34:02Guy keeps calling back.
34:04I'm going to call next decade.
34:05Stick it.
34:08So what'd you want to talk to us about, Charlie?
34:11Cash flow.
34:12If it doesn't improve radically,
34:13we're out of business in 60 days.
34:16What?
34:17Is that some kind of joke?
34:20Am I known as a big kidder?
34:22We need to get the new Caitlin Davies product out right away,
34:25and we need to maximize our profits on it in a serious way,
34:28gentlemen, or else we're all on the beach.
34:35So, what do we do?
34:39We do what's right in front of us, Paul.
34:42We use this lunatic to our advantage.
34:47I'm calling Charlie Atwater in legal affairs.
34:55That was very nice, Kate.
34:57Let's try the harmony lines on the second course, all right, darling?
35:02Ready?
35:02Yeah.
35:03I'll do the high one first, OK?
35:11OK.
35:13You've been married, right?
35:17Three times.
35:19What happened?
35:22Well, the first time I was in a band,
35:29and she was pathologically jealous of the groupies.
35:35And the other two, they weren't crazy about the long hours.
35:39You know, you're either in the business or you're a non-pro.
35:45Outsiders, they just don't get it.
35:47Right then, from the top.
36:03Most guys got to proclaim their loyalty to the little missus or to the center line.
36:07No conflict there, but you, you got a little bit different situation.
36:15I can see how she might think that you're putting the job before her.
36:19Oh, come on, Rico, you know that's not true.
36:24Yeah, I know that, and you know that.
36:26But how are you going to get her to know that?
36:29The job has always been a bitch on the matrimonial state.
36:37It always will be.
36:39Yeah, but this is different.
36:41This situation existed before we met.
36:44Hell, it's a reason we did meet.
36:48I'm just concerned about her, man.
36:50I'm trying to keep her from being hurt.
36:53I wouldn't lay that line on her if I were you.
36:58Listen, Fremont and Wiggins are not going to kill the goose that laid the golden egg.
37:05Bottom line is you're doing exactly what you believe is right,
37:09and you can't ask any more yourself than that.
37:13Mahoney come up with anything new.
37:17I'm afraid not.
37:18If we're going to get this one, we're going to get it on you.
37:23Right.
37:25What's the matter with this thing?
37:28Thanks, Sid.
37:30Come on!
37:31Give myself a chance!
37:32Do you understand English?
37:33I said thank you.
37:35Get him off the stage.
37:38What time is the Caitlin Davies meeting?
37:404.30.
37:41It's time to meet her psychopath husband.
37:43What the hell for?
37:44I've been talking to Miami.
37:45You mentioned Sonny Burnett.
37:46You get this endless horror story.
37:48Torture, double-cross, murder.
37:50He's perfect.
37:51For what?
37:52Solving our cash flow problems.
37:54Come on, let's go.
37:55Hey, thanks a lot, buddies.
38:04Rent a Ferrari.
38:06Our Ferrari.
38:08L.A.
38:09?
38:12?
38:16?
38:17?
38:18?
38:20?
38:21?
38:22?
38:25?
38:27?
38:28?
38:29?
38:30?
38:31?
38:32?
38:33This is very, very smart, Gordon.
38:41This guy probably carries a gun.
38:43No, we couldn't get that lucky.
38:49You boys got a problem?
38:53Well, well, well.
38:56If you should have just used the phone, it would have been easier.
39:00No privacy on the phone.
39:03Mr. Burnett, how would you like to become very, very rich?
39:17Terrific lady, Caitlin.
39:19Quite the artist.
39:22Yeah, my wife's terrific and the surf's up.
39:25So what do you want?
39:26We hear your amount of many talents.
39:29Yeah, that's me, Mr. Renaissance.
39:31But I'm not flattery-operated, in case you haven't noticed.
39:37So once again, what do you want?
39:39Well, I've been doing some research into your background, Mr. Uh...
39:42Sonny.
39:45Yeah.
39:45Well, our product, like any other, needs to move fast.
39:49You make it, you get it out while it's hot.
39:52We're having a little trouble with one of our distribution points.
39:55Actually, it's down in your neck of the woods.
40:00Miami's a big woods.
40:02Yeah, that's why we're a bit lost.
40:05You see, uh, one of our shipments is frozen in transit in Nassau.
40:09And my people need someone to get it moving again with a minimum of that.
40:14An experienced expert.
40:18I take it this shipment isn't, uh, frozen old 45s.
40:25Let me guess.
40:29Some metalene marching dust.
40:32A hundred keys.
40:33Uh-huh.
40:40And if I expedite things for you?
40:44A third of the product has your name on it.
40:46That's B-U-R-N-E-double-T.
41:04Wonderful.
41:07We'll see you in Miami.
41:08You can call me stupid, but I don't see how this is going to help us at all.
41:20Simple, stupid.
41:23Think.
41:24What happens if Caitlin Davies doesn't go out on tour?
41:28But she wants to tour.
41:30But what if she can't?
41:33Because she's...
41:35No one's going to be surprised if poor Kate is caught in the crossfire of her ill-starred love.
41:43Sad, but not surprised.
41:46And the 55 share of her last album reverts back to the company.
41:50The last album.
41:51Yeah.
41:53The farewell album.
41:55Well, well, well.
42:03How you doing, slugger?
42:06Hey, Angela.
42:08Hey, ask me.
42:09I would have blown the little dork away.
42:13Where's Kate?
42:15I don't know.
42:16She went out.
42:18When did she leave?
42:20I don't know.
42:21You know, a while ago.
42:24She's probably down at the pool.
42:26What else you going to do when she's not working?
42:32You know this don't mean anything.
42:34Oh, yeah.
42:35You know, you two need to spend more time together.
42:41You think I like this?
42:42No, I know you both hate it.
42:47But that don't change the fact that you're not there for her.
42:50I'm trying.
42:52Trying ain't going to get it.
42:54She needs you to be there.
42:57She can't even keep her mind on her business worrying about you.
43:01Never know when you're going to blow in or blow out.
43:04She's miserable behind it.
43:06Yeah, well, I, uh, I gotta keep my mind on my business, too.
43:13Otherwise, people could get killed.
43:17Look, I know you think I got it in for you, but that ain't so.
43:22Fact is, I think you're a pretty solid guy.
43:26But you and she just got your stars crossed.
43:30I hate to see either of you hurt like this.
43:33You think she'd be better off without me, don't you?
43:39Honey, that ain't for me to say.
43:45Because they're scum.
43:47Behind that cheap corporate facade, they're low-life scum.
43:53I agree.
43:55But whatever indiscretions Wiggins is committed,
43:58he's selling records, not sitting in the Supreme Court.
44:02Indiscretions?
44:03Kate, we're talking about murder here.
44:06No, you're talking about your unproven suspicions.
44:10I told you, show me proof.
44:15Our careers were to be mutually respected and totally separate.
44:22Now all of a sudden, yours is getting mine all screwed up, and I've had it.
44:25Look, what happened to Tommy Lowell, speaking as scum, is too bad.
44:32But a lot of people wanted to be at his funeral, including me.
44:36It's because you think they did it.
44:39Doesn't mean I'm going to blow my career.
44:41It's ridiculous anyway.
44:44At least you can't even get bad notices killed.
44:46Kate, I got thrown into this.
44:55I don't like it.
44:59But I'm going to finish it.
45:01Why, you?
45:02If you've got something on them, why not turn it over to the locals?
45:10It's not that simple, sweetheart.
45:15Anyway, they're back in Miami.
45:16I'm on my way there tonight.
45:21Am I flying alone?
45:25Look, Sonny.
45:27You've got to do what you think is right.
45:30It's one of the things I admire most about you.
45:34But this thing scares me.
45:38If what you say is true,
45:40and Tommy Lowell is not the only victim,
45:43my career is going to be history.
45:46Kate,
45:48people love what you do.
45:52That's not going to change.
45:55And you damn sure don't need these guys.
46:01What I need is you.
46:05I need you.
46:07I'd better go change if I'm going to make that flight.
46:17I'll get it.
46:23I'll get it.
46:24I'm going to make that flight.
46:25I'll get it.
46:26I'll get it.
46:27I'll get it.
46:29I'm going to make that flight.
46:30I'll get it.
46:31I'll get it.
46:32I'll get it.
46:33I'll get it.
46:35I'll get it.
46:36I'll get it.
46:37I'll get it.
46:38I'll get it.
46:39I'll get it.
46:40I'll get it.
46:41I'll get it.
46:42I'll get it.
46:43I'll get it.
46:44I'll get it.
46:45I'll get it.
46:46I'll get it.
46:47Glad I caught you. Couple of things.
46:51First of all, tonight's the night.
46:5411.30 at the Hall Over Pier.
46:56Kind of certain, isn't it?
46:58These people aren't bus drivers, Sonny.
47:01They don't work to a timetable.
47:03Yeah, okay, okay. What else?
47:06Well, it involves Caitlin.
47:08Maybe I should talk to her directly?
47:13She's unavailable right now.
47:15I think I can relay the message.
47:18Right, right.
47:20Well, tell her that tomorrow's shoot
47:22has been moved up to tonight, 8 o'clock.
47:26Tonight?
47:28We've got dinner reservations tonight.
47:32That's a pity.
47:34See, Klaus Herrmann is living on the first plane to Berlin
47:37tomorrow morning.
47:38His photographs are practically guaranteed
47:40as a national cover on very glossy stock.
47:45All right.
47:47It's in Coral Gables.
47:48Got a pen?
47:49No, but I got a good memory.
47:51The address is 2641 Wexford Road in the Gables.
47:588 o'clock.
48:00Tell her not to be late.
48:02Good time.
48:03I'm gonna need full-on backup.
48:05Good time.
48:07Good time.
48:08Good time.
48:09Good time.
48:10I'm gonna need full-on backup.
48:12To Hollower Pier.
48:13About 11.30.
48:14Yes, sir.
48:15Good time.
48:16Good time.
48:17I'm gonna need full-on backup.
48:19Good time.
48:20Good time.
48:21Right.
48:22Good time.
48:23Good time.
48:24Good time.
48:26Good time.
48:27Good time.
48:28Good time.
48:29I'm gonna need full-on backup.
48:30To Hollower Pier.
48:31About 11.30.
48:35Yes, sir.
48:36Yes, sir.
49:00What time do you want me to pick you up?
49:02You got a date or something?
49:04Why don't you come in and watch?
49:08Well, I guess she'll wait.
49:13So, uh, they feed you before they shoot you?
49:17Yes, I suppose so.
49:19Don't worry about me, darling.
49:21I'm sorry about dinner.
49:23That's all right. That's showbiz.
49:25Still sorry.
49:34Oh, Miss Davies, uh, just finishing. Could you wear just a moment?
49:50Uh, take your time.
50:02Oh, no.
50:06Okay.
50:20Oh.
50:22Ah.
50:24Oh, my gosh.
50:25Ah.
50:26I don't know.
50:56I don't know.
51:26I don't know.
51:43Kate? Kate, are you all right?
51:46All right, baby.
51:46I want you to stay down here.
51:50Stay down and don't you move.
51:52Stay down and don't you move.
52:22Stay down and don't you move.
52:52Don't tell me you're a cop.
52:55Anything you say can and will be used against you in a court of law.
53:03Can't we discuss this like civilized human beings?
53:07You have the right to an attorney.
53:09If you can't afford an attorney, one will be provided for you.
53:14There is freedom within, there is freedom without, try to catch the deluge in a paper cup.
53:33There's a battle ahead, many battles are lost.
53:44But you'll never see the end of the road while you're right with my hair.
53:49I'm going to miss you so much.
54:00Ah, you're going to be busy.
54:04And I'm going to stay pretty busy since we got the break in the Santangible case.
54:09Where are you going first?
54:13Memphis.
54:14And then, okay city and North Carolina.
54:21South Carolina.
54:22I don't know, I don't know, somewhere else.
54:29I'll call you every night.
54:33And I'll see you in New York, yeah?
54:35Three weeks.
54:41From tomorrow.
54:47I know it's a different world, Sonny.
54:49But tell me we can make it work.
54:59Or die trying.
55:05When the world comes in.
55:10When the world comes in.
55:15They come, they come.
55:19To the war between us.
55:22And up, they won't win.
55:32But don't let them win.