এসে গেল 'বিনোদিনী'র প্রথম গান, গান প্রকাশে নৃত্য পরিবেশনে নজর কাড়লেন রুকমিণী মৈত্র

ETVBHARAT

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00:00But I will say only one thing that I have heard many times in this stage that this song is a tribute to Binodini, a tribute to Binodini.

00:08But because of that I became Binodini and this procession is very close to my heart.

00:15When I did this song, this song was definitely a tribute to Binodini.

00:21But Binodini and the end of the day, this song was a tribute to Binodini.

00:27This song is somewhere in between a tribute and a sacrifice.

00:32I was thinking that this person is giving this tribute for the theatre.

00:37But the owners of the theatre, all together, knew that he was giving a sacrifice.

00:43Binodini was also present in this procession 140 years ago.

00:48And when I did this song 2 years ago, this procession was also present in my mind.

00:54So, all together, this song is a tribute to Binodini.

00:57And obviously, the music, actors, everything was there.

01:01I could never imagine that I would be able to screen-share Kaushik songs with the girls.

01:07I was so nervous at every moment.

01:10Even today, my hands are shaking.

01:13I still call Kaushik as my master.

01:15When Mir said that I will help, I didn't help at all.

01:20Mir came to me in the middle of the shot and told me to finish the scene.

01:27Just go all out.

01:29Overpower me in this scene.

01:31Nothing will happen to me, to you, nothing.

01:34Do it. This is yours.

01:36I don't know how many times he told me this.

01:39Within a moment, I lost my senses.

01:41That day, in that scene.

01:43So, I always say that the way they all helped me in this film.

01:50At this moment, Om, Rahul Bose, Chandan Rai Shah, everyone.

01:55But if I talk about these two people, at every moment,

01:58I have so many crucial scenes with them in this film.

02:02I can't say that.

02:04And when this song was being shot, I remember the scenes before Mir.

02:09I refused to be with Mir sir.

02:11That's why I am saying this proudly.

02:14But I came back to my native place.

02:17That's why I am calling him Mir sir.

02:19He was sitting there and watching my scenes.

02:22And I remember that every day when I was shooting with Kaushik,

02:27with Mir sir, with Rahul Bose, with Chandan,

02:31I used to see him acting so well.

02:34He was doing something extraordinary.

02:36I used to say yes to him.

02:38But as the years went by,

02:40suddenly, when everyone's schedule was over,

02:45Kaushik gave me a message.

02:47An appreciation post.

02:49He said, Shrini, you did a great job.

02:51You can go now.

02:52I said, Kaushik, I am saving it.

02:54That day, with Mir sir,

02:56I remember the last scene I shot with him.

03:00He sent me a two-page long message.

03:02And when I was reading it,

03:05Mir sir was telling me that

03:07I can read it later if I want to.

03:09But I am saving it for later.

03:11So, I think I will save a lot of these.

03:15The film is for the audience.

03:17But these small moments,

03:19these small messages,

03:21these small love from them,

03:23this is the biggest thing for me.

03:25This is my take-away from this film.

03:27If I say this as Vinod.

03:29And I have said this to many people during the show.

03:31They are masters with what they do.

03:33They have a rock beard.

03:35That is true.

03:37But if I don't say this to people,

03:39I have said this to Ram and Abhil many times.

03:41I have been talking about this film since 1994.

03:43I mean, in 2019.

03:45In 2019, I didn't do any acting workshop.

03:47I didn't talk about myself.

03:49I just knew that I was doing Vinodini.

03:53And Ram said, you have to dance.

03:55And you have to learn to dance.

03:57So, in 2019, I didn't know

03:59whether I would do the film or not.

04:01Manisha Basu,

04:03she is my teacher.

04:05She took me to her

04:07on the 1st of November, 2019.

04:09I said, I can't do anything.

04:11Teach me like a child.

04:13I will learn.

04:15I will try.

04:17And I have been learning from her

04:19piece by piece for the last 4 years.

04:21She was my first choreographer

04:23for a Bangla film.

04:25She was Shobhit Chaturvati.

04:27She taught me

04:29Shobhit Chaturvati.

04:31If you see her performance,

04:33you will be mesmerized

04:35by her performance.

04:37Every word she said,

04:39every emotion

04:41she wrote,

04:43she learned,

04:45she did.

04:47And Avyaan,

04:49obviously,

04:51I had a dance reality show.

04:53I don't know why I didn't know

04:55about Avyaan before.

04:57The treatment of our song

04:59is also like that.

05:01If you see,

05:03it will be shot like a normal song.

05:05The camera will go to the side.

05:07The whole thing will remain silent.

05:09We will show the audience

05:11what you can see

05:13from Manisha's perspective.

05:15That's why we didn't look

05:17at the camera.

05:19We wanted to stay true to the reference point.

05:21Avyaan Roy,

05:23he has done a fantastic job.

05:25The whole team of Avyaan,

05:27the girls, please come.

05:29All of them have taken this song.

05:31If you are a little fat,

05:33come.

05:35All of you,

05:37these girls have taken this song

05:39with us at every moment.

05:41And we have to say,

05:43maybe you don't know,

05:45this song is a 5 and a half minute song.

05:47We are fighting a lot

05:49whether to keep it or not.

05:51And Ram said no.

05:53My team has taken 5 and a half minutes.

05:55And I am not alone

05:57in the cinema world.

05:59We have shot this song

06:01in one take

06:03for 5 and a half minutes.

06:05Every time from start to finish,

06:07the entire team.

06:09We have shot it 5 to 6 times.

06:11The camera angle has changed.

06:13Every time we have shot it for 6 minutes.

06:15The whole team.

06:17At this moment,

06:19we have a lot of people in the audience.

06:21A big round of applause for them.

06:23Because these girls

06:25truly did it.

06:27This is our future.

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