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Noah Kahan & Kelsea Ballerini Talk "Cowboys Cry Too," How They Met & More | CMA Awards 2024
Billboard
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11/21/2024
Noah Kahan & Kelsea Ballerini caught up with Billboard's Tetris Kelly at the CMA Awards 2024.
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00:00
I was just telling Noah how lucky he is to get to walk around with Kelsey all night.
00:09
I feel the same way.
00:10
No, what you don't understand is the way that I, when we met, it was a Grammy event, pre-Grammys
00:17
this year, and I was doing soundcheck at an event that we were both singing at, and the
00:22
whole time I was like, guys, if Noah walks in for soundcheck, will someone let me know?
00:25
Because my only, I don't know why I'm holding a microphone when you have one, my only goal
00:29
tonight is to meet Noah Kahn.
00:30
I'm such a fan, so I feel giddy and thrilled to know you now, and to be friends, and then
00:36
collaborators.
00:37
I mean, let's talk about that collaboration.
00:38
First I saw you guys perform at the ACMs, obviously, with that mashup.
00:41
So was that kind of where it maybe started?
00:43
Like when did we decide to do this song?
00:45
We had decided before.
00:47
We decided before.
00:48
She sent me this amazing, amazing song.
00:49
I fell in love the first time I heard it.
00:51
It spoke to so much of what I was going through in my own life, and what I like to talk about
00:54
as an advocate for mental health.
00:57
And we decided to do the mashup because it felt like, you know, more fitting than what
00:59
we were going through in our careers at the time, but I'm so glad we finally got a chance
01:02
to perform this song, because it's so great, and it speaks to everything I care about as
01:05
an artist, and Kelsey represents, you know, great songwriting and great messaging, so.
01:09
I mean, what was that writing session like?
01:11
You know, it's a song that I wrote the first verse and the chorus on my back porch by myself,
01:15
and then I brought it in to Elisa Vanderheim, my producer, and we finished it out like a
01:22
year and a half ago, a year ago.
01:25
And we knew it was a contender for the first single, but it's a song about toxic masculinity,
01:30
and I thought it could mean a lot more if there was a songwriter, artist that would
01:34
like truly go there, and like write that side of the perspective into it, and knowing his
01:40
music so well, I was like, if he's into it, he would be the one, and so I just shot my
01:45
shot.
01:46
I just...
01:47
Hey, sometimes you gotta do that.
01:48
I really did, and I'm so grateful I did.
01:49
And then...
01:50
I mean, it's so beautiful, like the song speaks to such an important message, and felt really
01:54
easy for me to write.
01:55
I wrote it in literally eight minutes before my show in Toronto, and I was like...
01:57
That's dumb.
01:58
It felt so great.
01:59
That's amazing.
02:00
The fact that he wrote that verse in eight minutes, I'm furious.
02:01
I'm furious.
02:02
Well, that's what I gotta know now, is like, maybe will there be a country album, more
02:05
music from the both of you?
02:07
I think...
02:08
I love great storytelling.
02:09
Country music has always exemplified great storytelling, so I think that storytelling
02:11
will always lead the way for me.
02:12
Yes.
02:13
If I throw a pedal steel in there, I throw a pedal steel in there.
02:15
Okay.
02:16
Period.
02:17
And if I have a banjo or a beat drop, it doesn't matter.
02:18
A banjo or a beat drop, wow.
02:20
It doesn't matter.
02:21
Let's go.
02:22
I love you guys.
02:24
Thank you so much.
02:25
Good to see you again.
02:26
Of course.
02:27
Good to see you, man.
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