Agni Sridhar ಜೈಲಿಂದ ಬಂದಿದ್ಯ ಮಗನೇ ಫಿನಿಕ್ಸ್ ತರ ಎದ್ದು ಬಾ ಅಂದಿದ್ದೆ

Filmibeat Kannada

ವಿಜಯ್ ಕುಮಾರ್ ನಿರ್ದೇಶನದ ನಟನೆಯ ಭೀಮ ಸಿನಿಮಾ ರಿಲೀಸ್ ಆಗಿ ಸಿನಿಮಾ ನೋಡಲು ಅಗ್ನಿ ಶ್ರೀಧರ್ ಬಂದು ಸಿನಿಮಾ ಬಗ್ಗೆ ಮಾತನಾಡಿದ್ದಾರೆ   #BheemaProducers #jagadhishkrishna #duniyavijay #BheemaFirstDayCollection #bheemaartist #struggle #aug9 #familiresponsibility    #Veeru #BheemaViru #Vijaykumar #DuniyaVijay #AshwiniAmbareesh #BheemaHeroin #VijaykumarInterview #Bhima #Duniya #BadBoy #PsychSong #DuniyaVijay #RahulDitto #Rama #Ayodhya    #DuniyaVijayBirthday                    ~HT.290~PR.30~ED.35~

Transcript

00:00I was late. I didn't pay attention to the script.

00:07Great, great, great Vijay.

00:10Everyone knows how things are going in the society.

00:13Newspapers, media, everyone knows.

00:16For the first time, this subject has been brought up so well.

00:20Vijay used to shout at me,

00:22Anna, give me 4 fights, give me 4 fights.

00:24I said, no, I don't want to act in real life.

00:27The reason I came for the movie was,

00:30Vijay is my house boy, my compound boy.

00:33You know Bala, right?

00:35I don't even remember Vijay's name.

00:37He used to shout, Bala, Bala.

00:39I used to ask him, how is Bala?

00:41He used to shout, Bala, Bala.

00:43Since then, he has been my house boy.

00:45My house boy.

00:47Cinema,

00:49is being made for fun.

00:51It should keep people entertained.

00:55Do you know why?

00:57Because people are not coming to Kannada movies.

01:00Bosha has made a great effort to make it a reality.

01:05What I liked the most,

01:07was the subject.

01:11Those of you who have seen it, will know.

01:13You are watching it as a movie.

01:15I am watching it outside of a movie.

01:18The drug problem shown here,

01:20is definitely like that.

01:23They have shown it as a raw.

01:25A lower middle class.

01:27What is lower middle class?

01:29Lower class.

01:31Especially in slums,

01:33how children,

01:35not only in Bangalore,

01:37but in all the slums in India,

01:39what is happening?

01:41How is medicine being given?

01:43How is ganja being made?

01:45In high society,

01:47how are higher level drugs,

01:49synthetic drugs,

01:51being made?

01:53They have shown it.

01:55Rehabilitation is a reality.

01:57What they have shown in those visuals,

01:59is happening in the same way.

02:01I don't know the subject.

02:03I have spoken to two or three people.

02:07Abhishek and Roshan know it.

02:09They want to make a good film about drugs.

02:12The raw footage here,

02:14is definitely a reality.

02:16How the director conceived it,

02:20I don't know.

02:22I don't know how he did it.

02:24I don't know how he acted.

02:26I don't know if he had a drug experience.

02:28But,

02:30it is definitely a reality.

02:32Other things,

02:34yes, commercially,

02:36a big star,

02:38Vijay.

02:40So, there are some compromises.

02:42But, beyond that,

02:44this is the first time

02:46this subject has been shown so well.

02:48It is not so raw.

02:50That's very important.

02:52You have to show it to people.

02:54How it destroys lives.

02:56In this,

02:58Vijay's character is important.

03:00He doesn't romanticize.

03:02He drinks 24 hours a day.

03:04He drinks and talks.

03:06At the same time,

03:08he has a heartfelt feeling.

03:10In this, the drug is being sold.

03:12How will the police be?

03:14It is so beautiful.

03:16What is happening today,

03:18literally,

03:20is shown in this film.

03:22In Kannada,

03:24they say that there are no other films.

03:26That's not true.

03:28If you take a drug problem,

03:30you don't see a cultural hero or heroine.

03:32Even if Vijay is there,

03:34you don't see a cultural hero.

03:36It is seen in a different way.

03:38It is a social problem.

03:40It is a social problem.

03:42It is destroying a lot.

03:44A lot of people don't know this.

03:46In the city,

03:48there are a lot of drugs.

03:50Synthetic drugs.

03:52It is happening in every college.

03:54It is happening in every college.

03:56Next to the colleges,

03:58there is an issue of taking apartments.

04:00Don't ask in the slums.

04:02If they deal with this,

04:04I am very proud of this group

04:06and our boy.

04:14You can call this as a hero.

04:16It is a synchronicity.

04:18The directors of the films

04:20are very intelligent.

04:22They are very direct.

04:24It is a synchronicity.

04:26People get the same impact

04:28when they watch the film.

04:30It is synchronicity.

04:34Now,

04:36if you ask how it is happening in the society,

04:38everyone knows.

04:40Journalists, media, everyone knows.

04:42The society has become so cruel

04:44that we shouldn't even ask.

04:46The society has become so cruel

04:48that we shouldn't even understand what we are talking about.

04:50You can see what is happening daily.

04:52Politicians, big leaders.

04:54I have seen them from a distance.

04:56They have gone so far.

04:58We don't know what to do.

05:00We have only one way to survive.

05:02We have only one way to survive

05:04when we can't do anything right.

05:06In literature and art,

05:08it is recorded.

05:10It is recorded in literature.

05:12This minister is not right.

05:14This officer is not right.

05:16This Srimanta is not right.

05:18Similarly, cinema is a great art of our time.

05:20It is a great art of our time.

05:22It is cinema.

05:24It is recorded in that.

05:26It is very difficult to go to the MLA's son in real life.

05:28You can't even go to him.

05:30But the film is expressed here.

05:32It is expressed in art.

05:34It is expressed in literature.

05:36It is expressed in cinema.

05:38Even if the dialogues are harsh

05:40or they feel as if there is more violence,

05:42it is expressed in art.

05:44It is expressed in art.

05:46It is expressed in cinema.

05:48Our children have done very well in that.

05:56I am...

06:00I am addicted to cinema and literature.

06:02I am addicted to cinema and literature.

06:04So, I shouldn't ask people to give such marks.

06:06But what we need is, we have been doing this for months now, including slum ball.

06:15In slum ball, Vijay used to say to me, Anna, give four fights, give four fights.

06:19I'm not here, dad. Real action is not happening. I won't give.

06:22He argued a little. Even today, they say, if there were four fights, it would have been the biggest hit of that time.

06:28I said, it's not a hit. This is different.

06:31But those marks are not coming out. I told you, they are using this to express their anger.

06:36You can see it everywhere.

06:38Especially when it comes to drugs, everyone has to look at it.

06:42Every college boy and girl has to look at it.

06:44You have to look at it while drinking.

06:46I can't tell you about the drugs problem in Srimantam houses.

06:50I can tell you in the movies.

06:52How many big politicians' children have become addicts.

06:56I know how many people are getting ruined.

06:59I know how many people have become addicts.

07:01I know all that.

07:03So, it is a success.

07:06Everyone has to reach in the entertainment industry.

07:09I don't even know about the second half.

07:12The first half, they will come.

07:14But the second half is not like that.

07:16It is very good.

07:18Other than Hema's character, there is no other impact.

07:22It is a very close-knit character.

07:25The drug dealers who come there...

07:28I have seen all this.

07:34I have seen all this.

07:36It is shown here.

07:38How do they deal drugs?

07:40How do they grow it?

07:42What is the violence?

07:44It is written here.

07:46You won't find it anywhere.

07:48You are in the drug field.

07:50Drug mafia.

07:52You won't find it anywhere in the world of violence.

07:54I shouldn't say this, but I will say it.

07:56Some boys are addicted to drugs.

07:58College boys.

08:00I don't say which college.

08:02I used to talk to them.

08:04Don't do this.

08:06My children are very young.

08:0818-19 years old.

08:10We will leave everything.

08:12They will promise to go.

08:14The police will take away everything.

08:16They will take away our pride.

08:18What did you say?

08:20I said, you are not a man.

08:22Which big fat man?

08:24He said, Babkya, I don't know what I said.

08:26Go away.

08:28Uncle Bachan told me.

08:30Who is Bachan?

08:32My father.

08:34I told him to take drugs.

08:36After that, I begged him.

08:38I said, don't tell him.

08:40This is the real world.

08:42This is the real world.

08:44This is the reality.

08:46I should have been the first one to come to Canada.

08:48I had come.

08:50I don't usually go to cinemas.

08:52When Vijay did this,

08:54I got calls from Mysore and other places.

08:56I said, you have to watch it.

08:58I said, tell Vijay I have to watch it.

09:00I came.

09:02I had to watch it.

09:04I had to watch it for this problem.

09:06You can't forget the visuals.

09:08But it is a fact.

09:10You can't forget the visuals.

09:12But it is a fact.

09:14All the characters were very good.

09:16You can't single out anyone.

09:18Especially drugs.

09:20MLA's son came to the business.

09:22He behaved the same way.

09:24Sophisticated and all.

09:26I knew all that.

09:30I told Vijay, I will do this.

09:32Where is the director?

09:34I thought the story writer was the director.

09:36I thought the director was someone else.

09:38You are very good.

09:40The way you spoke...

09:42I was a bit late.

09:44I was a bit late.

09:46I was not confident.

09:48Great.

09:50Really great.

09:52I want all the people of Canada to see this.

09:54I want all the people of Canada to see this.

09:56This is a new art form.

09:58It is a success in all languages.

10:00Including Bangalore.

10:02Why are you giving up?

10:04This is yours.

10:06This is an art form you built.

10:08It is not for you.

10:10It is not for Vijay.

10:12It is not for us.

10:14It is not for the people.

10:16It is for the people.

10:18It is our language.

10:20Please see this.

10:22We are closing the theatres.

10:24It is very sad.

10:26This is a medium to develop you.

10:28Because literature needs to be done.

10:30This is a visual medium.

10:32You develop yourself.

10:34You can be a director or producer.

10:36You can make a good film.

10:38But you should not lose your interest in cinema.

10:40It is developing in all languages.

10:42You should develop our language.

10:44I will ask you all.

10:46I will ask you all.

10:52Very good.

10:54Very good.

10:56Very good.

10:58I told you.

11:00I told you.

11:02I told you.

11:04I will tell you from my phone.

11:06I will tell you from my phone.

11:08You have come, son.

11:10You should rise like a phoenix.

11:12I will tell you the same thing.

11:14You should rise like a phoenix.

11:16You should rise like a phoenix.

11:18When you go to jail, you feel sad.

11:20You know what it is.

11:22You feel lonely.

11:24You feel like you should not do anything.

11:26You feel lonely.

11:28That is how our Vijay rose.

11:30She did a lady cop.

11:32She did a lady cop.

11:34Very good.

11:36Very good.

11:38You don't know.

11:40She looks so good.

11:42This is the strength of the visuals.

11:44This is the strength of the visuals.

11:46You can see how smooth it is.

11:48You can see how smooth it is.

11:50She just has leaved the role.

11:56Good.

11:58Very good.

12:00Very good.

Category

Transcript

Recommended