Igra sudbine 1126 Epizoda - Igra sudbine 1126 Epizoda
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Transcript
00:00A few hours later
00:05Well, tell me, where is that from?
00:10What? You think I shouldn't?
00:13No, no. I mean, I don't know.
00:17But how did you come up with that all of a sudden?
00:21Well, not all of a sudden.
00:24Andrija, I feel useless here.
00:27Somehow, I have nothing to do here,
00:30and then all sorts of stupid things come to my mind,
00:33and I think the job would solve that.
00:37Why is that so strange to you now?
00:39No, no, it's not strange at all.
00:43Look, if what you don't earn bothers you,
00:47that's not a problem for me.
00:49But if that's the motive, to think about the job...
00:52No, no, no, that's not the motive.
00:54I just have to use my brain.
00:58Okay, then.
01:01Find... I don't know.
01:03Find a hobby.
01:05Andrija, what hobby? A hobby is not enough for me.
01:13What if I go back to the company?
01:16Of course. I mean, if...
01:19If that makes you happy.
01:21It will. Yes.
01:23Really? Yes.
01:25That's great.
01:27The old PR starts working again, right?
01:34Okay, I didn't mean the old PR.
01:39I meant...
01:42Cannes Capital.
01:53CINEMATOGRAPHER
02:04Hey, where are you going?
02:06Am I bothering you?
02:08No, I'm just asking. I didn't expect you, so...
02:11I didn't know I had to apologize.
02:13You don't have to apologize, you have to miss it.
02:15Really?
02:16Yes, they're on your wrist like this,
02:18and it says Luka Kanački.
02:21Come in, if you need anything.
02:23Where can I get it?
02:24It's downstairs, the lady will make it for you,
02:26and then you can order whatever you want.
02:28You can order something to drink, to eat...
02:30Can I have some wine?
02:31Yes, you can. For example, wine.
02:34Tell me, are you...
02:37Did you come just like that, or do you need something?
02:39I came to thank you.
02:40For your great gesture.
02:42Come on, how can I thank you?
02:44I'm asking you, did you give me half the money,
02:46and spent more than fair?
02:47No, we just understood what was right to do,
02:49and then we did it.
02:52I assume that spending was your idea.
02:55Of course, whose idea is important?
02:57Why didn't you have to do it for me?
03:01We did it for the Dobrobit project.
03:03That's what we would have done.
03:05Okay, I get it.
03:07I don't want to rush who made a mistake,
03:09that now I'm accusing someone,
03:11that I'm doing these things.
03:13If we want to succeed,
03:15we have to watch out for each other.
03:17That's true.
03:19You have a good business sense.
03:23I was hoping that you made that decision
03:26because of me.
03:30Maybe I did.
03:34Cheers.
03:35Cheers.
03:42Just a minute, I'll get you a drink.
03:44Come on.
03:47Cheers.
03:58Look at him.
03:59Look at him.
04:00Why are you looking at me like that?
04:02What are you looking at me for?
04:04I haven't asked you anything yet.
04:06I know, boss, but...
04:07What?
04:08I'm guessing what's going on, and honestly...
04:10You'll never hit her. Never.
04:13I have a lot of complications with Leposa.
04:16I hope she's not involved.
04:18She's not involved.
04:19Let me go, Leposa.
04:20Everyone's crazy about her.
04:22She's just a whore.
04:23She never stops.
04:27She's involved with Gala.
04:31Really?
04:32I want to find her.
04:33Alone, you know?
04:34But I need your help.
04:36To secure privacy and all that?
04:39That's right.
04:40You see how you're camping?
04:42There's something going on.
04:44You want to help me?
04:45Of course I do, boss.
04:46Okay, okay.
04:47But listen to me carefully.
04:48Don't let a snake bite you or tell anyone.
04:51Me, you, and black soil.
04:53Is that clear?
04:55Give me your hand.
04:56That's right.
04:57Don't be afraid.
04:59That's right.
05:00That's a man.
05:03Thank you, boss.
05:09I don't care if you work at Cannes Capital.
05:12I have more work to do.
05:15From the Senate, right?
05:18Right?
05:19What kind of argument is that?
05:20Why are you forbidding me to work?
05:22I'm forbidding you?
05:23Come on, what kind of man would I be
05:25if I forbade you to work?
05:26What's wrong with that?
05:29Find somewhere else.
05:31But why?
05:34You worked at Starbeyard, right?
05:37Yes.
05:38You covered for the director.
05:42That's a nice job.
05:43It suits you.
05:44Yes.
05:46But isn't Cannes Capital also in need of a PR director?
05:49That's not the point.
05:51What are you going to do where all the women are snakes?
05:58So that's where we are.
06:00And where are we?
06:01What made you decide that?
06:03Based on what I said?
06:04Everything.
06:05Everything?
06:07Hey.
06:09I just want you to feel comfortable.
06:12Why would you go where there's a beast,
06:14where there's such an atmosphere?
06:17I would say that you don't want me to feel comfortable.
06:21It's you.
06:37Do you want another one?
06:39No.
06:40We have to work.
06:43That's right.
06:44This was a test and you passed.
06:49I have to tell you something else.
06:51Tell me.
06:53This mistake about the purchase of space
06:55and personally mine.
06:57Okay.
06:58What does it matter?
06:59It doesn't matter anymore.
07:00It doesn't matter to me.
07:01I want everything to be clean.
07:02Everything is clean.
07:03The mistake has been corrected.
07:05What does it mean that it doesn't matter anymore?
07:08And that it won't happen again.
07:10And that it won't happen again.
07:11But okay, you're a smart girl.
07:12I believe that you won't make the same mistake twice.
07:15I know.
07:16But I shouldn't have judged myself about the price of space.
07:19Now it's just in my head.
07:21What do you care?
07:22It has nothing to do with it.
07:23Trust me.
07:24It has nothing to do with it.
07:25You didn't do anything wrong.
07:26Tell me.
07:27Is this going like this or should I put it inside?
07:31I think it's good like that.
07:33So you don't care?
07:36I don't know.
07:37Something strange is happening with that space.
07:39What is strange?
07:41The owner of the company that sold it to us
07:44is hiding it in the papers.
07:48Tell me, how did you find out about that space?
07:51I talked to the executive director of a building in Serbia.
07:55But the owner of the company is hiding it in the papers.
07:59Okay.
08:00We won't get you into trouble.
08:02I will solve it and interrogate him.
08:04You don't have to worry about him.
08:07Okay.
08:10Do you want to go to the studio?
08:12Let's go.
08:13After you.
08:14I'm sorry.
08:26Actually, you don't care that I'm working with you, right?
08:30I do.
08:33I do.
08:34I think it's not smart.
08:35Especially on a professional level.
08:38Or on a personal level.
08:40The time is running out.
08:44Let me ask you something.
08:46You don't care about Jovan, right?
08:48I do, but I'm trying to be professional.
08:51So it doesn't affect me.
08:53And I know I can't do anything about it.
08:55But you can.
08:58I'm trying to prevent damage in the future.
09:04You think I wouldn't be professional, right?
09:07Right?
09:08I don't think any professional in this world
09:12would be able to change anything in Khan Capital
09:15and change the atmosphere.
09:17Okay, but if you don't give me a chance,
09:19you can't know if it's right or not.
09:21It can't be better than it is now.
09:23What do you mean?
09:26I could always protect you.
09:29I would be vulnerable.
09:33Okay, don't overdo it now.
09:36Besides, I believe in you. You know that.
09:38I would lose a lot of energy doing that, believe me.
09:43Andrija, please, don't talk nonsense now.
09:46You're surrounded by all those strong women out there,
09:50and you don't care about being a born woman.
09:56And...
09:59Did I get a job?
10:01Or...
10:03No.
10:06I have to finish something here.
10:10And let me think, okay?
10:13Okay.
10:21Take a break.
10:32Let's go.
10:38Here you go.
10:40Wait, Gala.
10:41Thank you.
10:42It's low in calories.
10:43No, no.
10:44It's not.
10:46Wait!
10:47I think I have to order something.
10:50Slowly.
10:51They look so pretty.
10:53And they're nice and ripe.
10:55Beautiful.
10:57Great.
10:58Can I have one now?
10:59I'm offering you one now.
11:02These are for you!
11:03Do you know that I really feel like I'm on vacation now?
11:07That's because you're actually on vacation.
11:13And I'm bored.
11:14Do you know why you're bored?
11:16Because you've actually started to rest.
11:19That's how you know.
11:20It's because I prefer to lie somewhere in a closed space
11:24and read some good literature.
11:26Okay, people.
11:27These are real threshers.
11:29Now that they're ripe,
11:30they don't have all the vitamins they need for diarrhea.
11:33Mila, it's better for you to eat this.
11:35You won't be bored at all.
11:36He says, it's better for you to eat this,
11:38and I'm eating this.
11:39Eat it.
11:40Stop it.
11:41Eat it.
11:42Why are you...
11:43You talk so much,
11:44you don't say anything,
11:45and you miss the point.
11:47Eat these threshers.
11:49I brought them for you.
11:50Fill them up.
11:51You'll get up...
11:52You're nervous, man.
11:53Me?
11:54I'm used to it.
11:55People!
11:56Look what I found.
11:57What is it?
11:58Is that a potato?
11:59Uh-huh.
12:00What's that?
12:01It's a potato.
12:02It's very expensive.
12:03No, no, no!
12:04You can't eat it.
12:05You can't eat it.
12:06It's around the apartment,
12:07so if anyone wants to look for it,
12:09they can come with me.
12:10Wait, you want to say that it's expensive,
12:12and that we're going to buy it?
12:14Extremely expensive.
12:15No, he wants to say that it's cheap,
12:17and to throw it in the trash.
12:18Of course, it's expensive.
12:19It's more expensive than gold.
12:21Don't be jealous.
12:22We can do this.
12:23Like platinum.
12:24Wait, wait, wait, people.
12:26Do you want to lead us to look for it?
12:29I do.
12:30Give it to me, give it to me.
12:31No, no, I have to keep it.
12:32No, no, I'll give you coordinates, people.
12:34I'll give you coordinates.
12:35Give us coordinates.
12:36Come on.
12:37What are we waiting for?
12:38Tell me.
12:39Come on, let's go.
12:40What?
12:41Come on, let's go.
12:42We're Afghans who don't eat potatoes.
12:44Come on, come on.
12:45Come on.
12:46Okay, let's change our clothes.
12:47Let's go get rich.
12:48Let's go.
12:49Let's collect potatoes.
12:50Let's go.
12:51Gala.
12:52Are you coming with us?
12:53No.
12:54What?
12:55No, it's not for me.
12:56Now I'm rolling in some mud.
12:58I can't wait.
12:59You're a big lady, Gala.
13:01Here, take this trash.
13:03Come on.
13:04We're going to get rich.
13:05You hear?
13:06I didn't even know.
13:07Come on, come on.
13:08Come on.
13:16What's going on?
13:17What?
13:18Don't ask me stupid questions.
13:20What's going on with the guests?
13:22Who did they mix with?
13:24Didn't the water run out again?
13:26No, but I found the potatoes.
13:28So we're sending them in search of them.
13:30To find them.
13:31You're such a fool.
13:33What did I do wrong now?
13:35How dare you announce that to the guests?
13:38We should have gone hunting for potatoes.
13:41To get rich.
13:43We'll go, why not?
13:44We'll go now.
13:45Ljubinka!
13:47Please.
13:48Come here quickly.
13:50Here I am.
13:51Come on.
13:52Faster.
13:53I'm going.
13:56Come on, quickly.
13:57On the shovel, on the ax, and let's go.
13:59What shovel and ax?
14:00We're going to the potatoes.
14:02Come on.
14:03What potatoes?
14:04Come on, quickly.
14:05Quickly.
14:06Here, here.
14:07And you, and you, and you with her.
14:09Come on, quickly.
14:10Okay.
14:11Quickly.
14:15Pretty owl.
14:17You're shaking like you're sitting on a hot ring.
14:21What happened?
14:24Don't remind me.
14:25Get ready.
14:26Come on.
14:27Where are we going?
14:28We're going to the potatoes.
14:29Come on.
14:30I'm going to the potatoes?
14:31Yes.
14:32Pretty owl, how am I going to the potatoes?
14:34I don't have a dress for potatoes.
14:36Where am I going to go?
14:38Pretty owls don't grow in the potatoes.
14:40Hey.
14:41You're driving me crazy.
14:42You went last year.
14:44Last year, pretty owl.
14:46Last year.
14:47I'm not going this year.
14:49You know what?
14:50I'm not going to argue with you.
14:52You're acting like you inherited the National Bank.
14:55Go away.
14:56Really?
14:57God forbid.
14:58Five minutes before me,
15:00and I'll be happy for five minutes.
15:22Five minutes before me.
15:52Five minutes before me.
15:54Five minutes before me.
16:23Children, listen up.
16:27I want you to understand one thing.
16:30This is a situation that has happened to us
16:34once in a lifetime.
16:36And you have to seriously understand me and the situation.
16:40Is that clear?
16:41Yes, it's clear to us.
16:43I don't understand.
16:44What's going on?
16:45Is that clear?
16:46Yes, it's clear.
16:47Please.
16:48Where's Dobric?
16:49Dobric is in the apartment.
16:50He's applying sunscreen.
16:52He'll join us.
16:53He'll apologize to you later.
16:55He's coming with us, right?
16:56He's coming with us, 100%.
16:57Okay.
16:58So, children.
17:00What's happening now
17:02is a mutual search
17:04and we have to set some rules.
17:08Okay.
17:09So that everything is fair and concrete.
17:13Is that clear?
17:14Yes, it's clear.
17:15I can't tell you that I don't believe you,
17:18but I can't even express myself as if I believe you.
17:22I repeat.
17:23It's a mutual search.
17:25And what does that mean?
17:26What does it mean?
17:27All the truffles.
17:29Did I say that right?
17:30Yes, truffles.
17:31We find them.
17:32We put them on the grill.
17:34Okay.
17:35Then we sell them
17:37and share them equally.
17:39Is that clear?
17:40Yes, it's clear.
17:41I didn't hear you.
17:42Yes, it's clear.
17:43All right.
17:45If someone, by chance,
17:47takes a truffle for himself,
17:51he will pay a heavy penalty.
17:54Not an ordinary one, but a heavy one.
17:57Is that clear?
17:58I don't get it.
18:00What does a heavy penalty mean?
18:04Can I ask?
18:06You can't.
18:08A penalty is a penalty.
18:10Rules are rules.
18:11I'm asking you to respect me
18:13so that Beljko doesn't have to suffer.
18:17Children.
18:20We're going into the woods
18:22to roll on the mud
18:24like poor people.
18:27And we're coming back
18:29like a truffle rich man.
18:31Is that clear?
18:32Yes, it's clear.
18:34Follow me.
18:35Grab your tools and let's go.
18:38Let's go.
18:40Come on.
18:41You fool.
18:42I told you to follow me.
18:43Come on.
18:44Left.
18:45Come on.
18:46Left.
18:47Left.
18:48Are we going?
18:49Let's go.
18:50Are we going?
18:51Is there a song?
18:52No.
18:53Come on.
19:10And?
19:11Boss.
19:14Is everything okay?
19:16I don't know.
19:18I don't know yet.
19:21Sit down.
19:27You haven't been to KOSME again.
19:31KOSME?
19:32No way.
19:33Not since you banned us.
19:36We wouldn't have thought of that.
19:38We wouldn't have thought of that.
19:42I don't know.
19:43Let me check.
19:45Because
19:46I got a package.
19:49Right from there.
19:52From KOSME?
19:54Ask him again.
19:56From KOSME?
19:59Yes.
20:00From KOSME.
20:01From Mida Pjanovic.
20:03See?
20:04In person.
20:05It says.
20:07What's inside?
20:10That's what I'm asking.
20:13I hope you didn't
20:15hide something there.
20:17No, boss.
20:18Far from it.
20:19When we said we wouldn't, we wouldn't.
20:21We won't betray you.
20:22We won't.
20:25Okay.
20:27Trivanovic.
20:31Then it's best if
20:34you open the box.
20:37Me?
20:43I can, boss.
20:44No problem.
20:45Thank you.
20:46You're welcome.
20:47For showing me around.
20:48But I think a colleague is needed.
20:50Because I need something.
20:52I have a gift.
20:54How do you call it?
20:55I have it too.
20:56I have it too.
20:57It hurts.
20:58It goes to the joints.
20:59Sometimes I feel like
21:01I can't tie my shoes.
21:04All of them.
21:05How do you tie them?
21:07With a bow.
21:12Guys.
21:13You didn't hide anything, did you?
21:17Don't you think
21:18there's a bomb inside?
21:23A bomb?
21:26Boss.
21:28Why would we think
21:29there's a bomb inside?
21:31Is there a reason for a bomb?
21:34Boss.
21:35Even if there is a bomb,
21:36I'll open it for you.
21:38A gift.
21:39There.
21:41You want me to open it?
21:42Yes.
21:43Great.
21:44Come on.
21:45Come on.
21:46I didn't mean...
21:47Come on, Trivanovic.
21:48You said you'd open it.
21:50No, I didn't mean...
21:51No, no.
21:52What's wrong?
21:53If there's a bomb inside...
21:54No, no.
21:55You open the gift now.
21:59Come on.
22:00Uh...
22:02Okay.
22:04I'll open the gift,
22:06but...
22:08There's no scalpel, boss.
22:11Uh-huh.
22:16Our boss has a scalpel.
22:22Come on.
22:31Uh...
22:34Uh...
22:35Uh...
22:37Uh...
22:44And where are your
22:46promised potatoes?
22:48I'll finish 200 kilos.
22:50Be patient, girls.
22:52They've always been here.
22:53We'll find them somewhere.
22:55We can't let other people
22:57find more than us.
22:59We have more than us.
23:01So, one.
23:02Because if someone finds one,
23:04it means he won,
23:05because we didn't find anything.
23:08Just dig, darling,
23:09and don't worry,
23:10you won't finish.
23:11Come on.
23:21Come on, my falcon.
23:23Open it.
23:24There's nothing to be afraid of
23:26if your conscience is clear.
23:28Come on, buddy.
23:29You can do it.
23:30Here, here, here.
23:31I'll just...
23:32I'll just...
23:33Uh...
23:36What could...
23:37Maybe we know
23:38what could be inside.
23:41We'll find out
23:42when you open it.
23:43Come on.
23:45Great.
23:47Great.
23:52Great.
23:58Great.
24:01I'll call you.
24:04Uh, boss.
24:05I just remembered.
24:06Yeah?
24:07Well, everyone,
24:08my brother, the scalpel,
24:09the surgeon,
24:10I had a back surgery,
24:11and I saw
24:12they wash their hands.
24:13Maybe I can just
24:14wash my hands first.
24:15Uh...
24:16I just remembered,
24:17if I could,
24:18I'd like to go
24:19to the waitress
24:20for a short while,
24:21just...
24:22What?
24:23So we explode, right?
24:24Why would we explode?
24:25You'd be ashamed.
24:26No one
24:27will get out of here.
24:28Asshole.
24:29Come on, Trivarovic.
24:30Open that...
24:31Here, here, boss.
24:32Just...
24:33Come on.
24:34I'm just looking
24:35from which angle
24:36to make the first cut.
24:37Okay.
24:39Okay, okay, okay, okay.
24:50Ugh!
24:51Slippery!
24:53Oh, my God!
25:07Huh?
25:09What could that be?
25:13Huh?
25:15Whiskey?
25:19Whiskey, boss!
25:21Whiskey, boss!
25:23We're alive, boss!
25:25We're alive!
25:26Whiskey!
25:28Boss is alive!
25:30Wait, wait, wait.
25:31How do I open it?
25:32How do I open it?
25:35Huh?
25:36Whiskey, boss.
25:37How do I open packages, man?
25:39To my friend,
25:40the fearless Tambor,
25:41as a token of gratitude
25:42for saving
25:43his only daughter.
25:44Oh!
25:46Heartfeltly,
25:47Mido Pianovic.
25:48Bravo, Mido, bravo.
25:49Huh?
25:50Look at Mido, look at Mido.
25:51Hey, hey, hey.
25:52Hey, hey, hey.
25:53He needs some help.
25:54No, thank you.
25:55You can go to Sokic now.
25:57No, we volunteer.
25:58We'll have a break for Sokic,
25:59nice and easy.
26:00Come on.
26:01Come on.
26:02Now?
26:03This isn't for kids.
26:04Come on.
26:05Now.
26:06Right now.
26:07Come on, come on, come on.
26:08What are we going to do?
26:09No, no, no, no, no, no, no.
26:10Don't touch it, it's dangerous.
26:11Come on.
26:12Come on.
26:16Thank you, doctor.
26:17Great.
26:18Thank you.
26:19Come on.
26:27Mido, Mido.
26:29Come on, man.
26:31Taste it.
26:33Huh?
26:41Oh, my God, Mido.
26:43What is it?
26:44You're dangerous, dangerous.
26:46Me?
26:47No, please.
26:48I'm not a mother.
26:49It just seems to you.
26:50How not?
26:51I'm a gentle, huge woman.
26:52You know?
26:53Is that so?
26:54God help me.
26:55What did you think?
26:56What?
26:57Tartuffe.
26:58On Cosmo.
26:59So, I don't remember hearing anything so creative or how.
27:00That's right.
27:01Do you like my Mido-clicker?
27:02I'm not for throwing, you know?
27:03Come on, you're alive.
27:04You're not dead.
27:05I'm not dead.
27:06I'm not dead.
27:07I'm not dead.
27:08I'm not dead.
27:09I'm not dead.
27:10I'm not dead.
27:11I'm not dead.
27:12I'm not dead.
27:13I'm not dead.
27:14I'm not dead.
27:16We're not even playing.
27:17So, you're not dead, okay?
27:18Okay.
27:19Thank you.
27:20You misunderstood me now.
27:21You heard me.
27:22Give me a hug.
27:23We're not moving.
27:24All right, then.
27:25Me neither.
27:26It's my first game, I'm not hoping for second.
27:27How did you do it?
27:28I'll die soon without the ball.
27:29Well, what?
27:30Soon enough.
27:31There's something in your heart, man.
27:32It's in your head.
27:33In my heart.
27:34I'm sorry, man.
27:35I'm sorry.
27:36But you have no ball.
27:37I have my balls, not my balls.
27:38It's not a-
27:39It's something like that, too.
27:40Have you heard first word in...
27:41Have I?
27:42Just a little bit, just a little bit.
27:44What do you mean?
27:46I mean, I told you that I love travelling.
27:51Me too.
27:52But we always dream about exotic places, islands.
27:59Although I am aware that for something like that,
28:02you need a lot more than an apartment.
28:05I am aware of that.
28:07Listen, apartments...
28:09Apartments are not important.
28:13I have a lot of cash if you want.
28:17Do you have a lot of life?
28:19I have a lot of money.
28:21You do?
28:22And I have you.
28:24Thank you.
28:26I wish you happiness and happiness.
28:28But don't ever lie to me.
28:30Me?
28:32Why would I lie to you?
28:34I can't lie to you when I have a lot of money.
28:39Well, Vanja...
28:41I am glad you came to me.
28:44There is a lot for the rest of the job.
28:48Here, I sent you the table
28:50in which the reports should be submitted.
28:53OK.
28:55And where are the reports?
29:01Here they are.
29:05Is something wrong?
29:07No, everything is fine.
29:22You know what I am interested in?
29:24What idiot sent us five kilometers away from home
29:27to look for potatoes?
29:29It wasn't me. It was my job.
29:31You wanted to go.
29:33I was forced to come here.
29:35It's not my fault.
29:37You just need a little recreation.
29:40Why are you complaining?
29:42I don't need recreation.
29:57Come on.
29:59I am in the boiler room.
30:01OK.
30:02In the fireplace.
30:03OK.
30:04OK.
30:05Tell me, did you go to the forest
30:07and make a hole and bury the money?
30:09You know what you look like to me?
30:11That I dig a hole to hide the money
30:14so that it doesn't fall.
30:18I will tell you.
30:20You will tell me everything.
30:34When you wanted my job so much,
30:37this is a perfect opportunity for you to prove yourself.
30:41I doubt anyone proves himself
30:43by putting numbers in tables.
30:45But OK.
30:46And when you finish it,
30:48you need to put the tables
30:50from last year.
30:53For which there is probably no need.
31:04Let's go.
31:12Let's see what you have prepared.
31:15Can I?
31:16Of course.
31:19I didn't know if you like basil.
31:24I didn't want to overdo it.
31:29It's great.
31:30Is it?
31:31Yes.
31:32Let's go.
31:33Great.
31:34I'm glad you like it.
31:51Wait.
31:52What materials are we talking about?
31:54I'll tell you now.
31:56It's somewhere...
31:58Good evening, girls.
32:00Hi.
32:01I found out who owns the space.
32:17Can I ask you
32:19to take Vanja to the office with me?
32:22No.
32:24Please.
32:26Maybe I need Vanja now.
32:29Maybe you need her.
32:31And if she goes with me for a while,
32:33the company will go bankrupt.
32:35It's a matter of principle.
32:53Here I am.
32:54Thank you.
32:59I'll put your necklace tomorrow.
33:19Where is he?
33:20Who?
33:21Don't be crazy.
33:22Where did he go?
33:24Ma'am, I really don't know
33:26why I would have that information.