Bahnwärter Thiel (DDR 1982)

DDR-Archiv

"Bahnwärter Thiel" ist ein Drama aus der DDR aus dem Jahr 1982, das auf der gleichnamigen Novelle von Gerhart Hauptmann basiert. Der Film erzählt die Geschichte eines Bahnwärters und seiner Familie, die von ihrem autoritären und gewalttätigen Vater terrorisiert werden, der schließlich in den Wahnsinn abgleitet.

Transcript

00:00:00Music

00:00:30For half his working life, the railway guard Thiel had served in his lonely post in the middle of the woods.

00:00:49With the regularity of clockwork, operating the barriers, walking the track and checking each train as it rushes past.

00:01:00Music

00:01:30Music

00:01:32The thunderous violence of the passing trains

00:02:01And his completely internalized attention was solely on the harmony of the well-known melody of the sounds

00:02:13And the precise, second-by-second inner law of time directed this racing machine, which, according to alien will, raced with alien people towards unknown goals.

00:02:29The signalman had completely resigned himself to his duty, turning like a tiny cog in a huge machine.

00:02:41And yet he was a human being, knowing nothing of the depths and depths of his soul, the entanglements between loneliness and the addiction to frenzy.

00:02:55The duty and monotony of his working life also determined the free time he had left.

00:03:04For many years he had visited the church in the distant village every free Sunday,

00:03:22until one fine Sunday he appeared there accompanied by a young woman.

00:03:27Duty and monotony of his worksheet

00:03:57Duty and monotony of his worksheet

00:04:27And so I hereby declare you man and wife before God and the world.

00:04:31Duty and monotony of his worksheet

00:04:33Duty and monotony of his worksheet

00:04:35Duty and monotony of his worksheet

00:04:45Amen.

00:05:15Amen.

00:05:45Amen.

00:06:15Amen.

00:06:45Amen.

00:07:15Amen.

00:07:45Amen.

00:08:15Amen.

00:08:31What do you do,

00:08:33Granny,

00:08:35Tobias?

00:08:45Amen.

00:09:15Amen.

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00:10:45Hardly any change was noticed in the signalman.

00:11:01It was generally believed that he was not particularly affected by his wife's death.

00:11:07This view was confirmed when Thiel reappeared with a woman after only one year.

00:11:15A strong cow market from old grounds.

00:11:17So you want to get married again, Thiel?

00:11:22I can't manage a dead person, Father.

00:11:25Well, although, I mean, you're a little rushed.

00:11:29That boy is getting on my nerves.

00:11:33Oh, the boy.

00:11:34That's something different.

00:11:44Where did you put him?

00:11:47During working hours?

00:11:48At the old mom's.

00:11:52But she almost burned him.

00:11:55And from her womb he fell to the earth.

00:12:00No, this cannot continue like this, Pastor.

00:12:03I promised the deceased that I would take care of the boy's welfare.

00:12:07And that's why I decided to take this step.

00:12:17That is commendable.

00:12:21Then we don’t want to hesitate.

00:12:28Almost two years passed like this.

00:12:32But after a short time it became clear to the villagers,

00:12:35who led the regiment in Thiel's house.

00:12:51Come on, eat first.

00:12:52I must have buckshot.

00:12:56The pig must have shot,

00:12:58if it doesn't get skim milk.

00:13:00Tomorrow I'll bring beetroot.

00:13:02Cabbage, cabbage.

00:13:03The pig must have shot.

00:13:06Lena.

00:13:09It's true.

00:13:11Yes, I must have shot.

00:13:41Thank you.

00:14:11Thank you.

00:14:41Quarrelsomeness and a coarse passion.

00:14:48But at first this seemed to have little effect on him.

00:14:51It was as if he carried something inside him,

00:14:55whereby he received all evil amply balanced with good.

00:14:59What is that?

00:15:07Come on, come on, eat!

00:15:11Now eat!

00:15:13Oh, you devil!

00:15:15Yes!

00:15:16Yes!

00:15:17Yes!

00:15:18Come!

00:15:19Yes!

00:15:20Yes!

00:15:21Yes!

00:15:22Yes!

00:15:23Yes!

00:15:24Yes!

00:15:25Yes!

00:15:26Yes!

00:15:27Yes!

00:15:28Yes!

00:15:31Yes!

00:15:31Uh!

00:15:33Yes!

00:15:34Yes!

00:15:35Yes!

00:15:36Yes!

00:15:36We need to get away!

00:15:38Yes!

00:15:39Yes, come on. Yes. Is it hot, huh? Yes, it is hot there, right? I'll see how it goes.

00:15:50Come on, a little more. Go right in. Yes, like that. And more.

00:16:09Really clean.

00:16:39Really clean.

00:17:09Really clean.

00:17:39And yet Thiel,

00:17:59who had been united with his first wife by a more spiritual love,

00:18:07by the power of his second wife’s passion,

00:18:11gradually, completely under their control.

00:18:16The signalman no longer went to work with his former composure.

00:18:42If he had an appearance with his wife and hadn't appeased her beforehand.

00:18:49Yes, in the end he often deigned to ask her to be good again.

00:18:56Despite all this, there was a certain suffering resistance within him.

00:19:26He felt remorse because of his servitude to his second wife.

00:19:53And he had devised a number of tools to help him overcome this.

00:20:00So he secretly declared his guardhouse and the railway line to be sacred land,

00:20:09which should be dedicated exclusively to the memory of the dead.

00:20:30He has to pursue his duty in order to feel himself pursuing his duties.

00:20:33Because it has now visited, in contrast.

00:20:37I try to make sure that he doesn't have to do his duties during the day and doesn't have to spend more time there.

00:20:41But I'll fly back here.

00:20:43I'm trying to make him angry.

00:20:45The post

00:21:15unusual events had disturbed the monotonous routine of duty

00:21:19interrupted in its prescribed course.

00:21:24Uneventfulness and monotony of duty

00:21:27directed his gaze inward into his own world of proliferating sensations.

00:21:34So on long nights the guard house became his chapel.

00:21:40And if he had been very closely connected with the deceased,

00:21:43he thought he could see his current situation in the light of truth

00:21:48and felt disgust for it.

00:21:52Minna.

00:22:10Not infrequently he fell into an ecstasy,

00:22:23which increased to visions,

00:22:26in which he saw the dead woman in the flesh.

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00:24:05And so years passed in monotony and duty

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00:24:30You're just doing this to annoy me, you little idiot.

00:24:35You never really pay attention.

00:24:37You're doing this on purpose, you.

00:24:39You are of no use.

00:24:46It's true.

00:24:48There is not the slightest help from him.

00:24:50Come on, Tobias.

00:24:53Everything is fine again.

00:24:55Now we wipe away the tears.

00:25:02That's good.

00:25:11Are you okay now, Tobias?

00:25:14Well, fine.

00:25:22Tobias, go play in the house.

00:25:25The miller was there.

00:25:26He quit the potato field, I told you so.

00:25:29But you, what did you do?

00:25:31My God, what kind of day is this?

00:25:32Stop it.

00:25:35The railway master promised me a piece of land.

00:25:40The track master?

00:25:43Where?

00:25:44Yes, for God's sake, that's what you're guessing, man.

00:25:47At the railway guard's house.

00:25:50And? How big is it?

00:25:52Pretty much like the old one.

00:25:53And the floor?

00:25:55What is the soil like?

00:25:57Yes, a little better.

00:25:59Now it has become wild.

00:26:01But it was ordered and well received.

00:26:03Yes, that would be something.

00:26:05And what about the lease?

00:26:07He leaves it to us because it is so remote.

00:26:12Yes.

00:26:13Yes, we would be lucky.

00:26:14There are also two cherry trees on it.

00:26:23Cherry trees?

00:26:25But dwarf trees bear fruit quite well.

00:26:27Yes, I have to tell Elfbett right away.

00:26:40And imagine cherry trees standing upside down.

00:26:43There are 202 trees.

00:26:45But wear bissack, teele.

00:26:46And where?

00:26:48And do you already know how big the field is?

00:26:49As intended, the new field is as big as the eifrigstückland.

00:26:52Was rejected.

00:26:54But we don't need to save on rent.

00:26:56That will take a while again.

00:26:59And that's only if you can grow.

00:27:00Oh yes.

00:27:01And that's only if you can grow.

00:27:31What do you want to be?

00:27:52Railway master.

00:27:54Yes, a track master.

00:28:01Yes, a track master.

00:28:31Music

00:29:01Music

00:29:31Music

00:30:01Lena!

00:30:15Yes?

00:30:17I'm leaving now.

00:30:31I'm leaving now.

00:31:01Music

00:31:31Does that mean you can get out now?

00:31:53Are you trying to eavesdrop on me?

00:31:55That would be the last straw.

00:32:01Just so you know.

00:32:06I have a clear conscience and don't have to lower my eyes to anyone.

00:32:09Music

00:32:11I have a clear conscience and don't have to lower my eyes to anyone.

00:32:18Music

00:32:19Music

00:32:21Music

00:32:31Music

00:32:33Music

00:32:37Music

00:32:53Music

00:32:55Music

00:32:57Music

00:33:13Music

00:33:17Music

00:33:33Music

00:33:37Music

00:33:53Music

00:33:57Music

00:34:13Music

00:34:17Music

00:34:27Music

00:34:28No, that's not possible.

00:34:29No, that's not possible at all.

00:34:34Music

00:34:35Music

00:34:37Music

00:34:38Only now did Thiel realize that his sacred land, his guarded order

00:34:45and his beloved peace was at the mercy of his second wife's intrusion.

00:34:51Music

00:34:52The story of his first son’s suffering now came clearly before his mind.

00:34:56Music

00:34:57He was filled with pity and remorse for having lived all this time in shameful toleration.

00:35:05Music

00:35:06Music

00:35:07Music

00:35:08Music

00:35:09Music

00:35:10Music

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00:35:38Music

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00:35:50Music

00:36:15Under the weight of these self-torturing accusations

00:36:45Thiel, as he had often done before, fell into ecstatic states.

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00:41:01Beautiful weather.

00:41:17Tobias, look up there, I have it.

00:41:20To him we are now just earthworms.

00:41:24But when he comes down, and he has to come down,

00:41:28then he is afraid of us.

00:41:35Come on, Thiel, the child must have the bottle.

00:41:41But otherwise, there was nothing remarkable about this beautiful Sunday.

00:41:48Until the evening.

00:41:51It's time to dig up the new field.

00:41:54Tomorrow I'll come out with you and get started.

00:41:58What did you say?

00:42:20Say that again.

00:42:21So now it was said.

00:42:31Morning.

00:42:34Tomorrow she would break in.

00:42:37Into his holiest.

00:42:40That doesn't work.

00:42:43That must not happen.

00:42:44No, no, no, no, no.

00:42:51No.

00:42:57Thiel?

00:43:01Thiel?

00:43:02Thiel?

00:43:15Thiel?

00:43:16Thiel?

00:43:19Thiel?

00:43:20Thiel?

00:43:21N/a?

00:43:35I'll be right there!

00:43:47Look, Dad, how far I can jump.

00:43:50Fine, Tobias.

00:43:52Put the bag on the cart!

00:44:02Mathiel!

00:44:04What is it?

00:44:06Come!

00:44:08Tobias!

00:44:09Let's go!

00:44:20Come!

00:44:22Come!

00:44:23Come!

00:44:24Come!

00:44:25Come!

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00:47:56Do you hear something?

00:48:00Are those the English singing?

00:48:05That's what you might think.

00:48:08Mom will definitely be there too.

00:48:10Look, Dad, there, the big stones.

00:48:15But don't wear it.

00:48:19It's too heavy for you, Tobias.

00:48:26Is this God?

00:48:36You foolish little fellow.

00:48:49If I hurry, I'll finish digging today.

00:48:52Maybe you have some time later and can help.

00:48:55Thiel.

00:48:56Well, if not, I'll just come back tomorrow.

00:49:02Can I come along then?

00:49:05If you take good care of Andreas.

00:49:12You'll probably be happy to come along again.

00:49:16It's actually strange that we've never been here all this time.

00:49:21Should have come along long ago.

00:49:29So strange here.

00:49:31The forest.

00:49:33The route.

00:49:35So quiet.

00:49:37Then another train rushes past.

00:49:40Like from another world.

00:49:42I'm not hungry.

00:49:46I have to get back on the track.

00:49:53If I want to be back here for the 4 p.m. train, I have to hurry.

00:49:58I don't want to curtsy.

00:50:06It's out of the question.

00:50:08You have to look after Andreas now.

00:50:12Don't let the little one get too close to the tracks.

00:50:15Then race.

00:50:33Then race.

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00:52:34Oh, it's you.

00:53:04Ah, it's you.

00:53:11Ah, it's you.

00:53:16Ah, it's you.

00:53:23Ah, it's you.

00:53:29It's best if we take the child away right away.

00:53:47Yes, we go to the next station.

00:53:51Are you the father?

00:53:56Get the stretcher.

00:54:03Yes, we are delayed.

00:54:06Hurry up please!

00:54:10Please get in and close the doors!

00:54:14Depart!

00:54:18Yes.

00:54:28Yes.

00:54:30Yes.

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00:56:32Yes.

00:57:02He must, he must, you say, he must live!

00:57:32OK.

00:57:37OK.

00:57:42OK.

00:57:46OK.

00:57:52OK.

00:57:55That's it for today.

00:58:25That's it for today.

00:58:55That's it for today.

00:59:25That's it for today.

00:59:55That's it for today.

01:00:25That's it for today.

01:00:55That's it for today.

01:01:25That's it for today.

01:01:55That's it for today.

01:02:25That's it for today.

01:02:55That's it for today.

01:03:25That's it for today.

01:03:55That's it for today.

01:04:25That's it for today.

01:04:55That's it for today.

01:05:25That's it for today.

01:05:55That's it for today.

01:06:25That's it for today.

01:06:55Stop!

01:06:56That's it for today.

01:07:26That's it for today.

01:07:56That's it for today.

01:08:26That's it for today.

01:08:56That's it for today.

01:09:26Still at the...

01:09:56That's it for today.

01:10:26That's it for today,

01:10:56That's it for today,

01:11:26That's it for today,

01:11:56That's it for today,

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