video_archives_tamas
@video_archives_tamas
My artistic aim is to combine elements from all the fields of human activity and to find a zone of balance – fragile as it may be – between experiment and tradition, for I consider that nothing truly durable can be built if one denies the primordial status of art: that of being the synthesis of the tastes, customs and values of a particular historical interval. I like precision, but do not, however, reject the accidental; I work with the “plasma” of concepts, also using the images of certain personalities from the arts, literature, music, politics, sports etc. (which I “invest” with the function of “key-vehicles” of past or recent history), I juxtapose, and then translate them into different techniques (painting, collage, photography, serigraphy, drawing). Furthermore, I realize surfaces alluding to traditional weaving techniques, as well as installations and what I have called “genetically modified ready-mades” – which are sculpture-like structures (for instance, my “gun-guitars”, or "seesaw-weapon": objects that are ironically situated at the border between formal representation and the machines that Leonardo da Vinci conceived centuries ago); I use objects, posters, photographs, telephone books, envelopes, newspapers and others, that I juxtapose as innovatively as possible and afterwards rework with editing programs, so as to obtain the highest and most intense colour- and shape-effect. I draw in order to communicate visually with different artists – especially with Dan Perjovschi, with whom I have already made two drawing books, that we had been sending to each other by mail; the result was a kind of “hybrid” between mail-art, letters, novel and diary – the idea of “hyper-journal”, or archive, being, as a matter of fact, the constant trademark, or the central axis, of my work –; parts of one of these drawing books were already published in 2011.
Luciana Tamas: “Ein kleiner Matrose” / “Aquatic Drone” – Critique of Domestic Reason
4 years ago
Bienala Alb-Negru, ediția a IV-a, Satu Mare, 2015
4 years ago
Rundgang 2014 - HBK Braunschweig (Klasse Prof. Thomas Rentmeister)
10 years ago
Luciana Tamas - Rundgang 2014 / HBK Braunschweig (Project No.9)
10 years ago
Luciana Tamas - Rundgang 2013, HBK Braunschweig
11 years ago
"make it new", 2013 - Galerie auf Zeit (Braunschweig)
11 years ago
Timm Ulrichs by Luciana Tamas
11 years ago
Cum se sterg diferentele de nivel intelectual
12 years ago
Te sterg de nu te vezi!
12 years ago
Serban Foarta - "Acum stiu sa salut frumusetea"
12 years ago
VERSURI DE LUCIAN BLAGA IN LECTURA AUTORULUI
12 years ago
BIENALA "ALB-NEGRU IN COTIDIAN"
13 years ago
Luciana Tamas - Jan van der Togt Museum
14 years ago
PROF. MARIN MINCU PREZINTA EDITURA PONTICA (1997)
14 years ago
LUCIAN BLAGA - BOCCA DEL RIO
14 years ago
AUREL PANTEA - O POVESTE...
14 years ago
SERBAN FOARTA - DER KUNSTLER IST DIE KUNST
14 years ago
GEORGE W. BUSH / LUCIANA TAMAS - O SURPRIZA PASTELATA
14 years ago
LUCIANA TAMAS-2000 (EXPOZITIE LA MUZEUL JUDETEAN SATU MARE)
14 years ago
LUCIANA TAMAS - EXPO. 2000, CASA ROMANO-FRANCEZA (BUSTENI)
14 years ago
LUCIANA TAMAS - CAPCANA PENTRU INTERSECTII, 2002
14 years ago
GASPEXT NU ESTE LEGAL PARAZITII
14 years ago
GEORGE VULTURESCU / LUCIANA TAMAS - EXPO. 2002
14 years ago
GEORGE W. BUSH IN ROMANIA, 2002
14 years ago
LUCIANA TAMAS - LA LIMITA, 2004
14 years ago
FLORIN CALINESCU & LUCIANA TAMAS
14 years ago
DOMINO DAY 2004 - 29th PROJECT (SBS 6)
15 years ago
DOMINO DAY 2004 (29th PROJECT)
15 years ago
DOMINO DAY 2004
15 years ago
LUCIANA TAMAS, 2000 (A GOOD FRIEND/UN PRIETEN BUN)
15 years ago