- 2 days ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:30¡Abrr!
00:01:31¡Abrr!
00:01:31¡Abrr!
00:01:32It was really great.
00:02:02You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:32Hello.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Ciao.
00:02:56Try to have a nice trip.
00:02:57I'll try.
00:02:58Good luck.
00:02:59I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07Hmm.
00:03:08I know that look.
00:03:10It really is beautiful.
00:03:19Yeah, well, I think the atmosphere is weird here.
00:03:34There's something in the air.
00:03:36It's extremely erotic.
00:03:38I feel strange all of a sudden.
00:03:45Hmm?
00:03:46I hope the hotel's near.
00:03:47I'm almost there.
00:03:48Ah, it's beautiful.
00:03:49You were right.
00:03:50I just cannot imagine what it is like to do it here, you know?
00:03:59You know?
00:04:24Hi.
00:04:29Hey, Priola.
00:04:30Ah, ciao.
00:04:31Hi.
00:04:32How's it going?
00:04:33How?
00:04:34Any news?
00:04:35No, nothing yet.
00:04:36I can't find anyone who recognizes her name or her picture.
00:04:37Sorry.
00:04:38I know.
00:04:39Good luck.
00:04:40Good luck.
00:05:10Good luck.
00:05:11Good luck.
00:05:12Good luck.
00:05:13Good luck.
00:05:14Good luck.
00:05:15Good luck.
00:05:16Good luck.
00:05:17Good luck.
00:05:18Good luck.
00:05:19Good luck.
00:05:20Good luck.
00:05:21Good luck.
00:05:22Good luck.
00:05:23Good luck.
00:05:24Good luck.
00:05:25Good luck.
00:05:26Good luck.
00:05:27Good luck.
00:05:28Good luck.
00:05:29Good luck.
00:05:30Good luck.
00:05:31Good luck.
00:05:32Good luck.
00:05:33Good luck.
00:05:34Good luck.
00:05:35Good luck.
00:05:36Good luck.
00:05:37Good luck.
00:05:38Good luck.
00:05:39Oh, my God.
00:06:09I thought you'd never get here.
00:06:31No.
00:06:33It seemed like an eternity.
00:06:39No, that's more like it.
00:06:42Where are you taking me tonight?
00:07:09No.
00:07:10No.
00:07:11No.
00:07:12No.
00:07:13No.
00:07:14No.
00:07:15No.
00:07:16No.
00:07:40Will you place the same number, madame?
00:07:41Sure.
00:07:42I'll play your game.
00:07:43Number 13, right.
00:07:44Sure.
00:07:45I'll play your game.
00:07:46Number 13, right.
00:07:48Number 13, right.
00:07:49Number 13, right.
00:07:54I'll play your game.
00:07:56I'll play your game.
00:07:58I'll play your game.
00:08:13Let's please, ladies and gentlemen.
00:08:43Hey, excuse me, have you ever seen this girl?
00:08:55No, I'm sorry. Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay. Here, will that do?
00:09:02Sure. Keep the literature. That might help you spiritually.
00:09:13Are you trying to get me trapped?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancée. That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:49Just think.
00:09:50They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on. Really?
00:10:04Mm-hmm. Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:11But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:28This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:40Oh, come on.
00:10:43That's only a depiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Mm.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:02How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:13Well, very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're happy.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43And where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're gonna have to make up for Laura's time then.
00:12:20Yeah.
00:12:24Listen, Criella, maybe we should go back to the table, huh?
00:12:26Why?
00:12:27Why?
00:12:28Your dancing is...
00:12:29Great.
00:12:34Come on, loosen up.
00:12:37Come on, loosen up.
00:12:37Uh, I feel uncomfortable.
00:12:50Well, there's no need.
00:12:52What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:13Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:23It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:35But you see, I love him.
00:13:42And I'll do anything.
00:13:51He likes to think I'm unfaithful.
00:13:55Please help me.
00:13:55I understand.
00:14:01You know, love can be a strange thing.
00:14:25Well, the light is not the best, but we shall do what we can.
00:14:48It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that, uh,
00:15:16But you don't end up reincarnating as a turtle.
00:15:21Huh, huh.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:34What a warped for the team.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49And this boat.
00:15:51And that man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:16:00I hired him to keep up a conversation with us, all right?
00:16:04Look at him.
00:16:06Look at him.
00:16:07The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24He looks like he's a great man.
00:16:27I've got a kind of long-term note.
00:16:28And he looks like he's a good man.
00:16:30Awe.
00:16:31He looks like that.
00:16:31I know he looks like he doesn't care to me.
00:16:33I just want to wait.
00:16:34Oh, I want to wait.
00:16:34It's a great man.
00:16:35Oh, I want to wait.
00:16:36I want to wait.
00:16:37I want to wait.
00:16:37like it what a place guaranteed primitive yeah hey it's wide open there's no key nobody
00:16:58lock stores here looks like florida what a disappointment we said a hundred dollars right
00:17:14this is two keep it
00:17:18one's enough
00:17:23adios
00:17:28uh is it far to the fishing village 500 meters down that way okay
00:17:39i'm gonna go to the village okay i prefer to stay here whatever you like
00:17:59i can't wait to take a swim go ahead see you later all right
00:18:15so long bye
00:18:29hi hi well so you came at last
00:18:48wait good morning good morning
00:19:05no thanks
00:19:19thank you
00:19:35Uh, good morning, Consuelo.
00:20:00What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:13Hmm, well, a little of both.
00:20:15I won't be long.
00:20:30Here are some models.
00:20:45Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:20:57Hmm.
00:21:00Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08Remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:27Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:32Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:46Hmm.
00:21:47Gymnastics.
00:21:47And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you like long for New York at all?
00:22:01America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:19Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:23I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I guess?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:39Hmm.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:06Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:17She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35Warm up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first step's taken already.
00:23:42Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53Well.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:07That's all, Dad.
00:24:09You disappoint me.
00:24:10Esa mujer tiene el corazón duro.
00:24:21Con MFP.
00:24:22Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:49The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:56You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for her.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:15Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:23Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:39He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer.
00:25:45He dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this isle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16Could it be terribly easy for you to make an oaf like that?
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:29I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on.
00:26:43Ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:59I'm sorry.
00:27:10I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:26Me too.
00:27:27I love you more than anything else in the world.
00:27:30I love you.
00:27:32I love you too.
00:27:34God.
00:27:38It's okay.
00:27:41If you're tired.
00:27:45It's happened before.
00:27:48It'll pass.
00:27:57It'll go.
00:28:18It'll pass.
00:28:20It's okay.
00:28:22Oh, my God.
00:28:52Oh, my God.
00:29:22Oh, my God.
00:29:52Oh, my God.
00:30:22Oh, my God.
00:30:23Oh, my God.
00:30:24Oh, my God.
00:30:25Oh, my God.
00:30:27Oh, my God.
00:30:28Oh, my God.
00:30:32Oh, my God.
00:30:33Oh, my God.
00:30:34Oh, my God.
00:30:35Oh, my God.
00:30:36Oh, my God.
00:30:37Oh, my God.
00:30:38Oh, my God.
00:30:39Oh, my God.
00:30:40Oh, my God.
00:30:41Oh, my God.
00:30:42You don't have to.
00:30:44Thanks, anyway.
00:30:46You should go around by yourself, if it's asked him for trouble,
00:30:51especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life. Do what you want.
00:31:16What are you doing?
00:31:18Offering you a little hospitality.
00:31:21Here, have a drink.
00:31:46Griola?
00:32:04You there?
00:32:10Griola?
00:32:16Griola?
00:32:21Griola?
00:32:23Griola!
00:32:38Have you seen Griola?
00:32:40No.
00:32:41There's no sign of her on the beach. The bungalow's empty. She's disappeared.
00:32:47She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Maxwell.
00:32:53Ciao.
00:33:02Ciao.
00:33:04Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:20Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:28Andy.
00:33:33Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why? Something the matter?
00:33:42Yeah.
00:33:43Let's go away.
00:33:45We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again.
00:33:54No way. Forget it.
00:33:56Well, I can't forget it.
00:33:58I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:08I know, but I can't stay here another minute.
00:34:11I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:15I'll be all right again soon, I swear.
00:34:19No, it's... there's nothing to do with you.
00:34:21I don't know. It's just...
00:34:23Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick,
00:34:28and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:37Just a little longer.
00:34:39We'll be happy again.
00:34:41And then...
00:34:43I'll be able to give you what you need so badly.
00:34:48I'll be happy again.
00:34:49Something is missing.
00:34:51I OH.
00:34:53Not all.
00:34:56No, sir.
00:34:58Have a great day.
00:35:00No, sir.
00:35:02I can't play with you.
00:35:04Do you see us here?
00:35:05I can't play with you.
00:35:07No, sir.
00:35:09No, sir.
00:35:11I'll be happy.
00:35:13I don't know.
00:35:15I can't play with you...
00:35:16Let's go.
00:35:46Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only healthy vice.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:16One day, I guess.
00:36:46One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course, you include yourself in that sweeping statement.
00:37:25Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:46Oh, it's a broken heart.
00:37:51I was sure you'd come.
00:37:56I was sure you'd come.
00:38:01You were?
00:38:03Mm-hmm.
00:38:04Do you want to make love with me again?
00:38:06Yes.
00:38:06Yes.
00:38:07Well, not today.
00:38:08What are you afraid of?
00:38:09That your woman will find out?
00:38:10No.
00:38:11No.
00:38:12No.
00:38:13No.
00:38:14No.
00:38:15No.
00:38:16No.
00:38:17No.
00:38:18No.
00:38:19No.
00:38:20No.
00:38:21No.
00:38:22No.
00:38:23No.
00:38:24No.
00:38:25No.
00:38:26No.
00:38:27No.
00:38:28No.
00:38:29No.
00:38:30No.
00:38:31No.
00:38:32No.
00:38:33No, no.
00:38:36No.
00:38:37No, no, no, I don't know.
00:38:39ended as women are thoughts in it.
00:38:42Maybe your woman will find out.
00:38:44Well, answer me.
00:38:46Iris doesn't enter into this.
00:38:49And I decide when I make love.
00:38:52They're quite sure you don't want to come with us.
00:38:56No, I prefer to stay here in King Consuelo.
00:38:58Okay.
00:38:59Okay, I'll try not to be late.
00:39:59It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:26She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:41:06Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:20I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or model.
00:41:28But I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagined bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:54I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:19Oh, my God.
00:42:24You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:53Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00They'll get this straight.
00:44:14This time.
00:44:17Must be forever.
00:44:18I know.
00:44:26So, stay.
00:44:40She's not a Consuelo. She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it. She's gone back to the States.
00:44:48How? Wearing a pareo?
00:44:54Andy, look!
00:44:56She hasn't gone. Her stuff's still here.
00:45:09Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:16I've got to be off now.
00:45:22So long. See you at dinner?
00:45:24Mm-hmm.
00:45:24Come on.
00:45:54Have you seen Leon?
00:45:58Picked.
00:46:09Sorry.
00:46:11To the stern.
00:46:13I want a word with him.
00:46:15I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:19Iris.
00:46:20Iris?
00:46:21You got her.
00:46:23You don't want Iris.
00:46:25Iris is free to do what she wants.
00:46:27Adios.
00:46:53I want her.
00:46:55You want her.
00:46:57You do not want.
00:46:59What does yours do?
00:47:00He's been inside.
00:47:02You don't want her.
00:47:03I want her to try to rent it.
00:47:04You can believe it.
00:47:06You don't want her.
00:47:07You don't want her.
00:47:08You too.
00:47:09You don't want her.
00:47:10You don't want her.
00:47:12No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes. It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then... but then it'll pass.
00:48:03I'll help you to forget.
00:48:04No, I don't want to forget.
00:48:07It doesn't make sense. Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:21It's already happened other times.
00:48:25I know him.
00:48:27It's me he loves.
00:48:31I'll wait.
00:48:33Oh, Christ.
00:48:36It's over.
00:48:41It's over.
00:48:42I know you're here.
00:48:45It's totally fine.
00:48:46It's over.
00:48:47It's over.
00:48:49Get out of here and stop bothering the customers.
00:49:19So this isn't the very first?
00:49:22No, it isn't the first time, but she came back in the past.
00:49:26Playing with fire. One can be burned in the end.
00:49:31I blame myself. My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:40I'm perverted, I guess. I proposed it to her. I must be an asshole.
00:49:47But now she's gone for good.
00:49:50She did it because she knew you liked it. Not for herself.
00:49:55She's not the kind of woman who sleeps around a lot.
00:49:58Are you serious?
00:50:00Yes, I am. Whatever she became was to please you.
00:50:06She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:11And look what happened. Fate set a trap for her.
00:50:14Oh, God. Now I'm the one who went and trapped her.
00:50:19Yep. Now you're trapped.
00:50:21It started as a game, that's all. It wasn't serious.
00:50:28Games can be dangerous to play if you don't keep to the rules.
00:50:36Good evening.
00:50:37Good evening.
00:50:38Where can I find Consuelo?
00:50:39Back there, in the kitchen.
00:50:41Thanks.
00:50:42Hey, you've forgotten? We met one night in Santo Domingo. I'm married to Creole.
00:50:48Oh, yes. Now I remember you.
00:50:50Hi.
00:50:51I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:55She already knows.
00:50:56But you mean to say you... you've seen her?
00:51:00Yes, briefly.
00:51:02Yeah, but where? You haven't said. I have to know immediately.
00:51:14Surely you can guess.
00:51:17She's on Leon's boat.
00:51:19Don't go. Don't go.
00:51:24Don't go.
00:51:25I have to.
00:51:49You're hurting me. You're hurting me.
00:51:59You're hurting me.
00:52:01Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:53:42Put it in the pail.
00:53:45You know how to cook it?
00:53:48You'll have to learn.
00:53:51Hey, what are you doing here?
00:54:20Criola, Criola, Criola, what do you want?
00:54:30I've come to get her.
00:54:33Leon, no, what are you doing?
00:54:36Criola, I never thought it would come to this.
00:54:39Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:45It's too late.
00:54:47It's not too late, it's not.
00:54:50It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:56I can't.
00:54:57No, don't tell me you're going to stay here.
00:55:00Jesus, Criola, with a bastard like that.
00:55:03I have no more strength, no more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:09You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:13It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:16It's finished.
00:55:17With Leon, I'm alive.
00:55:18He satisfies me.
00:55:19No.
00:55:20No.
00:55:21I don't believe you.
00:55:22I'm terribly sorry, Andy.
00:55:23Really.
00:55:24It's ridiculous.
00:55:25Ridiculous.
00:55:26My life is meaningless without you.
00:55:30Oh.
00:55:31God damn it.
00:55:32I'm sorry.
00:55:33I'm sorry.
00:55:34I'm sorry.
00:55:35I'm sorry for your time.
00:55:36Why?
00:55:37No.
00:55:38It's not.
00:55:39I'm sorry for your time.
00:55:41What are you doing?
00:55:42No.
00:55:43I'm sorry for you.
00:55:44Could I have no idea.
00:55:45Oh.
00:55:46I'm sorry, I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem, really. I don't mind having a break.
00:56:13Why don't you stick around? You might even keep us company, if you like.
00:56:23Thanks, but not tonight. Maybe some other time. I'm not in the best of moods.
00:56:37Oh, I'm going to do this. I call it gin-balling.
00:56:42It's a very silly game.
00:56:44Hmm? For what?
00:56:47Serves to calm the nerves. Try it.
00:56:50Okay.
00:56:53Mmm.
00:56:54Mmm.
00:56:55Okay.
00:56:57Tell Mother everything.
00:56:59I'm all ears.
00:57:02Look.
00:57:02I have no intention of fighting with you. You're a kind, sweet patient.
00:57:09Okay. Get to the point. The question is, will she tire of that dope? That's what you want to know. Is that it?
00:57:16She's bound to tire of it. She always does.
00:57:23This place plays tricks on one sometimes. Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:32I surely don't need to prove it, do I?
00:57:35You're up against an example.
00:57:37And you know it.
00:57:39It's not a person who casts a spell on one at all, but this island.
00:57:44It intoxicates people's minds.
00:57:47It may not be happiness.
00:57:49God only knows happiness. It's hard enough to find anywhere.
00:57:52But it's a narcotic that makes them feel they've found paradise.
00:57:56Hmm.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:00She used to hate dirt.
00:58:02The invention of squalor made her sick for days.
00:58:05Mm-hmm.
00:58:06A Buridan.
00:58:07It's usual.
00:58:08When they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:18But you see, I can't understand.
00:58:20How she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:26Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40Right.
00:58:50That's not going to do any good.
00:59:01Hey.
00:59:02What's the matter?
00:59:03You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:10But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:20Is it ready?
00:59:21Is it cooked?
00:59:22There's a time for love.
00:59:23There's a time for food.
00:59:24Now we eat.
00:59:25Hmm.
00:59:26Hmm.
00:59:27There's a time for love.
00:59:28There's a time for food.
00:59:29Now we eat.
00:59:30Hmm.
00:59:31Hmm.
00:59:32Hmm.
00:59:33Hmm.
00:59:35Mmm.
00:59:42Hmm.
00:59:44Mmm.
00:59:45Oh, yes!
00:59:47If we see the bear, we need to bechen
01:02:30I don't know anymore, Iris.
01:02:35How can you humiliate yourself this way?
01:02:38How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:44Don't I count for anything?
01:02:46Perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:00I'll never give Leona.
01:03:04For any reason.
01:03:30Like a beer?
01:03:41Sure.
01:03:42There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:51That bastard fucks our women.
01:03:58And we are here.
01:04:01Getting drunk.
01:04:02If only we had any guts.
01:04:08We'd do something about it.
01:04:09Hello.
01:04:37Hello.
01:04:39Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:09I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:20What do I do?
01:05:21Keep it?
01:05:24Burn it.
01:05:25I'm not coming back.
01:05:26You're lying.
01:05:28You're lying.
01:05:28Hey.
01:05:31What do you want?
01:05:37I need you, Leon.
01:05:38A ride to the mainland so I can fly out to America.
01:05:41I'm going to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:34Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:48You win.
01:06:51Okay.
01:06:51Okay.
01:07:18Let's see.
01:07:19Okay.
01:07:21Bye-bye.
01:07:22Bye-bye.
01:07:25Bye-bye.
01:07:44Bye-bye.
01:07:45I hope it's enough.
01:08:06Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:15Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:45Oh, my God.
01:08:53Let's go.
01:08:54Oh, my God.
01:09:24Oh, my God.
01:09:54Oh, my God.
01:10:24Oh, my God.
01:10:54Oh, my God.
01:11:24Oh, my God.
01:11:54Oh, my God.
01:12:24Stop it.
01:12:28You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:35That man's finished because of you.
01:12:37Losing the one thing he's in the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:44Parker didn't really mean to kill you.
01:12:46It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:51So much it made a fool of you, Leon.
01:12:53No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:07They must have burned themselves up into a jealous frenzy.
01:13:21I'm sure of it.
01:13:23I don't think they're meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:40You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:07You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:49Hello, Andy.
01:14:50We thought...
01:14:56We thought...
01:14:57We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:11Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:33I know that if we stay here long, something wonderful will happen to us.
01:15:40They say these islands cast a spell on lovers.
01:15:42We get...
01:15:43We get...
01:15:49We get...
01:15:52We get...
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