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Short filmTranscript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Stars Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:24Three years later, I fell in love with Drake,
00:29keeping my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday,
00:50and instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:12Well, I think Drake's idea is great, and it could be really good for us.
01:19But the risk is way too high.
01:21Why?
01:22Dad.
01:23Please.
01:26Okay.
01:27And I'm sure you don't want him to know the real reason why I'm a person.
01:36Think about it, Dorothy.
01:37Since he got married, has he ever even touched you?
01:40How often does he actually come home?
01:42He doesn't even want to look at you.
01:44Let alone sleep with you.
01:46That's enough, Ellie.
01:48We're all here to celebrate Drake's birthday.
01:50I'm sure he wouldn't be happy to see us like this.
01:52Everybody knows that if it weren't for her, you would be married to Drake
01:56instead of being my late brother's widow.
01:58Ellie!
01:59Whatever happened between me and Drake is all in the past.
02:02Besides, I'm carrying Nick's baby.
02:05It's the perfect time.
02:10Oh, my God!
02:11Oh, my God!
02:12Oh, my God!
02:13Oh, my God!
02:14I just...
02:15Dorothy just pushed Stephanie into the pool!
02:16What?
02:17What?
02:18What?
02:23Quick!
02:24Save Stephanie!
02:25She's carrying Nick's baby!
02:29Quick!
02:30Get in there!
02:44He chose Stephanie over me.
02:47My baby! My baby is gone! Why would you do this to me?
02:54How dare you! You pushed Stephanie into the pool to try and kill her and her unborn baby!
03:01Are you happy now that Stephanie's baby's gone?
03:03I didn't do it!
03:04I know you don't want me here! I told you whatever happened between me and Drake is in the past!
03:09You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:14I didn't do it! You know me, I would never do that to Stephanie!
03:18Apologize to Stephanie.
03:21I'm not going to apologize for something I didn't do!
03:23Apologize to Stephanie right now or I will divorce you.
03:32Divorce?
03:34If you apologize right now, then I'm willing to give you another chance.
03:39It's been three years, Drake. I gave up everything to be your wife.
03:48You've always kept to the shadows, Dorothy.
03:50I already have a life, and right now I just want to focus on being on my marriage with Drake.
03:56I thought you would always be by my side, but I was wrong.
04:02The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:08Since you got married, has he ever even touched you?
04:10He doesn't even want to look at you.
04:15Fine!
04:17Let's get a divorce!
04:19There's nothing left in my heart. Drake's nothing without me.
04:32My ring!
04:34My ring is gone!
04:36Well, you must have taken it.
04:38Why would I take her ring?
04:39Well, look how quickly you packed your suitcase.
04:41You're probably seeing someone else.
04:43Dorothy.
04:44Yes?
04:46We were married for three years. Were you seeing someone else?
04:49Of course she was.
04:50She'd probably been cheating on you for a really long time.
04:53Couldn't wait for the divorce.
04:55So what if I was, huh?
04:57And what about you, still hung up on your so-called sister-in-law?
05:01What gives you the right to talk about me?
05:04I only look after Stephanie because she's my brother's widow.
05:07Yeah.
05:08But you actually seeing someone else? Who is he?
05:11Big talk!
05:12Don't bring me down to your level.
05:14I'm not like you.
05:17Since your sister-in-law lost her ring...
05:22Why don't you take...
05:29This one.
05:32You've been waiting for this for a long time, haven't you?
05:39Bye.
05:44And so I left.
05:50This is ridiculous!
05:52We, the Bennett family, are one of the four major production companies in the world.
05:56I let him marry my daughter and even invest it in his business.
06:01How dare that Drake do this to my daughter!
06:03Look, it's actually good from Dad.
06:09Now we know who he really is and he has no idea who I am.
06:13Still, you're my daughter. I can't let him do this to you.
06:16If it weren't for you, I would not have considered investing in his company.
06:20We're gonna pull our investment immediately.
06:22Yes.
06:23It's time to cut him off.
06:25He doesn't deserve you.
06:26I'm over Drake.
06:28If we withdraw the plans now, it's going to hurt the family business.
06:33He's not worth it.
06:36Honey...
06:38Why don't you just take a vacation?
06:41Just put all this aside and take some time out for yourself.
06:44Yeah.
06:47No.
06:51I've wasted too much time with Drake over the three years.
06:55You know, now I want to focus on something that actually matters.
07:00You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:06Universal, Paramount, every major studio wants this.
07:13Liar's Game.
07:15Your story on the big screen.
07:17If you're in, I'd be happy to be the one headlining it.
07:19Oh.
07:20So that's why they're making it.
07:22Because of you.
07:23I'm sorry, Christopher Santoro.
07:25See?
07:26They're not funding the film.
07:28They're funding you.
07:29Wrong.
07:31They're funding the story.
07:33It's more than good.
07:35It's phenomenal.
07:37Christopher is right.
07:39I'm taking my life back.
07:44I'm going to adapt to myself.
07:45You are?
07:47Yes.
07:49I will.
07:51Good for you.
07:53I won't tell anyone I'm asking.
07:54Congratulations to Aria Wong for winning the best director.
08:07This is my close friend from college.
08:08Aria, I need your help.
08:09I want to adapt the Liar's Game myself.
08:10And I want you to direct it.
08:11Of course.
08:12All right.
08:13Okay.
08:14There's just one thing.
08:15I want to keep my identity as the writer a secret.
08:18I don't want anyone to know.
08:20Especially not the team.
08:21SQ.
08:22Are you sure?
08:23But why keep it a secret?
08:24I just want people to focus on the story itself.
08:26Got it.
08:27Your secret's safe with me.
08:29Oh my god.
08:30That's so cool.
08:31That's so cool.
08:32I want you to direct it.
08:33I want you to direct it.
08:34Of course.
08:35All right.
08:36Okay.
08:37There's just one thing.
08:38I want to keep my identity as the writer a secret.
08:40I don't want anyone to know.
08:42Especially not the team.
08:43SQ.
08:44Are you sure?
08:45But why keep it a secret?
08:46I just want people to focus on the story itself.
08:48Got it.
08:49Your secret's safe with me.
08:51Dave.
08:52It's a bit weird.
08:54Ever since news got out about our movie,
08:56my phone has not stopped ringing.
08:58Really?
09:05It's Stephanie.
09:10Yeah, just take it.
09:15Hello?
09:16Hello, Miss Wong.
09:17I've heard Liar's Game is being made into a movie.
09:19I'm interested in playing the lead.
09:21Can we arrange an audition?
09:25I'll speak to the writer and I'll let you know.
09:28Thank you, Miss Wong.
09:31What do you think?
09:34Anyone can audition, right?
09:35As long as they write for the role.
09:39What happened between me and Stephanie is not important here, so...
09:42Okay.
09:43I'll call her back and let her know.
09:45Mm-hmm.
09:46What about me?
09:47Can I be your hero?
09:48Oh, you mean, uh, a film, right?
09:49I've...
09:50I've never considered anyone else.
09:51I have to take this.
09:52Hi.
09:53I have to take this.
09:54Hi.
09:55You know, I'm not just talking about the film, Dorothy.
09:56I'm not just talking about the film.
09:57I'm not just talking about the film, Dorothy.
09:58I'm not just talking about the film, Dorothy.
09:59I have to take this.
10:00Okay.
10:01It's okay.
10:03I can't remember.
10:04I can't remember.
10:05It's okay.
10:06I have to take this.
10:08I can't remember.
10:09It's okay.
10:10It's okay.
10:11I want to be your hero.
10:12It's okay.
10:13It's okay.
10:14It's okay, Dorothy.
10:15I can't wait for you.
10:16Yeah, I'll help you.
10:17It's okay.
10:18It's okay.
10:19Yeah.
10:20I'm not just talking about the film, Dorothy.
10:22It's okay.
10:23It's okay.
10:24It's okay, I'll call you...
10:29I can wait. I've waited this long.
10:38Well, well, well. Look who it is.
10:43Why are you here?
10:45Oh, I see. You're the production assistant.
10:49Well, do your job. Get me a water.
10:54Stephanie, get your own water.
10:58I'm not your PA.
11:00Look, it's my first day on set and I want to buy coffee for the crew.
11:04Why don't you be a doll and mark down everyone's order?
11:08Why are you deaf?
11:10I'm not a PA.
11:12Here's a tip. Go on.
11:15Show some respect, Stephanie.
11:18Do you know who she is?
11:21What were you doing?
11:23Oh, no. She can't know I'm asking you.
11:28I want to keep my identity as the writer a secret.
11:32I don't want anyone to know, especially not the team.
11:38What do you mean?
11:40Who is she?
11:42No one but a lower PA, I'm sure.
11:50Isn't that right?
11:51Well, actually, she's...
11:55She's just a PA.
11:57You're right.
12:00So why don't you show me a lower PA, your acting skills?
12:03Maybe I'll be impressed even by other copies myself.
12:05Watch this.
12:13I loved you once.
12:15Or so I thought.
12:19But now I see that it was all just a lie.
12:21A beautiful, painful lie.
12:31You took everything from me.
12:35My dreams.
12:37My future.
12:38You see?
12:42There's no soul.
12:44That's not acting.
12:45It's just...
12:46reciting lines.
12:49Why don't you show her how it's done?
12:50What?
12:52Go on.
12:56Go on.
12:57Go on.
13:17I loved you once.
13:20Or so I thought.
13:24But now I can see.
13:25It was all a lie.
13:28A beautiful, painful lie.
13:32You took everything from me.
13:37My heart.
13:39My dreams.
13:42My future.
13:45And for what?
13:47For your own personal gains.
13:55How is that possible?
13:57Dorothy.
13:59That was perfect.
14:01The role is yours if you want it.
14:03No!
14:05This role is mine!
14:07I'm the one with the investment.
14:08Without me, there's no funding for this movie.
14:09Your investment?
14:10Do you even know who she is?
14:12Who is she?
14:13Who is she?
14:14Who is she?
14:15As you know, no one but a PA.
14:17Dorothy.
14:19This movie is important to Stephanie.
14:20I mean, why are you here?
14:21You're not a real actress.
14:22What are you doing?
14:23You're trying to ruin her career.
14:24You're trying to get back at me by ruining her career.
14:25I'm not ruining anything.
14:26If she can't handle the role, that's on her, not me.
14:28You can't blame this on anyone else.
14:29You embarrassed her in front of everyone.
14:30I mean, I know what you're doing.
14:31You're the one pulling all the strings here.
14:32You're trying to make her fail so you can take me away.
14:33You're trying to make her fail so you can take me away.
14:34You're trying to make her fail so you can take me away.
14:35Who is she?
14:36Who is she?
14:37Who is she?
14:38As you know, no one but a PA.
14:39Dorothy.
14:40This movie is important to Stephanie.
14:41I mean, why are you here?
14:42You're not a real actress.
14:43You're trying to ruin her career.
14:44You're trying to get back at me by ruining her career.
14:45I'm not ruining anything.
14:46You can't blame this on anyone else.
14:47You embarrassed her in front of everyone.
14:50I mean, I know what you're doing.
14:51You're the one pulling all the strings here.
14:53You're trying to make her fail so you can take her place.
14:56She's using this whole thing to get to you, Drake.
14:58She's been jealous from the start.
15:00Trying to ruin my chances to get back to you.
15:02Okay, no.
15:03I don't want to fight anymore.
15:04Well, let's just take a look at this career
15:06so maybe we can work something out.
15:09And you were just so damn selfish!
15:11You only care about yourself!
15:14Just give Stephanie her role back!
15:15You know what?
15:17I didn't want to do this.
15:20But I will.
15:21I'll take the role.
15:23I'll play the lead.
15:28I'll play the lead.
15:29No way!
15:30You can't be serious!
15:31She's not even a real actress!
15:35Dorothy's performance was far stronger than yours.
15:38Everyone in the room can see it.
15:40I'm so glad you've agreed to do the role.
15:45Right.
15:46It's settled then.
15:47The lead roles go to Christopher and Dorothy.
15:50I will double my investment if you give Stephanie a role.
15:57I never thought I'd see the day my ex-husband would go this far.
16:06For his sister-in-law.
16:07I can always count on you.
16:09Right?
16:10I will double my investment if you give a role to Stephanie.
16:13You two look as such...
16:14Okay, look.
16:15If the money's on the table there's no reason to turn it down.
16:16Let's just give her a part.
16:17We have nothing to lose.
16:18I guess that'll be fine.
16:19I'll talk to SQ.
16:20Your father's production company is already the biggest investor in your movie.
16:38Why take Drake's money?
16:40Don't still have feelings for Drake.
16:45Too bad.
16:46You don't still have feelings for Drake, do you?
16:49No. He's an asshole.
16:53Come on.
16:54I've got an idea.
16:57Why don't we just give her a character that'll make her miserable?
17:03Wow, Mr. Santaro. I feel bad now.
17:11I only wish you didn't have feelings for Drake anymore.
17:17How did she land herself the role?
17:19She's practically a nobody. No fanbase, no real experience.
17:23Just one good scene. Doesn't make sense.
17:28Find out everything you can about Dorothy.
17:31I want all the dirt.
17:39Director, there must be a mistake.
17:41I'm only a side character and not even in the main scene.
17:44You wanted a role, we gave you a role.
17:48I came in with an investment.
17:51Well, you're more than welcome to take it back and leave the set.
17:54Even a small role in SQ's film is going to do great things for your career.
17:59Now is not the time for you to be messing around.
18:04Fine.
18:05I'm fine.
18:06I'm fine.
18:07You're doing a job.
18:08I'm fine.
18:09I'm fine.
18:10I'm fine.
18:11You're doing a job.
18:13I'm fine.
18:14I'm fine.
18:15Two take one.
18:16Action.
18:17Lily, you're my best friend.
18:18How could you do this to me?
18:19I'm sorry, but this is...
18:20What the hell are you doing?
18:22It's part of the scene!
18:28Okay, take it again from the slap.
18:30Action!
18:36Cut!
18:37Stephanie, why aren't you saying your lines?
18:39You have to keep going in the scene.
18:42I think you've had enough for today.
18:44We'll just try again tomorrow.
18:50Did you see her face?
18:55Absolute gold.
18:57I mean, she got what she wanted.
18:59She asked for a role and that's what we gave her, so...
19:02Seriously, her performance is all over the place.
19:05Maybe we should just cut down on her screen time.
19:09We all know the film's better without her slowing us down.
19:13You're right.
19:15I'm not gonna let anyone ruin your story.
19:20So, if you can just give me something that's a bit more...
19:26Something about her job.
19:34What's going on with my scenes?
19:36Why have so many of them been cut?
19:38It's a collective decision.
19:40Fuck that!
19:42Let me talk to the writer.
19:44The writer is askew and as you know, they never show their face,
19:47so their decision is final.
19:51I'll see you on set in five.
19:53Now it all makes sense.
20:07Now it all makes sense.
20:13That's the head of the production company.
20:16No wonder she got the role.
20:19Let's see how John's wife feels about that.
20:30Everyone, I have an announcement to make.
20:33Today will be Stephanie's last day on set.
20:36You really think I don't see through your little games?
20:44Somebody will be walking out that door today.
20:46But it won't be me.
20:48You really think you can get away with this?
20:51Sleeping your way up?
20:53John's wife is on her way.
20:57Let's see how you talk your way out of this one.
20:59Slut.
21:06That's enough!
21:10So were you the one who was stalking and secretly taking photos?
21:13What?
21:14Scared the truth is going to come out?
21:16Someone had to expose her for who she really is.
21:19So you admit it.
21:21You did it.
21:22Damn right I did.
21:24And I'd do it again if I had to.
21:26You don't know who you just crossed.
21:29Oh I know.
21:31Just some rich old bastard throwing a tantrum.
21:34I sent those photos to your wife too.
21:36And now your mistress is about to be exposed.
21:40Yeah.
21:41Security.
21:42Stephanie is banned from the studio.
21:45Make sure she never sets foot here again.
21:47You can't just do that.
21:49Oh this is insane.
21:50Well I have rights.
21:51I will only tell you the truth.
21:53She is a mistress.
21:54A loose woman.
21:55A lady of the night.
22:04Is it true that Dorothy is John's sugar baby?
22:06Otherwise why would he come onto the set and get me banned from the movie?
22:10That's unbelievable.
22:12And he humiliated me.
22:13He had me dragged off the set like a criminal.
22:15You should have seen it.
22:16I'm not going to let her just ruin her reputation like this.
22:21I mean this whole mess is just making us look like fools.
22:25Dorothy's always been trouble.
22:27I mean first she goes off with a married man and now this.
22:31I don't know how you put up with her for three years.
22:34You should have got a divorce earlier.
22:36Stephanie are you 100% sure that Dorothy is John's sugar baby?
22:42It's the only explanation.
22:44She's clearly nothing but a slut.
22:46Oh!
22:47Drake, Stephanie is your sister-in-law.
22:52Now you need to take care of her and forget about Dorothy.
22:56Can't you see she's the one behind all of this?
22:58She was sleeping her way to the top.
23:01Killing Stephanie's unborn child.
23:04And John dragging her off the set.
23:07You should be sticking up for Stephanie.
23:13I'm not going to let her do this to you.
23:29Do you think you can just walk away from what you did like nothing happened?
23:32I didn't walk away from anything.
23:34You did.
23:35You chose Stephanie over me.
23:37Remember this one?
23:38She's my sister-in-law.
23:39I'm so sick of hearing this.
23:42You have feelings for her and I'm just tired of it.
23:45You are out of your mind if you think I'm going to let you get away with this.
23:49You do what you want to do.
23:51For now, get out!
23:53Why?
23:54Why?
24:00We were married for three years.
24:01And we never...
24:02Oh, your dear fucking mind!
24:03Let go of it!
24:04No wonder you want me to go!
24:05Just look at yourself.
24:06You're not half the man Christopher is.
24:08Get out.
24:09Or I will call the cops.
24:10Just go!
24:11Are you okay?
24:12Are you okay?
24:13Are you okay?
24:14Are you okay?
24:15Dorothy?
24:16Dorothy?
24:17Yeah.
24:18I'm sorry.
24:19I'm sorry.
24:20I'm sorry.
24:21I'm sorry.
24:22I'm sorry.
24:23I'm sorry.
24:24I'm sorry.
24:25I'm sorry.
24:26You want me to go?
24:27Shh.
24:28Just look at yourself.
24:29You're not half the man Christopher is.
24:31I'm sorry.
24:32I'm sorry.
24:37Are you okay?
24:43Dorothy?
24:44Yeah.
24:45Remember, safety first.
24:47The lifeguard's right there if you need him.
24:49Okay.
24:52Anything you need, let the AD know.
24:54Okay.
24:55Got it.
24:56Got it.
24:57Yeah.
25:01Here's a coffee for you.
25:06It's still early before the shoot.
25:08Take your time.
25:31It's still early after the shoot.
25:32Take your time.
25:33It can't be too much.
25:34It's still early after the shoot.
25:35I was like, I'm sorry.
25:36I'm sorry I'm sorry.
25:37And you win a game.
25:38Take your time.
25:39I can't геро my school.
25:40I'm sorry.
25:41You lose me.
25:42I'm sorry.
25:43I'm sorry.
25:44Don't got anything.
25:45Because of you.
25:46You started to see you somewhere else.
25:47It was something that made me go.
25:48I didn't even miss.
25:49I'm sorry.
25:50I didn't miss you.
25:51I was looking after this shit.
25:52You didn't want to go.
25:53You didn't have to go.
25:54You didn't miss me.
25:55I didn't miss you.
25:56I didn't miss you.
25:57You didn't miss him.
25:58Something's wrong.
26:05That's not acting.
26:07She's in trouble.
26:14Where's the lifeguard?
26:19Where's the lifeguard?
26:28Where the fuck is the lifeguard?
26:51Come on, Dorothy.
26:58Why did you do that?
27:18I'll do anything for you, Dorothy.
27:23Christopher risked everything without hesitation.
27:26How could I have been so blind?
27:51I wasn't expecting that.
27:53Where were you?
28:01Dorothy could have drowned.
28:02I'm sorry.
28:03I had a stomachache.
28:04I had to go get her back.
28:05Make sure it doesn't happen again.
28:11Do you think that I should call Dorothy just to make sure she's okay?
28:16Are you still hung up on her?
28:17No, it's not like that.
28:21I'm just trying to be helpful.
28:22Don't you remember, Drake?
28:25She's the one who had me kicked out of the movie.
28:28She's the one who killed my baby.
28:30Not just my baby, but Nick's baby.
28:33I know I'm just her sister-in-law.
28:35Whatever happened between us is in the past.
28:37But I have no one now.
28:40No husband.
28:42No baby.
28:44What I have left is you.
28:48Can't you see through Dorothy yet?
28:50She's nothing but a slut, sleeping her way to the top.
28:53You don't know that.
28:55You know I'm right.
28:57What else would John come onto the set and stand up for her?
29:00Not just John, but Christopher too.
29:02She's sleeping around with anyone she can find.
29:04She's a whore.
29:05Shut up!
29:15You want war?
29:17I'll give you war.
29:22Do it.
29:24And make sure Dorothy feels every bit of it.
29:30Breaking news.
29:32Unknown actress seduces Hollywood heartthrob.
29:36Rising star or opportunist.
29:38Actress Dorothy's shocking affair with Christopher.
29:41Christopher's new flame or a heartless gold digger.
29:43Dorothy!
29:45Liar!
29:46Hey, bitch!
29:49This is getting out of hand.
29:51Maybe we should just reveal her real identity.
29:54Let everyone know she's not just some random actress.
30:00Christopher, no.
30:02Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:06There's someone behind us.
30:08And whoever they are, I'll make them hang.
30:16Fuck off.
30:17This can't be right.
30:29I die in the second scene.
30:32This must be Dorothy and John forcing SQ to cut me out.
30:36They won't get away with this.
30:37Trey, can you believe this?
30:44They've completely written me out of the script.
30:47Do you remember when Nick was lying in that hospital bed?
30:50You promised him you'd look after me.
30:53I've already lost my husband and my baby.
30:55I can't lose my career too.
30:56Don't worry.
30:58I'll get you your character back.
31:00There's a tape of a documentary that apparently SQ has always wanted.
31:21So, we win this bid and we gift it to them.
31:24Should be able to get you your rollback.
31:25Up next, a rare gem.
31:31The original film documentary
31:33chronicling the creative journey
31:35of none other than herself.
31:37Legendary screenwriter, Margaret Lane.
31:40$50,000.
31:42What's she doing here?
31:45I don't know.
31:47I'm not going to let her win this.
31:49$60,000.
31:54$70,000.
31:55$100,000.
32:01This is my grandmother's documentary.
32:04It's her legacy.
32:06She's the one who inspired me to become a screenwriter.
32:09I can't let her fall into the wrong hands.
32:13$500,000.
32:23$500,000.
32:24I'm trying to get you your rollback.
32:28Don't worry.
32:30I've got it covered.
32:31Ladies and gentlemen,
32:33we are down to the final bid.
32:35Standing at a whopping $500,000.
32:39$500,000 going once.
32:42$500,000 going twice.
32:44Salt, to the lady in the blue dress.
32:55I can't believe this.
32:58You have no right
32:59to take that film reel with you.
33:02You have no right to take that film reel with you.
33:10What's going on?
33:11Ladies and gentlemen,
33:19I've just been informed
33:20that Miss Dorothy
33:21is in fact not an invited guest.
33:24Therefore,
33:25as per our rules,
33:27this documentary reel
33:28will not be released to Miss Dorothy.
33:30This is ridiculous.
33:31I was invited.
33:33Well, in that case,
33:36may I see your invitation?
33:42I did have it.
33:43I swear.
33:43I'm sorry, Miss Dorothy.
33:45If you do not have
33:46the invitation at hand,
33:47the documentary reel
33:48has to go to the second highest bidder.
33:50This is the protocol.
33:51Oh, you don't understand.
33:52I'm sorry.
33:53I'm sorry.
34:12These are the rules.
34:14The documentary reel
34:15will go to the honourable couple.
34:35Stephanie, wait.
34:38Just sell it to me.
34:40Name your price.
34:41I'll pay you anything you want.
34:42It's really important to me, please.
34:44Why are you doing this?
34:46Are you just trying to get my attention
34:48by going after something
34:49that Stephanie wants?
34:51No, you don't understand.
34:52Just let me buy this.
34:55Whatever it takes.
34:57Oh, Dorothy.
34:59You think this is about money?
35:01Please.
35:02This isn't something
35:02you can just buy.
35:05Dorothy, what the hell are you doing?
35:07Why do you always have to
35:08go against her like that?
35:09This reel is important to Stephanie.
35:11She can use this to help her career.
35:13Her career?
35:15Is this about your role
35:17being cut from the head?
35:19Is that why you're doing this?
35:22I'm the writer.
35:24I'm going to fix this.
35:26I'm going to write the story
35:27and bring your character back.
35:29Just...
35:29Just let me have the real person.
35:32You're the writer.
35:34Are you telling me that you're SQ?
35:36You're the writer, SQ.
35:42Can you give us a break?
35:43Look, this reel is important to Stephanie.
35:47End it.
35:48Don't make this harder than it has to be.
35:51You've been with Dorothy for so long
35:53and you don't even know her.
35:54Oh, and you do.
35:56A hell of a lot more than you.
35:57What the fuck do you think you are?
35:58Both of you, calm down.
35:59Scratched all over.
36:14It's ruined.
36:15Not even fit to be a gift anymore.
36:18I can fix this.
36:19Stephanie, I know someone who can restore it.
36:21Just sell it to me.
36:22Please, just name your price.
36:23Even if I had no use for it,
36:28I'd never give it to you.
36:29I don't know.
36:53I want to be a writer like you, Grandma.
36:59I want to make movies like you do.
37:02This reel has more than pictures and sound on it.
37:07Really?
37:08An entire world I've captured.
37:11But it's just one way of seeing things.
37:14The magic is creating it yourself.
37:17And someday you will.
37:19Dorothy, I need you to go apologize to Stephanie
37:33and give her her role back.
37:36Apologize?
37:37To her?
37:38She destroyed the reel.
37:39She wouldn't have done that if you hadn't pushed her.
37:46So go apologize or I'm pulling my funding.
37:50Look, Dorothy, let's be real here.
37:53Without Stephanie, Barry's gonna invest.
37:57Even the production company will call out
37:59if they hear that she's not involved anymore.
38:00Her name carries weight.
38:02Let's not pretend that your reputation
38:04is exactly stellar right now.
38:06Christopher's fans hate you.
38:08Stephanie's fans hate you.
38:09Even if you actually make this film,
38:12no one's gonna support her.
38:13You will be Barry.
38:14If you apologize to Stephanie now,
38:19I can help you.
38:23I can control the press.
38:25I can control the narrative.
38:26I can actually give you a chance.
38:28What's so funny?
38:34What's so funny?
38:36Pull your funding.
38:37Do it.
38:39You'll see it does nothing for the movie.
38:41Okay.
38:42So what if I tell the production head
38:43to pull his funding too?
38:46Didn't I tell you that I know Mr. Bennett?
38:48Oh.
38:49Go ahead.
38:51Try it.
38:52You want me to call?
38:53Mm-hmm.
38:54Fine.
38:59Hi, Mr. Bennett.
39:00It's Drake.
39:01Drake Mossbacher.
39:03Yeah, I'm pulling my funding from Liars Game
39:04and I suggest that you do the same thing.
39:06I've seen it and it's a sinking ship.
39:10You're pulling out?
39:11Great.
39:12I'll take full control of the investment.
39:14Not a problem.
39:21So you sat with him?
39:23That's why he's supporting you, isn't it?
39:30Is this how you see me?
39:31The type of woman who would use her body
39:32to get what she wants?
39:33What other explanation do you have?
39:36You know nothing about Dorothy.
39:41Apologize to Stephanie.
39:43Cut ties with Mr. Bennett and end this.
39:45Dorothy, come back to me.
39:46Whatever he's offering you, I'll match it.
39:47I'll double it.
39:49You must be out of your fucking mind.
39:51What makes you think
39:53I would ever go back
39:55to that living hell?
39:56Living hell?
39:56You heard me!
39:58Being married to you
39:59was a fucking nightmare.
40:02You made me believe
40:03you loved me.
40:05And then you had me waiting in vain
40:06for three years, Drake.
40:09You said you'd always protect me,
40:10but then when I need you the most,
40:12you just turned your back on me.
40:15You chose your sister-in-law
40:17over your wife.
40:21I've had enough, Drake.
40:23You were my prison.
40:24So just go back
40:26to your precious Stephanie.
40:32Let's just go.
40:32Why are you hurt?
40:43Are you okay?
40:50What are you, Steph?
40:51What are you doing?
40:52Well, you want me, don't you?
40:53Just kiss me.
40:54I'm all yours.
40:55Steph!
40:56You're Nick's wife.
40:57I've always thought of you
40:58like a sister.
40:58What's that?
41:00Sister!
41:02Funny.
41:03Don't you remember
41:03when you came to me
41:04the night Nick and I got married?
41:05Don't you remember
41:06what you said?
41:09Remember this?
41:10Yeah.
41:10Why not marry Stephanie?
41:13God.
41:14You were practically
41:14begging me not to marry Nick.
41:15No, I shouldn't have said that.
41:17I shouldn't have said that.
41:17I don't want to see it.
41:21What's that?
41:22Oh, it's nothing.
41:23Yeah, what is that?
41:24No, Drake, no.
41:25Please.
41:25You lied about this.
41:32You lied about this.
41:36You said that Dorothy
41:37pushed you into the water,
41:39but this shows you
41:39shoving her in.
41:41It's a glitch.
41:43A glitch.
41:44So, do you actually
41:45expect me to believe that?
41:47What's this?
41:50Find pills
41:51off the black market.
41:53Terminate your pregnancy.
41:55It's you.
41:56It was time
41:57when you blamed Dorothy
41:58like some sort of scapegoat
41:59and she was innocent
42:00the whole time.
42:01Please, no,
42:02you have to believe me.
42:03I didn't...
42:04Do you know what?
42:04I've always thought of you
42:05like a sister.
42:06I've always taken care of you.
42:08I even thought that I loved you once,
42:09but that was before
42:09you were Nick's wife.
42:13You changed.
42:17You changed.
42:17You're not the person
42:20I thought you were.
42:23I only looked after you
42:24because I thought it was my duty
42:25as Nick's brother
42:26to look after his widow.
42:29I guess there's no
42:29need to look after you anymore,
42:31huh?
42:32What does that mean?
42:34You're just going to
42:34throw me away?
42:36I'm not going to throw you away,
42:37but this is my house.
42:41I'm going to back.
42:42I hope you'll be gone.
42:42But you can't just
42:45walk away from me like that.
42:46I've said everything
42:46that I need to say.
42:48Now I'm going to go find
42:48the person that I actually
42:49care about.
42:55Don't leave me.
42:56This is all your fault.
43:01Let's take this bitch down.
43:12Do you want to say please?
43:21No.
43:22I was wrong.
43:25I misunderstood everything
43:27about you and about us.
43:32Can you please just hear me out?
43:34You think you can just
43:35come here and apologise?
43:38After everything?
43:39I didn't mean to hurt you.
43:40Look, I understand what I did,
43:43but it was just because
43:44it was definitely
43:44anyone.
43:46Can you please just forgive me?
43:49I don't need your apology, Drake.
43:51You let me down.
43:52You abandoned me.
43:55And I needed you the most.
43:57You used me.
43:59Manipulated me.
44:00And now you beg
44:01for my forgiveness?
44:03Oh my God, please
44:04just don't show me out.
44:05I can fix this.
44:07I can fix it.
44:07I can do anything,
44:09don't worry.
44:09Please, just...
44:10No.
44:12You were never the person
44:14I thought you were.
44:16And I'm not either.
44:18I've moved on.
44:21I don't need you.
44:25Not like I used to.
44:28Just stay back.
44:29After everything.
44:30Yeah, that's it.
44:32I don't need you.
44:33I don't need you.
44:35I don't need you.
44:36I don't need you.
44:37I don't need you.
44:38I deserve better than this.
44:45Before you all celebrate this movie,
45:13there's something you should know.
45:16Dorothy is nothing but a homewrecker.
45:18What's going on?
45:20A glorified mistress
45:21who's been playing the part
45:23of a wonderful actress
45:24when all she's really done
45:25is ruin lives.
45:27This is true, Dorothy.
45:30Are you involved with a married man?
45:32What's your response
45:32to Stephanie's claim?
45:37This is ridiculous.
45:39Let's talk about
45:39how she got here.
45:41Shall we?
45:42She didn't get here
45:43off her talent.
45:44Oh, no.
45:45She got here
45:46by clinging
45:47to powerful men.
45:49No real experience.
45:51No skill.
45:51Just a man's name
45:53and a man's money.
45:54Security!
45:55Get her out of here.
45:56Wait.
45:57If she has something to say,
45:59let's hear it.
46:00Dorothy,
46:01it's a trap.
46:02I'm not afraid of the truth.
46:05Let's see what she's got.
46:09What's going on?
46:11So tell us, Dorothy.
46:13How did you get here?
46:15Did you use your relationship
46:16with John Bennett
46:17to land the part?
46:18A homework, are you saying?
46:36Is there something wrong
46:37with me appearing
46:38with my own dad?
46:39You're the one
46:40who sent me this photo, right?
46:42How about you take another one?
46:43This time,
46:44of my lovely family of three.
46:46Dorothy, Dorothy, Dorothy.
46:48Hey, are you really
46:49John Bennett's daughter?
46:50Yes.
46:51I bet you never ask
46:51for my last name.
46:53It's Bennett,
46:54by the way.
46:56So, Dorothy
46:57is the producer's daughter.
47:00Dorothy,
47:00so,
47:01did you use your father
47:02to get the part?
47:03Ha!
47:04So, it's just nepotism,
47:06then.
47:10Well, even if she didn't
47:11fuck her way to the top,
47:12she still only got here
47:13through her connections.
47:14Whether you like it or not,
47:16my performance speaks for itself.
47:17And everyone here
47:18saw it.
47:19She was actually really good.
47:21Yeah, she handled the models.
47:23Oh, are you saying
47:23that everyone here is wrong?
47:25You think you're so clever,
47:27don't you?
47:28Fine.
47:29You can act a little bit.
47:31But let's be real,
47:32you didn't land this role
47:33on your own.
47:34You just snapped
47:35your bony little fingers
47:36and let Daddy
47:36give you a role.
47:37How else
47:38would a nobody like you
47:40have landed yourself
47:40the lead otherwise?
47:41Dorothy isn't just a nobody.
47:46She wrote Liar's Game.
47:49She is SQ.
47:54Dorothy is SQ.
47:56How can that be possible?
47:58Liar's Game is a masterpiece.
48:00There's no way you could have
48:00written it.
48:01You don't have to believe me.
48:03Just let the credit
48:04speak for itself.
48:05How can this be true?
48:12Oh, God.
48:13It's so dramatic.
48:16Dorothy Bennett,
48:16you're the daughter
48:17of the producer
48:17and the famous writer SQ.
48:19Why did you keep
48:20your identity a secret
48:21so long?
48:24Why did you keep
48:25your identity a secret
48:26so long?
48:27Stephanie Marsbecker,
48:28Linda Marsbecker
48:29and Ellie Marsbecker,
48:30I'm arresting you on
48:31suspicion of defamation.
48:32No, no, no, no.
48:33I didn't do anything wrong.
48:34This was all Stephanie's idea.
48:35I didn't do anything.
48:43This whole time
48:44she was actually
48:45telling the truth.
48:47Dorothy's SQ.
48:49She's genius.
48:52That's why she always
48:53had a book in her hand.
48:56Always writing something
48:57on her laptop,
48:58always lost in her thoughts.
49:02Didn't even see her.
49:05I guess I was blind
49:06all along.
49:08I don't deserve that.
49:13I don't deserve that.
49:14I've missed this place.
49:31Don't you remember?
49:32Of course I do.
49:34We saw so many films here.
49:36We would just stay in our seats
49:39and talk about life and everything.
49:44But you just made me feel like
49:45I could face
49:46more of anything, really.
49:51God, I used to be so nervous back then.
49:54About everything.
49:56About the future.
49:56But you just made me feel like
50:00I could face
50:00more of anything, really.
50:03No.
50:05Someone had to be there
50:06to make sure you didn't
50:07overthink everything.
50:09I remember you used to
50:10unpick every little detail
50:11like it was a life or death situation.
50:13You know, Dorothy.
50:21Life's not been the same without you.
50:26Even when we parted ways,
50:27I...
50:28I always knew that
50:30we would find each other again.
50:34I don't care what we've been through.
50:37I don't care what's happened.
50:38All I know
50:39is that I need you now.
50:42More than ever.
50:59And the award
51:00for Best Adapted Screenplay
51:02goes to
51:03Dorothy Bennett
51:05with Liar's Game!
51:09Wow.
51:10Best screenplay.
51:13Shall I start calling you
51:14Your Majesty?
51:15I think that's a great idea.
51:17Why don't I start now?
51:20You deserve this.
51:22Your Majesty.
51:23Every bit of it.
51:25Now.
51:27Since you won,
51:29I think this calls for a reward.
51:31Oh, yeah?
51:35And what would that be?
51:38Me.
51:38Thanks very much.
51:39Bye.
51:40My God.
51:42Come on.
51:47Thanks.
51:48To be with me.
51:50Bye.
51:52Bye.
51:53Bye.
51:56Bye.
52:00Bye.
52:03Bye.
52:04Bye.
52:04Bye.
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