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After the Divorce, the Heiress Takes It All - Full
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00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Star
00:16Movie Awards.
00:18You did it.
00:20Three years ago, I was the most sought after screenwriter.
00:25Three years later, I fell in love with Drake.
00:28Give me my identity a secret for the sake of his pride.
00:33I thought we were happy until...
00:39Hi.
00:46Where the hell have you been?
00:48I told you that Stephanie was coming to help set up for my brother's birthday,
00:51and instead of helping us, he just disappeared.
00:54What, did you fail so you could go and laze around or something?
00:56Look, you know, people say that the only reason you're allowed to stay by Drake's side
01:01is because you're nothing more than a free maid.
01:04Otherwise, why would someone like you be allowed to marry my brother?
01:08What?
01:09A maid?
01:10I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great, and it could be really good for us.
01:17But the risk is way too high.
01:22Dad.
01:24Please.
01:26Okay.
01:28And I'm sure you don't want him to know the real reason why I'm a person.
01:32Think about it, Dorothy.
01:37Since you got married, have he ever even touched you?
01:40How often does he actually come home?
01:42He doesn't even want to look at you.
01:45Let lady sleep with you.
01:47That's enough, Ellie.
01:48We're all here to celebrate Drake's birthday.
01:50I'm sure he wouldn't be happy to see us like this.
01:52Everybody knows that if it weren't for her, you would be married to Drake
01:56instead of being my late brother's widow.
01:58Ellie!
02:00Whatever happened between me and Drake is all in the past.
02:03Besides, I'm carrying Nick's baby.
02:09It's the perfect time.
02:13Oh my God!
02:15Dorothy just pushed Stephanie into the pool!
02:17What?
02:22She's carrying Nick's baby!
02:30Quick, get in there!
02:44He chose Stephanie over me.
02:50My baby!
02:51My baby is gone!
02:53Why would you do this to me?
02:56How dare you!
02:58You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:02Are you happy now that Stephanie's baby's gone?
03:04I didn't do it.
03:05I know you don't want me here.
03:07I told you whatever happened between me and Drake is in the past.
03:10You can hate me however you want to,
03:12but how could you be so cruel as to kill my unborn child?
03:15I didn't do it.
03:16You know what?
03:17I would never do that to Stephanie.
03:19Apologize to Stephanie.
03:20I'm not going to apologize for something I didn't do.
03:24Apologize to Stephanie right now or I will divorce you.
03:34Divorce?
03:34If you apologize right now,
03:37then I'm willing to give you another chance.
03:44It's been three years, Drake.
03:46I gave up everything to be your wife.
03:50I've always kept to the shadows, Dorothy.
03:51I already have a life, and right now I just want to focus on being on my marriage or Drake.
04:00I thought you would always be by my side, but I was wrong.
04:04The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:09Since you got married, has he ever even touched you?
04:12He doesn't even want to look at you.
04:13Fine.
04:17Let's get a divorce.
04:27There's nothing left in my heart.
04:30Drake's nothing without me.
04:31My ring!
04:36My ring is gone!
04:38Well, you must have taken it.
04:39Why would I take her ring?
04:41Well, look how quickly you packed your suitcase.
04:43You're probably seeing someone else.
04:45Dorothy.
04:47Yes?
04:48We were married for three years.
04:50Were you seeing someone else?
04:51Of course she was.
04:52Probably been cheating on you for a really long time.
04:55Couldn't wait for the divorce.
04:57So what if I was, huh?
04:59And what about you, still hung up on your so-called sister-in-law?
05:03What gives you the right to talk about me?
05:06I only look after Stephanie because she's my brother's widow.
05:10But you were actually seeing someone else.
05:12Who is he?
05:13Big talk!
05:14Don't bring me down to your level.
05:16I'm not like you.
05:19Since your sister-in-law lost her ring,
05:22why don't you take...
05:28this one?
05:33You've been waiting for this for a long time, haven't you?
05:41Bye.
05:46And so I left.
05:52This is ridiculous!
05:55We, the Bennett family, are one of the four major production companies in the world.
05:59I let him marry my daughter and even invest it in his business.
06:03How dare that Drake do this to my daughter!
06:07Look, it's actually good from Dad.
06:09Now we know who he really is and he has no idea who I am.
06:15Still, you're my daughter.
06:16I can't let him do this to you.
06:18If it weren't for you, I would not have considered investing in his company.
06:22We're going to pull our investment immediately.
06:24Yes.
06:25It's time to cut him off.
06:26He doesn't deserve you.
06:28I'm over Drake.
06:29If we withdraw the plans now, it's going to hurt the family business.
06:35He's not worth it.
06:37Honey.
06:40Why don't you just take a vacation?
06:42Or just put all this aside and take some time out for yourself?
06:46Yeah.
06:49No.
06:50I've wasted too much time with Drake over the three years.
06:58You know, now I want to focus on something that actually matters.
07:02You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:08Universal, Paramount, every major studio wants this.
07:15Liar's Game.
07:16Your story on the big screen.
07:18If you're in, I'd be happy to be the one headlining it.
07:21Oh.
07:22So that's why they're making it.
07:23Because of you.
07:24I'm sorry, Christopher Santoro.
07:27See?
07:28They're not funding the film.
07:30They're funding you.
07:31Wrong.
07:33They're funding the story.
07:34It's more than good.
07:36It's phenomenal.
07:38Christopher is right.
07:40I'm taking my life back.
07:46I'm going to adapt it myself.
07:48You are?
07:50Yes.
07:51I will.
07:53Good for you.
07:55I won't tell anyone I'm asking you.
07:57Congratulations to Aria Wong for winning the best director.
08:15This is my close friend from college.
08:18Aria, I need your help.
08:19I want to adapt the Liar's Game myself and I want you to direct it.
08:25Of course.
08:26All right.
08:27Okay.
08:28There's just one thing.
08:30I want to keep my identity as the writer a secret.
08:34I don't want anyone to know, especially not the team.
08:37SQ.
08:38Are you sure?
08:40But why keep it a secret?
08:41I just want people to focus on the story itself.
08:44Got it.
08:46Your secret's safe with me.
08:47Hey.
08:49Oh my God.
08:50That's so cool.
08:51That's so cool.
08:53Dave.
08:54It's a bit weird.
08:56Ever since news got out about our movie, my phone has not stopped ringing.
09:01Really?
09:01Really?
09:08It's Stephanie.
09:08Yeah, just take it.
09:17Hello?
09:18Hello, Miss Wong.
09:20I've heard Liar's Game is being made into a movie.
09:22I'm interested in playing the lead.
09:24Can we arrange an audition?
09:28I'll speak to the writer and I'll let you know.
09:31Thank you, Miss Wong.
09:34What do you think?
09:37Anyone can audition, right?
09:38As long as they're right for the role.
09:42What happened between me and Stephanie is not important here, so...
09:45Okay.
09:48I'll call her back and let her know.
09:50Mm-hmm.
09:59What about me?
10:03Can I be your hero?
10:08Oh, you mean, uh, a film, right?
10:13I've never considered anyone else.
10:18I have to take this.
10:21Hi?
10:21You know, I'm not just talking about the film, Dorothy.
10:30It's okay.
10:32I can wait.
10:35Waited this long.
10:36Well, well, well, well, look who it is.
10:46Why are you here?
10:48Oh, I see.
10:50You're the production assistant.
10:52Well, do your job.
10:54Get me a water.
10:55Stephanie.
10:56I'm not your P.A.
10:58Stephanie.
10:59Get you on water.
11:01I'm not your P.A.
11:03Look.
11:04It's my first day on set, and I want to buy coffee for the crew.
11:07Why don't you be a doll and mark down everyone's order?
11:11Are you deaf?
11:12I'm not a P.A.
11:15Here's your tip.
11:17Go on.
11:19Show some respect, Stephanie.
11:21Do you know who she is?
11:24What are you doing?
11:26Oh, no.
11:27She can't know I'm asking you.
11:32I want to keep my identity as the writer in a secret.
11:35I don't want anyone to know, especially not the team.
11:38What do you mean?
11:43Who is she?
11:46No one but a lower P.A., I'm sure.
11:52Isn't that right?
11:54Well, actually, she's...
11:57She's...
11:59Just a P.A.
12:00You're right.
12:03So why don't you show me a lower P.A., your acting skills?
12:07Maybe I'll be impressed even by here the coffees myself.
12:11Watch this.
12:17I loved you once.
12:19Or so I thought.
12:22But now I see that it was all just a lie.
12:26A beautiful...
12:29Painful lie.
12:34You took everything from me!
12:37My dreams!
12:40My future!
12:45See?
12:46There's no soul.
12:47That's not acting, it's just...
12:49reciting lines.
12:52Why don't you show how it's done?
12:53What?
12:55Go on.
12:59Go on.
13:00I loved you once.
13:22So I thought.
13:23So I thought.
13:24But now I can see, it was all a lie.
13:32A beautiful, painful lie.
13:34You took everything from me.
13:36You took everything from me.
13:41My heart.
13:43My dreams.
13:46My future.
13:47And for what?
13:51For your own personal gains.
13:53How is that possible?
14:06Dorothy, that was perfect.
14:09The role is yours if you want it.
14:11No!
14:13This role is mine!
14:16I'm the one with the investment.
14:18Without me, there's no funding for this movie.
14:20Your investment?
14:21Do you even know who she is?
14:24Who is she?
14:25Who is she?
14:31As you know, no one but a PA.
14:34Dorothy, this movie is important to Stephanie.
14:38I mean, why are you here?
14:39You're not a real actress.
14:40What are you doing?
14:41You're trying to ruin her career.
14:42You're trying to get back at me by ruining her career.
14:44I'm not ruining anything.
14:46If she can't handle the role, that's on her, not me.
14:50You can't blame this on anyone else.
14:52You embarrassed her in front of everyone.
14:54I mean, I know what you're doing.
14:56You're the one pulling all the strings here.
14:57You're trying to make her fail so you can take her place.
15:00She's using this whole thing to get to you, Drake.
15:03She's been jealous from the start,
15:04trying to ruin my chances to get back to you.
15:07Okay, no.
15:07I don't want to fight anymore.
15:08Well, let's just take a look at the script
15:10and maybe we can work something out.
15:13And you were just so damn selfish!
15:16You already care about yourself!
15:18Just give Stephanie her role back!
15:21You know what?
15:21I didn't want to do this, but I will.
15:26I'll take the role.
15:28I'll play the lead.
15:33I'll play the lead.
15:34No way!
15:35You can't be serious!
15:36She's not even a real actress!
15:40Dorothy's performance was far stronger than yours.
15:43Everyone in the room can see it.
15:45Shh!
15:45I'm so glad you've agreed to do the role.
15:51Right, it's settled then.
15:53The lead roles go to Christopher and Dorothy.
15:57I will double my investment
15:59if you give Stephanie a role.
16:03I never thought I'd see the day
16:08my ex-husband would go this far
16:10for his sister-in-law.
16:12I can always count on you, right?
16:15I will double my investment
16:21if you give a role to Stephanie.
16:22You two are just such-
16:23You two are just such-
16:27Okay, look.
16:29If the money's on the table,
16:30there's no reason to turn it down.
16:31Let's just give her a part.
16:34We have nothing to lose.
16:35I guess that'll be fine.
16:39I'll talk to SQ.
16:40Your father's production company
16:46is already the biggest investor in your movie.
16:48So why take Drake's money?
16:49You don't...
16:51You still have feelings for Drake.
16:53No!
16:55He's an asshole!
16:57Come on.
16:59I've got an idea.
17:02Why don't we just give her a character?
17:04That'll make her miserable.
17:06Wow, Mr. Sontaro.
17:09I feel bad now.
17:16I only wish you didn't have feelings for Drake anymore.
17:21How did she land herself the role?
17:24She's practically a nobody.
17:25No fan base, no real experience.
17:28Just one good scene.
17:30It doesn't make sense.
17:32Find out everything you can about Dorothy.
17:36I want all the dirt.
17:44Director, there must be a mistake.
17:47I'm only a side character and not even in the main scene.
17:50You wanted a role, we gave you a role.
17:53I came in with an investment.
17:56You're more than welcome to take it back and leave the set.
17:59Even a small role in SQ's film is going to do great things for your career.
18:04Now is not the time for you to be messing around.
18:09Fine.
18:16Two, take one.
18:18Action.
18:19Lily, you are my best friend.
18:20How could you do this to me?
18:21I'm sorry, but this is...
18:23What the hell are you doing?
18:26It's part of the scene!
18:33Okay, take it again from the slap.
18:35Action.
18:41Cut!
18:43Stephanie, why aren't you saying your lines?
18:45You have to keep going in the scene.
18:47I think you've had enough for today.
18:50We'll just try again tomorrow.
18:51Did you see her face?
19:01Absolute gold.
19:03I mean, she got what she wanted.
19:04She asked for a role and that's what we gave her, so...
19:08Seriously, her performance is all over the place.
19:11Maybe we should just cut down on her screen time.
19:15We all know the film's better without her slowing us down.
19:18You're right.
19:20I'm not gonna let anyone ruin your story.
19:27So, if you can just give me something that's a bit more...
19:31Something about her job.
19:39What's going on with my scenes?
19:41Why have so many of them been cut?
19:43It's a collective decision.
19:44Fuck that!
19:47Let me talk to the writer!
19:49The writer is SQ and, as you know, they never show their face, so their decision is final.
19:56I'll see you on set in five.
19:58Oh!
20:11Now it all makes sense.
20:18Now it all makes sense.
20:20That's the head of the production company.
20:23No wonder she got the role.
20:25Let's see how John's wife feels about that.
20:36Everyone, I have an announcement to make.
20:40Today will be Stephanie's last day on set.
20:42You really think I don't see through your little games?
20:46Somebody will be walking out that door today.
20:48But it won't be me.
20:50You really think you can get away with this?
20:52Sleeping your way up?
20:54John's wife is on her way.
20:55Let's see how you talk your way out of this one.
20:57Slut.
20:59That's enough!
21:01So were you the one who was stalking and secretly taking photos?
21:03What?
21:04Scared the truth is going to come out?
21:06Someone had to expose her for who she really is.
21:08So you admit it.
21:09You did it.
21:10Damn right I did.
21:11And I'd do it again if I had to.
21:13You don't know who you just called out.
21:15Just let me know who you just called out of this one.
21:16Slut.
21:18That's enough!
21:20So were you the one who was stalking and secretly taking photos?
21:21What?
21:22Scared the truth is going to come out?
21:24Someone had to expose her for who she really is.
21:26So you admit it.
21:27You did it.
21:28Damn right I did.
21:30And I'd do it again if I had to.
21:31if i had to you don't know who you just cross i know just some rich old bastard throwing a tantrum
21:41i sent those photos to your wife too and now your mistress is about to be exposed
21:47yeah security stephanie is banned from the studio make sure she never sets foot here again
21:53you can't just do that oh this is insane what i have rights i was only telling the truth she is a
22:00mistress a loose woman a lady of the night
22:11is it true that dorothy is john sugar baby otherwise why would he come onto the set and
22:15get me banned from the movie that's unbelievable and he humiliated me he had me dragged off the
22:21set like a criminal you should have seen it i'm not gonna let her just ruin her reputation like
22:27this i mean this whole message is making us look like fools dorothy's always been trouble i mean
22:35first she goes off with a married man and now this i don't know how you put up with her for three years
22:41you should have got a divorce earlier stephanie are you 100 sure that dorothy is john's sugar baby
22:49it's the only explanation she's clearly nothing but a slut oh drake stephanie is your sister-in-law
22:59now you need to take care of her and forget about dorothy can't you see she's the one behind all of
23:05this she was sleeping her way to the top killing stephanie's unborn child and john dragging her off the
23:13set you should be sticking up for stephanie i'm not gonna let her do this to you
23:36do you think you can just walk away from what you did like nothing happened
23:39i didn't walk away from anything you did you chose stephanie over me remember this one
23:44well she's my sister-in-law i'm so sick of hearing this you have feelings for her and i'm just tired
23:51of it you are out of your mind if you think i'm gonna let you get away with this you do what you
23:57want to do but for now get out why
24:07we were married for three years
24:08oh my god you might let go of me
24:21no wonder you want me to go
24:24just look at yourself you're not half the man christopher is
24:28get out or i will call the cops just go
24:43are you okay
24:50dorothy remember safety first the lifeguard's right there if you need him
24:56okay anything you need to let the ad know okay got it got it
25:11here's a coffee for you thank you it's still early before the shoot take your time
25:25so
25:29so
25:37so
25:43Something's wrong.
26:13That's not acting! She's in trouble!
26:21Where's the lifeguard?
26:26Where's the lifeguard?
26:30Where the fuck is the lifeguard?
26:49Where's the lifeguard?
26:59Come on, Dorothy!
27:05Why did you do that?
27:23I'll do anything for you, Dorothy.
27:26I think you, Dorothy.
27:30Christopher risked everything without hesitation.
27:34How could I have been so blind?
27:38I wasn't expecting that.
28:00Where were you? Dorothy could have drowned!
28:10I'm sorry, I had a stomachache. I had to go get her back.
28:13Make sure it doesn't happen again.
28:15Do you think that I should call Dorothy just to make sure she's okay?
28:22Are you still hung up on her?
28:26No, it's not like that. I'm just trying to be helpful.
28:30Don't you remember, Jane?
28:32She's the one who had me kicked out of the movie.
28:35She's the one who killed my baby!
28:38Not just my baby, but Nick's baby!
28:40I know I'm just her sister-in-law,
28:42and whatever happened between us is in the past,
28:44but I have no one now.
28:46No husband, no baby.
28:50I have left us youth.
28:53Haven't you seen through Dorothy yet?
28:57She's nothing but a slut, sleeping her way to the top.
28:59You don't know that.
29:01You know I'm right!
29:04Why else would John come onto the set and stand up for her?
29:07Not just John, but Christopher too!
29:09She's sleeping around with anyone she can find!
29:11She's a whore!
29:12Shut up!
29:13You want war?
29:25I'll give you war.
29:30Do it.
29:32And make sure Dorothy feels every bit of it.
29:39Breaking news.
29:40Unknown actress seduces Hollywood heart drop.
29:42Rising star or opportunist.
29:45Actress Dorothy's shocking affair with Christopher.
29:48Christopher's new flame for a heartless gold digger.
29:51Dorothy!
29:52Liar!
29:53Hey babe!
29:54This is getting out of hand.
29:59Maybe we should just reveal her real identity.
30:02Let everyone know she's not just some random actress.
30:09Christopher, no.
30:10Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:13Someone behind us.
30:15And whoever they are, I'll make them here.
30:16Fuck off.
30:17This can't be right.
30:21I die in the second scene!
30:22This must be Dorothy and John forcing SQ to cut me out.
30:26They won't get away with this.
30:27Trey, can you believe this?
30:28They've completely written me out of the script.
30:29They've completely written me out of the script.
30:30Do you remember when Nick was lying in that hospital bed?
30:32You promised him you'd look up on the ground.
30:33You promised him you'd look up on the ground.
30:34I don't know what to do.
30:35You promised him you'd look up on the ground.
30:36I'd be, I don't know.
30:37I'd be, I don't know.
30:38You know, you know, I'm feeling it.
30:39I'm not feeling it.
30:40But you've been looking for the trouble.
30:41I don't know what to do.
30:42Forcing S.Q. to cut me out.
30:44They won't get away with this.
30:51Trey, can you believe this?
30:53They've completely written me out of the script.
30:55Do you remember when Nick was lying in that hospital bed?
30:58You promised him you'd look after me.
31:01I've already lost my husband and my baby.
31:03I can't lose my career too.
31:05Don't worry.
31:07I'll get you your character back.
31:12There's a tape of a documentary that apparently S.Q. has always wanted.
31:29So, we win this bid and we gift it to them.
31:32Should be able to get you your robot.
31:37Up next, a rare gem.
31:39The original film documentary chronicling the creative journey of none other than herself.
31:45Legendary screenwriter, Margaret Lane.
31:4850,000.
31:51What's she doing here?
31:54I don't know.
31:56I'm not going to let her win this.
31:5860,000.
32:0370,000.
32:04100,000.
32:07100,000.
32:10This is my grandmother's documentary.
32:12It's her legacy.
32:14She's the one who inspired me to become a screenwriter.
32:17I can't let it fall into the wrong hands.
32:21500,000.
32:22500,000.
32:52Trying to get you your role.
32:53Don't worry.
32:54I've got it covered.
32:55Ladies and gentlemen, we are down to the final bid.
33:09Standing at a whopping 500,000.
33:11500,000 going once.
33:14500,000 going twice.
33:17Sold.
33:18Sold.
33:19To the lady in the blue dress.
33:29I can't believe this.
33:31You have no right to take that film reel with you.
33:38You have no right to take that film reel with you.
33:41What's going on?
33:51Ladies and gentlemen, I've just been informed.
33:54Miss Dorothy is in fact not an invited guest.
33:58Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
34:04This is ridiculous. I was invited.
34:06Well, in that case, may I see your invitation?
34:16I did have it, I swear.
34:17I'm sorry, Miss Dorothy.
34:18If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.
34:23This is the protocol.
34:25I don't understand.
34:26I'm sorry.
34:36These are the rules.
34:37The documentary reel will go to the honourable couple.
35:06Stephanie, wait.
35:09Just sell it to me.
35:13Name your price.
35:14I'll pay you anything you want.
35:15It's really important to me, please.
35:18Why are you doing this?
35:20Are you just trying to get my attention by going after something that Stephanie wants?
35:24No, you don't understand.
35:26Just let me buy this.
35:29Whatever it takes.
35:31Dorothy.
35:32You think this is about money?
35:35Please.
35:36This isn't something you can just buy.
35:38Dorothy.
35:39What the hell are you doing?
35:41Why do you always have to go against her like that?
35:43This reel is important to Stephanie.
35:45She can use this to help her career.
35:47Her career?
35:49Is this about your role being cut from the dead?
35:53Is that why you're doing this?
35:54I'm the writer.
35:55Can you fix this?
35:57Can you write the story and bring your character back?
35:59Just...
36:01Just let me have the real things.
36:03You're the writer.
36:05Are you telling me that you're SQ?
36:08You!
36:10The writer SQ!
36:12Can you give us a break?
36:14Look, this reel is important to Stephanie.
36:17End it.
36:19Don't make this harder than it has to be.
36:20You've been with Dorothy for so long, and you don't even know her!
36:24Oh, and you do!
36:25A hell of a lot more than you!
36:27Who the fuck do you think you are?
36:28Both of you, calm down!
36:29Don't make this harder than you do!
36:30A hell of a lot more than you!
36:31Who the fuck do you think you are?
36:32Both of you, calm down!
36:34Ah!
36:48Scratched all over!
36:50It's ruined!
36:51Not even fit to be a gift anymore!
36:53I can fix this.
36:55Stephanie, I know someone who can restore it.
36:56Just sell it to me, please!
36:57Just name your price!
37:00Even if I had no use for it,
37:02I'd never give it to you!
37:03I'd never give it to you!
37:05Oh!
37:06Oh!
37:08Oh!
37:09Oh!
37:12Oh!
37:14Oh!
37:16Oh!
37:17Oh!
37:19Oh!
37:21Oh!
37:23Oh!
37:24Oh!
37:25Oh!
37:26Oh!
37:27Oh!
37:28Oh!
37:32Oh!
37:34Oh!
37:36I want to be a writer like you, grandma!
37:37Oh!
37:38Oh!
37:39It has more than pictures and sound on it.
37:42Really?
37:43An entire world I've captured.
37:46But it's just one way of seeing things.
37:49The magic is creating it to yourself.
37:52Someday you will.
38:04Dorothy.
38:07I need you to go apologize to Stephanie.
38:09And give her her role back.
38:11Apologize.
38:12To her.
38:13She destroyed the real.
38:14She wouldn't have done that.
38:16If you hadn't pushed her.
38:21So go apologize or I'm pulling my funding.
38:25Look, Dorothy.
38:26Let's be real here.
38:29Without Stephanie.
38:30Who's going to invest?
38:33Even the production company will call out if they hear that she's not involved anymore.
38:36Her name carries weight.
38:37Let's not pretend that your reputation is exactly stellar right now.
38:41Christopher's fans hate you.
38:43Stephanie's fans hate you.
38:45Even if you actually make this film.
38:47No one's going to support you.
38:49You will be buried.
38:50But if you apologize to Stephanie now.
38:56I can help you.
38:58I can control the press.
39:00I can control the narrative.
39:01I can actually give you a chance.
39:03What's so funny?
39:09What's so funny?
39:11Pull your funding.
39:13Do it.
39:14You'll see it does nothing for the movie.
39:16Okay.
39:18So what if I tell the production head to pull his funding too?
39:21Didn't I tell you that I know Mr. Bennett?
39:23No.
39:25Go ahead.
39:26Quiet.
39:27You want me to call?
39:29Mm-hmm.
39:30Fine.
39:35Hi, Mr. Bennett.
39:36It's Drake.
39:37Drake Mossbacher.
39:39Yeah, I'm pulling my funding from Liars Game and I suggest that you do the same thing.
39:42I've seen it and it's a sinking ship.
39:45You're pulling out?
39:47Great.
39:47I'll take full control of the investment.
39:49Not a problem.
39:50Is this how you see me?
40:07The type of woman who would use her body to get what she wants?
40:09What other explanation do you have?
40:12You know nothing about Dorothy.
40:14Apologize to Stephanie.
40:19Cut ties with Mr. Bennett and end this.
40:21Dorothy, come back to me.
40:22Whatever he's offering you, I'll match it.
40:23I'll double it.
40:25You must be able to hear fucking mind.
40:28What makes you think I would ever go back to that living hell?
40:32Living hell?
40:32You heard me.
40:34Being married to you was a fucking nightmare.
40:38You made me believe you loved me.
40:40And then you had me waiting in vain for three years, Drake.
40:45You said you'd always protect me, but then when I need you the most,
40:49you just turned your back on me.
40:51You chose your sister-in-law over your wife.
40:57We've had enough, Drake.
40:59You were my prison.
41:00So just go back to your precious Stephanie.
41:08Let's just go.
41:10Why are you hurt?
41:19Are you okay?
41:27What is that?
41:28What are you doing?
41:28Well, you want me, don't you?
41:30Just kiss me.
41:31I'm all yours.
41:31Steph!
41:32You're Nick's wife.
41:33I've always thought of you like a sister.
41:36Sister?
41:38Funny.
41:38Don't you remember when you came to me the night Nick and I got married?
41:42Don't you remember what you said?
41:45Remember this?
41:46Yeah.
41:47Why not marry Stephanie?
41:49God.
41:50You were practically begging me not to marry Nick.
41:52No, I shouldn't have said that.
41:53I shouldn't have said that.
41:54Don't make a suit.
41:57What's that?
41:59Oh, it's nothing.
42:00What is that?
42:00No, Drake, no.
42:01Please.
42:02You lied about this.
42:09You lied about this.
42:13You said that Dorothy pushed you into the water, but this shows you shoving her in.
42:18It's a glitch.
42:19A glitch.
42:21So, do you actually expect me to believe that?
42:23What's this?
42:27Buying pills off the black market?
42:30Pretend I hit your pregnancy.
42:32Was she?
42:33This time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
42:38Please, no.
42:38You have to believe me.
42:40I didn't...
42:40Do you know what?
42:41I've always thought of you like a sister.
42:43I've always taken care of you.
42:44I even thought that I loved you once, but that was before you were Nick's wife.
42:49You changed.
42:50You changed.
42:56You're not the person I thought you were.
43:00I only looked after you because I thought it was my duty as Nick's brother to look after his widow.
43:06I guess there's no need to look after you anymore, huh?
43:09What does that mean?
43:11You're just going to throw me away?
43:13I'm not going to throw you away, but this is my house.
43:18I'm going to back over we got.
43:20But you can't just walk away from me like that.
43:23I've said everything that I need to say.
43:25Now I'm going to go find the person that I actually care about.
43:32Dorothy, this is all your fault.
43:38Let's take this bitch down.
43:40Don't I say please?
43:58No.
43:58No.
43:59I was wrong.
44:01I misunderstood everything about you and about us.
44:09Can you please just hear me out?
44:12You think you can just come here and apologise?
44:15After everything?
44:16I didn't mean to hurt you.
44:19Look, I understand what I did, but it was just because it was definitely an enemy.
44:23Can you please just forgive me?
44:24I don't need your apology, Drake.
44:28You let me down.
44:30You abandoned me.
44:32And I needed you the most.
44:35You used me.
44:36Manipulated me.
44:37And now you beg for my forgiveness.
44:40Oh God, please just don't show me out.
44:43I can fix this.
44:44I can fix it.
44:45I can do anything, Dorothy.
44:46Please, just...
44:47You were never the person I thought you were.
44:53And I'm not either.
44:55I've moved on.
44:58I don't need you.
45:03Not like I used to.
45:05Just like that.
45:07After everything.
45:08Yeah, that's it.
45:17You did it.
45:43You did it.
45:47Before you all celebrate this movie, there's something you should know.
45:53Dorothy is nothing but a homewrecker.
45:56What's going on?
45:58A glorified mistress who's been playing the part of a wonderful actress
46:01when all she's really done is ruin lives.
46:06This is true, Dorothy.
46:08Are you involved with a married man?
46:09What's your response to Stephanie's claim?
46:15This is ridiculous.
46:16Let's talk about how she got here, shall we?
46:20She didn't get here off her talent.
46:22Oh no.
46:23She got here by clinging to powerful men.
46:27No real experience.
46:28No skill.
46:29Just a man's name and a man's money.
46:32Security!
46:33Get her out of here.
46:34Wait.
46:35If she has something to say, let's hear it.
46:38Dorothy, it's a trap.
46:40I'm not afraid of the truth.
46:43Let's see what she's got.
46:46What's going on?
46:49So tell us, Dorothy.
46:50How did you get here?
46:53Did you use your relationship with John Bennett to land the part?
46:56A homework, are you saying?
47:14Is there something wrong with me appearing with my own dad?
47:18You're the one who sent me this photo, right?
47:19How about you take another one?
47:22This time, of my lovely family of three.
47:25Dorothy, Dorothy, Dorothy.
47:26Are you really John Bennett's daughter?
47:28Yes.
47:29I bet you never ask my last name.
47:31It's Bennett's, by the way.
47:34So, Dorothy is the producer's daughter.
47:38Dorothy.
47:38Dorothy, so, did you use your father to get the part?
47:41Ha, so it's just nepotism, then.
47:49Well, even if she didn't fuck her way to the top, she still only got here through her connections.
47:53Whether you like it or not, my performance speaks for itself.
47:56And everyone here saw it.
47:58She was actually really good.
47:59Yeah, she handled the mortgage.
48:01Oh, are you saying that everyone here is wrong?
48:03You think you're so clever, don't you?
48:07Fine.
48:07You can act a little bit.
48:09But let's be real.
48:11You didn't land this role on your own.
48:12You just snapped your bony little fingers and let Daddy give you a role.
48:16How else would a nobody like you have landed yourself the lead otherwise?
48:20Dorothy isn't just a nobody.
48:25She wrote Liar's Game.
48:28She is SQ.
48:33Dorothy is SQ.
48:35How can that be possible?
48:37Liar's Game is a masterpiece.
48:38There's no way you could have written it.
48:40You don't have to believe me.
48:42Just let the credit speak for itself.
48:47How can this be true?
48:55Dorothy Van Esk, you're the daughter of the producer and the famous writer SQ.
48:58Why did you keep your identity a secret so long?
49:03Why did you keep your identity a secret so long?
49:06Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker, I'm arresting you on suspicion
49:10of defamation.
49:11No, no, no, no.
49:12I didn't do anything wrong.
49:13This was all Stephanie's idea.
49:14I didn't do anything.
49:22This whole time she was actually telling the truth.
49:26Dorothy's SQ.
49:28She's genius.
49:29That's why she always had a book in her hand.
49:35Always writing something on her laptop, always lost in her thoughts.
49:41I didn't even see her.
49:44Guess I was blind all along.
49:48I don't deserve her.
49:49I've missed this place.
50:11Don't you remember?
50:12Of course I do.
50:14We saw so many films here.
50:17We would just stay in our seats and talk about life and everything.
50:24But you just made me feel like I could face more anything, really.
50:27Someone had to be there to make sure you didn't ever think everything.
50:31I remember you used to unpick every little detail like it was a life or death situation.
50:37I remember you used to unpick every little detail like it was a life or death situation.
50:43You know, Dorothy, life's not been the same without you.
51:02Even when we parted ways, I always knew that we would find each other again.
51:11I don't care what we've been through.
51:16I don't care what's happened.
51:18All I know is that I need you now, more than ever.
51:32And the award for Best Adapted Screenplay goes to Dorothy Bennett with Liar's Game!
51:49Wow. Best screenplay.
51:52What, shall I start calling you Your Majesty?
51:55I think that's the greatest idea. Why don't you start now?
51:59You deserve this. Your Majesty. Every bit of it.
52:05Now, since you won, I think this calls for a reward.
52:11Oh yeah? And what would that be?
52:17Me.
52:29That's what you're gonna do.
52:34Yeah?
52:35You're gonna do it.
52:37You're gonna do it.
52:39Yes.
52:44Yes.
52:45Yes.
52:47Yes.
52:48Yes.
52:49Yes.
Recommended
52:30
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