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After The Divorce The Heiress Takes It All (2025) - FULL | Dramabox
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00:00Congratulations to Dorothy for winning the best original screenplay at the Rising Star's Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:24Three years later, I fell in love with Drake, keeping my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday,
00:50and instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great, and it could be really good for us.
01:19But the risk is way too high.
01:21Dad.
01:23Please.
01:25Okay.
01:27And I'm sure you don't want him to know the real reason why I'm a person.
01:35Think about it, Dorothy.
01:37Since you got married, has he ever even touched you?
01:39How often does he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:45That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49I'm sure he wouldn't be happy to see us like this.
01:51Everybody knows that if it weren't for her, you would be married to Drake
01:55instead of being my late brother's widow.
01:57Ellie, whatever happened between me and Drake is all in the past.
02:01Besides, I'm carrying Nick's baby.
02:08It's the perfect time.
02:12Oh, my God. Oh, my God.
02:14Dorothy just pushed Stephanie into the pool.
02:16What?
02:17What?
02:18What?
02:24Quick, save Stephanie!
02:25She's carrying Nick's baby!
02:30Quick, get in there!
02:31He chose Stephanie over me.
02:50My baby!
02:51My baby is gone!
02:53Why would you do this to me?
02:56How dare you!
02:57You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:01Are you happy now that Stephanie's baby's gone?
03:04I didn't do it!
03:05I know you don't want me here.
03:06I told you whatever happened between me and Drake is in the past.
03:10You can hate me however you want to,
03:12but how could you be so cruel as to kill my unborn child?
03:15I didn't do it.
03:16You know me, I would never do that to Stephanie.
03:19Let's apologize to Stephanie.
03:22I'm not going to apologize for something I didn't do.
03:24Apologize to Stephanie right now or I will divorce you.
03:28Divorce?
03:33Divorce?
03:35If you apologize right now,
03:37then I'm willing to give you another chance.
03:44It's been three years, Drake.
03:46I gave up everything to be your wife.
03:49You've always kept to the shadows, Dorothy.
03:51I already have a life.
03:53And right now I just want to focus on being on my marriage or Drake.
04:00I thought you would always be by my side, but I was wrong.
04:04The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:08Since you got married, has he ever even touched you?
04:11He doesn't even want to look at you.
04:15Fine.
04:18Let's get a divorce.
04:19There's nothing left in my heart.
04:30Drake's nothing without me.
04:32Ah!
04:34My ring!
04:36My ring is gone!
04:38Well, you must have taken it.
04:39Why would I take her ring?
04:41Well, look how quickly you packed your suitcase.
04:43You're probably seeing someone else.
04:45Dorothy.
04:47Yes.
04:49We were married for three years.
04:50Were you seeing someone else?
04:51Of course she was.
04:52Probably been cheating on you for a really long time.
04:55Couldn't wait for the divorce.
04:57So what if I was, huh?
04:59And what about you?
05:01Still hung up on your so-called sister-in-law?
05:04What gives you the right to talk about me?
05:06I only look after Stephanie because she's my brother's widow.
05:10But you actually seeing someone else?
05:12Who is he?
05:13Big talk!
05:14Don't bring me down to your level.
05:17I'm not like you.
05:19Since your sister-in-law lost her ring...
05:24Why don't you take...
05:31This one.
05:34You've been waiting for this for a long time, haven't you?
05:41Bye.
05:44And so I left.
05:47This is ridiculous!
05:50We, the Bennett family, are one of the four major production companies in the world.
05:55I let him marry my daughter and even invest it in his business.
05:56How dare that Drake do this to my daughter?
05:57Look, it's actually a good thing to add.
05:58Now we know who he really is and he has no idea who I am.
05:59Still, you're my daughter.
06:00I can't let him do this to you.
06:01Still, you're my daughter.
06:02I can't let him do this to you.
06:03I can't let him do this to you.
06:04If it weren't for you, I would not have considered investing in his company.
06:07We're gonna pull our investment immediately.
06:08Yes.
06:09It's time to cut him off.
06:10He doesn't deserve you.
06:11He doesn't deserve you.
06:12I'm over Drake.
06:13If we withdraw the plans now, we're gonna do this.
06:14I'm over Drake.
06:15I'm over Drake.
06:16If we withdraw the plans now, we're gonna pull our investment immediately.
06:19Hunny.
06:20Nobody has killed the expectingλ.
06:21I'm not going to work with you.
06:22I'm over under Drake.
06:23That's absolutely right-
06:25Unless us mean to let us keep my hahahah.
06:26Now we know who he really is and he has no idea who I am.
06:29Still, you're my daughter.
06:30I can't let him do this to you.
06:31If it weren't for you, I would not have considered investing in his company.
06:34We're gonna pull our investment immediately.
06:36Yes, it's time to cut him off.
06:37He doesn't deserve you.
06:39I'm over Drake.
06:42If we withdraw the plans now, it's going to hurt the family business.
06:45He's not worth it.
06:47Honey, why didn't you just take a vacation?
06:52Or just put all this aside and take some time out for yourself?
06:57Yeah.
07:00No.
07:03I've wasted too much time with Drake over the three years.
07:07You know, now I want to focus on something that actually matters.
07:12You know, Christopher has been saying
07:14that many people want to buy the movie rights to Liar's Game.
07:18Universal, Paramount, every major studio wants this.
07:25Liar's Game, your story on the big screen.
07:28If you're in, I'd be happy to be the one headlining it.
07:31Oh, so that's why they're making it. Because of you.
07:34I'm sorry, Christopher Santoro.
07:37See, they're not funding the film. They're funding you.
07:41Wrong. They're funding the story.
07:44It's more than good. It's phenomenal.
07:48Christopher is right. I'm taking my life back.
07:56I'm going to adapt it myself.
07:59You are?
08:00Yes. I will.
08:03Good for you.
08:05I won't tell anyone unless you.
08:11Congratulations to Aria Wong for winning the best director.
08:26This is my close friend from college.
08:28Aria, I need your help.
08:30I want to adapt the Liar's Game myself.
08:32And I want you to direct it.
08:35Of course.
08:36Alright.
08:38Okay.
08:39There's just one thing.
08:40I want to keep my identity as the writer a secret.
08:44I don't want anyone to know.
08:46Especially not the team.
08:48SQ.
08:49Are you sure?
08:50But why keep it a secret?
08:51I just want people to focus on the story itself.
08:55Got it. Your secret's safe with me.
08:57Hey.
09:00Oh my god.
09:04Dave.
09:05It's a bit weird.
09:07Ever since news got out about our movie, my phone has not stopped ringing.
09:11Really?
09:18It's Stephanie.
09:19Yeah, just take it.
09:28Hello?
09:29Hello, Miss Wong.
09:30I've heard Liar's Game is being made into a movie.
09:32I'm interested in playing the lead.
09:34Can we arrange an audition?
09:38I'll speak to the writer and I'll let you know.
09:41Thank you, Miss Wong.
09:45What do you think?
09:46Anyone can audition, right?
09:49As long as they're right for the role.
09:52What happened between me and Stephanie is not important here, so...
09:57Okay.
09:58I'll call her back and let her know.
10:00Mm-hmm.
10:10What about me?
10:14Can I be your hero?
10:16Oh, you mean, uh...
10:21A film, right?
10:23I...
10:24I've never considered anyone else.
10:29I have to take this.
10:31Hi?
10:37You know, I'm not just talking about the film, Dorothy.
10:41It's okay.
10:43I can wait.
10:45I've waited this long.
10:51Well, well, well. Look who it is.
10:54Why are you here?
10:59Oh, I see. You're the production assistant.
11:03Well, do your job.
11:06Get me a water.
11:08Stephanie.
11:10Get your own water.
11:12I'm not your PA.
11:13Look.
11:14It's my first day on set, and I want to buy coffee for the crew.
11:18Why don't you be a doll and mark down everyone's order?
11:22Are you deaf?
11:24I'm not a PA.
11:26Here's your tip.
11:28Go on.
11:30Show some respect, Stephanie.
11:31Do you know who she is?
11:36What were you doing?
11:38Oh, no.
11:39She can't know, I'm asking you.
11:43I want to keep my identity as the writer a secret.
11:46I don't want anyone to know, especially not the team.
11:53What do you mean?
11:55Who is she?
11:58No one but a lower PA, I'm sure.
12:00Isn't that right?
12:05Well, actually, she's...
12:10She's just a PA.
12:12You're right.
12:14So why don't you show me a lower PA, your acting skills?
12:19Maybe I'll be impressed even by who the coffee's myself.
12:22Watch this.
12:23I loved you once.
12:30Or so I thought.
12:34But now I see that it was all just a lie.
12:37A beautiful...
12:41Painful lie.
12:46You took everything from me!
12:49My dreams!
12:50My future!
12:56See?
12:57There's no soul.
12:59That's not acting, it's just...
13:01reciting lines.
13:03Why don't you show her how it's done?
13:05What?!
13:07Go on.
13:11Go on.
13:20I loved you once.
13:35So I thought.
13:37But now I can see.
13:40It was all a lie.
13:42It was all a lie.
13:44A beautiful, painful lie.
13:47You took everything from me.
13:51My heart.
13:53My dreams.
13:55My future.
13:57And for what?
13:58For your own personal gains.
14:04How is that possible?
14:06Dorothy, that was perfect.
14:08The role is yours if you want it.
14:09No!
14:10This role is mine!
14:12I'm the one with the investment.
14:13Without me, there's no funding for this movie.
14:15Your investment?
14:16Do you even know who she is?
14:18Who is she?
14:19Who is she?
14:20As you know, no one...
14:22but the PA.
14:24Dorothy...
14:26This movie is important very much,
14:27even if she needs to be.
14:29I think she's going to take anything.
14:30Too late for us!
14:31That was perfect.
14:32The role is yours if you want it.
14:34No!
14:36This role is mine!
14:38Hipe the one with the investment.
14:39Without me there's no funding for this movie.
14:41Your investment?
14:42Do you even know who she is?
14:45Who is she?
14:47Who is she?
14:48This movie is important to Stephanie.
14:50I mean, why are you here? You're not a real actress.
14:52What are you doing? You're trying to ruin her career.
14:54You're trying to get back at me by ruining her career.
14:56I'm not ruining anything.
14:58If she can't handle the role,
15:00that's on her, not me.
15:02You can't blame this on anyone else.
15:04You embarrassed her in front of everyone.
15:06I mean, I know what you're doing.
15:08You're the one pulling all the strings here.
15:10You're trying to make her fail so you can take her place.
15:12She's using this whole thing to get to you, Drake.
15:14She's been jealous from the start,
15:16trying to ruin my chances to get back to you.
15:18Okay, no. I don't want to fight anymore.
15:20Well, let's just take a look at the script
15:22and maybe we can work something out.
15:24And you are just so damn selfish!
15:28You only care about yourself!
15:30Just give Stephanie her role back!
15:32You know what?
15:34I don't want to do this.
15:36But I will.
15:38I'll take the role.
15:40I'll play the lead.
15:42No way! You can't be serious!
15:44She's not even a real actress!
15:46Dorothy's performance was far stronger than yours.
15:48Everyone in the room can see it.
15:50I'm so glad you've agreed to do the role.
15:54Right, it's settled then.
15:56The lead roles go to Christopher and Dorothy.
15:58I will double my investment if you give Stephanie a role.
16:14I never thought I'd see the day my ex-husband would go this far for his sister-in-law.
16:20I can always count on you, right?
16:30I will double my investment if you give a role to Stephanie.
16:34You two are just such...
16:36Okay, look.
16:38If the money's on the table, there's no reason to turn it down.
16:40Let's just give her a part.
16:42We have nothing to lose.
16:44I guess that'll be fine.
16:46I'll talk to SQ.
16:52Your father's production company is already the biggest investor in your movie.
16:58So why take Drake's money?
17:00Don't...
17:02Don't still have feelings for Drake.
17:04No!
17:06He's an asshole!
17:08Come on.
17:10I've got an idea.
17:12Why don't we just give her a character?
17:16That'll make her miserable.
17:20Wow, Mrs. Santaro.
17:22I feel bad now.
17:28I only wish you didn't have feelings for Drake anymore.
17:32How did she land herself the role?
17:36She's practically a nobody.
17:38No fan base, no real experience.
17:40Just one good scene.
17:42Doesn't make sense.
17:46Find out everything you can about Dorothy.
17:48I want all the dirt.
17:50Director, there must be a mistake.
17:58I'm only a side character and not even in the main scene.
18:02You wanted a role, we gave you a role.
18:04I came in with an investment.
18:08Well, you're more than welcome to take it back and leave the set.
18:12Even a small role in Eskew's film is going to do great things for your career.
18:17Now is not the time for you to be messing around.
18:22Fine.
18:28Two, take one.
18:30Action.
18:32Lily, you are my best friend.
18:33How could you do this to me?
18:34I'm sorry, but this is...
18:36What the hell are you doing?
18:40It's part of the scene!
18:47Okay, take it again from the slap.
18:49Action.
18:55Cut!
18:56Stephanie, why aren't you saying your lines?
18:58You have to keep going in the scene.
19:01I think you've had enough for today.
19:03We'll just try again tomorrow.
19:11Did you see her face?
19:15Absolute gold.
19:17I mean, she got what she wanted.
19:18She asked for a role and that's what we gave her, so...
19:22Seriously, her performance is all over the place.
19:25Maybe we should just cut down on her screen time.
19:29We all know the film's better without her slowing us down.
19:31You're right.
19:34I'm not gonna let anyone ruin your story.
19:40So if you can just give me something that's a bit more...
19:45Tell me about her job.
19:47What's going on with my scenes?
19:51Why have so many of them been cut?
19:53It's a collective decision.
19:56Fuck that!
19:57Let me talk to the writer.
19:59The writer is S.Q.
20:00And as you know, they never show their face, so their decision is final.
20:04I'll see you on set in five.
20:12Now it all makes sense.
20:14Now it all makes sense.
20:17Now it all makes sense.
20:18Now it all makes sense.
20:21That's the head of the production company.
20:24No wonder she got the role.
20:26Let's see how John's wife feels about that.
20:27Everyone, I have an announcement to make.
20:28Today will be Stephanie's last day on set.
20:30Today will be Stephanie's last day on set.
20:31Oh, my God.
20:32Now it all makes sense.
20:34That's the head of the production company.
20:37No wonder she got the role.
20:39Let's see how John's wife feels about that.
20:51Everyone, I have an announcement to make.
20:54Today will be Stephanie's last day on set.
20:56You really think I don't see through your little gaze?
21:04Somebody will be walking out that door today.
21:07But it won't be me.
21:09You really think you can get away with this?
21:12Sleeping your way up?
21:16John's wife is on her way.
21:18Let's see how you talk your way out of this one.
21:20Slut.
21:26That's enough!
21:31So were you the one who was stalking and secretly taking photos?
21:34What?
21:35Scared the truth is going to come out?
21:37Someone had to expose her for who she really is.
21:40So you admitted.
21:42You did it.
21:43Damn right I did.
21:45And I'd do it again if I had to.
21:47You don't know who you just crossed.
21:50Oh I know.
21:52Just some rich old bastard throwing a tantrum.
21:55I sent those photos to your wife too.
21:57And now your mistress is about to be exposed.
22:01Yeah. Security.
22:03Stephanie is banned from the studio.
22:05Make sure she never sets foot here again.
22:07You can't just do that.
22:09Oh this is insane.
22:11Why are her rights?
22:12I was only telling you the truth.
22:14She is a mistress.
22:15A loose woman.
22:16A lady of the night.
22:25Is it true that Dorothy is John's sugar baby?
22:28Otherwise why would he come onto the set and get me banned from the movie?
22:32That's unbelievable.
22:33And he humiliated me.
22:35He had me dragged off the set like a criminal.
22:37You should have seen it.
22:39I'm not going to let her just ruin her reputation like this.
22:43I mean this whole mess is just making us look like fools.
22:47Dorothy's always been trouble.
22:49I mean first she goes off with a married man and now this.
22:53I don't know how you put up with her for three years.
22:56You should have got a divorce earlier.
22:58Stephanie, are you 100% sure that Dorothy is John's sugar baby?
23:04It's the only explanation.
23:06She's clearly nothing but a slut.
23:08Oh!
23:10Drake, Stephanie is your sister-in-law.
23:14Now you need to take care of her and forget about Dorothy.
23:17Can't you see she's the one behind all of this?
23:19She was sleeping her way to the top.
23:23Killing Stephanie's unborn child.
23:26And John dragging her off the set.
23:29You should be sticking up for Stephanie.
23:34I'm not going to let her do this to you.
23:35Do you think you can just walk away from what you did like nothing happened?
23:53I didn't walk away from anything.
23:55You did.
23:57You chose Stephanie over me.
23:58Remember this one?
24:00She's my sister-in-law.
24:01I'm so sick of hearing this.
24:04You have feelings for her and I'm just tired of it.
24:07You're out of your mind if you think I'm going to let you get away with this.
24:10Shh.
24:11You do what you want to do.
24:13But for now, get out!
24:15Why?
24:22We were married for three years.
24:24And we never...
24:25Oh, God.
24:26Fuck, you might let go of me!
24:31Shh.
24:36No wonder you want me to go.
24:38Shh.
24:39Just look at yourself.
24:41You're not half the man Christopher is.
24:45Get out.
24:47Or I won't call the cops.
24:49Just go!
24:58Are you okay?
25:01Dorothy?
25:06Yeah?
25:07Remember, safety first.
25:09The lifeguard's right there if you need him.
25:11Okay.
25:15Anything you need, let the AD know.
25:16Okay.
25:17Got it.
25:18Got it.
25:19Yep.
25:26Here's a coffee for you.
25:29Still early before the shoot.
25:30Take your time.
25:59Oh, my God.
26:00Okay.
26:01Let's go.
26:02Let's go.
26:03Go.
26:07I'm not going to go.
26:09Sorry.
26:11Should I make a mess?
26:13I'm not going to go.
26:14You're not going to go?
26:16Oh, my God.
26:18Oh, my God.
26:21Oh, my God.
26:22No, my God.
26:23Something's wrong.
26:28That's not acting! She's in trouble!
26:36Where's the lifeguard?
26:42Where's the lifeguard?
26:53Where the fuck is the lifeguard?
26:59Go on, Dorothy!
27:04Where the fuck is the lifeguard?
27:14Come on, Dorothy!
27:23Why did you do that?
27:41I'll do anything for you, Dorothy.
27:46Christopher risked everything without hesitation.
27:50How could I have been so blind?
27:53I know.
27:55I know.
27:56I know.
27:57I know.
28:02Oh, I'm sorry...
28:04I know I'm fine.
28:06I know why, though.
28:07I know it's something for you.
28:12I knew you were going to hurt me, and I know you're going to hurt him...
28:16I wasn't expecting that.
28:17I know I know I know you're going to hurt you in your heart
28:20Where were you? Dorothy could have drowned.
28:26I'm sorry. I had a stomachache. I had to go get her back.
28:29Make sure it doesn't happen again.
28:35Do you think that I should call Dorothy just to make sure she's okay?
28:39Are you still hung up on her?
28:42No.
28:44It's not like that. I'm just trying to be helpful.
28:46Don't you remember, Drake?
28:48She's the one who had me kicked out of the movie.
28:52She's the one who killed my baby.
28:54Not just my baby, but Nick's baby.
28:57I know I'm just her sister-in-law.
28:59Whatever happened between us is in the past.
29:01But I have no one now.
29:04No husband.
29:05No baby.
29:08I have left as you.
29:11Haven't you seen through Dorothy yet?
29:14She's nothing but a slut sleeping her way to the top.
29:16You don't know that.
29:18You know I'm right.
29:21Why else would John come onto the set and stand up for her?
29:24Not just John, but Christopher too.
29:26She's sleeping around with anyone she can find.
29:28She's a whore.
29:28Shut up!
29:39You want war?
29:41I'll give you war.
29:42Do it.
29:48Make sure Dorothy feels every bit of it.
29:55Breaking news.
29:56Unknown actress seduces Hollywood heartthrob.
29:59Rising star or opportunist.
30:02Actress Dorothy's shocking affair with Christopher.
30:05Christopher's new flame for a heartless gold digger.
30:07Donalty!
30:08Donalty!
30:08Donalty!
30:09Donalty!
30:09Donalty!
30:09Donalty!
30:10Donalty!
30:10Donalty!
30:10Donalty!
30:11Donalty!
30:13This is getting out of hand.
30:15Maybe we should just reveal her real identity.
30:18Let everyone know she's not just some random actress.
30:25No.
30:26Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:29There's someone behind this.
30:32And whoever they are, I'll make them hang.
30:41Fuck off.
30:49This just can't be right.
30:50I die in the second scene.
30:56This must be Dorothy and John forcing S.Q. to cut me out.
31:00They won't get away with this.
31:07Trey, can you believe this?
31:09They've completely written me out of the script.
31:12Do you remember when Nick was lying in that hospital bed?
31:15You promised him you'd look after me.
31:17I've already lost my husband and my baby.
31:20I can't lose my career, too.
31:21Don't worry.
31:23I'll get you your character back.
31:41There's a tape of a documentary that apparently S.Q. has always wanted.
31:45So, if we win this bid and we gift it to them, we should be able to get you your rollback.
31:53Up next, a rare gem.
31:56The original film documentary chronicling the creative journey of none other than herself.
32:02Legendary screenwriter, Margaret Lane.
32:0550,000.
32:06What's she doing here?
32:11I don't know.
32:12I'm not going to let her win this.
32:1560,000.
32:1970,000.
32:23100,000.
32:24This is my grandmother's documentary.
32:29It's her legacy.
32:31She's the one who inspired me to become a screenwriter.
32:34I can't let it fall into the wrong hands.
32:38500,000.
32:39I'm trying to get you your rollback.
32:54Don't worry.
32:56I've got it covered.
32:57Ladies and gentlemen, we are down to the final bid.
33:01Standing at a whopping 500,000.
33:04$500,000 going once.
33:08$500,000 going twice.
33:11Sold.
33:12To the lady in the blue dress.
33:21I can't believe this.
33:23You have no right to take that film reel with you.
33:27You have no right to take that film reel with you.
33:36What's going on?
33:43Ladies and gentlemen, I've just been informed.
33:46Miss Dorothy is in fact not an invited guest.
33:50Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:56This is ridiculous.
33:58I was invited.
33:59Well, in that case, may I see your invitation?
34:08I did have it, I swear.
34:10I'm sorry, Miss Dorothy.
34:11If you do not have the invitation at hand, the documentary reel has to go to the second
34:15highest bidder.
34:16This is the protocol.
34:17Oh, you don't understand.
34:18Do you?
34:18I'm sorry.
34:26These are the rules.
34:40The documentary reel will go to the honourable couple.
34:51Perfect.
35:10Stephanie, wait. Just sell it to me. Name your price. I'll pay you anything you want.
35:19It's really important for me, please.
35:21Why are you doing this?
35:23Are you just trying to get my attention by going after something that Stephanie wants?
35:27No, you don't understand. Just let me buy this. Whatever it takes.
35:34It's horrible.
35:35You think this is about money? Please. This isn't something you can just buy.
35:41I'm worthy. What the hell are you doing?
35:44Why do you always have to go against her like that? This reel is important to Stephanie.
35:48She can use this to help her career.
35:50Her career?
35:52Is this about your role being cut from the dead?
35:56Is that why you're doing this?
36:00I'm the writer. I'm going to fix this.
36:03Then you write the story and bring your character back. Just...
36:06Just let me have the reel of this.
36:09You're the writer.
36:10Are you telling me that you're SQ?
36:17You. The writer SQ. Can you give us a break?
36:21Look, this reel is important to Stephanie.
36:24End it.
36:25Don't make this harder than it has to be.
36:29You've been with Dorothy for so long, and you don't even know her.
36:31Oh, and you do.
36:33A hell of a lot more than you.
36:34What the fuck do you think you are?
36:35Both of you, calm down.
36:51Scratched all over.
36:52It's ruined.
36:53Not even fit to be a gift anymore.
36:55I can fix this.
36:57Stephanie, I know someone who can restore it.
36:58Just sell it to me, please.
37:00Just name your price.
37:04Even if I had no use for it,
37:06I'd never give it to you.
37:25I want to be a writer like you, Grandma.
37:36I want to make movies like you do.
37:40This reel has more than pictures and sound on it.
37:45Really?
37:46An entire world I've captured,
37:49but it's just one way of seeing things.
37:52The magic is creating it to yourself.
37:55Someday you will.
38:08Dorothy.
38:10I need you to go apologize to Stephanie
38:12and give her her role back.
38:14Apologize?
38:15To her?
38:17She destroyed the reel.
38:18She wouldn't have done that
38:18if you hadn't pushed her.
38:21So go apologize or I'm pulling my funding.
38:28Look, Dorothy, let's be real here.
38:32Without Stephanie,
38:34Barry's couldn't invest.
38:36Even the production company will pull out
38:37if they hear that she's not involved anymore.
38:39Her name carries weight.
38:41Let's not pretend that your reputation
38:42is exactly stellar right now.
38:45Christopher's fans hate you.
38:46Stephanie's fans hate you.
38:47Even if you actually make this film,
38:50no one's going to support you.
38:52You will be buried.
38:55But if you apologize to Stephanie now,
38:58I can help you.
39:01I can control the press.
39:03I can control the narrative.
39:05I can actually give you a chance.
39:06What's so funny?
39:12What's so funny?
39:14Pull your funding?
39:16Do it.
39:18You'll see it does nothing for the movie.
39:20Okay.
39:21So what if I tell the production head
39:22to pull his funding too?
39:25Didn't I tell you that I know Mr. Bennett?
39:27No.
39:28Go ahead.
39:29Quiet.
39:30You want me to call?
39:32Uh-huh.
39:33Fine.
39:38Hi, Mr. Bennett.
39:39It's Drake.
39:40Drake Mossbacher.
39:42I'm pulling my funding from Liars Game
39:43and I suggest that you do the same thing.
39:45I've seen it and it's a sinking ship.
39:49You're pulling out?
39:50Great.
39:50I'll take full control of the investment.
39:53Not a problem.
39:53So you slept with him?
40:04That's why he's supporting you, isn't it?
40:09Is this how you see me?
40:10The type of woman who would use her body
40:12to get what she wants?
40:13What other explanation do you have?
40:16You know nothing about Dorothy.
40:21Apologize to Stephanie.
40:22Cut ties with Mr. Bennett
40:23and end this.
40:24Dorothy, come back to me.
40:26Whatever he's offering you,
40:27I'll match it.
40:27I'll double it.
40:29You must be able to hear fucking mind.
40:31What makes you think
40:32I would ever go back
40:34to that living hell?
40:35Living hell?
40:36You heard me.
40:37Being married to you
40:39was a fucking nightmare.
40:41You made me believe
40:42you loved me.
40:44And then you had me waiting in vain
40:46for three years, Drake.
40:48You said you'd always protect me
40:50but then when I needed you the most,
40:51she'd stand your back on me
40:54who chose your sister-in-law
40:56over your wife.
41:01I've had enough, Drake.
41:02You were my prison.
41:04So just go back
41:05to your precious Stephanie.
41:11Let's just go.
41:12Why are you hurt?
41:23Are you okay?
41:31Steph, what are you doing?
41:32Well, you want me, don't you?
41:34Just kiss me.
41:34I'm all yours.
41:35Steph, you're Nick's wife.
41:37I've always told you
41:38you're like a sister.
41:40Sister?
41:42Funny.
41:43Don't you remember
41:43when you came to me
41:44the night Nick and I got married?
41:46Don't you remember
41:46what you said?
41:49Remember this?
41:50Yeah.
41:50Why not marry Stephanie?
41:53God.
41:54You were practically
41:54begging me not to marry Nick.
41:56No, I shouldn't have said that.
41:57I shouldn't have said that.
41:57I don't want to see that.
41:58What's that?
42:02Oh, it's nothing.
42:04What is that?
42:04No, Drake, no.
42:05Please.
42:08You lied about this.
42:13You lied about this.
42:17You said that Dorothy
42:18pushed you into the water,
42:19but this shows you
42:20shoving her in.
42:22It's a glitch.
42:23A glitch?
42:25Sorry, do you actually
42:26expect me to believe that?
42:27What's this?
42:30Buying pills
42:31off the black market?
42:34Terminate your pregnancy.
42:36It's you.
42:37This time when you
42:38blamed Dorothy
42:38like some sort of scapegoat
42:40and she was innocent
42:40the whole time.
42:42Please, no,
42:42you have to believe me.
42:44I didn't...
42:44Do you know what?
42:44I've always thought of you
42:45like a sister.
42:47I've always taken care of you.
42:48I even thought that
42:49I loved you once,
42:49but that was before
42:50you were Nick's wife.
42:53You changed.
42:57You changed.
43:00You're not the person
43:01I thought you were.
43:04I only looked after you
43:05because I thought it was my duty
43:06as Nick's brother
43:07to look after his widow.
43:10I guess there's no need
43:12to look after you anymore,
43:13huh?
43:13What does that mean?
43:15You're just going to
43:16throw me away?
43:17I'm not going to
43:17throw you away,
43:19but this is my house.
43:22I'm going to back,
43:23I hope you'll be gone.
43:24But you can't just
43:26walk away from me like that.
43:27I've said everything
43:28that I need to say.
43:29Now I'm going to go
43:29find the person
43:30that I actually care about.
43:36Dorothy,
43:37this is all your fault.
43:42Let's take this bitch down.
43:44Don't I say please?
44:01No.
44:02No.
44:04I was wrong.
44:07I misunderstood everything
44:08about you and about us.
44:10Can you please just
44:14hear me out?
44:16You think you can just
44:17come here and apologise?
44:19After everything?
44:21I didn't mean to hurt you.
44:24Look, I understand
44:24what I did,
44:25but it was just because
44:25it was definitely
44:26anyone else.
44:27Can you please
44:28just forgive me?
44:30I don't need
44:31your apology, Drake.
44:32You let me down.
44:34You abandoned me
44:35when I needed you
44:37the most.
44:38you used me,
44:41manipulated me,
44:42and now you beg
44:43for my forgiveness.
44:45Oh my God,
44:45please just don't
44:46show me out.
44:47I can fix this.
44:48I can fix it.
44:49I can do anything,
44:50Dorothy, please.
44:52No.
44:54You were never
44:55the person
44:56I thought you were.
44:57And I'm not either.
44:59I've moved on.
45:02I don't need you.
45:04I don't need you.
45:04It felt like I used to.
45:09It's just like
45:10after everything.
45:12Yeah, that's it.
45:25I deserve
45:26better than this.
45:26I don't need you.
45:56anything you should know.
45:58Dorothy is nothing
45:59but a homewrecker.
46:01What's going on?
46:03A glorified mistress
46:04who's been playing
46:05the part of a wonderful
46:06actress when all
46:07she's really done
46:08is ruin lives.
46:11Is it true, Dorothy?
46:12We're involved
46:13with a married man.
46:14What's your response
46:15to Stephanie's claim?
46:16This is ridiculous.
46:21Let's talk about
46:22how she got here.
46:24Shall we?
46:25She didn't get here
46:26off her talents.
46:27Oh, no.
46:28She got here
46:29by clinging
46:29to powerful men.
46:32No real experience.
46:33No skill.
46:34Just a man's name
46:35and a man's money.
46:37Security!
46:38Get her out of here.
46:39Wait.
46:39If she has something
46:41to say,
46:42let's hear it.
46:43Dorothy,
46:44it's a trap.
46:45I'm not afraid
46:46of the truth.
46:47Let's see what she's got.
46:52What's going on?
46:54So tell us, Dorothy.
46:55How did you get here?
46:58Did you use your relationship
46:59with John Bennett
47:00to land the part?
47:17A homework, are you saying?
47:19Is there something wrong
47:20with me appearing
47:21with my own dad?
47:23You're the one
47:23who sent me this photo, right?
47:25How about you take another one?
47:27This time,
47:27of my lovely family
47:29of three.
47:30Dorothy, Dorothy, Dorothy.
47:31Are you really
47:32John Bennett's daughter?
47:33Yes.
47:34I bet you never ask
47:35my last name.
47:36It's Bennett's,
47:37by the way.
47:39So, Dorothy
47:40is the producer's daughter.
47:43Dorothy,
47:44so,
47:44did you use your father
47:45to get the part?
47:46Uh-huh.
47:47So, it's just nepotism,
47:49then.
47:54Well, even if she didn't
47:55fuck her way to the top,
47:56she still only got here
47:57through her connections.
47:58Whether you like it or not,
47:59my performance speaks for itself.
48:01And everyone here
48:02saw it.
48:03She was actually really good.
48:04Yeah, she handled the models.
48:06Oh, are you saying
48:07that everyone here is wrong?
48:08You think you're so clever,
48:10don't you?
48:12Fine.
48:13You can act
48:13a little bit,
48:14but let's be real.
48:16You didn't land this role
48:17on your own.
48:18You just snapped
48:18your bony little fingers
48:19and let Daddy
48:20give you a role.
48:21How else
48:22would a nobody like you
48:23have landed yourself
48:24the lead otherwise?
48:26Dorothy isn't just
48:27a nobody.
48:30She wrote Liar's Game.
48:33She is SQ.
48:38Dorothy is SQ.
48:40How can that...
48:46...be possible?
48:49Liar's Game is a masterpiece.
48:50There's no way
48:51you could have written it.
48:52You don't have to believe me.
48:54Just let the credit
48:55speak for itself.
48:59How can this be true?
49:02Oh, oh.
49:04It's so graphic.
49:06Dorothy Bennett,
49:07you're the daughter
49:08of the producer
49:08and the famous writer SQ.
49:10Why did you keep
49:11your identity a secret
49:12so long?
49:16Why did you keep
49:17your identity a secret
49:17so long?
49:18Stephanie Marsbecker,
49:19Linda Marsbecker
49:20and Ellie Marsbecker,
49:21I'm arresting you
49:22on suspicion of defamation.
49:23No, no, no, no.
49:24I didn't do anything wrong.
49:25This was all Stephanie's idea.
49:26I didn't do anything.
49:34This whole time
49:35she was actually
49:36telling the truth.
49:38Dorothy's SQ.
49:41She's genius.
49:43That's why she always
49:44had a book in her hand.
49:46Always writing something
49:49on her laptop,
49:49always lost in her thoughts.
49:53Didn't even see her.
49:56Guess I was blind all along.
50:00I don't deserve that.
50:05I think...
50:06I've missed this place.
50:23Don't you remember?
50:25Of course I do.
50:26We saw so many films here.
50:29We would just
50:30stay in our seats
50:31and talk
50:33about life
50:34and everything.
50:36But you just made me feel
50:37like I could face
50:38more anything, really.
50:43God, I used to be so nervous
50:45back then
50:45about everything.
50:48About the future.
50:51But you just made me feel
50:52like I could face
50:52more anything, really.
50:54No.
50:57Someone had to be there
50:58to make sure you didn't
50:59overthink everything.
51:01I remember you used to
51:02unpick every little detail
51:03like it was a life
51:04or death situation.
51:09You know, Dorothy,
51:11life's not been the same
51:14without you.
51:18Even when we parted ways,
51:19I...
51:20I always knew that
51:22we would find
51:22each other again.
51:26I don't care
51:26what we've been through.
51:29I don't care
51:29what's happened.
51:30All I know
51:31is that I need you now.
51:36More than ever.
51:37And the award
51:53for Best Adapted Screenplay
51:55goes to...
51:56Dorothy Bennett
51:57with Liar's Game!
52:01Wow.
52:03Best Screenplay.
52:05What?
52:06Shall I start calling you
52:06Your Majesty?
52:07I think that's a great idea.
52:10Why don't I start now?
52:12You deserve this.
52:14Your Majesty.
52:16Every bit of it.
52:18Now.
52:20Since you won,
52:21I think this calls
52:22for a reward.
52:24Oh, yeah?
52:27And what would that be?
52:30Me.
52:31Me.
52:31Me.
52:31Me.
52:31Me.
52:32Me.
52:32Me.
52:33Me.
52:33Me.
52:33Me.
52:33Me.
52:34Me.
52:35Me.
52:35Me.
52:36Me.
52:36Me.
52:36Me.
52:36Me.
52:37Me.
52:37Me.
52:37Me.
52:37Me.
52:38Me.
52:38Me.
52:38Me.
52:38Me.
52:39Me.
52:39Me.
52:39Me.
52:39Me.
52:40Me.
52:40Me.
52:40Me.
52:41Me.
52:41Me.
52:41Me.
52:41Me.
52:41Me.
52:41Me.
52:41Me.
52:42Me.
52:42Me.
52:43Me.
52:43Me.
52:43Me.
52:43Me.
52:44Me.
52:44Me.
52:45You
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