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K Thuminad സംവിധാനം ചെയ്ത ഈ ഫിലിം കോസ്റ്റൽ‑ഗ്രാമത്തിൽ ആഷോക എന്ന വൈരഗ്യമില്ലാത്ത ബാലന്റെ ജീവിതത്തിലാണ് നിൽക്കുന്നത്—ആശങ്കകൾ സുലോചനാവാസിയുടെ ആത്മാവ് അവനിൽ താമസിച്ചിരിക്കാമെന്ന രീതിയിൽ പടർന്നതോടെ സംഭവിക്കുന്നത്. ഹാസ്യവും കേമികലുമായ രീതി ഐതിഹ്യം, സാമൂഹിക വിവേചനം എന്നീ കാര്യങ്ങളിലേക്കും കഥ നീങ്ങുന്നു
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NewsTranscript
00:00Being a Kandhara person or Kandhara, right-right pressure, no?
00:04It will be a visual spectacle, that's all I can say as of now.
00:10If he wants to play with me, that will be the deal.
00:13Raja.
00:14Who is Raja?
00:16He's like, keep on calling Raja, Raju, you know, whatever name comes.
00:19What's your first idea of the movie?
00:21First idea of the movie was to make a movie.
00:24Yes.
00:25He's just trying to make all the content music, stars, and to compete something!
00:30That was a tough one.
00:31And now, what's the movie's response?
00:34This movie is very long.
00:37Did you say that?
00:38No.
00:39But no one-old guy is wrong.
00:41After a few days...
00:43What?
00:45Now, you will be right now.
00:46Spaghetti!
00:47It should be on my left.
00:48Huh, I'm sure.
00:49Hi, hello viewers. Welcome to our show, Untold with Azin.
00:56Today, we are also going to talk about Untold stories about the Sue from Sona cinema and theatre like August.
01:02That's why we are going to talk a little bit.
01:04We have one and only Raj Bhishati and J.P. Sir.
01:08We are also in the channel. So, please welcome.
01:12We are also going to talk about the promotion of the release of the promotion.
01:18How do you feel happy to be your company?
01:22Relaxed.
01:24We are going to release a lot of responses.
01:30We are also going to be a good response.
01:33We are going to be a good response.
01:35We are going to be 1 lakh tickets for weekdays.
01:41It is a great response.
01:43We are very relieved.
01:44We are competing with all content and star stars.
01:50It is really tough.
01:52We are leaving a star with this response.
01:55That's why we are really relieved and happy.
02:00Let us welcome this to Kerala actually.
02:02Yes, yes, please.
02:03You are a Kerala.
02:05Yes, the first one.
02:06Yes, I know Kerala.
02:07So, welcome to Kerala.
02:09We have also got a preview of the show.
02:15We have got a preview of the show.
02:17We have got a preview of the show.
02:19We have got confidence in our audience.
02:22How do you feel?
02:25There is no plan.
02:27There is no confidence.
02:30Yes.
02:32The promotion of the celebrity shows is not a promotion.
02:38It's not a good thing.
02:42It's a common point.
02:44It's a good thing.
02:47We have confidence in it.
02:49That's a good thing.
02:50Shaghi, what was your first idea of the movie?
02:54The first idea of the movie was to make a movie.
02:57Yes.
02:58In my opinion, we have a great narration skill.
03:02We have a lot of drama writing in the theater.
03:07So, I wanted to make a director better to make a movie.
03:15So, can you please write a story?
03:18Is it an actor?
03:20Yes, it was an audition for the first time.
03:26That's a good thing.
03:29That's the first time we auditioned.
03:33Now, we were closed.
03:36We have a friendship here.
03:38We have the same audition.
03:40We have the same audition for the first time.
03:43So, I wanted to make a little bit of a skill.
03:47Yes.
03:48That's a good skill.
03:50So, if you want to make a movie,
03:53I want to make a book.
03:57You can convert it into a cinema.
04:01And he worked on that script for at least 3 months.
04:04And this is the main character.
04:07But in the last moment,
04:09I wanted to make a movie.
04:12So, I wanted to make a movie.
04:14So, I wanted to make a movie.
04:17How many years ago?
04:18How many years ago?
04:21Seven, seven years.
04:23Yeah, six or seven years ago.
04:25Then, you started working for a few months.
04:29I had to make a movie.
04:31And I had to make a movie.
04:33But I had to make a movie.
04:35Then, you asked me.
04:37Where is this story?
04:38There are no content.
04:40You can't make a movie.
04:42What do you mean? First, we actually discussed the character of Raviyan.
04:48I was called the character of Raviyan. I was called the character of Ashokan, I was called the character of Raviyan.
04:54And this is a story called characters.
04:56Yes, characters are also discussed. There is a story.
05:00In that story, there are characters.
05:02So, it took a lot of time actually.
05:06Raviyan, we are screaming for Raviyan in the last climax.
05:11That is not the same.
05:13Raviyan is also the same.
05:16That is what you have done with the idea.
05:18Raviyan is the same.
05:20Raviyan is the same.
05:22It was the first story.
05:24Raviyan is the same.
05:26It was the same.
05:28It was the same.
05:30It was the same.
05:32The film was the same.
05:34It was the same.
05:35It was the same.
05:36The film was the same.
05:38It was the same.
05:39It was the same.
05:40It was the same.
05:42So, that is a cinematic.
05:44Why?
05:45We are always looking at the ordinary character.
05:50It is a extraordinary moment.
05:52It is a very nice.
05:53Even a comedian,
05:56a little bit of a love story.
05:59It is the same.
06:00It is the same.
06:01It is the same.
06:02It is the same.
06:03It is the same.
06:04It is the same.
06:05It is the same.
06:06It is the same.
06:07Which was the most difficult scene?
06:10All the scenes were difficult for me.
06:12Actually.
06:13Because on the spot,
06:16when we were shooting,
06:17it was much easier.
06:19Because prior to that,
06:21we had a workshop to come by our director.
06:23So, there I was molded well.
06:26So, I found it easy on the sets to do.
06:30Because roll camera, action.
06:32And we have to do our job.
06:34And if anything comes inside us,
06:37which improvises that character,
06:39we can do that and then wind up.
06:41That's all.
06:42But in workshop,
06:43that character was molded very well.
06:45Because there was a point
06:46where I found it difficult to perform.
06:48And I found,
06:49I was very unstable to do that character.
06:52And I told with our director also that
06:54whether I can pull off this character.
06:57So, he said that
06:59I will make you to pull off this character.
07:00Don't worry about that.
07:01So, that was done.
07:02Whatever Raviyana is on screen right now,
07:05complete credit goes to our director, JP Trumina.
07:07What is your preparation?
07:11No preparation.
07:13No preparation.
07:14No, I am a writer.
07:17I am not a writer.
07:19Yes, I am not a writer.
07:20I am not a writer.
07:22I have no plan.
07:23If I am acting,
07:24I am playing the character.
07:25I don't have a plan.
07:26I have no plan.
07:27Alright.
07:28So, I am writing and I will make it.
07:30And you can do it.
07:31No.
07:32There is no one in Malay.
07:37He is also in Malay.
07:39He is also in Malay.
07:41He has two friends with Rajvi Shetty.
07:46One is Kiran, Indul Wilson and Charlie.
07:49The other one is Suframso.
07:52He is Rajvi Shetty in the first movie.
07:55He is the only one.
07:57Do you have any friends and friends with comedy exploring?
08:03I don't know.
08:05There is a comedy.
08:09There is a comedy.
08:11He is also in the first time.
08:13He is also in the first time.
08:15He is also in the first time.
08:17There is also a requirement.
08:19Charlie Loom is there.
08:21I don't think Charlie was surprised.
08:23I don't think Charlie was surprised.
08:25I do a comedy.
08:27Only in the first video.
08:29He was given a picture of a guy and knew that he would do it.
08:33What he did to do is, he was friends.
08:37He had a loudness in this area.
08:39But he should have the loudness in his body.
08:43But as soon as he said, I lack loudness too.
08:46There is no one in the first time.
08:48We can restrict him the film.
08:51He was doing subtle and intense.
08:56He was doing a break and he was doing a little bit.
09:00He was a fun character.
09:04So, how did you stand in Swamy? Outlook and Love.
09:08Guruji.
09:10He was looking for a look and hair style.
09:14No, he was doing it.
09:15He was developing.
09:17He was developing.
09:19He was developing.
09:22He was following a little bit.
09:27He had an actor.
09:29He was following a little bit.
09:36He appeared in Swamy's characters.
09:39When he was doing the performance,
09:42he had some way bigger things.
09:44He was doing everything.
09:47You can do dubbing. You can't do it.
09:52But there is still a lot of work.
09:55Did you say that you had an interview?
09:58Yeah, I was like,
09:59I was like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, oh!
10:03Now, the whole thing about the Canadian cinema,
10:06the whole thing about the Canadian cinema is a bit related to the Maglum side.
10:12But we share the cost.
10:15It's similar to the food culture.
10:18Now, I felt like I had to go to a kalyana for a while.
10:22Yes, I had to go to a kalyana for a while.
10:25I was shooting a lot of people in a while.
10:28So, I wanted to call a kalyana special food for you.
10:32I don't know what that means.
10:34I wanted to call a kalyana food for a kalyana.
10:36It's a kalyana.
10:38No, it's a kalyana.
10:40It's not a kalyana.
10:42I don't know the name of the vegetable.
10:45I don't know the name of the English.
10:48I don't know the name of the manoli.
10:49I don't know the name of the manoli.
10:54So, I have a chicken sukkha and a kalyana and a fish.
11:08It's a dry fish.
11:12It's a dry fish.
11:15It's dry fish.
11:17It's a kori sukkha.
11:19It's a kori roti.
11:22It's a roti.
11:24It's a very thin rice.
11:26It's very hard.
11:27It's a curry.
11:33It's a curry.
11:35It's a curry.
11:37It's a curry.
11:38It's a curry.
11:39It's a curry.
11:39Can you tell the name of the manoli?
11:41Yes.
11:42I don't know the kalyana's fish.
11:44It's not a fish.
11:45I don't know the other fish.
11:47I don't know the fish.
11:48In fish, it is a tamarind. It is a tamarind. It is a spice.
11:57So, it is two.
11:59We have fish used here.
12:02That is a matthi fish.
12:08You can use this as a vessel.
12:12It is a place.
12:16It is a open and open.
12:21It is a round.
12:24That is called Pundi.
12:26It is a place.
12:28It is a place of Pundi.
12:30I think it is a place of Pundi.
12:33It is a place of Kalyanath.
12:34It is a place of Kalyanath.
12:38It is a place of Pundi.
12:40I call it Patrodda
12:43Patrodda
12:44Its very famous here.
12:46Thanks to Konkini Food
12:49Patrodda
12:50What Udatti did you call it?
12:52So that's it.
12:53The pinda...
12:54I call Point Chapin
12:55That's the same as Nulappam. That's the famous one.
12:59When it comes to Odurotti…
13:02What do you call the same?
13:04Nulappam.
13:05Is it Idiappam?
13:06That's Nulappam.
13:07That's the same.
13:08When it comes to Odurotti, it's even more than that.
13:12At the same time, it's hard when we start to the Odurotti.
13:19It's hard when it comes to Odurotti.
13:22It's a little hard when we start to the Odurotti.
13:23Sir, you need to eat the food.
13:25Sir, tell me anything special.
13:28He is sleeping bro.
13:29No, no.
13:30You need to eat the food?
13:32Yes, the food.
13:34You are very foodie.
13:37Oh yeah.
13:38He has eaten a lot and he is sleepy.
13:40He is so foodie.
13:42I don't remember what I said.
13:44Mangabun.
13:48Buns.
13:49Buns.
13:51Mangalur buns.
13:52Mangalur buns.
13:53That's it.
13:54Around it.
13:55So, where did you find all these actors in the movie?
13:59Audition?
14:00Audition.
14:01Audition.
14:02Audition, theatre set up.
14:03Where is that Ali in?
14:04The theatre.
14:06The theatre.
14:07He is a team.
14:08He comes from theatre.
14:09He is a nice actor.
14:10Great actor.
14:11Yes.
14:12Super actor.
14:13So, how do you try each other?
14:15They try each other.
14:17I will try each other.
14:19Ashanti.
14:20I'm done with Parnit.
14:22Yes, that's right.
14:23I can't.
14:24I don't think so.
14:26But it's the film that is Tamil.
14:29I don't know, it's the author.
14:31I was talking about Parnit.
14:32We talk about Parnit.
14:34I'm like, what are you doing?
14:37That's right.
14:38No, that's not correct.
14:40You know, when you're in Malayala's dialogue, you can watch it.
14:43Very, very.
14:44It's an inspiration.
14:45I don't know how to do that.
14:49Oh, cut it.
14:50It's been a while.
14:52I'm like, what are you doing?
14:55Did you cut a language?
14:57I'm like, what is this?
14:59I'm like, what is this?
15:01I'm like, what is this?
15:03I'm like, what is this?
15:07You watch Malayala Moos?
15:08I watch Malayala Moos.
15:09But he doesn't remember food, brother.
15:12Do you think he would remember dialogue?
15:14No, dialogue, not at all.
15:16Because I'm not familiar with the language.
15:18But I understand.
15:19And I watch movies to get a subtitle.
15:22No, you can watch without subtitle.
15:25Yeah.
15:26But I remember first time meeting you in 2022,
15:30for a year promotion.
15:31No, Malayala.
15:32No.
15:33And he told me, next time coming, I will be good in Malayalam.
15:37He was good in next time.
15:39After next time, he was brilliant.
15:41Now he's a pro.
15:42No, bro.
15:44Malayalam dialogues you can read?
15:46No.
15:47No.
15:48No.
15:49No.
15:50No.
15:51No.
15:52No.
15:53No.
15:54No.
15:55Now, you're a writer of Kandhara.
15:56Now, Kandhara is a shoot completely.
15:59After a lot of hard work, your friend invested a lot of time.
16:04Yeah.
16:05Yeah.
16:06Financially, mentally, physically in it.
16:08Correct.
16:09So, is that a pressure?
16:10Being a Kandhara person or a Kandhara writer pressure?
16:14No.
16:15Nothing like that.
16:16Like what Rishabh sir said initially when we started writing Kandhara 2 is like, you don't think that you are in pressure and you don't think about the expectation what people expect from you for it.
16:26You just write the story as we wrote for Kandhara 1 without any pressure or without any expectation.
16:34We write it.
16:35That's why we didn't feel any pressure for writing for both the version also.
16:41So, in Kandhara 1, it was like more into a normal movie until the main element is revealed which is very relatable to Kerala audience.
16:53That's why Kerala audience really anticipating the movie.
16:56So, about Kandhara 2, have you watched the visuals and all Kandhara?
16:59He has watched that.
17:00Kandhara 2.
17:01Kandhara 2.
17:02Current shooting, any vision?
17:03Yeah, it will be a visual spectacle.
17:05That's all I can say as of now.
17:07More than that, our production has to reveal anything.
17:10Our production house has to reveal.
17:11How is your friend Rui, he is relaxed?
17:13No, it's been a long time.
17:14Like you know, I speak on his birthdays and all.
17:16Otherwise, like you know, I don't know how, like see.
17:19Relaxing is not the time when you produce such a big film, like you know, make such a film.
17:24If you ask like, are you relaxed?
17:27I am not relaxed.
17:28Because 1001 work will be going on and we are producing a small film.
17:32We need to release in Kerala.
17:35We need to go to some other place.
17:37Like you know, we need to speak to OTT.
17:39There will be a lot of work that will be happening.
17:41I don't think he will be relaxed.
17:43But he doesn't need relaxation.
17:45I think he is a very energetic person.
17:47He is a passionate filmmaker.
17:49I haven't seen him relax even in normal days.
17:52Oh.
17:53In cinema, I don't think he will ever relax.
17:56Now, do you have a conversation?
17:58In the background of Kerala?
17:59In that situation, we don't have any discussion.
18:01I don't know if I am ayahu at the front.
18:02I will present a little bit.
18:03How many people do this work?
18:04We need to know and take some time, and then take some time.
18:07And then take some time.
18:08Now I will end up.
18:10And then, at this point, I am gonna say,
18:13I am wants a little time.
18:14I will end up.
18:15So, I need to write.
18:17So, I need to write and then I need to see from there where to type.
18:21There are many friends who are releasing the FR and we are going to release it.
18:28Do you want to do it personally?
18:29No, no.
18:31How do you touch me now?
18:33I always touch the contact with the person.
18:37Normally, I will respect and stay one feet distance because what would I speak normally if I message?
18:46How are you, sir?
18:47Is something I would ask.
18:48That's the only question.
18:49I keep asking with others, you know, how is he, what is he doing?
18:54I really like stars to be like that.
18:57Like, you know, I need to adore them and see from far.
19:00I don't want to become friends with, you know, the people that I admire.
19:06So, yeah, I keep on asking and whenever I meet like, you know, Raja, no, no, yes, sir.
19:14Do you call him Raja?
19:16I keep on calling him Raja, Raju, you know, whatever name comes, then Raj, something like, you know, but if he wants to play with me, that will be the deal.
19:23Raja, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
19:29And you're going to be the same thing?
19:30No, don't go.
19:31Now, this isn't complete.
19:32It's not complete.
19:33It's not complete.
19:34Please, here, just in one week.
19:36That's it.
19:37What did you get feedback from the audience?
19:39I only got happy.
19:40I did.
19:41Do you have any questions from the audience?
19:42I don't want to hear it.
19:43I don't want to hear it.
19:44I have to hear it.
19:45I have to hear it.
19:46I have to hear it.
19:47I have to hear it.
19:48I have to hear it.
19:49I have to hear it.
19:50I have to hear it very funny.
19:52What do you think? I think that you are a proud man.
19:56It's just the place we built.
20:01I've put this on a chair and I've put this on a chair.
20:05I've put this on a chair.
20:08It's a chair.
20:10It's a chair.
20:11Yeah, it's a chair.
20:13It's a chair.
20:15It's also a chair.
20:17I can't say that.
20:19Well, I'm sure it's really nice.
20:22No, okay, try it.
20:24That's a little bit different.
20:26Yeah, it's a little bit different.
20:28It's a little bit different from the style of costume.
20:33So, what are you curious about in the style?
20:35What style? Costume style.
20:37It's a little bit different.
20:40What do you think?
20:41It's a trend.
20:43It's a trend. It's a crossroad trend.
20:45I don't think there's a trend.
20:47Next, I'll go to the next one.
20:49I'll go to the costume.
20:51What kind of dress and trend is the first crossroad?
20:57There's a few shops.
21:01Do you try it in school?
21:02No.
21:03Do you try it in school?
21:07What kind of dress is the trend?
21:09It's a little bit different.
21:11It's a uniform.
21:13It's a little bit different.
21:14Now, you get it.
21:17Now, you get it.
21:19This is the same.
21:20No.
21:21You're not who?
21:22No.
21:23No.
21:24No, you're not.
21:24No.
21:25No, no.
21:26No, please.
21:27No.
21:28No.
21:29You're not.
21:30It was the first time I was teaching you.
21:34I was teaching you.
21:36I was thinking, what do you think?
21:39What do you think?
21:40That's all.
21:43That's all.
21:44That's all.
21:46I didn't mention it.
21:48I was thinking, when I was going to be troll,
21:51I was going to be trolled.
21:52That's all.
21:53I was not going to be trolled.
21:57Your dress is also very famous here.
22:00Oh, is it?
22:01Yeah.
22:02Munde, Shartte, Shal.
22:04Very famous.
22:05That's right.
22:06Have you ever seen it?
22:07No.
22:08Now, this is a trend of Guruji.
22:11It's a trend of Guruji.
22:12It's a post.
22:13That's right.
22:14In that side, it's a design.
22:19That's normal.
22:22That's good.
22:23But the climax is transformed into a normal dhoti.
22:26It was a planned thing.
22:28It's a change.
22:30It's a change.
22:31It's a change.
22:32It's a change.
22:33It's a new Guruji.
22:35He's an ordinary man.
22:37He's a change.
22:40He's a change.
22:42But I like your comedy timing.
22:45You have a very brilliant comedy timing.
22:49Thank you so much.
22:50I wish more directors should explore that.
22:52No, I love to do comedy.
22:53There's no doubt about it.
22:55I love comedy.
22:57The thing is, yeah, comedy should be great.
22:59Otherwise, it's no fun to do.
23:01It should be great.
23:03Otherwise, it's very boring to do.
23:05Okay.
23:06Before I conclude, I just want to ask one thing.
23:08There is two hump in front of that shop.
23:11That stationary shop.
23:15Is that planned thing or road?
23:18Yeah, it's already there.
23:19Yeah, it's already there.
23:20Yeah.
23:21I've already done that.
23:22Yeah, it's already there.
23:23Yeah.
23:24But is there any something?
23:26Yeah, I want to ask one thing.
23:27It's already there.
23:28Yeah, it's already there.
23:29Yeah.
23:30It's already there.
23:31But how have you beautifully taken it into the story?
23:36I think there is a lot of improvisation.
23:38We wanted to find the right shop.
23:41We kept on searching.
23:43Because it should look like people will get down from the vehicle and wait for the vehicle there.
23:49Normally, we have a shop and information center.
23:56They came to the newspaper, read and gossip.
24:03They will keep on sharing.
24:06So, there is a space in there.
24:08So, if you have a little bit of a shop, they will get a nice shop at a junction.
24:15That is a nice time.
24:17This is very nice.
24:18And actually, congratulations for the movie.
24:22And all the best for all the future Avengers.
24:26You have enjoyed the movie and enjoyed the film.
24:31I hope you enjoyed the film.
24:34It is a lot of fun in the theater.
24:36That is why it is a lot of fun in the film.
24:39Which is very neat.
24:41Yeah, definitely.
24:42So, I hope you have a lot of motivation for the film.
24:47Thank you for the time and all the best.
24:48Thank you so much.
24:50Thank you so much.
24:54Thank you for the timing and all the best.
24:55Thank you so much.