- yesterday
Maria has lost her son in a traffic accident. After some hesitation, she releases the dead man's heart for a transplant. The recipient is a man named Gary, a businessman from Liverpool, who feels reborn and regains a sense of love and life. But he becomes fascinated by the origin of his new heart.
Category
🎥
Short filmTranscript
00:00:00Transcribed by ESO, translated by —
00:00:30Transcribed by —
00:01:00Transcribed by —
00:01:30Transcribed by —
00:02:00Transcribed by —
00:02:30Transcribed by —
00:03:00Transcribed by —
00:03:29Transcribed by —
00:03:59Transcribed by —
00:04:29Transcribed by —
00:04:59Transcribed by —
00:05:29Transcribed by —
00:05:59Transcribed by —
00:06:29Mr. Ellis?
00:06:30Do you need some help?
00:06:35No, I'm fine.
00:06:37And there was another man.
00:06:47Alex.
00:06:48Alex.
00:06:49He was a writer.
00:06:51Jealousy.
00:07:01Jealousy.
00:07:03It comes from —
00:07:05He was a man.
00:07:06He was a man.
00:07:11He was a man.
00:07:15Jealousy.
00:07:16Jealousy.
00:07:17Jealousy.
00:07:18Jealousy.
00:07:19He thinks you're having it away.
00:07:21You're suffering the consequences of having it away, so why not have it away?
00:07:25Good.
00:07:26Good.
00:07:27He's going to be...
00:07:28Well...
00:07:30I'm being...
00:07:31I'm going to be here.
00:07:32If you're up, I'm going to be here.
00:07:33I'm going to be here.
00:07:35I'm going to be here.
00:07:36I'm going to be here.
00:07:37I'll phone.
00:08:07And there was a woman called Nicola Farmer, she liked cocaine.
00:08:34And there was my son, Sean.
00:08:45There was a Monday.
00:08:52And there was a woman called Nicola Farmer.
00:08:59And there was a woman called Nicola Farmer.
00:09:05And there was a woman called Nicola Farmer.
00:09:11And there was a woman called Nicola Farmer.
00:09:18And there was a woman called Nicola Farmer.
00:09:24And there was a woman called Nicola Farmer.
00:09:28And there was a woman called Nicola Farmer.
00:09:43Oh
00:09:55Oh
00:10:13Hello?
00:10:22Is Mr. Ellis there, please?
00:10:23Speaking.
00:10:24Mr. Ellis, it's Briardale Hospital.
00:10:27We might have a heart available for you.
00:10:29Can you come in straight away?
00:10:33Easy with the roughness.
00:10:36See to the traffic.
00:10:38Come on, move yourself back now.
00:10:43Have you been drinking?
00:10:58Are you under any medication?
00:11:03Have you taken any drugs recently?
00:11:13Do not drink the drugs.
00:11:15I pray.
00:11:16Give me joy in my heart.
00:11:17Give me praise me.
00:11:19Give me praise me till the end of day.
00:11:24Sing Hosanna.
00:11:26Sing Hosanna.
00:11:28Sing Hosanna to the king of kings.
00:11:32Sing Hosanna.
00:11:34Sing Hosanna.
00:11:36Sing Hosanna to the king.
00:11:39Yes, I've got your phone number.
00:11:41Yes, I've got your phone number.
00:12:04He's braindead, Miss McArdle.
00:12:06He's never going to wake up.
00:12:12I'm so sorry.
00:12:25Miss McArdle.
00:12:28Your son carried the donor card.
00:12:30But we need your permission.
00:12:36Who'll get his heart?
00:12:39Whoever it's most suitable for.
00:12:41We'll have to do some tests to find that out.
00:12:49Someone with children?
00:12:51Yes.
00:12:53Yes.
00:12:54Yes.
00:12:55Yes.
00:12:56Yes.
00:12:58Yes.
00:13:00Yes.
00:13:01Yes.
00:13:02Yes.
00:13:04Yes.
00:13:06Right.
00:13:07You're going through with it.
00:13:34I had a change of art.
00:13:37I'll get your bag.
00:13:38Where have you been?
00:13:39I'll get your bag.
00:13:47Goodbye, my darling.
00:14:04Sorry.
00:14:07Sorry.
00:14:11Sorry.
00:14:12Sorry.
00:14:13Sorry.
00:14:14Sorry.
00:14:15Sorry.
00:14:16Sorry.
00:14:17That'd be me, my darling.
00:14:40Anyone who ever loved a heart would take me in his arms and love me too.
00:14:54Have it, sir.
00:14:5510.
00:14:56See you.
00:14:5715 minutes.
00:14:5815.
00:14:5915.
00:15:0015.
00:15:0115.
00:15:0215.
00:15:0315.
00:15:0415.
00:15:0515.
00:15:0615.
00:15:0715.
00:15:0815.
00:15:0915.
00:15:1018.
00:15:1116.
00:15:1316.
00:15:1516.
00:15:1617.
00:15:1721.
00:15:1813.
00:15:1918.
00:15:2017.
00:15:2118.
00:15:2219.
00:15:2320.
00:15:2421.
00:15:2522.
00:15:2622.
00:15:2723.
00:15:2823.
00:15:3723.
00:15:38You're welcome.
00:15:50Thanks.
00:15:55You're welcome.
00:16:08Re-warming.
00:16:15Let's see if this one's gonna wake up.
00:16:17Suit us.
00:16:38Mrs. Annis?
00:16:45Everything's fine.
00:16:46Yeah.
00:16:47We had one or two complications, but everything's going fine at the moment.
00:16:50When can I see him?
00:16:51Not for a few hours yet.
00:16:53You should go home and get some sleep.
00:16:56Whose heart is it?
00:16:58Road accident in Cheshire.
00:16:59Young man.
00:17:01Fit as a butcher's dog.
00:17:08Oh, my God.
00:17:38Oh, my God.
00:18:08You made it.
00:18:10You made it.
00:18:12Get up.
00:18:34Breathe.
00:18:36Sit down.
00:18:38Who?
00:18:38The donor.
00:18:40No idea.
00:18:41Get up.
00:18:46Can I go back to work soon?
00:18:47Breathe.
00:18:48Noddy.
00:18:48Sit down.
00:18:49I've got a plane standing idle.
00:18:51It's costing me a fortune.
00:18:52Get up.
00:18:53We'll get there.
00:18:54Breathe.
00:18:55Breathe.
00:18:56Breathe.
00:18:56Breathe.
00:19:06Give us grace to prepare for that last hour by a good man.
00:19:10We may not be surprised by a sudden and unprovided death, but be ever watching.
00:19:14that when you call, we may enter into eternal glory.
00:19:20In Christ our Lord, amen.
00:19:24Amen.
00:19:27We commit his body to the ground,
00:19:31earth to earth,
00:19:33ashes to ashes,
00:19:36dust to dust.
00:19:44I just love your sexy way, my baby.
00:19:53You know my love will never stop, my baby.
00:19:58You can fuck your loving, it comes out, baby.
00:20:02I'll take you.
00:20:06I'll take you.
00:20:08The main enemy is rejection.
00:20:11Seconds, infertion.
00:20:12You'll need to scrub the hose from top to bottom.
00:20:15Got a pit? Get rid of it.
00:20:32No!
00:20:32Yes, he's gone for it.
00:20:59And, oh, he's doing it on the other one now.
00:21:03And would you believe it, he's touching the ceiling.
00:21:06This man who was on death's door is over.
00:21:10He's touching the walls now.
00:21:12He's touching the walls.
00:21:13He's touching the ceiling.
00:21:15And he's doing it all on one fucking leg.
00:21:21That's not all, girls.
00:21:27He's doing it with an hard-on.
00:21:29Like that.
00:21:31Jack!
00:21:33Jack!
00:21:34Thanks.
00:21:35Thank you, Jack.
00:21:40You reckon you take on the personality of a donor?
00:21:43Yeah.
00:21:45I think mine was a randy little bastard.
00:21:47I think mine was a randy little bastard.
00:21:48Oh, my God.
00:21:49Gary!
00:21:49No!
00:21:50No!
00:21:51No!
00:21:51Gareth!
00:21:52Gareth!
00:21:53I am sorry.
00:21:53Please.
00:21:54No, not that.
00:21:54Tess, tess, tess, tess, tess.
00:21:55Come here.
00:21:56Come here.
00:21:56Listen to me.
00:21:57Come here.
00:21:58Please.
00:21:58Please, Tess.
00:21:59Come on.
00:22:00Please.
00:22:00Come on.
00:22:01Gareth.
00:22:01Tess, come here.
00:22:02Come here.
00:22:03I know I need you.
00:22:03Please, now.
00:22:05No!
00:22:05He's a jolly good fellow.
00:22:08Please, he's a jolly good fellow.
00:22:11And so say all of us.
00:22:16It was never about you.
00:22:19I just needed a break from being needed so much.
00:22:23I just wanted to lie next to a healthy human being.
00:22:27A relatively healthy human being.
00:22:29And listen to him breathe and not get terrified if he stopped for a second or two.
00:22:36That's all in the past now.
00:22:38You're not needed anymore.
00:22:49Glad to have been of service.
00:22:59Final sprint for the line.
00:23:14Can the Englishman do it?
00:23:16Can the Yellow Jersey be hit?
00:23:19Yes.
00:23:20Oh, yes.
00:23:22Yes.
00:23:22Nothing in the last forever.
00:23:29I want it now.
00:23:54I want it now.
00:23:55Are you okay?
00:24:04How did you find this place?
00:24:07Who brought you in?
00:24:08Who brought you in?
00:24:25I had big ears.
00:24:29It happened fine, but it's not going to happen again.
00:24:31Can you get a scar on him?
00:24:32I don't make idle threats.
00:24:33I bet you don't use cliches either.
00:24:35I'm serious, pal.
00:24:36Yeah?
00:24:36Yeah.
00:24:37Just wait there.
00:24:40Bastard.
00:24:41Oi!
00:24:43It was like this officer.
00:24:45This maniac turned up and started threatening me.
00:24:47She had no option but to blow his fucking head off.
00:24:48Put it down.
00:24:49No option whatsoever.
00:24:50Put it down.
00:24:51Look at it.
00:24:51Look at it in your shit house.
00:24:53Look at it.
00:24:54Face.
00:24:54Nearly as big as my dick.
00:24:56Nearly as big as my dick and twice as fucking half.
00:24:58Please.
00:24:59I'm going.
00:25:00Please.
00:25:01I'm going.
00:25:03I was out of order.
00:25:04I shouldn't have come.
00:25:05No more.
00:25:05Something personal you understand.
00:25:06I'm going.
00:25:07It's just that you use a cliche and I get some fucking cliches.
00:25:10I'm going.
00:25:11I've declared war on cliches.
00:25:14The next person to use a cliche in my presence gets both fucking battles.
00:25:18Please.
00:25:25I love my wife.
00:25:43She's the most beautiful woman in the world.
00:25:44But if I can see it, other folks can see it.
00:25:49And they want her as well.
00:25:50Slow down.
00:25:52So I get jealous.
00:25:54But it breaks my heart.
00:25:56Literally breaks my heart.
00:25:58Steady.
00:25:58The thing that gave me the heart attack in the first place.
00:26:02It goes and happens because of the heart attack.
00:26:05Because I'm stuck in a wheelchair.
00:26:07Slow down.
00:26:10Another man.
00:26:11I'm stuck in a wheelchair.
00:26:12I'm stuck in a wheelchair.
00:26:13I'm stuck in a wheelchair.
00:26:13I'm stuck in a wheelchair.
00:26:14I'm stuck in a wheelchair.
00:26:15I'm stuck in a wheelchair.
00:26:15I'm stuck in a wheelchair.
00:26:16I'm stuck in a wheelchair.
00:26:17I'm stuck in a wheelchair.
00:26:17I'm stuck in a wheelchair.
00:26:18I'm stuck in a wheelchair.
00:26:19I'm stuck in a wheelchair.
00:26:20I'm stuck in a wheelchair.
00:26:21I'm stuck in a wheelchair.
00:26:22I'm stuck in a wheelchair.
00:26:23I'm stuck in a wheelchair.
00:26:24I'm stuck in a wheelchair.
00:26:25I'm stuck in a wheelchair.
00:26:26I'm stuck in a wheelchair.
00:26:27I'm stuck in a wheelchair.
00:26:28I'm stuck in a wheelchair.
00:26:29I'm stuck in a wheelchair.
00:26:30I'm stuck in a wheelchair.
00:26:31I'm stuck in a wheelchair.
00:27:02All rise.
00:27:32Nicola Farmer, you have caused the death of a fine young man with everything to live for.
00:27:39We've heard he was bright, an academic career ahead of him.
00:27:44We've heard he was a sportsman on the brink of representing his country.
00:27:48In short, he was worth ten of you.
00:27:51You will go to prison for ten months.
00:27:56Take her down.
00:27:57We'll go to prison for ten months.
00:28:27Shit.
00:28:32Shit.
00:28:34I lost him.
00:28:39I lost him.
00:28:53BIRDS CHIRP
00:29:23BIRDS CHIRP
00:29:34Hello.
00:29:42What do you want?
00:29:45My name's Gary Ellis.
00:29:47I've got your son's heart inside me.
00:29:53BIRDS CHIRP
00:30:02They said he'd box for England, the next Olympics.
00:30:10But they only said that after he was dead.
00:30:14I said, you don't have to lie to me.
00:30:16No mother could have been prouder of her son.
00:30:18They said, no, they weren't lying.
00:30:22He was gunpox for England.
00:30:29You don't want to know this.
00:30:32I do.
00:30:33I want to know everything.
00:30:34I want to know this.
00:31:04this. I'm sorry. I'm stupid. I shouldn't have asked you that. I've got plenty of these.
00:31:09No, I'm sorry. I'm stupid. I shouldn't have asked you. I don't know what I was thinking
00:31:12about. No, I had them done for people. Are you sure? Yeah. Surgeon said I was lucky.
00:31:28I got the best eye I'd ever seen.
00:31:34It's exactly the way it was.
00:31:54How many have you got? Sorry? Kids. None. None. None. You know, we were going to have one
00:32:03that I had my heart attack. They said that it would go to someone with kids.
00:32:11I'm sorry.
00:32:14I'm sorry.
00:32:15Would you like them?
00:32:25Yeah, I would. Thanks.
00:32:27Thanks. If there's anything I can do, I'll always be very grateful.
00:32:44Can... can I?
00:32:45Bye.
00:33:11Bye.
00:33:11Bye.
00:33:11Bye.
00:33:15Bye.
00:33:15Bye.
00:33:24Bye.
00:33:38Bye.
00:33:39Bye.
00:33:39Bye.
00:33:41Bye.
00:33:43Hello?
00:34:06Hello?
00:34:09Who is this?
00:34:13Who was it?
00:34:29Sean and Marie aren't here at the moment.
00:34:31Please speak after the tone.
00:34:33The tone is off.
00:34:48The tone is off.
00:34:52The tone is off.
00:34:55I don't know.
00:35:25I don't know.
00:35:31His limbs.
00:35:33He'd wear a t-shirt and shorts and I'd still look at him.
00:35:37His arms.
00:35:39His legs.
00:35:41Much strength.
00:35:43Indestructible.
00:35:49My son.
00:35:51My big strong son.
00:35:53When you're smiling.
00:35:57When you're smiling.
00:35:59How the whole world smiles.
00:36:03I'm supposed to be grateful for the 17 years we had to live.
00:36:05When you're laughing.
00:36:07When you're laughing.
00:36:09How the sun comes.
00:36:11Why couldn't I have lost him when he was weak and vulnerable.
00:36:15When you're crying.
00:36:17Why did I have to lose him when he was big and strong and gorgeous.
00:36:21I'd be happy again.
00:36:23Keep on smiling.
00:36:25Luckily...
00:36:39She was thinking about me...
00:36:41Didn't she try the RSPCA?
00:36:43It was shut I think.
00:36:45She could have given it away.
00:36:47Hello.
00:36:49It's Maria McArdle. Tess, my wife.
00:36:53Hello.
00:36:55Maria's just lost her son, Sean.
00:36:58I'm sorry.
00:37:02I've got Sean's heart.
00:37:06Excuse me.
00:37:10You okay?
00:37:12Stop bothering me, please.
00:37:18I can't. I told you.
00:37:22It's over.
00:37:24May I use your bathroom?
00:37:26Of course. Upstairs, I'm right.
00:37:32We'll speak tomorrow.
00:37:34Bye.
00:37:36Who was that?
00:37:40Did she trace you?
00:37:45No. I traced her.
00:38:10This is lovely.
00:38:23Thanks.
00:38:24Do you enjoy cooking?
00:38:26It's all pre-packed.
00:38:28I see you're on the pill.
00:38:34What?
00:38:36You don't want children?
00:38:39No.
00:38:41You do.
00:38:45You do.
00:38:57Did you wait for that?
00:38:59Your name?
00:39:00I used to.
00:39:02Excuse me.
00:39:04Next on Granada football highlights from today's game at Anfield.
00:39:17It's nearly midnight.
00:39:18I know.
00:39:20What'll we do?
00:39:21I don't know.
00:39:23I'd better get going.
00:39:26I'd better get going.
00:39:27Where are we going?
00:39:28In here, come in.
00:39:29In here.
00:39:30Yes.
00:39:31And there.
00:39:32What?
00:39:34They got in the car.
00:39:35I just locked the door.
00:39:42I can't!
00:39:43I can't!
00:39:44I can't move.
00:39:45Where are we going?
00:39:48In here, come in.
00:39:49In here.
00:39:51Just lock the door.
00:39:53I can't.
00:39:54I can't move.
00:40:15I can't move.
00:40:45I can't move.
00:41:16I bought you this.
00:41:17Fresh vegetables.
00:41:19Thanks.
00:41:20Better for you.
00:41:20Better than that pre-packed stuff.
00:41:23Thanks.
00:41:25I'm not criticising you.
00:41:27I know you're busy.
00:41:27Now time to shop.
00:41:28Can we give you a lift?
00:41:33Have a good time.
00:41:37Take care.
00:41:37Bye.
00:41:38She gives me the creeps.
00:41:55She's grieving.
00:41:58Don't rise to his bae.
00:42:03Do you hide it?
00:42:10Sorry we're late.
00:42:10It's the happy couple.
00:42:15Where is it all for Christ's sake?
00:42:16Where is all this sex and fucking violence?
00:42:18Because I never see it.
00:42:19Not on a fucking telly.
00:42:20Oh, it's your piss.
00:42:20On the news now and again.
00:42:21Trevor MacDonald going on about some boring old fart in the House of Commons and nobody gives a fuck.
00:42:25But let him start on Bosnia.
00:42:27Let him say some viewers might find these pictures disturbing and you're riveting.
00:42:30Have another drink.
00:42:31Give your arse a rest.
00:42:32Fucking riveting.
00:42:33There's a good chance I might see something here.
00:42:35Somebody's head blown off with a shotgun, something like that.
00:42:37Same with sex.
00:42:38Leave it to the imagination.
00:42:39Fuck that.
00:42:40I want nothing left to my imagination.
00:42:41I want to see it all in glorious close-up.
00:42:43In technical or what?
00:42:44I said do you mind?
00:42:45Fuck off.
00:42:46I've paid my licence for me and I want to see it.
00:42:48Fuck the imagination.
00:42:50And who are they all anyway?
00:42:51All these fucking fuddy dooddies laying down the lawn.
00:42:52It's fucking the only describing word you know.
00:42:54Adjective.
00:42:55I heard you were a writer but that must have been a rumour because a writer usually has a bit of vocabulary.
00:42:58Describing words are adjectives like stupid cunt or big fucking ears, okay?
00:43:03Geriatric fucking spinsters.
00:43:04That's what they are.
00:43:05Last time they had a shag it was V.
00:43:06Would you stand up, please?
00:43:07Look, mate, why don't you just...
00:43:10Is he good?
00:43:21Gary, please.
00:43:28I mean as a writer.
00:43:32Is he a good writer?
00:43:37Yeah.
00:43:55Thanks.
00:43:55Thanks.
00:44:07All the trains are on.
00:44:37You want a story, yeah? I'll give you a fucking story.
00:45:00There's a man seriously ill, needs a heart transplant.
00:45:03His wife starts an affair. Understandable, I'm sure we'd all agree, yeah?
00:45:08Can we get back to Jean Kent and her long-lost daughters?
00:45:09The programme's in trouble.
00:45:11The programme's in trouble, needs a bit of honesty, so let's give her a bit of honesty.
00:45:15She's having an affair.
00:45:19Let's call him Alex.
00:45:22You know what Alex wants?
00:45:25Alex wants the husband to drop dead, that's what Alex wants.
00:45:28And when he doesn't drop dead and he gets his bloody transplant, Alex wants him to die on the operating table.
00:45:35And when he doesn't die on the operating table, Alex wants rejection.
00:45:38And if there's no bloody rejection, Alex is quite prepared to go out and kill the bastard himself.
00:45:46And Alex tells her all this.
00:45:47And you lot are talentless gobsites.
00:45:51You might think that Alex has queered his pitch with this woman, but you're wrong.
00:45:56She's impressed.
00:46:01Here's a man who'd kill for her.
00:46:02Can I tell you something?
00:46:29Yeah.
00:46:29Something personal?
00:46:34Yeah.
00:46:38It was a sticky night.
00:46:41Sean was six or seven.
00:46:44And he kept tossing and turning in his sleep.
00:46:48I got a cool, damp cloth and bathed his face, his neck.
00:46:53But he kept tossing and turning.
00:46:56I realised he had an erection.
00:46:59And it was that that was making him all hot and bothered and fitful.
00:47:04I didn't want to use my hand.
00:47:08It was so delicate.
00:47:10So small.
00:47:14So I used my lips.
00:47:20He slept all night.
00:47:22Slept all the way through.
00:47:23Slept like an angel.
00:47:24I shouldn't have told you.
00:47:31You think it's disgusting.
00:47:32I don't.
00:47:33I don't think it's disgusting.
00:47:34I don't.
00:47:37I just wanted my child to sleep.
00:47:38I know.
00:47:39I don't know.
00:47:44I don't know.
00:47:48I don't think it's ALL I remember.
00:47:50I don't know.
00:47:51It's a big deal.
00:47:56I wasn't vem.
00:47:58Oh, remember?
00:47:59I love his hands.
00:48:00I love who you are.
00:48:00Oh, now I'm alone.
00:48:01I know.
00:48:01There I go.
00:48:03Loops.
00:48:03Johann.
00:48:04If this is what you want, Maria, you can have it.
00:48:26But I love my wife.
00:48:34I love you.
00:48:53I love my husband.
00:48:54You never loved him.
00:48:56You pity him.
00:48:57Alex, stop it.
00:48:58No need to pity him anymore.
00:49:01Please.
00:49:01I better take this for the land.
00:49:29Why don't they do it in the car?
00:49:31I mean, what's life I'm standing up?
00:49:35I've got a sunroof.
00:49:36Do you love me true?
00:49:54Sorry I'm late.
00:49:55Are you OK?
00:49:58Oh.
00:50:00We've started.
00:50:02Yeah.
00:50:08I'm going for a shower, all right?
00:50:10Thanks for coming.
00:50:25What we've got to do, Maria, is to keep your son's heart beating.
00:50:37To keep Gary fit and well.
00:50:40And that means no stress.
00:50:44And you're the cause of stress.
00:50:46Stay away from him, Maria.
00:50:52Please.
00:50:55What was his name?
00:50:58My son's name.
00:51:06I don't know.
00:51:10Sorry.
00:51:11Time to think about going home.
00:51:31I'm sorry.
00:51:33You've nothing to be sorry about.
00:51:34Watcher.
00:51:43It's over.
00:51:46Watcher.
00:51:58Right here, love.
00:51:58Just to the end of the road.
00:52:25What?
00:52:26I'm going for a run.
00:52:31I'm going for a run.
00:52:56Gary?
00:52:58Gary?
00:53:19Hello?
00:53:20Hello?
00:53:26See how I'm walking.
00:53:49See how I'm talking.
00:53:50Notice everything you need.
00:53:54Feel the need.
00:53:56Oh, feel.
00:53:57Feel the need in me.
00:54:02Woo-hoo!
00:54:04All right.
00:54:06Where's Tess?
00:54:20Do you want to stop yourself wanking?
00:54:22Where's Tess?
00:54:23Around the corner, shagging a big black man.
00:54:24We talk about you, or we fuck them.
00:54:39Fuck your ears.
00:54:42Every time you moved your head, it caused a fucking draft.
00:54:44Jesus!
00:54:45Jesus!
00:54:54Give us another.
00:54:55She'd say there's something to get hold of.
00:54:57I'd say, shh, he can probably hear us.
00:55:00Any more?
00:55:02No?
00:55:04Don't you hate that, you twat.
00:55:05What?
00:55:11Hey, big ears.
00:55:13Give a little naughty.
00:55:16No?
00:55:17No?
00:55:17No?
00:55:18No?
00:55:19No?
00:55:19No?
00:55:20No?
00:55:21No?
00:55:22No?
00:55:22No?
00:55:23No?
00:55:24No?
00:55:25No?
00:55:28No?
00:55:28No?
00:55:30No?
00:55:31No?
00:55:31No?
00:55:32No?
00:55:33No?
00:55:34No?
00:55:35Our Father, who art in heaven, hallowed be thy name.
00:56:00Thy kingdom come, thy kingdom come.
00:56:03As you can see, Miss McArdle is back today, children.
00:56:08Thy will be done on earth as it is upon her.
00:56:14Give us the soup for our daily bread, and forgive us our trespasses, as we forgive those who trespass against us.
00:56:23And lead us not into temptation, but deliver us from evil. Amen.
00:56:33You stupid bitch! You nearly killed me! Stay away from me! And stay away from Gary!
00:56:52Who'll be there? I don't know.
00:56:57You stupid bitch! You nearly killed me! Stay away from me! And stay away from Gary!
00:57:02Who'll be there? I don't know. All his former patients?
00:57:11Is something wrong?
00:57:22Did you talk about me?
00:57:24What?
00:57:25Did you talk about me when you fought?
00:57:27For God's sake, Gary, we never spoke about you. We never spoke about you.
00:57:36Gary?
00:57:37Who bought you these?
00:57:38What?
00:57:39Who bought you these?
00:57:40I bought them.
00:57:41No, Larry!
00:57:43Look, I know I did wrong.
00:57:49Gary?
00:57:50No! Oh, for God's sake, no!
00:57:53No! Gary, no!
00:57:56Gary, please, God, no, please!
00:57:58Gary!
00:57:59Gary!
00:58:00He's gone!
00:58:01He's gone!
00:58:02He's gone!
00:58:03He's gone!
00:58:04He's gone!
00:58:05I don't see why you're so upset if I was dead it'd suit you down to the ground.
00:58:06You could fuck him to your heart's content!
00:58:08You know, if this is real, if all this is fucking real, it stops him.
00:58:13He's lost him!
00:58:14If you care so much about me, you'll tell him it's over.
00:58:16He runs, he's lost him!
00:58:17He's lost him!
00:58:18He's lost him!
00:58:19He's lost him!
00:58:20He's lost him!
00:58:21He's lost him!
00:58:22He's lost him!
00:58:23He's lost him!
00:58:24He's lost him!
00:58:25How could you?
00:58:26Help him!
00:58:27Tell him it's fucking over!
00:58:32You bastard!
00:58:42I'm sorry I can't feel fair with you.
00:58:44I'd just like to say how thrilled I am to be Mr. Criceman's hundredth.
00:58:48Better to be his hundredth than his first.
00:58:52To Mr. Criceman, thanks for giving my wife a new husband,
00:58:56my children a new father, and me a new life.
00:58:59Cheers.
00:59:02Well, thank you.
00:59:03I like to think I'm getting the hang of it now.
00:59:07We're all very grateful to the families of donors.
00:59:11Without them, there would be very little to celebrate.
00:59:14Hear, hear!
00:59:15Hear, hear!
00:59:16I'll see you later.
00:59:20I'll see you later.
00:59:33It wasn't your son's heart.
00:59:35We were going to use it, but it wasn't soon.
00:59:37You're lying.
00:59:38I'm afraid not.
00:59:39My son's heart still beats.
00:59:40I lie in bed.
00:59:41I listen to my heart beating.
00:59:42I tell myself it's beating at the same pace.
00:59:43The same rhythm as my son's.
00:59:44Have you any idea of the comfort that I've had to be with you?
00:59:45Yes, thank you.
00:59:46Yes, thank you.
00:59:47You're lying.
00:59:48I'm afraid not.
00:59:49My son's heart still beats.
00:59:51My son's heart still beats.
00:59:52My son's heart still beats.
01:00:02I lie in bed.
01:00:03I listen to my heart beating.
01:00:05I tell myself it's beating at the same pace.
01:00:08The same rhythm as my son's.
01:00:12Have you any idea of the comfort that brings?
01:00:14Not a photograph, it's not a memory, but flesh, and blood, and muscle.
01:00:20and muscle that grew in my womb.
01:00:23And you're trying to snatch that away with a lie.
01:00:25It's not a lie.
01:00:27The heart wasn't suitable.
01:00:28You're lying.
01:00:29It's no reflection on you, it's no reflection on your son.
01:00:30Gary thought he had your son's heart, but he was wrong.
01:00:33And he couldn't tell you that because he
01:00:34knew how much it meant to you.
01:00:35That's why he kept on pretending.
01:00:37Lying.
01:00:37If it will help to convince you that I'm fine.
01:00:42Go on, lad.
01:00:44Dip your bread.
01:00:46I got it off the TV, Joe.
01:00:48I'll get you a copy and all.
01:00:50Oh.
01:00:57Jesus.
01:01:00Look.
01:01:01Get down there.
01:01:02Get out of the way.
01:01:05Move yourself.
01:01:06Move yourself.
01:01:07Now we can all please use the stairs.
01:01:11Use the stairs, please, ladies and gentlemen.
01:01:16Did you lie to me?
01:01:17What?
01:01:18Give it to me.
01:01:20Give it to me.
01:01:21Is it Sean's heart?
01:01:23Yeah.
01:01:25What did they tell you?
01:01:26A young man from Cheshire crashed his motorbike.
01:01:29Go on.
01:01:30Yeah.
01:01:31Will you get me away from here?
01:01:32Give it to me.
01:01:33Will you get me away from here?
01:01:34Give it to me.
01:01:35Give it to me.
01:01:56Oh...
01:01:58Harry. Gary, please.
01:02:05Over the gate!
01:02:23Get in the car!
01:02:26I'm sorry, Sue!
01:02:36I'm gonna cut his fucking dick off.
01:02:37I'm gonna cut him to fucking ribbons!
01:02:39I don't believe you.
01:02:40You're too kind to do that.
01:02:42Yeah.
01:02:43Too decent to...
01:02:44Yeah.
01:02:56It's him.
01:03:11Come on!
01:03:27Gary?
01:03:28Stay there!
01:03:38Hurry up!
01:03:48Come on, come on!
01:03:56Let's hear it!
01:03:58Hear what?
01:03:59Gary!
01:04:00The wisecrack!
01:04:01Gary!
01:04:02Please don't do anything stupid!
01:04:03Please don't do anything stupid!
01:04:04Nothing immediately springs to mind.
01:04:05I'm gonna chop your fucking dick off, so let's hear the wisecrack!
01:04:07Gary!
01:04:08This isn't gonna solve anything!
01:04:09Please!
01:04:10Checking she's awake doesn't constitute foreplay.
01:04:17Jesus!
01:04:18Tess!
01:04:24Tess!
01:04:25Tess!
01:04:28Tess!
01:04:29She's dead.
01:04:32Tess!
01:04:45Tess!
01:04:46Come on!
01:04:48Get out of my house, you fucking maniac!
01:04:49Do it.
01:04:50I'll do it, alright.
01:04:51Do it.
01:04:52I'll fucking do it!
01:04:53Do it!
01:04:54It'll go off, you stupid bastard!
01:04:55I wanted to go off!
01:04:56It'll go off!
01:04:57I wanted to go off!
01:04:58It'll go off!
01:04:59You stupid bastard!
01:05:00I wanted to go off!
01:05:01I wanted to go off!
01:05:02I wanted to go off!
01:05:03I wanted to go off!
01:05:04You stupid bastard!
01:05:05I wanted to go off!
01:05:06I wanted to go off!
01:05:07I wanted to go off!
01:05:08I wanted to go off!
01:05:11You stupid bastard!
01:05:12Bastard
01:05:42Bastard
01:06:12Bastard
01:06:14Bastard
01:06:16Bastard
01:06:18Bastard
01:06:20Bastard
01:06:22Bastard
01:06:24Bastard
01:06:26Bastard
01:06:28Bastard
01:06:30Bastard
01:06:32Bastard
01:06:34Bastard
01:06:36Bastard
01:06:38Bastard
01:06:40Bastard
01:06:41Oh, my God.
01:07:11Siggies, please.
01:07:19Siggies, please.
01:07:49Siggies, please.
01:07:49Come on now.
01:07:50Put the knife down.
01:07:51Come on.
01:07:52No!
01:07:53Come on.
01:07:54Come on.
01:07:55Get your back.
01:07:56Come on.
01:07:57Come on.
01:07:58What?
01:07:59Come on.
01:08:00Look.
01:08:01Put the knife down.
01:08:02Come on.
01:08:03No!
01:08:04Come on.
01:08:05Come on, now, love. Put the knife down.
01:08:17Come on. No!
01:08:18Come on. No!
01:08:21No! I'll take that. Come on.
01:08:22No! Come on.
01:08:24No!
01:08:35I killed Tess. I shot that other man.
01:09:01And then I killed Gary.
01:09:05I killed Gary.
01:09:35Oh, I don't know why you open back in the 5th.
01:09:57Enjoy it.
01:09:58It's alright.
01:10:05Nicola Farmer.
Recommended
1:23:25
|
Up next
1:55:18
7:35
40:53
1:22:42
1:29:08
1:15:52
1:47:53
1:47:02
1:35:45
15:06
1:29:41
46:47
42:50