- yesterday
Designed for Desire mydrama
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here. I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery. Until then, we cannot proceed.
01:54Okay, well, one second.
01:57Hello? Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:15Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes. Right now.
02:24Okay.
02:41So, Ms. Brooks, what do you see in this room?
02:45Well...
02:47It's deliberate.
02:50Controlled.
02:51Powerful.
02:53It's impressive, but...
02:55But?
02:57It's not...
02:59satisfying.
03:01Bold again.
03:05Tell me, how do you know it's satisfying?
03:08Satisfaction lies...
03:10somewhere in between.
03:11You think you can give me that?
03:13Think you can take the risk and find out?
03:23All yours.
03:28Hey.
03:31The women out there would do anything to be in the position you're in.
03:35Unless you have other ideas.
03:43Don't make me regret this risk.
03:44I don't plan to.
03:48The position's been filled.
03:50Go home.
03:53Get out!
03:54Damn.
03:55He doesn't have to be so rude.
03:57Pappy, your phone's upside down.
04:12Hi, how are you feeling?
04:13Hey, jubilation?
04:15Not doing too well, honey.
04:17Damn hospital postponed my surgery again.
04:19I'm so sorry, Pappy.
04:21I'm working things out with the hospital.
04:23I have some good news today, though.
04:25I'm sorry.
04:27I think that's my landlord.
04:28I have to go.
04:30Love you.
04:32Bye-bye.
04:33Love you.
04:34Bye-bye.
04:36Oh.
04:38What the hell is he doing here?
04:41What are you doing here?
04:43Oh.
04:44What the hell?
04:46Hey!
04:47Whoa, whoa, whoa.
04:48Guys, whoa.
04:49Hey, don't take that!
04:53I did not agree to this!
04:56Actually, you did.
04:57The signing must reside on the...
05:01I can't quite hear you.
05:04Must reside with Mr. Mercer for the duration of the project?
05:08How long?
05:10Keep reading.
05:12And definitely without exception?
05:20A gift.
05:22What the fuck?
05:23A gift?
05:24In exchange for being kidnapped?
05:25No thanks.
05:30I need to know where you're at.
05:32At all times.
05:34It's a tracker.
05:35What?
05:36Like a dog collar?
05:38Do you think you own me now?
05:40I wouldn't do that.
05:42Come on. Let's go.
05:43This is insane. Just...
05:45Give me a second to put Crumpet in his carrier and call my grandfather.
05:47No.
05:48There are no animals in the mansion.
05:51You must say goodbye to your little...
05:53Crumpet.
05:54Absolutely not.
05:56I told you in the contract that I will take care of everything.
06:00I don't care about the contract. What?
06:02Oh my God!
06:04Goodbyes are always so hard.
06:06Put me down!
06:07What are you doing?
06:11Welcome back, Miss Brooks.
06:12So...
06:13I'm not allowed to leave?
06:16If you leave, your contract will be terminated immediately.
06:19And what? You're just gonna leave me all alone in here?
06:21Would you like me to join you?
06:22Would you like me to join you?
06:33No, no, no, no. Why is it making that sound?
06:37Damn, if I leave, Pappy dies.
06:39Shit. I'm trapped with this monster.
06:41Oh my God, is this really happening?
06:44I'm stuck.
06:56This is your uniform.
06:57Work hours have started already.
06:59Tidy yourself up.
07:01Report to Mr. Mercer.
07:02Mr. Mercer.
07:05Oh, and uh...
07:07Chop-chop, Miss Brooks.
07:09Mr. Mercer does not like to be kept waiting.
07:12Stop waiting.
07:35Enjoy the view?
07:37No, I...
07:39Just didn't...
07:40Want to disturb you.
07:41I don't mind if you stare.
07:43Sorry, sir.
07:44I was just...
07:46Interested in your build.
07:48The building.
07:49The...
07:50Build of the mansion that...
07:52We're building to work on.
07:54Today.
07:56What time are we leaving for?
07:57Car leave's in ten minutes.
07:59Great.
08:01I'll be ready.
08:04Pull up slow, bass low, she know.
08:06Eyes locked and a rear view glow.
08:08Mother hot, she sliding close.
08:09Talk sleep for her body.
08:11Throws go grill, smile.
08:12How much further?
08:14Patience, Miss Brooks.
08:17Pressure deeper, make hearts near.
08:19Danger Asian.
08:20She like the danger he didn't run.
08:23Can't fake the hunger nowhere to hide.
08:26Oh, a mocking tough one.
08:27I'm not sure.
08:28I'm not sure.
08:33Hey Foxy!
08:34I got something that'll keep that jaw clenched.
08:36Wow.
08:37Original.
08:38Mr. Mercer!
08:39We didn't know you was coming in today.
08:41Get off my property.
08:42What?
08:43You're fired.
08:44Leave.
08:45What the hell?
08:46I worked on the last nine Mercer mansions.
08:48And now I'm fired because of this bitch?
08:52If I collapse your lung...
08:54Wait.
08:55Did he just stand up for me?
08:57Sir, how about you?
08:58Continue your work with Miss Brooks.
09:00And I'll handle this.
09:03Come on.
09:05Everything's nearly finished.
09:07I'm gonna have a team come in and make some final measurements over here.
09:11And I'll ensure they know how to keep their mouth shut.
09:14Uh...
09:15Is this all marble?
09:21Seeing her in my house gives me a strange feeling.
09:24It's so beautiful.
09:26What is it about her?
09:28Why do I want to...
09:29Follow me.
09:35Wow, an elevator?
09:37By the way, what you did out there?
09:41I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
09:45Remember that.
09:50Your first task for the client.
09:53I don't know anything about the client.
09:55Who is...
09:57We don't ask about the client.
09:58We only worry about what they desire.
10:01Okay.
10:02Am I allowed to know what the purpose of this room is?
10:05Yes.
10:07Great.
10:08The client...
10:09Would like this room transformed...
10:12Into their BDSM chambers.
10:17I hope she doesn't see right through me.
10:21So...
10:22How would you do it?
10:24Uh...
10:26Um...
10:27Make me a picture.
10:28Right.
10:30Uh...
10:31Over here, I would...
10:33Put a...
10:34Shays...
10:35Lounge.
10:36Velvet.
10:37Obviously.
10:38Obviously.
10:39And over here would be a great place to mount a swing.
10:42One with adjustable heights and...
10:44Handles.
10:46And next to it, we could put a cabinet for...
10:48Whips and toys and...
10:49Things.
10:50You're very well versed.
10:52I...
10:53Read a lot.
10:55Certain...
10:56Genres of certain books have certain details of...
10:59Right.
11:00Right.
11:01Of course.
11:02Yeah, it's perfectly normal.
11:03A lot of women read...
11:05Fantasy and...
11:06Romance and...
11:07Fantasy romance.
11:09Anyway, uh...
11:11This would be a great place to...
11:14Mount...
11:15Walk us.
11:17I'm drowning in the heat...
11:23Afraid of what I need...
11:29Your touch is like a flame...
11:33But I can't turn your way...
11:34Don't pick up.
11:41Hello?
11:43Miss Brooks, I'm sorry.
11:44We need the payment.
11:46I... I understand.
11:48Is there anything I could do now...
11:49To hold him there?
11:50Anything that could be done right now?
11:52We need your payment, Miss Brooks.
11:53By tomorrow morning.
11:55All $200,000.
11:57Okay, I...
11:58I'll get it to you, I promise.
12:02Sorry.
12:03Your contract explicitly states that I received 100% of your attention...
12:06At work.
12:09Who was that?
12:12It's personal.
12:13Personal calls...
12:14At work.
12:16I'm sorry.
12:23Mr. Mercer, it won't happen again.
12:25I'll get to work right away.
12:26I'll have designs to you by tomorrow morning.
12:32Take it off.
12:34What?
12:37Your jacket.
12:38Mr. Mercer...
12:39I won't ask twice.
12:40Mr. Mercer...
12:44I won't ask twice.
12:53What's this for?
12:59It's perfect.
13:01Now go get dressed.
13:22No need to pout, Miss Brooks.
13:23Miss Brooks?
13:24You'll be reading some of the top designers.
13:26I don't understand.
13:27How does this take priority over work?
13:30Am I your date or your designer?
13:32You are...
13:35When I say you are.
13:36Ladies and gentlemen, it is my pleasure to welcome you all to the annual Architectural Ball, proudly hosted by the Mercer Group.
13:57I'd also like to welcome and introduce our newest interior designer, Miss Cecilia Brooks.
14:08I thought you said you had the job.
14:10I did everything that I could.
14:12Bitch must have slept with him in the interview.
14:14Fine.
14:16I'll fix it myself.
14:18So without further ado, please enjoy your drinks and have a wonderful night.
14:24We have this dance.
14:26Oh.
14:27Sterling!
14:31I was hoping that maybe we could
14:34walk and talk.
14:37Or maybe...
14:39dance and discuss.
14:41You must be working so hard.
14:44I was thinking...
14:46maybe...
14:48you can go.
14:50Maybe dance and discuss?
14:53You must be working so hard.
14:54I was thinking, maybe you would benefit from a designer who really knows you, your past.
15:03I'm not interested in rehashing old relationships, no.
15:07It was just a flint.
15:09It doesn't mean we can't be close.
15:12Sterling could be a difficult person to work for.
15:19You know you can come to me if you need anything.
15:24Hey, get your hands off of her.
15:32What the hell are you doing here, Vincent?
15:35Folks, looks like the jester came to play.
15:41Get him out of here.
15:47It's all right, folks. Enjoy the party. It's okay.
15:50Are you okay?
15:52Good. Why don't you go grab a drink? I'm going to take care of this.
16:02Crazy night, huh?
16:04Too crazy.
16:05I'm Nora, a close friend of Sterling's. So, tell me, how's the new position treating you?
16:13It's demanding.
16:15And the client? What's your feel on them?
16:18Oh, I'm not at liberty to discuss that.
16:20Come on, it must be crazy, right?
16:23I really can't.
16:24Oh, how embarrassing.
16:35What are you doing in here?
16:36Cecilia, I'm sorry.
16:38I'm so done with their whole world.
16:40Yeah, the head of the board was barking my ear off.
16:46Stop it!
16:47What? I'm just trying to help.
16:49Help? Really?
16:51That's rich.
16:52I mean, I am rich.
16:55You.
16:56You are a lot of things.
16:58From the moment I met you, you've controlled every aspect of my life.
17:00Every movement I make.
17:02You're obsessive, cryptic, a perfectionist.
17:04But you're not rich.
17:08Not where it counts.
17:27Phil, excuse me.
17:29I have work to do.
17:34Oh, this hand.
17:46What if?
17:48Maybe cuffs?
17:50What if we hang something around here?
18:04Is that me?
18:11Did I say you could come in here?
18:12Uh, you'll be happy to know that I worked on these all night.
18:25Maybe if you stayed at the gala, you would have learned something.
18:28Learned what?
18:29You follow through with your obligations, so you wouldn't waste your time working on garbage.
18:34Garbage?
18:35I'll need five more by tomorrow morning.
18:37That will take me all night.
18:39Even making those two took me all night, and I barely got them done in time.
18:43You've done it once before.
18:44You can do it again.
18:46Don't you think?
18:47Maybe, just maybe, that's an unreasonable amount of time.
18:50Maybe.
18:51I don't care.
18:52Wait.
18:54I should have remembered.
18:56It's not in the contract.
18:57It's not in the contract.
18:57Oh my god.
19:12Excuse me, miss.
19:13Where's my grandfather?
19:14I'm sorry.
19:15Usually if they're not in the room, it's because the insurance ran out, or...
19:18Miss Brooks?
19:33Yes?
19:33I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
19:39He's being very well taken care of.
19:40I don't understand.
19:41How is that possible?
19:43I can't afford that.
19:45I told you.
19:46I'll take care of everything.
19:48What?
19:49I can't believe this.
19:57Oh, but...
19:58But why?
20:00Why would you do that?
20:01Well, when I said I needed your undivided attention, I meant it.
20:05Now the only thing you have to worry about is me.
20:12I'm not your slave.
20:17Five designs by tomorrow morning.
20:25You're welcome.
20:26I've been expecting you.
20:34I have a feeling I'll be impressed.
20:37Brushed work is not work to be proud of.
20:44Is this you?
20:45And my parents.
20:46They must be so proud of you.
20:47They never got to see it.
20:49I inherited this company before I was old enough to run it.
20:52I'm so sorry.
20:53It was a long time ago.
20:55What happened?
20:55They vanished.
20:57On a work trip into Europe.
20:58Guess I don't control everything after all.
21:01I'm going to deliver these designs to everyone.
21:04I have a surprise for you.
21:10To your first approval.
21:16It's beautiful.
21:19I do have a request, though.
21:22I was wondering if I could...
21:24I could have a little freedom.
21:25From what?
21:27Me?
21:28No.
21:28No, not you.
21:31I'm this.
21:32Well, I need to keep track of you.
21:36I mean, what if...
21:37Sterling, I'm not your parents.
21:42I'll be fine.
21:42I just don't know if I'm ready for that yet.
21:45But you continue to impress me.
21:47I mean, you'll be free as a bird.
21:49I do have more surprises to show you, but you're going to have to wait till tomorrow.
22:07You're full of surprises, aren't you?
22:10You're full of surprises, aren't you?
22:15And that's why I can't let you go.
22:32What are you two doing here?
22:33There's not supposed to be anyone working today.
22:35We were just swinging by to assess a minor electrical concern.
22:38It seems that the circuit...
22:38It's nothing urgent.
22:39We're going to come back tomorrow with the rest of the crew and get it resolved.
22:43Okay.
22:44Thank you for the update.
22:47Thank you, Mr. Mercer.
22:53I've ordered these beautiful pieces.
22:54White marble.
22:57What the hell?
23:03It's kind of beautiful.
23:04No, no.
23:05It's a mistake.
23:09It's not too perfect.
23:10It's bold.
23:11It's not trying hard.
23:12It's just his.
23:15Well, I like my work to be intentional.
23:20Well, I would argue that this elevates the intention of the space.
23:24The juxtaposition between control and chaos.
23:28You have good eyes, Ms. Price.
23:31Follow me.
23:37Your second task for the client.
23:39Master bedroom and nursery.
23:43Oh, the client's a family man.
23:45We don't discuss the client.
23:47Only satisfy their needs.
23:51Would you like to see your designs?
23:53Is it not what you thought?
24:13No, it's not that.
24:14It's not that.
24:14The power went up.
24:20There's no signal.
24:21Yeah, the soundproofing they put up cuts signal.
24:26What?
24:27No.
24:27It's not funny.
24:41I'm not laughing.
24:42How long until someone notices that we're gone?
24:45I don't know.
24:46An hour?
24:47Maybe two?
24:49Is it Nora?
24:50The client?
24:52What?
24:52No, you're not supposed to ask about the client.
24:55Just tell me.
24:57No, it's not.
24:58Is she more?
25:02I built this room because I believed in your vision.
25:06I cleared your schedule.
25:08I cleared your stressors.
25:09All because I wanted you.
25:12I've gone.
25:15I cleared my schedule.
25:15I covered my schedule.
25:16I cleared my schedule.
25:17I I cleared my schedule.
25:18I cleared your schedule.
25:18Gonna be.
25:20It'll be the last minute.
25:21sidney, nor I'm ready to go.
25:21I cleared my schedule.
25:22I reached out and...
25:24I weitere you.
25:25I cleared me.
25:28I reformed my schedule.
25:30Sir, your seven o'clock is waiting upstairs.
26:00Tuck your shirt in, sir.
26:09I know. I know.
26:13Who the hell are you?
26:15Calm down, sweetie. Put Crumpet down.
26:20Listen, sweetie. I work for Mr. Mercer.
26:23He hired me to take care of your grandpa and Crumpet until you return.
26:27Sweetie, what are you doing home?
26:30What am I doing?
26:32This is Agnes, my nurse. She's taking care of me.
26:35Oh, I'm sorry. I'm so embarrassed.
26:42Um, hello?
26:44Why are you in your apartment?
26:46If you're there, there's no need for Agnes to stay employed.
26:49Ceci, you're ruining my chances.
26:51Go back, Ceci.
26:52Oh, okay, okay.
26:54Everything's all right. Agnes has taken very good care of me.
26:57Okay, okay, Pappy. I'll go.
26:59Um, it was nice meeting you, Agnes.
27:01Nice to meet you, dear.
27:03What the hell?
27:15He has a girlfriend?
27:22What was I thinking?
27:24What?
27:25He has a girlfriend of the family.
27:26What is your girlfriend?
27:27He has a girlfriend?
27:28How are you?
27:29What is your girlfriend?
27:30I'm a girlfriend.
27:31I'm a little girl.
27:32I'm a little bit old.
27:33I'm a little girl.
27:34I'm a little girl.
27:35Who's the girlfriend?
27:36Would she be like in your girlfriend?
27:37I'm a little girl.
27:38Let's look up.
27:39What?
27:40What are you doing about an accident?
27:41With your girlfriend?
27:43You've got to be happy.
27:45I can drive up an accident.
27:47I can drive her the next day.
27:49Gotcha now, bitch.
28:07I found her address.
28:19Sterling.
28:28Sterling, can we talk?
28:29I don't have the time, Miss Brooks.
28:31Sterling, it's important, please.
28:32Well, I'm dealing with something.
28:33Figure it out yourself.
28:44You might want to ask me why I'm here, you psycho.
28:47I don't give a damn what you have to say.
28:49I don't trust you.
28:51Well, maybe you should start.
28:53Because I know a dirty little secret about you.
28:59You're about to be broke.
29:03I'm here to offer you a buyout.
29:06Get out.
29:07Hear me out.
29:09Instead of your accounts being compromised, facing bankruptcy,
29:13and becoming the embarrassment of architecture,
29:16we could merge as Hale Mercer.
29:20Even has a nice name.
29:22Oh, you're way out of line.
29:23Am I?
29:25Because someone pretty close to you seems to be worried about you.
29:28Besides, if you don't accept this buyout,
29:32I'll publish the information,
29:34and Mercer Designs will go bye-bye.
29:38Is that a threat?
29:39Think of it more of a bribe.
29:44Get the hell out of my property.
29:49And out of my sight.
29:51Now!
30:04Miss Brooks, in my office immediately.
30:07Are you sure you want me in there,
30:08or not your other woman friend?
30:10What are you talking about?
30:11Hand me your sketches.
30:16I have designs, but they're not the originals.
30:18The originals are missing or lost.
30:21What do you mean, lost?
30:22I finished the designs last night,
30:24and I fell asleep,
30:25but when I woke up,
30:26they weren't in my room anymore.
30:27You're lying.
30:29I'm lying?
30:30Why don't you tell that to the next girl you bring over?
30:33Excuse me?
30:34You're so careless.
30:35Careless?
30:36Me?
30:37I'm pretty sure you're the one
30:38who's talking about losing sketches.
30:40Something you won't have to deal with anymore.
30:44Marley's going to be taking you to the project mansion.
30:47Hopefully you can figure out
30:49your sketches problems there.
30:51You may go.
30:58Take her and her belongings to the project mansion.
31:01Anything I should know, sir?
31:04She can't be trusted.
31:05And check the cameras.
31:08We have them all.
31:10Yes, sir.
31:15Miss Brooks.
31:17What are you doing here?
31:20Well, um...
31:22I, uh, had to get some artwork for the client.
31:27You don't trust me.
31:29Not to.
31:31You not trusting me?
31:33You were the one with another woman after all that
31:35I did this all for you bullshit.
31:37Okay, what woman are you talking about here?
31:39You can't lie to me.
31:40I saw you with her.
31:42I saw you...
31:43Okay, okay.
31:44Okay.
31:44If it makes you feel any better, I...
31:46I promise I'm looking into it.
31:52You promise?
31:54I promise.
31:55I thought you didn't trust me.
32:17That you were mad at me?
32:18No, you're too hard to reset.
32:19Let's go inside.
32:33Let's go inside.
33:04Nothing else can play this game.
33:06You don't ask, you just take.
33:10And I give, and I pray.
33:14Well, hello.
33:15I'm here for Mr. Brooks.
33:17I'm sorry, what exactly is this for?
33:19I'm the treatment nurse.
33:20I'll be taking him to his appointment for today.
33:22Oh, Mr. Brooks doesn't have an appointment today.
33:24I can assure you he does.
33:30Well, thank you for coming.
33:32Can I bring Crumpet?
33:33Yes, Mr. Brooks.
33:35Bring the cat.
33:36Hello, Cecilia.
33:56I'll need your full cooperation.
33:58I have something of yours you might want back.
34:01Now that I've got your attention, I need a little favor.
34:05Bring me Mercer's Legacy One design.
34:07You can't do this.
34:08But see, I already have, sweetheart.
34:11Give me the designs.
34:12Tell Sterling and your sweet old pappy dies.
34:15And your little cat, too.
34:17Your choice.
34:18I've been reviewing project management assets.
34:21You're four days late on the Hudson property.
34:24The client is not happy.
34:25Mr. Mercer is not happy.
34:28Pick it up, or I'll give your work to her.
34:30She's three days ahead.
34:33Is that a personal email?
34:34Sweetie, you don't have to do this.
34:55Too late, old man.
34:56Who the fuck are you?
34:59Your worst nightmare.
35:01Baby.
35:02I'm so glad you made it.
35:04I set all this up for you.
35:06This better work.
35:07No, no, you won't eat.
35:12You won't eat.
35:35No, no, you won't eat.
35:35Show me the video.
35:49Yes, sir.
35:53She knew how to evade the cameras.
35:55I can't identify her, but we knew her enough to let her in.
36:00Keep this video between us.
36:03Yes, sir.
36:05Cecilia.
36:18Sterling, you're not working from home today?
36:20What are you doing here?
36:22Who have you been talking to?
36:24No one.
36:24I just, I needed to pick up some paint samples, and this was on the way.
36:28On the way to what?
36:30We're like 20 miles south of home.
36:33I'm getting my necklace cleaned.
36:34So if you can't find me or track me for any reason, that's why.
36:42Why do you need your necklace cleaned?
36:48I've just been working a lot.
36:50The drafting table is super dusty, and I don't want to get messed up.
36:55It's a woman thing.
36:56I'm trusting you right now.
37:05I know.
37:06I know.
37:06What the hell is going on.
37:22Good girl.
37:22Good girl.
37:41Right on time.
37:44Well, don't hesitate now, sweetheart.
37:46Or they're dead.
37:46Or they're dead.
37:50Come on, Cecilia.
37:51Do it.
37:56Sterling Mercer's legacy designs.
37:59Just like I asked.
38:00Oh.
38:02Sterling, you won't even know what hit you.
38:04Now let my grandfather go.
38:06He's all yours.
38:08A deal is a deal, pretty lady.
38:15Cece, don't.
38:16Get out of here.
38:18Look.
38:18Look.
38:19Look.
38:19I've had a change of heart.
38:35Please.
38:37No.
38:38This way.
38:39Well, you really know how to tie the room together, darling.
38:53Sterling has my location.
38:55You have no idea what you're in for.
38:57Oh, but I think I do.
39:00You see, then that timer goes off.
39:04You and that little tracker and this entire place will go bye-bye.
39:08And then that will pave way for the construction site of all Hale designs.
39:13He'll find me.
39:15And when he does?
39:16That's very unlikely, Cecilia.
39:19Now that Sterling has this video, no one's coming to save you.
39:24Screw you.
39:26Screw both of you.
39:27Oh, oh, oh.
39:29But I almost have everything I need.
39:33Hmm?
39:33His financials, his accounts.
39:35You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
39:44What?
39:45Why does that matter?
39:47Well, once I have the contact, I can put in a bid under his.
39:53Therefore, Mercer will no longer have any names attached to any property.
39:58That will never happen.
40:05Who's the client?
40:08How much was the bid offer?
40:11I don't know.
40:14Or you'll remember.
40:17Trust me.
40:18Even if I did, I wouldn't tell you.
40:30So, tell me, who is the client?
40:36He took care of my family.
40:39I'm never going to sell him out.
40:40Unless you forget, sweetheart.
40:47You already gave me the plans.
40:50So, therefore, you are already a betrayer.
40:54Promise?
40:55I don't know anything.
40:59Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
41:03So, tell you what, this is how it's going to go.
41:08You're going to tell me, and then you, Pappy, and little Kitty can go free.
41:15While Mercer Designs burns to the ground.
41:19Or, I could kill you.
41:23Right here.
41:25Right now.
41:26And Mercer Designs falls anyway.
41:31Okay.
41:32Decisions, decisions, darling.
41:34Wait, no.
41:35No, I'll tell you.
41:35I'll tell you anything you want to know.
41:36Please, don't touch him.
41:38I'll tell you.
41:48Tell me everything.
41:53I don't...
41:55I don't know a lot.
41:56I just...
41:58I know she's very private.
42:00Very secretive.
42:02She only talks to Sterling.
42:04She's an older, conservative woman.
42:08Liar!
42:10That night that I dosed Sterling with that sleeping elixir, I found your little project mansion and that newly built BDSM room.
42:19Oh, and then all the plans that I stole from Cecilia's bedroom?
42:22They were for a nursery.
42:25Both rooms that an elderly woman wouldn't need in a new home.
42:28Oh, you drugged him?
42:29Yes!
42:30I drugged him!
42:37And then I ransacked his mail.
42:40That's where I found you, your address, and your little cat, too.
42:46Well then, looks like you chose...
42:54Oh!
42:55Oh, I'm sorry, my sweetness, but our short little affair is over.
43:01Excuse me.
43:02Well, obviously, I don't need your services any longer.
43:08Besides, I don't do witnesses.
43:19Sterling, help me, please!
43:20Sterling, wait, it's a trap!
43:22No!
43:22Sterling, please, you have to help me!
43:24Watch out!
43:24Tell me how to disarm it!
43:33Now!
43:36Back wire!
43:44You little bitch!
43:45Nora, stop!
43:46Put down the knife!
43:48She kidnapped me!
43:49I've been waiting here for hours for you!
43:52Put down the knife!
43:53Come on, let me at her one last time!
43:55She betrayed you!
43:56She's the one who gave up the Legacy One in the third floor!
44:00Wait, how do you know about the Legacy One project?
44:02That was confidential.
44:03That little bitch.
44:05She told Vincent everything!
44:07No, she's lying.
44:08It's all because of her!
44:13She drugged you!
44:14No, I didn't, you bitch!
44:15When I thought I saw you with that woman?
44:18Then now you lost the designs.
44:20No!
44:21No, that wasn't me!
44:22Okay, Vincent made me do it!
44:24He said he threatened my family!
44:26I had no other choice!
44:28I don't believe you.
44:31Arrest her!
44:32No!
44:35Drop the knife!
44:37Get ready!
44:37Stop!
44:39Vincent, you can't leave!
44:41You have the lights when you're silent!
44:44Anything you say can't move against against you or you're going to block!
44:47Wait, no, no, I'm tying first!
44:49I'm so sorry!
44:51It's okay.
44:52It's okay.
44:53But I gave him your designs.
44:54I didn't know what else to do.
44:55I was trying to save them.
44:56I didn't mean to.
44:57You're safe.
44:58You're safe.
44:59Okay?
45:00Vincent, we'll be able to touch the project.
45:02I'm so happy you found me.
45:11I thought...
45:12I will always find you.
45:15How?
45:16Because I know you.
45:21That moment in the parking lot, I knew from your eyes that you needed me.
45:31I will always keep you safe.
45:36Hey, hey, would you two take it someplace else?
45:42Sorry, Papi.
45:43I'll take you and Crump at home.
45:46Oh, thank goodness you're okay.
45:53I want to tell you something, sweetheart.
45:56I love Agnes.
45:57I really mean it.
45:58Okay, Papi.
46:00Just get some rest.
46:01I mean it, Cece.
46:02When a man knows, he knows.
46:08Agnes, it's been a long time since I've met someone as caring as you.
46:12And I'd like you to be my wife.
46:16Yes!
46:17I love you, Agnes.
46:27Marley, what are you doing here?
46:29Miss Brooks.
46:30Mind coming with me?
46:32Will you give me a second?
46:33I want to change first.
46:34My husband.
46:49I'll talk to you.
46:52Woke up when the sky was plain.
46:55Coffee tastes like sugar dreams.
46:58Traffic sounds like melody.
47:01Come here.
47:19This is really beautiful.
47:23We work well together.
47:25Glad you think so, Cecilia.
47:29Yes, Sterling?
47:31I have something I need to tell you.
47:37About?
47:38There isn't a legacy, Kalai.
47:41Well, there is, but...
47:44It's not who you think.
47:47I don't follow.
47:50It's me.
47:52What?
47:53This. This is my legacy.
47:58Come here. I need to show you something.
48:01I made this for you.
48:11Wait one second.
48:12I thought if we put them next to each other, it would create balance.
48:27Balance.
48:27But then you came in.
48:46You're kind.
48:48Old.
48:50Intuitive.
48:52Sterling.
48:52You gave this place a soul.
49:01Cecilia Brooks.
49:05Would you share the love we built together?
49:09Yes.
49:11Yes, Sterling.
49:11I said yes to you, to forever two, to every dream we're walking through.
49:30I said yes to you, to forever two, to every dream we're walking through.
49:32I said yes to you, to forever two.
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49:59
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