- 7/23/2025
Designed for Desire 2025 mydrama
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here. I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery. Until then, we cannot proceed.
01:54Okay, one second.
01:56Hello? Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:15Oh!
02:16Good luck.
02:17I thought you weren't interested.
02:22Take off your clothes. Right now.
02:24Good luck.
02:41So, Ms. Brooks, what do you see in this room?
02:45Well...
02:47It's deliberate.
02:50Controlled.
02:51Powerful.
02:53It's impressive.
02:54But...
02:55But...
02:57It's not...
02:59Satisfying.
03:01Bold again.
03:05Tell me.
03:06How do you know it's satisfying?
03:08Satisfaction lies...
03:10Somewhere in between.
03:11You think you can give me that?
03:13Think you can take the risk and find out?
03:22All yours.
03:24All yours.
03:28Hey.
03:31The women out there would do anything to be in the position you're in.
03:35Unless you have other ideas.
03:43Don't make me regret this risk.
03:44I don't plan to.
03:45The position's been filled.
03:46Go home.
03:50Get out!
03:51Damn.
03:52He doesn't have to be so rude.
03:54Damn.
03:55He doesn't have to be so rude.
03:57Peppy.
03:58Your phone's upside down.
04:00Hi.
04:01How are you feeling?
04:02Hey, jubilation?
04:04Not doing too well, honey.
04:05Damn hospital postponed my surgery again.
04:06I'm so sorry, Peppy.
04:07I'm working things out with the hospital.
04:08I have some good news today, though.
04:10I'm sorry.
04:11Uh, I think that's my landlord.
04:12I have to go.
04:13Love you.
04:14Bye-bye.
04:16Bye-bye.
04:18Bye-bye.
04:19Bye-bye.
04:20Bye-bye.
04:21Bye-bye.
04:23Bye-bye.
04:25Bye-bye.
04:27Bye-bye.
04:28Bye-bye.
04:30Bye-bye.
04:31Bye-bye.
04:33Bye-bye.
04:34Bye-bye.
04:37Oh.
04:38What the hell is he doing here?
04:41What are you doing here?
04:43Oh.
04:44What the hell?
04:46Hey!
04:47Whoa, whoa, whoa.
04:48Guys, whoa.
04:49Hey, don't take that!
04:53I did not agree to this!
04:55Actually, you did.
04:59The signing must reside on Mr. President.
05:01I can't quite hear you.
05:04Must reside with Mr. Mercer for the duration of the project?
05:08Mm.
05:09How long?
05:10Keep reading.
05:12And definitely without exception?
05:20A gift.
05:21What the fuck?
05:23A gift?
05:24In exchange for being kidnapped?
05:26No thanks.
05:30I need to know where you're at.
05:32At all times.
05:34It's a tracker.
05:35What?
05:36Like a dog collar?
05:38Do you think you own me now?
05:40I wouldn't do that.
05:42Come on. Let's go.
05:43This is insane. Just...
05:45Give me a second to put Crumpet in his carrier and call my grandfather.
05:47No.
05:48There are no animals in the mansion.
05:51You must say goodbye to your little...
05:53Crumpet.
05:54What?
05:55Absolutely not.
05:56I told you in the contract that I will take care of everything.
06:01I don't care about the contract.
06:02What?
06:03Oh my God!
06:04Goodbyes are always so hard.
06:06Put me down!
06:07What are you doing?
06:11Welcome back, Miss Brooks.
06:12So...
06:14I'm not allowed to leave?
06:16If you leave, your contract will be terminated immediately.
06:19And what? You're just gonna leave me all alone in here?
06:22Would you like me to join you?
06:33No, no, no, no. Why is it making that sound?
06:37Damn, if I leave, Pappy dies.
06:39Shit, I'm trapped with this monster.
06:42Oh my God, is this really happening?
06:44I'm stuck.
06:56This is your uniform.
06:58Work hours have started already.
07:00Tidy yourself up.
07:02Report to Mr. Mercer.
07:03Oh, and, uh, chop chop, Miss Brooks.
07:09Mr. Mercer does not like to be kept waiting.
07:12Tidy kept waiting.
07:35Enjoy the view?
07:37No, I, um, just didn't want to disturb you.
07:41I don't mind if you stare.
07:43Sorry, sir, I was just interested in your build.
07:48The building.
07:50The build of the mansion that we're building to work on today.
07:55What time are we leaving for?
07:57The car leaves in ten minutes.
07:59Great.
08:01I'll be ready.
08:02How much further?
08:13Patience, Miss Brooks.
08:16Oh my, tough one.
08:17I should be, but make hearts near.
08:20She like the danger you didn't arrive.
08:23Can't fake the hunger, nowhere to hide.
08:27Oh my, tough one.
08:33Hey, Foxy.
08:35I got something that'll keep that jaw clenched.
08:37Wow. Original.
08:39Mr. Mercer.
08:40We didn't know you was coming in today.
08:42Get off my property.
08:43What?
08:44You're fired.
08:45Leave.
08:46Hell, I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
08:52If I collapse your loan...
08:54Wait, did he just stand up for me?
08:56Sir, how about you?
08:58Continue your work with Miss Brooks, and I'll handle this.
09:03Come on.
09:06Everything's nearly finished.
09:08I'm gonna have a team come in and make some final measurements over here,
09:11and I'll ensure they know how to keep their mouth shut.
09:13Uh, is this all marble?
09:21Seeing her in my house gives me a strange feeling.
09:24It's so beautiful.
09:25What is it about her? Why do I want to...
09:29Follow me.
09:35Wow, an elevator?
09:37By the way, what you did out there, thank you.
09:40I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
09:44Remember that.
09:50Your first task for the client.
09:53I don't know anything about the client.
09:55Who is...
09:56We don't ask about the client.
09:58We only worry about what they desire.
10:00Okay, am I allowed to know what the purpose of this room is?
10:06Yes.
10:07Great.
10:07The client would like this room transformed
10:11into their BDSM chambers.
10:17I hope she doesn't see right through me.
10:21So, how would you do it?
10:25Uh...
10:26Paint me a picture.
10:28Right.
10:28Uh, over here, I would
10:32put a
10:34chaise
10:34lounge
10:36velvet.
10:37Obviously.
10:38Obviously.
10:39And over here would be a great place to mount a swing.
10:42One with adjustable heights and
10:43handles.
10:46And next to it, we could put a cabinet for
10:48whips and toys and
10:49things.
10:50You're very well versed.
10:52I
10:53read a lot.
10:55Certain
10:55genres of certain books have certain details.
10:59Right.
11:00Right.
11:00Of course.
11:02Yeah, it's perfectly normal.
11:03A lot of women read
11:04fantasy and
11:05romance and
11:07fantasy romance.
11:09Anyway, uh,
11:10this would be a great place to
11:13announce
11:14walk us.
11:16I'm drowning in the heat
11:21Afraid of what I need
11:27Your touch is like a flame
11:32But I can't turn your way
11:35Hello?
11:43Miss Brooks, I'm sorry.
11:44We need the payment.
11:46Uh, I understand.
11:47Is there anything I could do now
11:49to hold him there?
11:50Anything that could be done right now?
11:52We need your payment, Miss Brooks.
11:53By tomorrow morning.
11:54All $200,000.
11:57Okay, I'll get it to you.
11:59I promise.
12:02Sorry.
12:02Your contract explicitly states
12:04that I receive
12:04100% of your attention
12:06at work.
12:09Who was that?
12:11It's personal.
12:12There are no personal calls
12:14at work.
12:16I'm sorry.
12:23Mr. Mercer,
12:24it won't happen again.
12:25I'll get to work right away.
12:26I'll have designs to you
12:28by tomorrow morning.
12:28Take it off.
12:34What?
12:37Your jacket.
12:40Mr. Mercer.
12:44I won't ask twice.
12:53What's this for?
12:54What's this for?
12:58It's perfect.
13:01Now go get dressed.
13:22No need to pout, Miss Brooks.
13:24You'll be reading
13:25some of the top designers.
13:26I don't understand.
13:27How does this
13:28take priority over work?
13:30Am I your date
13:31or your designer?
13:32You are
13:33when I say you are.
13:48Ladies and gentlemen,
13:51it is my pleasure
13:52to welcome you all
13:53to the annual
13:54architectural ball
13:56proudly hosted
13:57by the Mercer Group.
14:02I'd also like
14:03to welcome and introduce
14:04our newest interior designer,
14:06Miss Cecilia Brooks.
14:12I thought you said
14:13you had the job.
14:15I did everything
14:15that I could.
14:17Bitch must have slept
14:18with him in the interview.
14:19Fine.
14:19I'll fix it myself.
14:25So without further ado,
14:26please enjoy your drinks
14:27and have a wonderful night.
14:29may I have this dance?
14:39Oh,
14:39Sterling.
14:44I was hoping that maybe
14:46we could walk and talk
14:48or maybe
14:49dance and discuss.
14:52You must be working so hard.
14:54I was thinking
14:56maybe you would benefit
14:58from a designer
14:59who really knows you,
15:01your past.
15:04I'm not interested
15:05in rehashing old relationships,
15:06no.
15:08It was just a flint.
15:09It doesn't mean
15:10we can't be close.
15:13Sterling could be
15:14a difficult person
15:15to work for.
15:16You know you can come to me
15:21if you need
15:23anything.
15:28Get your hands off of her!
15:32What the hell are you doing here, Vincent?
15:36Folks,
15:36looks like the jester
15:37came to play!
15:41Get him out of here.
15:42It's all right, folks.
15:48Enjoy the party.
15:49It's okay.
15:51Are you okay?
15:52Why don't you go grab a drink?
15:54I'm going to take care of this.
16:03Crazy night, huh?
16:05Too crazy.
16:06I'm Nora,
16:07a close friend of Sterling's.
16:09So,
16:10tell me,
16:11how's the new position
16:12treating you?
16:14It's
16:14demanding.
16:16And the client?
16:18What's your feel on them?
16:19Oh,
16:19I'm not at liberty
16:20to discuss that.
16:21Come on,
16:21it must be crazy, right?
16:24I really can't.
16:27Oh!
16:30Oh,
16:30how embarrassing!
16:35What are you doing in here?
16:37Oh, Cecilia,
16:37I'm sorry.
16:39I'm so done
16:40with their whole world.
16:42Yeah,
16:44the head of the board
16:45was barking my ear off me.
16:47Stop it!
16:48What?
16:48I'm just trying to help.
16:50Help?
16:50Really?
16:51That's rich.
16:53I mean,
16:54I am rich.
16:56You.
16:57You are a lot of things.
16:59From the moment I met you,
17:00you've controlled
17:00every aspect of my life,
17:01every movement I make.
17:03You're obsessive,
17:04cryptic,
17:05a perfectionist.
17:07But you're not rich.
17:09Not where it counts.
17:11I'm drinking
17:11while finishing
17:13with my son.
17:14I don't know it all.
17:15You are.
17:16I am rich.
17:17I am a blackberry.
17:17Well,
17:18I am rich,
17:31and I am rich.
17:31You are all rich
17:32and I am rich.
17:33I am rich,
17:34my beautiful
17:35I am rich,
17:35and I am rich.
17:36Oh,
17:36I am rich,
17:37and I am rich.
17:38This hand, what if maybe cuffs?
17:50What if we hang something around here?
18:08Is that me?
18:11Did I say you could come in here?
18:13Uh, you'll be happy to know that I worked on these all night.
18:26Maybe if you stayed at the gala, you would have learned something.
18:29Learned what?
18:30You follow through with your obligations so you wouldn't waste your time working on garbage.
18:34Garbage?
18:36I'll need five more by tomorrow morning.
18:38That will take me all night.
18:39Even making those two took me all night and I barely got them done in time.
18:43You've done it once before.
18:45You can do it again.
18:46Don't you think maybe, just maybe that's an unreasonable amount of time?
18:51Maybe. I don't care.
18:53Wait.
18:54I should have remembered.
18:56It's not in the contract.
19:06Oh my god.
19:12Excuse me miss.
19:13Where's my grandfather?
19:15I'm sorry.
19:16Usually if they're not in the room it's because the insurance ran out or...
19:19No.
19:20No.
19:21No.
19:22No.
19:23No.
19:24No.
19:25No.
19:26No.
19:27No.
19:28No.
19:29No.
19:30No.
19:31No.
19:32Miss Brooks?
19:33Yes?
19:34I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
19:38He's being very well taken care of.
19:40I don't understand.
19:41How is that possible?
19:43I can't afford that.
19:45I told you.
19:47I'll take care of everything.
19:48What?
19:49I can't believe this.
19:57Oh but, but why?
19:59Why would you do that?
20:01Well when I said I needed your undivided attention, I meant it.
20:08Now the only thing you have to worry about is me.
20:12I'm not your slave.
20:18Five designs by tomorrow morning.
20:26You're welcome.
20:34I've been expecting you.
20:35I have a feeling I'll be impressed.
20:37Brushed work is not work to be proud of.
20:45Is this you?
20:46And my parents.
20:47They must be so proud of you.
20:48They never got to see it.
20:49I inherited this company before I was old enough to run it.
20:53I'm so sorry.
20:54It was a long time ago.
20:55What happened?
20:56They vanished.
20:57On a work trip into Europe.
20:59Guess I don't control everything after all.
21:01I'm going to deliver these designs to everyone.
21:04I have a surprise for you.
21:10To your first approval.
21:11It's beautiful.
21:12I do have a request though.
21:13I was wondering if I could, I could have a little freedom.
21:26From what?
21:27Me?
21:28No.
21:29No, not you.
21:31From this.
21:32Well, I need to keep track of you.
21:36I mean, what if...
21:37Sterling.
21:40I'm not your parents.
21:42I'll be fine.
21:43I just don't know if I'm ready for that yet.
21:46But you continue to impress me.
21:47I mean, you'll be free as a bird.
22:02I do have more surprises to show you.
22:04But, um...
22:06You're gonna have to wait till tomorrow.
22:08Hmm.
22:09Full of surprises.
22:10Aren't you?
22:13And that's why I can't let you go.
22:33What are you two doing here?
22:34There's not supposed to be anyone working today.
22:36We were just swinging by to assess a minor electrical concern.
22:38It seems that the circuit...
22:39It's nothing urgent.
22:40We're gonna come back tomorrow with the rest of the crew
22:41and get it resolved.
22:44Okay.
22:47Thank you for the update.
22:48Thank you, Mr. Mercer.
22:54I've ordered these beautiful pieces.
22:55White marble.
22:58What the hell?
22:59It's kind of beautiful.
23:04No, no.
23:05It's a mistake.
23:10It's not too perfect.
23:11It's bold.
23:12It's not trying hard.
23:13It just...
23:14is.
23:16Well, I like my work to be...
23:17intentional.
23:20Well, I would argue that this elevates the intention of the space.
23:25The juxtaposition between control and chaos.
23:28You have good eyes, Ms. Brooks.
23:31Follow me.
23:38Your second task for the client.
23:40Master bedroom and nursery.
23:42A nursery.
23:44Oh.
23:45The client's a family man.
23:46We don't discuss the client.
23:48Only satisfy their needs.
23:52Would you like to see your designs?
23:54Is it not what you thought?
23:55No, it's...
23:56It's not that.
23:57It...
23:59The power went up.
24:00There's no signal.
24:01Yeah, the...
24:02Soundproofing they put up, uh...
24:03Cuts signal.
24:04What?
24:05No.
24:06No.
24:08The power went up.
24:09There's no signal.
24:10Yeah, the...
24:13Soundproofing they put up, uh...
24:14Cuts signal.
24:15What?
24:16No.
24:17The power went up.
24:21There's no signal.
24:23Yeah, the soundproofing they put up
24:25cuts signal.
24:27What? No.
24:40It's not funny.
24:42I'm not laughing.
24:43How long until someone notices that we're gone?
24:46I don't know. An hour?
24:48Maybe two?
24:50Is it Nora?
24:51The client?
24:53What? No, you're not supposed to ask about the client.
24:56Just tell me.
24:58No, it's not.
24:59Is she more?
25:03I built this room
25:04because I believed in your vision.
25:07I cleared your schedule.
25:09I cleared your stressors.
25:10All because
25:11I wanted you.
25:15I was trying to sing.
25:17I was fino.
25:17I saw her blurry.
25:18I was also dead,
25:18means I wasŃ–Ń‚.
25:19I really can't hear.
25:20So long rather than be on YouTube.
25:20But you did that.
25:21I was like to see...
25:22WFG is a sign,
25:24helps me archive what you want there.
25:25Stay here.
25:26Be safe.
25:27Then even if I can't,
25:28keep me flying.
25:28About God is close.
25:30I am not clear.
25:33When I look at the client as well,
25:35imat petition said to death.
25:36So many of my suggestions,
25:37the best are boldly,
25:39how long you were missing?
25:40Make time on camera
25:41and come to Syria.
25:42The result of this memory
25:42is crazy.
25:43Sir, your seven o'clock is waiting upstairs.
26:02Tuck your shirt in, sir.
26:10I know.
26:12I know.
26:15Who the hell are you?
26:16Calm down, sweetie. Put Crumpet down.
26:21Listen, sweetie, I work for Mr. Mercer. He hired me to take care of your grandpa and Crumpet until you return.
26:28Sweetie, what are you doing home?
26:31What am I doing?
26:33This is Agnes, my nurse. She's taking care of me.
26:36Oh, I'm sorry. I'm so embarrassed.
26:43Um, hello?
26:45Why are you at your apartment? If you're there, there's no need for Agnes to stay employed.
26:50Cece, you're ruining my chances.
26:52Go back, Cece.
26:53Oh, okay, okay.
26:55Everything's all right. Agnes has taken very good care of me.
26:58Okay, okay, Pappy. I'll go.
27:00Um, it was nice meeting you, Agnes.
27:02Nice to meet you, dear.
27:03Nice to meet you, dear.
27:14What the hell?
27:16He has a girlfriend?
27:17My girlfriend?
27:23What was I thinking?
27:47Got you now, bitch.
27:48I found her address.
27:53Gotcha now, bitch.
28:09I found her address.
28:23Sterling.
28:29Sterling, can we talk?
28:31I don't have the time, Miss Brooks.
28:32Sterling, it's important, please.
28:34Well, I'm dealing with something.
28:35Figure it out yourself.
28:45You might want to ask me why I'm here, you psycho.
28:49I don't give a damn what you have to say.
28:51I don't trust you.
28:52Well, maybe you should start.
28:54Because I know a dirty little secret about you.
29:00You're about to be broke.
29:04I'm here to offer you a buyout.
29:07Get out.
29:08Hear me out.
29:10Instead of your accounts being compromised, facing bankruptcy,
29:15and becoming the embarrassment of architecture,
29:17we could merge as Hale Mercer.
29:21Even has a nice name.
29:22Oh, you're way out of line.
29:25Am I?
29:26Because someone pretty close to you seems to be worried about you.
29:29Besides, if you don't accept this buyout,
29:33I'll publish the information,
29:35and Mercer Designs will go bye-bye.
29:39Is that a threat?
29:40Think of it more of a bribe.
29:45Get the hell out of my property.
29:49And out of my sight.
29:52Now!
29:52Miss Brooks,
30:06in my office immediately.
30:07Are you sure you want me in there,
30:10or not your other woman friend?
30:11What are you talking about?
30:13Hand me your sketches.
30:14I have designs, but they're not the originals.
30:19The originals are missing or lost.
30:23What do you mean, lost?
30:24I finished the designs last night, and I fell asleep,
30:26but when I woke up, they weren't in my room anymore.
30:29You're lying.
30:30I'm lying?
30:32Why don't you tell that to the next girl you bring over?
30:34Excuse me?
30:35You're so careless.
30:37Careless?
30:38Me?
30:38I'm pretty sure you're the one who's talking about losing sketches.
30:42Something you won't have to deal with anymore.
30:45Marley's going to be taking you to the project mansion.
30:48Hopefully you can figure out your sketches problems there.
30:52You may go.
31:00Take her and her belongings to the project mansion.
31:03Anything I should know, sir?
31:05She can't be trusted.
31:06And check the cameras.
31:09We have a mole.
31:12Yes, sir.
31:16Miss Brooks.
31:19What are you doing here?
31:21Well, um...
31:23I, uh, had to get some artwork for the client.
31:29You don't trust me.
31:31Not to.
31:33You not trusting me?
31:34You were the one with another woman after all that
31:37I did this all for you bullshit.
31:39Okay, what woman are you talking about here?
31:41You can't lie to me.
31:42I saw you with her.
31:43I saw you...
31:44Okay, okay.
31:45Okay.
31:46If it makes you feel any better, I...
31:48I promise I'm looking into her.
31:53You promise?
31:56I promise.
31:57I thought you didn't trust me.
32:18That you were mad at me?
32:19No, you're too hard to receive.
32:20You're too hard to receive.
32:34Let's go inside.
32:34Let's go inside.
32:35I like knives you cut right through
32:52Every look says what you do pull me under soft and deep
32:58You're the secret I can't keep breath on glass you trace my name
33:05No one else can play this game
33:07You don't ask, you just take
33:11And I give, and I pray
33:14Well, hello. I'm here for Mr. Brooks.
33:18I'm sorry, what exactly is this for?
33:20I'm the treatment nurse. I'll be taking him to his appointment for today.
33:24Oh, Mr. Brooks doesn't have an appointment today.
33:26I can assure you he does.
33:31Well, thank you for coming.
33:33Can I bring Crumpet?
33:35Yes, Mr. Brooks. Bring the cat.
33:56Hello, Cecilia. I'll need your full cooperation.
34:00I have something of yours you might want back.
34:03Now that I've got your attention, I need a little favor.
34:07Bring me Mercer's Legacy One design.
34:09You can't do this.
34:10But see, I already have, sweetheart.
34:13Give me the designs.
34:14Tell Sterling and your sweet old pappy dies.
34:17And your little cat, too.
34:19Your choice.
34:19I've been reviewing project management assets four days late on the Hudson property.
34:25The client is not happy.
34:27Mr. Mercer is not happy.
34:30Pick it up or I'll give your work to her.
34:31She's three days ahead.
34:34Is that a personal email?
34:35Sweetie, you don't have to do this.
34:56Too late, old man.
34:58Who the fuck are you?
35:01Your worst nightmare.
35:02Baby.
35:04I'm so glad you made it.
35:05I set all this up for you.
35:08This better work.
35:09No, no, you won't eat.
35:14No, no, you won't eat.
35:48Show me the video.
35:51Yes, sir.
35:55She knew how to evade the cameras.
35:57I can't identify her, but we knew her enough to let her in.
36:02Keep this video between us.
36:04Yes, sir.
36:18Cecilia.
36:20Sterling, you're not working from home today?
36:22What are you doing here?
36:23Who have you been talking to?
36:26No one.
36:26I just, I needed to pick up some paint samples and this was on the way.
36:30On the way to what?
36:32We're like 20 miles south of home.
36:35I'm getting my necklace cleaned.
36:36So if you can't find me or track me for any reason, that's why.
36:48Why do you need your necklace cleaned?
36:50I've just been working a lot.
36:52The drafting table is super dusty and I don't want it to get messed up.
36:54It's a woman thing.
37:04I'm trusting you right now.
37:07I know.
37:08What the hell is going on?
37:38Good girl.
37:43Right on time.
37:46Well, don't hesitate now, sweetheart.
37:48Or they're dead.
37:51Come on, Cecilia.
37:53Do it.
37:58Sterling Mercer's legacy designs.
38:01Just like I asked.
38:04Sterling, you won't even know what hit you.
38:06Now let my grandfather go.
38:08He's all yours.
38:10A deal is a deal, pretty lady.
38:17Cece, don't!
38:18Get out of here!
38:20Look, look!
38:31I've had a change of heart.
38:33Please.
38:37Please.
38:39No.
38:40This way.
38:50Wow.
38:52You really know how to tie the room together, darling.
38:55Sterling has my location.
38:57You have no idea what you're in for.
38:58Oh, but I think I do.
39:02You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
39:10And then that will pave way for the construction site of all hail designs.
39:15He'll find me.
39:17And when he does-
39:18That's very unlikely, Cecilia.
39:21Now that Sterling has this video, no one's coming to save you.
39:25Screw you.
39:28Screw both of you!
39:29Oh, oh, oh.
39:31But I almost have everything I need.
39:35Hmm?
39:35His financials, his accounts.
39:38You see, the only thing that is missing, my dear,
39:42is the contact for Sterling's project mansion.
39:46What?
39:46Why does that matter?
39:48Well, once I have the contact, I can put in a bid under his.
39:55Therefore, Mercer will no longer have any names attached to any property.
40:02That will never happen.
40:07Who's the client?
40:10How much was the bid offer?
40:13I don't know.
40:16Well, you'll remember.
40:19Trust me.
40:21Even if I did, I wouldn't tell you.
40:32So, tell me.
40:36Who is the client?
40:38He took care of my family.
40:41I'm never going to sell him out.
40:46Unless you forget, sweetheart.
40:49You already gave me the plans.
40:52So, therefore, you are already a betrayer.
40:56Promise?
40:57I don't know anything.
41:00Hmm.
41:01Well, I can see that you're a lady of your word,
41:03which makes it kind of harder to believe you.
41:06So, tell you what.
41:08This is how it's going to go.
41:10You're going to tell me, and then you, Pappy, and little Kitty can go free.
41:18While Mercer Designs burns to the ground.
41:21Or, I could kill you.
41:25Right here.
41:27Right now.
41:28And Mercer Designs falls anyway.
41:34Okay.
41:35Decisions, decisions, darling.
41:36Wait, no.
41:37No, I'll tell you.
41:38I'll tell you anything you want to know.
41:39Please, just don't touch him.
41:40I'll tell you.
41:41I'll tell you.
41:41Tell me everything.
41:55I don't...
41:57I don't know a lot.
41:58I just...
42:00I know she's very private.
42:02Very secretive.
42:04She only talks to Serling.
42:06She's an older, conservative woman.
42:10Liar!
42:12That night that I dosed Sterling with that sleeping elixir,
42:16I found your little project mansion and that newly built BDSM room.
42:21Oh, and then all the plans that I stole from Cecilia's bedroom?
42:25They were for a nursery.
42:27Both rooms that an elderly woman wouldn't need in a new home.
42:31You drugged him?
42:31Yes!
42:32I drugged him!
42:33And then I ransacked his mail.
42:42That's where I found you,
42:44your address,
42:46and your little cat, too.
42:49Well, then.
42:53Looks like you chose...
42:56Oh!
42:57Oh, I'm sorry, my sweetness,
42:59but our short little affair is over.
43:04Excuse me.
43:04Well,
43:06obviously,
43:07I don't need your services any longer.
43:10Besides,
43:11I don't
43:13do
43:14witnesses.
43:15Sterling,
43:22help me,
43:22please!
43:23Sterling, wait,
43:23it's a trap!
43:24Sterling,
43:25please,
43:25you have to help me!
43:26Watch out!
43:27Tell me how to disarm it!
43:35Now!
43:38Back wire!
43:46You little bitch!
43:48Nora, stop!
43:49Put down the knife!
43:51She kidnapped me!
43:52I've been waiting here for hours for you!
43:54Put down the knife!
43:55Come on,
43:55let me at her one last time!
43:57She betrayed you!
43:58She's the one who gave up the Legacy One
44:00and the third floor!
44:03Wait,
44:03how do you know about the Legacy One project?
44:05That was confidential.
44:06That little bitch,
44:07she told Vincent everything!
44:09No,
44:10she's lying!
44:11It's all because of her!
44:15She drugged you!
44:16No, I didn't,
44:17you bitch!
44:18When I thought I saw you with that woman?
44:21The night you lost the designs.
44:23No!
44:24No, that wasn't me!
44:25Okay,
44:25Vincent made me do it!
44:27He said he threatened my family!
44:28I had no other choice!
44:31I don't believe you.
44:33Arrest her!
44:35No!
44:36No!
44:36No!
44:37No!
44:38Drop the knife!
44:39No!
44:42Vincent,
44:42you please!
44:44You have the lights when I'm silent!
44:46Anything you say in a movie gets against you,
44:48you're going to fall!
44:49Get this, Spencer!
44:50Wait, no, no, I'm tying first.
44:52I'm so sorry.
44:53It's okay. It's okay.
44:55But I gave him your designs. I didn't know what else to do.
44:57I was trying to save them.
44:59I didn't mean to.
45:00You're safe. You're safe.
45:01Okay?
45:03Vincent, we'll be able to touch the project.
45:12I'm so happy you found me.
45:13I thought...
45:14We'll always find you.
45:18How?
45:19Because I know you.
45:24That moment in the parking lot, I knew from your eyes that you needed me.
45:33I will always keep you safe.
45:38Hey, hey, would you two take it someplace else?
45:44Sorry, Babby. I'll take you and Crump at home.
45:46Oh, thank goodness you're okay.
45:56I want to tell you something, sweetheart.
45:58I love Agnes. I really mean it.
46:01Okay, Babby. Just get some rest.
46:03I mean it, Cece.
46:05When a man knows, he knows.
46:11Agnes, it's been a long time since I've met someone as caring as you.
46:14And I'd like you and I'd like you to be my wife.
46:19Yes!
46:20I love you, Agnes.
46:30Marley, what are you doing here?
46:31Miss Brooks.
46:33Mind coming with me?
46:34Will you give me a second?
46:36I want to change first.
46:37Thanks.
46:39Thanks.
46:39Thanks.
46:39I love you, Agnes.
46:40I love you, Agnes.
46:41I love you, Agnes.
46:42I love you, Agnes.
46:43I love you, Agnes.
46:44I love you, Agnes.
46:45I love you, Agnes.
46:46I love you, Agnes.
46:47I love you, Agnes.
46:48I love you, Agnes.
46:49I love you, Agnes.
46:50I love you, Agnes.
46:51I love you, Agnes.
46:52I love you, Agnes.
46:53I love you, Agnes.
46:54I love you, Agnes.
46:55I love you, Agnes.
46:56I love you, Agnes.
46:57I love you, Agnes.
46:58I love you, Agnes.
46:59I love you, Agnes.
47:00I love you, Agnes.
47:01I love you, Agnes.
47:02I love you, Agnes.
47:03Come here.
47:21This is really beautiful.
47:26We work well together.
47:28Glad you think so, Cecilia.
47:32Yes, Sterling?
47:33I have something I need to tell you.
47:40About?
47:41There isn't a legacy, Kalai.
47:44Well, there is, but...
47:47It's not who you think.
47:50I don't follow.
47:53It's me.
47:54What?
47:56This. This is my legacy.
48:01Come here. I need to show you something.
48:03I made this for you.
48:14Wait one second.
48:15I thought if we put them next to each other, it would create balance.
48:30But then you came in.
48:47You're kind.
48:49You're kind.
48:51Old.
48:53Intuitive.
48:54Mm. Sterling.
48:55Plus.
48:56Beautiful.
48:59You gave this place a soul.
49:03Cecilia Brooks.
49:04Would you share the love we built together?
49:12Yes.
49:13Yes, Sterling.
49:14Yes.
49:14Yes, Sterling.
49:15Yes.
49:15Yes.
49:15Yes.
49:15Yes.
49:16Yes.
49:16Yes.
49:17Yes.
49:17Yes.
49:18Yes.
49:18Yes.
49:19Yes.
49:19Yes.
49:20Yes.
49:20Yes.
49:21Yes.
49:21Yes.
49:22I said yes to you, to forever too, to every dream we're walking through.
49:35Red Dragon, record by, short drama free, follow for more.
49:43Will you keep in mind, man?
49:45No less.
49:47More.
49:49I think you can repeat that a day.
49:58Give me anything.
49:59Give me anything.
49:59Alright.
50:02No more.
50:04No more.
50:11No, no more.
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49:39
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