- 2 days ago
Designed for Desire mydrama
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:06Uh...
01:09Cecilia Brooks?
01:11Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here. I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery. Until then, we cannot proceed.
01:54Okay, well, one second.
01:57Hello? Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:15Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24So, Ms. Brooks, what do you see in this room?
02:45Well...
02:47It's deliberate.
02:50Controlled.
02:51Powerful.
02:53It's impressive.
02:54But...
02:55But?
02:57It's not...
02:59satisfying.
03:01Bold again.
03:05Tell me, how do you know it's satisfying?
03:08Satisfaction lies...
03:10somewhere in between.
03:11You think you can give me that?
03:13Think you can take the risk and find out?
03:23All yours.
03:28Hey.
03:31The women out there would do anything to be in the position you're in.
03:35Unless you have other ideas.
03:43Don't make me regret this risk.
03:44I don't plan to.
03:45The position's been filled.
03:50Go home.
03:53Get out!
03:54Damn.
03:55He doesn't have to be so rude.
03:56Pappy, your phone's upside down.
03:57Hi.
03:58How are you feeling?
03:59Hey, jubilation?
04:00Not doing too well, honey.
04:01Damn hospital postponed my surgery again.
04:02I'm so sorry, Pappy.
04:03I'm working things out with the hospital.
04:04I have some good news today, though.
04:05I'm sorry.
04:06Uh...
04:07I think that's my thing.
04:08I'm sorry.
04:09Uh...
04:10I think that's my thing.
04:11I'm sorry.
04:12Uh...
04:13I'm sorry.
04:14Uh...
04:15I think that's my landlord.
04:16I have to go.
04:17Love you.
04:18Bye-bye.
04:19Oh.
04:21What the hell is he doing here?
04:24What are you doing here?
04:25Oh...
04:26what the hell?
04:27What the hell?
04:28I'm sorry.
04:29I think it's my landlord.
04:30I have to go.
04:31I love you.
04:32Bye-bye.
04:33I've got to go.
04:34I've got to go.
04:35Oh...
04:36I've got to go here.
04:38Oh.
04:39I've got to go.
04:40Oh.
04:41I've got to go.
04:42Yeah.
04:43I've got to go.
04:44What the hell?
04:45Hey!
04:46Whoa, whoa, whoa.
04:47Guys, whoa.
04:48Hey, don't take that!
04:53I did not agree to this!
04:55Actually, you did.
04:59The signing must reside on the...
05:01I can't quite hear you.
05:04Must reside with Mr. Mercer for the duration of the project?
05:08How long?
05:09Keep reading.
05:11And definitely without exception?
05:14A gift.
05:21What the fuck?
05:22A gift?
05:24In exchange for being kidnapped?
05:25No thanks.
05:30I need to know where you're at.
05:31At all times.
05:34It's a tracker.
05:35What?
05:35Like a dark color?
05:37Do you think you owe me now?
05:40I wouldn't do that.
05:41Come on, let's go.
05:42This is insane.
05:43Just give me a second to put Crumpet in his carrier and call my grandfather.
05:47No.
05:47There are no animals in the mansion.
05:50You must say goodbye to your little Crumpet.
05:53What?
05:54Absolutely not.
05:55I told you in the contract that I will take care of everything.
06:00I don't care about the contract.
06:02What?
06:02Oh my God!
06:03Goodbyes are always so hard.
06:06Put me down!
06:07What are you doing?
06:10Welcome back, Miss Brooks.
06:13So, I'm not allowed to leave?
06:16If you leave, your contract will be terminated immediately.
06:19And what?
06:19You're just going to leave me all alone in here?
06:21Would you like me to join you?
06:22No, no, no, no.
06:34Why is it making that sound?
06:36Damn, if I leave, Pappy dies.
06:39Shit, I'm trapped with this monster.
06:42Oh my God, is this really happening?
06:44I'm stuck.
06:45This is your uniform.
06:57Work hours have started already.
06:59Tidy yourself up.
07:01Report to Mr. Mercer.
07:05Oh, and, uh, chop chop, Miss Brooks.
07:09Mr. Mercer does not like to be kept waiting.
07:15Enjoy the view?
07:37No, I, um, just didn't want to disturb you.
07:41I don't mind if you stare.
07:42Sorry, sir, I was just interested in your build.
07:47The building, the build of the mansion that we're building to work on today.
07:55What time are we leaving for?
07:56Car leave's in ten minutes.
07:59Great.
08:00I'll be ready.
08:01How much further?
08:14Patience, Miss Brooks.
08:25Oh, mocking tough line.
08:27Hey, Foxy.
08:34I got something that'll keep that jaw clenched.
08:36Wow.
08:37Original.
08:37Mr. Mercer.
08:38We didn't know you was coming in today.
08:40Get off my property.
08:42What?
08:43You're fired.
08:44Leave.
08:45Oh, the hell?
08:46I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
08:50If I collapse your lung...
08:54Wait, did he just stand up for me?
08:56Sir, how about you?
08:58Continue your work with Miss Brooks, and I'll handle this.
09:03Come on.
09:05Everything's nearly finished.
09:07I'm gonna have a team come in and make some final measurements over here,
09:10and I'll ensure they know how to keep their mouth shut.
09:13Uh, is this all marble?
09:21Seeing her in my house gives me a strange feeling.
09:24It's so beautiful.
09:25What is it about her?
09:27Why do I want to...
09:28Follow me.
09:35Wow, an elevator?
09:37By the way, what you did out there, thank you.
09:40I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
09:44Remember that.
09:50Your first task for the client.
09:53I don't know anything about the client.
09:55Who is...
09:55We don't ask about the client.
09:58We only worry about what they desire.
10:00Okay.
10:01Am I allowed to know what the purpose of this room is?
10:05Yes.
10:06Great.
10:07The client would like this room transformed
10:11into their BDSM chambers.
10:16I hope she doesn't see right through me.
10:20So, how would you do it?
10:25Uh...
10:25Um...
10:26Paint me a picture.
10:28Right.
10:28Over here, I would...
10:32Put a chaise...
10:34Lounge.
10:36Velvet.
10:37Obviously.
10:38Obviously.
10:38And over here would be a great place to mount a swing.
10:41One of the adjustable heights and...
10:43Handles.
10:45And next to it, we could put a cabinet for whips and toys and things.
10:49You're very well versed.
10:52I...
10:52Read a lot.
10:54Certain...
10:55Genres of certain books have certain details.
10:58Right.
10:59Right.
11:00Of course.
11:01Yeah, it's perfectly normal.
11:03A lot of women read fantasy and...
11:05Romance and...
11:07Fantasy romance.
11:09Anyway, uh...
11:10This would be a great place to mount wall cuffs.
11:33Don't pick up.
11:40Hello?
11:42Miss Brooks, I'm sorry.
11:44We need the payment.
11:46Uh, I...
11:46I understand.
11:47Is there anything I could do now to hold him there?
11:50Anything that could be done right now?
11:51We need your payment, Miss Brooks.
11:53By tomorrow morning.
11:54All $200,000.
11:57Okay.
11:57I'll get it to you.
11:58I promise.
12:01Sorry.
12:02Your contract explicitly states that I receive 100% of your attention at work.
12:08Who was that?
12:10It's personal.
12:12There are no personal calls at work.
12:16I'm sorry.
12:22Mr. Mercer, it won't happen again.
12:25I'll get to work right away.
12:26I'll have designs to you by tomorrow morning.
12:31Take it off.
12:34What?
12:37Your jacket.
12:38Mr. Mercer.
12:43I won't ask twice.
12:52What's this for?
12:58It's perfect.
13:01Now go get dressed.
13:01No need to pout, Miss Brooks.
13:24You'll be reading some of the top designers.
13:25I don't understand.
13:27How does this take priority over work?
13:29Am I your date or your designer?
13:32You are.
13:35When I say you are.
13:36Ladies and gentlemen,
13:49it is my pleasure to welcome you all to the annual architectural ball,
13:55proudly hosted by the Mercer Group.
13:57I'd also like to welcome and introduce our newest interior designer,
14:07Miss Cecilia Brooks.
14:08I thought you said you had the job.
14:14I did everything that I could.
14:17Bitch must have slept with him in the interview.
14:18Fine.
14:20I'll fix it myself.
14:24So without further ado, please enjoy your drinks and have a wonderful night.
14:28May I have this dance?
14:38Oh.
14:39Okay.
14:42Sterling.
14:44I was hoping that maybe we could walk and talk.
14:48Or maybe dance and discuss.
14:51You must be working so hard.
14:53I was thinking maybe you would benefit from a designer who really knows you, your past.
15:03I'm not interested in rehashing old relationships, no.
15:07It was just a flint.
15:09It doesn't mean we can't be close.
15:12Sterling could be a difficult person to work for.
15:16You know you can come to me if you need anything.
15:28Get your hands off of her!
15:32What the hell are you doing here, Vincent?
15:35Folks, looks like the jester came to play!
15:41Get him out of here.
15:46It's all right, folks.
15:48Enjoy the party.
15:49It's okay.
15:50Are you okay?
15:52Why don't you go grab a drink?
15:53I'm going to take care of this.
16:02Crazy night, huh?
16:04Too crazy.
16:05I'm Nora.
16:07A close friend of Sterling's.
16:08So, tell me.
16:10How's the new position treating you?
16:14It's demanding.
16:16The client?
16:17What's your feel on them?
16:18Oh, I'm not at liberty to discuss that.
16:20Come on, it must be crazy, right?
16:23I really can't.
16:27Oh, how embarrassing.
16:35What are you doing in here?
16:36Cecilia, I'm sorry.
16:37I'm so done with their whole world.
16:42Yeah, the head of the board was barking my ear off.
16:46Stop it!
16:47What?
16:48I'm just trying to help.
16:49Help?
16:50Really?
16:51That's rich.
16:51I mean, I am rich.
16:55You.
16:56You are a lot of things.
16:58From the moment I met you, you've controlled every aspect of my life.
17:00Every movement I make.
17:02You're obsessive, cryptic, a perfectionist.
17:06But you're not rich.
17:08Not where it counts.
17:09Feel, excuse me.
17:29I have work to do.
17:29This hand.
17:46What if?
17:48Maybe cuffs?
17:51What if we hang something around here?
17:59Is that me?
18:11Did I say you could come in here?
18:12Uh, you'll be happy to know that I worked on these all night.
18:25Maybe if you stayed at the gala, you would have learned something.
18:28Learned what?
18:29You follow through with your obligations so you wouldn't waste your time working on garbage.
18:34Garbage?
18:35I'll need five more by tomorrow morning.
18:37That will take me all night.
18:39Even making those two took me all night and I barely got them done in time.
18:43You've done it once before.
18:44You can do it again.
18:46Don't you think?
18:47Maybe, just maybe, that's an unreasonable amount of time.
18:50Maybe.
18:51I don't care.
18:52Wait.
18:54I should have remembered.
18:56It's not in the contract.
18:59Oh my god.
19:12Excuse me, miss.
19:13Where's my grandfather?
19:14I'm sorry.
19:15Usually if they're not in the room, it's because the insurance ran out or...
19:18Miss Brooks?
19:33Yes?
19:33I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
19:38He's being very well taken care of.
19:40I don't understand.
19:41How is that possible?
19:43I can't afford that.
19:45I told you.
19:46I'll take care of everything.
19:48What?
19:48I can't believe this.
19:57Oh, but...
19:58But why?
20:00Why would you do that?
20:01Well, when I said I needed your undivided attention, I meant it.
20:07Now the only thing you have to worry about is me.
20:10I'm not your slave.
20:17Five designs.
20:19By tomorrow morning.
20:25You're welcome.
20:33I've been expecting you.
20:34I have a feeling I'll be impressed.
20:37Brushed work is not work to be proud of.
20:40Is this you?
20:45And my parents.
20:46They must be so proud of you.
20:47They never got to see it.
20:49I inherited this company before I was old enough to run it.
20:52I'm so sorry.
20:53It was a long time ago.
20:55What happened?
20:56They vanished.
20:57On a work trip into Europe.
20:58Guess I don't control everything after all.
21:01I'm going to deliver these designs to everyone.
21:03I have a surprise for you.
21:05To your first approval.
21:16It's beautiful.
21:19I do have a request, though.
21:22I was wondering if I could...
21:24I could have a little freedom?
21:25From what?
21:27Me?
21:28No.
21:28No, not you.
21:31I'm this.
21:32Well...
21:33I need to keep track of you.
21:36I mean, what if...
21:37Sterling...
21:38I'm not your parents.
21:42I'll be fine.
21:43I just don't know if I'm ready for that yet.
21:45But you continue to impress me.
21:47I mean, you'll be free as a bird.
21:49I do have more surprises to show you.
22:04But, um...
22:06You're going to have to wait until tomorrow.
22:09Full of surprises, aren't you?
22:15And that's why I can't let you go.
22:32What are you two doing here?
22:33There's not supposed to be anyone working today.
22:35We were just swinging by to assess a minor electrical concern.
22:37It seems that the circuit...
22:38It's nothing urgent.
22:39We're going to come back tomorrow with the rest of the crew and get it resolved.
22:43Okay.
22:46Thank you for the update.
22:47Thank you, Mr. Mercer.
22:49I've ordered these beautiful pieces.
22:54White marble.
22:57What the hell?
23:03It's kind of beautiful.
23:04No, no.
23:05It's a mistake.
23:09It's not too perfect.
23:10It's bold.
23:11It's not trying hard.
23:12It just...
23:13is.
23:14Well, I like my work to be...
23:16Intentional.
23:20Well, I would argue that this elevates the intention of the space.
23:24The juxtaposition between control and chaos.
23:28You have good eyes, Miss Brooks.
23:31Follow me.
23:31Your second task for the client.
23:40Master bedroom and nursery.
23:43Oh.
23:44The client's a family man.
23:45We don't discuss the client.
23:47Only satisfy their needs.
23:51Would you like to see your designs?
23:53Is it not what you thought?
24:12No, it's...
24:14It's not that.
24:14It...
24:16The power went up.
24:20There's no signal.
24:21Yeah, the...
24:22Soundproofing they put up, uh...
24:24Cuts signal.
24:26What?
24:27No.
24:27It's not funny.
24:41I'm not laughing.
24:42How long until someone notices that we're gone?
24:45I don't know.
24:46An hour?
24:47Maybe two?
24:49Is it Nora?
24:50The client?
24:52What?
24:53No.
24:53You're not supposed to ask about the client.
24:55Just tell me.
24:56No.
24:58It's not.
24:58Is she...
25:00More?
25:02I built this room because I believed in your vision.
25:05I cleared your schedule.
25:07I cleared your stressors.
25:09All because...
25:11I wanted you.
25:26Sir, your...
25:35Seven o'clock is waiting upstairs.
25:51Tuck your shirt in, sir.
26:09I know.
26:11I know.
26:12Who the hell are you?
26:16Calm down, sweetie.
26:17Put Crumpet down.
26:21Listen, sweetie.
26:22I work for Mr. Mercer.
26:23He hired me to take care of your grandpa and Crumpet until you return.
26:28Sweetie, what are you doing home?
26:30What am I doing?
26:32This is Agnes, my nurse.
26:34She's taking care of me.
26:35Oh.
26:37I'm sorry.
26:38I'm so embarrassed.
26:42Um.
26:43Hello?
26:44Why are you in your apartment?
26:46If you're there, there's no need for Agnes to stay employed.
26:49Cece, you're ruining my chances.
26:52Go back, Cece.
26:53Oh, okay.
26:53Okay.
26:55Everything's all right.
26:56Agnes has taken very good care of me.
26:58Okay.
26:58Okay, Pappy.
26:59I'll go.
27:00Um.
27:00It was nice meeting you, Agnes.
27:02Nice to meet you, dear.
27:03What the hell?
27:15He has a girlfriend?
27:22What was I thinking?
27:33What was I thinking?
28:02Got you now, bitch.
28:08I found her address.
28:25Sterling.
28:28Sterling, can we talk?
28:29I don't have the time, Miss Brooks.
28:31Sterling, it's important, please.
28:32Well, I'm dealing with something.
28:33Figure it out yourself.
28:44You might want to ask me why I'm here, you psycho.
28:47I don't give a damn what you have to say.
28:49I don't trust you.
28:51Well, maybe you should start.
28:53Because I know a dirty little secret about you.
28:59You're about to be broke.
29:01I'm here to offer you a buyout.
29:06Get out.
29:07Hear me out.
29:09Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment of architecture,
29:16we could merge as Hale Mercer.
29:20Even has a nice name.
29:22Oh, you're way out of line.
29:23Am I?
29:25Because someone pretty close to you seems to be worried about you.
29:28Besides, if you don't accept this buyout,
29:32I'll publish the information,
29:35and Mercer Designs will go bye-bye.
29:38Is that a threat?
29:39Think of it more of a bribe.
29:44Get the hell out of my property.
29:49And out of my sight.
29:51Now!
29:51Now!
29:51Miss Brooks,
30:05in my office immediately.
30:07Are you sure you want me in there,
30:08or not your other woman friend?
30:10What are you talking about?
30:11Hand me your sketches.
30:12I have designs, but they're not the originals.
30:18The originals are missing or lost.
30:21What do you mean, lost?
30:22I finished the designs last night, and I fell asleep,
30:25but when I woke up, they weren't in my room anymore.
30:27You're lying.
30:28I'm lying?
30:30Why don't you tell that to the next girl you bring over?
30:33Excuse me?
30:34You're so careless.
30:35Careless?
30:36Me?
30:37I'm pretty sure you're the one who's talking about losing sketches.
30:40Something you won't have to deal with anymore.
30:44Marley's going to be taking you to the project mansion.
30:47Hopefully you can figure out your sketches problems there.
30:51You may go.
30:58Take her and her belongings to the project mansion.
31:02Anything I should know, sir.
31:04She can't be trusted.
31:06And check the cameras.
31:08We have a mole.
31:10Yes, sir.
31:15Miss Brooks.
31:17What are you doing here?
31:20Well, um, I, uh, had to get some artwork for the client.
31:27You don't trust me.
31:29That, too.
31:32You're not trusting me?
31:33You were the one with another woman after all that
31:35I did this all for you bullshit.
31:37Okay, what woman are you talking about here?
31:39You can't lie to me.
31:41I saw you with her.
31:42I saw you with her.
31:43Okay, okay.
31:44Okay.
31:44If it makes you feel any better, I...
31:46I promise I'm looking into her.
31:52You promise?
31:52I promise.
31:55I promise.
31:56I don't.
32:05Well, you're too hard to reset.
32:18Teresa.
32:32Let's go inside.
32:48Cut right through. Every look says what you do. Pull me under soft and deep. You're the secret I can't keep. Breath on glass, you trace my name. No one else can play this game. You don't ask, you just take. And I give, and I pray.
33:12Well, hello. I'm here for Mr. Brooks. I'm sorry, what exactly is this for? I'm the treatment nurse. I'll be taking him to his appointment for today. Oh, Mr. Brooks doesn't have an appointment today. I can assure you he does.
33:29Well, thank you for coming. Can I bring Crumpet? Yes, Mr. Brooks. Bring the cat.
33:42Hello, Cecilia. I'll need your full cooperation. I have something of yours you might want back. Now that I've got your attention, I need a little favor. Bring me Mercer's Legacy One design.
34:06You can't do this. But see, I already have, sweetheart. Give me the designs. Tell Sterling and your sweet old pappy dies. And your little cat, too. Your choice.
34:17I've been reviewing project management assets. You're four days late on the Hudson property. The client is not happy. Mr. Mercer is not happy. Pick it up or I'll give your work to her. She's three days ahead.
34:30Is that a personal email?
34:32Is that a personal email?
34:33Sweetie, you don't have to do this. Too late, old man. Who the fuck are you? Your worst nightmare. Baby. I'm so glad you made it.
34:37I set all this up for you. This better work.
34:38I can't do this. I can't do this. You're four days ahead.
34:47I can't do this. I can't do this. You can't do this. You can't do this. What?
34:52Sweetie, you don't have to do this. Too late, old man. Who the fuck are you?
34:57Your worst nightmare. Baby! I'm so glad you made it. I've set all this up for you. This better work.
35:06This better work.
35:36Show me the video.
35:49Yes, sir.
35:53She knew how to invade the cameras.
35:55I can't identify her, but we knew her enough to let her in.
36:00Keep this video between us.
36:03Yes, sir.
36:06Cecilia.
36:18Sterling, you're not working from home today?
36:20What are you doing here?
36:22Who have you been talking to?
36:24No one.
36:24I just, I needed to pick up some paint samples, and this was on the way.
36:28On the way to what?
36:30We're like 20 miles south of home.
36:33I'm getting my necklace cleaned.
36:36So if you can't find me or track me for any reason, that's why.
36:46Why do you need your necklace cleaned?
36:48I've just been working a lot.
36:50The drafting table is super dusty, and I don't want it to get messed up.
36:55It's a woman thing.
36:56I'm trusting you right now.
37:05I know.
37:06I know.
37:06What the hell is going on?
37:22Good girl.
37:41Right on time.
37:44Well, don't hesitate now, sweetheart.
37:46Or they're dead.
37:47Come on, Cecilia.
37:51Do it.
37:56Sterling Mercer's legacy designs.
37:59Just like I asked.
38:00Oh.
38:02Sterling, you won't even know what hit you.
38:04Now let my grandfather go.
38:06He's all yours.
38:08A deal is a deal, pretty lady.
38:09Oh, my head.
38:15Cece, don't.
38:16Get out of here.
38:18Look, look.
38:29I've had a change of heart.
38:35Please.
38:37No.
38:37This way.
38:48Wow.
38:50You really know how to tie the room together, darling.
38:53Sterling has my location.
38:55You have no idea what you're in for.
38:57Oh, but I think I do.
39:00You see, when that timer goes off,
39:02you and that little tracker and this entire place will go bye-bye,
39:08and then that will pave way for the construction site of all hail designs.
39:13He'll find me.
39:14And when he does...
39:16That's very unlikely, Cecilia.
39:19Now that Sterling has this video,
39:21no one's coming to save you.
39:24Screw you.
39:26Screw both of you!
39:27Oh, oh, oh.
39:28But I almost have everything I need.
39:33His financials, his accounts.
39:36You see, the only thing that is missing, my dear,
39:40is the contact for Sterling's project mansion.
39:43What?
39:45Why does that matter?
39:47Well, once I have the contact,
39:50I can put in a bid under his.
39:53Therefore, Mercer will no longer have any names
39:56attached to any property.
40:00That will never happen.
40:05Who's the client?
40:06How much was the bid offer?
40:11I don't know.
40:14Or you'll remember.
40:17Trust me.
40:19Even if I did,
40:21I wouldn't tell you.
40:30So,
40:31tell me,
40:33who is the client?
40:36He took care of my family.
40:39I'm never going to sell him out.
40:44Unless you forget, sweetheart.
40:47You already gave me
40:48the plans.
40:50So, therefore,
40:51you are already a betrayer.
40:53Promise?
40:55I don't know anything.
40:59Well, I can see
41:00that you're a lady of your word,
41:01which makes it kind of harder to believe you.
41:03So,
41:05tell you what.
41:06This is how it's going to go.
41:08You're going to tell me,
41:10and then you,
41:11Pappy,
41:12and little Kitty
41:13can go free.
41:15While Mercer Designs burns to the ground.
41:19Or,
41:20I could kill you.
41:23Right here.
41:25Right now.
41:26And Mercer Designs falls anyway.
41:31Okay.
41:33Decisions, decisions, darling.
41:34Wait, no.
41:35No, I'll tell you.
41:35I'll tell you anything you want to know.
41:36Please,
41:37don't touch him.
41:38I'll tell you.
41:39I'll tell you.
41:39Tell me everything.
41:53I don't,
41:54I don't know a lot.
41:56I just,
41:58I know she's very private,
42:00very secretive.
42:02She only talks to Sterling.
42:03She's an older,
42:06conservative woman.
42:08Liar!
42:10That night that I dosed Sterling
42:12with that sleeping elixir,
42:13I found your little project mansion
42:16and that newly built BDSM room.
42:19Oh,
42:19and then all the plans
42:20that I stole from Cecilia's bedroom,
42:23they were for a nursery.
42:25Both rooms that an elderly woman
42:26wouldn't need in a new home.
42:28You drugged him?
42:29Yes!
42:30I drugged him!
42:37And then,
42:38I ransacked his mail.
42:40That's where I found you,
42:41your address,
42:43and your little cat, too.
42:49Well then,
42:50looks like you chose,
42:54oh!
42:55Oh, I'm sorry,
42:56my sweetness,
42:57but our short little affair
42:59is over.
43:01Excuse me.
43:03Well,
43:04obviously I don't need
43:05your services any longer.
43:08Besides,
43:09I don't
43:10do
43:11witnesses.
43:18Sterling,
43:19help me, please!
43:20Sterling, wait,
43:21it's a trap!
43:22Sterling, please,
43:23you have to help me!
43:24Watch out!
43:24Oh!
43:27Oh!
43:28Oh!
43:28Tell me how to disarm it!
43:33Now!
43:36Pack wire!
43:44You little bitch!
43:45Nor, stop!
43:46Put down the knife!
43:48She kidnapped me!
43:49I've been waiting here for hours for you!
43:52Put down the knife!
43:53Come on,
43:53let me at her one last time!
43:55She betrayed you!
43:56She's the one who gave up the Legacy One
43:58in the third floor!
44:01Wait,
44:01how do you know about the Legacy One project?
44:02That was confidential.
44:03That little bitch,
44:05she told Vincent everything!
44:07No,
44:07she's lying!
44:08It's all because of her!
44:13She drugged you!
44:13No,
44:14I didn't,
44:14you bitch!
44:15When I thought I saw you with that woman?
44:18Then now you lost the designs.
44:20No!
44:21No,
44:21that wasn't me!
44:22Okay,
44:23Vincent made me do it!
44:24He said he threatened my family!
44:26I had no other choice!
44:28I don't believe you.
44:31Arrest her!
44:32No!
44:33No!
44:35No!
44:36Drop the knife!
44:37Get right here!
44:37Get right here!
44:38No!
44:39Vincent,
44:40you can't leave!
44:41You have the right to leave!
44:42You're silent!
44:44No!
44:44Anything you say,
44:45you can't move against
44:45against you or you're going to fall!
44:46You get this,
44:47my son!
44:48Wait,
44:48no,
44:48no,
44:48I'm timeless!
44:49I'm so sorry!
44:51It's okay,
44:52it's okay.
44:53But I gave him your designs,
44:54I didn't know what else to do!
44:55I was trying to save them!
44:56I didn't mean to!
44:57You're safe,
44:58you're safe,
44:59okay?
45:00Vincent,
45:01we'll be able to touch the project.
45:09I'm so happy you found me,
45:10I thought...
45:12Always.
45:12I'll find you.
45:16How?
45:19Because I know you.
45:21That moment in the parking lot,
45:23I knew,
45:24from your eyes,
45:26that you needed me.
45:31I will always keep you safe.
45:36Hey,
45:37hey,
45:37would you two take it someplace else?
45:39I'll take you and Crump at home.
45:49Oh,
45:50thank goodness you're okay.
45:51I want to tell you something, sweetheart.
45:56I love Agnes.
45:57I really mean it.
45:58Okay,
45:59Pappy.
46:00Just get to rest.
46:00I mean it,
46:02I mean it,
46:02Cece.
46:02When a man knows,
46:04he knows.
46:08Agnes,
46:09it's been a long time since I've met someone as caring as you,
46:12and I'd like you to be my wife.
46:14I love you,
46:18Agnes.
46:27Marley,
46:28what are you doing here?
46:29Miss Brooks.
46:30Mind coming with me?
46:32Will you give me a second?
46:33I want to change first.
46:34I want to change first.
46:52Woke up
46:53when the sky was pink
46:55Coffee tastes like sugar dreams
46:58Traffic sounds like melody
47:01I want to change first.
47:02I want to change first.
47:03I want to change first.
47:04I want to change first.
47:05I want to change first.
47:06I want to change first.
47:07I want to change first.
47:08Come here.
47:09Come here.
47:10I don't know what you do,
47:12but love just fits like truth.
47:15You got me flowing.
47:17This is really beautiful.
47:20We work well together.
47:22Glad you think so,
47:26Cecilia.
47:27Um.
47:28Yes,
47:30Sterling?
47:31I have something I need to tell you.
47:37About?
47:38There isn't a legacy, Kalai.
47:41Well, there is, but
47:43it's not who you think.
47:47I don't follow.
47:50It's me.
47:51What?
47:52This.
47:53This.
47:54This is my legacy.
47:58Come here.
47:59I need to show you something.
48:00I made this for you.
48:10Wait.
48:11One second.
48:12I thought if we put them next to each other,
48:25it would create balance.
48:26Balance.
48:27Balance.
48:43But then you came in.
48:46You're kind.
48:47old.
48:48Old.
48:49Intuitive.
48:50Sterling.
48:51Close.
48:52Beautiful.
48:53You gave this place a soul.
48:57Cecilia Brooks.
49:01Would you share the love we built together?
49:06Yes.
49:07Yes.
49:08Yes, Sterling.
49:09Yes.
49:10Yes, Sterling.
49:11I said yes to you, to forever too, to every dream we're walking through.
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49:59
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