- 2 days ago
Designed for Desire mydrama
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:06Uh...
01:09Cecilia Brooks?
01:11Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here. I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery. Until then, we cannot proceed.
01:54Okay, well, one second.
01:57Hello? Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:15Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24So, Ms. Brooks, what do you see in this room?
02:45Well...
02:47It's deliberate.
02:50Controlled.
02:51Powerful.
02:53It's impressive.
02:54But...
02:55But?
02:57It's not...
02:59satisfying.
03:01Bold again.
03:05Tell me, how do you know it's satisfying?
03:08Satisfaction lies...
03:10somewhere in between.
03:11You think you can give me that?
03:13Think you can take the risk and find out?
03:23All yours.
03:28Hey.
03:31The women out there would do anything to be in the position you're in.
03:35Unless you have other ideas.
03:43Don't make me regret this risk.
03:44I don't plan to.
03:45The position's been filled.
03:50Go home.
03:53Get out!
03:54Damn.
03:55He doesn't have to be so rude.
03:56Pappy, your phone's upside down.
03:57Hi.
03:58How are you feeling?
03:59Hey, jubilation?
04:00Not doing too well, honey.
04:01Damn hospital postponed my surgery again.
04:02I'm so sorry, Pappy.
04:03I'm working things out with the hospital.
04:04I have some good news today, though.
04:05I'm sorry.
04:06Uh...
04:07I think that's my thing.
04:08I'm sorry.
04:09Uh...
04:10I think that's my thing.
04:11I'm sorry.
04:12Uh...
04:13I'm sorry.
04:14Uh...
04:15Uh...
04:16I think that's my landlord.
04:17I have to go.
04:18Love you.
04:19Bye-bye.
04:27Oh.
04:29What the hell is he doing here?
04:31...
04:45Hey! Whoa, whoa, whoa. Guys, whoa. Hey, don't take that!
04:53I did not agree to this!
04:55Actually, you did.
04:59The signing must reside on the...
05:01I can't quite hear you.
05:04Must reside with Mr. Mercer for the duration of the project?
05:08How long?
05:09Keep reading.
05:10And definitely without exception?
05:15A gift.
05:21What the fuck?
05:22A gift? In exchange for being kidnapped? No thanks.
05:29I need to know where you're at. At all times.
05:34It's a tracker.
05:35What? Like a dark color?
05:37Do you think you owe me now?
05:40I wouldn't do that.
05:41Come on, let's go.
05:42This is insane. Just...
05:44Give me a second to put Crumpet in his carrier and call my grandfather.
05:47No.
05:47There are no animals in the mansion.
05:50You must say goodbye to your little Crumpet.
05:53What? Absolutely not.
05:55I told you, in the contract, that I will take care of everything.
06:00I don't care about the contract. What? Oh my god!
06:04Goodbyes are always so hard.
06:06Put me down! What are you doing?
06:10Welcome back, Miss Brooks.
06:13So, I'm not allowed to leave?
06:15If you leave. If you leave, your contract will be terminated immediately.
06:18And what? You're just gonna leave me all alone in here?
06:20Would you like me to join you?
06:22No, no, no, no, no. Why is it making that sound?
06:36Damn, if I leave, Pappy dies.
06:38Shit, I'm trapped with this monster.
06:41Oh my god, is this really happening?
06:43This is your uniform. Work hours have started already.
06:58Tidy yourself up. Report to Mr. Mercer.
07:02Oh, and, uh, chop-chop, Miss Brooks.
07:08Mr. Mercer does not like to be kept waiting.
07:12Enjoy the view?
07:35No, I, um, just didn't want to disturb you.
07:40I don't mind if you stare.
07:42Sorry, sir. I was just interested in your build.
07:47The building. The build of the mansion that we're building to work on today.
07:54What time are we leaving for?
07:56Car leave's in ten minutes.
07:58Great. I'll be ready.
08:01How much further?
08:13Patience, Miss Brooks.
08:16Oh, my, Pink Popcorn.
08:32Hey foxy! I got something that'll keep that jar clenched.
08:36Wow. Original.
08:37Mr. Mercer, we didn't know you was coming in today.
08:40Get off my property.
08:42What?
08:43You're fired.
08:44Leave.
08:45Oh, the hell?
08:46I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
08:52If I collapse your loan...
08:54Wait, did he just stand up for me?
08:56Sir, how about you?
08:58Continue your work with Miss Brooks, and I'll handle this.
09:03Come on.
09:03Everything's nearly finished.
09:07I'm going to have a team come in and make some final measurements over here,
09:10and I'll ensure they know how to keep their mouth shut.
09:13Uh, is this all marble?
09:21Seeing her in my house gives me a strange feeling.
09:24It's so beautiful.
09:25What is it about her?
09:27Why do I want to...
09:28Follow me.
09:33Wow, an elevator?
09:37By the way, what you did out there, thank you.
09:40I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
09:44Remember that.
09:50Your first task for the client.
09:53I don't know anything about the client.
09:55Who is...
09:55We don't ask about the client.
09:58We only worry about what they desire.
10:00Okay.
10:01Am I allowed to know what the purpose of this room is?
10:05Yes.
10:06Great.
10:07The client would like this room transformed
10:11into their BDSM chambers.
10:16I hope she doesn't see right through me.
10:18So, how would you do it?
10:25Uh...
10:25Um...
10:26Paint me a picture.
10:28Right.
10:30Uh, over here I would
10:32put a chaise lounge.
10:36Velvet.
10:37Obviously.
10:38Obviously.
10:38And over here would be a great place to mount a swing.
10:41One with adjustable heights and
10:43handles.
10:44And next to it we could put a cabinet for
10:47whips and toys and
10:48things.
10:50You're very well versed.
10:52I read a lot.
10:54Certain
10:55genres of certain books have certain
10:57details of...
10:58Right.
10:59Right.
11:00Of course.
11:01Yeah, it's perfectly normal.
11:03A lot of women read
11:03fantasy and
11:05romance and
11:06fantasy romance.
11:09Anyway, uh
11:10this would be a great place to
11:13announce
11:14walk us.
11:33Don't pick up.
11:41Hello?
11:41Miss Brooks, I'm sorry.
11:44We need the payment.
11:46Uh, I understand.
11:47Is there anything I could do now to
11:48hold him there?
11:50Anything that could be done right now?
11:51We need your payment, Miss Brooks.
11:53By tomorrow morning.
11:54All $200,000.
11:57Okay.
11:57I'll get it to you.
11:58I promise.
12:01Sorry.
12:02Your contract explicitly states that
12:04I receive 100% of your attention
12:06at work.
12:08Who was that?
12:09It's personal.
12:12There are no personal calls
12:13at work.
12:16I'm sorry.
12:22Mr. Mercer,
12:23it won't happen again.
12:25I'll get to work right away.
12:26I'll have designs to you by
12:27tomorrow morning.
12:31Take it off.
12:34What?
12:34Your jacket.
12:40Mr. Mercer.
12:43I won't ask twice.
12:52What's this for?
12:54It's perfect.
13:01Now go get dressed.
13:21No need to pout, Miss Brooks.
13:24You'll be meeting some of the top designers.
13:26I don't understand.
13:27How does this take priority over work?
13:29Am I your date or your designer?
13:32You are.
13:35When I say you are.
13:36Ladies and gentlemen,
13:50it is my pleasure to welcome you all
13:52to the annual architectural ball
13:55proudly hosted by the Mercer Group.
13:57I'd also like to welcome and introduce
14:04our newest interior designer,
14:07Miss Cecilia Brooks.
14:12I thought you said you had the job.
14:14I did everything that I could.
14:17Bitch must have slept with him in the interview.
14:18Fine.
14:20I'll fix it myself.
14:22So without further ado,
14:25please enjoy your drinks
14:27and have a wonderful night.
14:28Let me have this dance.
14:38Oh,
14:39Sterling.
14:42I was hoping that maybe we could
14:46walk and talk
14:47or maybe
14:49dance and discuss.
14:52You must be working so hard.
14:53I was thinking
14:55maybe you would benefit
14:57from a designer who
14:59really knows you,
15:01your past.
15:03I'm not interested
15:04in rehashing old relationships,
15:06no.
15:07It was just a flint.
15:09It doesn't mean
15:10we can't be close.
15:12Sterling could be
15:13a difficult person
15:15to work for.
15:19You know you can come to me
15:21if you need
15:22anything.
15:28Get your hands off of her!
15:32What the hell are you doing here, Vincent?
15:35Folks,
15:36looks like the jester
15:37came to play!
15:39Get him out of here.
15:47It's alright, folks.
15:48Enjoy the party.
15:49It's okay.
15:50Are you okay?
15:52Why don't you go
15:53grab a drink?
15:53I'm going to take care of this.
16:02Crazy night, huh?
16:04Too crazy.
16:05I'm Nora,
16:07a close friend of Sterling's.
16:08So,
16:09tell me,
16:10how's the new position
16:11treating you?
16:14It's
16:14demanding.
16:15And the client?
16:17What's your feel on them?
16:18Oh,
16:18I'm not at liberty
16:19to discuss that.
16:20Come on,
16:21it must be crazy,
16:22right?
16:23I really can't.
16:27Oh!
16:27Oh!
16:28Oh,
16:30how embarrassing.
16:35What are you doing in here?
16:36Cecilia,
16:37I'm sorry.
16:38I'm so done
16:39with their whole world.
16:42Yeah,
16:43the head of the board
16:44was barking my ear off.
16:46Stop it.
16:47What?
16:48I'm just trying to help.
16:49Help?
16:50Really?
16:51That's rich.
16:52I mean,
16:53I am rich.
16:55You.
16:56You are a lot of things.
16:58From the moment I met you,
16:59you've controlled
16:59every aspect of my life,
17:00every movement I make.
17:02You're obsessive,
17:03cryptic,
17:04a perfectionist.
17:06But you're not rich.
17:08Not where it counts.
17:09Phil,
17:28excuse me.
17:29I have work to do.
17:29This hand.
17:46What if?
17:48Maybe cuffs?
17:51What if we hang
17:52something around here?
17:52What if we hang
17:54something around here?
17:59Is that me?
18:11Did I say
18:12you could come in here?
18:12Uh,
18:13you'll be happy to know
18:14that I worked on these
18:15all night.
18:25Maybe if you stayed
18:26at the gala,
18:27you would have
18:27learned something.
18:28Learned what?
18:29You follow through
18:30with your obligations
18:31so you wouldn't waste
18:32your time working
18:32on garbage.
18:34Garbage?
18:35I'll need five more
18:36by tomorrow morning.
18:37That will take me
18:38all night.
18:39Even making those two
18:40took me all night
18:41and I barely got
18:41them done in time.
18:43You've done it once
18:43before.
18:45You can do it again.
18:46Don't you think
18:46maybe,
18:47just maybe,
18:48that's an unreasonable
18:49amount of time?
18:50Maybe.
18:51I don't care.
18:52Wait.
18:54I should have remembered.
18:56It's not in the contract.
18:59Oh my god.
19:12Excuse me, miss.
19:13Where's my grandfather?
19:14I'm sorry.
19:15Usually if they're not
19:16in the room,
19:16it's because the insurance
19:17ran out or...
19:18Miss Brooks?
19:33Yes?
19:33I just wanted to inform you
19:35that your grandfather
19:35just received his first round
19:37of stem cell treatment.
19:39He's being very well
19:39taken care of.
19:40I don't understand.
19:41How is that possible?
19:42I can't afford that.
19:45I told you.
19:46I'll take care of everything.
19:48What?
19:49I can't believe this.
19:57Oh, but...
19:58But why?
20:00Why would you do that?
20:01Well, when I said
20:01I needed your
20:02undivided attention,
20:03I meant it.
20:07Now the only thing
20:08you have to worry about
20:09is me.
20:10I'm not your slave.
20:17Five designs
20:18by tomorrow morning.
20:25You're welcome.
20:33I've been expecting you.
20:34I have a feeling
20:35I'll be impressed.
20:37Brushed work
20:38is not work to be proud of.
20:40Is this you?
20:45And my parents.
20:46They must be so proud of you.
20:47They never got to see it.
20:49I inherited this company
20:50before I was old enough
20:51to run it.
20:52I'm so sorry.
20:53It was a long time ago.
20:55What happened?
20:56They vanished.
20:57On a work trip into Europe.
20:58Guess I don't control
20:59everything after all.
21:00I'm going to deliver
21:02these designs to everyone.
21:04I have a surprise for you.
21:10To your first approval.
21:16It's beautiful.
21:17I do have a request, though.
21:22I was wondering if I could
21:23I could have a little freedom.
21:25From what?
21:27Me?
21:28No.
21:28No, not you.
21:31I'm this.
21:32Well,
21:33I need to keep track of you.
21:36I mean,
21:36what if...
21:38Sterling,
21:38I'm not your parents.
21:42I'll be fine.
21:43I just don't know
21:44if I'm ready for that yet.
21:45But you continue to impress me.
21:47I mean,
21:48you'll be free as a bird.
22:02I do have more surprises
22:03to show you.
22:04But, um,
22:06you're going to have to
22:07wait till tomorrow.
22:08Full of surprises,
22:10aren't you?
22:16And that's why
22:16I can't let you go.
22:32What are you two doing here?
22:33There's not supposed to be
22:34anyone working today.
22:35We were just swinging by
22:36to assess a minor
22:36electrical concern.
22:37It seems that the search...
22:38It's nothing urgent.
22:39We're going to come back
22:40tomorrow with the rest of the crew
22:41and get it resolved.
22:43Okay.
22:46Thank you for the update.
22:47Thank you, Mr. Mercer.
22:48I've ordered these beautiful pieces.
22:54White marble.
22:57What the hell?
23:03It's kind of beautiful.
23:04No, no, it's a mistake.
23:09It's not too perfect.
23:10It's bold.
23:11It's not trying hard.
23:12It just...
23:13is.
23:14Well, I like my work
23:16to be intentional.
23:17Intentional.
23:20Well, I would argue that
23:21this elevates the intention
23:23of the space.
23:24The juxtaposition between
23:26control and chaos.
23:28You have good eyes,
23:29Miss Price.
23:31Follow me.
23:31Your second task
23:38for the client.
23:40Master bedroom
23:41and nursery.
23:43Oh,
23:44the client's a family man.
23:45We don't discuss
23:46the client.
23:47Only satisfy their needs.
23:51Would you like
23:52to see your designs?
23:53Is it not
24:11what you thought?
24:13No, it's...
24:14it's not that.
24:14It...
24:14The power went up.
24:20There's no signal.
24:21Yeah, the soundproofing
24:23they put up
24:24cuts signal.
24:25What?
24:27No.
24:39It's not funny.
24:41I'm not laughing.
24:42How long until
24:43someone notices
24:44that we're gone?
24:45I don't know.
24:46An hour?
24:47Maybe two?
24:49Is it Nora?
24:50The client?
24:51What?
24:52No, what?
24:53You're not supposed
24:54to ask about the client.
24:55Just tell me.
24:57No, it's not.
24:58Is she...
25:00more?
25:02I built this room
25:03because I believed
25:04in your vision.
25:05I cleared your schedule.
25:08I cleared your stressors.
25:09All because...
25:11I wanted you.
25:12I wanted you.
25:12I wanted you.
25:13I wanted you.
25:14I wanted you.
25:16I wanted you.
25:18I wanted you.
25:20I wanted you.
25:49Seven o'clock is waiting upstairs.
26:01Tuck your shirt in, sir.
26:09I know.
26:11I know.
26:14Where the hell are you?
26:15Well, calm down, sweetie.
26:17Well, crop it down.
26:19Listen, sweetie.
26:21I work for Mr. Mercer.
26:23He hired me to take care of your grandpa and crop it until you return.
26:27Sweetie, what are you doing home?
26:29What am I doing?
26:31This is Agnes, my nurse.
26:33She's taking care of me.
26:35Oh, I'm sorry.
26:37I'm so embarrassed.
26:42Hello?
26:43Why are you in your apartment?
26:45If you're there, there's no need for Agnes to stay employed.
26:48Ceci, you're ruining my chances.
26:51Go back, Ceci.
26:52Oh, okay, okay.
26:54Everything's all right.
26:56Agnes has taken very good care of me.
26:58Okay, okay, Pappy.
26:59I'll go.
27:00Um, it was nice meeting you, Agnes.
27:02Nice to meet you, dear.
27:13What the hell?
27:15He has a girlfriend?
27:17What was I thinking?
27:19What was I thinking?
27:21What was I thinking?
27:23What was I thinking?
27:26What was I thinking?
27:29What was I thinking?
27:34you
27:36Got you now, bitch.
28:06I found her address.
28:25Sterling.
28:27Sterling, can we talk?
28:29I don't have the time, Miss Brooks.
28:31Sterling, it's important, please.
28:32Well, I'm dealing with something.
28:33Figure it out yourself.
28:35You might want to ask me why I'm here, you psycho.
28:46I don't give a damn what you have to say.
28:48I don't trust you.
28:50Well, maybe you should start, because I know a dirty little secret about you.
28:58You're about to be broke.
28:59I'm here to offer you a buyout.
29:05Get out.
29:06Hear me out.
29:08Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment of architecture.
29:15We could merge as Hale Mercer.
29:18Even has a nice name.
29:20Oh, you're way out of line.
29:22Am I?
29:24Because someone pretty close to you seems to be worried about you.
29:28If you don't accept this buyout, I'll publish the information, and Mercer Designs will go bye-bye.
29:37Is that a threat?
29:38Think of it.
29:39More of a bribe.
29:46Get the hell out of my property.
29:48And out of my sight.
29:49Now!
29:50Miss Brooks, in my office immediately.
30:06Are you sure you want me in there, or not your other woman friend?
30:09What are you talking about?
30:11Hand me your sketches.
30:15I have designs, but they're not the originals.
30:17The originals are missing or lost.
30:20What do you mean lost?
30:22I finished the designs last night and I fell asleep, but when I woke up they weren't in my room anymore.
30:27You're lying.
30:28I'm lying?
30:30Why don't you tell that to the next girl you bring over?
30:32Excuse me?
30:33You're so careless.
30:34Careless?
30:35Me?
30:36I'm pretty sure you're the one who's talking about losing sketches.
30:40Something you won't have to deal with anymore.
30:43Marley's gonna be taking you to the project mansion.
30:46Hopefully you can figure out your sketches problems there.
30:50You may go.
30:58Take her and her belongings to the project mansion.
31:01Anything I should know, sir.
31:03She can't be trusted.
31:05And check the cameras.
31:07We have a mole.
31:09Yes, sir.
31:10Yes, sir.
31:15Miss Brooks.
31:17What are you doing here?
31:19Well, um, I, uh, had to get some artwork for the client.
31:27You don't trust me.
31:29That too.
31:31You're not trusting me?
31:33You were the one with another woman after all that,
31:35I did this all for you bullshit.
31:37Okay, what woman are you talking about here?
31:39You can't lie to me.
31:40I saw you with her.
31:42I saw you with her.
31:43Okay, okay, okay.
31:44If it makes you feel any better, I...
31:48I promise I'm looking into it.
31:49You promise?
31:53I promise.
31:54I promise.
31:56No!
32:14I thought you didn't trust me.
32:15That you were mad at me.
32:17No, you're too hard to reset.
32:19Please.
32:32Let's go inside.
32:46Eyes like knives you cut right through
32:50Every look says what you do
32:53Pull me under soft and deep
32:56You're the secret I can't keep
33:00Breath on glass, you trace my name
33:03No one else can play this game
33:06You don't ask, you just take
33:09And I give, and I pray
33:12Well, hello.
33:15I'm here for Mr. Brooks.
33:16I'm sorry, what exactly is this for?
33:19I'm the treatment nurse.
33:20I'll be taking him to his appointment for today.
33:22Oh, Mr. Brooks doesn't have an appointment today.
33:24I can assure you he does.
33:29Well, thank you for coming.
33:32Can I bring Crumpet?
33:33Yes, Mr. Brooks.
33:35Bring the cat.
33:42Hello, Cecilia.
33:56I'll need your full cooperation.
33:58I have something of yours you might want back.
34:01Now that I've got your attention,
34:03I need a little favor.
34:05Bring me Mercer's Legacy One design.
34:07You can't do this!
34:08But see, I already have, sweetheart.
34:10Give me the designs.
34:12Tell Sterling, and your sweet old pappy dies.
34:15And your little cat, too.
34:17Your choice.
34:18I've been reviewing project management assets
34:21four days late on the Hudson property.
34:23The client is not happy.
34:25Mr. Mercer is not happy.
34:28Pick it up or I'll give your work to her.
34:29She's three days ahead.
34:32Is that a personal email?
34:33No email?
34:52Sweetie, you don't have to do this.
34:55Too late, old man.
34:57Who the fuck are you?
34:59Your worst nightmare.
35:00Baby!
35:02I'm so glad you made it.
35:03I set all this up for you.
35:06This better work.
35:10No, no, no, no, no, no, no, no, no, no.
35:30Show me the video.
35:31Yes, sir.
35:32She knew how to evade the cameras.
35:33I can't identify her, but we knew her enough to let her in.
35:35Keep this video between us.
35:36Yes, sir.
35:37She knew how to evade the cameras.
35:38I can't identify her, but we knew her enough to let her in.
35:40Keep this video between us.
35:41Yes, sir.
35:43Yes, sir.
35:53She knew how to evade the cameras.
35:54I can't identify her, but we knew her enough to let her in.
36:00Keep this video between us.
36:02Yes, sir.
36:03Cecilia!
36:18Sterling, you're not working from home today?
36:20What are you doing here?
36:22Who have you been talking to?
36:24No one.
36:24I just, I needed to pick up some paint samples,
36:27and this was on the way.
36:28On the way to what?
36:30We're like 20 miles south of home.
36:32Oh, I'm getting my necklace cleaned.
36:36So if you can't find me or track me for any reason,
36:40that's why.
36:46Why do you need your necklace cleaned?
36:48I've just been working a lot.
36:50The drafting table is super dusty,
36:51and I don't want to get messed up.
36:55It's a woman thing.
37:02I'm trusting you, right now.
37:05I know.
37:20What the hell is going on?
37:22Good girl.
37:41Right on time.
37:42Well, don't hesitate now, sweetheart.
37:46Or they're dead.
37:50Come on, Cecilia.
37:51Do it.
37:56Sterling Mercer's legacy designs.
37:59Just like I asked.
38:00Oh.
38:02Sterling, you won't even know what hit you.
38:04Now let my grandfather go.
38:06He's all yours.
38:08A deal is a deal, pretty lady.
38:12Oh, my God.
38:15Cece, don't.
38:16Get out of here.
38:18Look, look.
38:19I've had a change of heart.
38:35Please.
38:37No.
38:38This way.
38:39This way.
38:49Wow.
38:50You really know how to tie the room together, darling.
38:53Sterling has my location.
38:55You have no idea what you're in for.
38:57Oh.
38:57But I think I do.
39:00You see,
39:01when that timer goes off,
39:04you and that little tracker
39:06and this entire place will go bye-bye,
39:08and then that will pave way
39:09for the construction site
39:11of all Hale designs.
39:13He'll find me.
39:15And when he does...
39:16That's very unlikely, Cecilia.
39:19Now that Sterling has this video,
39:21no one's coming to save you.
39:24Screw you.
39:26Screw both of you!
39:27Oh, oh, oh.
39:29But I almost have everything I need.
39:33Hmm?
39:33His financials, his accounts.
39:36You see,
39:36the only thing that is missing,
39:39my dear,
39:40is the contact for Sterling's
39:42Project Mansion.
39:44What?
39:45Why does that matter?
39:47Well,
39:47once I have the contact,
39:50I can put in a bid under his.
39:53Therefore,
39:54Mercer will no longer have any names
39:56attached to any property.
40:00That will never happen.
40:05Who's the client?
40:06How much was the bid offer?
40:11I don't know.
40:14Or you'll remember.
40:17Trust me.
40:19Even if I did,
40:21I wouldn't tell you.
40:22So,
40:31tell me,
40:33who is the client?
40:36He took care of my family.
40:39I'm never going to sell him out.
40:40Unless you forget, sweetheart.
40:47You already gave me
40:48the plans.
40:50So, therefore,
40:51you are already a betrayer.
40:54Promise?
40:55I don't know anything.
40:57Hmm.
40:59Well, I can see
41:00that you're a lady of your word,
41:01which makes it kind of hard
41:02to believe you.
41:03So,
41:05tell you what,
41:06this is how it's going to go.
41:08You're going to tell me,
41:10and then you,
41:11Pappy,
41:12and little Kitty
41:13can go free.
41:15While Mercer Designs
41:17burns to the ground.
41:19Or,
41:20I could kill you.
41:23Right here.
41:25Right now.
41:26And Mercer Designs
41:28falls anyway.
41:31Okay.
41:33Decisions, decisions, darling!
41:34Wait, no!
41:35No, I'll tell you!
41:35I'll tell you anything
41:36you want to know, please!
41:37Don't touch him!
41:38I'll tell you!
41:48Tell me
41:49everything.
41:53I don't...
41:54I don't know a lot.
41:56I just...
41:58I know she's very private,
42:00very secretive.
42:01She only talks to Serling.
42:03She's an older,
42:06conservative woman.
42:08Liar!
42:10That night that I dosed
42:11Sterling with that
42:12sleeping elixir,
42:13I found your little
42:15project mansion
42:16and that newly built
42:18BDSM room.
42:19Oh, and then all the plans
42:20that I stole from
42:21Cecilia's bedroom?
42:23They were for a nursery.
42:25Both rooms that an elderly
42:26woman wouldn't need
42:27in a new home.
42:28You drugged him?
42:29Yes!
42:30I drugged him!
42:37And then,
42:38I ransacked his mail.
42:40That's where I found you,
42:41your address,
42:43and your little cat, too.
42:46Well, then.
42:51Looks like you chose...
42:54Oh!
42:55Oh, I'm sorry,
42:56my sweetness,
42:57but our short little affair
42:59is over.
43:01Excuse me.
43:03Well,
43:04obviously,
43:05I don't need your services
43:06any longer.
43:08Besides,
43:09I don't
43:10do
43:11witnesses.
43:12Sterling,
43:19help me,
43:20please!
43:20Sterling, wait,
43:21it's a trap!
43:22Sterling,
43:23please,
43:23you have to help me!
43:24Watch out!
43:31Tell me how to disarm it!
43:33Now!
43:36Back wire!
43:42You little bitch!
43:45Laura,
43:46stop!
43:46Put down the knife!
43:48She kidnapped me!
43:49I've been waiting here
43:50for hours for you!
43:52Put down the knife!
43:53Come on,
43:53let me at her one last time!
43:55She betrayed you!
43:56She's the one
43:57who gave up
43:57the Legacy One
43:58on the third floor!
44:00Wait,
44:01how do you know
44:01about the Legacy One project?
44:02That was confidential.
44:03That little bitch,
44:05she told Vincent
44:06everything!
44:07No,
44:07she's lying!
44:08It's all because of her!
44:12She drugged you!
44:14No,
44:14I didn't,
44:14you bitch!
44:15When I thought
44:16I saw you
44:16with that woman?
44:18Then now you lost
44:19the designs.
44:20No!
44:21No,
44:21that wasn't me!
44:22Okay,
44:23Vincent made me do it!
44:24He said he threatened
44:25my family!
44:26I had no other choice!
44:28I don't believe you.
44:31Arrest her!
44:32No!
44:35Drop the knife!
44:37Get right here!
44:37Get right here!
44:38Stop!
44:39They did you!
44:41Please!
44:41You have the right
44:42and you're silent!
44:44Anything you say
44:45in a movie
44:45it's against you
44:46and you're going to fall!
44:46You get this,
44:47my sir!
44:48Wait,
44:48no,
44:48no,
44:48I'm timeless!
44:49I'm so sorry!
44:51It's okay,
44:52it's okay.
44:53But I gave him
44:53your designs,
44:54I didn't know
44:54what else to do!
44:55I was trying
44:55to save them!
44:56I didn't mean to!
44:57You're safe,
44:58you're safe,
44:59okay?
45:00Vincent,
45:01we'll be able
45:01to touch the project.
45:09I'm so happy
45:10you found me,
45:10I thought...
45:11I'll always
45:12find you.
45:16How?
45:19Because I know you.
45:21That moment
45:22in the parking lot
45:23I knew
45:23from your eyes
45:25that you needed me.
45:31I will always
45:32keep you safe.
45:36Hey,
45:37hey,
45:37would you two
45:38take it someplace else?
45:39I'll take you
45:43and Crump
45:44at home.
45:49Oh,
45:50thank goodness
45:50you're okay.
45:53I want to tell you
45:54something,
45:55sweetheart.
45:56I love Agnes,
45:57I really mean it.
45:58Okay,
45:59Pappy,
46:00just get some rest.
46:00I mean it,
46:02Cece.
46:02When a man knows,
46:04he knows.
46:08Agnes,
46:09it's been a long time
46:10since I've met
46:10someone as caring
46:11as you,
46:12and I'd like you
46:13to be my wife.
46:16Yes!
46:17I love you,
46:18Agnes.
46:19Marley,
46:28what are you doing here?
46:29Miss Brooks.
46:30Mind coming with me?
46:32Will you give me a second?
46:33I want to change first.
46:34action.
46:55Crossion
46:57dreams.
46:58Traffic sounds like
47:00This is really beautiful.
47:23We work well together.
47:25Glad you think so, Cecilia.
47:27Yes, Sterling?
47:33I have something I need to tell you.
47:37About?
47:38There isn't a legacy, Kalai.
47:41Well, there is, but...
47:44It's not who you think.
47:47I don't follow.
47:50It's me.
47:52What?
47:53This. This is my legacy.
47:57Come here. I need to show you something.
48:04I made this for you.
48:11Wait one second.
48:12I thought if we put them next to each other, it would create balance.
48:27But then you came in.
48:44You're kind.
48:47Old.
48:48Intuitive.
48:52Sterling.
48:53Beautiful.
48:55You gave this place a soul.
49:00Cecilia Brooks.
49:04Would you share the love we built together?
49:09Yes.
49:10Yes, Sterling.
49:11Yes.
49:11Yes, Sterling.
49:13Yes.
49:15I said yes to you.
49:23To forever, too.
49:26To every dream we're walking through.
49:30Yes.
49:32Yes.
49:33Yes.
49:34Yes.
49:34Yes.
49:35Yes.
49:35Yes.
49:36Yes.
49:36Yes.
49:37Yes.
49:37Yes.
49:38Yes.
49:38Yes.
49:39Yes.
49:39Yes.
49:40Yes.
49:40Yes.
49:41Yes.
49:42Yes.
49:43Yes.
49:44Yes.
49:44Yes.
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49:59
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