- 2 days ago
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00:00:00Musique
00:00:30Musique
00:00:36Hey, are you ready to get started?
00:00:38I think you are.
00:00:39We gotta make some art here, people.
00:00:41Ok, that's me.
00:00:42Alright, let's go. Bring that light right there.
00:00:44Down here.
00:00:45Alright, that's not-
00:00:46No, I got 8 more lights in here.
00:00:47I'm ready.
00:00:48You're in the spot.
00:00:49Yep.
00:00:50I'm about 80, baby.
00:00:51Ok.
00:00:52Does it go out?
00:00:53Alright, here's the beauty.
00:00:54Oh, yeah.
00:00:55Good point, yeah.
00:00:56Let's go, boy.
00:00:57Alright.
00:00:58Let's go.
00:00:59No, I told you that.
00:01:00C'est parti, c'est parti, c'est parti, c'est parti.
00:01:30C'est parti, c'est parti.
00:02:00I think he looks good, don't you?
00:02:08Now we're out of film. All right, take five. We're reloading now.
00:02:11This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:15It's my dog. I trained that dog. I love this dog.
00:02:18And you are as dumb as the dog.
00:02:23All right. Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:48This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:06I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Valarie, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:55She's been described as the highest-paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:18When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:39Women were second-class citizens then, and they still are today.
00:04:44But let me tell you what.
00:04:47Things are changing.
00:04:53Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Good morning, ladies, and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:29They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:45And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:55This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:06I don't want to take this world away from the boys.
00:06:11All I want is for us to have a piece of the pie.
00:06:18And when I'm talking peace, ladies, I don't mean a little one.
00:06:24I am talking 50% right down the middle.
00:06:32Yes!
00:06:40I want to thank you so much for having me here tonight.
00:06:45Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on, let's go, man.
00:07:14I will tell you, you should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:25Yes!
00:07:2550-50.
00:07:2650%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No.
00:07:3550-50.
00:07:35All I want is for us to have our piece of the pie.
00:07:41Yes!
00:07:4250% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back of the course.
00:07:46When I'm talking peace, ladies, I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:57Yes, yes, yes, yes.
00:08:00Just get the pie.
00:08:01Just get them, honey.
00:08:02Come on.
00:08:04I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:10Thank you.
00:08:15Thank you.
00:08:15Okay, I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by 4 this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:50Okay.
00:08:50For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:07No, come on.
00:09:07You can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:13I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23I know you're a very good boy, Phil.
00:09:29I know you're a very good boy, Phil.
00:09:30I'm always ready when you need me.
00:09:31Sous-titrage MFP.
00:10:01Sous-titrage MFP.
00:10:31Sous-titrage MFP.
00:11:01Sous-titrage MFP.
00:11:31Sous-titrage MFP.
00:12:01Sous-titrage MFP.
00:12:31Sous-titrage MFP.
00:13:01Sous-titrage MFP.
00:14:01Sous-titrage MFP.
00:14:31Sous-titrage MFP.
00:15:01Sous-titrage MFP.
00:15:31...
00:16:01Sous-titrage MFP.
00:16:31Sous-titrage MFP.
00:20:31...
00:20:33...
00:20:35...
00:20:37...
00:20:39...
00:20:41...
00:20:43...
00:20:45...
00:20:46...
00:20:48...
00:20:50... ...
00:25:32C'est quoi ça ?
00:25:33C'est quoi ?
00:26:32C'est quoi ?
00:26:34Richard ?
00:26:36Bill ?
00:26:38You're about as dumb as a boxer rocks.
00:26:54I mean, what the hell made you think you could get your ass through that small open, huh ?
00:26:57Please help me.
00:26:59Honey, you just said a magic word, please.
00:27:03My neck gun is caught on something here at the waist, and I can't pull back out.
00:27:06Oh.
00:27:07Well, that's no problem.
00:27:11Okay, try it again.
00:27:14Go on.
00:27:15I can't do it.
00:27:20Why not ?
00:27:21You got in there.
00:27:22Well, that's obvious, but now I can't get back out.
00:27:24Okay, well, I'll tell you what.
00:27:25Let me check out the situation.
00:27:27Let me check this out, okay ?
00:27:29Okay ?
00:27:30All right, I'm checking it out.
00:27:32You know, the only thing I can figure is that your tits got bigger.
00:27:37You are a disgusting pig.
00:27:40Hmm.
00:27:41Well, I'll tell you what.
00:27:42I can take this thing off its hinges, and you'll be wearing a door for the rest of your life.
00:27:50Please.
00:27:51It's better.
00:27:52You know what, you're starting to get to me.
00:27:55The possibility exists is that you may even be getting better.
00:28:02But I doubt it.
00:28:07I don't believe this.
00:28:12Children.
00:28:16Healing with children.
00:28:21Oh, this is that fake butter.
00:28:26I hate this shit, don't you?
00:28:32All right.
00:28:34All right, this is the gold we have been searching for.
00:28:41Oh, yes.
00:28:43Oh, yes.
00:28:46Yes, baby.
00:28:49Oh, yeah.
00:28:50Come on.
00:28:51Come on.
00:28:52Come on.
00:28:53Move over a little bit.
00:28:54I see a touch of you, babe.
00:28:55Come on.
00:28:56Come on, honey.
00:28:57Come to daddy.
00:28:58That's it.
00:28:59That's better.
00:29:00Oops.
00:29:01Not enough.
00:29:02Just get your magi-
00:29:03Oh, come on.
00:29:04Get in the view.
00:29:05Come on.
00:29:06Let me strike a close-up on your magic spot.
00:29:12What are you doing to me?
00:29:16Come on.
00:29:20Come on.
00:29:22Come on.
00:29:24Come on.
00:29:25Come on.
00:29:27Yeah.
00:29:28Now, I wanna go someplace where I can totally be lost.
00:29:32But at the same time, if I wish to escape into some excitement, it's...
00:29:36it's nearby.
00:29:37C'est près de l'eau.
00:29:39Je comprends.
00:29:41Mais je veux qu'il soit magnifique.
00:29:44Tout Ă l'heure.
00:29:46C'est quoi ?
00:29:47J'aime l'océan.
00:29:49Mais il doit être plus que ça.
00:29:51Je veux quelque chose que...
00:29:53OĂą...
00:29:55OĂą...
00:29:57OĂą...
00:29:58OĂą...
00:29:59OĂą...
00:30:01OĂą...
00:30:02OĂą...
00:30:03OĂą...
00:30:05.
00:30:08P.
00:30:09Ce n'est pas duré de l'océan...
00:30:12S'il vous plaît.
00:30:13...
00:30:15...
00:30:16C'est ?
00:30:17...
00:30:18...
00:30:20...
00:30:21...
00:30:22...
00:30:23...
00:30:24...
00:30:25Hold tes brefs !
00:30:26...
00:30:27...
00:30:28...
00:30:28...
00:30:29...
00:30:31...
00:30:32...
00:30:34Cinq ans à l'heure, très chère...
00:30:38Eh bien, près de l'intimité...
00:30:41Un ami et moi et j'ai passé cinq jours magnifiques là -bas.
00:30:45C'était magnifique, je ne l'ai jamais oublié.
00:30:47Nous Ă©tions sur la plage et Ă©crivions Ă l'autre...
00:30:51... et nous Ă©tions dans un sol...
00:30:55... d'une blanche orange juice.
00:30:57Pendant cette pierre.
00:30:59Regardez, c'est la pierre.
00:31:01Et la nuit...
00:31:03C'Ă©tait magnifique.
00:31:07Le vent, les gens...
00:31:10... l'île, les beaches...
00:31:13... les poèmes de l'amour.
00:31:15Et puis, quand nous Ă©tions Ă©trangers...
00:31:17... c'Ă©tait assez souvent...
00:31:19... nous arrivions Ă notre site magique.
00:31:23Oui.
00:31:25C'est l'actuel site.
00:31:29Juste entre nous...
00:31:32... nous Ă©tions Ă©trangers.
00:31:34Nous Ă©tions Ă©trangers.
00:31:36Nous Ă©tions Ă©trangers.
00:31:38...
00:31:48...
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00:40:03How many ways do I love you? I'm going to show you now. I'll buy you nice little things and a big diamond ring.
00:40:18Oh, wow. You said that you didn't love me. Honey, I got class and style. I'll make sure we're together. This stormy weather, mile after mile after mile.
00:40:41Yeah, how many ways do I love you? Let me tell the world. Let me tell them all. I'll buy you a rainbow. I'll buy you the moon. I'll buy you boats and planes, horses and trains.
00:41:02I'll buy the size of the hall. Throw in the sleeves and all. You'll be the queen of the ball.
00:41:11The gown was $600.25. However, if you'd wish to purchase the undergarments we discussed, I'm sure we can come to some kind of agreement for a discount. Let's say, um, 5%.
00:41:35Well, that sounds okay. I'll tell you what. Why don't, uh, why don't you have her try the bra? I'm sorry, sir. But we don't model underwear.
00:41:45Why not? Company policy. Who said what company? This company. You in charge of this company? I am. You set forth the rule? I did.
00:41:54Why'd you come and do that? I mean, why is everybody going to spoil my fun? Sir, this is a respectable establishment.
00:42:02Are you suggesting that I'm not respectable?
00:42:08Honey, could you go over and get me the gold dress? I mean, I don't like this at all. I gotta tell you, I don't want that at all.
00:42:14I deal with gold and I love gold. I mean, look at the shimmering of this. I mean, this is beautiful.
00:42:20Well, I'll tell you what. Why don't you throw all this shit in the box and, uh, oh, let's see.
00:42:28A 10% discount seems, uh, pretty respectable to me. Don't you think?
00:42:34Well, look at that.
00:43:02Front page, above the fold, in living color.
00:43:09I really am fantastic.
00:43:32Good morning, Emmanuel. I have something very special for you.
00:43:41Something pink for Pink Lady.
00:43:44How are you?
00:43:46Hey, you. What's going on here?
00:43:47Plug it back in. There's a little bra for you in black.
00:43:49I've been calling you all day. I don't have any water, and where the hell's my food?
00:43:53Plug it back in, and things will be quite beautiful for you.
00:43:56Here's something royal for a royal lady.
00:43:58Oh, yes.
00:43:59Prick.
00:44:00Here's some golden threads for you.
00:44:01Just plug it back in.
00:44:03Another thing for Pink Lady. Here's a little thing for Purple.
00:44:05I want some goddamn water. I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water with these tennis shoes.
00:44:13You bet your life. There they are. Run for it, baby.
00:44:16I'm going to stick these shoes right up your ass. Give me some water.
00:44:19Come on. Here's the little undies for the baby.
00:44:21You prick. You turned the water off, didn't you?
00:44:24You got it, sweetheart. And if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:30Oh, my. Well, Jesus Christ.
00:44:35I got faith in you. I mean, uh, I think, uh, you'll figure it out.
00:44:39I'm not taking any calls, sweetheart.
00:44:43And I'm going to get some water, all right?
00:45:11I'm going to get some water, all right?
00:45:11Jeez.
00:45:12Merci.
00:45:42Oh, God, you are persistent.
00:46:08Jesus.
00:46:12Honey, these are difficult times for both of us, okay?
00:46:19But I tell you what, I'm gonna make it as easy on you as possible.
00:46:23Now all you gotta do to get started again is plug it back in.
00:46:29Fuck you!
00:46:31You better not mess your room up, honey.
00:46:33You're gonna be living there for a long time.
00:46:36Also, I've turned the buzzer off so you can save your finger.
00:46:40All you gotta do is come over here and plug it back in.
00:46:43You want something to drink, plug it back in.
00:46:45You want something to eat, plug it back in.
00:46:47It's that simple.
00:46:48Plug it back in.
00:46:49I wouldn't do that if I were you!
00:46:51That's your only contact with the outside world.
00:46:56What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:03You're doing it all to yourself, baby.
00:47:06You make it all happen.
00:47:08All right, Richard.
00:47:13We'll do it your way.
00:47:15Now you see there, sweetheart?
00:47:31You've already started to learn something.
00:47:36Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:43Soon you'll have running water.
00:47:45And tonight, tonight I'm gonna fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Matty.
00:47:53I love you with my heart and soul and I would do anything for you.
00:47:56But please cooperate with me.
00:48:07Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:14Here's looking at you, baby.
00:48:20It's wonderful.
00:48:21Once you try the steak, it's great.
00:48:25I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:37Later I'll share the method and the recipe with you as soon as we get to know each other better.
00:48:43The secret is, though, that I use two egg yolks in the sauce at the end.
00:48:47It makes it smoother.
00:48:49It's very smooth.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:56Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:01I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:06That's quite up to you.
00:49:07You know that by now.
00:49:09Why don't you pour yourself some more wine, okay?
00:49:15You know, tonight I'm gonna be the designated driver.
00:49:19Are we going out?
00:49:22No, no.
00:49:23I can't trust you to go any place.
00:49:25No.
00:49:26Oh, yes, you can.
00:49:27I'd behave.
00:49:29I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that, it'd be better for both of us.
00:49:34I have learned that.
00:49:35Really, I have.
00:49:36I'll hear this toast.
00:49:39Okay?
00:49:41Oh, it's just a little lower.
00:49:50Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:55By my name.
00:49:59They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:15No.
00:50:21Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:30I represent the truth.
00:50:31You have a very nice voice.
00:50:36Thank you.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:51:01Oh, I got your back on now.
00:51:07So, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made a fortune.
00:51:18You're very smart.
00:51:20Oh.
00:51:22No, just, just lucky.
00:51:25What about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:29That was funny.
00:51:35I went to New York to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:46So what happened?
00:51:49I found out I was no actress.
00:51:53Then what?
00:51:54What?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:12I did nude dancing at a Times Square bar.
00:52:14Well, I mean, uh, how'd you handle that?
00:52:20It was easy.
00:52:24I actually enjoyed it.
00:52:28I got off on guys watching me.
00:52:32It was a turn on.
00:52:35That's what all models do.
00:52:39Turn guys on.
00:52:42Hmm.
00:52:44Doesn't matter if you're naked or not.
00:52:46It's a turn on.
00:52:48It's a sexist thing, so you're a sexist.
00:52:50I didn't say that.
00:52:52Yes, you did.
00:52:54Well, men just take advantage.
00:52:57Oh.
00:52:59So, when you're, uh, stark naked in front of those good old boys.
00:53:05I mean, uh, who has the advantage then?
00:53:08Why don't you play me some music?
00:53:24I want to dance for you.
00:53:28I want to dance for you.
00:53:32Ah.
00:53:58I'm yours forever.
00:54:09Please take these words I say.
00:54:14Hold them inside your heart.
00:54:23Oh, baby.
00:54:24Oh, girl.
00:54:25I need you, darling.
00:54:26Inside my world.
00:54:27Oh, girl.
00:54:32I need you, darling.
00:54:34Inside my world.
00:54:37I'm yours forever.
00:54:40Please hear the song I sing.
00:54:42Hold it inside my heart.
00:54:45Oh, girl.
00:54:47I need you, darling.
00:54:49Oh, girl.
00:54:50I need you, darling.
00:54:51Inside my world.
00:54:52I'll hold it inside.
00:55:00I'll be down in the living room.
00:55:02Just come down the stairs and bear to your left.
00:55:22I'll be down in the living room.
00:55:23All right?
00:55:24Yeah, absolutely.
00:55:25I'll be down in the living room.
00:55:26Just act like it's okay.
00:55:27I need you.
00:55:29Yeah.
00:55:30Oh, yeah.
00:55:31Oh, yeah.
00:55:32I'll be down in the living room.
00:55:34Sous-titrage MFP.
00:56:04Sous-titrage MFP.
00:56:34Sous-titrage MFP.
00:57:04Sous-titrage MFP.
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01:13:28Sous-titrage MFP.
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01:14:00Sous-titrage MFP.
01:14:02Sous-titrage MFP.
01:14:04Sous-titrage MFP.
01:14:06Oh, Dieu, c'est incroyable.
01:14:31Emmanuel, je suis désolé.
01:14:34Je suis désolé.
01:14:36Je suis désolé.
01:14:38Je suis désolé, et encore...
01:14:40Je dois vraiment besoin de votre amour.
01:14:43Je sens votre strength.
01:14:46Et la belle de votre beauté,
01:14:49mĂŞme dans cette merveilleuse.
01:14:51N'importe qui peut nous séparer.
01:14:54Et je veux dire rien.
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