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Tramlines 2025: We speak to the Everly pregnant brothers
The Star, Sheffield
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2 days ago
Lauren Hague speaks to the Everly Pregnant Brothers
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News
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00:00
Right, so, hi guys, we're here with the Sheffield Star and I'm here with the Everly Pregnant Brothers.
00:04
You guys have already been on stage today, so you've got to see how amazing the crowds of Sheffield are.
00:11
And obviously, you're no strangers to tramlines. How many times has it you've played here now?
00:16
The brothers have been involved with tramlines from its incarnation, I guess.
00:24
Whether we played the first year or not, we would just be on the fringes.
00:29
Then we got elevated to the main stage, which is on Devonshire Green, for the next two or three years.
00:35
And then, for a short period, we weren't involved with the main bit and we did our own tramlines thing.
00:41
So we played in the car park of Fat Cat Pub.
00:44
And that basically was just like the most immense, craziest experiences because none of it was crown controlled.
00:52
There were no toilets or anything.
00:53
It's just basically, we played, it's got a PA and played and then everybody turned up after Sheffield.
00:59
And so the tramlines realised they needed to have us back on again because we kept taking the crowd away from them.
01:05
But they begrudgingly put us on on a Saturday afternoon and get us playing there.
01:09
But it's a joyous set to do, to have that warm-up on the Saturday, get a great crowd, absolutely really great crowd.
01:16
It always fills up.
01:17
I can't believe it.
01:18
I can't believe people, you know, come and see us so early in the day, but it's amazing.
01:24
And, yeah, the Sheffield crowds and tramlines itself is such a fantastic organisation.
01:31
It's just a privilege and a pleasure to play it because not only does tramlines create this,
01:38
but the vibe in town and the energy that comes from that and extends down to the fringes and all the free stuff there,
01:46
because obviously the big criticism of tramlines when it became quite big and had to charge tickets was that it was no longer free.
01:55
But we still have a free festival because you can just go, you can go to the pubs in Sheffield and see bands for free and it's packed.
02:02
Yeah, you get the atmosphere all over the city.
02:05
You get the best of both worlds.
02:07
You can either go and see big bands on a big stage or you can see the small bands in pubs and it's just fantastic.
02:13
It's a great thing for Sheffield and for that weekend, it just explodes.
02:17
And in terms of you guys obviously being no strangers to the Fringe Festival as well,
02:21
which also helps so many smaller grassroot venues get artists on and get people playing.
02:27
What's your thoughts on what's happened quite recently with us losing the lead mill,
02:33
which I would always say is the cornerstone for culture, music culture in Sheffield.
02:39
How's that made you feel?
02:41
Well, it's obviously been a big shock to many people in Sheffield.
02:47
Obviously, as we know, the venue will still be a new venue, we just want to be at lead mill,
02:51
which is obviously a little bit upsetting, but I think we'll all have fond memories.
02:58
And I mean, it's gone for now, but it may not be gone for good.
03:02
I'm sure they're going to bounce back.
03:05
There's obviously a lot of animosity and there are a lot of conflict.
03:09
And I'm big friends with the lead mill, but we have to have this venue has to succeed.
03:14
We still have to have those sort of sized venues.
03:15
We still have to have bands playing in those venues.
03:17
So I wish them all the best with what they're doing.
03:21
Like I said, and as Kieran's sort of kind of pointed out,
03:23
that lead mill probably hasn't seen its days yet.
03:26
It's going to obviously try and find a new venue, I would have thought.
03:29
But Kieran, you've played with our souls as well.
03:32
You're in the epicenter of the other venues that are available in Sheffield.
03:35
Have you seen a decline or is it a renaissance?
03:38
I think it fluctuates.
03:41
I think it's all constant like an heaven flow in it.
03:44
It's like a back and forth.
03:45
You know, there's certain moments where it kind of dips down.
03:49
But at the minute, I'm seeing it like a rise.
03:51
It's like the Sydney and Matildas.
03:52
That's a really good venue.
03:55
I mean, then you get on the other side of Kieran.
03:58
Is it Delicious Clam that shut down?
04:01
I think it was a place called Delicious Clam that shut down.
04:05
But it's a shame.
04:06
But things are still pumping.
04:09
And I don't think it's ever going to stop.
04:11
You're just going to have to find new places to go.
04:14
I think it's just a constantly moving thing.
04:18
Dynamic, if you will.
04:19
Yeah.
04:20
I mean, us are in quite a fitting place because if you look behind us, your dressing room,
04:25
this must be one of the coolest dressing rooms ever.
04:27
Well, as a Wednesday, it's incredibly cool, yeah.
04:29
That's what I was going to say.
04:30
Yeah, it's very, very special too.
04:33
When they first started using Hillsborough, I was overwhelmed with joy to be able to go into Posh Boxers,
04:40
stretch my legs out and look at this gorgeous verdant grass, beautiful, luscious kiss by sun
04:47
before it gets destroyed by crap football.
04:51
Oh, yeah.
04:52
Well, I mean, we can see the name responsible for that right there.
04:56
But for now, we've got him.
05:01
Let's hope we can get a team together and start season with relatively few points deducted.
05:09
We'll see.
05:10
All being well.
05:11
What about you?
05:11
Who do you support?
05:13
I'm not as tribal, but my mother was a very hardened Robin United fan.
05:20
She would be going mental if she knew how we were here.
05:25
However, you know, like I said, I'm not so tribal.
05:29
It's all in the great spirit.
05:31
You know, everyone's got their teams and it brings a lot of joy to people's lives and a lot of sorrow.
05:37
But, you know, you take the rough with the smooth, don't you?
05:40
In terms of playing the Fringe Festival and you're getting totally different crowds,
05:45
as you've both spoke about, with the pubs and it's free and everyone can come and it's got that community vibe.
05:50
How does that compare to playing the main stage where, obviously, you're just looking out at thousands of people?
05:58
How does it compare for you?
06:00
Well, you have to think bigger, try and put something a bit special in there.
06:06
It's just great to just have that call and response part where you just can hear that crowd singing along.
06:11
And that's been our bread and butter for our sets anyway.
06:13
We try and make it this kind of communal experience when you come and see the brothers.
06:17
There's always parts in the set where it requires you to sing back and swear and stuff.
06:23
And it's always been that thing.
06:26
And by doing it, whether it's on tram lines or we do it in a 200-capacity pub, the experience is exactly the same for us.
06:34
The joy and the vibrance is equal.
06:37
It's just on a larger scale and it's just a larger privilege for us to be there.
06:41
What do you reckon, Kieran?
06:42
Well, I can certainly say from my point of view, from a performance ethic, I treat everyone exactly the same.
06:50
Obviously, there's a certain, in my opinion, there's a certain art how you talk to a crowd if you're on a bigger stage.
06:55
You can be more personal and be more jokey in a smaller setting.
07:01
It's more intimate.
07:02
Intimate.
07:03
But in terms of like a performance thing, my job, as I see it, apart from having a great time with the boys, is to entertain.
07:14
Yeah.
07:14
So if I can take someone out from the potential sorrows of reality or whatever, if they've had a rough week,
07:23
take them away from that by making them laugh, I've done my job.
07:27
That's the key part to what the brothers' ethos is.
07:29
It's basically for an hour and a half, or whenever a festival sets, obviously, shorter, but for that time,
07:36
we're forgetting about everything other than just having a good time.
07:39
Yeah.
07:40
I think that's a great way to be.
07:42
I mean, that's why so many people love live music so much.
07:46
Another thing we have to talk about was, I mean, Nick's stamina to do what he did last night
07:52
and then come straight back this morning.
07:54
What do you guys reckon to that?
07:56
Did you watch Paul Paul?
07:57
Yeah, I certainly did.
07:59
And all I can say is an animal, quite clearly.
08:03
But he's also had a personal trainer, though.
08:06
I heard about his personal trainer.
08:08
Wow.
08:08
Personal trainer, yeah.
08:09
So the stamina and the drum bashing, that's not a problem.
08:11
It's the nighttime drinking afterwards.
08:13
It was celebrating until, like, 4 in the morning.
08:16
That's sort of that, I think.
08:18
Oh, wow.
08:18
He may as well have not gone to bed.
08:20
He may as well have just stayed up for the set today.
08:22
So basically, we gave him a nickname this morning.
08:26
We called him Mr. Febreze, because even though he'd been out, he was just so fresh right now.
08:31
Do you know what I mean?
08:33
He was just so fresh.
08:34
He was keeping it real.
08:35
In fact, I've never seen him so clear-headed.
08:38
So maybe he'd not sewed up.
08:40
Maybe he's still on the juice and we just don't notice.
08:42
Yeah, he kept going.
08:42
Yeah.
08:43
Yeah.
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